MONTGOMERY, Ala. — Thousands of people rallied Saturday in the cradle of the modern civil rights movement to mobilize a new voting rights era as conservative states dismantle congressional districts that helped secure Black political representation.

U.S. Sen. Cory Booker of New Jersey called Montgomery “sacred soil” in the fight for civil rights.

“If we in our generation do not now do our duty, we will lose the gains and the rights and the liberties that our ancestors afforded us,” Booker said in the Alabama capital.

The crowd was led in chants of “we won’t go back” and “we fight.”

“We are not going down without a fight. We are not going down to Jim Crow maps,” Shalela Dowdy, a plaintiff in the Alabama redistricting case said, alluding to racial gerrymandering in several states that has followed the recent Supreme Court decision to roll back the Voting Rights Act.

A crowd of thousands gathered in front of the city’s historic Alabama Capitol, where the Confederacy was formed in 1861 and where the Rev. Martin Luther King Jr. spoke in 1965 at the end of the Selma-to-Montgomery voting rights march. The stage, set in front of the Capitol, was flanked from behind by statues of Confederate President Jefferson Davis and civil rights icon Rosa Parks — dueling tributes erected nearly 90 years apart.

Speakers said the spot was once the temple of the Confederacy and transformed into holy ground of the civil rights movement.

Some in the crowd said the effort to redraw lines has echoes of the past.

“We lived through the ’60s. It takes you back. When you think that Alabama’s moving forward, it takes two steps back,” said Camellia A. Hooks, a 70-year-old Montgomery resident.

The rally began in Selma, where a violent clash between law enforcement and voting rights activists in 1965 galvanized support for passage of the Voting Rights Act. It then moved to the state Capitol, where King gave his “How Long, Not Long” speech the same year.

The Supreme Court ruling involving Louisiana hollowed out a tenet of the Voting Rights Act that was already weakened by a separate high court decision in 2013 and then narrowed further over the years. That helped clear the way for stricter voter ID laws, registration restrictions and limits on early voting and polling place changes, including in states that once needed federal pre-clearance before they could change voting laws because of their historical discrimination against Black voters.

Veterans of the civil rights movement are alarmed by the speed of the rollbacks, noting that protections won through generations of sacrifice have been weakened in little more than a decade.

Kirk Carrington, 75, was a teen in 1965 when law enforcement officers attacked marchers in Selma on what became known as Bloody Sunday. A white man on a horse wielding a stick chased Carrington through the streets on that day, he said.

“It’s really just appalling to me and all the young people that marched during the ’60s, fought hard to get voting rights, equal rights and civil rights,” Carrington said. “It’s sad that it’s continuing after 60-plus-odd years that we are still fighting for the same thing we fought for back then.”

The effect in Montgomery

Montgomery is home to one of the congressional districts that is being altered in the wake of the Supreme Court ruling.

A federal court in 2023 redrew Alabama’s 2nd Congressional District after ruling that the state intentionally diluted the voting power of Black residents, who make up about 27% of its population. The court said there should be a district where Black people are a majority or near-majority and have an opportunity to elect their candidate of choice.

But the Supreme Court cleared the way for a different map that could let the GOP reclaim the seat. While the matter remains under litigation, the state plans special primaries Aug. 11 under the new map.

Democratic Rep. Shomari Figures, who won election in the district in 2024, said the dispute is not about him but rather people’s opportunity to have representation.

“When Republicans are literally turning back the clock on what representation, what the faces of representation look like, what the opportunities, legitimate opportunities for representation look like across this country, then I think it starts to resonate with people in a little bit of a different way,” Figures said.

Alabama House Speaker Nathaniel Ledbetter, a Republican, said the Louisiana ruling provided an opportunity to revisit a map that was forced on the state by the federal court.

“People tend to forget what happened. When this thing went to court, the Republican Party had that seat, congressional seat 2,” Ledbetter said last week. “There’s been a push through the courts to try to overtake some of these red state seats, and that’s certainly what happened in that one.”

Evan Milligan, the lead plaintiff in the Alabama redistricting case, said there is grief over the dismantling of the Voting Rights Act, but it is crucial that people recommit to the fight.

“We have to accept that this is the new reality, whether we like it or not,” Milligan said. “We don’t have to accept that this will be the reality for the next 10 years or two years or forever.”

Chandler writes for the Associated Press.

Jose Mourinho completed an unbeaten league season with Benfica but had to settle for third place in the Portuguese top-flight.

Benfica beat Estoril 3-1 in their final match of the campaign as they ended their undefeated Primeira Liga campaign with 23 wins, 11 draws and no defeats.

However, they finished on 80 points – eight behind champions Porto and two behind second-placed Sporting.

The victory against Estoril could be Mourinho’s final game in charge of Benfica as he is in final negotiations to become Real Madrid manager, 13 years after his first spell at the Bernabeu.

The 63-year-old joined Portuguese side Benfica as manager on a two-year contract last September, but is wanted by Real president Florentino Perez.

This is not the first time Benfica have gone a league season unbeaten and ended up trophyless.

In 1977-78, Porto drew two games fewer and pipped them to the league title on goal difference.

Mourinho’s Benfica have join FC Sheriff in Moldova (2024-25) and Serbian side Red Star Belgrade (2007-08) as the only European sides this century to miss out on a league title despite going an entire season without losing.

Military police in Bolivia arrested demonstrators, and used tear gas to try and disrupt road blockades after 11 days of protests. Rallies over fuel shortages, due to the effective closure of the Strait of Hormuz, blocked roads, even after a deal was signed on Friday between protesters and the government.

During his first year, U. S. President Donald Trump’s aggressive negotiating style led to some gains with other countries, but when it comes to Iran, this approach seems to be failing. Instead of softening his stance, Trump has shown increasing frustration over the ongoing crisis, which has lasted for 11 weeks, and his tough tactics might hinder efforts to end the conflict that is impacting the global economy.

Analysts believe that one key issue is the Iranian leaders’ need to maintain their image at home, complicating any negotiations. Despite the U. S. and Israeli strikes weakening Iran’s military, Iran still controls the important Strait of Hormuz, allowing it to exert significant influence. Trump’s strategy has been marked by extreme demands and mixed messages, which may not lead to a quick resolution. His desire to frame any outcome as a U. S. victory, while expecting total defeat for Iran, poses further challenges, as no government, including Iran’s, can afford to be seen as surrendering.

