Jensen Huang, chief executive officer (CEO) of U.S. chip giant Nvidia Corp., will visit South Korea later this week for a series of meetings with the heads of major conglomerates and researchers that could pave the way for broader cooperation in artificial intelligence (AI) and robotics, industry sources said Thursday.

Huang is scheduled to arrive at Gimpo International Airport in western Seoul aboard his private jet on Friday afternoon for a four-day visit, following his appearance at the Computex trade show in Taipei, the sources said.

During his stay, Huang is expected to meet with leading business figures, as well as executives from the gaming industry, AI and robotics startups, university researchers and students.

On Friday evening, he is expected to visit a Korean barbecue restaurant in Seoul’s Seongsu neighborhood for a gathering with SK Group Chairman Chey Tae-won, Hyundai Motor Group Executive Chair Euisun Chung, LG Group Chairman Koo Kwang-mo and Naver Chairman Lee Hae-jin.

Industry observers expect the participants to discuss a wide range of potential cooperation areas between Nvidia and South Korean companies, including high-bandwidth memory (HBM), AI data centers, autonomous driving, robotics and physical AI.

During his previous visit to South Korea in October, which coincided with the Asia-Pacific Economic Cooperation (APEC) CEO Summit in the southeastern city of Gyeongju, Huang drew widespread attention when he joined Samsung Electronics Chairman Lee Jae-yong and Chung for a late-night meal of Korean fried chicken and beer, commonly known as “chimaek.”

On Sunday, Huang is expected to meet with Kim Taek-jin, CEO of NC Corp., a South Korean gaming company, they said.

While the agenda has not been disclosed, discussions are expected to focus on cooperation in gaming and AI.

On Monday, Huang is also expected to hold a closed-door meeting with executives from South Korean AI and robotics startups in Seoul.

The meeting would mark the first known occasion on which Huang has met with robotics startup founders in South Korea.

The Nvidia chief is also coordinating plans to visit the country’s top-notch Seoul National University’s AI institute and robotics research center.

Separate from the visits, Huang has reportedly expressed interest in meeting directly with university students.

Huang is reportedly meeting Krafton’s Executive Director Chang Byung-gyu, and other senior managers from the company, though the exact dates have yet to be confirmed, the sources said.

The two companies are likely to discuss gaming partnerships related to Nvidia’s RTX Spark, a type of semiconductor designed for premium Windows laptops, as well as physical AI.

Krafton has founded a robotics company called Ludo Robotics early this year.

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The US announced a ceasefire framework between Israel and Lebanon, which includes expanded Lebanese army control and a halt to Hezbollah attacks. Al Jazeera’s Manuel Rapalo explains how Hezbollah’s rejection of the talks leaves enforcement uncertain.

Three years ago, Mattel Inc. struck box-office gold — or rather, pink — with the billion-dollar success of “Barbie.”

In its first return to theaters since the female-forward phenomenon, the El Segundo toymaker is turning to the brawny He-Man for another box-office lift.

Its latest film, “Masters of the Universe,” opens this weekend, as Mattel looks to build on that previous success and continue extending its signature toy brands into the entertainment arena.

“The movie is very much in tune with culture,” said Mattel Chief Executive Ynon Kreiz. “Everything is much more contemporary relative to what was created more than 40 years ago, but it’s still very true to the origin story and to the DNA of the brand.”

The new film arrives at a pivotal time for Mattel, which is facing pressure from investors to grow its business. The maker of Hot Wheels, American Girl and Uno has recently confronted a challenging market for toys, beset by tariffs on goods produced overseas and weaker-than-expected demand for Barbie dolls and Fisher-Price preschool products.

Amid uncertainty in the toy market and the fallout from tariffs, Mattel’s net income dropped 25% to $398 million in 2025. And since the company announced disappointing holiday sales totals in February, its stock has dropped more than 30%, closing at $14.34 on Wednesday.

The share price slide prompted investor Southeastern Asset Management to send a letter last month to Mattel leadership suggesting the toy maker should sell itself and go private. Southeastern manages about 4% of the company’s stock on behalf of its clients.

“The frustration among investors has been the fact that if you look at the business from 2021 through 2025 and even this year … the business really hasn’t grown,” said Eric Handler, a Roth Capital senior media and entertainment analyst, referring to Mattel. “This is a company that needed something fresh in the portfolio, and there’s a wide range of investments being made, of which ‘Masters of the Universe’ is one part.”

Kreiz pushed back on the idea that the company is not growing. In the fourth quarter of 2025, net sales were up 7% to $1.8 billion, though the result was not as strong as the company expected.

Mattel has spent $1.2 billion in the last three years to buy back shares, with an additional $1.5-billion share repurchase planned for the next three years.

“We’re investing in our own stock because we believe it is undervalued,” he told The Times in an interview at his office, which has floor-to-ceiling windows that give an expansive view of El Segundo. “We absolutely agree that the share price doesn’t reflect the progress that we’ve achieved over the last few years financially, operationally, our place in culture, the strength of our brands, and the continued expansion of the business. And more importantly, the potential that we have down the road.”

“Masters of the Universe” is a key variable in that equation.

The movie, which had a budget of roughly $170 million, is expected to bring in $25 million to $35 million in the U.S. and Canada during its debut weekend. That’s a far cry from the $162-million opening haul of “Barbie,” but box-office analysts say that film captured the cultural zeitgeist in a way that’s hard to replicate.

The ‘80s-era “Masters of the Universe” is “a property that was famous with a certain group of fans, but it hasn’t had much of a pop culture presence,” said Shawn Robbins, who directs movie analytics at Fandango and founded the forecasting site Box Office Theory. The movie has notched a respectable 74% approval rating from critics on aggregator Rotten Tomatoes.

“There’s been so many callbacks to nostalgic franchises,” he said. “Some people are always on board for them, and maybe the positive reviews bring people in who were on the fence. But people are also ready for something fresh and new and exciting.”

Kreiz said he’s often asked how the company will match the success of “Barbie.”

“The answer is, we don’t need to match ‘Barbie’s’ success for movies to have a meaningful economic impact on the company,” he said. “Not every movie will be ‘Barbie.’ If we create quality content that people want to watch and create quality experiences that people are engaged with, good things happen, and these brands will resonate and will be here for years to come.”

While theatrical revenue is important, the measure of success for “Masters of the Universe” could also include its eventual reception on streaming platforms and, of course, toy sales, analysts said.

There are hundreds of products tied to the movie, from collectible action figures of Nicholas Galitzine’s He-Man and Camila Mendes’ Teela, to branded Uno decks, Legos, clothing and skateboards.

