Paris seeks to repair economic and security ties while countering rising anti-French sentiment across Africa.

French President Emmanuel Macron has started a tour of East Africa as Paris seeks to rebuild its influence on the continent after a series of setbacks, especially in its former West African colonies.

Macron began the three-country tour in Egypt on Saturday, which will also take him to Kenya and Ethiopia.

He will cohost a summit in English-speaking Kenya on Monday and Tuesday as France seeks to redefine its role in Africa, moving away from its postcolonial role towards closer cooperation.

The summit will bring together African leaders and business executives, with several agreements between French and Kenyan companies set to be signed during the visit to boost economic and commercial cooperation.

The “Africa Forward” summit will be the first in an Anglophone country attended by Macron since he took office in 2017.

The French president will wrap up his tour in Addis Ababa on Wednesday, where he will hold meetings with Ethiopian officials and take part in talks at the African Union headquarters on peace and security in Africa.

The tour is widely seen as a bid by Paris to repair economic and security ties and counter rising anti-French sentiment across parts of Africa.

Africa’s changing balance

France colonised large parts of West and Central Africa, and maintained excessive political and economic influence long after independence.

France, once widely accused of supporting unpopular leaders for strategic gain, is no longer the dominant foreign power it once was in Francophone Africa.

Across the continent, there is a growing push for more equal, win-win partnerships, tighter control over natural resources and broader alliances beyond traditional Western partners.

Sahel turning point

Anti-French sentiment has generally grown alongside political instability, military coups and rising competition from other international powers.

The sharpest rupture has come in the Sahel region, where Mali, Burkina Faso and Niger have seen coups followed by rapidly deteriorating relations with France.

French forces were subsequently expelled after years of military operations against armed groups that many local governments and segments of the public viewed as ineffective.

In the vacuum, the region’s military rulers have turned to new security partners, particularly Russia, highlighting France’s declining influence in the region.

Russian influence, including through the Wagner Group and its successor networks, expanded in part by exploiting anti-French sentiment.

Can Macron succeed in reshaping France’s Africa policy?

Macron is seeking to reshape France’s Africa policy, replacing traditional influence with what he calls partnerships.

He is also pushing for deeper cultural and educational cooperation focused on entrepreneurship, climate and youth engagement.

Such efforts are seen as France’s attempt to reinvent its postcolonial relationship with African states and compete with powers like China and Russia.

Paris is, in fact, trying to shift its Africa policy; questions over its influence on the continent, however, persist.

Daniel Dubois recovered from two knockdowns to win a second world heavyweight title with a stoppage of Fabio Wardley.

Daniel Dubois ⁠came back from two ⁠knockdowns to deal Fabio Wardley a brutal and bloody first defeat as a professional and take the WBO heavyweight title in a thunderous all-British clash in Manchester, United Kingdom.

Referee ⁠Howard Foster finally stepped in at the start of the 11th round to signal the end of the fight at the Co-Op Live Arena on Saturday. Wardley was bleeding heavily from the bridge of the nose, with his right ⁠eye almost closed .

Dubois rose twice from the canvas, including being dropped by a right hook in the first 10 seconds of the fight, to pulverise Wardley and become a world heavyweight champion for the second time in his career.

“It was a war. We came through the sticky moments. Thank you Fabio for that,” ‌said Dubois, who was previously IBF champion after the belt was vacated by Oleksandr Usyk in 2024, with the Ukrainian winning it back in July 2025.

“What a great fight. What a great battle, man”.

The win was Dubois’s 23rd as a professional in 26 fights while Wardley now has a 20-1-1 record.

Veteran promoter Frank Warren, who manages both men, said it was the best heavyweight fight he had ever put on and confirmed there was a rematch clause in the contract.

For ⁠some viewers, however, it was also an uncomfortable watch that could have ⁠been stopped earlier.

The 31-year-old Wardley, who was promoted to WBO champion last November after Usyk vacated the title, was making his first defence and showed immense heart as he took a tremendous beating yet refused to capitulate.

He had his opponent ⁠on the floor, a blow Dubois, 28, later dismissed as a ‘flash knockdown’, almost with the opening bell still sounding.

Dubois was back on one knee in ⁠round three but came close to a stoppage in the ⁠sixth with the reigning champion bleeding heavily and on the ropes.

The Londoner continued to land blow after blow on Wardley, who wobbled but refused to give up.

His corner inspected the facial wounds after the eighth and doctors and the referee took a ‌look in rounds nine and 10 but still the fight continued, with Wardley increasingly struggling to stay on his feet and fighting on instinct.

“You witnessed something special tonight,” Warren told the BBC. “Two men baring ‌their ‌hearts and souls in the ring, gave everything, didn’t leave one bit outside the ring.

“They were getting hit with bombs that would take people out and they stood it.”

Love may not be all you need these days, but a picture with it might help. This you can get beginning later this year when the Huntington installs its newly acquired “LOVE” sculpture by Robert Indiana near the Virginia Steele Scott Galleries of American Art.

Indiana first unveiled the iconic sculpture almost 60 years ago — also just a few days before Mother’s Day — as part of his 1966 solo exhibition at Stable Gallery in New York. While this early version measured only 12 inches high, the Huntington’s edition is 12 feet tall and 12 feet wide, making it an ideal vessel for you and your, ahem, loved ones to snap a pic with.

The polychromed aluminum sculpture is third in an edition of five, with two artist’s proofs, and will be the only “LOVE” sculpture in Southern California available to the public. It arrives at the museum’s San Marino campus as a gift of Terri and Jerry Kohl, who also provided funding for installation and long-term care.

“LOVE” is one of the most recognizable pieces of Pop art ever created — a ubiquitous symbol associated with a variety of social causes, movements and groups, including the LGBTQ+ community during the height of the AIDS crisis.

Indiana’s design for “LOVE,” featuring an L and slightly askew O stacked atop a V and E, first appeared on the Museum of Modern Art’s annual holiday card in 1965, and was apparently among the institution’s most popular holiday cards of all time. The artist completed his first monumental love sculpture, made from steel, in 1970. That sculpture is part of the Indianapolis Museum of Art’s collection.

In a news release, Huntington President Karen R. Lawrence said that Jerry Kohl believed that “LOVE,” “belonged in a place where it would be seen and experienced by millions of visitors in the years leading up to the Los Angeles Olympics, during the games, and far beyond. He recognized The Huntington as a cultural destination uniquely positioned to steward the work and share it with a broad public audience.”

“LOVE” will join a number of other outdoor installations across the Huntington’s expansive grounds and gardens, including two recently acquired sculptures by the Cuban-born artist Enrique Martínez Celaya, in addition to pieces by Sam Francis, Tony Smith and Harry Bertoia.

The sculpture also serves to expand the Huntington’s collection of American art dating from the mid-20th century on, joining works by Andy Warhol, Betye Saar, Elizabeth Catlett, Isamu Noguchi, Paul Manship, Gaston Lachaise, Elie Nadelman, Daniel Chester French, Sargent Claude Johnson, Richmond Barthé and Wilhelm Hunt Diederich.

If you’re planning a Mother’s Day jaunt to the picturesque Huntington, you won’t see the sculpture just yet, but you should still go. (This is where I wish all who celebrate a very happy Mother’s Day. Hi, hardworking, selfless moms everywhere: I see you.)

I’m Arts editor Jessica Gelt and I choose LOVE. This is your arts and culture news for the week.

The week ahead: A curated calendar

FRIDAY

Freeways 2026
Los Angeles Chamber Orchestra fellows Alejandro Lombo, flute, Eder Rivera, oboe, and Nicolás Valencia, viola, and other emerging musicians perform works by Dranishnikova, Piazzolla, Mozart, Dvořák, Gaubert, Julia Moss and Ravel.
7:30 p.m. Colburn School, Zipper Hall, 200 S. Grand Ave., downtown L.A. laco.org

My Birthday Party
Based on stories by Carl Sandburg and Viggo Mortensen, this immersive theatrical experience includes acrobats, aerialists and clowns from Cirque du Soleil and features surprise guests, with music by Veronika Krausas. Opening night performance by Thelma Houston.
8 p.m. Friday and Saturday; 2 p.m. Sunday, through May 7. Fais Do-Do, 5257 W. Adams Place, L.A. playwithsprung.com

Lorenzo Viotti in Milan, Italy.