The deadlock with Iran happens as Trump faces domestic pressures, including rising gasoline prices and low approval ratings due to an unpopular war ahead of the midterm elections. White House spokesperson Olivia Wales defended Trump’s tactics, claiming that he is a skilled negotiator and suggesting that Iran is becoming more desperate for a resolution.

In a notable threat, Trump warned on social media of destroying Iran’s civilization if a deal is not reached. He later backed down but has repeated his threats to damaging Iranian infrastructure. Trump’s harsh language towards Iranian leaders has continued, and while he claims Iran is on the verge of collapse, the Iranian response has been to portray their endurance as a victory.

Inside the White House, there has been no effort to moderate Trump’s messaging. Polls show his core supporters remain behind him, but some former allies now criticize his extreme threats and the ongoing conflict.

Some of Trump’s strongest statements on his Truth Social platform have come at crucial moments, like when he announced a blockade of Iran’s ports, which led to Iranian retaliation and threatened a fragile ceasefire. He recently rejected a peace proposal from Iran, calling it a “piece of garbage. ” Analysts like Dennis Ross said Trump’s lack of consistency in messaging undermines his intentions. During a visit to Beijing, Trump avoided harsh comments on Iran, focusing instead on relations with China, an ally of Iran.

Some experts believe it would be beneficial for Trump to lower his rhetoric if he truly wants to resolve the conflict. Iran’s Deputy Foreign Minister, Saeed Khatibzadeh, criticized Trump for talking too much. Trump claims that his unpredictability is a negotiation tactic, which has sometimes worked in trade discussions. However, in situations like the military actions in Venezuela and the Gaza ceasefire talks, his pressure tactics had positive outcomes.

Despite his desire to seem dangerous in negotiations over Iran’s nuclear program, analysts say this strategy is unlikely to succeed, given the entrenched nature of Iran’s leadership and their pride. Trump’s threats may have strengthened Iran’s current hardline rulers, who trust him even less after U. S. attacks during negotiations. Nate Swanson, a former State Department official, noted that the expectation of Iran capitulating under pressure is a misconception.

Barbara Leaf pointed out that Trump’s approach has been based on a misunderstanding of Iran’s resilience. Some experts warn that his tactics could backfire, making Iran more determined to develop nuclear capabilities for self-protection. There is a mismatch in timelines, as Trump prefers quick deals while Iran often prolongs negotiations. Academic Abdulkhaleq Abdullah suggested that Iran’s inflexibility is a bigger issue than Trump’s statements. Trita Parsi argued that Iranian leaders might see Trump’s unpredictable behavior as a sign of desperation, leading them to wait him out.

With information from Reuters

It’s not merely trendy psychologizing to salute the qualities of a sturdy tree: a humbling reminder of time’s immensity, but also a living embodiment of shelter, change and growth. Leave it, then, to a massive gingko on the grounds of a medieval German town’s college to cosmically center the three-pronged, multi-generational character study “Silent Friend” from Hungarian filmmaker Ildikó Enyedi.

Enyedi, from her mesmeric, calling-card period lark “My Twentieth Century” to the eccentric love story “On Body and Soul,” has always been preoccupied with that realm in which the everyday meets the all-seeing and possibility is awakened. So it shouldn’t surprise anyone that she’d give a starring role to a 200-year-old tree, which just may inspire the needed answers. And why not? Our living, “breathing,” sky-reaching neighbors have considerable communication skills with each other.

Our entryway is a modern day neuroscientist played by Tony Leung Chiu-wai (and called Tony), who arrives at the University of Marburg as a visiting professor ready to further his groundbreaking research into the mysteries of infant brain development. The gig becomes a lonely endeavor, however, when the pandemic hits and he’s confined to a depopulated campus, sent unwillingly into a kind of monkhood.

It’s as if the nearby natural world, photographed by Gergely Pálos and edited by Károly Szalai, was just waiting for such a solitary moment to draw Tony’s undivided attention into the prospect of green intelligence.

In tandem, Enyedi transports us to 1908 to meet aspiring botanist Grete (Luna Wedler), the university’s first female student, subjected to cruelly patronizing treatment by smug male elders, yet driven to see plants anew when introduced to the light-capturing rigor of photography. The movie’s third woven-in protagonist is a wide-eyed, resourceful farm boy, Hannes (Enzo Brumm), in 1972. While his fellow students spark to the winds of political change and sexual freedom, he becomes fixated on what a lone geranium, imaginatively monitored on its windowsill, might have to convey if given the chance.

The fluid, idiosyncratic charm of “Silent Friend” — which never feels like two and a half hours — is in Enyedi’s heartfelt belief that curiosity is simply a garden that grows progress. It doesn’t hurt, of course, that this veteran dreamweaver’s key cast are entrancing, inviting specimens themselves, led by an inner glow of compassion in Leung that feels like its own natural energy source. When his character contacts Léa Seydoux’s French plant expert, it becomes almost too much rapturously intelligent star wattage for one quietly poetic movie, even if these god-tier actors are just zooming and talking shop.

Hardly anything is overdone here and, in one essential way, Enyedi is also making the case for movies themselves as phenomena to protect and treasure: ecosystems of light, texture, wonder and nourishment. Visually, the film toggles between intimate 35mm black-and-white, grainy 16mm color and multi-purpose digital cameras that visually represent distinct eras. Needless to say, that gingko tree is sublime and majestic in all of them.

The Preakness Stakes at Laurel Park, Md., could feature a historic finish even if there is no chance to produce a Triple Crown winner this year.

The Preakness post time is 4:01 p.m. PDT. The race will air on NBC.

Kentucky Derby winner Golden Tempo isn’t running the Preakness. Cherie DeVaux, the first woman to train a Derby winner, said the schedule was too tight for Golden Tempo, with two weeks between races.

But trainer Brittany Russell has prepared Taj Mahal for the race and could follow up on DeVaux’s big win with one of her own. Russell would be the first female trainer to win the Preakness and could extend a potential female trainer Triple Crown bid in an industry long dominated by men.

“It would sort of feel like probably a fairy tale,” Russell said of a potential win. “ … It would mean an awful lot.”

