Gary Lineker’s production company, Goalhanger, is said to be looking at ‘exciting new formats’ which may include a food programme potentially starring a huge celebrity chef

Gary Lineker is set to go head-to-head with the BBC as he plans a new cookery show that could rival MasterChef, it has been claimed.

According to reports, the broadcaster’s production company, Goalhanger, which currently produces The Rest Is.. series is looking at “exciting new formats” which could include a new food programme. Gary, 65, has been passionate about food since the coronavirus lockdown, and regularly cooks for friends and family, a source said.

Amid claims he might work on a new food show, a few names have been floated around as potential hosts – including Jamie Oliver. However, currently any details of a potential show are under wraps as no plans have yet been confirmed.

Speaking to The Sun, a source claimed: “Since lockdown Gary has become a massive foodie, and is regularly in the kitchen conjuring up feasts for friends and family. Doing a food show has long been his dream, but he didn’t know if he could.”

The insider added: “Last week the board held meetings to discuss new formats, and a brilliant new cookery show was front and centre. A few names, including Jamie’s, were thrown around, and an ad has now gone up looking for an experienced producer.

“Food content is absolutely massive on TikTok and Instagram, and this would be a natural extension of this – giving people what they want in a new, longer-form way, but with brilliant, hugely clippable moments being pushed online. Everyone is really excited.”

According to the publication, however, Jamie’s “incredibly busy schedule” means he may not be able to host the show. Currently, it’s not clear which platform a potential show by Gary would air on, but since he left the BBC last year, his The Rest Is Football podcast moved to Netflix.

It comes weeks after Gary managed to find his way on to the latest BBC high earners list despite officially working for just two months in the past financial year. The corporation revealed its annual report for 2025/26, and published its annual list of earnings of some of its highest-paid stars.

He still managed to earn £325,000-£329,999 in his final months. Gary was previously the highest paid presenter on £1.35 million a year. Other top earners at the BBC last year included Greg James, Stephen Nolan, Laura Kuenssberg, Vernon Kay and Alan Shearer. Since leaving the BBC in May last year, the TV presenter went on to sign new contracts with ITV and Netflix.

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Sept. 7, 1994–Former Rep. Ben Jones (D-Ga.), who was running against Rep. Newt Gingrich (R-Ga.), files a complaint alleging that Gingrich used tax-exempt groups for political purposes.

Dec. 6, 1995–House Ethics Committee decides the allegations merit further inquiry.”

Dec. 22–James M. Cole is hired as special counsel to the Ethics Committee to investigate the conduct of Gingrich.

Sept. 26, 1996–The Ethics Committee expands its investigation to include whether Gingrich supplied the panel with accurate, reliable and complete information” when questioned about links between his partisan activities and tax-exempt organizations.

Oct. 1–The Ethics Committee requests additional information regarding apparent discrepancies between the facts of the case and information supplied by Gingrich.

Dec. 21–Gingrich admits the violations in a signed statement. He says he did not intentionally mislead the committee and should have sought legal advice about avoiding the mix of tax-deductible contributions and partisan activities.

Jan. 7, 1997–With few votes to spare, the House votes 216-205 to retain Gingrich as speaker.

Jan. 17–After 5 1/2 hours of televised hearings, the Ethics Committee votes 7-1 to recommend that the House reprimand Gingrich and orders him to reimburse $300,000 of the cost of its investigation.

Jan. 21–The House of Representatives votes 395-28 to follow the Ethics Committee’s recommendations, reprimanding Gingrich for bringing discredit on the House by using tax-exempt money to promote Republican goals and then giving the committee untrue information for its inquiry. It is the most severe rebuke leveled on a presiding officer of the House in its 208-year history. It is unclear if Gingrich is supposed to reimburse the House with campaign or personal funds.

April 17–Gingrich announces he will pay a $300,000 ethics penalty with a loan from former Sen. Bob Dole, ending the saga 31 months after the investigation began.

Ongoing–The Internal Revenue Service is still investigating whether tax-exempt organizations provided money to finance Gingrich’s political activities and the college course he taught.

Iran-backed Houthis have resumed attacks on Yemen’s al-Makha port in the Red Sea, striking Saudi weapons depots with missiles and drones. Yemen’s military says at least seven people were killed.

This article provides a historical overview and cultural summary of Singapore’s National Day, which is observed annually on August 9th. The text explains the nation’s journey toward sovereignty, highlighting its 1963 separation from British rule and its subsequent departure from the Federation of Malaysia in 1965. Beyond historical facts, the source describes the extensive month-long festivities that include concerts, carnivals, and various community celebrations. A significant portion of the report focuses on the National Day Parade, a massive televised event featuring military displays, musical performances, and aerial shows. Ultimately, the source serves as a guide to the patriotic traditions and milestones that define this significant holiday … 

Suspected Irish crime boss Daniel Kinahan has appeared before a Dublin court after being extradited from Dubai. The 49-year-old, who is one of the world’s most wanted men, was charged with directing a criminal organisation after being extradited from Dubai.

HAILEY Bieber licked her pal’s thong at Kylie Jenner’s birthday party before slipping into a sexy bikini.

The model, 29, took to her Instagram stories on Saturday evening to share a sneak peek into the festivities for Kylie’s birthday.

In one snap, the Rhode skincare founder licked her pal’s lower back, which had a pink G-string poking out next to it.

Hailey was seen wearing a princess tiara on her head as well as some pink feathers around her neck as she poked her tongue out for the picture.

Kylie is all set to turn 29 on Monday but decided to throw herself a party at home on Friday evening.

Her sisters Kim and Khloe Kardashian were in attendance as well as Hailey’s husband Justin Bieber.

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As well as her behind the scenes look at Kylie’s birthday, Hailey shared an August dump on her feed.

In one picture, she slipped down to a striking yellow bikini as she posed for a selfie.

She showed off her toned body and bronzed skin in the snap as she tied up her hair in a chic bun.

Hailey also posted a video of herself working out as well as a photo of a meatball dish loaded with cheese.

She simply captioned it: “August so far.”

Her followers flocked to the comments section to compliment her as one gushed: “The prettiest girl ever.”

Another loyal fan enthused: “She just gets prettier and prettier everyday, it’s insane.”

While a third added: “Justin is seriously the luckiest man alive.”

Last week, Hailey once again showed off her enviable figure as she posed in a tiny pink bikini.

She shared snaps from a recent getaway as she was seen sitting on the floor in the barely-there two-piece.

The mum-of-one appeared to be fresh from taking a dip as she went make-up free, with her brunette hair looking slightly damp. 

Hailey showed off her rock hard abs as she posed for the selfie with her orange iPhone.

Coming off their best win of the season in Minnesota on Thursday, the Sparks didn’t have much of that same energy to start their first home game since the trade deadline.

The fourth quarter, though, looked a lot like the best basketball they’ve played all season.

The Sparks came out flat and gave up 29 first-quarter points from the Golden State Valkyries in an 84-78 loss Sunday, their eighth in the last 10 games. They made it a game in the fourth with a 16-5 run but were too far back and it took just a couple of Valkyries shots to put the game out of reach.

An Ariel Atkins three-pointer with 2:18 left got the Sparks within one point, then after it was matched by Golden State, a three from Erica Wheeler made it a one-point contest again with 1:38 to go.

Nneka Ogwumike missed what would have been a tying shot with 52 seconds left before the Valkyries made it a two-possession score to close it out.

Wheeler missed two three-point attempts with less than 30 seconds left. She finished with 15 points while Ogwumike finished with a team-high 16 points.

