TAYLOR Swift and Blake Lively’s feud has taken a new turn with the latter ‘threatening to release intimate texts’.

The pair’s friendship had seemingly started to unravel in the last few years and came to a head when Blake was left off Taylor and Travis Kelce’s Superbowl guest list.

Back in 2024, Blake made an appearance alongside the singer in a VIP suite for the Superbowl. 

Clips from the night went viral but when the Kansas City Chiefs returned for the championship game in 2025, Blake was nowhere to be seen. 

It’s now been claimed that the actress was left ‘livid’ and ‘humiliated’ by being left off the guest list. 

Sources have reported to The Daily Mail, that Blake allegedly demanded through her legal team that Taylor create a post on social media detailing how much she regretted that Blake couldn’t join her. 

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The message was reportedly to read along the lines of: “So sad, my bestie couldn’t come to the Super Bowl”.

This was to give the impression that there was no ongoing feud between the pair and to explain away Blake’s absence.  

After the songstress refused a ‘threat’ was allegedly made by the Gossip Girl alum that she would expose ‘ten years’ worth of private and intimate messages to the public.

The conversations touch on Taylor’s high profile romances and other personal exchanges.

“It was the ultimate blow to their friendship,” the source said. 

“The threat to expose Taylor’s most intimate confidences unless she posted something to explain why Blake was missing at the Super Bowl was outrageous.

“There was no going back from that.”

Michael Gottlieb, Lively’s attorney, denied that any threat occurred, stating: “This is categorically false. We unequivocally deny all of these so-called allegations, which are cowardly sourced to supposed anonymous sources, and completely untethered from reality.”

The BFFs’ close bond took a hit in 2024 after Taylor got dragged into Blake’s lawsuit against her It Ends with Us co-star and director, Justin Baldoni.

Blake alleged that Justin, 41, sexually harassed her on the set of the film, in which they played love interests, and pushed for a retaliatory smear campaign.

However, the legal drama didn’t just remain between the former co-stars, as numerous other big names were pulled into their messy beef.

Taylor couldn’t escape the court battle, as Justin allegedly accused Blake of using her friendship with the billionaire performer to exert control over the film.

In January, texts between Taylor and Blake were unsealed, in which they discussed the toll the film took on the Gossip Girl alum and how it affected their friendship.

The pair became friends in 2015 and Blake’s children James, Inez and Betty have even provided a voice cameo for Taylor’s song Gorgeous. 

But as their fallout has continued Taylor, who is the children’s godmother, has had to allegedly ‘remove herself’ from the role.

Sources to The Daily Mail had said that: “It was one of the toughest decisions she’s ever had to make”

“It was very emotional because she loves the girls. It hurt her heart, but she had no choice given the circumstances.”

The decision was reportedly made a few months ago considering there was no written agreement about being the girls’ godmother.

Emerging-market stocks stumbled in July as renewed geopolitical tensions, volatile AI-related shares and rising interest-rate concerns interrupted what had been a strong rally earlier this year, Bloomberg News reported Sunday.

For investors, the outlook for developing markets is becoming more complicated. While

Welsh star Emma Finucane has created history by becoming the first sprint cyclist to win four track gold medals at the same Commonwealth Games.

Finucane added keirin success to the golds she had already won in the team and individual sprints and 1,000m time trial.

Olympic champion Ellesse Andrews finished second when defending her Commonwealth keirin title.

In Birmingham in 2022, New Zealand cyclist Aaron Gate won four gold medals with three on the track and one in the road race.

Finucane has achieved her quartet of successes in four successive days in the Chris Hoy Velodrome in Glasgow.

Australian legend Anna Meares and New Zealander Andrews had previously won three track titles in 2010 and 2022 respectively.

The 23-year-old has also become the first Welsh woman to collect four golds at a single Commonwealth Games.

Finucane is also Wales’ most successful female athlete in Games history after overtaking Para-sprinter Olivia Breen, who held the record for two days.

Weightlifter David Morgan remains Wales’ most successful Commonwealth Games athlete with nine golds and three silver.

Finucane won Wales’ 31st medal of the Games with nine gold, 10 silver and 12 bronze.

Europe is rearming for a new era of conflict. European Commissioner for Defence and Space Andrius Kubilius calls for a “big bang” increase in defence spending, warning the continent must be ready for a potential Russian attack by 2030. He explains how Ukraine is reshaping modern warfare, why drones, satellites and space capabilities are now as vital as tanks and troops and why Europe must achieve greater defence independence. For Kubilius, only strength can preserve peace.

Hungary says a heatwave is forcing the shutdown of its largest nuclear power plant for the first time in 44 years. Scorching temperatures and drought have caused record-low water levels in the Danube river, disrupting reactor cooling systems.

DO you need more ideas on how to keep the kids entertained over the summer holidays but want to keep it cheap?

Check out this full list of every single museum in England that offers free entry – from Victorian homes that are like stepping back in time, to boarding world-famous locomotives.

North East

Grace Darling Museum, Bamburgh 

Home to personal letters and family portraits of Grace Darling, who saved nine people from the wrecked SS Forfarshire in 1838.

Elsecar Heritage Centre, Barnsley 

A former hotspot for joiners, carpenters, blacksmiths, and repair shops in 1850, with insight into the history and culture of the village. 

Worsbrough Mill Museum, Barnsley

Learn about the milling industry in the region.

Oakwell Hall Country Park, Batley 

Step back to the 1690s and discover different Elizabethan period rooms and what life was like for the Batt family. 

Bolling Hall Museum, Bradford 

Learn about the lives of the families that lived in Bolling Hall over different time periods. 

Bradford Industrial Museum, Bradford 

Home to a range of exhibits related to textile machinery, engineering innovations and motor vehicles.

Cartwright Hall Art Gallery, Bradford 

Witness a range of artworks from Old Masters to 20th-century British paintings.

National Science and Media Museum, Bradford 

The most popular museum outside of London with seven floors of galleries and three cinemas including the UK’s first IMAX. 

The Bayle Museum, Bridlington 

Learn about Bridlington’s history through archaeological artefacts.

Killhope Lead Mining Museum, Cowshill 

Get a unique insight into a 19th-century lead mine. 

The Moors National Park Centre, Danby 

Learn about the people, places, and wildlife through an interesting collection put together by a group of artists.

Cusworth Hall Museum and Park, Doncaster 

A Grade I-listed building with insight into local lives from the 18th-century to the present day. 

Danum Gallery Library and Museum, Doncaster 

Learn about the city’s past as a Roman settlement and Doncaster’s status as an industrial powerhouse. 

Durham Cathedral, Durham 

Uncover the relics of St. Cuthbert, saint of the early Northumbrian church, such as his cross and coffin, manuscripts, and a colourful crucifix.

Bankfield Museum, Halifax 

A diverse range of displays including the Havercake regiment and a textiles gallery. 

Heugh Battery Museum, Hartlepool

Learn about British military history at this museum, home to the UK’s only First World War Battlefield.

Byland Abbey, Helmsley 

One of England’s biggest monasteries, with early gothic architecture which inspired the famous York Minster rose window. 

Tolson Museum, Huddersfield

See displays on natural sciences, technology, and archaeological artefacts dating back to prehistoric times. 

Arctic Corsair, Hull 

Dive into Hull’s deep-sea fishing industry at this museum that includes a historic deep-sea trawler built in 1960.

Ferens Art Gallery, Hull 

A fine art collection with everything from Viking swords and Roman mosaics to a full-sized Wooly Mammoth.

The Hull and East Riding Museum of Archaeology, Hull

Artefacts dating back 235 million years of ancient civilisations and natural history.

Streetlife Museum of Transport, Hull 

Explore this collection of horse-drawn carriages and vintage cars, or hop on Britain’s oldest tramcar.

Wilberforce House Museum, Hull 

The private collection of William Wilberforce, a British politician who helped to abolish the slave trade.

Cliffe Castle Museum, Keighley 

Home of Victorian millionaire and textile manufacturer, Henry Isaac Butterfield.

Royal Armouries, Leeds 

Historic weaponry and armour, from Japanese samurai swords to modern warfare including Henry VIII’s armour.

Dorman Museum, Middlesbrough

Discover the town’s history with dinosaur installations and a slice of meteorite from space.

Discovery Museum, Newcastle 

Collection of scientific and technical materials, including Joseph Swan’s lightbulb and the world’s first ship powered by steam turbines. 

Great North Museum Hancock, Newcastle upon Tyne 

Learn about natural history and archaeology with 800 objects from the Ancient Greeks, Roman Empire and Anglo-Saxons. 

Laing Art Gallery, Newcastle upon Tyne

Home to a collection of art and sculptures including Pre-Raphaelite masterpieces.

OuseBurn Farm, Newcastle upon Tyne 

Working city farm that includes a sensory trail. 

Pontefract Castle and Visitors Centre, Pontefract 

Medieval fortress built around 1086 where you can dress up as a lord, lady or soldier.

Zetland Lifeboat Museum and Redcar Heritage Centre, Redcar 

Home to the world’s oldest surviving lifeboat with maritime history dating back to the 1800s. 

Abbeydale Industrial Hamlet, Sheffield 

Discover steelworks dating back to the 1700s and learn what it was like to live and work onsite. 

Kelham Island Museum, Sheffield 

Learn about life in Victorian-era Sheffield, with artefacts including a 1760’s chocolate pot and Metrovick milk float.

Millennium Gallery, Sheffield 

All things art and design in Sheffield, including one of the finest collections of metalwork in the world. 

Sheffield Botanical Gardens, Sheffield 

Grade II-listed botanical gardens with 18 areas, including a warm Mediterranean Climate Garden and the Asia Garden.

Weston Park Museum, Sheffield 

Home to archaeological artefacts, zoological specimens and works of art.

Locomotion Museum, Shildon 

Hop aboard the Flying Scotsman and experience the power of steam travel. 