Iron Honor in the ninth post position opened the day favored slightly at 9-2. Taj Mahal in post No. 1, Chip Honcho in post No. 6 and Incredibolt at post No. 12 were not far behind with 5-1 odds.

Taj Mahal has one other edge, winning three previous races at Laurel Park, home of the Preakness.

Taiwan stressed that it is a “sovereign and independent” nation after US President Donald Trump raised uncertainty over a major weapons sale to Taipei. The Chinese government pledged to deepen security cooperation with the US while insisting that Beijing has no right to claim the island.

Right-wing challenger Flavio Bolsonaro faces new scrutiny over a film funding scandal, which could affect his race against incumbent Lula.

A new poll has reaffirmed the tight race for Brazil’s presidency this year, with both the left-wing incumbent Luiz Inacio Lula da Silva and his right-wing challenger, Flavio Bolsonaro, tied in a head-to-head contest.

On Saturday, Datafolha, the polling firm for the Grupo Folha media conglomerate, released its latest numbers, tracking the candidates’ progress in the run-up to October’s generation election.

Nearly 2,004 responded to the latest survey, which asked them to identify whom they would vote for if Lula and Bolsonaro progressed to a run-off.

Lula, now 80 years old, is angling for a fourth nonconsecutive term.

Brazil’s presidents are limited to two four-year terms at a time, and Lula first served as president from 2003 to 2011, championing social programmes to reduce hunger and increase federal assistance to the poor.

Bolsonaro, on the other hand, is hoping to continue his father’s far-right political legacy. The eldest son of imprisoned former President Jair Bolsonaro, Flavio — a senator representing Rio de Janeiro — has pledged to seek his father’s release should he be elected.

Jair Bolsonaro is currently serving a 27-year prison sentence for attempting to plot a coup and subvert the election results in 2022, which saw an end to his term and the beginning to Lula’s latest.

Saturday’s poll results put Lula and the younger Bolsonaro in a dead heat.

Both candidates received 45 percent of the polled voter support, with an additional 9 percent indicating they would cast “null” ballots. The remaining 1 percent was undecided.

But the poll, conducted on May 12 and 13, was conducted before the latest scandal involving the younger Bolsonaro’s campaign gained public traction.

Controversy over film deal

On May 13, The Intercept Brasil, a news publication, printed a report containing leaked WhatsApp messages between Bolsonaro and a banker arrested for an alleged fraud scheme, Daniel Vorcaro.

Bolsonaro had reportedly approached Vorcaro to finance a film about his father’s life, called Dark Horse.

The Bolsonaro family has long maintained that Jair Bolsonaro is a victim of political persecution, and it had tapped US actor Jim Caviezel to play the ex-president.

According to The Intercept’s reporting, Flavio Bolsonaro and his brother Eduardo Bolsonaro had soliciting funding from Vorcaro, who ultimately pledged $24m, or 134 million Brazilian reals, to the film project.

In a statement, Flavio Bolsonaro acknowledged that he had reached out for financing, but he denied the exchange had anything to do with Vorcaro’s alleged fraud scheme.

“It is necessary to separate the innocent from the criminals,” the statement said. “In our case, what happened was a son seeking PRIVATE sponsorship for a PRIVATE film about his own father’s life.”

Left-wing lawmakers, however, have called for an investigation into the incident.

The controversy over the Dark Horse film is not the only scandal to have rocked Flavio Bolsonaro’s presidential campaign in recent months.

In December, the senator entered the presidential race with his imprisoned father’s blessing.

But shortly afterwards, he faced criticism for statements appearing to suggest he might withdraw from the race in exchange for his father’s freedom. He later clarified that his candidacy was “irreversible”.

In April, Brazil’s Supreme Court also gave the go-ahead for federal police to investigate whether Flavio Bolsonaro had made defamatory statements about Lula.

While Lula was the frontrunner by a wide margin in late 2025, Bolsonaro has since narrowed the gap, leading to the two candidates racing neck and neck before October’s election.

Brian Lindstrom, a filmmaker whose documentaries shined a light on society’s underdogs and inspired social change, has died. He was 65.

Lindstrom’s wife, author Cheryl Strayed, confirmed the news on Instagram Friday.

“Brian Lindstrom died this morning the way he lived — with gentleness and courage, grace and gratitude for his beautiful life,” she wrote. “Our children, Carver and Bobbi, and I held him as he took his last breath and we will hold him forever in our hearts. The only thing more immense than our sorrow that Progressive Supranuclear Palsy took our beloved Brian from us is the endless love we have for him.”

According to the National Institute of Neurological Disorders and Stroke, PSP is caused by damage to nerve cells in areas of the brain that control thinking and body movements. The rare neurological disease progresses rapidly.

Strayed, who penned the bestselling memoir “Wild,” which was later adapted for the big screen and starred Reese Witherspoon, announced just weeks ago that Lindstrom had been diagnosed “with a serious, fatal illness.”

Lindstrom was born Feb. 12, 1961. The son of a bartender and a liquor salesman, he was raised in Portland, Ore. — which he and his family still called home.

He was the first member of his family to attend college, which he paid for by taking out student loans, landing work-study jobs and working summers in a salmon cannery in Cordova, Alaska. During a 2013 TEDx Talk, Lindstrom said that after he’d exhausted all the video production classes at Portland’s Lewis & Clark College, his professor Stuart Kaplan gave him a gift certificate to a class at the Northwest Film Center. There, Lindstrom made a short film about his grandpa that landed him a spot in the MFA program at Columbia University.

It was a train trip with his grandpa that inspired Lindstrom to tackle challenging topics with a lens that restored dignity to his subjects. His grandpa was a binge-drinker, and on day three of the trip, he woke up with a hangover and was missing his dentures. Lindstrom, only 5 at the time, noticed the way other passengers treated him and his grandpa differently.

“I think what my films are about is that search for my grandfather’s dentures, the humanizing narrative that bridges the gap between us and them and arrives at we,” he said.

Lindstrom said he returned to Portland after film school and “did several projects with the Northwest Film Center that had me putting a camera in the hands of kids on probation, homeless teens, newly recovering addicts, hard-hit people who had hard-hitting stories to share.”

