Seoul appeals court cuts ex-prime minister’s prison sentence from 23 years to 15.

A South Korean appeals court has reduced the sentence of former Prime Minister Han Duck-soo by eight years for crimes relating to ex-President Yoon Suk Yeol’s declaration of martial law.

The verdict was issued in the South Korean capital, Seoul, on Thursday.

Yoon’s decree in December 2024 briefly suspended civilian government and plunged South Korea into chaos, but it only lasted about six hours as opposition lawmakers moved quickly to overturn it in a vote.

A lower court had sentenced Han in January to a heavier-than-expected jail term of 23 years for engaging in the insurrection, as well as on related charges of perjury and falsifying an official document.

But the appeals court in Seoul cut that by eight years on Thursday, with the presiding judge announcing: “We sentence the defendant to 15 years in prison.”

The court still maintained most of Han’s convictions but lessened the penalties after taking into account his “more than 50 years as a public official prior to the martial law declaration”.

“The records also make it difficult to find evidence showing that the defendant participated more actively in the insurrection, such as by conspiring in advance or systematically leading the operation,” the judge said.

However, he said Han had “abandoned the grave responsibilities arising from the authority and position entrusted to him and instead sided with those participating in the acts of insurrection”.

Han, wearing a white shirt and a dark suit with no tie, listened to the verdict without showing much emotion.

The 76-year-old has been imprisoned since his original sentence in January.

Han had denied wrongdoing on all charges except perjury, saying in November that while he regretted not being able to stop Yoon from declaring martial law, he “never agreed to it or tried to help”.

Han is an experienced technocrat, who served in senior posts under five presidents.

He became the acting president after Yoon was impeached, before his own impeachment on accusations of having aided Yoon in the martial law declaration.

The Constitutional Court overturned Han’s impeachment, restoring his powers to serve as leader before he resigned from the post to run in a snap election in June.

He ended his bid for the presidency following rifts among conservatives.

Yoon, who faces eight separate trials, was handed a life sentence in February on charges of “masterminding an insurrection”.

Yoon, a former career prosecutor, denied the charges, arguing he had presidential authority to declare martial law and that his action was aimed at sounding the alarm over opposition parties’ obstruction of government.

He has apologised for the “frustration and hardship” brought upon the people by his martial law decree, but said in a statement after the sentencing that he stood behind the “sincerity and purpose” behind his actions.

U.S. forces operating in the Gulf of Oman disabled an Iranian-flagged ship trying to run the ongoing blockade of Iranian ports by blasting its rudder with several rounds from the 20mm cannon of an F/A-18 Super Hornet , U.S. Central Command stated on X. The jet was launched from aircraft carrier USS Abraham Lincoln.

The incident occurred at 9 a.m. EDT, according to the command. It came as a new peace initiative between the U.S. and Iran is being floated and a day after President Trump paused the short-lived Project Freedom operation to protect commercial shipping trying to escape the Persian Gulf through the Strait of Hormuz.

CENTCOM forces “observed M/T Hasna as it transited international waters enroute to an Iranian port on the Gulf of Oman,” the command added. “American forces issued multiple warnings and informed the Iranian-flagged vessel it was in violation of the U.S. blockade.”

When it ignored the warnings, the Super Hornet opened fire. After being fired upon, the ship is no longer traveling to Iran, CENTCOM explained.

“The U.S. blockade against ships attempting to enter or depart Iranian ports remains in full effect,” the command continued. “CENTCOM forces continue to act deliberately and professionally to ensure compliance.”

The Hasna incident is the second known time the U.S. has fired on an Iranian-linked large commercial ship running the blockade. The Arleigh Burke class guided missile destroyer USS Spruance struck the Iranian cargo ship Touska on April 19th with its 5-inch MK 45 gun. The destroyer fired nine inert rounds into the cargo ship’s engine room after the vessel failed to comply with warnings while transiting the north Arabian Sea, Joint Chiefs Chairman Gen. Dan Caine said last month. The Super Hornet used its own method to disable but not sink the ship via taking out its rudder control.

You can see him explain the incident in the following video.

Meanwhile, a French-owned ship is “currently drifting without power” after being “struck by an Iranian drone” yesterday, a maritime security official told TWZ.

The container vessel, CMA CGM San Antonio, was damaged and eight people were injured in the attack, the U.N.’s International Maritime Organization (IMO) told us. The attack was reported about two hours before Trump paused Project Freedom, pending further negotiations with Iran.

A U.S. military official told us that it is “aware of the reports” about the attack on the San Antonio, but had no further details about how it happened.

“The transit in question was not coordinated” through Project Freedom, said the official, adding that the crew did not seek U.S. assistance.

Since the war began on Feb. 28, UKMTO “has received 46 reports of incidents affecting vessels operating in and around the Arabian Gulf, Strait of Hormuz (SOH), and Gulf of Oman,” the organization states. There were 26 reported ship attacks, including the San Antonio, 18 suspicious activity reports and two ships hijacked.

Vessel Attacked In Strait Of Hormuz As US Pauses Operation To Guide Ships | US Iran Update

In the wake of Trump’s decision to pause Project Freedom, the IMO and shipping companies say the short-lived effort did not changed the level of danger for ships trapped in the Persian Gulf.