South Shields Museum and Art Gallery, South Shields 

Discover the history of South Tyneside inside this historic building with a Victorian tea room, served by costumed staff.

Sunderland Museum and Winter Gardens, Sunderland 

Home to 108,000 objects dating back to 1810, as well as more than 2,000 plants and trees.

National Coal Mining Museum for England, Wakefield

Discover the history of the British coal mining industry with guided underground tours.

Sandal Castle, Wakefield 

Wander through the grounds and learn about the Battle of Wakefield and the castle’s ties to Richard III. 

RNLI Whitby Lifeboat Museum, Whitby 

Custom-built double boathouse where you can learn about the lifeboat history in Whitby.

Robin Hood’s Bay Museum, Whitby 

Range of displays on Whitby’s shipwrecks, the last lifeboat stationed in Bay, and its smuggling history.

National Railway Museum, York 

Collection of iconic British railway vehicles, significant artefacts and historical locomotives in York.

North West

The Dock Museum, Barrow-in-Furness

Built over a 19th-century dry dock with displays on decorative and applied art, archeology, textiles, and fine art, plus a unique collection of ship models. 

Birkenhead Priory and St Mary’s Tower, Birkenhead 

Merseyside’s oldest building, with the remains of St Mary’s church.

Lady Lever Art Gallery, Birkenhead

30 rooms of paintings, sculptures and decorative art, from tapestries to vintage furniture and Chinese porcelain.

Wirral Transport Museum, Birkenhead 

Museum delving into the history of transport in Birkenhead.

Witton Country Park and Visitor Centre, Blackburn 

480 acres of mixed woodland and parkland with a collection of natural sciences and land transport.

Towneley Hall Art Gallery and Museum, Burnley 

Former home of Towneley family for over 600 years, with collections of fine art, local history, and ancient civilisations. 

Grosvenor Museum, Chester 

Museum housing everything from Roman tombstones to 400 years of Chester hallmarked silver, and prehistoric urns. 

Queen Victoria Monument, Liverpool 

Monument to Queen Victoria built in 1906 on the former site of Liverpool Castle.

Sudley House, Liverpool 

Former home of Victorian merchant George Holt.

Tate Liverpool + RIBA North, Liverpool 

Currently operating at a smaller location in Liverpool due to a refurbishment, this museum has two galleries exploring contemporary art. 

Victoria Gallery and Museum, Liverpool 

Uncover artworks across different eras, dig into archaeological items, and spot oceanography displays. 

Walker Art Gallery, Liverpool

National gallery of the North, with paintings and sculptures from Rembrandt, David Hockney and Rodin.

Lytham Windmill Museum, Lytham 

Five floors of exhibitions on milling processes, the importance of lifeboats, and the history of Grade II-listed buildings. 

Greater Manchester Police Museum, Manchester 

Learn about the history of policing with photographs and records pre-dating 1974.

Manchester Art Gallery, Manchester 

Browse artists and designers such as William Ratcliffe, Bernado Daddi and Coco Chanel.

Manchester Museum, Manchester 

After reopening in 2023, this was named Europe’s Museum of the Year, and has 4.5 million items across four floors.

Museum of Science and Industry, Manchester

Home to 250 years of innovations across science and technology, as well as UK’s oldest surviving train station.

Ordsall Hall Museum, Manchester 

Salford’s oldest building dating back to 1177, with over 10,000 artefacts.

People’s History Museum, Manchester 

Learn about the history of the working class in the UK, with displays on the Peterloo Massacre and the women’s suffrage movement. 

Portland Basin Museum, Manchester

A restored 19th-century warehouse showcasing local history, industry, and trade.

Salford Museum and Art Gallery, Manchester 

A reconstructed Victorian street with original shop fronts and a large collection of Pilkington Ceramics.

Whitworth Art Gallery, Manchester 

A collection of over 60,000 artworks including works from Turner, Picasso, and Peter Blake. 

Anderton Boat Lift, Northwich 

One of the UK’s only two working boat lifts. 

Harris Museum and Art Gallery, Preston 

Discover art, culture, and history, with displays on printed textiles, the remains of an elk, and glassblown scent bottles. 

The Whitaker, Rawtenstall 

A diverse collection of history, fine art and textiles, with displays on the Haslingden Coat of Arms and prisoner of war poems.

Samlesbury Hall, Samlesbury 

A stately home dating back to 1185 with cafe and shepherd huts and UK’s first wafflery.

Imperial War Museum North, Stretford 

A museum offering perspective on how war and conflict changes everyday lives.

The World of Glass, St Helens

Learn about the history of the glass industry with live glass blowing demonstrations. 

Warrington Museum & Art Gallery, Warrington 

Grade II-listed building with an art collection dating back to 1857.

East Midlands

Buxton Museum and Art Gallery, Buxton 

Marvel at archaeological and geological wonders of the Peak District.

Cromford Mills, Cromford 

A UNESCO site displaying how Sir Richard Arkwright changed the modern factory system and textile industry.

Canons Ashby, Daventry 

Grade I-listed Canons Ashby House, with a collection of Elizabethan and Jacobean artistry.

Derby Museum and Art Gallery, Derby 

An impressive collection of works by artist Joseph Wright as well as archaeological items, ceramics, decorative art, and objects from all over the world. 

Pickford’s House, Derby 

Georgian townhouse and gardens showcasing domestic life from the 18th to 20th centuries.

New Walk Museum and Art Gallery, Leicester 

Displays include a 15-metre Rutland Dinosaur and stories about Leicester’s achievements and obstacles.

Newarke Houses Museum, Leicester 

Built in 1511, with exhibits on the Leicestershire Regiment and Tudor objects.

University of Leicester Botanic Garden, Leicester 

A beautiful garden spanning 16 acres, featuring an arboretum and tropical plants.

Lincoln Museum and Usher Gallery, Lincolnshire 

Displays everything from artefacts from the Stone, Bronze and Iron Ages, to works by Turner, as well as forensic processes of the Anglo Saxons. 

Museum of Lincolnshire Life, Lincolnshire 

Home to 250,000 items dating back to 1750, including a World War I tank, as well as a museum trail and playground for kids.

Charnwood Museum, Loughborough 

Collection centered around geology, archaeology and local history, including one of the world’s oldest fossils.

Green’s Mill and Science Centre, Nottingham 

Former home of mathematical physicist George Green with displays related to science, technology, and social history.

Northampton Museum and Art Gallery, Northampton 

Impressive collection of 15,000 pairs of shoes, alongside history and art of shoemaking.

The Harley Foundation, Worksop, Northamptonshire

Includes artworks from Van Dyke, Michelangelo and Sir Thomas Lawrence. 

Wellingborough Museum, Wellingborough, Northamptonshire

Diverse display from pre-historic eras to the present day, including coins, medals and costumes.

Oakham Castle, Oakham 

Huge collection of horseshoes, alongside displays on Norman history and architecture. 

Rufford Abbey and Country Park, Ollerton 

Collection exploring architecture, decorative and applied art, and religion, as well as the Runnford Abbey Ruins. 

Ayscoughfee Hall Museum, Spalding 

15th-century, Grade I-listed building with five acres of public gardens and a war memorial. 

Stoke Bruerne Canal Museum, Stoke Bruerne

Grade II-listed corn mill that tells the stories of the people who worked on Britain’s waterways. 

West Midlands

National Memorial Arboretum, Alrewas 

British site of national remembrance with over 400 memorials and 25,000 trees. 

Bewdley Museum, Bewdley 

A riverside museum exploring the town’s local history.

Aston Hall, Birmingham 

Grade I-listed Jacobean house with a beautiful public park, as well as collections from the Birmingham Museum & Art Gallery. 

Birmingham Museum and Art Gallery, Birmingham

Collection of art and design from Pre-Raphaelite artists, including oil paintings, tapestries and ceramics.

Ikon Gallery, Birmingham 

Diverse media collection with displays on sound, photography, and paintings. 

Royal Air Force Museum, Cosford 

Learn about the heroes of the RAF and famous aircraft dating back to 1918. 

Himley Hall and Park, Himley 

Explore 180 acres of landscaped parkland with three galleries.

Samuel Johnson Birthplace Museum, Lichfield 

Learn about the first lexicographer Samuel Johnson, who created A Dictionary of the English Language.

Brampton Museum, Newcastle-under-Lyme

Award-winning museum where you can learn about 2,000 years of the local town.

Ancient High House, Stafford

The biggest timber-framed house in England open to the public

Stafford Castle, Stafford 

Step back to 1100 AD with archaeological artefacts and learn about the history of the castle.

Middleport Pottery, Stoke-on-Trent 

Tour around the last working Victorian potbank in a Grade II-listed building. 

Walsall Leather Museum, Walsall 

Learn about Walsall’s leather trade in a renovated Victorian factory building.

Bantock House Museum, Wolverhampton 

Step back into the Edwardian period and discover local history in Wolverhampton.

Wolverhampton Art Gallery, Wolverhampton 

Home to contemporary art from the likes of David Hockney and Andy Warhol.

East of England

The Higgins Bedford, Bedford 

Collection of watercolour, prints and decorative art – with displays on the works of William Burges and Edward Bawden.

Bury St Edmunds Abbey, Bury St Edmunds 

The wealthiest Benedictine monastery in medieval England includes the shrine of St Edmund and the 14th-century Great Gate. 

The Fitzwilliam Museum, Cambridge

Huge collection of artworks and objects formerly owned by Cambridge alumni Richard Fitzwilliam, from ancient Egyptian coffins to Renaissance masterpieces. 

Museum of Archaeology and Anthropology, Cambridge

Collection of archaeology and anthropological items including Roman pottery and objects from predynastic Egypt. 

The Polar Museum, Cambridge 

Learn about the history and science of polar exploration, Arctic art and culture.

Sedgwick Museum of Earth Science, Cambridge 

Dig deeper into a collection of rocks, minerals, and fossils dating back two million years.

Peterborough Museum, Cambridgeshire 

Home to 227,000 items from the city’s history and artistic heritage, including ceramics from the Roman empire and Jurassic fossil remains.