“Those projects taught me so much about the transformative power of art, and they gave me permission I felt in my personal films to ask people if I might follow them, so that an audience could better understand what they were going through, and by extension, better understand themselves,” he said.

Lindstrom’s 2007 award-winning cinéma-vérité-style film, “Finding Normal,” followed long-term drug addicts as they left prison or detox and tried to rebuild their lives with the help of a recovery mentor.

“What I’m most proud about is that ‘Finding Normal’ is the only film to ever be shown to inmates in solitary confinement at Oregon State Penitentiary, and not, I might add, as a punishment,” Lindstrom said.

In 2013, he released “Alien Boy: The Life and Death of James Chasse,” a documentary that illuminated the life of a man who grappled with schizophrenia and examined his death, which happened in police custody. Discussing the film with LA Progressive in 2018, Lindstrom said that he doesn’t make films for audiences.

“I make them for the people in the film. It is my small way of honoring them,” he told the outlet. “That doesn’t mean I don’t delve into dark areas or that I ignore that person’s struggles. I’m much more concerned with trying to achieve an honest depiction of that person’s life than I am with any potential audience reaction.”

Lindstrom’s work aimed to inspire empathy and humanize those suffering in the margins of society, but it also catalyzed policy change. His acclaimed 2015 documentary, “Mothering Inside,” followed participants in the Family Preservation Project (FPP), an initiative helping incarnated moms establish and maintain bonds with their children.

Midway through filming the documentary, the Oregon Department of Corrections announced it planned to nix funding for the FPP. Lindstrom hosted early screenings of the film, which inspired grassroots advocacy that reached then-Gov. Kate Brown, who subsequently signed legislation that restored funding. The film’s release also helped make Oregon the first state in the U.S. to pass a bill of rights for children of incarcerated parents.

Partnering with Strayed, Lindstrom made the documentary short, “I Am Not Untouchable. I Just Have My Period,” for the New York Times in 2019. The film highlighted the experience of teen girls in Surkhet, Nepal, and the menstrual stigma they faced. Most recently, the filmmaker released, “Lost Angel: The Genius of Judee Sill,” which examined the folk-rock singer’s life from her traumatic childhood and drug-addled adolescence through her rise in the Laurel Canyon music scene and untimely death.

Lindstrom, discussing “Judee Sill” and his style as a filmmaker, told Oregon ArtsWatch, “It’s the chance to kind of focus on the question: What does it mean to be human? The person that the film is about, what can they teach us, what can we learn from them? What can they learn from themselves?”

In 2017, Lindstrom received the Civil Liberties Award from the American Civil Liberties Union of Oregon for his work advancing civil rights and liberties. That same year, he received the Distinguished Alumni Award from Lewis & Clark College.

In Strayed’s post announcing Lindstrom’s death, she described their more than 30-year partnership as a stroke of “tremendous luck.”

“We loved each other and our kids with deep devotion and true delight. He was a stellar husband. He was the most magnificent dad. He was a man whose every word and deed was driven by kindness, compassion, and generosity,” she wrote. “He saw the goodness in everyone. He believed that we are all sacred and redeemable.

“His work as a documentary filmmaker was dedicated to telling stories of people who, as he put it, ‘society puts an X through.’ He erased that X with his camera and his astonishing heart.”

Strayed’s memoir — which followed her as she hiked 1,100 miles along the Pacific Crest Trail in the wake of her mother’s death, a battle with drug addiction and divorce from her first husband — concludes with a happy ending. She finished the months-long hike and sat on a white bench near the Bridge of the Gods, a stone’s throw from the spot where, she writes, she’d marry Lindstrom four years later.

“His greatest legacy is Carver and Bobbi, who embody everything good and true about their father. Their extraordinary grace, courage, and fortitude during this harrowing time was unfaltering and grounded in the undying love Brian poured into them every day of their lives,” she wrote. “We do not know how we will live without him. We’re utterly bereft. We can only walk this dark path and search for the beauty Brian knew was there. It will be his eternal light that guides us.”

Ronda Rousey returns to the ring on Saturday to face Gina Carano at the Intuit Dome in a card that its promoters hope will prove that mixed martial arts (MMA) can generate the same excitement as boxing without the UFC.

The five-round, 145-pound bout airing on Netflix (6 p.m. PDT) will be the first MMA event promoted by Most Valuable Promotions (MVP), the company co-founded by Jake Paul and Nakisa Bridarian. According to Bridarian, the card is the most expensive in MVP history, with each fighter receiving at least $40,000 — a sum greater than what UFC rookies receive.

“I would say this is the most expensive MMA card ever put together,” Bridarian said Wednesday. “We can only do this because we have a partner [Netflix] that allows us to pull it off, and they deserve it.”

Rousey (12-2), a Riverside native, is returning to competition after a nine-year hiatus, during which she starred in movies, wrestled in the WWE and became a mother of two. Her informal retirement came after consecutive losses to Holly Holm in 2015 and Amanda Nunes in 2016. For the Californian, this fight is the career finale she never had.

Gina Carano participates in an open workout Wednesday at Venice Beach ahead of her Netflix MMA bout with Ronda Rousey at Intuit Dome.

(Sarah Stier / Getty Images for Netflix)

“It’s incredible, because I feel like, no matter what happens, I’m completely at peace with it,” Rousey said. “Before, winning was the most important thing in the world. Now, what matters most to me are my kids and my family.”

Rousey hopes the event will draw more than nine million viewers, a threshold that would help convince Netflix and MVP to invest in MMA on a sustained basis. The MMA ratings record belongs to the fight between Junior dos Santos and Cain Velasquez at UFC on Fox 1 on Nov. 12, 2011, which peaked at 8.8 million viewers and averaged 5.7 million during its broadcast.

Netflix has already demonstrated an appetite for combat sports, posting impressive numbers: it drew a global audience of 33 million for Paul versus Anthony Joshua, 41.4 million for the Canelo Álvarez-Terence Crawford bout and 108 million for the Paul-Mike Tyson fight. However, promoters are aware that MMA operates in a different league and that on Saturday they will have the top ambassador of women’s MMA in action.

Ronda Rousey lunges forward and punches during an open workout at Venice Beach on Wednesday ahead of Netflix MMA bout against Gina Carano at Intuit Dome.