“For us, it’s a huge win already,” said Robbie Brenner, president of Mattel Studios and chief content officer, who also served as a producer on the film. “We have reinvigorated and relaunched this brand that has been around for decades … and done it in a way with just the best-in-class toys. Obviously that’s our bread and butter. And then to have made an epic, incredible movie … is a huge win.”

While Mattel does not yet have sales totals for its “Masters of the Universe” toys, executives said during an earnings call in late April that product sales were “growing double digits” amid strong customer demand, particularly from adults.

When Kreiz was named CEO in 2018, he saw the potential for Mattel to expand beyond toys. In an entertainment landscape dominated by known franchises and intellectual property, the former TV and media executive wanted to leverage the company’s IP in new ways to attract consumers.

Hence, Mattel has expanded into real-world experiences such as a Barbie pop-up at Coachella or a traveling Hot Wheels monster truck show. In February, the company fully acquired Mattel163 mobile game studio after buying out a stake held by Chinese tech firm NetEase. The studio has released games based on Uno, Skip-Bo and other Mattel intellectual property.

And on the film and television front, the Mattel Studios division now has 51 people — most of whom are based in El Segundo — focused on projects across platforms.

After “Masters of the Universe,” Mattel Studios plans to release a “Matchbox” streaming movie in October. The division has more than a dozen films in development that have been announced, including an American Girl movie with Paramount, Polly Pocket with Amazon MGM Studios, as well as a live-action Magic 8 Ball series from M. Night Shyamalan.

“The journey for the company was to evolve from being a toy manufacturer that was making items to become an IP company that is managing franchises,” Kreiz said. “It’s not that we’re not creating toys — it’s obviously a big part of our business — but the opportunity is to expand so much more than the physical product.”

“Masters of the Universe” was in development for years at several different studios before it was picked up by Amazon MGM.

That partnership stemmed from Mattel’s work on the “Barbie” movie with Courtenay Valenti, then president of production and development at Warner Bros. Pictures who is now head of film at Amazon MGM.

“Masters of the Universe” felt like a good property for Mattel to bet on because of its nostalgia factor and deep bench of colorful characters, from the green tiger Battle Cat to the heavily armored Ram Man and ever meme-able Skeletor, which the company hopes will attract new audiences, Brenner said.

The movie is directed by Travis Knight — chief executive of stop-motion studio Laika who also led the 2018 “Transformers” spin-off “Bumblebee” — who Brenner said “nailed” the narrative’s tone. (It didn’t hurt that Knight was already a fan of the franchise and had sported the He-Man haircut as a child.)

“It’s a property that’s kind of out there,” said Brenner, who grew up watching He-Man and his twin sister She-Ra. “It’s got all these crazy characters. But just riding that line between what is funny and kind of irreverent and then kind of heartfelt, that is a very hard thing to put in a blender and to get right.”

In recent months, the iconic ticking stopwatch of the CBS News magazine “60 Minutes” began to sound like a time bomb.

The explosive detonated Tuesday as the prestigious program’s most high-profile correspondent, Scott Pelley, was fired after openly challenging the moves and motives of the news division’s leadership and questioning the credentials of new “60 Minutes” executive producer Nick Bilton.

Pelley accused CBS News Editor in Chief Bari Weiss of “murdering” the program and berated Bilton, a former New York Times journalist, for lacking TV news experience. His forced exit along with the departure of several other veterans is raising fears about the future of the most-watched TV news program that has managed to retain its vitality and importance in the face of major changes across the media landscape.

Weiss praised Pelley’s contribution to the network when she discussed his termination at the network’s morning editorial meeting Wednesday, but cited a loss of “trust and mutual respect” as the reason for moving on.

“We cannot do our work without it,” Weiss said. “That foundation was broken on Monday, and despite our attempts to engage with Scott Pelley and to find a way back, unfortunately we weren’t able to do so, and so we had to part ways.”

But industry veterans familiar with “60 Minutes” said the firings represented a notable shift in how the venerable program has been run by its predecessors.

Rome Hartman, a former longtime “60 Minutes” producer, said Wednesday in an interview that the termination of Pelley for forcefully expressing his views at a staff meeting is a fundamental misunderstanding of how the program has operated and thrived over 58 years. Spirited, and occasionally acrimonious, internal debate has always been a part of working at “60 Minutes.”

“Sharp words in defense of important ideas, whether they be in stories, or whether they be about the future of the broadcast, shouldn’t just be tolerated, they should be encouraged and inculcated, and they always have,” Hartman said.

The insularity of the “60 Minutes” operation — which has its own suite of offices across the street from the main headquarters of CBS News — has rankled the network’s executives in the past. But those dynamics were considered part of the price of having the most prestigious news program on television.

“Every single CBS News president in the history of CBS News has resented the independence of ’60 Minutes,’” Hartman said.”But the smart ones have come to understand that that independence is part of the secret sauce. I don’t know Bari Weiss, but she seems incredibly thin-skinned.”

The turmoil inside “60 Minutes” comes at an inopportune time for CBS. Weiss is now under the gun to replenish the program’s staff with three months to go before original episodes return to the prime-time schedule.

Pelley is the fourth correspondent to depart “60 Minutes” since Weiss took over as editor in chief. Last week, Weiss fired correspondents Sharyn Alfonsi — who accused Weiss of playing politics by holding a story on the government’s use of El Salvador prisons for undocumented migrants — and Cecilia Vega, who was also outspoken in her criticism of the changes at “60 Minutes,” saying she faced censorship. Anderson Cooper, the CNN anchor who spent nearly 20 years as a contributor to the program, chose not to sign a new contract.

Weiss also fired executive producer Tanya Simon, who has been with the program for 25 years, and her second in command. (Pelley said he was unable to get answers on the firings during his final meeting Tuesday with Weiss and CBS News President Tom Cibrowski.)

And there could be more departures on the way, adding to the upheaval. Bill Whitaker, who joined the program in 2014 and was a Pelley ally, is said to be weighing whether to walk away from the two years left on his current contract. The program’s respected veteran , Lesley Stahl, is pondering her future as well amid the massive changes, according to people familiar with her thinking who were not authorized to speak publicly.

The call is out for new talent, according to one agent who said CBS News is talking to “dozens of people” for the openings.

But the company will also look within its ranks. Matt Guttman, hired away from ABC News by Weiss to become senior national correspondent, is one name being mentioned, along with Major Garrett, the network’s chief Washington correspondent. Both have emerged as favorites of Weiss.

Norah O’Donnell, already a contributor to the program, is also likely to have a larger presence.