“The situation remains the same,” IMO told us Wednesday morning. “IMO has been consistent in its messaging that the Strait of Hormuz is not safe at present for ships to transit, and ships should exercise maximum caution. Things have not materially changed over the past few weeks.”

“Our risk assessment goes on continuously and it is still valid, that the Strait of Hormuz remains closed for Hapag-Lloyd transits until further notice,” a spokesperson for the German shipping giant told us

“We don’t have a comment specifically addressing the decision to pause,” a spokesperson for Maersk told us. ”We are following the guidance of our security partners in the region, and it is currently recommended to avoid transiting the strait.”

A U.S. official declined comment on how the pause is affecting CENTCOM operations. However, “U.S. forces are currently focused on enforcing the U.S. naval blockade against Iran,” the official told us.

As we reported yesterday, Trump paused Project Freedom after little more than a day, pending negotiations with Iran. 

The move came after Iran fired on U.S. warships and commercial vessels being protected under Project Freedom.  Trump said he made that decision at the behest of Pakistan, which has been mediating peace talks. The president claimed the goal was to give Iran time to respond to U.S. proposals.

Given the circumstances, it seems probable that tactical considerations also drove this decision.

Here’s where you’ve seen the cast of British spy thriller Legends on Netflix before.

Netflix’s Legends will be dropping this week – and the show has some very familiar faces in its star-studded cast.

Six-part series Legends arrives on Netflix today (May 7) and is based on the remarkable true story of a group of ordinary men and women who risked everything for their country.

The show follows several customs employees, who go undercover and adopt ‘legends’ to infiltrate Britain’s most dangerous drug gangs as they take on the war against drugs in the 1990s.

The British crime drama has an impressive cast list, who have been in some big projects previously.

Who is in the cast of Netflix’s Legends?

Guy – Tom Burke

Tom Burke stars as real-life legend Guy, who trades in his mundane job in customs to become a legend.

Burke has appeared in The Musketeers, War & Peace, Blade Runner 2099, BBC’s Strike, and The Lazarus Project.

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Don – Steve Coogan

Steve Coogan is Don, who oversees the legends. The actor, writer and producer is best known for his comedic alter-ego Alan Partridge, Philomena, The Sandman, and 24 Hour Party People.

Kate – Hayley Squires

The Night Manager, Great Expectations and Adult Material star Hayley Squires plays legend Kate.

Carter – Tom Hughes

Tom Hughes, best known for ITV’s Victoria, The Gold and Malpractice, takes on the role of drug kingpin Carter.

Bailey – Aml Ameen

Actor, director and producer Aml Ameen from The Porter, Rustin and Kidulthood, plays legend Bailey.

Erin – Jasmine Blackborow

Jasmine Blackborow, who has appeared in Netflix’s The Gentlemen, Marie Antoinette and Shadow and Bone, plays legends’ secretary Erin.

Blake – Douglas Hodge

Acclaimed actor, composer, director and writer Douglas Hodge from The Night Manager, The Great and Black Mirror stars as senior civil servant Blake, who oversees Don.

Eddie – Johnny Harris

Johnny Harris plays drug dealer Eddie after starring in This Is England ’86, Great Expectations, and A Gentleman in Moscow.

Mylonas – Gerald Kyd

Gerald Kyd, who has appeared in Casualty, Malory Towers, and The Assassin on Prime Video, plays Guy’s fixer Mylonas.

Hakan – Numan Acar

Numan Acar of Homeland, Jack Ryan and Young Sherlock fame plays Turkish drug dealer Hakan.

Sophie – Charlotte Ritchie

Ghosts, Call the Midwife and Netflix’s You star Charlotte Ritchie portrays Guy’s wife and fellow customs officer Sophie.

Zeki – Joshua Samuels

Joshua Samuels from The Gold, Saltburn and Nate & Jamie plays Kurdish drug dealer Zeki, who is working with Hakan.

Aziz – Kem Hassan

Actor and writer Kem Hassan stars as Hakan’s son Aziz. Legends marks his biggest role to date after appearing in The Sandman, Beyond Paradise and Grace.

Shaun – Thomas Coombes

Thomas Coombes stars as Shaun, who helps the Legends, and has featured in ITV crime drama Grace, Sky’s Save Me, Luther: The Fallen Sun, Miss Austen and Baby Reindeer.

Legends will be released on Netflix on Thursday, May 7

The Los Angeles City Council on Wednesday voted in favor of new restrictions on so-called “pretextual” traffic stops, signaling a growing impatience with the Police Commission’s failure to rein in a controversial LAPD tactic that critics say enables racial discrimination.

The vote requests that the department’s all-civilian watchdog adopt new guidelines similar to San Francisco, which bars police officers from pulling people over for broken taillights and other minor equipment violations unless there is a safety threat.

“Board of Police Commissioners: Get this done; we’re watching, no excuses,” said Councilmember Imelda Padilla, who shared stories of her late father being stopped by police with no explanation. “This is what this generation wants.”

If the new policy were adopted, LAPD officers would be prohibited from stopping motorists, bicyclists or pedestrians for minor violations “except in cases where the violation poses a significant and imminent safety risk.”

The unanimous vote followed sometimes emotional testimony at a City Council meeting from Angelenos about how their lives had been shaken by discriminatory traffic stops and searches.

Several speakers pointed to a growing body of research showing that minor stops disproportionately affect Black and brown motorists and do little to combat violent crime while eroding public trust. In recent years, there have been several high-profile traffic stops that resulted in officers or drivers being killed.