Hollytrees Museum, Colchester 

Glimpse into life for both the rich and the poor in 18th-century Colchester, and get the chance to dress up as a servant. 

Henry Blogg Museum, Cromer 

Discover the life of hero Henry Blogg, who helped 387 rescues at sea and created a hull shape for a new lifeboat. 

Hylands House and Estate, Essex 

The Neo-Classical Hylands House is surrounded by 574 acres of parkland, and the popular Go Ape attraction.

Cromwell Museum, Huntingdon 

Collection of artefacts, paintings, and material relating to Oliver Cromwell’s Protectorate. 

Christchurch Mansion, Ipswich 

Tudor brick mansion featuring collection of items from the Tudor period including clothing, children’s toys, and musical instruments. 

Stockwood Discovery Centre, Luton 

Learn about Luton’s local history and see Europe’s biggest collection of horse-drawn carriages.

Bhaktivedanta Manor, Radlett

78 acres of land featuring an organic farm, monastery, and Hare Krishna temple in Hertfordshire.

Great London & Outer London

Myddelton House Gardens, Enfield 

Former home and gardens of the horticulturist, Edward Bowles. 

Bank of England Museum, London 

Deep dive into 1,500 years of monetary history with a famous 13kg gold bar you can hold, worth £380,000.

British Museum, London

The UK’s biggest museum, with the world’s largest collection of works – eight million pieces exploring human history, art, and culture. 

Geffrye Museum of the Home, London 

Step back into British homelife, from 1600 to the present day, with a series of period room displays. 

Grant Museum of Zoology, London 

One of the oldest natural history collections, dating back to 1828, including 68,000 zoological specimens.

Guildhall Art Gallery & London’s Roman Amphitheatre, London 

Home to City of London’s art collection dating back to the 1600s, as well as a famous Roman amphitheatre. 

Horniman Museum and Gardens, London

Collection with over 350,000 anthropological and historical items as well as musical instruments and taxidermied animals.

Kenwood House, London 

A 17th-century house in Hampstead Heath, used to film Notting Hill, Sense and Sensibility, and Mansfield Park.

Museum of London Docklands, London

A 200-year-old warehouse featuring the history of trade and how pirates transformed the capital in the 1600s. 

Museum of the Order of St John, London 

Learn about the history of St John Ambulance dating back 900 years.

National Army Museum, London . 

Wander through warfare across the ages, from English Civil War and Seven Years War to present day.

National Gallery, London 

2,600 pieces of art, from the Renaissance, Impressionism and Gothic periods.

National Portrait Gallery, London 

The world’s biggest portrait collection, with artworks of some of the most important and iconic British people. 

Natural History Museum, London 

One of the UK’s most popular museums with 80 million items, including the famous blue whale skeleton.

Petrie Museum, London 

One of the world’s biggest collections of Egyptian and Sudanese archaeology.

Priory Church of St Bartholomew the Great, London

UK’s oldest church, founded in 1123, and still a place of worship.

Royal Air Force Museum, London

Discover the history of aviation and the RAF with famous aircraft including the WWII bomber, Avro Lancaster.

Royal Hospital Chelsea, London

British Army soldier retirement home exploring the history of the residents and the building. 

Science Museum, London

Family-friendly museum where you can discover famous inventions from rockets and computers, to aviation and trains, across 50 exhibits and regular pop-up events.

Sir John Soane’s Museum, London

Former home of the English architect most famous for designing the Bank of England.

Tate Britain, London

Biggest collection of British art in the world, dating back to 1897.

Tate Modern, London

Britain’s national collection of contemporary and modern art, including Picasso and Matisse.

Victoria and Albert Museum, London 

World’s biggest museum of arts and design, with more than 2.8 million objects.

The Wallace Collection, London 

Former townhouse of the Seymour family, Marquesses of Hertford, with collection of fine and decorative arts.

William Morris Gallery, London 

Step inside the famous textile designer’s former home and learn about his influence on the design industry.

South East

Beaney House of Art & Knowledge, Canterbury 

Grade II-listed building with works from David Hockney, as well as an ancient Egyptian mummified cat, and the original Bagpuss. 

The Novium, Chichester 

Former Roman bathhouse exploring 500,000 years of Chichester.

Dover Museum, Dover 

Learn why Dover is England’s ‘Lock and Key’ having survived invasions from Julius Caesar, William the Conqueror and Napoleon. 

The White Cliffs of Dover, Dover 

Visit deep shelters built for soldiers in World War II.

Towner Art Gallery, Eastbourne 

Extensive collection of modern British and contemporary international artworks. 

Royal Holloway Art Collection, Egham 

Collection of paintings, drawings, and prints by artists including John Everett Millais, Edward Burne-Jones, and John Nash. 

Hastings Fisherman’s Museum, Hastings 

Dive into the fishing industry and maritime history of Hastings. 

Hastings Museum and Art Gallery, Hastings 

Collection of over 90,000 objects on everything from natural sciences and decorative arts, to world cultures and a dinosaur gallery. 

Shipwreck Museum, Hastings 

Learn about maritime disasters, and see shipwrecks including from the English Channel.

The New Forest Centre, Lyndhurst 

An independent charity dedicated to showcasing traditions, origins, and wildlife of the New Forest.

Maidstone Museum, Maidstone

Collection of more than 600,000 artefacts and specimens, exploring fine art, human history, and textiles.

Ashmolean Museum, Oxford 

UK’s oldest public museum, exploring the works of artists and archaeologists dating back to 8,000 BC.

Museum of the History of Science, Oxford

Home to the world’s best collection of early scientist instruments.

Pitt Rivers Museum, Oxford

Houses the Oxford University’s collection of over 500,000 archeological and anthropological objects.

Dorchester Abbey Museum, Oxfordshire 

Displays dating back 6,000 years, with artefacts such as prehistoric stone tools, Roman fortified settlements, and an Iron Age village. 

Hook Norton Brewer Museum, Oxfordshire 

Victorian brewery with guided tours and free beer samples.

The Oxfordshire Museum, Oxfordshire 

Learn the story of Oxfordshire, from the Jurassic period through to the Victorian era and modern day.

Boathouse 4, Portsmouth 

Discover the history of maritime craftsmanship including the development of boatbuilding.

Portsmouth Museum and Art Gallery, Portsmouth

Look into the local history and heritage of the city including special moments from Portsmouth FC.

Royal Armouries, Fort Nelson, Portsmouth 

A Victorian fortress, home to the national collection of artillery and historic cannon.

Southsea Castle, Portsmouth

An important landmark built by King Henry VIII, where he watched the sinking of The Mary Rose in 1545. 

The Museum of English Rural Life, Reading

Discover the traditions and daily routines of rural life dating back to 1750 in Reading.

Winchester City Mill, Winchester 

View the waterwheel and machinery of an ancient water-powered corn mill.

The Lightbox, Woking 

A museum housing contemporary art including the works of Elisabeth Frink, Eduardo Paolozzi, and Barbara Hepworth.

Worthing Museum and Art Gallery, Worthing

One of the UK’s biggest displays of costume and textiles. 

South West

Museum of Barnstaple and North Devon, Barnstaple 

Learn about North Devon’s local history across 12 galleries with annual events and a tearoom.

Avon Valley Railway, Bristol 

See tracks, locomotives, and carriages from the Avon Valley Railway, dating back to 1869.

Blaise Castle House Museum, Bristol 

Learn about Bristol homelife across the last 300 years with a costume collection of 10,000 items.

Bristol Museum and Art Gallery, Bristol 

Three floors of of art, costume and textiles, ceramics, archaeology and religion.

Clifton Suspension Bridge Museum, Bristol

Discover how and why the famous bridge was built.

The Georgian House Museum, Bristol 

An 18th-century townhouse that shows what life for the wealthy was like in Bristol.

M Shed, Bristol

Collection of 3,000 artefacts as well as a Banksy built into a 1950s transit shed by the docks.

The Red Lodge Museum, Bristol

Learn about 400 years of the historic house, once a party place for royals and a Victorian reform school.

Brixham Heritage Museum, Brixham 

Former police station that explores the town’s history with 10,000 objects.

Castle Bude, Bude 

Built into the sand, the 1830 castle is now home to a local museum, art gallery and cafe.

Charmouth Heritage Coast Centre, Charmouth 

Learn how to collect fossils with guided walks and rockpooling.

The Wilson, Cheltenham 

A collection of arts and crafts from World War I, and Chinese ceramics.

Red House Museum and Gardens, Christchurch 

A former Georgian workhouse turned into a museum displaying the local town’s history dating back to the Ice Age.

Tolpuddle Martyrs Museum, Dorchester 

Find out about a group of farm workers who became martyrs for forming a trade union, influencing modern day unions.

Royal Albert Memorial Museum and Art Gallery, Exeter 

Home to an impressive collection exploring zoology, anthropology, fine art, archeology and geology.

Gloucester Folk Museum, Gloucester

One of Gloucester’s oldest buildings with music and theatre events.

Museum of Cornish Life, Helston

One of the largest social and cultural history collections in South West Britain.

Otterton Mill Centre and Working Museum, Otterton 

See a historic water mill along with a gallery of arts and crafts.

Poole Museum, Poole 

Learn about Poole’s history from Ice Age to present day.

Barbara Hepworth Museum and Sculpture Garden, St Ives

Learn about the sculptor’s life and explore her studio and gardens.

The Museum in the Park, Stroud 

Unique 4,000-strong collection of items, from dinosaur bones to the world’s first lawnmower.

Durlston Castle, Swanage

Learn about the Victorian history of the folly with cafe and rooftop views

The Museum of Somerset, Taunton 

Explore 400 million years of Taunton’s history. 

Cockington Court, Torquay 

Watch artisans, like chocolate makers, painters and glassblowers, at work with seasonal gallery shows.

Longleat House, Warminster 

Explore an Elizabethan manor house with 900 acres of parkland.

