After just six days in theaters, Sony Pictures’ “Spider-Man: Brand New Day” has now raked in more than $1 billion in global box office revenue.

The movie is the second-fastest film ever to reach the 10-figure milestone, bested only by Walt Disney Co. and Marvel Studios’ 2019 hit “Avengers: Endgame.”

“Brand New Day” has now earned $407 million in the U.S. and Canada, with an additional $645.8 million in international box office receipts for a global total of $1.05 billion, according to studio estimates. Its $360 million domestic opening last weekend now ranks as the highest ever.

The movie was produced by Sony-owned Columbia Pictures, as well as Marvel Studios and Pascal Pictures. The film’s production budget was about $225 million.

The filmmakers, as well as box office analysts, have credited the movie’s emotional storyline and focus on the web slinger’s internal conflict for connecting with audiences and giving a fresh take on a familiar franchise and genre. It also doesn’t hurt that its stars, Tom Holland and Zendaya, are two of the most popular actors in the business, both of whom are also fresh off appearances in Christopher Nolan’s “The Odyssey.”

Together, “Brand New Day” and Universal Pictures’ “The Odyssey” powered last weekend’s three-day domestic box office total to a new best with $436.5 million, according to data from Rentrak. The summer so far stands at $3.6 billion, up 16.7% compared to last year’s middling season and running just 0.7% behind the pre-pandemic summer of 2019, according to Rentrak.

The so far has given analysts hope that the domestic box office could finally reach $10 billion by the end of the year for the first time since the COVID-19 pandemic.

California Atty. Gen. Rob Bonta said Tuesday that his office has protected more than $200 billion in federal funding for the state, defended core civil rights and removed military forces from Los Angeles streets by suing the Trump administration about once a week.

“Since President Trump returned to office, California has been under attack — and has led the way in fighting back,” Bonta said.

Bonta said his office has filed 82 lawsuits against the administration since Trump’s inauguration last year, in addition to 122 amicus briefs supporting lawsuits against the administration by other parties and 112 comment letters in response to federal actions.

That work has saved the state an estimated $207.1 billion, Bonta said, including $168 billion — equal to a third of the state’s annual budget — that was threatened when the Trump administration tried to freeze trillions of dollars in federal funding to the states last year. Billions in threatened cuts to transportation, emergency preparedness, education and family assistance funding were also prevented, Bonta said.

The work has also protected birthright citizenship for the U.S.- born children of immigrants, ensured that National Guard troops are not deployed in major California cities against the wishes of local leaders, lifted multiple sets of tariffs driving up costs for American consumers and repeatedly blocked administration efforts to interfere in California’s elections, Bonta said.

“We’ve protected funding that keeps our communities safe, feeds hungry families, and ensures our kids get the education they deserve. We’ve gone all the way to the Supreme Court to defend constitutional rights — and won. We’ve protected our elections and stopped the militarization of our cities. We’ve defended our right to prioritize public safety over assisting with the President’s inhumane immigration agenda,” Bonta said.

As it has done in the past, the White House on Tuesday derided Bonta’s lawsuits as misguided.

“Instead of bragging about filing frivolous lawsuits against the Trump Administration, the California AG should focus on addressing problems in his own state — like the countless criminal illegal aliens the Newscum Administration allows to roam free and terrorize communities,” said White House spokeswoman Abigail Jackson in a statement to The Times.

The White House has previously said Trump is “trying to restore American Greatness” and that Californians would be “infinitely better off” if Bonta got out of the president’s way.

Bonta’s office is required to report annually to the state Legislature on its work fighting the Trump administration as part of a 2025 special session measure delivering it an extra $25 million to fund such litigation. His office published its latest report to lawmakers Tuesday.

The report said the office had received $19.2 million of the special session funding through July 30, which had “contributed to — but in no way has been sufficient to cover — the costs of the litigation.”

Bonta’s office has also received regular appropriations to fund such litigation in each of the state’s last two budgets, of $14.2 million last fiscal year and $23.9 million this fiscal year. The office’s overall budget is about $1.4 billion.

At a morning news conference with other state leaders, Bonta said his office has spent close to $30 million on its “federal accountability work” overall since Trump took office, and argued that investment has been “paying off in droves” given the billions saved.

