Feb. 24 (Asia Today) — Average household debt per borrower in South Korea rose to a record 97.39 million won ($73,000) at the end of last year, as mortgage lending expanded amid rising home prices, according to data released Monday by the Bank of Korea.

The figure marked the first time per-borrower debt has exceeded 97 million won, up 2.24 million won ($1,680) from a year earlier. Total household loan balances reached about 1,853 trillion won ($1.39 trillion), an increase of 51 trillion won ($38.3 billion) from the previous year.

The central bank said the average rose as overall loan balances increased while the number of borrowers declined slightly, pointing to a growing concentration of debt.

Mortgage loans accounted for much of the increase, particularly among borrowers in their 20s to 40s. The average mortgage balance for borrowers in their 30s climbed to 225.41 million won ($169,000), the highest among age groups.

Loans were concentrated in the Seoul metropolitan area, where home prices continued to rise. According to the Korea Real Estate Board, apartment prices in Seoul increased 13.5% last year, the steepest gain since 2021.

Despite a slowdown in new lending following the government’s Oct. 15 real estate measures, authorities are moving to tighten controls further as household debt approaches 2,000 trillion won ($1.5 trillion), a level widely viewed as a risk to economic stability.

The Financial Services Commission has said it will set a lower annual loan growth target than last year’s 1.8% and is considering imposing separate caps on mortgage lending, the core component of total loan management.

Regulators are also reviewing a plan to raise risk-weighted asset ratios on mortgage loans from 20% to 25%, a move that would effectively make banks more cautious in extending housing credit.

Major commercial banks have already begun reducing household loan balances in line with regulatory guidance. As of Sunday, the combined household loan balance of the five largest banks stood at 765.6 trillion won ($574 billion), down about 200 billion won ($150 million) from the end of January.

— Reported by Asia Today; translated by UPI

© Asia Today. Unauthorized reproduction or redistribution prohibited.

Original Korean report: https://www.asiatoday.co.kr/kn/view.php?key=20260224010007193

Terrorists attacked the Garahamojili military camp in Garaha, Hong Local Government Area of Adamawa State, in northeastern Nigeria, on Saturday, Feb. 21. Alison Hassan, a resident of the community, told HumAngle that the attack, which began around 11 p.m., lasted about an hour, as the terrorists engaged the soldiers in a fierce gun battle.  

Although the Nigerian Army is yet to release an official statement regarding the attack or the number of casualties, residents say three soldiers were killed in the exchange, while several others were severely injured. HumAngle contacted Suleiman Yahaya Nguroje, the Adamawa State Police Command spokesperson, but he declined to comment on the situation.

Locals said that during the confrontation, a bullet landed inside a neighbouring house and struck a young woman. Chinapi Agara, a relative of the deceased, told HumAngle that she was the only civilian from the community to lose her life, as the terrorists were focused on the military base. “She was 20 years old. We buried her yesterday [Sunday, Feb. 22],” he said. 

Chinapi also noted that the camp was set ablaze, forcing some of the soldiers to flee. 

“The community wasn’t burnt, but the camp and three houses close to the camp were burnt, including two armoured tanks and their excavator,” Alison added. 

According to Musa Simeon, a local vigilante, several attacks had been launched against the military base in the past, but none had been successful until Saturday’s incident. While locals are unsure of the terrorists’ identities, Musa said several armed groups have terrorised the area over the past decade. “Boko Haram, Islamic State – West Africa Province (ISWAP), and kidnappers, so we don’t know which one is responsible for now,” Musa said. 

ISWAP reportedly released visual evidence and has claimed responsibility for the attack. 

Several locals have lost their lives in the insurgency since it began in 2014. “We are close to the Borno border. Lots of communities like Kopure, Gabba, Lar and others have been completely displaced,” Chinapi added. Similarly, communities within Garaha have experienced a surge in kidnappings within the area in the last few years, forcing many to flee. 

While calm has been restored in the area since Saturday’s incident, Alison noted that residents are deserting the area. “We are seriously in trouble because once it’s evening, people leave their houses to go and sleep somewhere. Some sleep in people’s houses inside town, and those of us who don’t have anywhere to go to sleep with our eyes open,” he said. 

Residents who spoke to HumAngle called on the government to tighten security around the area as people are currently living in fear. 

Beethoven’s “Missa Solemnis” is a grand mass for large orchestra, chorus and four vocal soloists that lasts around 80 minutes. It was written near the end of Beethoven’s life and is his most ambitious work musically and spiritually. “Coming from the heart, may it go to the heart,” he wrote on the first page of the score.

The Beethoven biographer Jan Swafford put it this way: “ ‘Missa Solemnis’ is Beethoven talking to God, man to man. And what they talked about is peace. Creation was for Beethoven’s the magnificence in the world which we inhabit; ‘Missa Solemnis’ is meant to keep it thus.”

Yet among Beethoven’s major works, “Missa Solemnis” is, by far, the least performed, and not merely because of the need for large forces. Conductors struggle to get a handle on its mysteries and intricacies. Upon turning 70 last year, Simon Rattle contended “Missa Solemnis” remains beyond him. Upon his reaching 70, Michael Tilson Thomas made a momentous meal of “Missa Solemnis” 11 years ago with a staged performance with the Los Angeles Philharmonic at Walt Disney Concert Hall.

Gustavo Dudamel, who has been conducting Beethoven since he was a teen, waited until he passed his 45th birthday last month. His first “Missa Solemnis” performances over the weekend at Disney were the centerpiece of his month-long L.A. Phil focus on Beethoven.

That venture began a week earlier with a political statement. Beethoven’s incidental music to Goethe’s drama of liberation, “Egmont,” was updated with a new text that served as an urgent call for protest in our own era of authoritarianism and militarism. Here, Beethoven exerts a compulsion for triumphant glory.

The glory in “Missa Solemnis” is that of stupefaction. By this point in his life, Beethoven has had it with weapons, the drumbeat of soldiers, the addictive emotion of trumpet calls to action. His man-to-man with God is celestial diplomacy. There is no compromise. We either care, at all costs, for our magnificent world or nothing matters.

Dudamel clearly cares. He conducted the massive mass from memory. And costs be damned. He imported from Spain two spectacular choruses — Orfeó Català and Cor de Cambra del Palau de la Música Catalana — a total of some 130 singers who sounded like they had rehearsed for months under their impressive director, Xavier Puig. The four soloists — soprano Pretty Yende, mezzo-soprano Sarah Saturnino, tenor SeokJong Baek and bass Nicholas Brownlee — were needfully robust and powerful. They were placed mid-orchestra, behind the violas and bravely in front of the timpani.

“Missa Solemnis” follows the standard mass text but doesn’t necessarily follow the liturgical narrative. It is a work of theater, dramatizing feelings, as the earlier Disney staging attempted. Director Peter Sellars and conductor Teodor Currentzis have also been promising a major staged “Missa Solemnis” for many years.

The Kyrie opens with a strong D-major chord in the large orchestra that seems an obvious downbeat but turns out to be an upbeat. Down is up. Eighty or more minutes later at the end of the Agnus Dei, when the great plea for peace reaches its ultimate transcendence, up becomes, in one of the most profoundly unsettling moments in all music, down again. We never fully know where we stand in “Missa Solemnis.” Every expectation is thwarted. Beethovenian peace is a nearly superhuman endeavor.