(Vittorio Zunino Celotto / Getty Images)

Rachmaninoff’s ‘Second Symphony’
In his L.A. Phil debut, flamboyant Italian-Swiss conductor Lorenzo Viotti and violinist Lisa Batiashvili join the orchestra for a fiery program of late-Romantic works.
8 p.m. Friday and Saturday; 2 p.m. Sunday. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com

Picasso: Le Monstre Sacré
Peter Tate’s solo performance piece, adapted by the actor and director Guy Masterson from Terri D’Alfonso‘s “The Loves of Picasso,” explores the complicated artist’s legacy from within.
8 p.m. Thursday-Saturday; 3 p.m. Sunday, through May 17. Odyssey Theatre, 2055 S. Sepulveda Blvd. odysseytheatre.com

TJ Shin’s solo exhibition “Delta” is at Ehrlich Steinberg through June 11.

(Ehrlich Steinberg)

TJ Shin
The L.A.-based artist’s solo exhibition “Delta,” rooted in game theory, consists of a multi-channel video installation, drawings and a newly commissioned text by writer and professor Sunny Xiang.
11 a.m.-5 p.m. Wednesday-Saturday, through June 11. Ehrlich Steinberg, 5540 Santa Monica Blvd., L.A. ehrlichsteinberg.com

The Sound of Music
The Hollywood Hills (and San Diego and Costa Mesa) are alive with the sound of Rodgers & Hammerstein on this tour of the latest revival of the classic romantic musical set in Austria as Nazi Germany moves to annex it.
Through May 24. Hollywood Pantages Theatre, 6233 Hollywood Blvd.; May 26-31. San Diego Civic Theatre, 1100 Third Ave.; June 2-14. Segerstrom Center for the Arts, 600 Town Center Drive, Costa Mesa. soundofmusicontour.com

SATURDAY

Ascent
This world premiere of a play by the late Henry Ong details the true story of aerospace engineer and cyberneticist Qian Xuesen, who co-founded Jet Propulsion Laboratory and was instrumental in United States’ World War II efforts before being unjustly forced to return to China. Direction and dramaturgy by Diana Wyenn.
8 p.m. Thursdays-Saturdays; 3 p.m. Sundays, through June 14. Skylight Theatre Company, 1816 ½ N. Vermont Ave, L.A. skylighttheatre.org

Maintenance Artist
The Laemmle “Culture Vulture” series continues with a 2025 documentary about Mierle Laderman Ukeles, who, inspired by Marcel Duchamp, inaugurated the idea that routine activities could be seen as performance art. Directed by Toby Perl Freilich.
10 a.m. Saturday and Sunday; 7 p.m. Monday. Laemmle Glendale, 207 N. Maryland Ave.; Laemmle Town Center 5, 17200 Ventura Blvd., Encino; Laemmle Monica Film Center, 1332 2nd St. laemmle.com 6 p.m. May 16. Getty Center, 1200 Getty Center Drive, L.A. getty.edu

Wild Up: The Center Is Between Us
The eclectic ensemble performs Robert Ashley’s “The Park” and “The Backyard,” narrated live by Christopher Rountree, from the 1978 avant-garde spoken work album “Private Parts,” before being joined by the santoor and tabla duo of Kamaljeet and Jas Ahluwalia, along with cellist Chris Votek, for new work.
8 p.m. UCLA Nimoy Theater, 1262 Westwood Blvd. cap.ucla.edu

SUNDAY

Los Angeles Children’s Chorus
LACC presents two spring concerts: Sunday, featuring the Apprentice Choir, Intermediate Choir and Chorale; and May 17 with the Concert Choir, Young Men’s Ensemble and Chamber Singers.
7 p.m. Sunday and May 17. Pasadena Presbyterian Church, 585 E. Colorado Blvd. lachildrenschorus.org

MOMentum Place
Celebrate Mother’s Day in the great outdoors with aerial and circus performers, dancers and musicians, preceded by a brunch from chef David Gussin and Prose Restaurant.
Brunch, noon; performance, 2 p.m.; Will Geer Theatricum Botanicum, 1419 N. Topanga Canyon Blvd., Topanga. theatricum.com

Shirley MacLaine, Debra Winger and Jack Nicholson in James L. Brooks’ 1983 hit “Terms of Endearment,” which won five Oscars.

(Paramount Pictures)

Terms of Endearment
James L. Brooks won Academy Awards for writing, producing and directing this adaptation of Larry McMurty’s novel, which should resonate with anyone who has or had a challenging relationship with their own mother on this Mother’s Day. Featuring a stacked cast including Oscar winners Shirley MacLaine and Jack Nicholson, and nominees Debra Winger and John Lithgow, as well as Jeff Daniels and Danny DeVito. Presented in 35mm.
2 p.m. Academy Museum, 6067 Wilshire Blvd. academymuseum.org

MONDAY

ASCAP Foundation Musical Theatre Workshop
Three new musicals presented as live readings with musical accompaniment and expert feedback panels: “Lilyville” by Antonius Anand Nazareth (Monday); “The Waiting” by Maria Isabella Andreoli and EmmaLee Kidwell (Tuesday); and “Legendary” by Cheeyang Ng (Wednesday).
7 p.m. Monday-Wednesday. The Wallis, 9390 N. Santa Monica Blvd., Beverly Hills. thewallis.org

TUESDAY

Rachel Ward, left, and Jason Patric in “After Dark My Sweet.”

(Kino Lorber)

After Dark My Sweet
Actor Jason Patric presents a screening of his personal 35mm print of director James Foley’s 1990 neo-noir adapted from the Jim Thompson novel. Introduced by Alex Winter and followed by a Q&A with Patric and writer/film critic Travis Woods.
7:30 p.m. Vidiots, 4884 Eagle Rock Blvd. vidiotsfoundation.org

Sarah Andon
“Eclectic Engagement: Explorations in Sound, Space, and Collaboration” features the L.A.-based flutist and an all-star ensemble, including percussionist Nick Terry, pianists Todd Moellenberg, Bryan Pezzone and Aron Kallay, flutist Sarah Wass, violinist Shalini Vijayan and electronicist Cristina Lord performing works by Toru Takemitsu, Sungji Hong, Gabriela Lena Frank, Nicolás Lell Benavides, Herman Beeftink, Jerry Goldsmith, Ennio Morricone and Nino Rota.
8 p.m. Monk Space, 4414 W. 2nd St., L.A. brightworknewmusic.com

WEDNESDAY

Alexandra Silber adapted a new book for Lerner & Loewe’s classic “Brigadoon.”

(Jason Armond / Los Angeles Times)

Brigadoon
Tyne Daly headlines this new adaptation by Alexandra Silber of the classic Lerne & Loewe musical about a mysterious Scottish village that only appears once a century. Directed by Katie Spelman, with original dances created by Agnes Demille.
Through June 14. Pasadena Playhouse, 39 S. El Molina Ave. pasadenaplayhouse.org

A Sea Symphony
Pasadena Chorale performs Walt Whitman’s words with Vaughan Williams’ music, featuring solos by sopranos Rachel Adcock and Asha Srikantiah and baritones Eric Werner and Tobin Sparfeld.
7:30 p.m. First United Methodist Church Pasadena, 500 E. Colorado Blvd. pasadenachorale.org

THURSDAY

Camerata Pacifica
The ensemble performs a program that includes works by Beethoven, De Mey and Bunch, and concludes with Shostakovich’s “Symphony No. 15 for Piano Trio and Percussion,” arranged by Viktor Derevianko.
8 p.m. Thursday. Colburn School, Zipper Hall, 200 S. Grand Ave., downtown L.A.; 7 p.m. May 15. Academy of the West, 1070 Fairway Road, Santa Barbara. 8 p.m.; 3 p.m. May 17. Bank of America Performing Arts Center, Scherr Forum, 2100 E. Thousand Oaks Blvd.; 7:30 p.m. May 19. The Huntington, 1151 Oxford Road, San Marino. cameratapacifica.org

Arts anywhere

New and recent releases of arts-related media.