Senate President Pro Tempore Monique Limón (D-Goleta) and Assembly Speaker Robert Rivas (D-Hollister), standing with Bonta, agreed.

Limón said she was proud to have worked with Bonta and Gov. Gavin Newsom to form a “collective backstop” against the Trump administration, while Rivas said the funding provided to Bonta’s office “may be one of the smartest investments that this legislature has ever made.”

Of the 82 lawsuits, 66 remain active, according to the report. Despite that, Bonta said his office has won 45 orders providing some early relief from the Trump administration’s actions, and 21 final orders in its favor. In eight cases, he said, the administration “backed down” in advance of a trial.

Bonta’s office has lost arguments made against the Trump administration, including on behalf of other litigants, particularly on issues related to transgender rights and the scope of Trump’s executive power to reshape government and federal immigration policy.

However, Bonta claimed his office has won in 83% of the court orders issued in cases brought by the state and praised his team for having “worked around the clock on behalf of Californians, pulling countless all-nighters along the way” to make it possible.

Bonta, who is up for reelection in November, is campaigning in part on his willingness to stand up to Trump — which polling and voting has suggested many Californians want their elected officials to do.

Xavier Becerra, the Democratic candidate for California governor, is running on a similar message. Before he was the U.S. Health and Human Services secretary, Becerra had Bonta’s job and sued the first Trump administration more than 120 times, often successfully.

Bonta said he expects Becerra will be an “incredible partner” in the fight moving forward.

Republicans Michael Gates, who is running against Bonta, and Steve Hilton, who is running against Becerra and is endorsed by Trump, have said they would work collaboratively with the Trump administration to ensure the needs of Californians are met, rather than fighting it at every turn.

“I would be wanting to work with the administration to help Californians,” Hilton has said. Gates has called Bonta’s campaign against Trump “out of touch.”

Many of the lawsuits Bonta’s office has brought against the administration have been filed as part of a multistate coalition of Democratic attorneys general. As presidents of both parties have flexed more executive power in recent decades, state attorneys general have become more collaborative and litigious in fighting back — and that has been especially true under Trump.

Bonta said Trump will be remembered in part for his “repeated attacks on California, on Californians, on our Constitution, and on our democracy,” but California will be remembered for fighting back.

“Are these trying times? 100%. Absolutely, yes,” Bonta said. “But we shouldn’t be helpless, because we’re not helpless.”

Like most good stories, this one requires planning. Organizers with the L.A. Sports and Entertainment Commission spent nearly nine years preparing to bring the FIFA World Cup to L.A. The most popular sporting event in the world was just the start of a mega-event trilogy that turns the page to Super Bowl LXI at SoFi Stadium and will culminate with the largest Olympics ever in 2028.

“We are on the international stage for three years,” said Kathryn Schloessman, president and chief executive officer of L.A. Sports and Entertainment Commission, or LASEC, said. “What story are we telling and how are we doing that?”

The World Cup was a riveting first chapter. The 39-day tournament brought more than 560,000 fans to SoFi Stadium for eight matches, 250,000 fans to 10 official fan zones and a projected $892 million in economic impact across L.A. County, according to LASEC.

The expanded World Cup, with 48 teams and 104 matches over 16 venues in three countries, is only a logistical qualifying match compared to the 2028 Olympic and Paralympic Games. The first Olympics in L.A. in 44 years will welcome 11,198 athletes across 51 sports from more than 200 countries competing over 20 days. The 2028 Paralympics will come to L.A. for the first time with a 23-para sport schedule that will begin competition before the opening ceremony for the first time.

Despite the difference in scale, John Harper, chief operating officer of LA28, called the successful World Cup’s local matches “an immense learning opportunity for us in a lot of ways.”

Attending World Cup matches as a fan and behind-the-scenes observer, Harper was impressed by the transportation services provided by L.A. Metro. The agency said it provided more than 212,000 rides directly to and from SoFi Stadium and 15 parking and transit hubs in L.A. and Orange counties through an enhanced service. Harper was encouraged by the interagency work between different public partners that helped the eight matches go off without a major hitch.

But the biggest lesson was in the spirit of the fans who packed watch parties, streets and bars.

“It really demonstrated the power of sport,” Harper said. “Not only the energy in the stadium, but the energy in the city and L.A. being such a diverse city, you really saw the world come to life on the streets of L.A.”