“RuPaul’s Drag Race All Stars” winner Alaska Thunderf— will step into the spotlight this fall as the newest star to take on the title role of Mary in Cole Escola’s Tony Award-winning comedy “Oh, Mary!”

“You know how when in the ’90s in the Olympics, they would ask the winner ‘What are you gonna do now that you won the gold medal?’ and they’d say ‘I’m going to Disneyland.’” Alaska said in a recent interview. “I literally feel like that.”

Even after being cast, Alaska said it didn’t fully sink in until she began doing press for the production. Now, she’d celebrate with a flip if she could do one.

“It’s really happening, it’s just the best role, in the best play ever and I’m honored and I’m excited and I’m thrilled and I can’t wait,” she said.

The dark comedy follows a miserable Mary Todd Lincoln in the weeks leading to the assassination of her husband, who will be played by the Tony Award-winning actor J. Harrison Ghee. The one-act play reimagines the forgotten life of Mrs. Lincoln with absurdist comedy.

Since its 2024 premiere, the play written by comedian Escola — who also originated the title role — has become a Broadway sensation, earning $1 million in a single week and breaking its own box office record 13 times.

“RuPaul’s Drag Race” star Alaska will play Mary Todd Lincoln in “Oh, Mary!” at the Ahmanson Theatre this fall.

(Shaun Vadella)

The stage production received critical acclaim and earned multiple Tony Awards including best direction of a play for Sam Pinkleton and best actor in a play for Escola.

Alaska is joining a list of famed comedic actors who have played Mary Todd Lincoln, including Maya Rudolph, Meg Stalter, Tituss Burgess and Jane Krakowski. She isn’t letting the hype surrounding the show make her nervous, and said she remains focused on embracing the role.

“I’m really excited to wear the sacred bratty curls and the hallowed hoop skirt,” Alaska said.

The actor, who was also a finalist in “RuPaul’s Drag Race,” earned an Outer Critics Circle Award for her Off-Broadway play “Drag: The Musical,” which she co-wrote alongside Tomas Costanza and Ash Gordon.

Alaska is thrilled to play opposite Ghee, who won the 2023 Tony Award for best leading actor in a musical for their role in “Some Like It Hot.” Ghee said in a statement that they are excited to “set the road on fire with this electrifyingly hilarious play” alongside Alaska.

“I have seen Oh, Mary! three times and relished the beauty of this show — how different people shine so brightly in these roles, and yet you see the influence of Cole all over the production,” Ghee said. “The opportunity to get a crack at Mary’s Husband is beyond a dream come true.”

“Oh, Mary!” runs Nov. 10 through Dec. 6 at the Ahmanson Theatre. Additional casting will be announced in the coming months.

England tried to rally themselves following their semi-final defeat by New Zealand, but came up against a Diamonds team recovering from one of the biggest shocks in the tournament’s history.

Australia – who had previously been in every Commonwealth final and won the tournament four times – were stunned by Jamaica on Saturday afternoon, giving them less time to recover for the bronze-medal match than England.

The Roses worked hard to shut down the Diamonds’ forward-passing options from the start, but the team in green and gold found their rhythm with devastating consequences, overturning an early 9-7 deficit to lead 19-11 in a bruising first-quarter spell for the Roses.

Stembridge’s side, who lost 66-47 to the same opponents in the pool stage, then lacked impetus in the second period, showing signs of tired legs against one of the world’s most established shooting partnerships in Kiera Austin and Sophie Garbin.

A loose pass from England captain Fran Williams allowed Austin to calmly extend the gap to 28-16 and her side kept the margin steady, resulting in a half-time score of 35-24.

The presence of substitute shooter Eleanor Cardwell in the third quarter helped the Roses score five without reply to trail 45-34, but they were still 49-36 behind with 15 minutes left to play.

Bronze is not a colour of medal that Australia ever imagined they would be playing for, but what seemed just as important to them was reminding the world what they are capable of and why they have been such feared opponents.

In that sense, Stacey Marinkovich’s Diamonds shone as ultimate professionals, and England again came up short against a top side, losing by one less point than the pool stage match between the teams.

“It’s so tough after we lost yesterday and the disappointment of not making a final, to pull yourself up. I’m just so proud of the girls, the fight that we had through this 10 days to keep showing up and responding,” Williams told BBC Sport.

“Probably a few of our errors came through that fatigue and the mental drain that being in tournament netball is, and that is no excuse.

“For so many of us, 10 of us, that was our first Commonwealth Games experiencing that and maybe that showed in a final-day game where you’ve got to turn it on when medals are on that line.

“I’m not going away from that World Cup next year without a medal and standing on that podium, hopefully with a gold, so we’ll be doing as much as we can in the next 12 months to make sure that we are in a better position to fight in these final games.”

On Thursday, United States President Donald Trump announced that Hamas had agreed to disarm and move to the next phase of the ceasefire deal in Gaza. The announcement was received positively by various regional actors while the US president characterised it as a “historic agreement”.

The problem is that the disarmament is unlikely to take place. That is because Hamas has made clear that it has conditioned relinquishing its weapons on Israel abiding by its obligations under the agreement, which the latter has failed to do since it was reached in October. The Board of Peace, the body tasked with overseeing the ceasefire and Gaza’s reconstruction, has done nothing to pressure it into compliance.

This is one of the many failures of this body, which has very little to show for its six-month existence. It lacks the power, financing, enforcement mechanisms and legal standing within the international legal system to fulfil its self-declared mandate. Rather than creating a pathway towards de-escalation, it has created an appearance of diplomatic progress that provides political cover for the continuation of the Israeli genocide in Gaza.

The only way to move forward is for the board to be abandoned and responsibility returned to the United Nations.

Achieving nothing

The Board of Peace was established under Article 9 of Trump’s 20-point peace plan for Gaza, announced in October. Its mandate is to oversee a temporary Palestinian technocratic body that would manage Gaza and an International Stabilization Force (ISF) of multinational peacekeepers. In theory, the board would supervise Gaza’s reconstruction and Israel’s gradual withdrawal. In practice, it has not achieved any progress on either of these processes.

Despite lofty promises from the Trump administration about transforming Gaza into a modern urban landscape, there has been no movement in that direction. The majority of the population still lives in abhorrent conditions in tents.

Last month, the board scaled down the reconstruction plan to a pilot project near Rafah, close to the Egyptian border, which is under the control of the Palestinians who collaborate with Israel. Israel would vet the Palestinians who are allowed to stay in that development.

Worse still, the board is trying to give itself the right to confiscate Palestinian properties or use them “free of charge”. This signals its willingness to serve as a facade for continuing Israeli theft of Palestinian land.

An Israeli withdrawal – the other major process the board should oversee – has been all but forgotten. Instead, Israel has continued to kill Palestinians in regular bombardments and encroach on more and more Palestinian land.

Since the ceasefire began in October, Israel has killed more than 1,100 Palestinian civilians. It has continued to carry out demolitions of Palestinian homes and to move its “Yellow Line”, expanding its control to about 70 percent of Gaza’s territory, up from 53 percent at the start of the ceasefire.

The Board of Peace has taken no action in response to these Israeli colonial practices and has not issued any public statements condemning them.

Meanwhile, the board has framed Palestinians as responsible for the lack of progress. Its high representative, Nickolay Mladenov, has described Hamas as the “principal obstacle” to implementing the ceasefire despite no recorded Palestinian attacks since its beginning.

This one-sided scrutiny reveals the board’s function: not peacemaking but providing cover for the ongoing occupation.

The Board of Peace has also maintained arrangements that allow Israel to control the flow of aid into Gaza. Although Trump’s plan stipulates that neither Hamas nor Israel should interfere with the entry and distribution of assistance, the Israeli military continues to determine both the quantity and type of assistance allowed into the Gaza Strip.

Major European countries and China have declined to join the Board of Peace. States that initially signalled a willingness to contribute to the ISF have since frozen or withdrawn their commitments.

This lack of confidence is also reflected in funding failures. Despite initial pledges of $10bn from the US and a further $7bn from other countries, the World Bank account established for the board reportedly has received no funds. Instead, it has relied on a few million dollars deposited into a private JP Morgan account, much of which has been spent on salaries and administrative overhead rather than reconstruction or civilian protection.

The return of the UN

Perhaps the starkest sign of the failure of the Board of Peace is that it is seeking to give itself immunity from prosecution. In a draft resolution, the board appears to pursue protections for its members and administrative bodies, including the Office of the High Representative, Palestinian technocrats, international military forces and nonresident contractors.

In other words, the board wants to operate above the law. The goal is clear: impose a foreign governance structure that obscures Israeli colonisation of Gaza behind an international body.

The continuing existence of such a body is an international disgrace, and it needs to end.

The appropriate response is a collective push by states that support the two-state solution and the peaceful resolution of the Israeli-Palestinian conflict to bring the process back to the United Nations umbrella. Palestinian factions should be at the forefront of this effort.

The UN should assume responsibility and transfer any relevant functions away from the board to established UN bodies.

Critics may counter that the UN has failed to resolve the Palestinian-Israeli conflict for more than seven decades. That is true. But its umbrella offers an international legal framework that anchors action in international law and readily identifies violations. That provides structure and legal levers the Palestinians can use to continue pushing for their rights.

What is more, there is a dedicated UN agency – UNRWA – that deals with Palestinian refugee problems and is best equipped to handle the vast challenges of a displaced and impoverished population. The return of UNRWA is important not only as a service-provision body but also as an entity that protects the rights and status of Palestinian refugees.

The UN and its associated bodies have established accountability and transparency mechanisms that can minimise the misuse of resources needed for rebuilding Gaza. While ending the occupation depends on the political will of the world’s foremost powers, the UN umbrella maintains the legal status of Gaza as occupied territory and protects the rights of the occupied population.