Open-Door Playhouse
Playwright Bernadette Armstrong launched this online venture during the pandemic to help other authors get their work heard by audiences. The endeavor has continued, producing dozens of audio versions of 10-minute and one-act plays delivered as podcasts. The latest release, “Holy Hell,” written by Barbara Lindsay, features a man (played by Gary Lamb, who also directed) and a woman (Elaine Mello) separately recounting the tragedy that united them. Open Door Playhouse is free, relying on listener donations.
opendoorplayhouse.org

“Rupert García: The Making of an American Artist, a Testimonio” by Mario T. García.

(Rutgers University Press)

Rupert García: The Making of an American Artist, a Testimonio
An oral history 30 years in the making, the book chronicles the life and career of the American Chicano visual artist and activist, whose work as a painter, pastellist and screen printer both documented and galvanized cultural movements from the 1960s onward. The book’s author, historian Mario T. Garcia of UC Santa Barbara, will be in town for a book signing at 7:30 p.m. on Friday at Vroman’s Bookstore, 695 E. Colorado Blvd., Pasadena. vromansbookstore.com
Rutgers University Press: $35, 215 pages.

Arturo Sandoval, who frequently performs in Los Angeles, has a new album, “Sangú.”

(The Wallis)

Sangú
Trumpeter, bandleader and composer Arturo Sandoval’s latest album — the title is a malapropism of “sounds good” made during the studio sessions — features 12 tracks of Afro-Cuban funk, blending bebop, fiery jazz fusion and batá-inspired rhythms. Sandoval will perform June 4-7 at Blue Note Los Angeles.
Self-released: digital download, $9.50. arturosandoval.com

— Kevin Crust

Culture news and the SoCal scene

Maria Wirries and LJ Benet in “The Lost Boys,” from left; Sara Chase and Brad Oscar appear onstage during curtain call of “Schmigadoon!” on opening night, and Joshua Henry and the cast of “Ragtime.”

(Matthew Murphy, left and right; Valerie Terranova / WireImage, center.)

Tony Award nominations were announced early this week with musicals “The Lost Boys” and “Schmigadoon!” leading nominations with 12 each, followed by “Ragtime” with 11. Malia Mendez has the full list, here, and Times theater critic Charles McNulty followed up with a story on 10 standout Broadway performances and shows worth celebrating, including Laurie Metcalf in both Samuel D. Hunter’s “Little Bear Ridge Road” and this spring’s revival of “Death of a Salesman.”

The Pulitzer Prizes were announced the day before the Tony nominations, and Bess Wohl’s play “Liberation” took home the 2026 Pulitzer for drama. The win foreshadowed what would come next: “Liberation” was nominated for five Tonys, including best play and director.

McNulty also rounded up three major Broadway musicals in one handy, sweeping review: “Cats: The Jellicle Ball,” “The Lost Boys” and “Titanique.” “Cats,” notes McNulty, has managed to distance itself from its kitschy reputation and checkered past to become “one of the hottest tickets of the Broadway season. It didn’t take a miracle, only a complete conceptual overhaul.” Happily, “The Lost Boys” also won McNulty over despite his “antipathy to vampire schlock.” “Titanique” was not McNulty’s favorite, but he noticed that his fellow theatergoers couldn’t get enough.

Joe Mantello at his home in New York on Friday, April 3, 2026.

(Evelyn Freja / For The Times)

There was not one free moment in McNulty’s New York itinerary in early March. While attending a flurry of shows, our critic also sat down to a brunch interview with director Joe Mantello during rehearsals for the new Broadway revival of “Death of a Salesman.” “A two-time Tony-winning director (‘Assassins,’ ‘Take Me Out’), Mantello has a résumé so extensive that it can be startling to recall that he’s the original Broadway director of “Wicked,” the blockbuster that has allowed him to write his own ticket. There aren’t many theater directors who can pick and choose their projects without worrying about their next paycheck, but he has become the Mike Nichols of our era in terms of the breadth and consistency of his theatrical success,” writes McNulty,

The Times got the scoop that Holocaust Museum LA will reopen June 14 as part of the new $70-million, 70,000-square-foot Goldrich Cultural Center. The center doubles the museum’s original 35,000-square-foot footprint and broadens the institution’s “focus on inclusion and community, with a diverse range of events and ramped-up educational offerings,” writes Times contributor Solvej Schou.

Composer John Williams, 94, attended the dedication ceremony of the new John Williams Performing Arts Center at North Hollywood High on April 29, 2026.

(Genaro Molina / Los Angeles Times)

Times contributor Tim Greiving, who is also the author of a biography on John Williams, covered a ribbon-cutting ceremony for the new John Williams Performing Arts Center at North Hollywood High — the famed film composer’s alma mater. Williams, 94, was in attendance and gave a few brief remarks in front of a crowd filled with other notable school alumni and friends including Kathleen Kennedy.

The Times published an exclusive on Pasadena Playhouse’s new 2026-27 season, which includes the post-Broadway debut of “Real Women Have Curves: The Musical.” Other offerings include a new production of Friedrich Dürrenmatt’s tragicomedy “The Visit,” the L.A. premiere of “Passing Strange,” and a revival of “Cat on a Hot Tin Roof.”

Comedian Kathy Griffin in 2019.

(Matt Licari / Invision Associated Press)

Comedian Kathy Griffin is staging her first-ever residency at the Plaza Theatre in Palm Springs. “Can You Handle This Heat? The Kathy Griffin Palm Springs Residency,” is scheduled to run from Jan. 31 to Feb. 26, 2027. Tickets go on sale today.

The Soraya has announced it 2026-27 season featuring eight noteworthy debuts and 45 performances, including Sutton Foster with Chris Walden and the Pacific Jazz Orchestra; the eclectic band Snarky Puppy; Majo Aguilar con Mariachi y Banda; Dance Theatre of Harlem; National Symphony Orchestra of Ukraine; Los Angeles Philharmonic; Audra McDonald; and the National Symphony Orchestra. The new lineup also introduces Chad Hilligus as the Soraya’s new executive and artistic director.

Grand Performances announced its 40th annual Summer Concert Series featuring free outdoor shows in downtown L.A.’s California Plaza from June 6–Aug. 29. Highlights include a June 13 anniversary celebration with Jungle Fire, Healing Gems and DJ Liza Richardson; a tribute to the music of Stevie Wonder with DJ Spinna, Monalisa and MC Cognito; and a tribute to Roy Ayers led by composer Sly5thAve with a 12-piece ensemble including drummer Kassa Overall.

This week, IATSE filed unfair labor practice charges against management at the beleaguered John F. Kennedy Center for the Performing Arts, alleging the center broke its union contract by permanently eliminating union jobs ahead of its controversial temporary closure.

— Jessica Gelt

And last but not least

Looking for a great classic diner? Me too! This Food story will help.

Dudinha had a goal and an assist to lead the San Diego Wave to a 2-1 victory over rival Angel City on Saturday at BMO Stadium.

Dudinha beat multiple Angel City defenders before firing a shot that was deflected off defender Sarah Gorden for the opening goal in the 49th minute.

Angel City’s Emily Sams scored in the 54th minute to even the score.

San Diego (6-0-3) took the lead for good when Dudinha’s cross found the head of rookie defender Mimi Van Zanten in the 81st minute. Dudinha’s fourth assist tied her for the league lead with Portland’s Olivia Moultrie.