While the “60 Minutes” patina has been tarnished by the recent events, there is no shortage of journalists who would be willing to step up and join the program. But whoever does sign on will be intensely scrutinized while the Nielsen numbers are closely watched.

Newcomers on the program are rare and would have an easier time gaining audience acceptance if they were joining a stable operation.

Although every long-running TV program can use an occasional refresh, a massive overhaul is destabilizing for “60 Minutes,” one of the last non-sports appointment programs for the traditional television audience that still provides broadcast networks with the bulk of their advertising revenue.

Notably, the program averaged 9.1 million viewers during the 2025-26 TV season according to Nielsen, up 9% over the previous year.

“Viewers liked the ’60 Minutes’ that they had,” said a former CBS News executive who worked on the program who was not authorized to speak publicly. “And if they don’t like it, they have many other places to go.”

One of Weiss’ mantras — echoed by Bilton — has been the need to pull “60 Minutes” into the digital future as traditional TV viewing declines. Insiders say she has yet to make clear how that will be achieved.

Under Weiss’ watch, clips and full segments of the program gained significant traction on platforms such as YouTube. The success on digital is an encouraging sign for the program’s ability to attract younger viewers who don’t watch traditional talent.

But veteran TV executives say that loyal “60 Minutes” viewers still expect to see seasoned correspondents delivering in-depth investigations and analysis. A diversion from that formula poses substantial risks.

“Its audience has certain expectations,” said Jim Murphy, a former executive producer for CNN and CBS News. “These guys built a literally nearly perfect program for the medium and for the audience. You’re not going to make it better just because somebody cooler does a story that’s, like, a little funkier. It just not going to work.”

Steve Capus, a veteran network producer who worked with Pelley at the “CBS Evening News,” said his former colleague was built for the meticulous work that goes into every “60 Minutes” segment.

“It’s hard to do week in and week out,” Capus said. “You have to be first-rate in your storytelling.”

What’s more, Weiss and Bilton will also have to fight the perception that their moves on the program have been guided by the desire of David Ellison, chief executive of CBS News parent Paramount, to please the Trump administration as he seeks regulatory approval of his deal to acquire Warner Bros. Discovery.

Trump sued “60 Minutes” over the editing of an interview with his 2024 presidential opponent, former Vice President Kamala Harris. The suit was settled just ahead of the Federal Communications Commission clearing the way for the takeover of Paramount by David Ellison’s Skydance Media.

Ellison acquired Weiss’ digital startup, the Free Press, which established itself as a voice critical of so-called woke politics.

Pelley said in a statement Tuesday that there has been pressure to shape CBS News coverage to please the Trump White House, a claim that both Vega and Alfonsi have made.

“I’ve been told to include assertions that are unverified,” he said. “To date, in every case, I have ignored these instructions or refuse them.”

In a statement, a representative of “60 Minutes” said that the exchanges with Pelley regarding editorial content were not out of the ordinary.

“There is no political interference at CBS News, not from ownership, not from Bari Weiss,” the representative said. “The only ‘interference’ is the normal back and forth between editor and correspondent that happens in every newsroom.”

While Toone was absent, others have taken their opportunity in an England shirt.

Aston Villa midfielder Lucia Kendall impressed in England’s 1-0 victory over Spain, while Manchester City’s Laura Blindkilde Brown started against Iceland.

United team-mate Jess Park has also played in the number 10 position, while Chelsea’s Lauren James is an option if she is not used as a winger.

While Toone says she has enjoyed watching her team-mates thrive, she is eager to prove herself to manager Sarina Wiegman again this week.

“You are never guaranteed to be selected, no matter what your journey has been like in an England shirt,” said Toone.

“Every time the squad comes out, you’re still worried you might not make it. Missing the last few camps, I knew I had to make myself available for this selection.

“I came to the last camp to see Alessia [Russo] and the girls and I reminded Sarina that I’m a number 10 and I’ll be ready for the next camp.”

Despite her eagerness to impress Wiegman, Toone says she has to remember “not to put too much pressure” on herself and to enjoy her return to action.

“I do play my best football when there is no pressure. That is what I’ve tried to do. I know I’ve been out for a long time,” she added.

“I made sure I used the time wisely and I feel like I’m in a really good place.”

Arsenal striker Alessia Russo, Toone’s best friend, says it is nice to have her “comfort blanket” back in the England squad for this month’s matches.

“I obviously did miss her when she wasn’t here. Everyone kept asking me if I was OK. I was like: ‘I’m fine!’

“She’s worked so hard to get back. Injuries are rubbish but she’s really matured over the last year or two and within her body. I’m really happy to have her back.”

Making a rib stop on the way to a game and then eating your barbecue inside your car — or, better, on the hood of your car if you don’t want sauce-stained seats — has been a classic move since the days the Lakers used to play at the Forum in Inglewood. Lately, however, it’s getting harder to find old-school L.A. barbecue — the wood-smoked ribs and links and small ends that have long powered this city. Luckily, Inglewood is home to two outposts from the first family of L.A. barbecue: Woody’s (see separate entry), started by the late Woodrow “Woody” Phillips and Phillips Bar-B-Que from Woody’s cousin Foster Phillips, who still inspires younger pitmasters. Where Woody’s has patio seating, Phillips, in traditional barbecue style, is a take-out-only shop with a tightly packed parking lot off Centinela Avenue. It’s the only location that remains after the 2024 closure of Phillips’ Crenshaw spot. Recently, I stopped in for pork ribs so tender the meat easily came free from the bone; small ends, a meaty cut Phillips helped popularize; plus sides of greens and an especially cheesy macaroni and cheese. If you order your rib sauce hot, it may not be as spicy as it was in the old days, but it still has the sweet taste of nostalgia.

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This is the moment the Republican-led US House of Representatives passed a resolution to reign in President Donald Trump’s ability to keep attacking Iran, unless Congress declares war or approves the use of military force. But it’s unlikely to become law as Trump can veto it even if it passes the Senate.

Bangladeshi Foreign Minister Khalilur Rahman has been elected as the 81st president of the 193-member United Nations General Assembly (UNGA). He will assume office when the UNGA session opens in September.

Rahman, who earlier held several portfolios at the UN, won the presidency after defeating Cyprus’s Ambassador Andreas Kakouris in a closely contested vote, taking the helm of the world’s most representative diplomatic body during a time of global geopolitical turmoil.

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Who is Khalilur Rahman?

A career diplomat, Rahman joined Bangladesh’s foreign service in 1979. He also held senior UN positions in New York and Geneva, including as the spokesperson for the Least Developed Countries (LDCs) and as special adviser to the UN Conference on Trade and Development (UNCTAD).