The UN can also play a role in the deployment of the ISF. The force should be deployed not just in Gaza but also the West Bank to protect Palestinians from settler attacks. Giving the ISF a UN mandate would encourage more countries to contribute to its creation and help build a wider coalition of countries invested in the stabilisation and protection of Gaza and the West Bank. This could be a preliminary step that sets up Israel’s withdrawal from these occupied territories.

The international community must act now. The Board of Peace must be abandoned, and all responsibility for Gaza must be transferred back to the UN system. The UN must be empowered to take the lead in any future arrangements.

Continuing to maintain the current situation in Gaza means the continuation of Palestinian suffering and the deepening of uninhabitability, in effect paving the way for the forced displacement of Palestinians from their land. What is urgently needed is a UN-led mechanism that is immediately enforceable and grounded in international law.

The views expressed in this article are the author’s own and do not necessarily reflect Al Jazeera’s editorial stance.

For the past couple of days, I have commuted to work between Europe and Africa. When an estimated 60,000 migrants arrived in Ceuta, Spain’s autonomous outpost on the northern tip of Africa, from Morocco this week, businesses shut their doors and all available beds quickly disappeared.

So, we have been staying in the mainland Spanish port city of Algeciras, taking the one-hour ferry to and from Ceuta.

A fellow commuter is Isabel Hossein, a port police officer in Algeciras whose home is Ceuta. “I have documents, so it’s easy for me,” she says. “Sometimes I cross the border to Morocco just for lunch. Why not? The food is good.”

Isabel says the mass influx of migrants on Wednesday and Thursday was overwhelming for the residents of Ceuta. “People were afraid; there were so many young men everywhere,” she said.

“I am half Christian, half Muslim, as many in Ceuta are. We live peacefully together. But the numbers this time were scary.”

It has got me thinking about the journeys we take. At Algeciras, hundreds of cars line up daily for the ferry to Tangier. Moroccans from all over Spain, and elsewhere in Europe, depart here to go home for the summer holidays.

I am told that on motorways in Spain up to 1,000km away, the word “Algeciras” appears in Arabic to ensure people find their way here. They, of course, have documents.

In Ceuta, on Saturday, I saw hundreds of young men making their way back to Morocco on foot, under the watchful, occasionally threatening, eye of the Spanish military.

The undocumented ones

Exhausted by the heat, 48 hours earlier, the men swam to the shores of Ceuta.

“For the good life, humanity, safety, and all the things you need,” Abdelmajid said.

There was none of that available when they arrived in Ceuta, just extreme heat, thirst and a very hostile reception.

Of the estimated 60,000 Moroccans who arrived in little more than 24 hours, 90 percent had returned to Morocco by Saturday night.

Several indicated by rotating their wrists they would simply try again. “They were told to come. I saw it on Instagram, ‘Go to Spain and get money, jobs,’” she said. “It’s all a game.”

Dozens died in the attempt to reach Ceuta, and on Saturday evening, police divers were still recovering bodies from the surrounding waters.

The Spanish government blames criminal gangs and traffickers. Opposition politicians blame the left-wing Spanish government’s immigration policies for the weekend’s events, some describing it as “an invasion”.

Zia Yusuf, a senior figure in the anti-immigration Reform UK party, turned up in Ceuta to join those from the right and far right trying to set their narrative for the events.

A long way to come for a bit of social media, but this was powerful stuff: in a crisp white shirt and surrounded by muscled minders, I watched Yusuf extract a few words from young men who spoke little English.

On his X account, he told his nearly 150,000 followers: “I am in Ceuta, the scene of the 60,000 strong invasion. Spain has effectively militarised its border. Already spoken to Moroccan men here who say they are trying to get to Britain. More to come.”

No one I spoke to said they were heading for Britain. Though I’ve no doubt if you posed the question to someone with a passing idea of what you were asking – “Would you like to go to Britain?” – the answer would likely be, “yes”.

For some, it no doubt is a game. But here in Ceuta, amid the detritus of flippers and rubber floating devices that litter the beaches this weekend, a game with tragic consequences.

Alone and engulfed in the darkness of a Madrid cinema, Javier Bardem watched Martin Scorsese’s 1991 psychological thriller “Cape Fear” after learning he’d be starring in an episodic reimagining of the crime saga for Apple TV — the series finale is now streaming.

He arranged the private screening to symbolically request Robert De Niro’s blessing to play the dangerously charismatic Max Cady, an ex-con parched for revenge against those who had a hand in his imprisonment. De Niro received an Oscar nomination for that role.

“It was my way of honoring the work he did back then and, at the same time, to detach myself from that performance and ask his permission to create my own take,” Bardem tells me in Spanish while sitting at a restaurant inside a Beverly Hills hotel.

His informal getup, a T-shirt and shorts, contrasts with the elegant environment primed for business lunches and ostentatious dinners. He exudes an easy-going air. A quintessential cool dad casually sipping on an iced Diet Coke as he shares anecdotes about his passion for acting.

Bardem, 57, agreed to play Cady because the version of the character that the show’s creator, Nick Antosca, envisioned was not only decidedly distinct from those embodied by De Niro and Robert Mitchum, the latter of whom starred in a 1962 film adaptation, but also tailored to him as a Spanish man.

Had it been a standard remake, Bardem would have passed. Still, like the films, the show also “drinks from the fountain” of John D. MacDonald’s 1957 novel “The Executioners.” What remains intact across all versions of Cady is a devilish sense of humor and a lack of self-importance. In any of his iterations, he has nothing to lose. That makes him lethal.

In “Cape Fear,” Bardem’s Max Cady is distinct from the versions of the character played by Robert De Niro and Robert Mitchum in earlier films.

(Apple)

The cerebral Cady that Bardem inhabits spent nearly two decades in prison convicted for his wife’s murder. When the discovery of new evidence results in Cady’s freedom, his new mission is to torment Anna (Amy Adams) and Tom Bowden (Patrick Wilson), the attorney and prosecutor on his case, who are now married and have two teenaged children.

Cady turns their lives into a trap of paranoia and, indeed, fear, while procuring plausible deniability to avoid consequences. It’s a malicious and relentless barrage of the mind.

“He’s a 2026 Max Cady. It’s a different way of approaching violation of privacy, and the intrusion of the characters’ psyches. The digital world has made everything very different now,” he explains. “We are hyper-aware of what is said and written about us. We are inundated with so much information that, at times, we can’t tell what is true and what is false.”

While in the 1991 film the audience is aware that De Niro’s Cady committed sexual crimes making him “an absolutely despicable character,” Bardem says this new version portrays a complex person who’s suffered at the hands of the American justice system.

“Here we understand that he was imprisoned for something he didn’t do. He may have done other things, but he says, ‘You turned me into this monster.’ It’s true. From that point on, a vengeful and destructive mindset developed,” Bardem says of his Cady.

The final episode shows the public unmasking of Cady, just before he learns he is responsible for his own son’s death. Bardem describes him as a “dying beast” who has lost control of the narrative that he so meticulously orchestrated to rebuild his image.

The character was written to account for the actor’s Spanish accent. This Cady grew up in Spain until he moved to North Carolina at 13 and learned English on the streets. Bardem worked with renowned dialect coach Tim Monich to infuse his speech with a hint of a Southern drawl, aware that his character didn’t have to sound like a native speaker.

“I’m not bilingual,” Bardem says. The statement is somewhat shocking, considering he’s worked in the U.S. for decades in numerous English-language productions.

“Acting in English is easier for me because the dialogue is set,” he says. “But when the time comes to improvise, I find it difficult. That still doesn’t come naturally to me in English.”

The Spanish actor says acting in English is easier for him but that improvising is more challenging.

(Erik Carter / For The Times)

There’s a freedom to working in English since words have less emotional significance, the Oscar-winner believes. “I can be more daring in English. I can say the words or verbalize the thoughts with much less inhibition, because I am not as emotionally attached,” he explains. “But when you speak in your mother tongue, your body tenses up a bit because you think, ‘I understand the full emotional spectrum of what I’m talking about.’ ”

At this stage in his lauded career, Bardem is interested only in roles that explore “contradictions with an underlying humanity.” He’s played one-dimensional parts in the past, but the cost of being away from his loved ones is too high.

The job has to measure up to the trade-off of precious time he’s surrendering.

The “Cape Fear” production structured the schedule for Bardem to work for two weeks followed by five or six days off, allowing him to travel back to his family, which includes his famous and just as in-demand wife, Penélope Cruz, and their two teenaged children, Leo, 15, and Luna, 13.

“Cape Fear” filmed in Atlanta and Savannah, Ga. That’s a long trip back to Spain but manageable and certainly worthwhile, he says. “One of the few things I ask for contractually is time with family, and that has always been respected; Penélope and I have always managed our projects in such a way that one of us is always present for our kids.”

Thanks to his award-winning turn as an unnerving killer in “No Country for Old Man” and the dapper cyberterrorist in “Skyfall,” audiences might associate Bardem with sinister characters (his Cady joins the ranks). And they are satisfying to portray, he says.

“It’s true that characters with that kind of darkness are very attractive to play,” he says. “The villain is always more compelling than the hero. The hero is perfectly upright. A good villain has many cracks, which is what makes him more human.”

Bardem on playing sinister characters like Max Cady: “The villain is always more compelling than the hero. The hero is perfectly upright. A good villain has many cracks, which is what makes him more human.”

(Apple)

In recent years, however, Bardem made a deliberate effort to work on projects that his children could watch, particularly when they were younger, namely the fantasy musical “Lyle, Lyle, Crocodile” and the live-action remake of “The Little Mermaid,” in which he played King Triton.

“I needed my children to see what I do,” he says. “They knew I’d leave home for two weeks and then come back, and I’d tell them about it and show them photos, but they hadn’t been able to watch any of my movies yet because they were geared more toward adults.”

Cruz and Bardem have always encouraged their children’s creative pursuits. It wouldn’t surprise them if they eventually pursue a life in the arts. “I don’t see them becoming scientists or lawyers, which makes sense. I don’t know if they will become ‘nepo babies’ or not, but we are conscious that children always feed on what their parents do,” Bardem says.