The World Cup exceeded expectations, Schloessman said, delivering economic effects, local supplier opportunity and community engagement. LASEC hosted fan areas at 10 different locations, highlighted by the tournament-opening festival at the Coliseum. The City of L.A. hosted seven free “Kick It In the Park” watch parties. Sports bars and restaurants overflowed with customers who drank beer taps dry.

“It was just this six-week interlude of time when people liked each other and people were having fun together,” Schloessman said.

LA28 hopes to create a similar, harmonious energy during the Games with sports parks at major sports zones. Areas where multiple venues are clustered together, such as L.A. Live, Exposition Park, Long Beach, Inglewood and Carson, will have dedicated areas for pin trading, sport trials, entertainment zones and sponsorship activations.

Fans cheer during a watch party at LA Plaza de Cultura y Artes during a World Cup match between Mexico and Ecuador on June 30.

(Gina Ferazzi / Los Angeles Times)

While LA28 will be responsible for hosting official live sites for the Games, local communities can organize their own Games-time activities. LASEC worked with local organizations and businesses leading up to the World Cup to promote opportunities, including watch parties, meetups or themed decorations while still adhering to strict rules regarding FIFA broadcasts and logos. LA28 will provide similar guidance leading up to the Olympic and Paralympics Games.

“It is our responsibility, with the organizers, with the authorities, to create an Olympic experience for as many people as possible,” said Pierre Ducrey, International Olympic Committee sports director, who was impressed by the atmosphere of a FIFA fan event in Kansas City where he attended a match featuring his native Switzerland facing off against Argentina. “Whether they have a ticket to be in the stadium or they don’t, we want to create special moments for them that they can remember.”

LA28 sold more than 4 million tickets in its first ticket drop, and after last week’s presale, the second drop will resume Aug. 10. With 14 million tickets available, the 2028 Games could break the sales record set by Paris 2024, which sold 12 million tickets between the Olympics and Paralympics.

The biggest World Cup ever also boasted the highest attendance, but some of the tournament’s best parties came outside of stadiums.

Santa Monica put screens on every block of the Third Street Promenade for World Cup watch parties where patrons were allowed to carry alcoholic beverages within a specific area of the open-air mall. More than 40,000 people walked through a fan hub on the Santa Monica Pier. The city closed down more than a mile of downtown Santa Monica during the World Cup final for a block party that attracted 20,000 people.

And, Santa Monica Mayor Caroline Torosis proudly emphasized, it was free.

“I think major global events have an extractive history,” Torosis said. “We are trying to change that. We are also trying to use it as an opportunity to showcase the city itself. So how do we benefit our local community but also reintroduce Santa Monica to the region?”

Santa Monica balked at the chance to host competitions for the 2028 Games. Talks to host beach volleyball near the iconic pier broke down in 2025, six months after a study indicated that being a venue city could result in a net loss of $1.45 million, while not hosting the competition could still generate $10.65 million in profit because of the city’s status as a popular tourist destination.

Santa Monica already has deals in place to host hospitality houses for several countries in 2028, including France and Switzerland. Broadcast partners will set up studios on the city’s iconic pier. With plans for watch parties and other accessible celebrations for fans, Torosis envisions Santa Monica being “the place to be” during the Games.

“We are prepared for the influx of people that are going to be in the city,” Torosis said. “I think that FIFA was a great dry run.”

Inglewood was at the center of the World Cup with eight matches at SoFi Stadium. The city got an economic boost from an estimated 625,000 fans, including thousands who traveled to support their national teams without a match ticket, Inglewood Mayor James T. Butts Jr. said.

Fans from all over the world, sporting their country’s colors, flooded Market Street for the city-hosted Wood Cup festival to begin the tournament. Packed prematch marches stunned organizers who were unfamiliar with the tradition. While SoFi Stadium’s name was changed to “Los Angeles Stadium” per FIFA’s sponsorship rules, broadcasters still emphasized they were in Inglewood.

“It really gave a boost to community pride that Inglewood is now an international city,” Butts said.

Inglewood will remain the setting for the mega-event story. SoFi Stadium, in addition to hosting a second Super Bowl in five years, is the scene for the 2028 Olympic opening ceremony — which will be shared with the Coliseum — as well as Olympic swimming and the Paralympic opening ceremony. Neighboring Intuit Dome will host the Olympic basketball tournament.

