Fri. May 10th, 2024
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A critique of The Crown as the epic series went on was that the later episodes suffered from the fact the storylines did not see the Queen and her family involved as much in the political crises of the day, or even offering windows into the changing times, as had been the case in earlier episodes.

Events like the Suez Crisis, or the mining disaster in the Welsh village of Aberfan in 1966, or the rise and fall of Margaret

More recent episodes, critics observed, had become not much more than a soap opera. It’s hardly the fault of the people making the program. That’s just sort of how it has been.

There is a bit of the same sense about Nemesis: the ABC’s latest compelling instalment documenting politicians fronting the cameras to tell us what they really thought when they were in government.

The fact that so many of them actually front up to do this, to paint their colleagues, and even themselves, in the most ghastly light, makes it unmissable television.

In a similar way to The Crown, there is a sense that power tussles over actual policy in the Hawke government — on top of the rather spectacular ambitions and skulduggery that loomed in those days — hasn’t really been matched in more recent times.

You don’t get much of a sense that policy disagreements — except perhaps on climate change — really had all that much of a dynamic role in shaping the Abbott, Turnbull, (and next Monday) Morrison governments.

Instead, the picture in Nemesis is of a drama relentlessly driven purely by political optics, personal enmities and ambitions.

Tony didn’t like Malcolm. Malcolm didn’t like Tony. Tony didn’t like to be contradicted. Malcolm’s political judgements sometimes left a lot to be desired.

In a way, the most important part of something like Nemesis is that it reminds us that all the people in it had choices at various points of time, and didn’t know what was going to happen next.

This contrasts with a lot of history which speaks with the retrospective confidence that everything that happened was obvious and pre-ordained.

Malcolm Turnbull.
The picture in Nemesis is of a drama relentlessly driven purely by political optics, personal enmities and ambitions.(ABC News: Harriet Tatham)

Opportunity and necessity

All this came to mind this week watching the morphing of the political discussion about the Albanese government’s change of heart on the stage 3 tax cuts, against the backdrop of federal parliament returning for its first sitting of the year.

It’s just two weeks since the prime minister confirmed at the National Press Club on January 25 that the government was going to completely restructure the tax cuts legislated to come into effect on July 1 this year by the Morrison government in 2019.

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