The current LAPD policy, in place since 2022, requires officers to record themselves on their body-worn cameras stating the reasons for suspecting a more serious crime had occurred when making a stop for a minor infraction.

The measure passed Wednesday stops short of a categorical ban that some have sought, but was still met with cautious optimism by traffic safety reformers.

“It helps place the city of Los Angeles on a path of ending racial profiling by LAPD,” said Chauncee Smith, of Catalyst California, a group that advocates for racial justice.

Smith’s group recently released a report that said such stops have continued to disproportionately affect Black and Latino drivers.

Smith said the new policy advanced by the City Council represents “a more formal, explicit prohibition,” adding that he hopes the Police Commission will ultimately give officers even less discretion in deciding when to make stops.

In a brief statement after the vote, Mayor Karen Bass thanked Harris-Dawson for his “leadership and dedication in moving this updated policy forward.”

“I will work closely with the Police Commission and Chief [Jim] McDonnell to implement it and to provide officers with appropriate training,” Bass said.

Any changes to the policy will probably draw strong challenges from within the LAPD and the Los Angeles Police Protective League, the powerful union that represents the city’s rank-and-file officers.

McDonnell has publicly defended the stops as an essential law enforcement tool in the department’s fight against guns, gangs and drugs. He and some transportation safety advocates have argued that persistent traffic deaths — road fatalities have in recent years outpaced the number of homicides — indicate the city needs to crack down harder on reckless driving.

The proposed change comes against the backdrop of a broader effort by city leaders to wrest greater oversight of the LAPD from the Police Commission. A spokesperson for the civilian body said it would evaluate how to proceed.

“The Board intends to place this item on a forthcoming agenda to enable a full and transparent discussion of the Department’s pretextual stop policy, which will include the recommendations from the City Council,” the statement said.

McDonnell did not respond to a request for comment.

The vote was the latest move in a broader push to remove police officers from traffic enforcement. Some advocates have argued that more punitive approaches that prioritize arrests and traffic citations do little to keep city streets safe; instead, they argue the city should invest in unarmed civilian workers and speed bumps, roundabouts and other street modifications that could help curb unsafe driving.

Adrienna Wong, a senior attorney with the American Civil Liberties Union, said Wednesday’s vote showed city leaders taking action on an issue that was personal to them.

“I think what you saw today in council was the council members have lived experiences and are hearing from their constituents and are voting to represent their constituents in a way that the Police Commission has not,” she said.

Champions League analysts Stephen Warnock, Nedum Onuoha and Guillem Balague explain how Arsenal were able to “make life difficult” with the use of a man-to-man press high up the pitch to force Atletico Madrid to play the ball long in their semi-final second leg at the Emirates Stadium.

MATCH REPORT: Champions League – Arsenal 1-0 Atletico Madrid (2-1 agg)

Available to UK users only.

Police have arrested an anti-war protester after he ended a five-day sit-in atop Washington’s Frederick Douglass Memorial Bridge. Guido Reichstadter, opposed to the war on Iran, started the protest to rally others into non-violent opposition.

US State Department spokesperson Tommy Piggott tells Al Jazeera that the United States is working to create conditions for “good faith conversations” between Lebanon and Israel, while accusing Hezbollah of trying to derail diplomacy through attacks and threats.

On one of her previous visits to Los Angeles, Argentine filmmaker Lucrecia Martel found herself having a smoke on Hollywood Boulevard.

There, while she stepped over the famous concrete-embedded stars, an unhoused man struck up a conversation with her.

“He kept explaining to me that he was poorly dressed because he was currently living on the street after someone robbed him, but he had written a screenplay,” Martel, 59, recalls in Spanish over coffee on a morning in April at a West Hollywood hotel.

“He told me they had stolen a watch from him — not a Rolex but a known brand,” she continues. “The whole time he was trying to convince me he was a millionaire who just so happened to be on the street because of random circumstances.”

One of Latin America’s most indispensable storytellers, Martel is fascinated by how prevalent that dream still is in L.A. — that movies can change your life overnight.

“That particular fantasy is par for the course in this city,” she says, though she’s not above it. It’s the reason she’s back to promote her first documentary, “Our Land,” out Friday.

Unhurried when it comes to her output, Martel has only made four fiction features, among them 2001’s “La Cienaga” and 2008’s “The Headless Woman” (returning to theaters this month in a new 4K restoration). Her biting and formally audacious narratives examine class, politics and — a speciality — the interiority of women through enigmatic portraits of psychologically complex individuals.

“Our Land,” a piercing indictment of the enduring wounds of colonialism, chronicles the murder of Indigenous Argentine activist Javier Chocobar in 2009 and the prolonged trial of the perpetrators in 2018.

Chocobar was shot during a confrontation with armed men over land in the Tucumán province of Argentina where the Chuschagasta Indigenous community has lived for many generations. Martel explores the killing not as an isolated event in her country’s recent past but as part of a long history of dispossession.

“Racism is a foundational element,” she says of her homeland. “The only consistent thing in Argentina, from the country’s birth to the present day, is the rejection of Indigenous people.”

In Argentina, Martel explains, public education has indoctrinated the population into believing Indigenous people no longer exist. Yet many Argentines proudly claim a connection to the Europeans, Italians in particular, who arrived in the country in the late 1800s and early 1900s.