Gustavo Dudamel conducts L.A. Phil, vocal soloists and Catalan choruses in Beethoven’s ‘Missa Solemnis’ at Walt Disney Concert Hall.

(David Butow / For The Times)

Dudamel‘s approach is to attempt the all-encompassing. He conducted without a baton but with his body. His arms were often open and wide as if embracing the musician masses on the stage, holding the whole world in his hands. Tidiness wasn’t necessarily the issue. Grandeur was. Molding sound was. And, of course, awe.

Throughout his career, Beethoven was the overwhelming master of awe. In “Missa Solemnis,” he out-glories the Gloria. His fugues are a draftsman’s rendering of heavenly splendor. Such awe asks for the superhuman from singers, especially in this ensemble from their ravishing high notes.

But Beethoven also questions every sentiment in the Mass. Grandeur can so suddenly turn solemn that it feels almost a ceremonial sleight of hand. In the Sanctus, a solo violin sails in from nowhere (“descending like a dove from heaven,” Hugh MacDonald nicely puts it in the program note), and suddenly we’re in a violin concerto with vocal soloists of transcendent allure.

The Agnus Dei begins in glum realization that there may be no compensation for humanity’s great sins when, again astonishingly without expectation, one of Beethoven’s uniquely wondrous melodies takes over. Saber-rattling trumpet and timpani intrude and are shushed away as worthless. Peace returns but just as it is about to climax it weakens. There is no grand Beethoven ending. “Missa Solemnis” just stops.

Dudamel’s approach was not, as his Beethoven has generally become, filled with fervent intensity in the moment. That may happen as he gains more experience with Beethoven’s most exigent score. The big moments were still huge, especially with the help of his fabulous chorus. The somber moments were well of the heart. There was eloquent solo playing in the orchestra, and extravagance from the solo singers.

Most unusual was the violin solo. The L.A. Phil is in a concertmaster search, and Alan Snow, the associate concertmaster of the Minnesota Symphony, sat in. He brought silken “descending dove” tone to his solo playing, but at low tone becoming more a voice from afar than soloist. Whether that is simply his sound or what Dudamel was after is, like so much in the “Missa Solemnis,” up to question. Still, its quiet exemplified the elusive essence of peace.

When Dudamel first walked on stage, he got, as he always does and especially in his last season as music director, a strong ovation. At the end of “Missa Solemnis,” the reaction was a respectful standing ovation, unlike the de rigueur rapturous reception he always earns with Beethoven.

Dudamel earned something far more rewarding. It wasn’t a moment for cheering but reflection. True peace in “Missa Solemnis” comes not from winning but from ending conflict, be it between nations, nature or among ourselves. We have as yet too little to celebrate.

WASHINGTON — As President Trump prepares to deliver his annual State of the Union address Tuesday night, the event will unfold against the backdrop of a widening Democratic protest and mounting resistance from lawmakers who are standing by to balk at the president’s remarks.

More than 30 congressional Democrats have pledged to boycott the address altogether, while others plan to attend alternative events designed to compete with the president’s messaging.

“I think we are going to hear two different States of the Union: One from the president that is going to be full of lies and then you are going to hear the truth,” California Sen. Alex Padilla, who will deliver the Democrats’ Spanish-language response, said at a news conference Tuesday afternoon.

Democrats who plan to skip the president’s formal address to Congress have said their doing so because they do not want to give credence to Trump. Others plan to voice their opposition to Trump by inviting guests who have been affected by his agenda.

California Democrats Rep. Robert Garcia and Rep. Ro Khanna will attend alongside Annie Farmer and Haley Robson, two of the survivors of Jeffrey Epstein, a convicted sex offender whose trafficking crimes have dogged the Trump since he returned to office a year ago.

“I’ve invited Annie to the State of the Union so she can join other survivors and remind the President of his refusal to release all of the Epstein files,” Garcia wrote Monday in a post on X.

The Democratic opposition highlights the tense political moment that Trump is facing early in his second term, when the stakes are high for Republican as they seek to keep control of Congress ahead of the midterm elections.

Trump, who is set to begin speaking at 6 p.m. Pacific time, is expected to frame the moment as one defined by economic successes and fulfilled campaign promises particularly as it related to his administration carrying out an immigration crackdown.

Trump is expected to make an appeal to his religious base as well. He has invited Erika Kirk, the widow of the late conservative activist Charlie Kirk, and intends to use her presence to bring attention to the “tremendous revival of faith” that has taken place since Kirk’s assassination, White House press secretary Karoline Leavitt said on X.

“The president will call on Congress to ‘firmly reject political violence against our fellow citizens’ with Charlie Kirk’s widow in the chamber,” Leavitt said.

The president’s remarks could also shed light on the president’s thinking regarding international conflicts brewing in the Middle East and in Mexico as Trump pressures its southern neighbor to curb drug trafficking.

Another potential issue that could come up in the address is the topic of tariffs, more so after the Supreme Court ruled on Friday that Trup’s preferred tariffs policy was illegal and could not stand without the approval of Congress.

Trump has been adamant that he intends to impose new tariffs in different ways, and has suggested he should not need congressional approval to do so. If Trump insists on imposing new tariffs, his push will be at odds with Republican leaders.

House Speaker Mike Johnson (R-La.) told reporters on Monday that it would be a “challenge to find consensus on any path forward on the tariffs, on the legislative side.”

However Trump handled the issue of tariffs would underscore the existential moment that Congress is in as it navigates the Trump administration’s second term.

In recent months, Trump’s willingness to sideline Congress in major policy decisions — whether it is trade or national security — have exposed fractures within his own party and deepened partisan divisions.

Tuesday night’s even could highlight those tensions.

Sen. Adam Schiff (D-Calif.) has been critical of the Trump’s use of military force without congressional approval since his administration began blowing up alleged drug boats on the Caribbean Sea late last year.

As Trump says he is considering a military attack on Iran, Schiff is once again raising concerns that Trump is stoking broader conflicts abroad.

“Our allies don’t trust us. Our adversaries don’t fear us,” Schiff said on the Senate floor Tuesday. “When the next crisis comes — and it will come, and it may even be caused by this president — we will find ourselves isolated.”

Trump’s push to have the federal government assert more control over elections could also expose some fractures.

In May, at the behest of Trump, the Justice Department began demanding voter registration data from states across the country. Democrats see the move as a pretext for bogus voter fraud claims down the line, as congressional Republicans tee up new barriers to voter registration through the Safeguard American Voter Eligibility Act.

“The Trump administration is not being shy about threatening to undermine and steal this November election,” Padilla said. “They know that their record is not just unpopular but has been so harmful to working families that their only hope to stay in power is to initiate a voter purge.”

Democrats’ concerns have been heightened by comments made by Homeland Security Secretary Kristi Noem last week in which she outlined plans to station federal immigration agents at polling stations “to make sure we have the right people voting, electing the right leaders”

PHOENIX — For the first time since he grounded out to end the 11th inning in Game 7 of the World Series, Freddie Freeman stepped into the batter’s box in the first inning Tuesday against the Cleveland Guardians at Camelback Ranch. Freeman was met with cheers by the thousands of Dodgers fans in attendance.

After popping out to third in his first at-bat, Freeman laced a double to left-center to drive in two runs in the third inning before he was lifted from the Dodgers’ 11-3 victory.

Freeman, who last season battled the lingering effects of a right ankle injury he suffered late in the 2024 season, said having a more typical offseason was crucial to regaining his fitness.