(Sarah Stier / Getty Images for Netflix)

“I just want to convince MVP and Netflix that there’s something here worth investing in and that they should keep backing MMA,” Rousey said.

Carano (7-1), 44, also has a historic track record, having been part of the first women’s MMA fight on live television in 2007 and headlining the first Showtime card featuring two women as main event fighters, facing Cris Cyborg in 2009. Although Carano is unlikely to pose a competitive challenge for Rousey, both women are approaching the event more as pioneers than as rivals.

On Wednesday, Rousey trained at Venice Beach in front of dozens of fans, the same beach where she began her career. She was accompanied by Pauline Macías, a Brazilian judoka, MMA fighter and close friend since the age of 11.

“It’s the ending she deserves,” Rousey said of her special training session ahead of what could potentially be her final fight as a fighter.

Beyond her fight, Rousey has her sights set on becoming a promoter to improve conditions for fighters outside the UFC.

“It’s about giving the power back to the fighters and reminding people that we are the essence of this sport, not a brand or a belt,” said the 39-year-old fighter.

The match has been criticized for taking place more than 10 years late, well past the fighters’ prime. Carano disagreed.

“I think this fight is coming at just the right time,” Carano said. “Two years ago, you would have seen a different version of me. Right now, I’m in such a strong place that, well, I’ve had to go through all of this to get here.”

This article first appeared in Spanish via L.A. Times en Español.

May 16 (UPI) — The Trump administration is considering the creation of a $1.776 billion fund to compensate people allied with President Donald Trump who were investigated during the Biden administration.

The fund would be part of a settlement with Trump that would result in him dropping his lawsuit with the Internal Revenue Service over the leaking of his tax returns six years ago, ABC News and The New York Times reported.

The deal emerged after months of negotiations between the White House and Department of Justice, which had originally been aiming to directly pay Trump, but conflict of interest concerns steered toward the compensation fund.

Although Trump has the right to sue as a private citizen, his position as president means that he also can instruct agencies within the executive branch, which would make him both the plaintiff and defendant in a trial.

The concept is partially modeled on an Obama administration compensation fund for Native American farmers and ranchers that distributed $760 million from the Treasury Department’s Judgment Fund.

In addition to Trump allies’ legal fees linked to investigations during his first term, the fund also likely would be open to people charged in the Jan. 6, 2021, riot at the Capitol building that saw the building get ransacked by Trump supporters.

Critics of the plan have called it a “slush fund” for Trump and his allies.

“An insane level of corruption — even for Trump,” U.S. Elizabeth Warren, D-Mass., said of the plan earlier this week.

The television industry has changed dramatically over the last decade, but one tradition that won’t die is the annual gathering of ad-buying execs in Manhattan to hear the pitches of networks and streamers looking to sell their commercial time.

This past week’s lavish presentations, known as the upfronts, included the usual array of big-name actors (Arnold Schwarzenegger and Jennifer Lopez), NFL legends (Tom Brady and Mike Tomlin) and “Real Housewives,” past and present.

Jennifer Lopez and Brett Goldstein speak onstage during the 2026 Netflix Upfront at Sunset Pier 94 Studios on May 13.

(Dimitrios Kambouris/Getty Images for Netflix)

The selling buzzwords are far different from the days when the presentations were a vehicle for networks to boast about their ratings and present new program line-ups. The 2026 upfronts talked a lot about “connections” and “community” as the personalized nature of TV viewing brought on by streaming video-on-demand has been fully integrated into the buying and selling of commercials.

“Three of us could be watching the same show, maybe at a different time, maybe at the same time, but receive very different advertising based on what ad technologies, know about us as an audience segment,” said Josh Mattison, executive vice president of digital revenue pricing, planning and operations for Walt Disney Co. “The old model would be, hey, did 10 million people watch this ad? 
I think the new model is, which 10 million people watch this ad.”

Here’s a sampling of what ad executives were seeing and hearing this week:

Using new ad tools that target viewers

Every company presentation touted advancements in the ability to target consumers now that advertising has become the main source of revenue growth in the streaming business. They also played up new services — such as NBC’s Performance Insights Hub — providing advertisers with up to date information on the effectiveness of their advertising so they can adjust accordingly.

Streamers can take the consumer research collected by advertisers and align them with the viewing habits of their subscribers. The data are analyzed in a secure room to protect consumer privacy.

Netflix doesn’t ask subscribers for personal information in the sign-up process, as it can discourage people from buying the service. But the company does use the viewer habits on the platform to help advertisers reach the customers they seek.

“We are seeing where there is overlap and use that to help our advertisers target better,” Amy Reinhard, president of advertising for Netflix, told The Times. “It’s all based on viewer preferences.”

Every company is turning to AI to respond to the needs of advertisers. NBC now offers them the chance to insert commercials that relate to the action seen on the screen during live sports events.

Creators are going mainstream

YouTube’s annual upfront gatherings used to have the feel of an alternative show business universe, with personalities who built their rabid followings on the streaming platform far away from the audiences for traditional TV.

Now creators such as the sports stunt group Dude Perfect have their own studios. Beast Industries, the corporate home of MrBeast, held its own invitation-only breakfast for marketing executives at a high-end New York venue . YouTube stars, such as Jesser, are landing shows on other platforms.

At YouTube’s presentation at Lincoln Center, longtime favorites such as “Call Her Daddy” podcast mogul Alex Cooper and “SubwayTakes” host Kareem Rhama appeared on stage to announce new projects on the platform, looking more like established show producers rather than social media renegades.

Ten years ago, YouTube advertisers had to worry about their spots running next to Islamic State videos. Now it’s become common for marketers to embrace YouTube stars and fully integrate products and messages into their programs.

“When creators talk about your products on YouTube, viewers are 13 times more likely to search for your brands and five times more likely to buy,” said Paul Downey, president of Americas & Global Partners for YouTube.

Mary Ellen Coe, chief business officer for YouTube, told The Times that advertisers can determine if a creator is right for their brand by looking at audience numbers, subscriber data and comments from their communities of fans. But many have their own personal focus groups at home that introduce the hottest YouTube personalities.

“Most of these advertisers have children and teenagers and they go nuts for them,” Coe said.