“When giving speeches, our presidents always say, ‘We are a country of immigrants,’ or ‘We came from the boats,’” says Martel. “They use metaphors like these because deep down Argentines feel much more indebted to European immigration than to our Indigenous population. But more than half of the people in Argentina have Indigenous ancestors.”

In 2020, Chocobar’s three convicted murderers appealed their guilty verdicts and were set free. “Our Land” premiered at the Venice Film Festival in September 2025, which brought renewed attention to the case. A month later, the sentence was upheld and two of the men returned to prison (one died in the interim).

Martel believes that outcome was a response to her film. “Communities wage the fight but cinema helps,” she says.

“I believe that we must use cinema for its enormous power to alter perception and not soothe the rich,” Martel says. “It’s not about delivering a message but rather about showing how an idea functions.”

(Jason Armond / Los Angeles Times)

For over 14 years, Martel worked on “Our Land” on and off. This time included periods when she focused on 2017’s “Zama,” her masterful period piece following a Spanish official in 18th century Argentina “who doesn’t want to be American,” she says, referring to the continent. In her mind, both “Zama” and “Our Land” come from the same impulse to dissect colonialism.

As part of her research process, Martel and her team created a detailed archive of documents related to the case that the Chuschagasta community now has at its disposal. Over the years, Delfín Cata, one of the Indigenous men present during the attack, would call Martel. He never asked about how her film was going, but the director sensed he was tacitly checking in on her progress, hoping that she was not losing faith.

“That was a confirmation that, beyond my own interest, there were people who needed this film,” she says. “I felt the immense satisfaction of knowing I was doing something that would be concretely useful.”

For Martel, the question of whether she was the right person to make this film (one she got in Venice) seems unfair. “It’s wrong to prevent a human being from speaking about their own history because they are not a woman, because they are not Black, or because they are not Indigenous,” she says. “It’s better to make mistakes trying to understand something than not to try at all. The chances of making a mistake are enormous in a film, no matter how good your intentions are.”

A key piece of evidence in the Chocobar case, prominent in the film, is a video that one of the attackers filmed, presumably expecting the Indigenous community to react violently, to justify firing his gun at them. The Chuschagasta men that faced them weren’t armed. As used by their aggressors, the camera functioned as a weapon.

Hollywood feels incompatible with Martel’s sophisticated, confrontational movies rooted in her country’s troubles. By Martel’s own admission, it doesn’t feel like a fit for her.

“I would have to force myself to create something outside my own country, outside my own language,” she says. “And that doesn’t really appeal to me.”

Still, Marvel Studios famously asked to meet with her when seeking a director for 2021’s “Black Widow.” Martel says she was among many directors they contacted, but she was curious to take the meeting even if she knew nothing would come of it.

“They wanted to do it over Zoom and I happened to be here in Los Angeles,” she remembers. “I told them I could come in, because I wanted to see what the whole process was like.”

Martel describes the month she spent in L.A. — an eye injury prevented her from flying home sooner — as a “lot of fun in the end,” even if no blockbuster emerged from it. More recently, another Hollywood offer did tempt her, but she ultimately passed.

“It was a good book suggested to me by an actress of undoubted talent,” Martel shares, careful to avoid names. “I considered it, but you very quickly have to picture yourself spending three years or at least a year and a half living in the United States making a movie. I have a thousand things in Argentina to worry about.”

Still, Hollywood, and its significance to moviemaking, has a singular, unnerving allure on her. Two of Martel’s favorite movies set in L.A. are David Lynch’s nightmarish “Mulholland Drive” and Robert Aldrich’s psychodrama “What Ever Happened to Baby Jane?”

“There is something ruthless and utterly devoid of sanity at the heart of this film industry, and I’ve never felt that darkness as clear as in ‘Mulholland Drive,’” she says. “How can an industry that handles so many millions [of dollars] and such impeccably dressed famous people be so full of lunatics? That film captures that perfectly.”

And occasionally, she thinks, a big production breaks the mold, such as Todd Phillips’ “Joker,” which won the Golden Lion at the Venice Film Festival in 2019 when Martel served as jury president — a controversial choice.

“It certainly had an impact on me,” says Martel. “I didn’t vote for it, though. I had another favorite, a Chinese film that stood no chance of winning.”

Phillips, she thinks, created a premonition for what was to come. “For me, the real killer clowns are Trump, Milei or Orbán,” Martel says, referring to polarizing leaders. “They expose themselves to ridicule and spout all sorts of nonsense. Those are clowns. And I think that movie captured that.”

Not one to mince words, Martel elaborates on the relation of Joaquin Phoenix’s social outcast turned supervillain and President Trump.

“The origin of the Joker is social resentment,” she says. “Trump holds no resentment toward society because the system gave him everything. But he has exploited the people who do harbor resentment. That is where you see the kind of clown he is, one who knows how to use people.”

Artificial intelligence, far-right ideologies, voracious capitalism — all of it makes Martel alarmed, seeing it as pushing us collectively to the brink of collapse. But there is hope, she thinks.

“What we have invented is very dangerous but we can dismantle it,” she says. “That is the only thing I’m betting on, that, at some point, a consensus will emerge and we’ll go, ‘Let’s not do this.’”