“It’s been in a good spot since I started hitting this offseason,” Freeman said of his swing. “Nice to be able to hit a ball to left-center already, that’s a good sign. … I hadn’t swung a bat till a day before FanFest last year. A normal offseason definitely helps.”

While still an All-Star and a recipient of MVP votes, Freeman has had a slight decline in production over the last two seasons compared to his first two with the Dodgers. Freeman posted on-base percentages of .407 and .410, while raking a league-leading 47 and 59 doubles, respectively, in 2022 and 2023. His OBP dropped to .378 in 2024 and .367 in 2025.

But for Freeman, it is his contact numbers that have been a thorn in his side all offseason.

His .295 batting average was the third-best in the National League last season but still was not good enough for Freeman, a career .300 hitter.

“There wasn’t a 3 at the start of my batting average last year, and that irks me,” Freeman said last week. “That’s my goal always, to hit .300. I like hits. I’m a hitter. Three at the front of a batting average means a lot to me. I know batting average and those kinds of things don’t mean a lot to a lot of people these days, but it does to me. If you hit .300, it means you’re on base a lot, and you’re scoring runs for your team, so that’s the goal, .300 again.”

Freeman landed on the injured list at the start of last April after he aggravated his surgically repaired right ankle, causing him to miss nine games and setting the tone for a season in which he never felt quite right.

“I was taping my ankle till about August,” Freeman said. “It was never really in a good spot last year. There was a lot of treatment, and I think I played all right for that, and we won again, so I’m really looking forward this year.”

One area Freeman thinks he can improve is his defense. A former Gold Glover, Freeman rated as a below-average fielder in both the defensive runs saved (minus-7) and outs above average (minus-6) metrics.

“I didn’t like the way I played defense last year and I thought it was just because I wasn’t mobile enough,” Freeman said. “So, that’s a big, big goal of mine, to play better at first this year, get to more balls, be able to cover more things. So, that’s going to be a key for me.”

Manager Dave Roberts is optimistic about what his veteran first baseman can do, even at age 36.

“I think he takes such good care of himself,” Roberts said. “I think that age is an easy one to point to, but I really believe that he’s been dinged up for two years.

“Right now, today, it’s as good as I’ve seen his swing over the course of a week sample, [better] than I have [seen] in two years. So, he’s in a good spot physically, mechanically. So, if we can keep him healthy, I just don’t see why he can’t have the year that he expects, and with that, with everything that he went through the last couple years, he was still very productive.”

Freeman said last week he hopes to play four more years, through his 20th season as a big leaguer.

“In that fourth year, I turn 40,” Freeman said. “Four is just a number that’s floated. Is it less? Is it more? I don’t know, but that’s kind of just where I’m at. I feel good right now, so that was just floated because that would be an even 20 years, I’ll be 40. I got a family that I would like to go home to. I do love this game; I love playing it, but for me, if I can do four, that would be 20 years. I think that’s enough.”

Etc.

After major shoulder surgery in 2024 that forced him to miss all of last season, right-hander Gavin Stone made his return to the mound a smooth one, pitching a scoreless first inning and striking out two against the Guardians.

“It was awesome,” said Stone, who last pitched for the Dodgers on Aug. 31, 2024. “Definitely a lot of hard work over the previous year. Rehab was a grind, but it’s good to be back out there.”

Feb. 24 (Asia Today) — South Korea will invest 19.8 billion won ($15 million) this year to support artificial intelligence-based content production, marking the largest government-backed funding initiative in the sector to date, the Ministry of Culture, Sports and Tourism said Monday.

The program, administered by the Korea Creative Content Agency, is designed to foster AI as a key growth engine for the content industry, offering support from early-stage development through global expansion.

Funding will be divided into three tracks – entry-level, leading-edge and collaborative – based on a company’s growth stage.

Under the entry-level track, small and medium-sized enterprises will be eligible for up to 200 million won ($150,000) per project. About 24 projects will be selected, focusing on genre convergence, extended reality and interactive content, as well as AI-based production platforms.

The leading-edge track will provide up to 700 million won ($530,000) per project for roughly 10 projects aimed at developing globally competitive AI-powered content. Officials said projects with strong overseas potential will receive priority.

The collaborative track will support partnerships between large or mid-sized companies and smaller firms, with up to 400 million won ($300,000) per project. Around 16 projects will be selected, a sharp increase from four last year.

Beyond financial aid, selected companies will receive legal, copyright and commercialization consulting, along with business matching and expert networking support.

An AI Content Festival will be held in the second half of the year to showcase supported projects and facilitate exchanges with domestic and international industry experts.

Ministry of Culture, Sports and Tourism said the initiative is part of broader efforts to strengthen the country’s digital content ecosystem, while Korea Creative Content Agency said it aims to help companies translate production experience into sustainable business growth.

— Reported by Asia Today; translated by UPI

© Asia Today. Unauthorized reproduction or redistribution prohibited.

Original Korean report: https://www.asiatoday.co.kr/kn/view.php?key=20260224010007202

The Heat has released an explosive first look at episode two of the new ITV reality show

Olivia Attwood makes a cheeky admission in a first look of The Heat episode two.

The new ITV series, which started on Tuesday 24 February, sees ten ambitious chefs as they travel to Barcelona in the hopes of being the next rising star of the culinary world working under multi-Michelin Star award-winning chef Jean-Christophe Novelli.

However, there’s a twist, as the cameras don’t stop rolling after the cooks have left the kitchen. As these chefs turn up the heat on the stove, things get hot under the collar at home too. Tempers rise, romance brews and drama is guaranteed.

The first episode saw viewers introduced to the new chefs and it was soon a baptism of fire for the new chefs as they hit the ground running while trying to stay focused on a first service while having fun flirting.

In an exclusive first look of episode two obtained by the Mirror, it sees host Olivia, 34, on a lavish yacht in the mediterranean sea.

The presenter says: “Yesterday The Heat opened its doors, the fire was on in the kitchen and later on the team let their hair down but there were sparks there too…

“Today, a new head chef has to step up and take control. Let’s hope there’s not too many distractions!”

In a candid moment, Olivia then hilariously asks crew members: “Is my a**e out? I want it to be, I’ll get more likes” to which laughter off camera is heard.

Meanwhile, an explosive teaser clip shows viewers what they can expect as tensions soar in the kitchen while two contestants strike up a romance, causing jealousy with another ambitious chef.

It comes as Olivia shared what she’s really like in the kitchen ahead of the show’s realease. “I’m a bit Victoria Beckham-coded,” she laughed. “I could eat the same thing every day, I can’t be bothered to make a big mess. I want to eat the food, I don’t want to make it.”

She added that she can bash out a decent spaghetti bolognese and a good roast dinner, but that she can’t do anything fancy.

Still, Olivia continued to say she thought people underestimated her abilities. “I think people think that I can’t cook at all because I think I’m a bit Carrie Bradshaw-coded, probably like with sweaters in the oven.”

Given her expertise lies less in the kitchen and more in the heart, Olivia said she left the cookery advice to her co-host Jean-Christophe Novelli.

However, she was much more willing to advise the contestants on the reality side of the show, as her experience on Love Island in 2017 meant she had a “unique perspective” on what its like to be filmed all the time.

“I was nervous,” she said, looking back on when a 26-year-old Olivia jetted off for a ‘summer of love’ with ITV2. “But I know what it feels like when you go on to a reality show, and you know some things, but you know there’s going to be surprises.