There are 13 games left in the season and the Sparks are six games back of Dallas for the eighth and final WNBA playoff seed, giving them an uphill climb to get back in the postseason conversation.

On Sunday, the Sparks (12-19) committed five early turnovers and struggled to defend the perimeter against the shot-happy Valkyries, trailing 29-15 after one quarter.

After getting back within nine, the Sparks were down 45-32 at halftime following three consecutive buckets from Golden State guard Tiffany Hayes.

Sparks forward Nneka Ogwumike, right, reacts after being fouled by Golden State center Kiah Stokes in the first half Sunday.

(Harry How / Getty Images)

Cameron Brink hit a three-pointer to get back within 12 with 7:27 left in the fourth. The Sparks outscored Golden State 31-20 overall in the fourth to get back within four with less than four minutes to play.

Brink, who had seven points, seven rebounds and two steals, got into foul trouble in the third quarter, going into the fourth with four. Rae Burrell, who had scored in double figures in every game since July 22, didn’t score until the fourth quarter and finished with nine points.

The Valkyries capitalized with 18 points off the Sparks’ 11 turnovers.

Kiana Williams scored 10 points, her most since she joined the team from Phoenix in June off of a developmental deal.

The Sparks have not beaten Golden State (23-9) since a 84-67 victory on May 16, 2025, the first game in Valkyries franchise history.

On Sunday, the Valkyries were led by 15 points from Cecilia Zandalasini, who shot five for five from three-point range.

After she scored seven points against Minnesota, newly acquired guard Monique Akoa Makani missed Sunday’s game with a right ankle injury she sustained in the final minute against the Lynx.

The Sparks will host Phoenix (12-22) in Kelsey Plum’s return to L.A. on Tuesday at USC’s Galen Center.

Aug. 9 (UPI) — Typhoon Dolphin roared into eastern China Sunday at Force 13 speeds of 85 miles per hour, producing extreme downpours and prompting the cancelation of hundreds of flights, official media reported.

Dolphin made two landings in densely populated eastern China, with the first coming at 5:30 p.m. local time at Yuhuan in Taizhou City, Zhejiang Province, according to the official Xinhua news agency.

The second landfall came at Yueqing City in Zhejiang a bit more than an hour later.

China’s National Meteorological Center issued alerts to local authorities in the region to be guard on against extreme downpours.

Forecasters warned that heavy to torrential rain is expected until Tuesday in most parts of Zhejiang, Shanghai, Jiangsu, Anhui and northern and central-eastern Hubei provinces.

Some local rain totals could reach as high as 12.5 inches in eastern Zhejiang and the mountainous regions of southern Anhui, they predicted, with as much as 3.1 inches falling in as little as an hour.

Meanwhile, 388 inbound and outbound flights were canceled Sunday at Hangzhou Xiaoshan International Airport in Hangzhou City, the capital of Zhejiang Province.

Typhoon Dolphin is expected to weaken into a tropical storm as it moves northwestward through Zhejiang, Taiwan’s Central Weather Administration said Sunday.

The storm passed north of the island but its wake prompted sea warnings in the area as maritime officials announced the suspension of sea traffic on Monday.

Despite dodging a direct hit, Dolphin produced strong winds and heavy rains in northern Taiwan, causing scattered damage, the Central News Agency reported.

Six people were injured and hundreds of incidents of fallen trees were reported in Taipei as a result of the typhoon.

Much of the country will feel some relief from the heat early in the week before temperatures spike again.

On Monday, the air will feel a little fresher compared to the weekend with maximum temperatures in northern areas of the UK around 18 to 24C.

Further south, while cooler than Sunday, it will still be a very warm day with temperatures between 22 to 27C.

By Tuesday, warmer air will start to move back in across the UK with the highest temperatures across central southern England, the Midlands and east Wales.

Yellow heat-health alerts remain in force for much of England until 21:00 BST on Tuesday, though they are likely to be extended or upgraded as the heatwave nears.

Highs are likely to be around 27 to 30C.

Wednesday will see temperatures widely across England and Wales head into the high twenties and low thirties.

The peak of the extreme heat is set to arrive on Thursday, with temperatures reaching 36C (97F) in south-east England, and up to 35C likely across central and eastern England.

This would mark the fourth consecutive month where 35C has been reached in the UK – a new record.

Many locations will exceed their heatwave threshold of 25 to 28C – dependent on location – for the first day.

Some of the warmth will spread further north into northern England, Scotland and Northern Ireland with temperatures into the low to mid-20s Celsius.

As heat builds throughout the week, overnight temperatures will stay relatively high bringing some uncomfortable nights for sleeping.

Minimum temperatures may not go lower than 16 to 18C across England and Wales.

There’s also a possibility of a ‘tropical night’ – where temperatures remain above 20C all night – in south-east England.

ROD Stewart has become a grandfather for the sixth time as his daughter Ruby has welcomed her second child with fiance Jake Kalick.

She took to Instagram to share the special news alongside a series of pictures of her newborn son.

Ruby posted adorable pictures of her older son Otis meeting his sibling for the very first time.

She captioned it: “We welcomed our little (big) Levi Rhodes Kalick at 6:58pm on 8/4/26 at 9lbs 20inches….

“His name Levi means My Heart and his arrival has grown our hearts to 10 times the size… seeing Otis and Levi meet for the first time might have been the greatest experience of my life so far…

“Otis is already the best big brother and we are already so in love with this sweet boy… Welcome sweet Levi!”

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In one snap, Ruby’s mum Kelly Emberg could be seen smiling as she held her newborn grandson along with Levi’s paternal grandmother.

Rod has eight children in total with five different women.

He shares daughter Sarah with ex Susannah Boffey, who he dated for one year back in the 60s.

The pair put her up for adoption and she was raised by her adoptive parents.

She reconnected with Rod later in life and works in the health and care sector.

He’s also dad to Kimberly and Sean, from his marriage to Alana Collins, from 1979 to 1984.

He and ex-girlfriend Kelly Emberg are parents to daughter Ruby while his second wife Rachel Hunter and he share daughter Renee and son Liam.

Finally, Rod is a father to his two sons Alastair and Aiden, from his third and current marriage to Loose Women star Penny Lancaster.

He and Penny, 55, met back in 1999 at The Dorchester Hotel in London when a friend dared her to go up to him and ask for an autograph.

They dated for several years before tying the knot in a lavish ceremony in Italy in 2007.

Aside from Ruby’s sons Otis and Levi, the singer is also a granddad to Delilah, Louie, Elsie and another one of his daughter Kimberly’s children, whose name she hasn’t disclosed publicly.

Despite some of his eight children having different mothers, he has successfully cultivated a large, blended family.

He has a good relationship with his former girlfriends and ex-wives, with the huge clan often posing together at family celebrations.

Reporting from Washington — President Obama had occupied the Oval Office for nearly a full term when government engineers came to him with a request: that he move out for a few months while they completed an overdue renovation of the West Wing.

Valerie Jarrett, Obama’s oldest family friend and a senior advisor, objected.

“Nobody else had to do that,” she said. Other White House staffers were concerned that displacing Obama, though he had no problem with it, could be read as a sign of disrespect for the nation’s first black president.

The moment was a small glimpse into how Obama and his image-makers navigated the sensitive question of race during their eight years in the White House.

On policy and in speeches, Obama showed a determination to pursue equality for all minorities. But he faced resistance — not only from the right but also from allies on the left who felt he wasn’t moving decisively enough. That resistance, along with high-profile instances of racial violence that rekindled a national debate over racial progress, resulted in an uneven record for the Obama administration on the issue of race.