“I believe that we must use cinema for its enormous power to alter perception and not soothe the rich,” she says. “It’s not about delivering a message but rather about showing how an idea functions.”

She points to one of her subjects in “Our Land,” an Indigenous man who told her he loves the 1959 Charlton Heston epic “Ben-Hur,” a passion she does not share but understands.

“That’s a blow for all of us who make auteur cinema,” Martel says with a laugh. “That feeling that ‘Ben-Hur’ evoked gave him the strength to continue fighting for his community’s territory.”

The night before our interview, Martel rode around L.A. on a scooter holding onto a friend. These days she uses a cane to help her with mobility. “The city has great light,” she says, still open to being surprised by it.

Karen Bass, Spencer Pratt and Nithya Raman each came into tonight’s mayoral debate with goals for what may be their only time together on stage.

As the incumbent mayor, Bass had to weather blows from her challengers while trying to sell voters on her fitness for another term, despite a disastrous 2025.

As a reality TV star with no political experience, Pratt needed to show that he could offer substance instead of just AI fanboy videos and the name-calling — “Karen Basura” — he has indulged in on social media.

Raman’s task was perhaps the hardest. As a city councilmember whose two previous campaigns were backed by the local Democratic Socialists of America chapter, she needed to convince Pratt-curious voters that she’s more conservative than Bass. Yet for others, she needed to appear liberal enough to peel away support from the mayor and come out as a progressive lioness to excite Democrats in a year where GOP candidates like Pratt have to answer for the disaster that is President Trump’s second term.

Only one of the three failed.

At times, Raman was tongue-tied trying to answer simple questions. Moderators kept telling her she was going over her time. Answering a yes/no question about whether noncitizens should be allowed to vote in city elections, the councilmember went on and on, until the moderator cut her off.

While Raman offered some policy plans, she also played a card straight out of Trump’s arsenal. She claimed that Pratt and Bass were teaming up against her — an unlikely scenario that drew laughs from the audience. She got more and more frustrated, to the point that when Bass was allowed time for a rebuttal, she dejectedly proclaimed, “I haven’t been offered that in a lot of this debate.”

Raman, who had endorsed Bass’ reelection before throwing her hat in at the last minute, came off as inexperienced, touchy and unprepared.

The line of the night was Pratt dismissing Raman as a “random councilmember” — which is how the L.A. political world responded to her entry into the race. She was so upset about Pratt’s remark that she continued to whine about it to a KNBC reporter after the debate.

What’s shocking about Raman’s flop is that she should know how important it is to project well to a television audience, given that her husband is a screenwriter. Her tone was flat, when she needed to be passionate.

No one had to remind Pratt of that. He was parrying tough questions on a big stage for the first time, facing an audience who knew him only as the Angry L.A. White Guy he has reveled in playing.

He mostly succeeded.

At his best, Pratt came off as a boisterous bro with enough charm to call himself “humble” without coming off as obnoxious. He dominated the flow of conversation without coming off as commandeering, even interrupting Raman at times to let Bass speak. At one point, he even said “Sorry” when he had taken up too much time and the moderators cut him off.

He was light on specifics, other than saying he was going to do better than the others and that he would prioritize public safety above all. Instead, he was the one person on stage who used anecdotes to sell himself, citing conversations about abused animals, downtown workers too afraid to eat outside and film producers hiring local gang members to keep their shoots safe.

As a TV personality-turned-influencer, Pratt knows that storytelling is far more effective than drowning the audience in statistics, as Bass and Raman did.

But the bad Pratt flared up at times. He earned a reprimand from KNBC anchor and debate co-moderator Colleen Williams when he called the mayor an “incredible liar.” Affecting high-pitched voices to mock Bass and Raman came off as juvenile and possibly sexist. And when it came to last summer’s federal immigration raids that terrorized Southern California, Pratt appeared flummoxed when Bass pointed out that 70% of those arrested didn’t have criminal records — a use of stats that hit.

Bass was also who she had to be — measured, forceful and raring to defend her record, without coming off as defensive. She wasn’t exactly inspirational, but she didn’t have to be. The city’s powerful labor unions have backed her, along with much of the Democratic establishment.

Raman and Pratt are right in deeming Bass the old guard of a beat-up city — but the old guard didn’t get there without knowing how to win.

Former WNBA MVP Tina Charles has retired after 14 seasons in the league.

“Today, I officially announce my retirement from basketball,” the eight-time All Star wrote in a post shared across her social media accounts Tuesday. “This game gave me everything and I’ll miss it deeply.”

The veteran center — the No. 1 overall draft pick selected by the Connecticut Sun in 2010 — played for six WNBA franchises over the course of her career, including a lengthy stint with the New York Liberty. Named the league MVP during her 2012 campaign, Charles is the WNBA’s leader in career rebounds (4,262), double-doubles (201) and made field goals (3,364), as well as second on the list for career points (8,396) behind Diana Taurasi.

“I’ve experienced the highest highs and the lowest lows, and I’m thankful for all of it,” Charles wrote, reflecting on her professional career and “lifetime of love for this game.” “Growing up in Queens, New York, basketball wasn’t just a game, it was a language, a rhythm, its survival, its expression. It pulled me in early, and I gave myself fully to it. It shaped me into the woman I am today and for that, I wouldn’t change a thing.”