Angel City (3-0-4) started the 2026 season with three straight wins but it has lost its last four games.

Former Angel City head coach and current Wave assistant Becki Tweed led the club with Jonas Eidevall suspended because of a red card in last week’s 1-0 home loss to Bay FC.

Russian President Vladimir Putin has suggested that his country’s war on Ukraine may be “coming to an end” and expressed a willingness to meet his Ukrainian counterpart, Volodymyr Zelenskyy, in a third country if a peace deal is finalised.

Putin made the comments to reporters on Saturday, hours after promising victory in Ukraine at Russia’s most scaled-back Victory Day parade in years.

The remarks came as Russia and Ukraine began a three-day ceasefire and agreed to exchange 1,000 prisoners, in developments that raised cautious hopes of renewed diplomatic progress.

At the parade, Putin praised Russian troops fighting in Ukraine, framing their mission as a “just cause” against “an aggressive force armed and supported by the entire NATO bloc”.

“Victory has always been and will be ours,” he added, as columns of troops lined up on Moscow’s Red Square.

Speaking to reporters afterwards, Putin blamed Western “globalist elites” for the war, saying they had promised NATO would not expand eastward after the 1989 fall of ‌the Berlin Wall, but then tried to draw Ukraine into the European Union’s orbit.

He then declared, “I think the matter is coming to an end.”

Russia’s annual Victory Day holiday marks the Soviet Union’s defeat of Nazi Germany in World War II and honours the 27 million Soviet citizens who died in the conflict.

This year’s parade was more subdued than usual, with videos of military hardware shown on giant screens rather than tanks and missile systems rolling through Red Square.

For the first time, Saturday’s parade featured troops from North Korea, a tribute to Pyongyang that sent its soldiers to fight alongside Moscow’s forces to repel a Ukrainian incursion into Russia’s Kursk region.

Russia had declared a unilateral ceasefire for the holiday on Friday and Saturday, while Zelenskyy announced a truce that was supposed to begin on May 6, but neither held, and the parties traded blame for the continuing attacks.

Fears for the festivities eased on Friday, when US President Donald Trump announced that Russia and Ukraine had bowed to his request for a ceasefire running Saturday through Monday and an exchange of prisoners.

“This Ceasefire will include a suspension of all kinetic activity, and also a prison swap of 1,000 prisoners from each Country,” Trump wrote in a Truth Social Post on Friday.

“Talks are continuing” on ending the war, Trump said, adding that “we are getting closer and closer every day”.

“Hopefully, it is the beginning of the end of a very long, deadly, and hard fought War,” he said.

Zelenskyy followed up on Trump’s statement with a decree mockingly permitting Russia to hold its Victory Day celebrations, declaring Red Square temporarily off-limits for Ukrainian strikes.

The Kremlin shrugged off the comments as a “silly joke”.

Zelenskyy has previously proposed to meet with Putin to negotiate a peace deal, but has dismissed the Russian leader’s suggestion that he come to Moscow. On Saturday, Putin told reporters he could meet with Zelenskyy in another country, but only to endorse a comprehensive accord.

“A meeting in a third country is also possible, but only after a peace treaty aimed at a long-term historic perspective is finalised,” Putin said. “This should be a final deal, not the negotiations.”

Putin, who has governed Russia as president or prime minister since the last day of 1999, faces a ⁠wave of anxiety in Moscow about the war in Ukraine, which has killed hundreds of thousands of people, left swaths of Ukraine ⁠in ruins, and drained Russia’s $3 trillion economy.

Russian troops have been fighting in Ukraine for more than four years. That is longer than Soviet forces fought in World War II, known in Russia as the Great Patriotic War of 1941-45.

But Russian forces have so far been unable to take the whole of the Donbas region of eastern Ukraine, where Kyiv’s forces have been pushed back to a line of fortress cities. Russian advances have slowed this year, though Moscow controls just under one-fifth of Ukrainian territory.

European Council President Antonio Costa said last week that there was potential for talks between Europe and Russia on the continent’s future security architecture.

Asked on Saturday if he was willing to ‌engage in talks with the Europeans, Putin said the preferable figure for him was Germany’s former Chancellor Gerhard Schroder.

“For me personally, the former chancellor of the Federal Republic of Germany, Mr Schroder, is preferable,” Putin said.

A Frontier Airlines plane has hit and killed a person at Denver’s international airport, prompting the evacuation of passengers. Authorities say the man jumped a perimeter fence and ran in front of the plane as it was taking off to Los Angeles.

Just weeks after Justin Bieber’s well-received Coachella headline gig, the singer played a small private event for tech, entertainment and defense industry moguls. Executives at controversial firms, such as surveillance tech giant Palantir, were also on the bill.

Bieber was a headliner at WNDR, entertainment executive Jeffrey Katzenberg’s invitation-only confab at the Rosewood Miramar in Montecito last week. The programming for the event was first reported by Puck.

The ultra A-list talks and guests included director James Cameron and former Disney CEO Bob Iger, YouTube CEO Neal Mohan, FIFA President Gianni Infantino, Oprah Winfrey and Julia Roberts, comedians Chris Rock and Trevor Noah and artist Jeff Koons on a panel discussion with LACMA chief Michael Govan.

Bieber, meanwhile, performed a Wednesday poolside set for attendees at the Rosewood. The “Swag” singer reportedly became the highest-paid headliner in Coachella history last month, and its most lucrative merch seller.

Representatives for Bieber did not immediately respond to a request for comment.

While there was lighter programming (like a karaoke party with pop producers StarGate and a talk about snacks with chef Nancy Silverton), the bill included talks and cameos from major weapons and surveillance technology firms noted for their support for — or deep engagement with — the Trump administration.

One panel featured Anduril Industries’ Palmer Luckey, who recently welcomed Defense Secretary Pete Hegseth to its Southern California headquarters. “We are rebuilding the Arsenal of Freedom,” Hegseth said after the Anduril visit.

Palantir Chief Executive Alex Karp led another talk. Palantir’s AI-driven defense and surveillance software has faced scrutiny around how tech like its Maven Smart System may have been used to target civilians in the Iran war.

Karp also published a recent book, “The Technological Republic,” where he wrote that “We must resist the shallow temptation of a vacant and hollow pluralism. We, in America and more broadly the West, have for the past half century resisted defining national cultures in the name of inclusivity. But inclusion into what?”

Katzenberg’s WNDR conference is one of several recent multi-discipline, ultra-elite gatherings hosted by CEOs, including Jeff Bezos and Eric Schmidt. Katzenberg founded his investment firm WndrCo in 2017.

Traveller Sam Meaney wanted a traditional British Sunday roast on a trip in Thailand, so he decided to head to The Old English pub in Bangkok to try their one out

Many of us love to get away to visit other places and explore other cultures. However, it’s always nice to have a taste of home back too while we’re away in another country. That’s exactly what traveller Sam Meaney wanted while on a trip to Bangkok, Thailand. Sam admitted that he ‘hadn’t had a proper roast dinner in six months’, so he decided to head to The Old English pub in Bangkok to try one.

The pub, situated in Bangkok’s Thonglor area, features a traditional English aesthetic with dark wood panelling, a cosy indoor area, and an outdoor patio equipped with fans. The pub is a central hub for sports fans, broadcasting live events like the Premier League, UFC, and NBA on multiple HD screens. It also houses a regulation-size pool table.

The menu focuses on comfort food, including their famous Sunday roast, Fish & Chips with mushy peas, and the “Churchill Breakfast”. However, they also serve local favourites such as Pad Thai and Green Curry.

Going to try the Sunday roast, Sam said in an Instagram reel: “I haven’t had a proper roast dinner in six months, so this has got a lot to live up to. If this is bad, I’m going to be fuming.”

Sam ordered a pint of Leo beer while looking over the menu as he said the Guinness in the pub was quite expensive (£8).