“I think it gives me a unique perspective, which I’m really grateful for. I would say to anyone actually going on reality shows, or competition shows, that you have to just kind of give yourself to the process. Because you’re in it now, so you might as well just jump in with both feet!’

The Heat continues tomorrow, 25^th February at 9 pm on ITV2 and ITVX

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Los Angeles Fire Department Chief Jaime Moore has taken over an agency under intense scrutiny — and he’s getting paid handsomely to do it.

Moore, who was appointed by Mayor Karen Bass in October, will earn $473,600 a year, the City Council decided Tuesday — $18,000 more than his predecessor, Kristin Crowley, made when she was ousted by Bass in February 2025 for her handling of the Palisades fire.

The LAFD and the mayor continue to face intense scrutiny over their handling of the Palisades fire, which killed 12 people and destroyed thousands of homes in January of last year, as well as the watering down of the LAFD after-action report on the fire.

When Crowley started as fire chief in 2022, her annual salary was $367,100.

Soon after that, the city amended its salary ranges for department heads to keep up with inflation, said Matt Szabo, the city’s top budget analyst.

Crowley, the city’s first female and first LGBTQ fire chief, received annual merit raises, according to Szabo.

On Monday, Crowley filed a whistleblower lawsuit claiming that Bass “orchestrated a campaign of retaliation” to protect her own political future and paper over her failures during the Palisades fire.

The LAFD did not immediately comment on Moore’s salary, which was recommended by the mayor and the City Council’s Executive Employee Relations Committee before going to the full council on Tuesday.

“Investing in strong and experienced leadership fortifies public safety for residents,” said a spokesperson for council President Marqueece Harris-Dawson, who chairs the employee relations committee.

Moore’s salary is fairly comparable to that of other city and county public safety leaders.

The chief of the Los Angeles County Fire Department, Anthony Marrone, made $475,000 in base pay in 2024, according to county data.

Los Angeles Police Chief Jim McDonnell was sworn in at a $450,000 salary in 2024 — less than the $507,500 the Board of Police Commissioners had initially recommended. McDonnell’s salary as of Tuesday was still about $450,000.

McDonnell’s salary was a significant jump over the initial pay of his predecessor, Michel Moore, who earned $350,000 when he first assumed the position in 2018.

The LAFD has about 3,200 uniformed fire personnel, while the LAPD has about 8,700 sworn officers.

Both McDonnell and the new fire chief make far less than Janisse Quiñones, general manager of the Department of Water and Power, who was sworn in at $750,000 a year. Salaries for DWP executives must remain competitive with those of utility company execs to retain top talent, according to the city’s Office of Public Accountability, which recommended Quiñones’ salary.

She makes much more than Marty Adams, the previous department head, who earned about $447,000 a year when he departed.

Moore, a 30-year LAFD veteran, has spent his first months as chief dealing with persistent questions about the department’s management of the Palisades fire.

A week after the fire, a Times investigation found that top LAFD officials did not fully staff up and pre-deploy all available engines and firefighters to the Palisades and other high-risk areas, despite a forecast of dangerously high winds.

Bass cited the failure to keep firefighters on duty for a second shift as one reason she dismissed Crowley.

The new chief has swerved between candid reflection over the department’s failures during the Palisades fire and lashing out at the media over what he has called a “smear” campaign against firefighters who bravely worked to put out the catastrophic blaze.

Moore appeared to be referencing a Times report that a battalion chief ordered crews to roll up their hoses and leave the area of the Jan. 1 Lachman fire, even though firefighters had complained that the ground was still smoldering and rocks remained hot to the touch. Days later, the Lachman fire reignited into the Palisades fire.

Moore has also tried to walk a fine line on the LAFD’s after-action report, which was meant to spell out mistakes and suggest measures to avoid repeating them.

The author of the report, Battalion Chief Kenneth Cook, declined to endorse the final version because of changes that altered his findings and made the report, in his words, “highly unprofessional and inconsistent with our established standards.”

The most significant change to the report involved downplaying LAFD officials’ pre-deployment mistakes.

Moore has admitted that the report was watered down to “soften language and reduce explicit criticism of department leadership,” while saying he would not look into who directed the watering down. But Moore has also said that he will not allow similar edits to future after-action reports.

Bass has repeatedly denied that she was involved in any effort to water down the report. But two sources with knowledge of Bass’ office have said that Bass wanted key findings about the LAFD’s actions removed or softened.

Bass has called The Times’ reporting “dangerous and irresponsible.”

Feb. 24 (UPI) — The director of the Louvre in Paris, Laurence des Cars, resigned her post Tuesday, months after thieves stole more than $100 million in jewels from the museum, French President Emanuel Macron announced.

The president accepted Cars’ letter of resignation, Macron’s office said, and welcomed the “act of responsibility.” The statement said the museum needs “calm” and strength to carry out major security and modernization projects.

Cars faced grilling by the French Senate in October after the brazen daylight heist of the jewels. A group of four thieves used a basket lift mounted to a truck to enter the museum through a second-floor balcony window and make off with historic jewelry. The loot included crowns, necklaces, tiaras and brooches worth much more than the individual value of the gems and precious metal were the thieves to melt down the pieces to sell the parts.

Among the items stolen were items once owned by French Emperor Napoleon Bonaparte and his wife, Empress Joséphine de Beauharnais.

French lawmakers questioned the efficacy of the Louvre’s safety measures in the weeks after the crime.

Auditors determined that the museum had fallen “considerably behind” in upgrading its technical infrastructure and security. The authors of the report took issue with the Louvre’s acquirement of 2,754 items over eight years, one-fourth of which were on display. These items — and renovations of displays — represent an investment of $167 million, double what the Louvre allocated for maintenance, upgrades and building restoration.

The report recommended that the Louvre eliminate a rule that requires the museum spend 20% of its ticket revenues — $143 million in 2024 — on acquiring new works. This would allow the facility to redirect funds to update the building without additional state funding. Auditors said the museum could also lean more heavily on its endowment fund to make the upgrades.

Mexico’s President Claudia Sheinbaum has warned she could take possible legal action following comments from right-wing tech billionaire Elon Musk, accusing her of ties to cartels.

At her morning news conference on Tuesday, the president was asked for her response to Musk’s statements a day prior. Musk had described her as being beholden to the cartels.

“Well, we are considering whether to take any legal action,” she began. “The lawyers are looking into it.”

She then proceeded to describe the allegations that she leads a “narco-government” as “absurd” and demonstrably false.

“It falls apart all on its own,” she said, dismissing the accusation as hackneyed. “They don’t even know what to invent any more, right? Honestly, it’s laughable.”

Sheinbaum has faced criticism for her national security policies following a spate of cross-country violence over the weekend.

Killing of El Mencho

The violence erupted after the death on Sunday of a top cartel leader, Nemesio Oseguera Cervantes, known by the nickname El Mencho.

The Mexican military had tracked El Mencho to the town of Tapalpa in central Mexico. He died while en route to medical care after being shot by authorities.

Members of El Mencho’s criminal organisation, the Jalisco New Generation Cartel, responded to the news of his death with road blocks, arson and clashes with security forces. Dozens of people were killed in the violence.

Musk was among the online commentators criticising Sheinbaum’s handling of Mexico’s security in the aftermath of the attacks.