The consistent stream of global events doesn’t faze Butts. In a city that will have hosted an NBA All-Star Game, eight World Cup matches and another Super Bowl in less than a calendar year, the Olympic chapter is already written.

“We do it time and time again,” Butts said. “This is what we do.”

Aug. 4 (UPI) — The U.S. labor market saw an increase in the number of hires in June despite a drop in the number of job openings, the Bureau of Labor Statistics said Tuesday.

Some of the highest decreases were seen in the number of jobs in education and health services, which lost some 133,000 jobs, or 8% since May.

But overall, hiring increased in June by 96,000, according to the most recently available data from the Job Openings and Labor Turnover Survey.

“Put together, the labor market is finding steadier footing,” Nicole Bachaud, a labor economist at ZipRecruiter, told CNN.

Experts had expected the number of available jobs to drop in June, CNN reported.

“Hires ticking up even as postings slow is the kind of detail that keeps this from reading as a market losing steam,” Bachaud added to the outlet. “Whether that holds through the summer will depend a lot on whether prices and consumer spending stabilize or keeps sliding.”

But Dan North, a senior economist with Allianz Trade, said the numbers are not strong enough to suggest a dramatic shift in the jobs market.

“The wheels are not coming off the bus — there’s certainly not negative job growth at the moment,” North told CNN.

“It’s stable, somewhat solid, but there are signs of decay and shakiness underneath,” he added.

While FBI poll monitoring is not new, US lawmakers raise alarm amid Trump’s years-long, evidenceless claims of election fraud.

The US Department of Justice (DOJ) has announced it has sent federal monitors to polls in four Democratic-leaning cities in Michigan, amid warnings that the administration of United States President Donald Trump could use such monitors for partisan aims.

The DOJ announced the monitors would be present during Michigan’s primary vote on Tuesday as part of an effort to “ensure free and fair elections nationwide”, according to Assistant Attorney General Harmeet Dhillon.

“The Department of Justice is devoting extensive resources to ensure uniform and nondiscriminatory monitoring,” it said.

While the department has for decades overseen an election monitoring programme to ensure compliance with federal civil rights laws, lawmakers and advocates have raised concerns over how such a programme could be used under the current administration.

Trump has for years alleged, without evidence, that US elections have been marred by widespread fraud. He has never acknowledged his 2020 loss to US President Joe Biden.

Michigan has played a major role in those claims.

In a primetime speech delivered in mid-July, Trump re-upped a previously concluded probe into alleged voter fraud in the city of Muskegon as he called on the FBI to reinvestigate the case. Local officials had already determined that several voter registration forms had been fraudulently filled out in the city by employees of a consulting firm attempting to falsely reach their quotas.

No fraudulent ballots were cast in connection with the fake voter registration forms. State officials have highlighted the situation as proof of the efficacy of their election security practices.

The announcement on Tuesday came weeks after the Department of Justice said it planned to monitor 15 jurisdictions across six states: Arizona, Massachusetts, Michigan, Minnesota, New Hampshire and Virginia. The DOJ has said it will expand the use of monitors leading into November.

The department did not give a reason for why the four Michigan cities –  Detroit, Hamtramck, Lansing, and East Lansing – were selected.

Detroit, Lansing and East Lansing are all heavily Democratic leaning. Hamtramck, considered the first Muslim-majority city in the US, has historically leaned Democratic, but has shifted increasingly Republican in recent years.

Residents of the state on Tuesday were casting ballots to determine party nominees in local, state and US Congressional races for the midterm election in November.

Key races include a fierce Democratic Senate race, with progressive Abdul El-Sayed hoping to defeat US Representative Haley Stevens, widely viewed as a weathervane for the party’s future.

Voters will also decide the candidates for the gubernatorial race, with Trump-backed US Representative John James facing off with former presidential candidate Perry Johnson on the Republican side, as Democrat Jocelyn Benson, the current Michigan state secretary, is expected to sail to victory in her party’s primary.

Democrats ask for assurances

In a letter to the Department of Justice dated Monday, 10 Democratic senators asked for assurances that FBI monitors deployed across the country will not “target jurisdictions in a partisan manner; discourage voter participation or interfere with the voting process; or pressure, harass, or interfere with state and local election officials as they do their jobs”.