The president leaves office in an age marked by increasing racial tensions. The election to choose his successor featured a backlash reminiscent of the political upheaval of a half-century ago, when the so-called Silent Majority ushered Richard Nixon into office after the turmoil of the 1960s. On Jan. 20, President-elect Donald Trump will take the oath of office in part because a significant number of voters rejected Obama’s quest for broader equality.

Though the election of Obama was celebrated as a moment transcending the country’s dark racial history, the president himself has always taken a more measured view: that race is a complex issue and progress comes in fits and starts.

“After my election, there was talk of a post-racial America,” Obama said in his farewell address last week. “And such a vision, however well-intended, was never realistic. Race remains a potent and often divisive force in our society. … And all of us have more work to do.”

From the beginning of his presidency, Obama made clear to his staff that he wanted to do two things at once — lift up the disenfranchised while moving beyond stereotypes and prejudices. He encountered those personally from the start.

In one of his first White House meetings with Republican lawmakers, one representative lectured the new president — and former senator — on how the legislative process works.

So dismissive was his tone that Obama would marvel afterward to a couple of aides, “He did everything but call me ‘boy.’”

As the meeting broke up, Vice President Joe Biden started to make a beeline for the offender when he felt Obama’s hand on his arm.

“Let’s let that go,” Obama said, stopping him.

Biden attributed Obama’s cool to a lifetime of navigating such dismissiveness.

“His self-awareness is so damn amazing,” Biden said in an interview last month. “It doesn’t mean, I don’t think, he doesn’t remember [or] it doesn’t hurt.” But, Biden added, it suggested that, as a black man growing up in America, Obama had learned when to fight and when to let go.

Another early experience reinforced that. During his first summer in office, police arrested a black Harvard professor and leading scholar of African American literature, Henry Louis Gates Jr., at his home. Asked about the case, Obama said officers had “acted stupidly in arresting somebody when there was already proof that they were in their own home.”

The backlash from police around the country stunned the president. Aides say the reaction taught Obama he had to speak more carefully on race.

“When the president says it,” one senior aide said, “it has enormous weight.”

Obama instead set about shaping his policy agenda, which over the next eight years would include lasting gains for minorities.

Obama’s signature healthcare law, the Affordable Care Act, nearly erased the disparity in healthcare access between black children and white children and helped more than 20 million Americans get health coverage. He signed the Lilly Ledbetter Fair Pay Act, which banned sex-based wage discrimination. His immigration policy has at least temporarily freed millions of Latinos from life in the shadows.

By the administration’s estimate, the economic stimulus law that was one of Obama’s earliest accomplishments kept 5.3 million Americans, a group that was heavily black and Latino, from falling into poverty.

And though he was slower to publicly embrace same-sex marriage than some others, his support for those he warmly referred to as “LGBT folks” helped foster a movement that ultimately saw gay marriage legalized through a Supreme Court ruling. He celebrated the moment in vivid fashion by ordering the White House exterior illuminated in the rainbow colors of the gay pride flag.

Obama pushed for fair-sentencing laws that narrowed the gap in penalties between felonies involving crack and powder cocaine, a divide that had resulted in disproportionately long sentences for blacks. He commuted the sentences of 1,176 people, more than the past 11 presidents combined. The vast majority were drug offenders.

High school dropout rates also fell to historic lows, with African Americans and Latinos charting the greatest progress.

Other gains are harder to quantify. When the killings of black men by white police officers thrust the issue of race and policing into the national spotlight, he directed the Department of Justice to examine the practices of police at the center of those conflicts, including in Cleveland, Baltimore and suburban Ferguson, Mo. Investigators there found a pattern of abuse against blacks and recommended dozens of reforms.

Additionally, he ordered that surplus military equipment no longer be sent to local governments. The sight of law enforcement officers riding in tanks or conducting raids in riot gear helped contribute to the perception among some that police were invading, rather than protecting, communities.

In early 2012, amid Obama’s campaign for reelection, a shooting in Florida overwhelmed his reticence to speak up amid heated debates on race. Trayvon Martin, an unarmed black 17-year-old, was shot to death by a neighborhood watch captain who told a 911 dispatcher he was suspicious of Martin’s movements.

The shooting seized the nation’s attention, provoking an outpouring of complex emotions.

At the White House, Obama told aides he had something he wanted to say if asked about the shooting, as he was certain to be.

“If I’d had a son,” Obama said, “he’d look like Trayvon.”

Are you sure you want to make it that personal, one advisor asked.

Obama’s answer was to repeat the line, as if considering the sound of it. Yes, he said. He did want to say that.

Uttered later on live television, the remark proved a defining moment in Obama’s tenure; the president had injected himself into a racially charged story for the first time since the Gates episode.

Obama’s description that day of how he had personally grappled with racial injustice was the first of several instances in his second term in which he used his rhetorical gifts to guide the nation through its most emotionally complicated moments.

He broke out into a chorus of “Amazing Grace” in Charleston, S.C., in 2015, during a memorial service for nine people gunned down by a white man at a historically black church. A year later, in Dallas to mourn the shooting deaths of five officers during a peaceful protest of killings of black men in confrontations with police in Louisiana and Minnesota, Obama exhorted both law enforcement and protesters to search for common ground.

“With an open heart, we can learn to stand in each other’s shoes and look at the world through each other’s eyes, so that maybe the police officer sees his own son in that teenager with a hoodie who’s kind of goofing off but not dangerous. Maybe the teenager will see in the police officer the same words and values and authority of his parents.”

By then, the campaign to succeed Obama was shifting into a bitter general election, pulsing with an undercurrent of racial animosity that would culminate in the election of Trump.

The anti-Obama backlash was evident months earlier at rallies for Trump, the most prominent promoter of the lie that the president was born outside the U.S., itself an attempt to delegitimize him.

Trump railed against Obama, complaining that he had presided over a period of “political correctness” that prevented whites from speaking frankly about their concerns and confronting conflict. Trump’s crowds roared their approval.

White nationalists supported Trump more actively than they had any presidential candidate in decades. Trump named as his campaign chairman the chief executive of a website that has given a platform to the so-called alt-right, a collection of openly racist and anti-Semitic activists.

Trump, who kicked off his campaign by saying Mexican immigrants were “criminals” and “rapists,” threatened to ban Muslims from entering the country and said little about his backing from white supremacists, downplaying accusations that he stoked racial unrest.

In Obama’s final year in office, a friend from his days in the Illinois Statehouse told him that he was convinced many of the roadblocks the president had faced were based on racism.

Republicans in Congress “were afraid of you, more so than anything else,” said Denny Jacobs, a white Democrat and longtime state senator from farm country. “They were afraid of you for a couple of reasons. No. 1, you were black. And I talk to my Republican friends — and I’ve got a lot of them — and that’s all they could ever talk about, was the race card, the race. You know, he’s a nice guy, he’s this, he’s that, but he’s black.”

Obama paused and smiled.

“I have no doubt that there are people who voted against me because of race, or didn’t approve of my agenda because of race,” he told Jacobs. “I also suspect there were a bunch of people who were excited and voted for me, or I got political benefits because of the notion of the first African American president.”

“Those things,” he said, “cut both ways.”

christi.parsons@latimes.com, michael.memoli@latimes.com

Twitter: @cparsons, @mikememoli

PHOENIX — Hezly Rivera is leaning into her role as the leader of the next wave of U.S. women’s gymnasts.