Between 1986 and 1991, he served as the first secretary at the Permanent Mission of Bangladesh to the UN.

Rahman became foreign minister in February, when the Bangladesh Nationalist Party (BNP) won the country’s first election since a student-led uprising ousted Prime Minister Sheikh Hasina in 2024.

He previously served as national security adviser and the high representative on the Rohingya issue in the interim government led by Nobel laureate Muhammad Yunus.

Rahman’s presidency will coincide with one of the most consequential processes on the UN calendar – the selection of Secretary-General Antonio Guterres’s successor – as his term expires at the end of this year.

“The UN will commence its ninth decade at a time when trust in our organisation is being tested on multiple fronts,” he told diplomats assembled at the UNGA as he accepted the new role. “Taken together, these challenges tend to undermine the public trust and confidence in the ability of our organisation to deliver its promises.”

Guterres congratulated Rahman, saying, “Your remarkable political and diplomatic experience are a guarantee of success not only to the General Assembly but to the United Nations as a whole.”

How is the UNGA president selected?

While the presidency of the UNGA is largely ceremonial, it is also prestigious. It is the UN organ where countries large and small can speak, and it is the scene of the world’s largest annual diplomatic gathering.

The UNGA president is normally chosen by acclamation, meaning member states agree on a candidate by broad consensus. If no consensus can be reached, a secret ballot is held; in that rare case, the candidate who wins a simple majority of votes becomes president.

Before this year, the last contested UNGA presidential election was in 2016, when Fijian diplomat Peter Thomson won the presidency of the 71st session in a secret ballot, defeating Cyprus’s candidate by four votes. In 2012, Serbia’s Vuk Jeremic narrowly beat Lithuania’s candidate in another secret ballot. In 1991, Saudi Arabia’s candidate, Samir Shihabi, won the presidency in a contested vote against candidates from Yemen and Papua New Guinea.

In the secret ballot, Rahman secured 99 votes, eight more than his competitor Kakouris. A total of 190 ballots were cast, with no invalid votes or abstentions.

The presidency rotates among the UN’s five regional groups, and the 81st session falls to the Asia Pacific group. Rahman will serve a one-year term starting on September 8, the UN said.

Outgoing UNGA President Annalena Baerbock, Germany’s foreign minister, highlighted how trust towards multilateralism is under growing strain.

The UN is facing “not only headwinds, but immense pressure”, with consensus increasingly difficult to achieve and defence of the UN Charter becoming “a daily necessity”.

“The role of the president of the General Assembly is no longer simply procedural,” she said.

The US administration under President Donald Trump has tried to undermine the UN system, resorting to unilateral actions to tackle complex global geopolitical issues. Washington has withdrawn from several UN organisations, such as the World Health Organization and the Human Rights Council, and cut funding to the global body.

The US president has called the UN a “talking shop”, questioning its purpose during his speech at the annual UNGA meeting last September. “The UN has such tremendous potential … but it’s not even coming close to living up to that potential,” he said.

What is the UNGA?

The General Assembly is the UN’s most representative body, bringing together all 193 member states, each with one vote. Its annual gathering in September in New York is the only UN forum where world leaders from all countries can speak.

The UNGA controls the UN budget, adopts treaties, addresses global issues from poverty to corruption and passes numerous resolutions that, while not legally binding, almost always reflect global opinion.

The UNGA also makes key decisions for the UN, including appointing the secretary-general on the recommendation of the UN Security Council (UNSC) and electing the nonpermanent members of the council.

The coming UNGA session will open on September 8.

On Wednesday, the UNGA elected Austria, Kyrgyzstan, Portugal, Trinidad and Tobago and Zimbabwe to the 15-member UNSC for two-year terms starting on January 1, 2027.

Germany, which had lobbied hard for a seat, failed to win the UNSC seat in a major setback for Chancellor Friedrich Merz.

The council is the only UN body that can make legally binding decisions, such as imposing sanctions and authorising the use of force. It has five permanent veto-wielding members: China, France, Russia, the United Kingdom, and the United States.

Acclaimed German director Wim Wenders announced he was withdrawing his 1975 film, “Wrong Move,” from distribution due to a scene featuring then-13-year-old actor Nastassja Kinski topless.

Kinski played Mignon, a mute acrobat and street performer, in the film. In the controversial scene, she is featured lying on the bed topless as she tries to seduce her 30-something co-star Rüdiger Vogler, who plays Wilhelm.

Wilhelm enters the room, removes most of his clothing and gets into bed with her, slaps her, pushes her away and then caresses her face and cradles her.

Kinski, who also starred in Roman Polanski’s “Tess” and Wenders’ “Paris, Texas,” has voiced her discomfort with the scene for decades and recently told a German news outlet that, although she “didn’t know much at the age of 13,” she could tell that it wasn’t right.

In a 1997 USA TV interview, she was candid about wishing some of her work could be scrubbed from the screen permanently, saying, “I’ve done quite a lot of movies, a lot of movies that I want to just go and burn someplace. You always calculate ‘how much would that cost? How would I do that?’ and just know it’ll exist forever. It won’t be showing all that much, but just the fact that it’s there and it’ll exist.”

She told W Magazine the same year, “If I had had somebody to protect me or if I had felt more secure about myself, I would not have accepted certain things. Nudity things,” Kinski said. “And inside it was just tearing me apart.”

Per the Hollywood Reporter, Wenders received a lifetime achievement award at the German Film Awards last week and addressed the “Wrong Move” issue in his speech, saying that he would not shoot the scene today. He also said that he knew that keeping it in the film had continued to cause Kinski pain.

“I can’t blame the 29-year-old young man I was then, 50 years ago, who made a film of his time; wanting, in a way, to capture the zeitgeist,” he added before calling on the members of the German Film Academy to debate the issue and aid him in finding a resolution.

On Wednesday, the “Perfect Days” director issued a statement that was posted on social media saying that he would withdraw the film from all current forms of distribution.

“As the only person responsible at the time for Wrong Move who is still here, I recognize that Nastassja Kinski should have been better protected back then. For that, I apologize to you, Nastassja, unreservedly, no ifs and buts.”

Wender said that “the many reactions, comments, and conversations of recent days” had a played role in shifting his perception of the issue but that society must find appropriate ways of dealing with controversial film works from the 20th century.

“Only after that process has taken place — even if it takes considerable time — and once we have been able to present a mutually agreed solution, which will include Nastassja Kinski, will we make the film available again.”