Every time either Bardem or Cruz gets an offer for a new role, the couple discuss it and then bring their kids into the conversation. It’s important, Bardem believes, that Leo and Luna know how fulfilling acting is for both of their parents.

“They know we feel immense gratitude for being able to make a living from our passion. And they understand that the way we try to live up to that gift is by doing our absolute best and giving it the full attention it deserves,” he says.

When they were younger, the kids weren’t interested in seeing their parents on screen, but that’s changed. “They have seen ‘The Invite’ three times. They love it. And they’ve watched ‘Volver’ and ‘Bandidas,’” he says. “They’ve watched me in ‘F1,’ and Leo is watching ‘Cape Fear.’ ”

In June, Bardem became part of Hollywood history when his hands and footprints were added to the entrance of TCL Chinese Theatre. The ceremony included directors Michael Mann and Denis Villeneuve and producer Jerry Bruckheimer.

“I missed my mother so much at that moment because there are so many footprints of classic actors and actresses there. I imagine my mother seeing my hands and feet next to Gary Cooper, who was one of the loves of her life,” he says.

In June, Bardem’s hands and footprints were added to the entrance of TCL Chinese Theatre: “I missed my mother so much at that moment because there are so many footprints of classic actors and actresses there.”

(Erik Carter / For The Times)

It felt surreal, Bardem says, to have Mann present at the event. They worked together on “Collateral” over two decades ago. “I was crazy about ‘Miami Vice’ in the ’80s,” Bardem says. The suit he wore in the photo shoot for this piece, he adds, reminded him of that emblematic series and film.

Bardem’s latest collaboration with Villeneuve, “Dune: Part Three” hits theaters in December. He recalls the joy of shooting the film’s opening sequence, a battle where the cast was covered in mud. It reminded him of childhood play. “Denis would laugh and say to me, ‘But why are you laughing?’ And I’d say, ‘This is what I used to do in the schoolyard, but now it’s for real. Now I look to my right, and I have 50 guys under my command,’ ” he says.

“I was lucky enough to shoot some scenes with Timothée [Chalamet]. I saw him playing a Paul who is very different from the Paul in the second film,” Bardem continues. “Years have passed, and Paul is now wielding power and is a victim of that power.”

Outspoken about the ongoing plight of Palestinians, Bardem wishes more people could apply the lessons they mine from fiction they consume to the world in turmoil.

“We root for the rebels in ‘Star Wars’ and want them to defeat Darth Vader, or we side with the Fremen in ‘Dune.’ We always take sides in fiction. Yet, when we witness oppression, abuse and the violation of the most fundamental rights by an oppressor in real life, we seem to struggle to stand with the oppressed,” Bardem explains. “That cannot be.”

Even while attending matches at the recent World Cup, where Spain won the title, the actor advocated for an end to the carnage. A viral video shows him engaging with a Palestinian man at a match. “Existence is resistance,” Bardem tells him. On social media he’s shared images of Lamine Yamal, one of his national team’s stars, waving the Palestinian flag.

“The impunity Israel enjoys regarding these crimes, both legally and in terms of international support, creates a profound sense of powerlessness,” he says.

Bardem admits he’s been asked, whether directly or indirectly, to tone down his vocal support. But he doesn’t fear backlash. On the contrary, he’s never felt more support from everyday people who share his mindset.

“If I’m so privileged to have a good life where I work doing what I love and can provide my family with stability and security, how could I not use that privilege to denounce those things that I think are wrong?”

In a settlement announced this week, Rep. Patrick J. Kennedy (D-R.I.) has agreed to pay an undisclosed sum to a former security guard at Los Angeles International Airport who alleged that the congressman assaulted her at a security checkpoint in 2000.

Kennedy, the son of Sen. Edward M. Kennedy (D-Mass.), will personally pay part of settlement to Della Patton of Los Angeles. His insurance company will pay the remainder.

“He felt it was his responsibility to own up and take responsibility for this incident,” said Jack McConnell, Kennedy’s lawyer. “He’s saying that this is an unfortunate incident, and that he’s sorry it happened.”

Patton filed suit in Torrance Superior Court, claiming that Kennedy “intentionally battered” her “with his hands and body” on March 26, 2000, in an attempt to force his way past her at a Terminal 7 security checkpoint at LAX.

The incident, which was captured on tape by two security cameras, started when Kennedy tried to put oversized luggage through an X-ray machine, said Patton’s attorney, George Mallory. Patton and another screener informed him that he would have to check his bag.

Kennedy pulled out his wallet and showed Patton his identification. When she refused to let him pass, Kennedy “shoved her and she struck the magnetometer,” Mallory said.

After the altercation, Patton suffered a “frozen shoulder” and had arthroscopic surgery for “loose bodies” in her left shoulder, Mallory said.

Kennedy, who eventually checked his bag on a flight to Boston, had previously apologized to Patton and offered $25,000, which she rejected.

After he took his first win in Estonia, Pajari made it back-to-back WRC victories to move into second in the standings behind Evans.

Pajari was the beneficiary when nine-time champion Sebastien Ogier crashed out of the lead on Saturday’s penultimate stage on a high-speed right-hand corner on the fast gravel roads.

Both Ogier and co-driver Julien Ingrassia were taken to hospital after the accident but the French driver posted on social media on Saturday night that the pair would remain in hospital overnight as a precaution but “we both feel okay, which is the most important”.

Oliver Solberg, who was battling back pain on the fast jumps on the stages, and co-driver Elliott Edmondson finished in second place to complete a Toyota lock-out of the podium places.

The Hyundai duo of Adrien Fourmaux and Thierry Neuville were fourth and fifth, while Takamoto Katsuta and Northern Ireland co-driver Aaron Johnston crashed into trees on the final stage but recovered to finish in sixth place.

After the issues for Katsuta and Ogier, Pajari is now second in the standings behind Evans ahead 11th round of the season in Paraguay from 27-30 August.

Motorsport Ireland driver Josh McErlean finished the rally in seventh position as the best of the M-Sport Ford drivers.

Team-mate Martins Sesks crashed heavily on Saturday to drop out of fifth place, while Jon Armstrong’s chances of a strong result came to an end on Friday after he spun and got stuck in a ditch.

“It’s been a crazy weekend in terms of all the crews,” McErlean said.

“A lot of new stages, a lot of new pace notes and whenever you come to a rally this fast it is super-difficult to get right.

“So we have to be pleased to get through cleanly”.

Rally Finland results

1. Sami Pajari FIN/Marko Salminen FIN (Toyota) 2:27.358.0

2. Oliver Solberg SWE/Elliott Edmundson GB (Toyota) +26.7 seconds

3. Elfyn Evans GB/Scott Martin GB (Toyota) +1:19.5

4. Adrien Fourmaux FRA/Alex Coria FRA (Hyundai) +1:35.4

5. Thierry Neuville BEL/Martijn Wydaeghe BEL (Hyundai) +3:52.5

6. Takamoto Katsuta JPN/Aaron Johnston IRL (Toyota) +4:18.2

7. Josh McErlean IRL/Eoin Treacy IRL (M-Sport Ford) +4:32.7

….

43. Martins Sesks LAT/Francis Renars LAT (M-Sport Ford) +51:52.4

47. Jon Armstrong IRL/Shane Byrne IRL (M-Sport Ford) +1:21.39.6

DNF. Sebastien Ogier FRA/Julian Ingrassia FRA (Toyota)

DNF. Esapekka Lappi FIN/Enni Malkonen FIN (Hyundai)

World Rally Championship standings (after round 10/14)

1. Elfyn Evans GB (Toyota) 201 points

2. Sami Pajari FIN (Toyota) 171

3. Takamoto Katsuta JPN (Toyota) 160

4. Oliver Solberg SWE (Toyota) 156

5. Sebastien Ogier FRA (Toyota) 139

6. Adrien Fourmaux FRA (Hyundai) 129

7. Thierry Neuville BEL (Hyundai) 125

8. Esapekka Lappi FIN (Hyundai) 25

9. Hayden Paddon NZL (Hyundai) 21

10. Josh McErlean IRL (M-Sport Ford) 21

AIRLINES were today warned the UK’s second biggest airport is running out of fuel, sparking fears of a summer holiday getaway meltdown for thousands of passengers.

Disruption is likely to long-haul flights in and out of Gatwick Airport.

Pilots were sent emergency alerts about the shortages and urged to load up on extra fuel at other airports.

In one memo seen by The Sun, staff were warned: “For attention of all crews: Gatwick has a shortage of fuel for the next two days.

“Please uplift max possible fuel at outstations.”

Another “emergency” notification issued to aviation bosses told of “potential disruption to the Gatwick fuel supply”.

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A senior source told The Sun: “The fuel shortage will affect all airlines.

“Long-haul flights are under the most threat.

“Pilots will try and take on as much fuel as they can from their foreign destinations to bring back to the UK. But they will be limited by factors such as the maximum take off weight and the maximum landing weight back at Gatwick.

“Most flights beyond 2.5 hours will still need extra fuel in Gatwick.

“The fuel shortage warning came with many long-haul flights already enroute to the UK, meaning crews were unable to bring extra fuel with them.

“Pilots will be trying to supplement as much fuel as they can down-route to protect the long-haul flights and stretch out supply.

“The longer the fuel shortage lasts, the tighter it will get. It means there is a good chance of disruption, particularly Monday onwards.”

The Sun understands that engineers are battling to fix a technical issue at one of the major fuel farms serving the airport. Gatwick bosses urged airlines to take more fuel on flights to help alleviate the issue.

The issue is understood to be unrelated to the threat to airlines of jet fuel shortages due to the Iran war.

The conflict in the Middle East has led to the effective blockade of the key Strait of Hormuz waterway, normally a key route for Europe’s jet fuel. The crisis has led to near doubling in fuel prices.

Last week Gatwick passengers suffered water shortages after a power failure at a treatment works that serves the area.