The 18-year-old Olympic gold medalist won her second straight national title on Sunday, rallying from fourth during the final day of competition with four poised and professional routines. Her two-day total of 111.950 was more than a point clear of runner-up Claire Pease, making Rivera the first American woman not named Simone Biles to go back-to-back since former world and Olympic champion Jordyn Wieber did it in 2010 and 2011.

Rivera was the self-described “underdog” in Paris two years ago, when she joined an experienced group that helped the Americans win their third team gold in four Games. While some of her Olympic teammates — Biles and Suni Lee chief among them — have been on an extended break (though Lee announced last month she has started training for a return to competition), Rivera has pressed on.

She edged Leanne Wong in New Orleans last year, but Rivera’s chances for a repeat seemed to be in trouble after she fell face-first into the mat after missing a release on uneven bars on Thursday.

No matter, Rivera began Sunday on bars and put together a gritty set in which she fought through a mini-stall near the end and gave coach Valeri Liukin a “what are you gonna do?” shrug after a dismount that included a small step.

The judges awarded Rivera with a solid if not spectacular 13.850, and her momentum continued to build as she made her way across the competition floor at Matchup Mortgage Arena. Her black-and-white bedazzled leotard glittering under the lights, Rivera put on a performance that made her look every bit the experienced veteran she has become.

Pease and fellow first-day co-leader Skye Blakely couldn’t quite keep up. Pease led with two rotations to go, but her floor routine included one tumbling pass that ended with her stepping out of bounds and another in which she opted to keep her right foot hovering above the floor rather than set it down for a penalty.

Still, Pease’s second-place finish was a marked improvement from a year ago, when she came to nationals fresh off a victory at the U.S. Classic and stumbled to 10th. This time around, she finds herself in a solid position to make the team that will head to The Netherlands for the world championships in October.

Blakely’s bid to build off a promising opening night stalled quickly. She sat at the end of her first tumbling pass and bounced out of bounds on her final one, her score of 11.900 dropping her from contention for the top of the podium on her way to a seventh-place finish.

Charleigh Bullock, who turned 16 last month, was third. Reese Esponda, who trains at the Houston-area gym owned by Biles’ family, was fourth.

Two-time Olympic gold medalist Jade Carey, who is methodically building difficulty into her routines as she eyes a third trip to the Games, finished fifth in a meet that doubled as a homecoming for the Phoenix native.

Graves writes for the Associated Press.

Trump says US will wait for economic pressure to mount on Iran, as Israel formally rejects 15-point Gaza peace plan.

The latest Houthi attacks come less than 24 hours after an earlier barrage struck al-Makha (Mocha) and its commercial port.

Yemen’s Houthis have launched a new wave of missile and drone attacks on the Red Sea port city of al-Makha (Mocha), extending an assault on government-held areas along Yemen’s western coast and killing at least 11 people.

The latest attacks came on Sunday evening, less than 24 hours after an earlier barrage struck al-Makha and its commercial port. Yemeni government forces said air defences intercepted six drones during the renewed assault, while two ballistic missiles fell into the sea without hitting their targets.

Footage broadcast by the Houthi-affiliated Al Masirah TV showed several ballistic missiles and drones being launched. Houthi military spokesman Yahya Saree said the operation targeted Saudi troop concentrations and weapon depots in the area, according to the Reuters news agency.

At least 11 killed

Earlier on Sunday, Attacks on al-Makha killed at least 11 people, including eight military personnel and three civilians, and wounded 32 others, according to the latest toll cited by the AFP news agency.

The strikes also caused extensive damage at al-Makha’s port. Government authorities said buildings and commercial facilities were hit, while The Associated Press reported damage to port infrastructure, commercial goods and food supplies.

Government forces also said they intercepted and destroyed an unmanned explosive boat approaching the commercial port.

During the renewed attacks later on Sunday, the National Resistance Forces, which are aligned with Yemen’s internationally recognised government, urged residents of al-Makha to remain indoors, accusing the Houthis of carrying out indiscriminate shelling.

Houthis say Saudi military buildup prompted attack

The Houthis said the operation involved a large number of ballistic missiles and drones and was launched in response to an alleged continued Saudi military buildup, including the reinforcement of allied forces with weapons and equipment along Yemen’s western coast and in Taiz province.

Houthi political council member Hizam al-Assad separately claimed that continuing explosions, fires and columns of smoke from the port were caused by large quantities of weapons and military equipment stored there.

Attacks extend to al-Khokha

The escalation was not limited to al-Makha, but also targeted the al-Khokha district, south of the coastal city of Hodeidah.

Al-Jumhuriya television, which is affiliated with the National Resistance Forces led by Presidential Leadership Council member Tareq Saleh, said the government-appointed governor of Hodeidah, al-Hassan Taher, survived an assassination attempt on Sunday after a Houthi ballistic missile struck his residence in the district.

A TV boss has broken his silence on Ariana Grande quitting a hit drama show – after revealing her plan to step back from public life.

Ariana was originally annouced to be on series 13 of American Horror Story but she later exited the project to prioritise her Eternal Sunshine tour.

This comes at the same time she revealed she would be stepping back from fame at the end of her tour.

The AHS creator, Ryan Murphy, has now discussed her exit and told The Hollywood Reporter: “I love Ariana Grande. We’re great friends.

“I had an idea and I came to her and she, very immediately, said, ‘I’m not sure because I think I’m going on tour.

“I don’t think the tour had been announced, and she had obviously just finished the Wicked movie.”

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Ryan also revealed that he welcomed the star to appear in another season which she gladly accepted.

He added: “You have to be respectful. Who is busier than Ariana Grande? No one. She had told me at the time, ‘I have this album that’s dropping.’ It was really, truly a scheduling conflict.”

Ryan also revealed that Ariana is a big fan of horror and did Scream Queens for him and explained that he would always want to work with her.

He said: “I love her, and I support her. It was a very big swing, but I might bring that back for another season, per Ariana’s availability. I think the world of her.”

Last week, a rep for Ariana shocked fans by releasing a statement confirming she was stepping back from public life.

The announcement followed her pulling out of the starring role in a West End adaptation of Sunday In The Park With George, alongside her Wicked co-star Jonathan Bailey.

A representative had told People Magazine: “Ariana will be taking a step back from visibility after she completes the Eternal Sunshine Tour.”

However, Ariana has one last surprise in store for fans as she prepares to kick off her ten-date residency at the O2 Arena next weekend.

We were told the Thank U Next singer will film the London shows for a concert special, to be released at a later date.

It’s due to spark a bidding war with streaming giants battling it out for the rights.

Ariana’s last album, Eternal Sunshine, was born out of heartbreak and written as her marriage to American estate agent Dalton Gomez broke down.

Following the split from Wicked co-star Ethan in June after three years, Ariana has headed back to familiar ground and is dating her ex, dancer Ricky Alvarez.

RACH GIA, Vietnam — American senators who visited two prisons and a remote mountain area on Friday found no evidence of American POWs but came away impressed by Vietnam’s new spirit of cooperation.

The senators also returned with an appreciation of how hard it is to track down the missing in a land of jungles, hills and tropical rice paddies, a quarter-century after they disappeared.

Two of them, Sen. John Kerry (D-Mass.) and Sen. Hank Brown (R-Colo.), flew to the wrong spot in pursuit of a tip that American servicemen had been seen there.

Despite the problems, Kerry, Brown and Sen. Thomas A. Daschle (D-S.D.), said they sensed that the unprecedented cooperation they had obtained earlier in the week from officials in Hanoi was matched at the local level.

“I think in the last five days Vietnam proved its seriousness in answering questions and bent over backward in showing its willingness to help,” said Kerry, the head of a Senate committee on POWs and MIAs.