His posts came in response to a video clip circulating on social media, showing Sheinbaum advocating for alternatives to the militaristic “war on drugs” approach.

“She’s just saying what her cartel bosses tell her to say,” Musk wrote in response to the video.

“Let’s just say that their punishment for disobedience is a little worse than a ‘performance improvement plan’.”

A vocal critic of left-wing governments like Sheinbaum’s, Musk is closely aligned with United States President Donald Trump, who has likewise pushed for more military action against cartels.

In September, for instance, Trump’s State Department listed Mexico as an area of concern for drug-trafficking and outlined steps it expected to see to address the issue.

“Much more remains to be done by Mexico’s government to target cartel leadership, along with their clandestine drug labs, precursor chemical supply chains, and illicit finances,” the State Department wrote.

“Over the next year, the United States will expect to see additional, aggressive efforts by Mexico to hold cartel leaders accountable and disrupt the illicit networks engaged in drug production and trafficking.”

Trump himself has accused Sheinbaum of inefficacy in her campaign to crack down on illicit drug trafficking.

“She’s not running Mexico. The cartels are running Mexico,” Trump told Fox News in the hours after launching a January 3 military operation to abduct Venezuelan President Nicolas Maduro.

“She’s very frightened of the cartels. They’re running Mexico. I’ve asked her numerous times, ‘Would you like us to take out the cartels?’”

Sheinbaum has repeatedly refused the prospect of unilateral US intervention, arguing it would violate Mexican sovereignty. Still, Trump has repeatedly warned that the US is considering military strikes on Mexican soil.

“Something’s going to have to be done with Mexico,” he told Fox News.

Upping the pressure

Sheinbaum, however, has defended her administration’s track record. Faced with US tariffs in February 2025, she deployed nearly 10,000 members of Mexico’s National Guard to the country’s northern border to crack down on fentanyl trafficking.

She has also taken targeted military actions against cartels, though she has argued that the process should be focused on prosecuting criminals, rather than killing them in law enforcement operations.

Her administration has also overseen the extradition of dozens of Mexican nationals suspected of crimes in the US. In January 2025, for instance, 37 people were sent to the US. In April and August, groups of 13 and 14 suspects were transferred, respectively.

Sunday’s capture and killing of El Mencho was the fulfilment of a decades-long goal for the Mexican government, which has long sought his arrest.

Still, on Monday, Trump briefly posted a message on his Truth Social platform indicating that he expected Sheinbaum to do more.

“Mexico must step up their effort on Cartels and Drugs,” he wrote in a post that was later removed.

Sheinbaum, meanwhile, used Tuesday’s news conference to dismiss the criticism as out of touch with what was happening in Mexico. She added that what matters to her is the opinion of the Mexican people, not Musk.

“The vast majority of people recognise the work of the armed forces and the work we are doing every day, not only in security, but for the good of the country, for the wellbeing of all Mexicans,” she said. “That is what will guide us.”

Before the onset of YouTube, U.S. parents had very limited options when it came to video programs that helped teach their children Spanish.

There was, of course, the ever-popular Nickelodeon show “Dora the Explorer” and before that, the PBS show “Amigos,” that looked to instill the basics of Spanish into kids across America.

These programs — while useful, innovative and entertaining — never allowed for full-on Spanish-language immersion for viewers, relying heavily on English as their primary tongue.

Now, kid-friendly videos for language acquisition can be found on all corners of the internet with YouTube playing host to the lion’s share of the market, ranging from partially in Spanish to only in Spanish.

The Times spoke to three of the most viewed Spanish-language educators for children on YouTube to see what goes behind creating highly engaging children’s content.

Isa Muñoz — “Aprende Peque”

Isa Muñoz, 33, had known from a young age that she wanted to become a teacher.

Growing up in the Baja California city of Mexicali, Muñoz’s parents worked as teachers, as did many of her aunts and uncles. Seeing how fulfilling her family members’ careers were, she dedicated her life to educating young children.

After graduating with a bachelor’s degree and master’s in special education, she worked as a preschool teacher and a private tutor before one day receiving a call from veteran program producers Alexandra Cohen and Karen Garzon.

Born and raised in Venezuela, but now raising children in Miami, Cohen and Garzon were disappointed after scouring the internet for video tools to help them make learning Spanish fun and effective for their respective children and finding few helpful resources.

To fill this gap in the market, the duo teamed up with their lifelong friend Jessica Rutenberg to create the Spanish-only educational YouTube channel “Aprende Peque.”

As the idea came into fruition, the team searched for the perfect person to be the face of their channel — specifically someone who had experience working with kids and understood how to efficiently communicate with them.

That’s where Muñoz came in.

As part of the auditioning process, she flew out to Miami from Mexicali to try out for the role. The trip resulted in two days of filming which produced three full episodes of the program that included 21 featured songs.

In the almost three years since “Aprende Peque” launched, the channel has gained 1.05 million subscribers on YouTube and posted more than 500 videos, which have amassed more than 500 million views.

The thumbnail of each video features Muñoz’s ever-emotive face, as well as her signature orange-and-white outfit and large orange head bow. More than just adding an energetic face to the videos, she also integrates elements from the latest studies on child education into each episode.

Interwoven between Muñoz’s warm, patient and interactive lessons are musical numbers that range from nursery range to rock to folksy with visuals that fluctuate between grounded and fantastical.

While Muñoz had always envisioned herself as an educator, she wasn’t as ready to be known for singing.

Muñoz works closely with the program’s musical director, Pablo Estacio, to craft the songs featured in each video. The Venezuelan native has served as the bassist and songwriter for the band Bacalao Men for over 27 years and earned a bachelor’s degree in music production and engineering from the lauded Berklee College of Music.

“Pablo has helped me tune, refine and shape my voice to the point that it’s at right now,” she said.

Those musical detours are crucial to breaking up the episodes into distinct sections and provide renewed points of interaction in videos that often last between 40 minutes and an hour.

The process of crafting such long and engaging videos often takes between three and five weeks, Muñoz noted.

“It takes about a week to write one script,” she said. “After that, we film the episode, which takes about 12 hours. Then comes the part that requires the most amount of time, which is editing and integrating any necessary animations.”

The team aims to complete two to three episodes monthly in order to have a constant stream of content year-round.

While making “Aprende Peque” episodes is creatively exhilarating, Muñoz said it’s the fan reaction and interaction that mean the most to her.

“We’re so lucky that our audience has so much love to give and that they send that love through their messages,” she said. “I personally get motivated by knowing that this whole project is actually helping children.

“For a person to reach a point where they believe that the program has worked so well that they feel compelled to write in to thank us is so wonderful,” she said. “That’s something that we’re so thankful for and something that inspires us.

On a personal level, Muñoz has also experienced moments of deep connection with her family thanks to “Aprende Peque.”

“My mom has joined me on several occasions at meet and greets and I’ve seen her shed tears of joy when she sees the impact that the program has had on kids,” she said.

Liz De León — “Spanish with Liz”

In contrast to Muñoz, Liz De León, 39, never really thought of entering the education space before kick-starting her YouTube channel “Spanish with Liz.”

The native Texan was born in El Paso, but spent the first few years of her life just across the Mexican border in Ciudad Juárez. She moved back to Texas for middle and high school before ultimately settling in California for work.

De León was inspired to start her YouTube channel after having kids of her own.

“Once my kids were born, I wanted them to grow up with my culture and my language and the roots that I value so much,” she said.