“This menu looks really, really good,” he said.

Sam said he was going to get the chicken roast, which costs 375THB (£8.50), but ten really fancied roast beef which is 495THB (£11).

However, he said if he paid just 50 Thai Baht more, he could get the Sunday Special, which comes with a starter, roast and dessert.

He decided to go for the deal, ordering Leek soup as his starter and chocolate cake for desserts.

Admiring the pub, after ordering, Sam exclaimed: “This place has a proper old English pub feel,” as he gave viewers a look around the establishment which was covered in English and British flags.

Then it was time for Sam to sample the food, as he described the Leek soup as “banging”.

The main Sunday roast then came, as he exclaimed: “Oh my God, look at this. That looks wonderful.”

Sam tasted the gravy, branding it as “good gravy”.

The traveller then sampled his medium rare beef and seemed to enjoy it, before moving onto the vegetables.

He admitted the broccoli was ‘probably out of a bag’ but said he ‘wasn’t going to complain’. However he said the carrots were “unbelievable” and enjoyed the red cabbage too.

Sam said he thought the roast potatoes ‘weren’t crispy’ before tasting them, but then took that back after sampling the roasties, saying that there was a ‘crisp to them’.

A Yorkshire pudding was also on his plate, which again, Sam seemed to enjoy.

Giving his verdict, Sam told viewers: “It’s not the most expensive roast in Bangkok, you get what you pay for, but it’s like a pub roast dinner back home. I’m a happy boy.”

Lastly, he tried his chocolate cake dessert, which came with vanilla ice cream. He described it was “sweet, chocolate-y and hot”.

Giving his conclusion, he added: “This is not the best roast dinner in the world, but it’s comfort, home food, like an English pub at home.

“If you’re looking for that in Bangkok, the Old English Pub is the way to go.”

People were loving the post, with it racking up more than 1,400 likes.

One person exclaimed: “That looked pretty banging to be fair, if you said you was at a pub for Sunday roast in UK I wouldn’t have challenged it.”

While another added: “Looks better then a lot of roasts in the UK.”

Someone else admired the “banging amount of meat” on the plate.

While another person who had been to the pub said: “I have had a few meals there, all top quality.”

Compared to their second-half showing against England, where they bagged two late tries for a bonus-point, Wales could muster very little after the break in Belfast.

Ireland were utterly dominant with possession and territory, with last year’s player of the championship Aoife Wafer leading the charge.

Travelling fans’ only consolation was a 78th minute Jasmine Joyce try but it was not enough to prevent Wales from leaving empty handed.

“We’re ranked 12th in the world, we played the team ranked 5th in the world and you can clearly see when you’re away from home, you’ve got to be a lot more clinical,” said Wales head coach Sean Lynn.

“We said in the huddle at the end of the game, we’ve got to be better with our composure and accuracy.

“I wouldn’t have said the girls dropped their heads. They stuck at it, stuck to their processes, but Ireland kept the ball really well.

“The girls give everything out there and when you see them upset after the game it’s because they care, they want to be winning, so it is tough.”

British anti-royals have staged a ‘No Kings’ protest outside Buckingham Palace in London, chanting “Down with the Crown” and calling for an elected head of state.

The U.S. government has released 162 declassified videos, pictures, and documents regarding so-called unidentified aerial phenomena (UAP), which are also still commonly referred to as unidentified flying objects (UFO). The records span in date from the 1940s to the 2020s, come from multiple agencies, and include materials related to claimed UAP sightings at home, abroad, and even on the surface of the moon. Upon initial cursory review, there doesn’t appear to be anything groundbreaking in this release, which should come as no surprise. That assessment could change as we have more time to examine the files, but as it sits now, that is where we are at.

American authorities say this is just the first batch of records to be shared as part of a new push for “total transparency” on this topic, which has long been a source of controversy and criticism. National security concerns have been increasingly raised about UAP sightings, many of which have been determined to be drones or balloons. The very real and worrisome prospect that adversary intelligence-gathering and other malign activities have become muddled with the matter of UAPs is something TWZ has been sounding the alarm on for years now.

“Today, the Department of War [DOW] announced the initial release of new, never-before-seen files on Unidentified Anomalous Phenomena (UAP) as part of the Presidential Unsealing and Reporting System for UAP Encounters (PURSUE),” the Pentagon said in a press release today. “This interagency effort includes The White House, the Office of the Director of National Intelligence (ODNI), the Department of Energy (DOE), the DOW’s All-domain Anomaly Resolution Office (AARO), National Aeronautics and Space Administration (NASA), the Federal Bureau of Investigation (FBI), and additional components of U.S. intelligence agencies.”

The records that have been released so far come from the U.S. military, the FBI, NASA, and the State Department. In addition to videos and pictures said to show unidentified objects, there are also intelligence reports, statements regarding claimed sightings, diplomatic cables, and other documents. Many of the documents are redacted in part, particularly to omit names and other privacy-protected information. Some of the records, including ones from the FBI and NASA, are said to have been released, at least in part, in the past. We will come back to all of this later on.

The social media posts below show just some of the videos currently contained in the online PURSUE archive.

PURSUE is the result of a directive from President Donald Trump earlier this year. In February, Trump announced in a post on his Truth Social website that he would be “directing the Secretary of War, and other relevant Departments and Agencies, to begin the process of identifying and releasing Government files related to alien and extraterrestrial life, unidentified aerial phenomena (UAP), and unidentified flying objects (UFOs), and any and all other information connected to these highly complex, but extremely interesting and important, matters.”

“President Trump directed the Department of War to identify and release government files related to alien and extraterrestrial life, unidentified aerial phenomena, and unidentified flying objects because he is the most transparent president in history,” the White House told TWZ directly today when reached for more information about the new release of records. “While past administrations have sought to discredit or dissuade the American people, the President is focused on providing maximum disclosure to the public, who can ultimately make up their own minds about the information contained in these files. The American people asked, and President Trump delivered — enjoy!”

It is worth noting here that AARO had previously released multiple tranches of declassified UAP-related records, including imagery of unresolved sightings, but on a much more limited and inconsistent basis. The office has also released other assessments and reports over the years, including a review of historical claims, and has provided additional classified information to Congress.

AARO was established in 2022 to act as a central manager within the U.S. military for policies and procedures for tracking, reporting, and analyzing UAP incidents, as well as a repository for relevant intelligence assessments and other data. AARO has become a particular focal point for that criticism from members of Congress on both sides of the political aisle who have complained in the past about stonewalling on UAP-related matters.

“The Department of War is in lockstep with President Trump to bring unprecedented transparency regarding our government’s understanding of Unidentified Anomalous Phenomena,” Secretary of War Pete Hegesth said in a statement today. “These files, hidden behind classifications, have long fueled justified speculation — and it’s time the American people see it for themselves. This release of declassified documents demonstrates the Trump Administration’s earnest commitment to unprecedented transparency.”

“The American people have long sought transparency about the government’s knowledge of unidentified anomalous phenomena,” Director of National Intelligence Tulsi Gabbard also said. “Under President Trump’s leadership, the Office of the Director of National Intelligence is actively coordinating the Intelligence Community’s declassification efforts with the Department of War to ensure a careful, comprehensive, and unprecedented review of our holdings to provide the American people with maximum transparency. Today’s release is the first in what will be an ongoing joint declassification and release effort.”

“The FBI is proud to stand alongside President Trump and our interagency partners in this landmark release of UAP records. For the first time in history, the American people have unfettered access to declassified government files on Unidentified Anomalous Phenomenon – a level of transparency that no prior administration has delivered,” FBI Director Kash Patel added in his own statement. The FBI remains committed to supporting this rolling declassification effort with the same rigor and integrity we bring to every national security matter. As these files continue to be reviewed and released, the American people can be confident that their security remains our highest priority.”