Kinski commented on Wenders’ statement on Wednesday. The following has been translated from German:

“Wim, after all that, all those years, only because the public has now commented in so many newspapers, as well as colleagues, and now because thousands — even though I asked for so long — only now because of the public, do I read THESE words from you, W. Wenders: ‘Nastassja, back then 13 in the first film, Wrong Move.’ ”

Manchester City are contemplating taking legal action over a promise to sign striker Erling Haaland by a candidate in Real Madrid’s presidential election.

Enrique Riquelme – a renewable energy magnate who is challenging current president Florentino Perez for the position – unveiled a Real Madrid shirt bearing Haaland’s name while on television on Wednesday, saying: “He has a release clause and would like to join Real Madrid.”

A swift denial was issued in a joint statement by Haaland’s father and agent, before City rubbished the suggestion.

“The stories which have emerged from Spain regarding the future of Erling Haaland are untrue,” the statement read. “There is no chance of this happening and there is no contractual clause to enable it.

“We are considering legal action for the use of our player image in this context.”

More to follow.

After letting another big lead slip with an error-strewn performance at the French Open, top-ranked Aryna Sabalenka felt like getting as far away from the courts as possible.

“Just want to quit tennis right now,” Sabalenka said after wasting a lead of a set and two breaks in a 3-6, 7-5, 6-0 loss to Diana Shnaider in the quarterfinals on Wednesday.

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“We’ll see in a few days. Hopefully, I’ll get back on track mentally.”

Sabalenka’s wait for a first French Open title continues despite the four-time major winner leading 4-1 in the second set and being two points from victory while serving for the match at 5-4.

What followed was a complete collapse as she lost 12 of the last 13 games against a player appearing in her first Grand Slam quarterfinal, looking increasingly frustrated and forlorn in the windy conditions.

Just like her loss to Coco Gauff in last year’s final, when she won the first set before becoming undone with a slew of unforced errors, this one will take some time to get over.

“You know those rooms where you just go in and you smash everything,” Sabalenka said. “Probably I will spend a whole day over there destroying stuff. Maybe it will help, maybe not.”

Shnaider next faces Maja Chwalinska, who extended her remarkable Roland Garros run by beating 22nd seed Anna Kalinskaya 7-6 (3), 6-3.

Sabalenka’s missed opportunities

The world number one stood still and screamed after losing a point to fall 0-30 down in the sixth game of the decider. Although she saved two match points at 0-40 down, she lost when she sent a shot into the net.

“I just think it’s [a] combination of everything,” Sabalenka lamented. “You overthink, then you make easy mistakes, then you miss opportunities.”

Her struggles were reminiscent of the match against Gauff, when she remonstrated loudly, shouting to herself and glaring at her team box.

“I just have to sit back and openly think about what’s going on in my head in those tough moments,” Sabalenka said, recalling that match. “Because I’m quite an experienced player. I have been through so many things, and I [have] overcome so many things.”

Sabalenka had already looked agitated when serving for the first set, but still looked in control as she served for the match in the second, holding a 30-15 lead.

“Of course I saw some moments of her frustration,” Shnaider said. “I know Aryna that she’s a very emotional person.”

Shnaider, who was already on her best run at a major, broke Sabalenka before taking complete control.

“Well, honestly, I am speechless. Super happy,” she said. “I feel like I was trying to focus point by point. Not thinking about the score. She is the world number one, so I [am] just trying to do my best. I just had to fight for every point.”

Sabalenka looked increasingly frustrated as the third set wore on, and when she missed a volley at the net in the fourth game of the decider, she crouched and rested her head on her racket.

Another French Open upset

It was another big upset in a tournament, with defending champion Gauff (third round) and four-time winner Iga Swiatek (fourth round) already out.

Jannik Sinner, last year’s men’s singles runner-up, served for the match in a second-round defeat, and 24-time major winner Novak Djokovic wasted a two-set lead in a third-round loss.

That opened things up for lesser-known players. According to sports analytics company Opta, this year’s French Open is the first major tournament without a former men’s or women’s singles major champion in the semifinals since the 1977 French Open.

The unseeded Chwalinska came through three qualifying rounds to become only the second Polish woman to reach the semifinals at Roland Garros, along with Swiatek.

Chwalinska said British player Emma Raducanu’s run to the 2021 US Open title as an 18-year-old qualifier had inspired her.

“It was such an impressive run, you know,” Chwalinska recalled. “Also, she was so young.”

When Kalinskaya’s big forehand from the back of the court went out, the 24-year-old had her biggest win, having never been beyond the second round at any major before this tournament.

Chwalinska’s total prize money heading into Roland Garros was $864,030, and reaching the last four here earns her 750,000 euros (about $872,000).

The roof was open on Court Philippe-Chatrier, and there was a lot of wind.

“I don’t know why would they keep the roof open when it was crazy windy,” Sabalenka said. “It was very dirty tennis. I don’t know how people could actually just sit there and watch me play.”

Kalinskaya also struggled.

“I feel like I was fighting against the wind,” she said. “It was cold today, so the ball was going slower. I couldn’t use my speed, my power.”

Men’s singles exits

In the men’s quarterfinals, 10th-seeded Flavio Cobolli beat number four Felix Auger-Aliassime 4-6, 6-4, 6-4, 6-4 and will face fellow Italian Matteo Arnaldi for a spot in the final.

Arnaldi advanced when Matteo Berrettini, yet another Italian, retired due to a left hip injury, with Arnaldi leading 7-5, 5-2.

Berrettini had his hip treated during a medical timeout earlier in the second set.

The strong Italian showing comes despite top-ranked Sinner getting stunned in the second round.

Second-seeded Alexander Zverev and number 26 Jakub Mensik will meet in the other semifinal.

LOVE Island’s Millie Court has stepped into her “hot girl summer” era with a series of sizzling new bikini snaps after her split from All Star boyfriend Zac Woodworth.

The Essex girl and the American hunk shocked fans when they called time on their romance last month, having been one of the villa’s big success stories earlier in the year.

Millie hasn’t resigned herself to the sofa eating ice cream since the split, instead she’s looking better than ever.

Just days after wowing on the catwalk in Miami, she showcased her toned body in white swimwear beside a pool.

Unsurprisingly, the comments were packed full of compliments, with pals like Sophie Piper and Chloe Burrows championing her.

Another follower said the pics gave them “goosebumps”, while another urged a man out there to “wife her up”.

Just days ago, Millie and Zac came face-to-face for the first time since ending their relationship, supposedly due to the transatlantic distance keeping them apart.

They crossed paths during a group gathering with fellow Islanders, and fans believe their body language was telling.

Love Island‘s Yamen Sanders captured the moment the former couple reunited and shared a hug, joking that they were “back together” and his girlfriend Whitney Adebayo agreed with the tease.