At first, De León thought she would be able to find plenty of helpful of educational videos online. But much like Cohen and Garzon, she soon found that many of the visual resources out there came up short when it came to teaching fundamental elements of Spanish.

“A lot of it was catered toward only grabbing the attention of the child with a lot of ice cream and candy and sweets and high energy,” she said. “It didn’t teach the true fundamentals of things moms worry about.”

De León’s husband was the one who first suggested that she record herself singing songs that she created to teach her kids. She began to consider it more seriously after a relative told her that her teaching style was similar to the uber-popular kids’ YouTuber Ms. Rachel.

“That’s when I was first introduced to an educator on-screen that I felt aligned with when it came to teaching — with clear pronunciation, a storyline, making sure everything that was spoken was foundational and root words,” she said. “I really liked her format and thought, ‘She’s just a regular person like me and she did it.’ So I just did it.”

Filmed in front of a green screen in one of the rooms of her San Diego home, De León’s videos aim at helping young children learn vocabulary for specific real-life situations.

Donning her signature pink T-shirt and rocking a slicked-back ponytail, she attempts to minimize the stress of things like going to the airport or a dentist visit by introducing kids to the many elements that factor into those experiences. She creates levity in the videos by having colorful animated backgrounds, through the use of puppets and by singing songs throughout.

Raised in a household that put a premium on education, De León had looked at life through the eyes of a student — which proved particularly helpful as a registered nurse specializing in anesthesia.

“If you ask any medical person, they are teachers. Half of your job is education and teaching people how to stay healthy and to take care of themselves,” De León said. “You have to learn to cater to what’s developmentally appropriate to each person. You learn about child behavior, child psychology and the formation of the brain and how they learn.”

Each episode is crafted with two very important subjects in mind for De León: her two kids, who are 4 and 5. As the kids develop, so does the show.

“They are now understanding the episodes at a deeper level,” she said. “For example, we just watched the Halloween episode a couple of months ago and they now understood that October is a month within the year.”

Her children are also her first round of critics and help her understand what works and what doesn’t. Perhaps most importantly, they are De León’s gauge for how engaging her songs are.

“They help me with the music, actually,” she said. “If they don’t learn it and it doesn’t stick with them I know it’s not good enough. Then I redo it. They’re very much my little co-creators.”

One of the reasons “Spanish with Liz” has reached more than 18 million views on YouTube is the obvious care and research that goes into every video. Being a nurse and having a physician husband, De León has extensive access to medical professionals that let her borrow tools and inform her on what they’ve seen be effective methods for working with children.

“Something unique about our channel, is that we’ve thought about the storyline, how we’re gonna say things, the phrases, what works, what doesn’t work, what kids are afraid of and how we’re gonna tackle all that,” she said. “ So much purpose goes into each episode and then we try to borrow the equipment that’s actually going to be used so they can see it.”

And when she doesn’t have an expert on a topic immediately at her disposal, De León seeks out professionals who can thoroughly inform her. For example, when working on an episode about potty training, she took a class from two potty training experts.

Being that making videos is her third job behind being a nurse and a mom, time is a fleeting asset for the YouTuber. Because of that, each video takes about two months to create from start to finish with De León serving as the writer, director, songwriter and preliminary editor. She is aided by her husband who helps record and occasionally functions as a puppeteer, an additional editor, a composer, a designer and a babysitter, whose help allows her the time to record.

But having a team like that doesn’t pay for itself and that’s where De León’s more than 78,000 YouTube subscribers come into play.

According to the content creator, all the money made from the channel goes into paying for the fees associated with production and the rest goes to donating to three different charities — one that helps immigrant families in the U.S.; another is an orphanage in Mexico; and the final one is World Central Kitchen, which provides food relief in response to humanitarian, climate and community crises.

De León still often finds herself shocked that she’s able to have a platform that helps empower people to achieve new goals and that she’s touched so many lives through her videos.

“Isn’t it crazy that YouTube can change someone’s life?” she asked. “I think of all the artists that came up from putting their music out there on YouTube. I feel like it’s a place the whole world can tap into, mostly for good.”

Miss Nenna — “Spanish for Minis”

From her early days of growing up in the L.A. area, Miss Nenna, 32, felt a deep connection to the universal language of math. So profound was her interest that she obtained a bachelor’s degree in civil engineering and now works at a utility firm in the San Diego area.

As an eighth grader, when she served as a math tutor, Miss Nenna thought about what went into becoming an effective teacher.

“I thought about how I could help someone learn to understand it and make it fun,” she said. “So it was always really fun trying to figure out what worked for some students and what what didn’t work for others.”

She has since taken that ethos and turned it into the YouTube channel “Spanish for Minis,” which has 289,000 subscribers and has amassed over 31 million views. As is popular in the genre, her videos are broken into segments that involve a mix of direct instruction, interactive conversation and exceedingly catchy sing-alongs.

Just like with De León, Miss Nenna first got into the video-making game based on a suggestion from her husband made back in 2022.

“He saw a lot of potential in me because I have a bubbly personality around kids,” she said. “He mentioned I should try teaching Spanish and science to kids and added that it would benefit our child.”

It wasn’t until the couple’s 16-month-old son was diagnosed with speech delay that she really got serious about making videos so that her son could interact with her when she was away.

When the project first began, Miss Nenna had no experience with shooting and editing videos.

“I just sat with my husband and we’d watch videos on how to edit, how to use different graphics, how to make sure it’s OK for us to use certain songs,” she said. “So a lot of trial and error and a lot of research, since it’s just the two of us.”

“Spanish for Minis” videos are filmed at the couple’s residence in front of a green screen and each episode takes about 40 hours to complete.

“None of it is ever scripted. I kind of just set the camera myself and all the lighting,” she said. “I get a basket and I put a bunch of toys in it from my kids’ playroom, then I walk into a room and I record myself.”

While filming, Miss Nenna imagines that she is speaking directly to her almost-4-year-old son or 1-year-old daughter in order to make sure she’s in the right headspace.

The topics of the videos aim to evolve with the ever-changing needs of her son. Most of the earlier “Spanish for Minis” videos were focused on babies and now they have transitioned into content for toddlers.

Production on Miss Nenna’s videos has slowed down in recent months as she has focused her time on raising her children, but she has goals to put out two videos each month in 2026.

One of the more rewarding aspects of “Spanish for Minis” is the interactions that Miss Nenna has with parents and children who watch the program.

“I get messages every day, and I try my best to respond to as many as I can because I love connecting with the parents online,” she said. “I also have Cameo where I make personalized videos. Those are a lot of fun because I always message the parents and it’s like, ‘Hey, give me every single detail about what your kid loves. I want to make sure this is a really personalized video and that they enjoy it.’”

US embassy services will be available in the illegal West Bank settlement of Efrat, starting on February 27.

The United States has announced it will soon provide in-person passport services at an illegal Israeli settlement in the occupied West Bank.

The US Embassy in Jerusalem said it would start providing the service for Efrat, located between the Palestinian towns of Bethlehem and Hebron, on February 27.

It will be the first time the US has “provided consular services to a settlement in the West Bank”, according to a US embassy spokesperson quoted by the Reuters news agency.

The embassy said it would plan similar on-site services in the Palestinian city of Ramallah, the illegal Israeli settlement of Beitar Illit near Bethlehem, and in cities within Israel, such ⁠as Haifa.