They noted the wider context in which the monitors are being deployed, including efforts by the Trump administration to obtain state voter rolls. On Tuesday, a judge ruled the administration could not access Colorado’s voter data, the latest in a string of similar rulings.

Trump has also called for Republicans to “nationalise” elections. Under the US Constitution, state governments administer elections, in a system of decentralisation that advocates have long argued protects against wholesale interference.

The senators said that the DOJ has characterised the monitors as “routine” and “non-partisan”.

“However, it would be remiss not to acknowledge concerns that monitors are being deployed disproportionately to jurisdictions in states governed by Democratic leaders or with Democratic chief election officials,” they wrote.

“Moreover, election monitors are being deployed in the context of President Trump’s ongoing threats to nationalise, militarise, and otherwise interfere with the conduct of free and fair elections.”

Four years ago, Knott’s Berry Farm was faced with a decision.

Its 1978 ride Montezooma’s Revenge was the first-ever coaster built with a flywheel launch system — a large, highly visible, circular drum-like mechanism with a cable attached to it — and an important piece of the theme park’s history.

But the coaster was in need of refurbishment and they don’t make things like they used to. The flywheel design, once an advanced piece of machinery that allowed Montezooma’s to go from zero to 55 mph in less than five seconds, was no longer in vogue. Replacement parts weren’t going to be easy to come by, if possible at all.

So would they attempt to reimagine Montezooma’s Revenge, or use its footprint for another attraction?

“Nobody else really attempted a full-speed, ground-level launch until later in the ‘90s,” says Jeremy Thompson, who writes coaster analysis on his website Roller Coaster Philosophy and worked for a decade at theme park design firm Thinkwell. “It was way ahead of its time.”

It would have been a shame, roller coaster historians argue, to lose Montezooma’s Revenge. Thankfully, Knott’s Berry Farm agreed, and after four years and a $20-million investment, Montezooma’s, now rebranded as Montezooma: The Forbidden Fortress, is set to soft open in the coming days. A grand opening media event, postponed from last month, is slated for Aug. 14.

The entrance to the newly remodeled Montezooma: The Forbidden Fortress.

(Jess Boyer / Knott’s Berry Farm)

“We thought quite a bit about, ‘If we take this out, what would we put in there?’” says Knott’s Berry Farm Park President Raffi Kaprelyan. “But the answer we always came back to was, ‘Why would you do that?’ This is a perfectly unique ride.”

He adds: “An iconic ride like this, you want to maintain as long as possible.”

The coaster was planned to be named Loco Motion, but it was rebranded as Montezooma’s Revenge after a popular band with the same name that would regularly perform at the park, says Nicholas Laschkewitsch, a coaster historian and documentary producer with nonprofit American Coaster Enthusiasts. At the time of its opening, it was the tallest roller coaster in the world, thanks to 148-foot spikes. It’s also the oldest looping shuttle coaster in its original location, a shuttle coaster being a ride without a complete circuit, meaning here guests are propelled out of the launch station in a linear path through a loop and then backward through the whole course.

The loop on Montezooma: The Forbidden Fortress.

(Jess Boyer / Knott’s Berry Farm)

”A shuttle coaster is certainly not as novel as it once was,” says Laschkewitsch, who also works as a designer at experiential art firm Meow Wolf. “But I think it’s very much a part of the DNA of Knott’s Berry Farm. It’s most people’s first looping coaster who grew up in Southern California. They deserve a lot of credit for investing in [a type of] ride a lot of other parks have thrown out.”

Designed by coaster mastermind Anton Schwarzkopf, Laschkewitsch says there’s only one remaining Schwarzkopf-created flywheel coaster using its original launch system in existence, and it’s in Japan at Nagashima Spa Land. Schwarzkopf was also behind the Great American Revolution at Six Flags Magic Mountain, which opened in 1976 as the world’s first modern vertical looping roller coaster.

“He was a genius as far as how to bank track, and how to physically manufacture track,” Laschkewitsch says. “His rides were as smooth as glass. The fact that he was able to do this without computer technology is incredible.”

The Knott family rides Montezooma’s Revenge on its opening day in 1978.