“I think in every regard today our expectations were met,” he said.

The three senators are visiting Southeast Asia to seek more information on the 2,265 Americans unaccounted for in Indochina since the Vietnam War.

Vietnam, which is seeking international help to rebuild its economy, hopes to end the trade and diplomatic embargo the United States imposed after the Communist north took over the south in 1975. Washington has said it won’t change its policy until Vietnam helps provide a full accounting of the missing.

After receiving cooperation from Vietnamese officials in Hanoi earlier in their trip, Kerry recommended that President Bush reward Vietnam.

The United States is not expected to normalize ties soon, but Bush could relax the trade embargo or do other financial favors for Vietnam.

Kerry and Brown flew by helicopter to the southwestern city of Rach Gia, where they spoke with officials and inmates of the local prison. No Americans were found, and there was no word that any had ever been seen.

Daschle visited a prison in An Dien, 75 miles west of Da Nang, and said he received good cooperation from Vietnamese officials.

Earlier Friday, Kerry and Brown flew to a small mountain near Chau Doc on the Cambodian border to look into a report that as late as February, 14 Americans were being held in a prison. They found they were at the wrong place.

After years of speculation, Jose Mourinho has confirmed that he agreed to replace Sir Alex Ferguson at Manchester United in 2013, before changing his mind and re-joining Chelsea instead.

“When I left Real Madrid, I signed to go to Manchester United after Sir Alex,” the 63-year-old coach – now back at Real for a second spell – said in a new Netflix documentary series about his career.

“He was offered the job, yes,” confirmed Ferguson, who won 13 Premier League titles over 26 years at Old Trafford before retiring in 2013.

“I sat him down and explained the situation,” he added: “As far as I was concerned, he was accepting. And then, within hours, it changed.”

What changed was that Mourinho felt he could not turn down a return to Chelsea, where he had won consecutive Premier League titles in 2005 and 2006.

“One night, he phoned me and he was crying and he says, ‘Alex, I can’t take it. I’ve given my word to Chelsea and I’m not going to break my word’,” said the former United boss.

“The reason he gave to me, I could understand, but I was disappointed.”

Mourinho said he was “very flattered” to be offered the job of replacing Ferguson “because Manchester United has an incredible appeal”.

“But one thing is love for football, another thing is love for a certain club,” he explained.

“I think this is more powerful than love for football and fundamentally, after Real Madrid, I needed to feel that I’m loved.

“For me to lose the chance to be the coach to succeed Sir Alex Ferguson was dramatic, but I don’t regret (it) because it was a decision that I made with my heart.”

After returning to Stamford Bridge in 2013, Mourinho went on to win his third Premier League title as well as the League Cup.

In May 2016, he got a second chance to take over at United, succeeding Louis van Gaal.

Over a two-and-a-half year spell at Old Trafford, Mourinho won League Cup and Europa League titles before being sacked in December 2018 following a slump in results.

He returned to another of his old clubs, Real Madrid, in May this year. Mourinho’s last spell there ended in acrimony as he fell out with club captain Iker Casillas and other players.

On the eve of his Real reunion, the combative manager and former Spain goalkeeper Casillas spoke candidly about the reasons behind those differences.

Mourinho also spoke about difficulties he has faced with former Chelsea owner Roman Abramovich, who hired him twice and sacked him both times.

Aug. 9 (UPI) — Iran has replaced its top security official with another commander of its powerful Islamic Revolutionary Guards Corps, a spokesman for Iranian Masoud Pezeshkian said late Sunday.

Mohsen Rezaei, who had been an adviser to Supreme Leader Ayatollah Mojtaba Khamenei, will be the new secretary of the Supreme National Security Council. He replaced Mohammad Bagher Zolghadr, who resigned.

Zolghadr had been in the post since his predecessor, Ali Larijani, was killed in an Israeli air strike in March. He will serve as political adviser to Khamenei.

The shakeup came as Foreign Minister Abbas Araghchi said Iran is not talking directly with the U.S. to end the war with Tehran and open the Strait of Hurmuz, despite claims by U.S. officials that the sides are near a deal.

Araghchi was quoted by the Mehr news agency as saying that “messages are being exchanged through intermediaries” and Iran isn’t talking directly with Washington. He reportedly added Washington must meet conditions by Iran if a deal is reached with Oman to open a trade route through the waterway.

U.S. President Donald Trump told Axios on Sunday his administration is “low keying it” in negotiations with Tehran.

“We are only semi-negotiating with them. We are just watching Iran with its huge inflation and the fact they have no money,” Trump said. “It will work out. It always works out. It’s like a chess game.”

Iran’s Supreme National Security Council and Khamenei would have to agree to any deal to open the strait.

On Saturday, Zolghadr said U.S. forces should be withdrawn from near Iran. He added that the U.S. should compensate Iran for war damages as well as lift sanctions.

Iranian diplomats said earlier last week that Tehran and Oman were near a new agreement to manage the strait.

The North American Aerospace Defense Command (NORAD) says F-16 fighter jets intercepted two civilian aircraft that entered restricted airspace over Bedminster, New Jersey, where US President Donald Trump was watching a tournament at his golf course.

In this week’s episode of The Envelope podcast, “The Pitt’s” Noah Wyle reflects on 25 Emmy nominations for the series, responds to criticism of casting decisions, and previews Season 3 of the HBO Max medical drama, now in production.

Kelvin Washington: Hello, and welcome back to The Envelope. It’s been a little while. Kelvin Washington alongside Yvonne Villarreal. We also have Mark Olsen. Good to see you. This is one of my favorite things, because I learn so much from you two. And by the way, I got a big shout-out from somebody at the other job that I do —

Yvonne Villarreal: You have another job?

Washington: Which one do you want to talk about? I have 17 of them. But she was saying how she was listening to something and then she said, “I want to hear more about it.” So she Googled, we came up and she was blown away to see it, and we did such great jobs. So she’s a big fan of you two. Shout out to Larissa if she watches again. But let’s get into, of course, Emmy nominations. You have surprises, you have ones you kind of expected, snubs, the whole nine. Let’s start with you, Yvonne. Anything jump out?

Villarreal: Leading the pack was “The Pitt,” which I think everyone expected, and coming in close second was “Hacks.” But I think the third most-nominated show that was thrilling to see have a big showing was “Widow’s Bay.” It was this latecomer to the race, and it’s just this show that has taken people by storm. The word of mouth has really grown. And I know, Mark, you got Matthew [Rhys] in an upcoming episode here. It’s just nice to see how that show’s performed.

I was a little bummed that we didn’t get a [big] showing of “The Comeback,” the third season. That was maybe my snub mark.

Mark Olsen: Not that it’s a causal thing, but I was excited to see a guest from the [podcast], Riz Ahmed, was nominated for the show “Bait,” [which is] kind of like a meta-psycho-emotional biography of an actor caught in conflict between his community and his career. And then also, I have to say, Meg Stalter from “Hacks,” I thought was exciting. For no other reason than to have her on that red carpet, to maybe get a little time on the telecast and the chaos that that just promises.

Villarreal: I want to know who she’s going to come dressed as. She always stuns on the red carpet with who she is sort of making fun of.

Washington: You need a little bit of that, a little chaos. That’s what makes those things interesting. For me, I was just thinking about, again, how we’ve had so many folks who were known for films now all of a sudden becoming television stars. Seems a little weird to say it, but Jason Bateman being one of them, nominated for a couple of shows. So it’s just been incredible to see some people’s transition into that, where 15, 20 years ago, it‘d almost be the downfall of your career to do so much TV. Now it’s a cool addition to your career. Let’s get into it. You mentioned “The Pitt,” Yvonne. And Noah Wyle, you had a chance to have a chat with him. Tell me a little bit more about it.