However, Millie looked far from impressed by the joke, appearing awkward as she briefly hugged Zac before turning to her friends and asking them to “stop”.

Her reaction caught fans’ attention, with many claiming it suggested Millie was the one who dumped Zac.

One wrote: “Millie’s like no thanks”.

A second said: “Millie said hell nah ahahahahaha.”

A third shared: “Millie looks less than impressed”.

In his first season at Chelsea, Liam Delap scored just one Premier League goal – two in 41 appearances in all competitions – and ended the campaign on a 26-game goal drought.

A year ago, when the striker arrived at Stamford Bridge, he spoke about his ambition to make England’s World Cup squad this summer. Clearly, it’s not gone to plan.

There are mitigating circumstances for the England Under-21 international, who had injuries and spent a lot of time on the bench, but his goal tally remains surprising given he scored 12 for an Ipswich Town side that was relegated the season before.

Chelsea who won the race and triggered Delap’s £30m release clause, despite strong interest from Manchester United, Newcastle, Nottingham Forest and Everton last May.

So what next? Delap remains committed and wants at least another season to prove his doubters wrong.

The 23-year-old’s commitment is reflected in his decision to buy a house locally, while his coaches – Enzo Maresca, Liam Rosenior and most recently Calum McFarlane – have all highlighted his work-rate behind the scenes.

Delap’s biggest issue has been Joao Pedro, who also arrived last summer in a £55m move from Brighton and was arguably the standout forward among those signed by major English clubs, with Manchester United, Arsenal and Newcastle also strengthening in that area.

Unlike Delap, Pedro is currently part of a group of ‘untouchable’ players at Stamford Bridge, alongside Cole Palmer, Reece James and Moises Caicedo.

This does not mean Chelsea are actively looking to sell Delap but his relatively low transfer fee would make him easier to move on. The club’s failure to qualify for European competition also means fewer matches, making it harder to carry a large squad.

Nicolas Jackson is also due to finish his loan spell at Bayern Munich and, with his previously frosty relationship with former manager Maresca no longer an issue, could return to the Blues despite interest from Premier League and overseas clubs.

Similarly, striker Emmanuel Emegha agreed to join Chelsea on a permanent basis from partner club Strasbourg last summer, with the expectation he will integrate into the squad in 2026.

It is likely to be a complex situation, with the input of new manager Xabi Alonso set to be key when he takes charge on 1 July.

THE best 100 beaches in the world have been named – and two can be found in the UK.

Announced by Corona, the 2026 Corona Beach 100 has revealed the best spots around the world from well-known spots to hidden coves.

Three criteria were analysed – Beachside Culture, Connection to Nature and Scenic Aesthetics.

A new entry on the list this year is Barafundle Bay in Pembrokeshire.

The first Welsh beach to make the list, it was praised for its “remote and dramatic landscape, as it is “accessible only by clifftop walk through a medieval archway.

It wrote: “Barafundle Bay feels hidden even when people talk about it.

“Reached only by a clifftop walk along the Pembrokeshire coast, this crescent of pale sand sits tucked between limestone cliffs with nothing built around it.

“No road, no cafés, no signal, just seabirds overhead, cold clear water below, and the kind of quiet that makes you slow down without realising it.”

And returning to the list this year was Fistral Beach in Cornwall, praised for being a “social and cultural hotspot” by being the UK’s surfing capital after hosting the first British Surfing Championships in 1966.

It added: “Facing the full force of the Atlantic, it’s where you go to chase sets, drink tea with cold hands, and feel like you’re part of something.

“The beach delivers all year, with consistent swell, golden sands, and a surf scene that’s as seasoned as it is welcoming.

“From world-class comps to waist-high rollers, Fistral doesn’t need sunshine to shine — just wind, water, and the right kind of restlessness.”

Europe featured heavily on the list as well.

When it came to Greece, Agia Anna Beach in Naxos and the famous pink Elafonissi Beach in Crete made the cut, as well as Sarakiniko Beach on Milos.

For Spain, there was Aiguablava Beach, as well as Ibiza’s Casa Salada and Majorca’s Cala Mondragó.

Beaches across Italy, France and Croatia were also included, as well as other holiday spots such as Turkey, Morocco and Thailand.

The 2026 Corona Beach 100 list is part of it’s This Is Living campaign.

June 3 (Asia Today) — Wu’er Kaixi, a former student leader of China’s 1989 Tiananmen pro-democracy movement, warned South Koreans on Wednesday not to view North Korea only as a country of the same ethnic people.

“North Koreans are certainly Koreans. They speak the same language and eat the same food,” Wu’er said at a news conference at the Foreign Correspondents’ Club of Japan in Tokyo, one day before the anniversary of the June 4 Tiananmen crackdown. “But they have been affected by the disease of communism, and that influence has seeped into their bones and DNA.”

Wu’er, also known as Uerkesh Davlet, was listed by the club as a former student leader of the 1989 Tiananmen movement for its Wednesday news conference, titled “Tiananmen 37 Years Later.”

Asia Today asked Wu’er about the future of China and what it could mean for the Korean Peninsula, noting China’s influence on the Korean War, the division of the peninsula and North Korea’s nuclear issue.

Wu’er responded by directly addressing North Korea.

“I understand that Koreans dream of unification,” he said. “But that is not simply a matter of meeting lost brothers and sisters again. It is the process of rebuilding half of a country that has been affected by communism.”

Wu’er expressed concern about what he described as a nationalist approach within parts of South Korean society.

“When I talk with friends in Seoul, I often sense conservative and nationalist sentiment,” he said. “I fully understand such feelings because South Korea has faced North Korea’s military threat directly.”

“But South Koreans who enjoy liberal democracy should have a mindset of using that freedom for the freedom of North Koreans,” he said.

Wu’er also warned against accepting North Korean propaganda at face value.

“North Korea’s military threats are calculated actions,” he said. “You should not be misled by the nationalist slogans they put forward.”

He said propaganda is used to control hungry citizens.

“North Koreans are still hungry, but they are ruled by regime propaganda,” Wu’er said.

“North Korea is no longer the North Korea we think of,” he said. “If one day South Koreans have the chance to embrace North Koreans, they will realize they are no longer the brothers and sisters they remember from the past.”

“They may be closer to Russians or Chinese,” he said. “You have to understand how a communist system changes human beings and society.”

Wu’er said South Korea’s government and people should understand the nature of the Chinese Communist Party system when considering North Korea.

During the news conference, Wu’er sharply criticized the Chinese Communist Party, saying many people mistakenly view China as a state driven by nationalism or communist ideology.