YouTube is the most watched TV platform according to Nielsen, accounting for nearly 13% of all TV viewing. But that share is much higher among younger consumers.

“My kids don’t watch TV — they watch YouTube,” said Anthony Pedalino, vice president and head of media investment at the ad buying firm Giant Spoon. “So I think this is a bit of future proofing.”

Other companies are seeking creators for their platform.

Amazon Prime Video introduced an alternative feed of some of its NBA games on its streaming platform Twitch, which will turn them into a “CreatorCast.” The streamers who are regulars on the site call the action live in an effort to bring in younger fans. The format will be used in WNBA games in the league’s new season.

Fox touted its creator initiative that develops programs for Tubi, the company’s fast-growing ad-supported streaming platform that now has 100 million active users. The company also has a partnership with TikTok to support creators who want to turn their short-form clips into full-length programs.

There’s always room for comfort food

Amid all the innovations in ad buying and audience measurement presented during the week, many of the programs and personalities offered up by the major networks and streamers were extremely familiar.

“They may be resigned to the fact that people are going to go to emerging platforms for more niche and esoteric programs,” Pedalino said.

Oprah Winfrey made an entrance on the Beacon Theatre stage to promote the move of her podcasts to Amazon Prime Video.

Disney rolled out the cast of “Scrubs” to announce another 10-episode order of the early 2000s sitcom for Hulu. The series had a successful reboot as Gen Z viewers continue to devour vintage programs. Amazon Prime announced “The Greatest,” a Michael B. Jordan-produced mini-series on legendary heavyweight fighter Muhammad Ali, not exactly uncharted territory.

Fox introduced a reboot of “Baywatch,” which was canceled after a single season on NBC in 1990, but went on to become a worldwide hit in syndication over the decade that followed. The slow-motion shots of toned lifeguard bodies running into Venice beach waters are coming back without a hint of irony.

Netflix brought out the set of “Pop Culture Jeopardy” at its presentation at Sunset Pier 94 Studios, NBC previewed comedies with proven prime time stars and touted its 100th anniversary which will be celebrated with an old-fashioned variety special later this year.

This article provides a historical overview of International Women’s Day, tracing its origins from a 1910 proposal by activist Clara Zetkin to its global adoption. It highlights how the holiday transitioned from a socialist initiative in Europe and the Soviet Union to a United Nationsrecognized event celebrated by numerous countries. The text emphasizes the 2025 theme, which focuses on the urgent need to speed up progress toward total gender parity. Current data suggests that without decisive intervention, achieving full equality could take over a century. Ultimately, the source serves as a call to action to dismantle systemic biases and celebrate the societal contributions of women worldwide.

Mohamed Salah’s latest unprompted public outburst will ratchet up the pressure on struggling Liverpool head coach Arne Slot by several notches.

Salah first laid bare his frustrations with Slot and Liverpool after the 3-3 draw at Leeds United in December, claiming he had been “thrown under the bus” after being dropped following the Premier League champions’ poor start to the season.

This time the Egyptian, who is scheduled to play his final game for Liverpool against Brentford at Anfield on the closing weekend of the season, took to social media after Friday’s 4-2 loss at Aston Villa to launch a thinly-veiled attack on their style under Slot and the failures this season.

Slot has been losing credit fast since winning the Premier League in his first season after succeeding Jurgen Klopp.

The contrast was sharp between Unai Emery’s vibrant Aston Villa – who confirmed Champions League football next season with victory at Villa Park and who are in the Europa League Final – and porous, weak Liverpool.

And then came the latest twist in this troubled, turbulent Liverpool season.

This sort of pronouncement could justifiably be seen as Salah repaying his head coach by throwing Slot under the bus, the breakdown of their relationship providing a fractious backdrop to a season in which Liverpool‘s title defence has disintegrated.

If Salah’s attack clearly does not help Slot, who has lost the faith of many Liverpool fans as the Anfield atmosphere becomes increasingly toxic, then his analysis of “us crumbling to yet another defeat this season” hardly reflects well on his own team-mates either.

The sub-plot to Salah’s post is that a large number of those same Liverpool supporters see Xabi Alonso as Slot’s natural successor.

But the former Real Madrid manager now looks destined for Chelsea, who hope to announce the Spaniard as their new permanent head coach in the coming days.

Alonso has long been touted as a future Liverpool manager, having won the Champions League as a player and then impressed hugely during his time as Bayer Leverkusen boss.

Some hoped he would replace Klopp two years ago, but he instead opted to remain with Leverkusen and Slot came in instead.

It would seem again the timing just will not quite marry up for those dreaming of a fairytale return to Anfield.

A recent New York Times article highlighted the sexual violence suffered by Palestinians at the hands of Israeli forces. But the allegations have been documented for years by human rights groups and Palestinian organisations. So why does the world only seem to pay attention when a Western news organisation does?

This week on UpFront, Redi Tlhabi speaks with UN Special Rapporteur Francesca Albanese about sexual violence, Israeli impunity – and the double standards of Western attention.

For more than 40 years, Barry Walters has been closely watching the dance floors of New York and San Francisco, chronicling the ways in which LGBTQ+ culture has influenced mainstream culture. As a writer for the Village Voice, the Advocate and Spin, among others, Walters became one of music journalism’s most eloquent and crucial voices, championing artists like the Pet Shop Boys and Madonna during their formative years.

Walters’ new book, “Mighty Real,” draws on his deep firsthand knowledge, offering a comprehensive history of LGBTQ+ music from 1969 to 2000. I recently spoke with Walters about Babs, Madge and Bowie.

✍️ Author Chat

In the book, you make a distinction between pre-Stonewall LGBTQ music and post-Stonewall LGBTQ music.

Gay culture before Stonewall really had to be hidden, or at least secretive. I think of Barbra Streisand as a quintessential pre-Stonewall figure. Judy Garland, as well. These women are tough, and even though they sing songs written by men, it’s not in a submissive way. They are singing like they are the champions, even when they are suffering through what men do to women through the torch songs they perform.

What can you say about the encoded nature of certain songs that spoke to gay culture in a way that flew under the radar of hetero listeners in the pre-Stonewall era?