The US currently offers passport and consular services at its embassy in West Jerusalem as well ⁠as at a Tel Aviv branch office.

Israeli settlements in the occupied West Bank, home to 3 million Palestinians who seek the territory as part of a future state, are illegal under international law.

Nevertheless, far-right Israeli politicians have openly called for Israel to increase settlement expansion, or even annex the Palestinian territory.

This month, Prime Minister Benjamin Netanyahu’s right-wing government approved measures to expand control over the occupied West Bank and claim large tracts of Palestinian territory as Israeli “state property”.

The move was roundly condemned by more than 80 United Nations member countries.

Much of the West Bank is already under Israeli military control, with limited Palestinian self-government in some areas run by the Western-backed Palestinian Authority.

According to the International Court of Justice, about 465,000 Israeli settlers live in the occupied Palestinian territory, spread across some 300 illegal settlements and outposts.

Among them are an estimated tens of thousands of dual US-Israeli nationals. The Efrat settlement is home to many American immigrants.

US President Donald Trump, a staunch supporter of Israel, has said he opposes Israeli annexation of the occupied West Bank. But his administration has ‌not taken any steps to curb Israel’s expanding settlement presence.

In addition to advancing settlements, Israeli forces regularly carry out violent raids, demolitions, and arrests in the occupied West Bank, where attacks by Israeli settlers against Palestinians have also intensified, often under the protection of Israeli soldiers.

In January alone, at least 694 Palestinians were driven from their homes in the West Bank because of Israeli settler violence and harassment, the highest number since Israel’s genocidal war on Gaza erupted in October 2023, according to the United Nations.

Search and rescue workers are looking for more than 40 people who remain missing as towns reel from torrential rainfall.

Torrential rainfall has caused floods across the state of Minas Gerais in southeastern Brazil, killing at least 23 people.

Dozens of emergency workers, some with disaster-trained search dogs, combed through mounds of debris on Tuesday in the municipality of Juiz de Fora, which recorded at least 18 deaths.

They were on the lookout for the more than 40 people who have been missing since the rains began on Monday.

“We’ve been here since last night to see if they survive underground,” Livia Rosa, a 44-year-old seamstress, told the news service AFP.

She explained that several of her relatives were buried in the mud. “Hope is the last thing to die.”

Rainfall in the region is expected to continue for the coming days, complicating rescue efforts.

Images of the initial floods show mud and sludge clogging areas of Juiz de Fora, after a swollen river veered off course.

At least 440 people were displaced in the city, located about 310km (192 miles) north of Rio de Janeiro. At least seven deaths were also recorded in the nearby town of Uba.

The mayor of Juiz de Fora, Margarida Salomao, said that at least 20 landslides had been reported in the area, and some homes collapsed.

“Many people were inside their homes at night when it was raining,” Major Demetrius Goulart of the fire brigade told AFP. “We have hope. We found a boy this morning. He was inside a house, under the rubble. It took the team two hours of work.”

At least 108 officials from the Minas Gerais fire department have been deployed to Juiz de Fora, and 28 to Uba.

President Luiz Inacio Lula da Silva said the government would assist in any way it could and offered his support to those affected.

“Our focus is to ensure humanitarian assistance, the restoration of basic services, support for displaced people, and aid for reconstruction,” he wrote in a social media post.

Salomao said in a social media post that the province has experienced its wettest February on record.

“There were more than 180mm [of rain] in four hours, intense, destructive and persistent,” he said, calling it “the saddest day of my administration”.

“Here, we remain fully committed and prioritising saving lives.”

Katherine Short, the daughter of actor and comedian Martin Short, has died. She was 42.

Her death was confirmed by her family.

“It is with profound grief that we confirm the passing of Katherine Hartley Short,” the family said in a statement. “The Short family is devastated by this loss and asks for privacy at this time. Katherine was beloved by all and will be remembered for the light and joy she brought into the world.”

A law enforcement source told The Times that Short, an L.A. social worker, died by an apparent suicide.

This post will be updated as the story develops.

Former Los Angeles Fire Chief Kristin Crowley is suing the city, claiming in a whistleblower lawsuit that Mayor Karen Bass “orchestrated a campaign of retaliation” to protect her own political future and paper over her failures during the most destructive fire in city history.

In the lawsuit, filed Monday in L.A. County Superior Court, Crowley and her attorneys allege Bass sought to shift blame for the way the city handled last year’s catastrophic Palisades fire to Crowley amid mounting criticism of the mayor’s decision to attend a ceremony in Ghana on Jan. 7, the day the fire erupted. Bass, the suit alleges, left L.A. despite knowing of the potential severe winds and fire danger.

“She sought to avoid accountability by shifting blame and lying — including falsely claiming that she was not aware of the nationally anticipated weather event, falsely claiming that the LAFD’s budget was not cut, and falsely claiming that LAFD’s resources would have supported an additional 1,000 firefighters to fight the blaze — claims contradicted by public records and Bass’ own prior statements,” the lawsuit alleges. “These false statements were not mistakes but part of a deliberate strategy to divert scrutiny from Bass’ decisions and to avoid accountability.”

The Palisades fire took off the morning of Jan. 7, 2025 amid fierce Santa Ana winds, killing 12 people and destroying thousands of homes amounting to billions of dollars in damage. While authorities allege a Florida man started the fire, saying it was actually a rekindling of a Jan. 1 fire, decisions by both LAFD brass and the mayor before, during and after Jan. 7 have come under scrutiny.

According to records obtained by The Times, shortly before releasing an after-action review report on the Palisades fire, the Los Angeles Fire Department issued a confidential memo detailing plans to protect Bass and others from “reputational harm.” The 13-page document is on LAFD letterhead and includes email addresses for department officials, representatives of Bass’ office, and public relations consultants hired to help shape messaging about the fire.

But as questions about the fire response swirled, instead of getting in lockstep with Bass, Crowley revealed to the public that “budget cuts had weakened the department’s readiness and jeopardized public and firefighter safety” and said her repeated warnings were ignored, the lawsuit says. It alleges Bass retaliated by ousting her as fire chief on Feb. 21, 2025.

Since the fire, the city has faced criticism for an inadequate deployment of firefighters, a chaotic evacuation of Pacific Palisades and a lack of water caused in part by a local reservoir being left empty for repairs. In December, The Times revealed that the city’s after-action report had been altered to deflect criticism of LAFD’s failure to predeploy engines and crews to the Palisades, among other shortcomings.

Crowley’s lawyers claim Bass’ view of her performance shifted with political opinion — starting with initial praise before reversing course and criticizing Crowley as the mayor came under fire for being out of the country during the blaze.

The mayor’s office did not immediately respond to a request for comment.

When Crowley was ousted, the mayor said it was because Crowley failed to inform her about the dangerous conditions that day or to predeploy hundreds of firefighters just in case. She also said Crowley rebuffed a request to prepare a report on the fires — a critical part of ongoing investigations into the cause of the fire and the city’s response.

But Crowley’s lawyers, Genie Harrison and Mia Munro, allege their client “repeatedly warned of the LAFD’s worsening resource and staffing crisis” prior to the fire and warned that aging infrastructure, surging emergency calls and shrinking staff left the city at risk.

“An analysis of the 90th percentile of all incidents indicates that the overall response time of LAFD resources has increased from 6:51 (minutes) in 2018 to 7:53 in 2022. This dramatic increase is nearly double the time by national standards for first-arriving units,” the lawsuit says.