Villarreal: They got the big news about their 25 nominations while on set. They’re in production on Season 3. And when we caught up with Noah, he had just wrapped filming the episode that he wrote and directed this season, Episode 3. And it was really fun to catch up with him, especially considering how much he’s shouldered in portraying Dr. Michael Rabinovitch, a.k.a. Dr. Robby. You know, this is a character that’s had a really deep mental health journey the past two seasons. Season 2 picked up with him on the eve of a three-month sabbatical, and we think he’s finally going to get this break that he needs to deal with some of the things he’s been going through. But as the season progresses, we see him really confronting just how much of a mental breakdown he’s at right now. And we talked about that. He shared a lot about what’s coming up in Season 3. And we also get into some of the advocacy efforts he’s been involved with.

Washington: You know what I find interesting about that is, when you look at the folks from “Law & Order: SVU” and some other shows, [they’re] just a character, but all of a sudden folks really look at you as this advocate and they’ve turned around and become very passionate about those things, and I can see how that would be the case [here] as well. All right, let’s get into it. Yvonne and Noah, here’s their conversation.

Wyle on the Warner Bros. lot in Burbank in June.

(Christina House / Los Angeles Times)

Yvonne Villarreal: Noah, thanks so much for taking the time. We’re on the Warner Bros. lot inside an office space because you are deep in the throes of production on Season 3 while navigating the awards circuit. Tell me what that’s like. What is your headspace right now? Have you learned anything from last year?

Noah Wyle: It feels like we’ve just come back, even though today we started shooting Episode 4 already, which is amazing that we’re almost a third of the way through the season. It feels really good to be back. It’s odd that this is Season 3. It still feels like a new show. Everybody’s still energetic and excited to be there. The awards stuff hasn’t really kicked into overdrive yet, so it hasn’t been too much of a distraction. It’s just been really exciting, especially for our cast and crew who are so well represented in the nominations.

Villarreal: It was really staggering. Is there a moment from the last award season that stands out? An interaction or an experience going through that?

Wyle: The first one that comes to mind was an impromptu meeting I had with Stephen Graham after the Emmys where we bumped into each other on the street and he said some lovely things to me, and I said some lovely things to him. It was the first time I’d ever met him, then Keith David walked by, who was an old friend. It was a very collegiate moment. That was the time I actually took a breath that night and was like, “Hey, look at this — oh, my God, look at all of this.”

Villarreal: Where are the trophies?

Wyle: They’re on the mantle at the moment, at home.

Villarreal: Next to the Golden Globe made by your daughter?

Wyle: Yep, it’s right there in the center.

Villarreal: I want to review the show’s chart. “The Pitt” leads this year’s Emmy nominees with 25 nominations overall. You are nominated in the lead actor category, as well as directing. Do you feel like you’re better equipped or prepared to deal with the spotlight and attention that the show’s receiving now versus when you were doing “ER” at the height of its moment?

Wyle: Oh, I thought you were going to compare it to last year. Comparing it to 30 years ago, yes, I’m way better equipped.

Villarreal: Tell me.

Wyle: Just older, wiser. You’ve been to the dance before, know it for what it is. There’s nothing that’s going to be shocking about the process. Also, I have enough life perspective to just be extremely grateful and present for it and just be really excited about it.

Villarreal: How aware are you that the spotlight is on you? What does that feel like?

Wyle: I’m not that aware of it because I feel mostly cloistered once we start production on Soundstages 21 and 22. Occasionally the tours go by and I see [people] get all excited. But for the most part, I live a pretty hermetic life when we’re working. So except for when I Instagram scroll or one of my kids brings me news from out there, I don’t really get out much.

Villarreal: Your mom is a nurse. What does she think of this moment? Does it feel any different than during your “ER” days?

Wyle: Yes. I think back then it was just a novelty that she was working in a hospital and her son was on this extraordinarily popular medical drama at the same time. Now we’ve had an opportunity, especially the last couple years, through the [medical apparel] company Figs, to go to Washington and do some lobbying together, which allows her career, my career, to sort of work hand in hand. And for me to have a different perspective on who she was as a woman while she was a nurse working, because I only really saw her as Mom through those years. To answer your question, how was her perspective different? I think she’s, dare I say it, maybe a little more proud of me than she used to be. She’s said as much. I think in the old days she was proud of me being successful in having my dream of becoming an actor come true. Now she’s proud of me because she feels that I’ve used that platform to do some humanitarian good works outside of personal aggrandizement.

Villarreal: How many times is she visiting the set?

Wyle: Oh, I don’t let anybody visit this. By design, we keep a very closed set. In fact, if you come as a visitor, you have to put on scrubs so you fit in — and you feel really uncomfortable and you can’t wait to leave. That’s how we roll.

Villarreal: I want to dig into Season 2. When we pick up with Robby, it’s the eve of his three-month sabbatical, and we think maybe it’s this much-needed break. But as hour by hour goes by, it becomes clear that he’s maybe viewing this as a death sentence. What intrigued you, what worried you, about what he was facing in Season 2?

Wyle: Once we decided that we wanted to put, at the center of this medical drama that was an exposé and sharp look at the medical world, in 2026, a mental health journey of one particular person and have as part of that mental health journey be suicidal ideation, which speaks to a lot of the prevalence of that in this profession, once we committed to that idea, it was really exciting to walk it through. And to play the first half of the season as a guy going on vacation to get his head clear and play the second half of a season as a man buttoning up every aspect of his life in the event that this was a one-way trip. And leaving that almost to the Fates to decide as the day unfolded, looking for signs and signals to determine which way that should go. And increasingly as the day goes on, to be met with both the increasing desire to make it a one-way trip and the community that desperately don’t want him to, and ultimately keep him on this side of that edge.

Villarreal: You wrote two episodes in Season 2, and in “8 p.m.” we really see Robby’s mental health journey come to a head. What was that like, to put dialogue to what he was feeling internally, for you as the actor playing him?

Wyle: That particular dialogue was gifted to me by a doctor who shared with me that that was exactly what he said to his wife one morning when he was going through something very similar. And the way that it resonated with me when he said it, the way it went straight to my heart, I knew if I spoke it as simply, it would speak to other people. And rather profoundly, I got a letter by a young man who said that exact dialogue was so reminiscent of what was going inside his own head that it kept him from harming himself and was the catalyst for having him reach out to get help. Because it was so truthful, because it came from such a truthful place, it had a multiplier effect when we put it on TV. So to get to voice it to the world, that was extremely significant to me. It was the masks just really starting to fall to the point where you can no longer keep it in. And the Duke character [played by guest actor nominee Jeff Kober] is the only person who he felt he could share it with, because it’s enough objectivity, away from the hospital, without any kind of preconceived history. And it’s obviously somebody who’s been down a very bumpy road himself and won’t judge the decision one way or the other. He’ll just sit there, almost Buddha-like, and absorb it.

Villarreal: I know during the pandemic — this was sort of what was the impetus for the show — you were getting a lot of messages during that time, people messaging you about “ER” and what that did for them. How do you shoulder those types of interactions?