Charles is an expected future Hall of Famer. While a WNBA championship eluded her, her career includes three Olympic gold medals with Team USA, two NCAA championships with the UConn Huskies and a number of titles in leagues overseas. Her individual accolades also include being named to the All-WNBA team nine times, most recently in 2021, and to the league’s All-Defensive team four times. (Charles did not play in the 2020 and 2023 WNBA seasons.)

In a July episode of Sue Bird’s “Bird’s Eye View” podcast, Charles spoke candidly about her thoughts around retiring.

“I thought I was done in 2023 when I didn’t play,” she said. “Then [I] came back, found the joy, love for the game again. But here, I probably think about it every day. … Going in, playing, at this age, in the 30-minute range. Just how you feel physically, and then it’s more games.”

Charles returned to play with the Sun for the 2025 season, starting 42 of 44 games while averaging 16.3 points and 5.8 rebounds. She received the Dawn Staley Community Leadership Award for the second time during her final season, for her work with Hopey’s Heart Foundation. Charles founded the nonprofit in 2013 in honor of her late aunt, Maureen “Hopey” Vaz, to raise awareness about sudden cardiac arrest and provide automated external defibrillators to schools and recreation centers that need them.

According to the New York Times, Charles is currently pursuing a master’s degree in sports management at UConn and is eyeing the possibility of working in a front office of a WNBA, NBA or college team in the future while continuing her Hopey’s Heart Foundation efforts. She also has plans to get into the beer business.

“There are still dreams in my heart that are waiting to be lived, and I can’t wait to share that journey with you all,” Charles said in her social media post.

ASEAN leaders have begun meeting in the Philippines as residents near the summit venue say their main concerns are soaring fuel prices and living costs. The regional bloc enters what officials describe as a “stress test decade”, facing issues stemming from the Iran conflict since so many member states are heavily reliant on energy from the Gulf.

EMMY award-winning actor William H. Macy has revealed the most difficult Hollywood stars, according to him.

The star, 76, has been acting for four and a half decades and has worked with the who’s who of Hollywood in his time.

He appeared on the We Might Be Drunk podcast with hosts Mark Normand and Sam Morril as they attempted to get some gossip out of him.

Mark asked: “We gotta ask, which actors do you really hate?,” before listing off some big names, including Tommy Lee Jones, who he acted in the 1994 film, The Client with.

William responded: “He was rough,” before adding: “I’m not letting out any secrets.”

The hosts then asked him what he thought about Jim Carrey, to which he replied: “I did not act with him, but I’ve just heard he can be really tough.

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“You know, there are a lot of actors out there, it p****s me off, who make life miserable for a lot of people and they don’t get busted for it and it p****s me off.”

William began his career on stage in theatre, before building his career by starring in small, independent films.

His breakthrough role was in black comedy crime film Fargo in 1996 which got him critical acclaim and a nomination for the Academy Award for Best Supporting Actor.

He went on to star in big Hollywood films in his career, including Psycho, Jurassic Park 3, Spartan and The Lincoln Lawyer.

William’s television work includes playing Dr. David Morgenstern in ER for 15 years and as Frank Gallagher on the US Shameless for 10 years.

He is a two-time Emmy Award and four-time Screen Actors Guild Award winner, and has been nominated for an Academy Award, a Drama Critics’ Circle Award, and five Golden Globe Awards.

The Hollywood star married actress Felicity Huffman in 1997 after dating on and off for 15 years.

The pair went on to have two children together – daughters Sophia Grace and Georgia Grace.

Felicity was jailed in 2019 for 14-days for her part in the college bribery scandal.

She admitted to paying $15,000 (£12,000) to rig her daughter’s SAT scores, tearfully apologising to the teen for not trusting her abilities.

Their Spanish coach is the mastermind of this new PSG, built from the ashes of the superstar era which saw Lionel Messi, Kylian Mbappe and Neymar the centrepieces of a dysfunctional, ego-ridden outfit who never resembled a team.

Luis Enrique, who also won the Champions League with Barcelona in 2015, ordered his players to park egos at the door – or jettisoned those who would not.

In their place is the perfect combination of brilliant individual skill bolted on to a savage work ethic and defensive solidity that will make them a formidable hurdle for Arsenal to overcome.

And the leader is Marquinhos.

The Brazil centre-half arrived at PSG from Roma in 2013, surviving Luis Enrique’s cull of big names because the coach is wise enough to see a consummate professional and world-class defender when he sees one.

He has formed a superb partnership with the formidable Willian Pacho, who played a key role in keeping Kane under wraps until the England captain’s strike in the dying seconds.

Kvaratskhelia and Dembele combined for the game’s defining moment, while 20-year-old Desire Doue – the young face of the new PSG – tormented Vincent Kompany’s side, coming close on several occasions in the second half.

And yet the glue that held it all together was Marquinhos, still peerless at 31, and with the uncanny knack of being in the right place at the right time while exuding calm authority.

To complete the picture, PSG’s midfield of Vitinha, Fabian Ruiz and Joao Neves is the well-oiled engine room linking it all together.

Ruiz’s pass in the build-up to Dembele’s goal was a thing of beauty – but he then reverted to doing the defensive dirty work Luis Enrique demands and which his team seems only too happy to deliver.

Pyongyang says its status as nuclear-armed state ‘will not change based on external rhetorical claims’.

North Korea’s envoy to the United Nations has declared that Pyongyang will not be bound by any treaty on atomic weapons and that no external pressure will change its status as a nuclear-armed state.