The music that spoke to gay culture, by necessity, had to be encoded. “Secret Love” by Doris Day is a good example. It’s about struggling to have something that’s otherwise forbidden. Sinead O’Connor covered that song. There was a song I loved as a young child called “Have I The Right?” by the Honeycombs, which was written by two British gay men at a time when homosexuality was illegal in England. You know, have I the right to be with whomever I want to be with?

What, in your view, was the big bang of post-Stonewall LGBTQ music?

David Bowie to a large degree. Right around the time that “Hunky Dory” was being released in 1971, he told the Evening Standard newspaper that he was gay, flat out just said it. And it was such a strange thing to say that many people doubted his sincerity.

Barry Walters, a writer for the Village Voice, the Advocate and Spin, among others, wrote a new book about the history of LGBTQ+ music.

(Kelly Lawrence for Walters)

I remember seeing Bowie wearing that dress on the cover of “The Man Who Sold The World,” thinking that was the most transgressive act any rock star had ever committed.

And then he performed “Starman” on Top of the Pops in 1972 and he put his arm around his guitarist Mick Ronson, who also looked gorgeous. They were displaying a familiarity men aren’t supposed to have.

I thought I knew everything about pop music, but you have uncovered so many fascinating stories. Tell me about Olivia Records.

Olivia Records was an independent record label in the Bay Area owned and controlled by lesbians for female artists. This is years before punk or indie rock, when so many small labels cropped up. They pioneered so much. They would recruit fans in different cities to man the merchandise and to help get their records in stores. The idea of a merch table was something new at the time. They also created the forerunner of Burning Man. They would go find a farm somewhere and create an impromptu village, with food, sanitation and the rest.

You have given the most space in your book to Madonna, whom you have written about extensively over the years. Why is Madonna such a huge figure in the history of LGBTQ music?

Her art is so queer. I feel like she is one of us. She’s very much like Grace Jones, in that her sensibility is so aligned with gay culture. I related to Madonna on multiple levels. In the early ‘80s, I would see her around town, dancing at the same New York clubs I was frequenting, like Danceteria. She was steeped in gay culture, and then she brought all of this into the mainstream, and that was profound. I also feel like she was misunderstood in many ways. When straight men called her a slut, things like that. That is so far from the truth. She is such a complex artist. If you are making that claim, you don’t know anything about her.

(This Q&A was edited for length and clarity.)

📰 The Week(s) in Books

(Javier Pérez / For The Times)

Pulitzer prize winner Elizabeth Strout has a new novel called “The Things We Never Say,” and Julia M. Klein approves. “[Strout] reprises her familiar themes: the mysteries of human personality, the perils of solitude, the occasional possibility of grace … in deceptively simple, occasionally mannered prose that draws readers in and immerses them in her fictional worlds,” Klein writes.

They’re on a boat! Paula L. Woods climbed aboard a 130-foot yacht in Marina del Rey to soak in the vibes of the Yacht Girls Book Club. “I wanted conversations with like-minded women that were intellectual but fun,” club founder Aloni Ford told Woods. “And talking about books seemed to be the ideal way to achieve that.”

“PEN15” co-creator Anna Konkle has written a memoir called “The Sane One,” and Rachel Brodsky talked to her about it. “In some ways, ‘PEN15’ was a reaction to loving memoirs,” she tells Brodsky. “Raw memory has always been very exciting to me.”

Finally, our Times critics take the measure of this summer’s hottest beach reads.

📖 Bookstore Faves

Kinokuniya bookstores sell Japanese manga, stationery and literature.

(Courtesy of Kinokuniya)

When Kinokuniya opened its first L.A. shop in 1977, it was primarily to provide Japanese expats with imported books and magazines to read in their native tongue. Forty years later, the store has become a locus of Japanese printed matter for Angelenos eager to scoop up Japanese literature and manga in Japanese and English, as well an expansive selection of imported stationery products that, in L.A., can only be found in Kinokuniya’s three stores. I spoke with Sakura Yamaguchi, who manages two of Kinokuniya’s stores downtown (the third is in Mar Vista) about its many-splendored pleasures.

How did the store travel from Japan to Los Angeles?

Books Kinokuniya was founded by Moichi Tanabe in 1927. Located in the Shinjuku district of Tokyo in a two-story wooden building, the first Kinokuniya started with five employees, including Mr. Tanabe himself. In 1969, Kinokuniya opened its first overseas bookstore in San Francisco. The first Los Angeles store opened in 1977.

Who are your customers?

We first started as a store for Japanese customers, so we imported Japanese books and magazines and sold them, mainly. But in the past 10 years, Japanese manga/anime, stationery and literature has been quite popular in the U.S. Therefore our customers are a mix of Japanese-speaking customers and non-Japanese speakers who are interested in Japanese culture.

What percentage of your clientele buys Japanese–language products?

Forty percent Japanese-language products versus 60% English books.

What specific titles are selling for you right now?

“Witch Hat Atelier Grimoire Edition, Volume 1,” “JoJo’s Bizarre Adventure: Purple Smoke Distortion” and the “Strange Houses” series.

Are you seeing more young people turning to printed matter? It seems like there is an analog revival at the moment.

We have been trying to make exclusive editions that come with freebies to make the printed manga more attractive, but without that our English manga sales have been increasing and our main target for the manga is young people. There are many titles that are published exclusively in e-book format, but we frequently hear from customers asking when they will be released in print form. Also, recently there has been a growing number of cases where titles that were originally available only in digital format have later been published as physical books.

Kinokuniya at the Bloc in Los Angeles is located at 700 W 7th St.

(Please note: The Times may earn a commission through links to Bookshop.org, whose fees support independent bookstores.)