Wyle: That one made me cry. My hands started shaking. … You always want your work to have impact, you want it to have meaning, you want people to glean something from it that’s relevant to their own lives. And I’ve been very fortunate in my career. I remember back in the “ER” days, when Carter got sober, people would write me and say, “You helped me deal with my drug addiction.” When I was on “Falling Skies” and played the grievous loss of a spouse, people reached out to me. I’ve been a lightning rod for pain a couple of times in my career. And you asked me, how do I shoulder it? I think I sort of see it as a gift. When you have that connection to somebody, when they respond that way, it’s the ultimate compliment. And you’ve built a bridge where there didn’t exist one before. It’s even better if you build them between two strangers that don’t know each other, that now have commonality that has nothing to do with you.

Villarreal: Not to compare the two professions, but does it make you see the work you do as an actor a form of public service? We see how, when people are at their lowest moments in the hospital, they’re watching TV, they’re connecting with characters, with their family members, in these rooms. And then also what you just described, the interactions that you’ve had with these people [who were] inspired to become healthcare workers, shows you how they connect with the characters.

Wyle: As you’re saying that, that’s what birthed “The Pitt.” I was getting letters from people telling me that my work had meaning to them at the very moment when I didn’t feel like my work had meaning at all, because it had no relevance, because we were in the middle of a pandemic. Who wants to see a guy jump around in a costume while people are out there really being sick? And suddenly, I felt like I didn’t have a skill that actually could hurt or help anybody. It was only sort of a frivolous skill. Then those letters turned into the DNA that the show became.

Villarreal: Seeing what Robby is facing, how do you establish boundaries for yourself in terms of taking it in — dealing with the burnout, and overwhelming emotion of it?

Wyle: It’s a process. I am engaged in several modes of therapy to offload this and be able to surf it from both an artistic curiosity perspective and a need for balance. It’s interesting work, this work, and I do it with the full support of a loving wife and family who understand that this is different than what most people do for a living.

Villarreal: You seem to be giving yourself a lot of work these days in addition to acting in this hit show. As the No. 1, you’re writing and your directing. Do you like stress, Noah?

Wyle: I know it sounds odd, but my brain works really fast and it works nonstop. I don’t know what to do with myself most of the time. But when I’m engaged in [creative work], especially directing, it is a full-course meal for me. I feel totally alive and in my happy place. This last week, getting to direct a piece that I wrote, was even more fun because I’d pictured it already in my mind when I was writing it, which is a form of prep. But then you get to give it to everybody else to see what they want to do with it and what you’re creating communally suddenly becomes the third version of it, which I think is really great.

Villarreal: We like a tease here. Is there a note from this recent episode that you wrote and directed that was interesting to give that won’t make sense to us until we watch it?

Wyle: A directorial note? More glitter!

Villarreal: The episode you directed in Season 2, you had the interesting job of dealing with vomit.

Wyle: Yes. Vomit is hard. We’ve been making movies for a long time and we still haven’t come up with a decent vomit rig. I’m not selling Rob Nary, our special effects supervisor, down the drain here with this comment, but it is really hard to come up with a piece that doesn’t look like it’s on the side of a guy’s mouth when he’s throwing up. And you can put stuff in a guy’s mouth and have him spit it out, but to really get a good projectile vomit, you need to have some sort of cannon apparatus. And it has to come from a place that looks localized to the mouth, and it has to be the same diameter of the actor’s mouth. We went through, I don’t know, five designs on that thing and still ended up with something I thought was passable but not impressive — not “Pitt”- level impressive.

Villarreal: Interesting. Do you feel like you’ve upped the ante —

Wyle: I feel like I’ve put a challenge out there to somebody to come up with a decent vomit [effect]. It’s not as easy as it sounds.

Villarreal: It was also the episode where we get the passing of Louie [guest actor nominee Ernest Harden Jr.], and it was such a heartfelt moment and a reminder of the people that are there day-to-day or frequently, and the humanity that you still want to show them.

Wyle: Valerie Chu wrote a hell of a script. Valerie is a wonderful writer, and that episode just dramaturgically was a little different than the other ones because it did put more of an emphasis on the nursing staff than it did the doctors. Usually, we walk into a room and walk out of a room with a doctor. This time, we walked into rooms and out of rooms with the nurses, and we really tried to highlight the whole range of services that nurses give — pushing medications, double-checking doctor’s orders, holding hands, bringing blankets, wiping asses; all of the dirty work that goes into palliative care and treatment. That was the thesis. How do we exemplify those actions? Then, of course, at the center of it was Louie’s passing and the conferring of dignity to somebody after they’ve died was the theme I wanted to focus on. In the beginning, he’s a bloody mess, almost unrecognizable, and certainly not dignified. Then, through the cleaning and the preparation and then eventually the service — that’s on a clock because we’ve got other Louies to treat — we confer him his dignity. We fill in the backstory of his narrative. We give context to his life and honor the man. That was the lens progression we were going for and heart progression we were looking for.

Villarreal: What did it say to you that Robby committed those life details to memory from those interactions?

Wyle: To me, that is what you carry with you. It’s odd, the things you remember about somebody. It’s odd, the things that land with you. Usually, they resonate with something that you’re vulnerable to or have experienced. But with Robby, who never had a family and always seemingly wanted one but never allowed himself, the idea of somebody who had one and lost one is particularly profound. And as we get into subsequent episodes that we’re dealing with now, we see that Robby’s sense of loss predates Louie and his mentor, Adamson, and it goes back to almost an original sin.

Villarreal: A lot of people wanted you to take home Baby Jane Doe to heal and deal with some of your stuff.

Wyle: I don’t think you should throw a drowning man a baby. It doesn’t seem like a good, logical thing to do for either one of them. I think Robby went home and wished that he had the capacity to be someone who could have taken that baby home for a little while. And that was probably one of the things that nagged at him along that trip. If you wish you were better, then why wouldn’t you come back and try? And as we watch him begin to try to evolve and work through some of the things that have been stumbling blocks for him in becoming a fully evolved human, that’ll be one of them, hopefully.

Villarreal: I want to return to an earlier point, which is, you’ve done a lot of advocacy work. Even before “The Pitt,” you were arrested in 2012 in Washington, D.C., alongside 100 activists from the disability rights group ADAPT during a demonstration urging Congress not to cut Medicaid. Recently, you joined healthcare workers along with your mom at a rally on Capitol Hill. You also spoke at a congressional hearing focused on declining entertainment jobs in L.A. and the push for federal production tax incentives. How has using this spotlight and your voice for causes that are important to you deepened your experience with “The Pitt”?

Wyle: Well, that’s a very apropos question because I wrote into Episode 3 [of Season 3] a character based on a guy I was with when I was arrested with back then. A really wonderful guy, sort of a self-advocate and kind of a grump, total badass activist who has muscular dystrophy and has a tracheotomy. And so I thought, why don’t we put that character on the show and put him as a patient? And then I thought, “Well, who the hell is going to play that guy?” I called this guy and said, “Hey, I got a part for you, man. I need you to do it for me.” And we flew him out with his aide. And he came in, shot two days last week. He was phenomenal. The representation that we are going to give people in that community is going to be unprecedented, but it comes from a 30-year friendship I’ve had with this guy from some of the wars we fought together through the years, so it all dovetails together. I’m using one to feed the other at the moment and seeing where it’s applicable and where I think it could do the most good.

It’s just an amazing confluence of events. I’m an Angeleno who thinks there should be work here. I have an opportunity to bring a show here and employ 300 people nine months a year and be an advocate for other shows to follow a similar economic model to try and take full advantage of the generational talent that’s here. That’s just an alignment of my values and opportunities that seems almost blessed at the moment, but it’s not effortful. When you read it like that, it makes it sound like Mr. Smith.