“I applaud President Trump’s whole-of-government effort to bring greater transparency to the American people on unidentified anomalous phenomena. At NASA, our job is to bring the brightest minds and most advanced scientific instruments to bear, follow the data, and share what we learn,” NASA Administrator Jared Isaacman said, as well. We will remain candid about what we know to be true, what we have yet to understand, and all that remains to be discovered. Exploration and the pursuit of knowledge are core to NASA’s mission as we endeavor to unlock the secrets of the universe.”

At the time of writing, U.S. authorities do not appear to have briefed the press or the public on the current contents of the PURSUE archive, or called attention to the release of any information in particular.

“No media engagement is planned at this time,” a War Department official told TWZ today. “We are not providing any comment or assessment on the files overall or on any specific file, so that the American people can make up their own minds regarding the files.”

Images taken from the surface of the moon during several Apollo missions are certainly standouts, but it is unclear what they show. In some cases, like the image below taken during the Apollo 17 mission in 1972, there are already said to be indications that what is seen is simply a visual ‘artifact’ of some kind rather than an actual object.

There is also the image below, said to be of a “reported UAP that resembles a football-shaped body near Japan,” which very much looks like it could be a balloon of some kind. Chinese use of high-altitude balloons and other lighter-than-air craft for intelligence-gathering and other missions is well established, and there have been reported sightings of such platforms around Japan, as well as other countries in the Pacific, as TWZ has reported on in the past. China’s ‘spy balloons’ became a global cause celebre after one was shot down after passing across the United States in early 2023.

Questions are starting to emerge about what is really being seen in other ‘unresolved’ imagery now found in the PURSUE archive, as well.

What you see is not the shape of the object itself but a known flare that happens when a bright object is directly in frame of a FLIR camera, the video feed is inverted so it appears black pic.twitter.com/TXIB7PfzoX

— Leo Mozoloa (@LeoMozoloa) May 8, 2026

Overall, little additional context is provided for the records in the PURSUE archive, including about prior investigations into any claims and what conclusions, if any, may have been drawn. Investigations into some of the materials released today are said to still be ongoing. As noted, at least some of the records have been released in part in the past, as well.

In addition, some new criticism has already been leveled at U.S. authorities for proving that it is possible to redact and downgrade sensitive imagery related to UAP sightings for release, despite pushback in the past. Over the years, TWZ repeatedly highlighted the dichotomy between the rapidity with which the U.S. military can release post-strike and other incident videos and pictures from advanced sensors that fit a desired narrative compared to the time it takes for official disclosures regarding UAPs, if they ever come. As a prime example of this, American authorities still have yet to release any imagery from the shootdowns of three still-unidentified objects in the skies over the United States and Canada back in 2023. This is despite previous pledges to do so and subsequent releases from the Canadian government.

So what you are saying @DeptofWar, is that you can redact sensitive information on UAP imagery and release photos (and videos).

Gotcha. I’ll just forget you told me you couldn’t do that. Because we know Batch 01 doesn’t have the good stuff. pic.twitter.com/EPl4aLBPkB

— John Greenewald, Jr. (@theblackvault) May 8, 2026

The full scale and scope of new details to be found in the PURSUE archive remains to be seen, and, as noted, U.S. authorities have pledged more releases to come. At this point, there does not look to be anything really revelatory, and it seems to be more of the same, which is not necessarily a surprise. In other words, don’t get your hopes up.

TWZ will be taking a much closer look at the records in the coming days, and as any more information is released.

Contact the author: joe@twz.com

TAYLOR SWIFT and fiancé Travis Kelce were snapped on a whirlwind trip to London last week – and I can reveal why they were in town.

The couple are planning a wedding party at celeb haunt The Chiltern Firehouse in August, a month after their upcoming New York nuptials.

The American lovebirds met the venue’s owner, US hotelier Andre Balazs, to discuss their VIP soiree for 120 guests.

The Chiltern restaurant and hotel remains shut to the public after a pizza-oven fire wrecked it early last year, but it is in the market for one-off events.

Noel Gallagher threw a bash there to mark the end of the US leg of the Oasis reunion tour.

The visit by Taylor and Kansas City Chiefs American football star Travis follows reports they will tie the knot in July in New York after getting engaged last year.

Party pals

Taylor Swift parties with Eugenie & Beatrice at Poppy Delevingne’s 40th birthday

PAY TAY!

Taylor Swift could land $800m payday for fellow musicians thanks to secret clause

An insider said: “London holds a huge place in Taylor’s heart and she has so many British friends who she wants to celebrate with.

“Travis and Taylor partied at the Chiltern two years ago following her Eras tour dates at Wembley, and it is a special place for her.

“They are working on a personalised menu with bespoke cocktails and carefully selected wines.

“They’re looking at entertainment options but Taylor obviously has lots of talented friends in the music industry so it’s likely some could end up performing.”

I’m told she was hoping to use the venue’s five-star hotel rooms, too, but they have not yet reopened.

Guests will include UK stars Cara Delevingne, Kate Moss, Phoebe Waller-Bridge, Ed Sheeran and Stella McCartney.

Before Travis, Taylor dated a string of Brits — The 1975 frontman Matty Healy, actors Joe Alwyn and Tom Hiddleston, DJ Calvin Harris and Harry Styles.

She has also written songs London Boy and So Long, London.

Now that she has finally found her forever man, I am so pleased she plans to celebrate in our capital.

Zara’s on a high

ZARA LARSSON rides the wave as she kicks off US TV channel Today’s Citi Summer Concert Series in New York City.

But the Swedish pop star, who looked stunning in a yellow skirt and matching top, almost had to pull out of the performance.

She told her fans on Instagram: “I was sooo nervous this morning because my voice was literally gone!

“But we pushed through. I had so much fun! Thank you to everyone for pulling up on me so early.”

Nic ‘n’ Tom have dare necessity

IT is known as the toughest show on TV – but ahead of the new series of Celebrity SAS: Who Dares Wins, I can reveal at least two of the contestants, Olympic boxing champ Nicola Adams and Apprentice star Thomas Skinner, reckon they have the steel to prevail.

A source said: “Tom has been training hard with a weighted vest in preparation for the show, and Nicola is no stranger to an intense training regime.”

The pair will join Towie legend Amy Childs and Married At First Sight star Ella Morgan in competing on the Channel 4 military-style challenge.

Meanwhile, singer Jojo Siwa and former Strictly pro dancer Giovanni Pernice are also lined up to take part.

Filming is taking place this summer in Malaysia, for the ninth series, which is expected to air next year.

Olivia in full bloom

OLIVIA RODRIGO looks super cute in dainty florals during a performance in Spain.

The Drop Dead singer wore a pink mini dress and black leather boots to play a Spotify Billions Club Live show in Barcelona.

The concert on Friday night kicked off El Clasico weekend ahead of the match between Barcelona and Real Madrid today.

The American hitmaker, who embarks on her Unraveled Tour in September, also posed with her nine Spotify plaques to commemorate her songs which have surpassed a billion streams.

Stones play Amy tribute

THE ROLLING STONES cover a song by the late Amy Winehouse on their new album, Foreign Tongues.

Out on July 10, it will see Sir Mick Jagger, Keith Richards and Ronnie Wood, pay tribute to Amy’s 2007 track You Know I’m No Good.

Sir Mick performed a duet with Amy during the Stones’ set at the Isle of Wight Festival in 2007, four years before she died aged 27.

The album’s track list which was leaked by fans, also features lead single In The Stars and song Back In Your Life.

The latter has a guitar solo by Ronnie inspired by The Beach Boys star Brian Wilson – and it was recorded on the day Brian died, aged 82, in June last year.

Hit Me In The Head includes old recordings in Los Angeles with the late Stones drummer Charlie Watts, who died in 2021, aged 80.

Last month the band released another album track, Rough And Twisted, on vinyl under pseudonym The Cockroaches.

Dec 10 in secret filming

DECEMBER 10 have secretly filmed a music video for their hot new single Infinity (123).