(Knott’s Berry Farm)

So what’s changed in the refurbishment? Montezooma’s has been remade with new cars, enhanced thematic touches lightly inspired by Maya designs, and boasts both a brand new track as well as a refreshed launch system. It now blasts out of the station with electromagnetic propulsion, technology, says Thompson, that is found on virtually all modern launch coasters (see Disney California Adventure’s IncrediCoaster, which also jolts from zero to 55 mph in five seconds).

That means there will be a difference in “feel” at the launch. Thompson compares it to riding in a modern electric vehicle versus, say, a 1970s hot rod. “You’re losing something there,” he says.

Namely the instantaneous tension, says Laschkewitsch, which will now be smoothed out. “There’s just something special about how that flywheel launch really kicked you in the face,” he says.

A look at the reimaged Montezooma: The Forbidden Fortress.

(Jess Boyer / Knott’s Berry Farm)

The coaster in its initial form lasted just 38 seconds. That won’t necessarily change with Montezooma: The Forbidden Fortress, but Kaprelyan says the new ride system will allow the park to offer different ride profiles. The electromagnetic track, for instance, can jolt guests forward, and then tease them by reversing course, lending a linear coaster a sense of surprise.

Those changes are coming down the road, but probably not until the ride has been open for about a year. “The ride will maybe take you up to the front a little bit, and then shoot you back up the hill, and then shoot you forward again,” Kaprelyan says. “There will be different sequences.”

And overall just a different tone. When all is working properly, the coaster will launch through a haze of fog effects. And it’s blessedly no longer associated with an unsavory name that potentially had some negative cultural implications. Understandable, and the right call says Thompson, but “it kind of loses that zany ‘70s humor.” Prepare to hear fewer potty jokes at Knott’s Berry Farm.

This week in SoCal theme parks

A dementor puppet moves through the train in “Harry Potter: A Hogwarts Express Adventure.”

(David Fouts / For The Times )

• ‘Fast & Furious’ coaster watch, 2026. The big theme park story last week was the unexpected soft launch of Universal Studios Hollywood’s Fast & Furious: Hollywood Drift. The ride is operating in “technical rehearsals,” meaning it doesn’t yet have a formal opening date. Think of it as a final testing phase. Wait times have often stretched beyond two and a half hours, with some reporting lines closer to four hours. Heads-up, though, if you’re thinking of heading to the park this week, as according to notices given to park neighbors in Toluca Lake, the coaster is not expected to be welcoming guests Tuesday through Friday.
• Take a magical train ride. The Southern California Railway Museum in Riverside County is now allowing guests to experience history with a bit of mysticism, as it has temporarily turned into Platform 9 3⁄4 to host “Harry Potter: A Hogwarts Express Adventure.” A one-hour theatrical experience, expect wands, house sorting and, instead of a drink cart, a larger-than-life demonic puppet. Like all things Potter in 2026, the event has attracted some detractors due to J.K. Rowling’s anti-trans rhetoric and political funding. The Times’ Emily Tarinelli has the details.
• Changes afoot at Knott’s Soak City. The Orange County water park is welcoming two brand new attractions next year that will be replacing the current Shore Break slide complex. Look out for Coral Craze, a saucer-like attraction that boasts five riders per slide and is designed to mimic a ski course. Joining it will be Kelp Kraze, also a five-person experience, but this one more of a raft-like slide.
• The ‘Prince of Darkness,’ resurrected. Universal Studios Hollywood has rounded out its haunted house lineup for Halloween Horror Nights with a maze dedicated to the late Ozzy Osbourne. Dubbed Ozzy Osbourne: Prince of Darkness, the haunt will focus on bringing to life imagery from Osbourne’s solo career. The park has previously created a house inspired by the work of Osbourne’s Black Sabbath. Halloween Horror Nights begins Sept. 3.
• ‘It,’ reimagined. Inglewood’s Cosm is embracing horror for its next all-encompassing, wrap-around production. The venue, which boasts a high-definition spherical screen that stretches above, below and ever-so-slightly behind viewers, will on Aug. 28 begin showing 2017’s “It,” the Andrés Muschietti film based on the novel by Stephen King. Like past Cosm screenings, the venue will create CGI imagery to complement the core film.

Tell us your stories. Ask us your questions.