Three days after the fire, Crowley told a local TV news station that her department was “screaming to be properly funded,” which prompted Bass to summon Crowley to her office, according to the lawsuit.

“I don’t know why you had to do that; normally we are on the same page, and I don’t know why you had to say stuff to the media,” Bass told Crowley, according to the lawsuit. Bass allegedly told Crowley she wasn’t firing her then because “right now I can’t do that.”

Before Crowley was ousted, the city’s top financial analyst pushed back on her budget-cutting narrative, saying that spending on the Fire Department actually went up during that budget year — in large part because of a package of firefighter raises. Those increases added an estimated $53 million to the department’s budget.

Regardless, the day after Crowley and Bass met in her office, the lawsuit alleges, retired LAFD Chief Deputy Ronnie Villanueva began working at the Emergency Operations Center, donning a mayor’s office badge. On Feb. 3, 2025, more than two weeks before Crowley was removed from her position, Villanueva wrote a report to the Board of Fire Commissioners identifying himself as the interim fire chief — a position he held until the appointment of Fire Chief Jaime Moore last fall.

The lawsuit alleges that Bass and others in her administration defamed Crowley, retaliated against her in violation of California’s labor code and violated Crowley’s 1st Amendment rights. Crowley is seeking unspecified damages.

Bass repeatedly has denied she was involved in any effort to water down the after-action report, which was meant to spell out mistakes in the Palisades fire response and suggest measures to avoid repeating them. But two sources with knowledge of Bass’ office said that after receiving an early draft of the report, the mayor told Villanueva it could expose the city to legal liabilities.

Bass wanted key findings about the LAFD’s actions removed or softened before the report was made public, the sources told The Times this month. The mayor has said The Times’ story based on the sources’ accounts was “completely fabricated.”

Crowley and her lawyers allege the LAFD “did not have sufficient operating emergency vehicles to safely and effectively pre-deploy 1,000 (or anywhere near 1,000) additional firefighters on January 7.” The department did not have the money or personnel “to repair and maintain emergency fire engines, fire trucks, and ambulances,” the suit alleges.

“This case is about accountability,” said Harrison, Crowley’s attorney. “Public servants should not face punishment or be silenced for telling the truth about public or firefighter safety and on matters of public importance.”

Times staff writers Alene Tcheckmedyian, David Zahniser and Paul Pringle contributed to this report. Pringle is a former Times staff writer.

There is, of course, one other man Brook owed a performance to.

His coach Brendon McCullum was pushed to the brink by the Ashes defeat. Some will say he has already gone beyond the point from which he can return.

But in securing a semi-final spot, Brook has nudged England closer to a result that will keep the New Zealander in a job should he want it.

Brook could yet be the Mark Robins to McCullum’s Sir Alex Ferguson – granted the New Zealander has a long way to go.

Brook has always been one of Bazball’s most devoted believers.

McCullum is the only Test coach Brook has had, the only permanent coach he has worked under as white-ball captain. He often speaks straight from the McCullum philosophical handbook.

It was no surprise, therefore, that he credited his coach with the plan to promote Brook from number five to bat at three for the first time in his international career.

It was McCullum who put the idea to his captain early on Tuesday morning, less than 12 hours before the start of the game.

Some England players, like Jacob Bethell, who was nudged down to number four by Brook’s promotion, were told earlier in the day, but the rest were not fully made aware of the plan until McCullum spoke in the pre-match huddle.

“Baz was the mastermind there,” Brook said.

“He had the discussion with me this morning about going up the order and trying to maximise the powerplay.”

McCullum’s move means England now have a free hit in their final Super 8 match against New Zealand on Friday. After that they will travel to India for a semi-final.

Somehow, after stuttering and struggling to this point, they are the closest side to winning the title. Australia have gone already and defending champions India could follow before the week is out.

If the co-hosts remain, one of South Africa or West Indies will surely be knocked out.

Brook is two wins from becoming the fourth England men’s captain – after Paul Collingwood, Eoin Morgan and Jos Buttler – to lift a World Cup.

He is leading his way, which will bring moments that will leave you scratching your head. Now is the time for Brook to be backed, however.

He is not only a captain, one sharp tactically on the field and supremely talented with the bat, but a leader.

Feb. 24 (UPI) — NASA has delayed the first crewed launch of its Artemis program after encountering a problem with its rocket system.

The space agency said it plans to roll the Artemis II Space Launch System and Orion spacecraft off the launch pad and back into the vehicle assembly building to address the problem Wednesday. The Artemis II SLS rocket has been on launch pad at NASA’s Kennedy Space Center in Florida for more than a month, undergoing testing and rehearsals.

On Tuesday, NASA determined there was an issue with the flow of helium to the upper stage of the rocket. They’ve scheduled the rollback for Wednesday due to high winds Tuesday.

The agency said workers observed the interrupted flow of helium to the interim cryogenic propulsion stage of the rocket on Saturday. The upper stage uses the helium to maintain environmental conditions in the engine and to pressurize liquid hydrogen and liquid oxygen propellant tanks.

NASA said the helium system worked during its wet dress rehearsal earlier this month.

“Teams are reviewing potential causes of the issue, including in the interface between ground and rocket lines used to route helium, in a valve in the upper stage, and with a filter between the ground and rocket,” a NASA blog post said. “They are also reviewing data from Artemis I in which teams had to troubleshoot helium-related pressurization of the upper stage before launch.”

NASA said the rollback means Artemis II will miss its previously planned March launch window. The agency is now eyeing a possible April launch window pending the results of troubleshooting.

Artemis II is NASA’s first crewed mission aboard the SLS rocket and Orion spacecraft. It’s the second flight of the SLS and the first crewed mission near the moon since 1972.

Over 10 days, Artemis II will travel around the moon and back to Earth as the crew tests whether the spacecraft operates as it should in deep space. The long-term goal of the Artemis program is reestablish a human presence on the moon in preparation for the ultimate aim of putting a human on Mars.

The MQ-9 family of medium altitude, long endurance uncrewed air vehicles, which includes the new SkyGuradian and SeaGuardian variants, are getting the ability to reach out and hit targets at extreme ranges. In essence, the addition of long-range cruise missiles to their quivers — basically turning the drones into standoff “missile trucks” — will give these aircraft another new mission that is also relevant in high-end conflicts.

MQ-9’s long-range and extreme loitering time would offer a level of flexibility not really available in a tactical aircraft-sized package. As it sits now, Lockheed Martin’s stealthy AGM-158 JASSM and its anti-ship variant, LRASM, as well as Kongsberg-Raytheon’s Joint Strike Missile are being looked at as weapons options.

General Atomics writes in a release: “Hypothetically, a mission profile might look like this: MQ-9Bs could launch from a number of friendly bases in the Western or Southern Pacific, fly to a hold point and loiter there outside a hostile power’s weapons engagement zone. If the order came to release the weapons, the aircraft could launch them in coordination with other U.S. or allied operations.”

The goal is to start flying with at least one of the missiles this year.

Our Jamie hunter was on the show floor in Denver Colorado at the Air Force Association’s Warfare Symposium to discuss this new addition to the MQ-9’s repertoire directly with with Scott Gilloon, Sector Vice President for Strategic Programs at GA-ASI. Check out the video at the top of this story to hear what he had to say about the new standoff weapons offering for the MQ-9.