“The Chinese Communist Party is simply a criminal group,” he said. “They are not pursuing the interests of the state or the rejuvenation of the Chinese nation. They are only interested in maintaining their own power and wealth.”

He dismissed Chinese President Xi Jinping’s slogan of “the great rejuvenation of the Chinese nation” as propaganda meant to deceive the Chinese people.

“The Chinese Communist Party is driven more by interests than ideology,” Wu’er said. “Like a criminal organization seeking more profits, it endlessly tries to expand power and control.”

“To understand China, ask a criminologist rather than an international politics scholar,” he said. “If you approach it through the behavior of a criminal group, you can understand China’s foreign policy much more accurately.”

Wu’er said the Chinese Communist Party “is never satisfied” and urged liberal democracies to respond firmly as Beijing seeks to expand its control and influence.

— Reported by Asia Today; translated by UPI

© Asia Today. Unauthorized reproduction or redistribution prohibited.

Original Korean report: https://www.asiatoday.co.kr/kn/view.php?key=20260603010001047

Caracas, June 3, 2026 (venezuelanalysis.com) – The Venezuelan government headed by Acting President Delcy Rodríguez has instructed airlines and shipping companies to direct fuel payments to a US Treasury account.

Spanish newspaper El Diario published a May 28 letter from state oil company PDVSA addressed to “aviation and maritime customers” that laid out the “banking coordinates” for foreign currency payments concerning JET A1, MGO, and IFO 380 purchases.

JET A1 is a kerosene-based fuel widely used by commercial airplanes, while Maritime Gas Oil (MGO) and Intermediate Fuel Oil (IFO) 380 are standard for ship engines.

“We urge our customers to take the necessary precautions and forward the payment receipt to PDVSA sales representatives so that the payment is cleared and fuel supply is assured,” the letter read.

An attached US Treasury information sheet contains details for Fedwire payments to a “Venezuela custody account” and requires information about “source of funds, e.g., oil, gold, minerals, etc.”

The leaked letter is the first publicly available document from a Venezuelan state institution directing foreign currency payments to an account run by the US Treasury Department as opposed to the country’s Central Bank (BCV) or some alternative state-run mechanism.

Since the January 3 military strikes and kidnapping of Venezuelan President Nicolás Maduro, the Trump administration has seized control of the country’s export revenues. The White House has likewise extracted concessions in the form of pro-business reforms, preferential access for Western corporations to natural resources, and external audits of the Venezuelan Central Bank.

US Treasury general licenses allowing select Western corporations to engage in oil and gas activities mandate that all Venezuela-owed payments for royalties, taxes, and dividends be deposited in US Treasury accounts. Additional sanctions waivers imposed similar constraints on mining sector services and exports.

Neither US nor Venezuelan authorities have disclosed information about the funds, the timings of their disbursements back to Caracas, and the percentage kept by the Trump administration. The US president stated in a May interview that Washington has “made a fortune” from Venezuelan oil sales.

Both Washington and Caracas have acknowledged the use of Treasury-held Venezuelan revenues for the purchase of medicines and medical equipment from US manufacturers. In January, Secretary of State Marco Rubio said in a Senate hearing in January that Venezuela would need to submit a “budget request” to access its own funds.

According to reports, Washington is mandating that the Venezuelan Central Bank distribute the returned foreign currency to private sector importers via exchange table auctions run by public and private banks. The BCV has reportedly allocated more than US $5 billion thus far in 2026.

The Rodríguez acting government’s diplomatic rapprochement with the Trump White House, coupled with reforms to attract Western investment, has led to a growing number of international airlines reestablishing flights to the Caribbean nation. American Airlines currently runs two daily direct Caracas-Miami flights, while United Airlines will launch a Caracas-Houston connection in August. Jetblue, for its part, is set to initiate its first-ever Venezuela route later in the year.

Venezuelan authorities have likewise recorded increased shipping activity at the country’s ports.

Ted Danson is apologizing for roasting onetime paramour Whoopi Goldberg while wearing blackface.

It was the fall of 1993 at the Friars Club in Manhattan, and the occasion was a roast of the “Sister Act” star, who at the time called Danson her “best friend.” Danson, fresh off the heels of an 11-season run on “Cheers,” and Goldberg, who was at the height of her film career, had been tangled up in a not-so-secret love affair that sprang up while filming “Made in America.” Danson was freshly split from his second wife, producer Cassandra Coates, who served him divorce papers after the tabloids outed his fling with Goldberg earlier that year.

To make matters messier, Danson and Goldberg’s romance was cooling off and the two actually tried to get out of the Friars roast, but the club said the tickets had been sold and the show must go on.

According to The Times’ archives, Goldberg said she wrote the racial-slur-laden monologue that Danson delivered wearing black minstrel makeup with exaggerated lips in white. On the podcast, Danson said he’d been preparing for the skit for months, sure he was going to nail it. “Within 20 seconds I was like, I stuck my finger in a light socket,” Danson told W. Kamau Bell on the “Who’s With Me?” podcast.

At least two among the more than 2,000 guests at the roast protested. TV talk show host Montel Williams walked out, and New York City Mayor David Dinkins left the event early.

“My brain was going: Here is one of the most outrageous, funny Black women in the world, and I’m supposed to be roasting her, and I’m not a stand-up. I can’t run with the bulls. I’m an actor; if the material is funny, I can be funny,” Danson said.

“And then I thought, well, I can do performance theater. I looked at all these tapes, and it’s like, well if I were Black, I could say all these outrageous things, I’m not. Then my mind went, well, I will do it in blackface.”

Danson prefaced discussing the incident by saying that if he stammered throughout it was because it was uncomfortable talking about an affair he had when he was married, and that he’s been married to his third wife, Mary Steenburgen, for 32 years.

As for the blackface incident, “I have no problem talking about [it],” he said, adding that he wants to apologize for the rest of his life for the major flub. Although the incident happened more than three decades ago, internet fodder lasts forever, and Danson said he wanted to address it because somebody today can happen upon the incident online and think, “What the f—?”

Danson continued, “That this white guy could have something valuable to say about race and race relations was so stupid and entitled.”

He said he thought: “I know it’s bold, but I can pull this off, and that was so arrogant and stupid on my part. So off I go using all this horrendous language describing our love affair, while also in blackface. And I’d run it past Whoopi, and maybe she just didn’t want to squelch my creativity. … I worked for months, by the way, months.”

Earlier in the conversation, Bell told Danson that he wanted to give him his flowers for knowing how to apologize in public. “How to say ‘oops.’”