Passengers told of confusion and frustration as all bars and restaurants were shut, and some were left with nowhere to sit, and long waits outside toilets.

Around 43 million passengers travel through Gatwick’s two terminals each year.

A London Gatwick spokesperson told The Sun of the fuel crisis: “Following a technical issue impacting fuel supply to the airport, airlines have been advised to monitor fuel availability.

“We are working closely with external suppliers to resolve the issue as quickly as possible and minimise any potential disruption.

“All airlines are operating as normal.”

YouTubers Alex and Emma bought a six-room house with an attic in Sicily for £35,000, but they noticed an issue when they considered the cost of doing the necessary renovations

A British couple who bought a cheap Italian property noticed a major issue with the property that they hadn’t considered.

There’s been a growing trend of foreigners snapping up cheap houses in Italy, sometimes for as little as £1. The idea is that decaying and dilapidated buildings are bought, often by international buyers, to replace ageing and shrinking local populations.

The problem is that there is often a catch with the properties, and this is something that British YouTubers Alex and Emma noticed when they paid £35,000 for a six-room house in Sicily.

After buying the property two years ago, the couple, who post on their channel Travel Beans, decided to do up the building. But they have now put those plans on hold as they fear it will cost them a lot more money than they originally bargained for.

They originally intended to spend £45,000 on the renovations, but now fear the total cost of the project could exceed £100,000 (including the initial house purchase) after a word of warning from their friends Sara and Luca.

Alex joked: “The worst thing that could happen – people who know more than us peed on our dreams.”

Emma then added: “Is this becoming a money pit? Could the money be better spent elsewhere? Sara and Luca told us that it (the money they were quoted for renovations) could even double. As they have no much more experience than us it would be ridiculous not to listen to their warning.

“The question is at this point in our life where do we want the next £50,000 or £60,000 to go.”

They plan to renovate the roof terrace, which has views overlooking the Mediterranean, as well as putting in a second bathroom and doing some other odd bits and pieces.

Alex and Emma are also concerned that putting money into their Italian home could get in the way of one of their big dreams – ultimately buying a home back in the UK.

They are wondering whether their Sicily dream is competing with their desire to buy property in the UK as Emma said: “Every pound spent on the Sicily house delay our UK dream.

The digital nomads, who have two children, initially chose Sicily because it “represents freedom from the conventional way of living.

Emma said: “Sicily wasn’t a completely random purchase for us. It’s what we’ve been doing our whole adult life. Finding unconventional ways of living, prioritising freedom, and not needing a tonne of money to do it.

Alex added: “Sicily was the next logical step to have a base in Europe now that we’ve got a family. It was an affordable asset that improved our life.”

With their eldest child set to start school in just over a year, and they concede that this will be the last opportunity to travel in a straightforward way for while.

July 31 (UPI) — Federal officials on Friday released an updated framework for the Colorado River, requiring Arizona, California and Nevada to significantly reduce their water use in the coming years.

The plan, released by the Interior Department’s Bureau of Reclamation, reduces the water available for use by the three states by 3 million acre-feet in the coming decade.

One acre-foot is enough water for as many as four households to use for a whole year. The cuts represent the largest proposed cuts for those states to date

“The [report] contains a framework that includes sideboards that are unacceptable for the state of Arizona,” the Arizona Department of Water Resources said in a statement to The Colorado Sun. “Such reductions would devastate Arizona’s water users and its economy.”

The Colorado River’s resources are divided among seven states, combined into two groups: Upper Basin states include Colorado, New Mexico, Utah and Wyoming, while Lower Basin states are Arizona, California and Nevada.

Upper Basin states have a target for voluntary cuts of up to 200,000 acre-feet per year, or 5% of their annual water use.

The Colorado River provides water for some 40 million people.

Federal officials said drought conditions over the past 25 years have dwindled the water capacity available to the states that rely on the river.

“The department has a responsibility to ensure the Colorado River system remains reliable and resilient for the millions of Americans, communities and industries that depend on it,” Interior Secretary Doug Burgum said in a statement. “This framework provides the flexibility to respond to changing hydrologic conditions while preserving the opportunity for the Basin States to continue working toward durable, consensus-based solutions.”

Justin Fletcher, best known as Mr Tumble on CBeebies, has been a staple of children’s TV for over two decades

It’s fair to say most people know who Mr. Tumble is, but what is the BBC legend like off-screen?

The beloved children’s entertainer is hugely famous among young audiences for his work on CBeebies and his popular sell-out tours across the country, but relatively little is actually known about TV star Justin Fletcher away from the cameras.

In reality, the widely-celebrated performer, who was awarded an MBE honour by the late Queen Elizabeth II, generally keeps his personal life out of the spotlight, though he has occasionally offered glimpses into his home life and upbringing.

During his childhood, Justin was required to move around frequently with his parents owing to his father’s career as a highly sought-after music writer, which meant the family often needed to relocate and would regularly welcome some incredibly famous faces to their home.

The beloved TV personality is in fact the second-oldest of five children – with a 12 year age gap between him and his youngest sibling. At an early age, the CBeebies favourite opened up to his father, Guy Fletcher, revealing his ambition to pursue acting and develop his drama studies.

Net Worth

The entertainer has been presenting beloved CBeebies programmes including Gigglebiz and Justin’s House. Yet his greatest achievement has undoubtedly been the show Something Special, which was specifically designed to help children with communication by weaving Makaton signs, speech and symbols throughout.

Having remained a children’s television sensation for more than two decades, it’s hardly surprising that his endearing characters have evolved into a multi-million-pound enterprise.

According to previous reports, his Something Special DVD shifted over 100,000 copies, generating more than £1 million, while an accompanying magazine brought in a monthly income of £180,000. His net worth has therefore been estimated at around £1.5 million.

Stepping down from BBC role

Last year, the television favourite left fans gobsmacked when he revealed he was stepping away from his proudest achievement, Something Special, confirming he was passing the baton to three other presenters.

Following a remarkable 22-year run, during which the show produced 12 series and five specials, Justin decided it was the right moment to hand over to TV stars Maddie Moate, Ben Cajee, and George Webster, who announced the news on social media.

Is Mr Tumble married in real life?

Justin recently revealed that he has fallen in love with his co-star Samantha Dorrance, who plays his best friend Tootsie.

Justin, 55, and Samantha, 34, reportedly fell for each other while working on a panto and travelling on their live tour. In fact, the pair are so smitten that Samantha has moved into his £2.5million farmhouse.

According to The Sun, the couple enjoy nothing more than a quiet life and looking after their chickens.

“Justin and Samantha are madly in love and couldn’t be happier,” a source told the paper. “They are both dedicated performers and bonded over their love of musical theatre. Although there is an age gap, it isn’t an issue between them.”

Who is Mr Tumble’s famous father?

Justin isn’t the only well-known face in the family – his father Guy Fletcher co-wrote songs for legendary artists including Elvis Presley, Ray Charles and Joe Cocker alongside lyricist Doug Flett.

Justin opened up to BBC 6 Music star Chris Hawkins about what it was like growing up immersed in music and the company of musicians, revealing that his character Mr ‘Cliff’ Tumble was in fact a loving tribute to Sir Cliff Richard.

He said: “I was always brought up around musicians and we had a recording studio built onto the house. My character Cliff Tumble is a homage to Sir Cliff, who I’ve met a lot and is lovely, very charming.

“Dad wrote his Eurovision entry Power to All Our Friends. The biggest hit he wrote for Elvis was Just Pretend, which he used to perform in his Vegas shows. Pretty cool, really.”

Turkish Aerospace has released new footage showing the second airworthy prototype of its next-generation TF Kaan fighter conducting powered taxi tests, marking the latest milestone in the aircraft’s flight-test campaign and signaling that its maiden flight is now approaching.

The aircraft, designated P1, follows the original P0 prototype that made Kaan’s first-ever flight in February 2024. Unlike that initial demonstrator, P1 is intended to be a far more representative development aircraft. It is expected to play a central role in expanding the fighter’s development program as Turkey pushes toward production later this decade.

The newly released video shows P1 taxiing under its own power at increasing speeds, confirming that it has entered the final stages of ground testing before its first flight. Powered taxi tests verify engine operation, braking, steering, flight-control systems, and other critical functions before an aircraft is cleared to leave the ground.

The appearance of P1 also provides the clearest indication yet of how the Kaan design is evolving beyond the original demonstrator. While the overall stealthy twin-engine configuration remains unchanged, the new prototype incorporates several visible refinements that are in line with the move toward a more production-representative aircraft. Compared with P0, the control surfaces have been revised, there are subtle changes around the engine intakes and cockpit areas, and a cleaner external finish.

Standard (non-stealthy) exhaust nozzles remain for the twin GE Aerospace F110 turbofans.

The first prototype had a distinctive forward sensor installation, including what appears to be multi-purpose electro-optical and infrared search and track, or IRST, sensors in front of the cockpit and beneath the nose, respectively. These features remain present on the newer aircraft. The faceted sensor enclosures were both removed for the first flight of the P0. You can read more about the aircraft’s intriguing sensor setup here.

Turkish Aerospace has not detailed every modification, but P1 is widely expected to feature substantially more representative avionics, flight-control software, and mission systems than the P0, which is largely a proof-of-concept aircraft.

The P1 represents the Kaan program’s transition from a technology demonstrator to a developmental test fleet. Additional prototypes are expected to incorporate further structural, aerodynamic, and systems improvements before the aircraft reaches its final production configuration.

A head-on view of the P1 (above) compared to the P0 (below) reveals a different configuration for the actuators for the aerodynamic surfaces below the wings, a larger sensor aperture above the nose, and landing gear that is both more robust-looking and with main units set wider apart:

Turkish Aerospace has indicated that P1’s maiden flight is expected within the next couple of months. A third prototype, designated P2, is also under assembly, with the company aiming to have both aircraft flying before the end of this year. That would significantly accelerate the program by allowing multiple aircraft to conduct different elements of the flight-test campaign simultaneously. Initial deliveries to the Turkish Air Force continue to be targeted for 2028 — an ambitious schedule, to say the least.