I can reveal that the boys – Cruz, Danny, Hendrik, Sean, John, Josh and Nicolas – jetted to Palma, Mallorca to shoot the promo which will be released on Friday.

It comes as the band gear up for their first appearance at Capital’s Summertime Ball next month and the Summer Sonic festival in Japan in August.

Biz on Sunday’s Emily was lucky enough to catch up with the boys at their gig at the O2 Shepherd’s Bush Empire last month.

And they will be returning to the London venue in July, for two sold-out nights.

Looks like they have a jam-packed summer.

Tom: Paul and I may be family

TOM GRENNAN has revealed he could be related to Irish actor Paul Mescal.

The Little Bit Of Love hitmaker bumped into the Normal People star at the All-Ireland Senior Hurling Championship final in Dublin last year.

And he told Cork’s 96FM radio station: “Paul was there and he was like, ‘Is your dad here?’.

“He said, ‘Mate, my dad has been going on about your dad and he wants to speak to him’.

“Apparently, there’s some sort of relation!”

Tom, who welcomed daughter Dotty with wife Danniella Carraturo last summer, is set to release an album this year inspired by becoming a dad.

Talking about fatherhood, he said: “It has definitely had an impact on my songwriting.

“It’s opened up another chamber in my heart.”

Ramsay’s kitchen rebels

GORDON RAMSAY’s TV production company is making a fiery documentary series with the BBC about some of the biggest renegades in the restaurant world.

Rise Of The Rockstar Chefs will focus on Heston Blumenthal, Marco Pierre White, and, of course, Gordon himself.

A source said: “This bunch are set to lift the lid on their early days in the competitive restaurant world and share some of their juicy stories.”

Studio Ramsay’s glossy production will feature guest appearances from foodies Stanley Tucci, Prue Leith, and Pink Floyd‘s Nick Mason.

I’m told it’s set to air in the autumn.

‘Sore’ Stacey snubs BAFTAS

STACEY SOLOMON is snubbing this year’s BAFTA TV Awards after facing a backlash over her emotional reaction to losing at last year’s ceremony.

Instead of putting on a gown and trundling down the red carpet, the presenter is living her best life in Miami on a PAID Space NK brand trip with her kids. Good for her.

The Sort Your Life Out star was criticised online – with some trolls branding her a “sore loser” and a “spoiled brat” – after she admitted on Instagram that she was “devastated” her BBC show failed to win.

Although Sort Your Life Out was nominated in two categories, it missed out on a BAFTA, prompting Stacey to defend her hardworking team in the emotional video.

She said: “I know I’m supposed to take it gracefully like a champ, but I’ll be honest, I’m devastated.

“The crew also deserve the BAFTA after the effort they put into making the show.”

Other telly presenters giving this evening’s ceremony a miss are Rochelle Humes and Olivia Attwood, who are both joining Stacey in the sun.

The Lakers are one playoff defeat from their season being over and from the conversation turning to LeBron James’ future.

They are in a hole no team has climbed out of in the history of the NBA, the Lakers’ 131-108 loss to the Oklahoma City Thunder in Game 3 putting L.A. down 3-0 in the best-of-seven Western Conference semifinal series.

James and his teammates gave a gallant effort Saturday night at Crypto.com Arena, but the defending champion proved to be more than the Lakers could handle.

James finished his night with 19 points on seven-for-19 shooting, eight assists and six rebounds. Rui Hachimura had 21 points and Austin Reaves finished with 17 points and nine assists.

Even so, the Lakers have now lost all three games by double digits.

And the Lakers are fully aware that no NBA team has successfully come back from a 3-0 deficit in the playoffs, with those teams holding a 161-0 record. Only four teams have forced a Game 7 after trailing 3-0, all of which ultimately lost the series, including the Boston Celtics in 2023.

Lakers forward LeBron James shows frustration as Thunder center Chet Holmgren slam dunks during Game 3 on Saturday night.

(Robert Gauthier / Los Angeles Times)

Game 4 is Monday night, when the Lakers will try to stave off elimination and a night that will determine how the conversations go with James if they lose.

James has been frequently asked this season about retirement, but he has not given any indication of what the future holds for him.

He’s 41 years old and playing in an NBA-record 23rd season.

James is in the final year of his contract that pays him $52 million, making him a free agent this offseason. He can retire, join another team or perhaps return to the Lakers next season.

That will be the conversation if the Lakers can’t win Game 4.

They will see the same Thunder team that had seven players score in double figures, led by Ajay Mitchell’s 24 points and 10 assists and Shai Gilgeous-Alexander’s 23 points and nine assists.

The Lakers went down 13 in the third quarter and had to play catchup the rest of the way. They never did, going down by 112-94 with 6 minutes and 12 seconds left, forcing Lakers coach JJ Redick to call a timeout.

The deficit just kept growing, topping out at 27 points in the fourth.

They were outscored 33-20 in the third quarter. The Lakers didn’t take care of the basketball in the third, turning it over six times, and they didn’t play good defense, allowing the Thunder to shoot 59.1% from the field and 55.6 percent from three-point range,

The Lakers did not give an inch to the Thunder in the first half, even when they fell behind by 10 points.

They just kept grinding until they led 59-57 at halftime.

Hachimura had 16 points in the first half, continuing his hot three-point shooting by making all four of his threes. Luke Kennard came off the bench to give the Lakers 13 points, shooting five for six from the field and three for four from three-point range.

The Lakers kept the pressure defense on Gilgeous-Alexander. Though he had 14 points in the first half, he shot only four-for-14 from the field and one for five from three-point range.

The Lakers shot 55% from three-point range in the first half, which went a long way in helping them.

The Lakers lost the first two games by identical margins of 18 points and each loss was magnified because Gilgeous-Alexander was kept under wraps for the most part by L.A.’s defense.

When Gilgeous-Alexander picked up his fourth foul with 10:34 left in the third quarter of Game 2 and went to the bench, the Thunder turned a five-point lead into a 13-point advantage at the end of the quarter.

So, when he wasn’t on the court, the Lakers failed to take advantage.

“Well, you know, again, I’ll repeat what I said after the game: we’ve got to be better in the non-Shai minutes,” Lakers coach JJ Redick said.

Role players like Mitchell and Jared McCain hurt the Lakers in the second game. Chet Holmgren also was hard to deal with.

“Mitchell and McCain have hurt us in those non-Shai minutes, and then Chet [Holmgren] has hurt us the whole game,” Redick said. “I think you’ve got to be willing to live with something. Shai playing one-on-one, thus far in the series, we haven’t been willing to live with, so you’re going to be in rotation. That can lead to smalls on bigs at the hole, and the offensive rebounding from Chet has really hurt us.”

May 8 (Asia Today) — Samsung Electronics is expanding staffing for its Future Robotics Office as the company accelerates investment in robotics, one of its designated next-generation growth businesses.

The device experience division accepted internal applications for the robotics unit through Friday.

Samsung has identified robotics as a promising future business and has continued investing in the sector through mergers, acquisitions and internal development.

The Future Robotics Office was created in 2024 after Samsung became the largest shareholder in Rainbow Robotics, a South Korean robotics company. The unit was established to speed development of future robotics technologies, including humanoid robots.

During a conference call after its first-quarter earnings announcement, Samsung said the robotics unit, led by Oh Jun-ho, had built a foundation to catch up with leading companies in the field.

The company said it was also working to bring key parts production in-house and secure the ability to develop customized components. Samsung said it would pursue domestic and international partnerships and acquisitions while building its own technologies.

The hiring push comes as Samsung adjusts parts of its business in China, where profitability has weakened. The company recently decided to stop selling televisions and home appliances in China, while continuing businesses such as mobile devices, semiconductors and medical equipment.

The move reflects Samsung’s broader strategy of redirecting resources from weaker business areas toward new technologies and future growth engines.

Although Samsung’s device experience division is currently facing profitability pressure, the company is seeking to secure an early position in robotics, a market expected to expand in the coming years.