Ambassador Kim Song’s statement – carried by state media on Thursday – came as the United States and other countries criticised North Korea’s nuclear programme at the ongoing UN conference reviewing the Nuclear Non-Proliferation Treaty (NPT).

Pyongyang withdrew from the NPT in 2003 and has since conducted six nuclear tests, promoting multiple UN Security Council sanctions.

The country is believed to hold dozens of nuclear warheads.

“At the 11th NPT Review Conference currently under way at UN headquarters, the United States and certain countries following its lead are groundlessly calling into question the current status and exercise of sovereign rights,” Kim said, according to the official Korean Central News Agency.

“The status of the Democratic People’s Republic of Korea as a nuclear-armed state will not change based on external rhetorical claims or unilateral desires,” he added.

“To make it clear once again, the Democratic People’s Republic of Korea will not be bound by the Non-Proliferation Treaty under any circumstances whatsoever.”

He continued that the country’s status as a nuclear-armed state has been “enshrined in the constitution, transparently declaring the principles of nuclear weapons use”.

North Korea has long insisted that it will not give up its nuclear arsenal, describing its path as “irreversible” and pledging to strengthen its capabilities.

It has sent ground troops and artillery shells to support Russia’s invasion of Ukraine, and observers say Pyongyang is receiving military technology assistance from Moscow in return.

The nine nuclear-armed states – Russia, the US, France, the United Kingdom, China, India, Pakistan, Israel and North Korea – possessed 12,241 nuclear warheads in January 2025, the Stockholm International Peace Research Institute (SIPRI) reported.

The US and Russia hold nearly 90 percent of nuclear weapons globally and have carried out major programmes to modernise them in recent years, according to SIPRI.

The nuclear issue has been at the heart of the US and Israel’s war on Iran, with US President Donald Trump saying that Tehran – a signatory to the NPT – can never have a nuclear weapon.

Iran denies seeking an atomic weapon and has long demanded Washington acknowledge its right to enrich uranium.

The internet’s most controversial looksmaxxer is in hot water again.

Clavicular, born Braden Eric Peters, has been charged in Florida’s Miami-Dade County in connection with a video that circulated on social media showing an alligator, which appeared to be dead already, being shot repeatedly in the Everglades. Two others are also facing charges in connection with the incident: Andrew Morales, 22, known online by the moniker “Cuban Tarzan,” and Yabdiel Anibal Cotto Torres, 26, who goes by “Baby Alien.”

Peters is facing a misdemeanor charge of unlawfully discharging a firearm in a public place, according to court records obtained by The Times. The Miami-Dade state attorney’s office filed the charges April 29.

Steven Kramer and Jeffrey Neiman, attorneys for Peters, told The Times in a text message, “Our client has been summoned to appear for a misdemeanor charge that stems from following the instructions of a licensed airboat guide. He relied on that guidance. No animals or people were harmed. We are confident that once the full picture is understood, people will see this for what it is.”

The shooting took place at the Everglades and Francis S. Taylor Wildlife Management Area boat ramp dock on or about March 26, court records said. The video shows the men aboard an airboat firing at the alligator more than a dozen times.

“Yeah, it’s definitely dead,” Peters is heard saying after firing.

Shortly after the video went live on social media, the Florida Fish and Wildlife Conservation Commission announced it had launched an investigation into the incident.

“Florida’s wildlife and waterways deserve respect, not content farming,” Lt. Gov. Jay Collins said March 26 on X. “Under my watch, anyone who abuses wildlife in Florida will be held accountable to the fullest extent of the law.”

Morales’ attorney Richard Cooper emailed The Times a statement Wednesday. “We urge the public not to rush to judgment. Importantly, there is no allegation that any animal was injured, and the available evidence does not support the sensationalized narrative that has circulated online,” the statement read. “My client relied on information and guidance provided by those in authority and had no criminal intent.”

An arraignment has been scheduled for May 20.

The face of “looksmaxxing,” a subculture hyperfocused on taking extreme measures to perfect one’s physical appearance, Peters has admitted in interviews that he uses appetite-supressing and performance-enhancing drugs, as well as recreational party drugs, and has said he chisels his face by smashing his bones with a hammer.

The same week Peters’ alligator video caught the authorities’ attention, the manosphere influencer was arrested on suspicion of misdemeanor battery. He was taken into custody on a warrant issued by the Osceola County Sheriff’s Office and released soon after on bond. Police allege that in February the 20-year-old internet celebrity instigated a fight between his girlfriend, Violet Lentz, 24, and a 19-year-old influencer at a Kissimmee, Fla., short-term rental. That incident was also live streamed to his hundreds of thousands of followers.

Then in April, Peters was live streaming from a Miami nightclub when he appeared to overdose on camera. In the video, Peters is seen taking a swig of an unknown substance and then subsequently starting to mumble, sway and close his eyes as the camera panned away.

TMZ obtained the audio from a 911 call alerting emergency services to the possible overdose of a 20-year-old man. Additional videos, taken by bystanders, showed Peters being carried out of the nightclub.

A source close to Peters told The Times that he was hospitalized for the overdose and checked himself out the following morning. Within hours of his release from the hospital, he was back on streaming platform Kick and telling his followers he would be out at a nightclub that night to promote its grand opening.