Villarreal: Well, so many choose not to put their voice out there in those ways, but you’ve decided to do it

Wyle: I’ll speak up for my city.

Villarreal: What’s so great about a show like “The Pitt” is we get to watch regular, decent people doing competent work. Some call it competency porn. What do you think is our attraction to that?

Wyle: I think it’s twofold. I think on one hand, it’s wish fulfillment. You want to believe that there’s really competent, smart people in those jobs, so that, God forbid, if anything happens to you, that’s what you’re gonna encounter. And then I just read an article, I forget who wrote it, I wish I could cite it, that talked about this other aspect of watching people do work that has meaning, that actually makes a difference, touches a vacuum that we feel we don’t have in our lives and it’s a different kind of wish fulfillment. It’s almost like, “I want to be doing something more with my life that has absolute physical and tangible connection to another human being that makes a difference, that has a net positive.” And I think that’s interesting.

Villarreal: Sort of what you were feeling during the pandemic.

Wyle: It’s exactly what I was feeling during the pandemic: “How can I make more of this time on Earth and serve more than myself?”

Villarreal: I want to talk about “The Pitt” fandom because they are passionate and vocal. Has anything surprised you about their response to the show?

Wyle: Only everything. The embracement, the passion, the creativity, the advocacy, the identification, the continued support. It’s really been incredibly gratifying. It’s exactly what you hope, you know, that your work will do, spark a conversation and maybe a bit of change. But you certainly, you never anticipate reaching the levels that this one has where people are just gaga for it.

Villarreal: Recent cast departures have obviously drawn some criticism. As the No. 1 on the show and an executive producer, how do you navigate fan response when it’s negative? What are you learning about how to take that in?

Wyle: It’s nuanced. It’s new for me, new for all of us in a way. You try to put it in perspective, and it’s relatively small in relation to the overall [response], in terms of the more vocal critics. But at the same time, this is who’s watching. This is why you’re telling a story. If it’s touching a nerve that’s unintended, address it. Figure out a way to do it more sensitively, to come at it from a different point of view. We’re certainly doing the best that we can in there, but it’s impossible to anticipate what’s going to resonate and why. And I can’t tell you how many times I was surprised at what people thought was funny or what people thought was horrific or offensive. And it’s an interesting barometer of where we are as a country. It’s an interesting cross section of where the population’s at. But in terms of how it affects the creative work, it becomes a slippery slope if that’s the tail that wags the dog. So every year, we come in and we sort of have to gut-check ourselves and do a postmortem on the season. What worked well, what didn’t work well. And what is going to be part of this narrative as we go forward? Cast changes are gonna be part of that. That’s inevitable.

Villarreal: How about in relation to your character? Some of the discussion about what’s playing out onscreen, it’s been interesting to see how people look at Robby and maybe some of his flaws that come out. What do you see as his blind spot?

Wyle: Well, can we start with [we’re] watching a guy who’s going to kill himself? The guy is going to kill himself today, most likely. He’s going to leave and not come back. And as that reality gets increasingly clear to him, he acts continually beneath his grace. He doesn’t necessarily want people to miss him. He doesn’t necessarily want [them] to overidealize him because he doesn’t want them to mythologize him. So some people he was really tender with, and some people he was really harsh with, and some he will carry regret with, and some he probably wishes he had gone further. But all of that pathology was on display as a cry for help for anybody that was really looking to see it, more than I felt it was indicative of how he felt in a normal frame of mind in those relationships. I think he pushed Abbot [Shawn Hatosy] so far away. He pushed Dana [Katherine LaNasa] so far away. He was overly harsh with Mohan [Supriya Ganesh]. He was almost paternal with Javadi [Shabana Azeez]. He had a different vibe and energy with everybody. But ultimately, it was to sort of say goodbye in a way that he felt would be most appropriate. And I’m glad people felt that it wasn’t appropriate, because it was a man setting fire.

I did say in casting, I was like, “Can we cast some guys that are like my size that I could yell at that so people feel like it’s a good, fair fight?”

Villarreal: And you were vetoed?

Wyle: No, no, we’re going to sort of figure that out because it’s nice to show volatility in character, but if it’s a character that’s surrounded by women, it’s very difficult thing to depict without it seeming disproportionate in power. So it’s something I was conscious of when I came back this year. I was like, “It‘s difficult to show this character’s rage when it would be super inappropriate to express it with every single person in this room.” So, bring somebody in that can handle it and match it a little bit. And for my money, that’s what Al-Hashimi [Sepideh Moafi] was. She gave as good as she got, and those scenes between us were terrific.

Villarreal: Season 3 will be taking place on Nov.r 12, 2026, right? A lot of that had to do with the anticipation of and preparation for the ramifications of the Big Beautiful Bill on people’s lives. Tell me about that.

Wyle: It’s Thursday, November 12th, which means that tomorrow is Friday the 13th. And there was something fun about playing with the eve of a day that is usually fraught with peril. But this day is fraught with peril for all sorts of reasons. And it isn’t Friday the 13th. It also is coming into the holidays and it’s getting colder. A lot of the social issues that Pittsburgh and a lot [of places] with colder climates deal with are going to come up. People are turning on their heaters for the first time, if they can afford to turn on their heaters; people that don’t have access to housing are gonna be feeling the pinch even more than that. All of that goes into our narrative. And then, as I think you were alluding to, this is in preparation for what’s gonna take place in January [2027] with [provisions of] the Big Beautiful Bill [going into effect], which is gonna throw a lot of people off the rolls in a lot of states and cause a whole ripple effect through the healthcare industry. In anticipation of that happening, people are gonna have to make some very hard choices. They’re going to probably want to hoard medication if they can. They’re gonna try and load up on as many treatments as possible, put as many things into place as they can for that eventuality. And we wanted to highlight what some of those struggles are gonna be because I don’t know that they’re gonna be reported in January.

Villarreal: How fast, when that decision came through, were you getting outreach from healthcare professionals wanting to meet with you, with the writers room, about how can they can help you think about what’s going to happen?

Wyle: We have a great organization that’s an adjunct to the Norman Lear Foundation called Hollywood Health. And they broker all sorts of meetings for us in the writers room with experts from every aspect of the healthcare spectrum you can imagine. And so we really were curious to find out from those experts what the statistics were going to be. And they run models on best-case scenario to worst-case scenario and tell us pretty much with a high degree of certainty what the bandwidth is gonna be. And then we take that data and try to figure out the storyline that would be most effective to tell it. But it starts with trying to get it as accurate as possible in our crystal ball, looking forward to where we’re gonna be.

Villarreal: If you could give one word to Dr. Robby’s mental state in Season 3, what would that word be? Or what would the song he’d be listening to at that moment, walking back into work?

Wyle: I don’t want to tip the bit on a song that we might use and the ones that are in my head are so corny and cheesy that I don’t want anybody to suddenly start cutting memes to it. [Looks at camera.] Because you know you will.

Villarreal: Come on, Noah. Give us a ’90s throwback.

Wyle: “Scar Tissue” [by the Red Hot Chili Peppers].

Villarreal: Oh, that’s a good one. OK, before I let you go, is there any PSA you want to give folks right now about whether they should be consuming lettuce? Is Dr. Robby consuming lettuce?

Wyle: Oh, my God, don’t ask me. My wife and I have huge fights about produce every night. I don’t know what the hell’s going on.

Villarreal: I’m always like: What would Dr. Robby do?

Wyle: I don’t know that Dr. Robby eats a lot of vegetables. I think all of your canned vegetables are safe, says Dr. Robby.