The Knicks are bidding to win their first Championship since 1973 and Karl-Anthony Towns said the fans have been inspiring their comebacks.

“It’s something that’s in the city, you feel that energy in the city,” said Towns, who posted 18 points and 12 rebounds.

“The grit, the grind, the hard work you’ve got to put in to make it in the city.

“I think we reflect our fans and their lifestyles and what it takes to make it in New York City, when we step on that court with the Knicks jersey.”

It was a quiet night for Victor Wembanyama. He was the top scorer for the Spurs but only scored six of his 21 shots from the field.

“We’ve been down in a series before – never in the Finals – but I’m not kicking myself about anything,” said Wembenyama.

“I was bad, it’s not more complicated than that. I’m not worried in the slightest.”

The best-of-seven series continues in San Antonio on Friday before the teams head to Madison Square Garden for Game three on Monday.

June 3 (UPI) — The U.S. House of Representatives voted 215-208 on Wednesdayto pass a measure directing President Donald Trump to remove U.S. troops from the conflict with Iran unless Congress votes to allow the conflict. Four Republicans joined Democrats in voting for the measure.

The measure is largely symbolic, as both chambers of Congress must pass it — and then Trump is sure to veto it. Still, this marks the first time the House has come together to pass this symbol of disapproval for the war.

Reps. Thomas Massie, R-Ky.; Brian Fitzpatrick, R-Pa.; Tom Barrett, R-Mich.; and Warren Davidson, R-Ohio, joined the Democrats in the vote. Rep. Jared Golden, D-Maine, who had voted against previous measures, also joined his party on the vote.

This follows a similar measure passed by the Senate in May, in which four Republicans (Sens. Susan Collins of Maine, Lisa Murkowski of Alaska, Rand Paul of Kentucky and Bill Cassidy of Louisiana) joined most Democrats (barring Sen. John Fetterman of Pennsylvania) to pass. It was unclear Wednesday when the Senate might vote to pass this House version, CBS News reported.

Even if both chambers pass the measure, Trump can still veto it, and each chamber would need two-thirds support to override that.

The 1973 War Powers Act gives the U.S. president 48 hours to notify Congress in writing if deploying U.S. forces without a congressional declaration of war. U.S. forces attacked Iran on Feb. 28, with Trump notifyingCongress on March 2.

The act further gives the president 60 days to act unilaterally in the defense of the United States without a declaration of war from Congress. May 1 marked the end of that 60 days counted from March 2, but the administration and some congressional Republicans are arguing that the count stopped with the cease-fire reached on April 7. Both United States and Iranian forces have attacked each other since then.

Republicans opposing the measure have said that it undermines Trump and U.S. negotiators. The president has gone back and forth on the status of the negotiations, telling CNBC on Monday that peace talks were starting “to get very boring” and that he didn’t care if they were over.

The House also passed a measure Wednesday that could bring forward a measure that could provide aid for Ukraine. That sets up a vote Thursday, NBC News reported.

Born in Rosario, Argentina, Bielsa hails from a family of educated minds, with his brother having worked in politics and his sister a renowned architect.

Both of those professions require analytical thinking – a gift Bielsa also possessed from childhood. However, he was drawn to football, not necessarily playing it but absorbing the tactics.

Every day he would send his mother to the local newsagent to buy football magazines and newspapers, spending hours reading up as much as he could about how teams played and how different managers worked.

Bielsa was still a capable but limited footballer. A defender but lacking in pace, he came through the youth system at his boyhood club Newell’s Old Boys before frustrating spells in the lower leagues of Argentinian football meant he decided to call time on his playing career at the age of 25 to focus on coaching.

His post-playing career started with the Buenos Aires university football team and, after two years there, he secured a position back at Newell’s as a coach of the reserve team.

Bielsa’s frustration with his limitations as a player played a significant part in his coaching philosophy, as he focused on ensuring that any player he coached was able to get the maximum out of their ability.

His training sessions were intense, with lots of focus on repetition – if a player did not have the talent to make something happen naturally then he would be sure to drill the processes into their minds.

Bielsa was appointed Newell’s manager in 1990 and his methods brought instant success as they won the Argentinian championship.

A spell in Mexico followed before Bielsa returned to Argentina in 1997 to manage Velez Sarsfield. There he would be labelled ‘loco’ (crazy) as he insisted on fielding two teenage centre-backs. He would have the last laugh, however, as he immediately helped them to win the league title.

Bielsa, who has said his nickname of ‘El Loco’ actually predates his time at Velez Sarsfield, very briefly became manager of Spanish side Espanyol but left them when he was offered his first international post in 1998 – as Argentina boss.

The Fortune viewers were left scratching their heads over the latest episode of the Channel 5 drama

The Fortune viewers were left baffled as the psychological drama progressed on Channel 5, with many questioning the storyline.

The series focuses on waitress Amanda Blakefield (portrayed by Poldark’s Eleanor Tomlinson) whose life is transformed when she discovers she’s set to inherit a substantial estate from a total stranger.

Amanda clashes with the wealthy man’s relatives, including son Anthony, portrayed by All Creatures Great and Small star Callum Woodhouse, and also experiences difficulties with her own husband Jimmy (Harry Potter star Matthew Lewis), who is receiving mysterious phone calls.

In the opening episode of the series, Amanda becomes trapped in a vehicle with a man named Boots who delivers her a menacing warning. She escapes and rushes home, but in the second episode chooses to return to the location and break into his eerie cottage during the middle of the night – alone – to investigate.

Audiences were left bewildered by the choice, with one describing it as “daft” and another observing that she was “messing with fire”, reports Wales Online.

“Who goes wandering at night and enters the house of someone who had threatened her?” one viewer questioned on X, as another stated: “He has already threatened her, so she goes to see him on her own at night.”

“She was (scared) last night in the taxi and here she is alone wandering around his house in the dark,” another posted on the platform, formerly known as Twitter.

“Now she’s being daft again,” remarked another viewer.

“Typical TV drama derangement syndrome. Do they: (a) consult a solicitor? (b) report threats and kidnapping to the police? No! It’s always (c) do it yourself and barge in uninvited to dangerous situations without telling anyone else.”

“Don’t think I’d want to be wandering around there at the dead of night,” admitted one viewer, as another posted: “Amanda’s messing with fire.”

Yet others were thoroughly gripped by the nail-biting mystery, with one declaring the episode “went with a bang” and another describing it as “interesting”. “I enjoyed it,” wrote one viewer, adding: “Good cast.”

Another gave it a firm thumbs up, while someone else commented: “Episode 2 so far is much better than the ludicrous episode 1.”

The Fortune is airing on Channel 5.