WASHINGTON — A federal judge in New York unsealed a suicide note Wednesday purportedly written by Jeffrey Epstein in July, 2019, before a failed suicide attempt soon after he had been taken into federal custody on sex trafficking charges.

The disgraced financier would ultimately die weeks later in the same New York facility in what was ruled a suicide.

While the note’s authenticity has not been established, it contains an apparent reference to a line from a 1931 Little Rascals film that Epstein had used in at least two email messages, according to the trove of Epstein documents released by the U.S. Department of Justice this year in response to the bipartisan Epstein Files Transparency Act.

In the short handwritten note released Wednesday, Epstein allegedly wrote, “They investigated me for month — Found nuthing!!!”

The note concludes, “Whatcha want me to do — Burst out cryin!! No Fun – Not Worth It!!”

It was a phrase Epstein had used before.

In a September, 2016, email to his brother, Mark, he wrote, “whtchoo want me toodo — bust out crying” in response to news that their cousin had become a grandfather.

And in another message the following year to his childhood friend Terry Kafka, Epstein wrote, “Whatcha want me todo/bust out cryin,” in response to a message from Kafka about being nostalgic

Epstein’s brother and Kafka did not immediately responded to requests for comment.

The line is an apparent reference to a 1931 Little Rascals short film “Little Daddy,” in which the character Stymie says, “Well, what do you want me to do, bust out crying?” when another character says that it will be their last breakfast together.

The note emerged from the court records of Epstein’s onetime cellmate Nicholas Tartaglione, a former police officer who is serving four consecutive life sentences for a 2016 quadruple murder.

It was released in response to a request by the New York Times.

The note itself was not included in the millions of pages released by the Justice Department.

In 2020, “60 Minutes” disclosed a note Epstein reportedly wrote days before his August, 2019, death that included complaints about his conditions and similarly concluded with the phrase “No fun!!!”

Journalist Katie Phang sued acting Atty. Gen. Todd Blanche for allegedly failing to comply with the requirements of the Epstein files law passed last year, which required that the documents be released in their entirety within 30 days, with reasoning provided for any documents not released.

The department released the files after the deadline passed and has faced criticism for removing or not releasing some documents and simultaneously failing to redact the names of numerous Epstein victims while redacting the names of some of Epstein’s friends and associates.

Vardy was released by his boyhood club Sheffield Wednesday for being too small, but the documentary unearths footage of his blistering goalscoring form in his Stocksbridge days while also working in a factory making medical splints.

However, in the first of a series of problems in 2007, Vardy admits in the documentary he had “no stability” in his life. He had been convicted of assault when out drinking and had to wear an ankle tag for six months.

He also had a 6pm curfew which meant he had to leave matches early.

Moves to Halifax Town – where Vardy met his long‑time agent John Morris – and later Fleetwood Town followed, before his £1m move to then‑Championship club Leicester City.

Woven throughout are “The Inbetweeners” – a nickname given to Vardy’s small, all‑male social group from Sheffield – who act as his main support, alongside his wife.

“If one of us is having a problem, then get it in the group. Might get abused for a bit but at least it’s us lot keeping an eye on each other,” Vardy says.

They were needed, as former Foxes midfielder Andy King says Vardy experienced an initial “culture shock” at Leicester, where the striker admits he initially felt not good enough.

Physiotherapist Dave Rennie also corroborates accounts of Vardy’s struggles with alcohol, worsened by the pressure of the move, including “manufacturing his own Skittles vodka at home”.

Vardy would arrive at training hungover and, on one occasion, uncontactable to his then-pregnant Rebekah, or Becky as he affectionately calls her.

There was a feeling he was going to throw away his career, but the work of a “good psychologist”, the patience of manager Nigel Pearson and his own efforts to grow up after the birth of his daughter Ella kept him going.

Fame still brought further problems. A 2015 Sun on Sunday story showed him on video using a racial slur against a Japanese man in a casino.

He later described it as “a massive, massive learning curve”, explaining he was never taught which terms he could and could not use.

The film also highlights “one of the harder things” Vardy experienced when he rushed home from a team‑bonding trip to Helsinki after being told a tabloid was publishing a story about his secret biological father, who he had no prior knowledge of.

Still, Vardy became the poster boy and top scorer for Leicester’s Premier League title‑winning campaign in 2015‑16, went on to lift the FA Cup and fulfilled his agent’s prediction, made when he signed for Halifax, that he would one day play for England.

Asked whether he could have achieved more internationally after retiring from England in 2018, Vardy replied: “Possibly. We’ll never know.

“I’ll be honest, going away with England is unbelievable – you want to play for your country – but the mental side of it was tough. That changed when Gareth [Southgate] came in, but before that you were stuck in your room all day.

“You trained and then you were just back in your hotel room, pulling your hair out. There’s only so much time you can spend on a PlayStation or speaking to the kids on video calls. You’ve already not seen them and now you’re getting pulled away for another two weeks. It’s tough.

“At the time, after the World Cup, I just wanted to protect [my legs] as much as possible, prolong my club career, and as I’m still going now, it was obviously the right decision.”

Iran’s Foreign Minister Abbas Araghchi is in Beijing, seeking support on a deal with the US, while US President Trump will be in China next week, and Iran will be on the agenda.

Why is everyone turning to China? What role is Beijing playing in the US-Israel led war on Iran?