The Kaan program was launched back in 2010 as the Milli Muharip Uçak (MMU), or National Combat Aircraft. Early on in its development, the aircraft was known as the TF-X. Now named TF Kaan, it is very much the jewel in the crown of Turkey’s burgeoning aerospace industry.

However, it is also worth keeping expectations in perspective. Kaan’s stated objective is to deliver a reduced-radar-signature fighter with high performance, advanced avionics, and modern mission systems. Achieving the same degree of sensor integration, data fusion, networking, and low-observable performance as a fifth-generation fighter, such as the F-35, represents a much higher bar. Even so, a meaningful reduction in radar signature — particularly from the frontal aspect — combined with modern sensors and weapons, would still represent a significant step-up in capability, at least in some respects, over Turkey’s existing fighter fleet, which is dominated by the 1970s-era F-16.

Reportedly, Turkey plans to complete three pre-production prototypes, to be followed by 250 series-production aircraft, incorporating yet more refinements.

Last month, a contract was reportedly signed for 20 examples of the initial Block 10 versions of the Kaan.

One of the biggest questions surrounding the Kaan program has been its powerplant.

Although Turkey ultimately intends to equip the fighter with an indigenous engine, the prototypes and the first production aircraft will instead rely on the U.S.-built F110 turbofan. Export approval for those engines had emerged as one of the program’s most significant schedule risks. F110s are assembled under license in Turkey but are still governed by U.S. export restrictions.

That uncertainty eased after the Trump administration moved to approve the sale of dozens of F110 engines to Turkey in a deal reportedly worth more than $700 million, ensuring propulsion for the prototype fleet and early production aircraft while development of the indigenous TF35000 engine continues. The domestic engine is expected to arrive only in later production blocks, making continued access to the F110 critical to maintaining the current development timeline.

The Kaan’s fortunes have also been entwined with Turkish plans to buy the Lockheed Martin F-35. In 2019, Turkey was kicked out of the Joint Strike Fighter program, in which it had been deeply involved, including at an industrial level, with plans to buy around 100 of the stealth fighters. Washington took that decision after Turkey refused to give up its plans to purchase Russian-made S-400 air defense systems. Since then, there have been signs that the United States might reverse its decision and offer Ankara F-35s again, a development that would surely have knock-on effects for the Kaan.

Once in service, it is anticipated that the Kaan will be used alongside one or more domestically developed drones. Chief among these are the ANKA-3, a low-observable flying-wing uncrewed combat air vehicle (UCAV), and the fighter-like Bayraktar Kizilelma. Again, should these prove successful, Ankara may opt for larger fleets of drones at the expense of more costly crewed fighters. The Kizilelma has already completed the first live trials of the K-SWARM concept, demonstrating collaborative operations between crewed and uncrewed aircraft as part of an effort to develop next-generation autonomous air combat capabilities.

It was announced only yesterday that the Kizilelma had successfully used its internal weapons bays to deploy air-to-ground munitions — in the shape of glide bombs — for the first time. The UCAV had already demonstrated surface-strike and air-to-air capabilities using conventional underwing hardpoints.

Export potential is another important consideration. The Kaan enters an increasingly competitive segment of the global fighter market alongside other medium-weight, low-observable designs, including China’s FC-31 and South Korea’s KF-21, both of which are positioned as more affordable alternatives to Western fifth-generation fighters. Turkey is likewise expected to pursue export customers to help sustain production and reduce program costs. Until the TF35000 engine comes online, any Kaan export sales would also be governed by U.S. restrictions on its engines.

The latest taxi-test footage signals that Turkey is moving into the next phase of Kaan development with a more mature prototype and an expanding flight-test fleet. If P1 flies on schedule and P2 follows later this year, Turkish Aerospace will have multiple aircraft collecting flight data in parallel, an essential step if it hopes to meet its questionably ambitious objective of new fighters being handed over to the Turkish Air Force in 2028.

Contact the author: thomas@thewarzone.com

Come 2028, the Democratic presidential campaign promises to be a banger, with all sorts of intrigue and subplots layered within a wide-open fight for the nomination.

There’s the prospect of same-state rivals going at it. (California’s Gavin Newsom vs. Kamala Harris; Georgia’s Sen. Jon Ossoff vs. Sen. Raphael Warnock.)

There’s sure to be a generational divide, a split over how much time and energy Democrats should spend rehashing the Trump era, and, inevitably, a clash between standard-bearers of the left, the far left and the party’s increasingly small center-left.

All that remains in the offing, however, as none of the major prospects have formally declared their candidacies. Political tradition, and self-preservation, require waiting at least until after November’s midterm election to jump into the race.

In the meantime, Democrats have seemingly resolved at least one 2028 fight, a fracas marked by snarking, backbiting and plenty of acrimony — all the things that make our politics such a grand and glorious endeavor.

We speak of the contest to determine which state will hold the first vote of the 2028 nominating process. And the winner is … South Carolina!

This was a blow to Nevada, the runner-up in the calendar sweepstakes, and not a very sporting one at that. The state Democratic Party issued a huffy news release, insisting Nevada will be the candidates’ first true test of 2028 — emphasis added — reprising the argument over which state offers the best starting path to reclaim the White House and, thus, deserves the coveted lead voting slot.

(California, a perennially frustrated onlooker, is not set to vote until March 7, several weeks into the balloting, which is supposed to start Jan. 22.)

For decades, the political calendar was unchanged and, mostly, unchallenged.

Iowa went first, holding its quaint and quirky precinct caucuses — neighbors gathered in church halls, school libraries and the like as they worked through arcane rules involving “realignment” and “viability thresholds” — followed by New Hampshire’s first-in-the-nation primary.

In 2024, President Biden shook things up.

He’d failed miserably in Iowa in his runs for president, so Biden had no problem slotting South Carolina first after the state resurrected his lifeless 2020 candidacy. (Iowa didn’t help itself by making a thorough mess of its 2020 caucuses, taking nearly a month to certify a winner.)

The change set off a free-for-all this time around, as a dozen states bid for the chance to vote first.

(The two major political parties set the rules for choosing their presidential nominees, independent of one another. Republicans are expected to stick to the traditional lineup, starting with the Iowa caucuses and New Hampshire primary, followed by contests in Nevada and South Carolina.)

Last month, after nearly a year of consideration, the Democratic Party’s Rules and Bylaws Committee voted for six states to hold their contests in a window between late January and the end of February. They are, in order, South Carolina, Nevada, New Hampshire, New Mexico, Michigan and Virginia. The lineup will be presented to the full Democratic National Committee to be voted on and finalized later this month.

Doubtless, you — a normal person — have paid little or no attention to any of this. You’ve got more important things to do, like binge-watching “Widow’s Bay,” or not melting.

But party leaders and political insiders take the process extremely seriously. At stake: bragging rights, a modest economic boost and the chance for local analysts and office-holders to make frequent appearances as experts on the cable-TV chat shows.

The jostling grew particularly fierce between South Carolina and Nevada.

More than 50% of the Democratic primary electorate in South Carolina is Black. In Nevada, Latinos are a substantial and increasingly powerful voting bloc. So, naturally, the competition between the two states assumed fraught racial overtones, which is unfortunate but not surprising, given Democrats’ penchant for picking at sore spots and turning on each other at the slightest provocation.

It was also rather pointless. The order of the presidential calendar is consequential, but far from determinative.

South Carolina was vital to Biden’s success. But so, too, was the onset of the COVID-19 pandemic, which sharply curtailed the Democratic nominating fight. Barack Obama’s 2008 victory in Iowa gave him a huge lift, but he lost to Hillary Clinton the following week in New Hampshire and had to fight another six months before winning the nomination.

Presidential campaigns have changed drastically in the 50 years since a little-known Jimmy Carter quietly burrowed into Iowa, spent months bunking in folks’ extra bedrooms, then burst to national fame by outperforming his more prominent rivals. Today, the race is a 24/7 affair, followed by voters in all 50 states.

While local concerns may come up here and there — the proposed Yucca Mountain nuclear waste dump in Nevada, beach erosion in South Carolina’s Lowcountry — the same issues and controversies confront candidates and animate the contest regardless of whether a field of soybeans, a white church steeple or a Southern fish fry serves as the backdrop.

Obviously, the voting has to begin somewhere and the competition between states is well and good. But the trash-talking and, especially, antagonism over race and ethnicity is gratuitous and needlessly divisive. Candidates will show they have the stuff to win the nomination, or not, by building their best case and pitching it to voters.

No matter if it’s a Black church in Las Vegas or a Latino neighborhood in North Charleston. Any location will do.

After reaching the final with some tiebreak heroics in the semi-final win over Malaysia, it seemed only fitting that the final would go the same way.

McKeown and Kelly were out of the traps fast in the first set as they took four shots in the third end on route to a 6-2 win.

The English pair fought back in a tight second set to build a 3-0 lead, and they held on to win 4-2 and send the final to a one-end shootout.

It was Kelly who came closest to the jack and Walker was unable to respond with his final bowl, which started the celebrations for a well-deserved gold medal.

“We wish it wasn’t always an extra end but we played really well,” added McKeown.

“We got a huge four shots early on and kicked on from there in the first set.

“In the second set we lost a three early on in probably the worst end of the game, and then clawed our way back into it.

“Gary had a chance to win the game with his last bowl and unfortunately just missed, but he played an absolute bomb on the tiebreak end to secure the win.”

Kelly said he had to grab the chance “with both hands” with the decisive bowl of the match.

“Obviously there’s nerves and there’s pressure, but you’ve just got to have belief and trust.

“I’ve been lucky enough n my career that I’ve done it before, so you’ve just got to reach into those moments and believe.

“You have to enjoy and embrace those moments as well, and thankfully I delivered.”