— Reported by Asia Today; translated by UPI

© Asia Today. Unauthorized reproduction or redistribution prohibited.

Original Korean report: https://www.asiatoday.co.kr/kn/view.php?key=20260508010001789

There are six host cities (Miami, Houston, Dallas, Monterrey, Kansas City and Atlanta) where the WBGT could feasibly reach at least 32C (90F) during the afternoon which would be considered as extreme heat stress where the body really struggles to keep itself cool.

To reduce these risks, matches are generally scheduled outside the hottest part of the day, with many kick-offs taking place in the late afternoon or evening. Scotland’s group C game against Brazil in Miami, for example, will have a kick-off time of 18:00 ET (23:00 BST).

Some venues, including stadiums in Houston and Dallas, also have retractable roofs and climate control to moderate conditions.

Summer heatwaves are also a common occurrence in North America and Mexico where temperatures can rise 10C (50F) or more above average, potentially pushing conditions into much more challenging territory for both players and fans.

In New York for example, the location of this year’s World Cup final on 19 July at 15:00 ET (20:00 BST), a typical heatwave could result in air temperatures in the mid-30sC (mid 90F) and WBGT of around 30C (86F) leading to extreme heat stress.

MODEL Candice Swanepoel is rocking her new line in swimwear.

The 37-year-old perched on a seaside boulder to show off a bikini from her Tropic of C label’s collaboration with Victoria’s Secret.

Her environmentally-friendly collection is called Elemental, which she said “blends Victoria’s Secret’s iconic femininity with Tropic of C’s elevated, sustainable sensibility”.

South African Candice added: “Sustainability is a key part of my lifestyle.”

Not only is Candice regularly lauded as one of the world’s sexiest women, her bank balance isn’t looking too bad either – in 2016 she was ranked by Forbes as the 8th highest-earning model on the planet.

She didn’t scale back her modelling following motherhood and has shifted more lingerie than any other model.

Candice is considered the world’s top lingerie model not just because she has the most followers but because her online posts have far more impact than her catwalk contemporaries.

She recently caught the eye wearing a red Baywatch-style swimsuit.

In 2022 she was linked with dating rapper Kanye West.

She was then claimed to have grown close to pop star Harry Styles.

Former Manchester United striker Wayne Rooney says the club need to decide quickly whether to appoint Michael Carrick as their permanent manager, as the uncertainty could lead to difficulty when trying to sign transfer targets ahead of next season.

READ MORE: Lacking depth, little threat – Man Utd will not find replacing Casemiro easy

May 9 (UPI) — A man accused of shooting and injuring three Syracuse, N.Y., police officers surrendered without incident Saturday after an hours-long standoff in the city, authorities said.

The suspect surrendered to police at 3:15 p.m. Saturday, nine hours after barricading himself in an apartment complex on the city’s south side, Syracuse Police Chief Chief Mark Rusin told reporters.

The man’s arrest came after he allegedly fired shots at officers who had formed a perimeter around the building, hitting two of them in the arm and another in the hand, the chief said.

“They’re in stable condition,” he said. “Most of the injuries are to their arms, to their hands, but they are in stable condition and they’re with their families right now, so the officers are okay.”

The incident began at 6:30 a.m. with a call to police about a man with a machete menacing people and a dog and escalated from there.

It drew a large cadre of responding units, including the Syracuse Police Department’s SWAT team, the Onondaga County Sheriff’s Office, New York State Police and the FBI.

Residents from the surrounding area were evacuated from their homes during the standoff.

Rusin said the suspect, who is expected to be arraigned on Sunday, could face attempted murder charges for shooting at the officers, as well as possible charges of assault and criminal weapons possession.

Syracuse Mayor Sharon Owens praised the responders for their “outstanding coordination.

“This community should be very proud of the coordinated efforts of all of our law enforcement and emergency services teams to bring this situation to a close, which what is obviously — aside from our officers being harmed — the best scenario we can get with what we have.”

Satellite images have captured a suspected oil slick spanning dozens of square kilometres near Iran’s Kharg Island, the country’s main oil export hub. Despite fears of a disaster, environmental observers say the slick is shrinking.

A crime drama that has had fans gripped for decades is apparently going to be back

The future of an “addictive” long-running series has apparently been confirmed.

Law & Order – which started in 1990 and is now in its 25th season – is set to be renewed for a 26th run, Deadline has reported. While final details are apparently being worked out, it is thought that official word on the future of the police procedural is expected soon.

The news will thrill fans of the series, which has become hugely popular with viewers. Set and filmed in New York, the programme follows detectives of New York City Police Department’s fictional 27th precinct as they investigate crimes.

Its cast has included several huge stars over the years, with Sam Waterston, Jerry Orbach and Mariska Hargitay all being part of the show, while famous guest stars have included Viola Davis, Bradley Cooper and Ellen Pompeo. The current cast of the programme includes Maura Tierney, who starred as Abby Lockhart on the medical drama ER, and Tony Goldwyn from Scandal.

Law & Order originally aired from 1990 to 2010, then in 2021 it was announced that it was being brought back after an 11 year break.

It has also sparked several spin-offs, including Law & Order: Special Victims Unit, Law & Order: Criminal Intent and Law & Order: Trial by Jury.

It has been a hit with viewers, with one posting on reviews website Rotten Tomatoes: “The best ever, realistic, true to life portraits seen in any movie or TV series.”

“Excellent,” said someone else, calling the show “completely addictive”.

“It’s like watching two shows, a police investigation series for the first half hour, and a legal series for the next half an hour,” another fan remarked.

“Great performances, lots of mystery and drama, very realistic.” Someone else praised the show’s “pitch perfect pacing”.

Another said: “Law & Order is one of my go-to shows to watch while sitting on the couch and vegging out. I’ve seen every episode multiple times, but I find the show comforting. That’s what Law & Order is – comfort food.”

NBC has been contacted for comment.

Law & Order airs on NBC in the US.

Having arrived an hour later than the champion to the venue because of Manchester traffic, Dubois made a brisk, business-like ringwalk.

Wardley, in his first appearance since being upgraded to world champion, soaked in the atmosphere with a leisurely entrance. Draped in an Ipswich Town Football Club robe, he was greeted by a warm reception from the 18,000-strong crowd.

With a combined record of 42 wins – 40 coming by knockout – there was palpable anticipation inside the arena, and Wardley stayed true to his promise to bring the action early as Dubois immediately hit the canvas after a flush right hand.

Dubois winked to his corner but looked shell-shocked. He wrestled Wardley to the ground as both fighters swung for the hills.

Many expected Dubois to impose himself early before Wardley could settle. Considered the better technical boxer, he regrouped and landed a right in the second.

Momentum swung again in the third when Wardley, who looked sharp with his overhand right and uppercuts, sent Dubois wobbling. Dubois took a knee and survived the count before firing back with a right hand that rocked Wardley.

The fighters and fans struggled to catch a breath as trainer Don Charles urged Dubois to lean on his jab, and he followed that instruction to take control of proceedings.

Dubois’ left eye was swollen, but Wardley’s face looked a mess as Dubois set up his attacks with a left jab before landing his biggest shots in the fourth and the sixth.

Wardley, who was working in recruitment a decade ago, showed an extraordinary chin and heart as he refused to go down despite his legs trembling and blood pouring down his face.

Most would likely have been withdrawn by their corner, but Wardley has built a reputation on dramatic comebacks. This time, however, it felt different.

The doctor inspected Wardley’s injuries before the eighth round and allowed him to continue.

By the ninth, the referee looked ready to intervene as Wardley continued to absorb heavy punishment and the contest became increasingly difficult to watch.

Doctors again allowed Wardley to continue before the 10th and when the stoppage finally arrived in the 11th, there was almost a sense of relief.

A sensational fight had reached its conclusion.

Warren – a veteran of 45 years in the sport – described it as “the best heavyweight fight” he has ever promoted.