SOUTHERN SECTION BASEBALL PLAYOFFS

FRIDAY’S RESULTS

SECOND ROUND

DIVISION 1

Pool A

#8 Sherman Oaks Notre Dame 4, #1 Norco 0

#9 Ayala 7, #16 Maranatha 6

Pool D

#4 Orange Lutheran 9, #5 Corona 6

#13 Corona Santiago 8, #12 Etiwanda 4

Pool C

#6 St. John Bosco 4, #3 Sierra Canyon 3

#11 Cypress 8, #14 Oaks Christian 2

Pool B

#2 Harvard-Westlake 6, #10 Huntington Beach 5

#15 La Mirada 9, #7 Temecula Valley 2

FIRST ROUND

DIVISION 3

Mira Costa 8, Arlington 6

Redondo Union 8, Ridgecrest Burroughs 7

Dos Pueblos 14, Burbank Burroughs 8

Edison 5, Damien 1

Palos Verdes 7, Orange County Pacifica Christian 1

Warren 8, West Ranch 3

Cajon 4, San Dimas 0

St. Francis 4, Crescenta Valley 1

Agoura 4, Oakwood 0

Garden Grove Pacifica 7, Chino Hills 0

Corona del Mar 2, Bishop Amat 1

Fullerton 8, San Juan Hills 3

Beckman 2, Charter Oak 1

Millikan 2, South Torrance 1

Summit 7, La Canada 6

Arcadia 3, Simi Valley 2

DIVISION 5

Citrus Valley 2, Paloma Valley 1

Irvine 4, Moreno Valley 2

Cathedral 4, Calvary Baptist 2

Long Beach Poly 3, Sunny Hills 2

Quartz Hill 12, Tahquitz 0

Kaiser 6, Oak Hills 5

Paramount 15, Heritage Christian 1

Santa Barbara 5, Loara 4

Long Beach Wilson 3, Montebello 0

Jurupa Hills 3, Santa Fe 0

Temescal Canyon 8, Arrowhead Christian 5

Riverside Prep 7, Capistrano Valley Christian 3

Culver City 8, Cerritos Valley Christian 6

St. Bonaventure 1, Mayfair 0

Bishop Montgomery 5, Cerritos 0

St. Bernard 4, Rancho Verde 3

DIVISION 7

New Roads 5, Palmdale 4

Carpinteria 2, Flintridge Prep 1

North Torrance 5, Baldwin Park 1

Grace 6, Beverly Hills 0

Santa Paula 5, Pasadena Poly 4

Fontana 13, Milken 12

Patriot 11, Viewpoint 10

Victor Valley 9, Placentia Valencia 3

Hemet 2, Riverside Notre Dame 0

South El Monte 3, Buena Park 2

Golden Valley 5, University Prep 1

Jurupa Valley 3, Campbell Hall 0

Arroyo 2, Miller 1

Carter 10, Adelanto 1

Garden Grove 1, Nogales 0

Norwalk 8, San Jacinto Valley 1

DIVISION 9

Dunn 16, Redlands Adventist Academy 4

Lennox Academy 18, Santa Monica Pacifica Christian 8

Crossroads Christian 16, Downey Calvary Chapel 7

St. Monica Academy 4, Coastal Christian 3

San Bernardino 17, Mesa Grande 5

Ojai Valley 16, San Luis Obispo Classical 0

Webb 10, Loma Linda Academy 5

Yucca Valley 8, Santa Maria Valley Christian 7

Rolling Hills Prep 18, Lucerne Valley 5

Ambassador Christian 5, United Christian Academy 4

Riverside Bethel Christian 11, Desert Hot Springs 10

Westminster 11, Anza Hamilton 1

Temecula Prep 25, Pomona 1

Cobalt 9, Environmental Charter 5

Garden Grove Santiago 17, Gorman Charter 1

St. Pius X-St, Matthias Academy 20, Animo Leadership 1

TUESDAY’S SCHEDULE

(Games at 3:15 p.m. unless noted)

THIRD ROUND

DIVISION 1

Pool A

Norco at Ayala

Pool D

Corona at Corona Santiago

Pool C

Sierra Canyon at Cypress

Pool D

Huntington Beach at La Mirada

SECOND ROUND

DIVISION 2

Elsinore at Santa Margarita, 2:30 p.m.

South Hills at Ganesha

Newport Harbor at Great Oak

Gahr at Aquinas

Servite at Foothill

Royal at Yucaipa

Chaminade at Loyola

Westlake at Aemany

DIVISION 3

Mira Costa at Redondo Union

Dos Pueblos at Edison

Palos Verdes at Warren

Cajon at St. Francis

Agoura at Garden Grove Pacifica

Corona del Mar at Fullerton

Millikan at Beckman

Arcadia at Summit

DIVISION 4

Saugus at San Marino, 3:30 p.m.

Rio Mesa at Claremont

Glendora at Katella, Wednesday

Upland at Anaheim Canyon

La Quinta at Marina

Palm Desert at Grand Terrace, 4 p.m.

Woodbridge at Laguna Beach

Moorpark at Monrovia

DIVISION 5

Citrus Valley at Irvine

Long Beach Poly at Cathedral

Quartz Hill at Kaiser

Paramount at Santa Barbara

Long Beach Wilson at Jurupa Hills

Riverside Prep at Temescal Canyon

St. Bonaventure at Culver City

St. Bernard at Bishop Montgomery

DIVISION 6

Brentwood at Ontario

Canyon Springs at Foothill Tech

Troy at Trinity Classical Academy

El Rancho at Northwood

Savanna at Western Christian

Covina at Alhambra

Muir at Santa Ana Calvary Chapel

Crossroads at Lakewood, 4 p.m.

DIVISION 7

New Roads at Carpinteria

Grace at North Torrance

Fontana at Santa Paula, 3:30 p.m.

Patriot at Victor Valley

Hemet at South El Monte

Golden Valley at Jurupa Valley

Carter at Arroyo

Norwalk at Garden Grove

DIVISION 8

Edgewood at Rancho Alamitos

Chadwick at Pasadena Marshall

Rio Hondo Prep at Wildomar Cornerstone Christian

Rosemead at Oxford Academy, Monday

Duarte vs. Santa Clarita Christian at Hart Baseball Complex, 7 p.m.

Nordhoff vs. Nuview Bridge at Mystic Field, Nuevo

Artesia at Magnolia

Anaheim vs. Schurr at Rio Hondo College

DIVISION 9

Dunn at Lennox Academy

St. Monica Academy at Crossroads Christian

San Bernardino at Ojai Valley

Webb at Yucca Valley

Rolling Hills Prep at Ambassador Christian

Westminster at Riverside Bethel Christian

Temecula Prep at Cobalt

St. Pius X-St. Matthias Academy at Garden Grove Santiago

Note: Quarterfinals in all divisions May 22; Semifinals in all divisions May 26; Finals in all divisions May 29-30.