Have a theme park tale to share? Whether it was a good day or less-than-perfect day, I would love to hear about it. Have a question? A tip? A fun photo from the parks to share? Email me at todd.martens@latimes.com. I may feature your note in an upcoming newsletter.

Ride on,

Todd Martens

P.S.

My least favorite theme park topic to cover is price increases, as parks are already an investment to visit. Yet the Disneyland Resort keeps making affordability a story. Even more food price hikes have hit the resort, after an earlier round just a couple weeks ago. I’m sad to say they’re increasingly egregious, including, as Disney Food Blog noticed, a $3 increase to $31 on a so-so cheeseburger at Trader Sam’s Enchanted Tiki Bar. Sigh.

There’s head-scratching high prices throughout the resort, including a bump on a relatively small square of churro toffee, which now sells for nearly $10. It’s tasty, but I’m here to tell you it’s not worth it. I stopped buying the delectable when it topped $8, as it was no longer a respectable value at that price point. Instead, support a local bakery.

Maurice Jones-Drew will forever be etched into the memories of the Bruin faithful.

Whether it was his 322 rushing yard and five-touchdown performance against Washington in 2004.

Or his electrifying punt returns — boasting a career average of 23.2 yards per return which ranks second in NCAA history.

Or his unanimous All-American selection as an all-purpose back and returner in 2005.

The tailback captured the hearts and eyes of everyone who watched.

And while the current generation of Bruins never saw the three-time Pro Bowler play in the blue and gold, they will see the same surname stitched on the back of a UCLA jersey in 2027 with three-star recruit Duece Jones-Drew, who committed to his father’s alma mater on May 3.

Despite Maurice’s affinity for the place he once called home, he hoped that his son would not follow his footsteps to Southern California.

“I wanted to push him away from UCLA as much as possible because I wanted him to go there because he wanted to go there,” Maurice said. “I wasn’t really involved in the recruitment as much because I wanted him to enjoy and go through this process like I did. I wanted him to go to a school that he wanted to go to because it’s his football career. It’s his life. It’s going to be his journey, and I wanted him to feel comfortable wherever he went.”

So the 2017 UCLA Athletics Hall of Fame inductee stuck to his word.

Duece talked to all the coaches. The 5-foot-8 De La Salle running back visited other schools without his father to eliminate any bias or influence. He even drove down by himself from the Bay Area to Los Angeles for UCLA’s Junior Day.

And initially, it looked like Duece was going to stay away from his father’s alma mater after the firing of head coach DeShaun Foster and the potential exit of running backs coach AJ Steward.

But new head coach Bob Chesney retained Steward and the running backs coach encouraged Duece to attend Junior Day.

And shortly after Duece visited UCLA, he knew where he wanted to play — so much so that his parents had to stop him from committing too early.

“Coach Chesney came in and he really changed my mind on what UCLA was, and coach Steward really was on me about getting to campus and experiencing what the new coaching staff was like,” Duece said. “I went there for the Junior Day in January and I fell in love. I love what they believe in and how they compete every day to be the best version of themselves.”

Despite the urge to commit on the spot, the three-star prospect heeded his parents’ advice and took his final visits to the other schools on his list, which included California, Arizona and Utah.

And after juxtaposing his experiences on all his other visits to his experience in Westwood, he had a clear decision.

“My parents always taught me to be myself, and I knew that UCLA was the best school for me, education-wise, and having my dad be there and be such a great player there as well,” Duece said. “I wanted to commit when I went down there in January, but I listened and waited, and I feel like that was the best decision for me. To go visit other schools and see where UCLA stood on my board, and they stood leaps and bounds above Cal and Arizona.”

Throughout the recruitment process, Maurice worried that it would be easy for people to assume that his son only got offered by UCLA because of his legacy there or that he pushed him to commit to the Bruins.

But despite all of the encouragement he gave his son to not hastily pick UCLA, when Duece made his commitment official, there was no one more ecstatic.

“When he picked UCLA, I was excited. I don’t know what the word would be. It’s probably more than that,” Maurice said. “But I was happy that he felt comfortable going somewhere because these next three, four years are where you’re going to make the most leaps and bounds going from a young man to a man, and to be able to pick a school and feel the same way that I felt when I picked UCLA, it was everything I thought it would be.”

Maurice also noted that his son has the same opportunity he had when he committed to former UCLA head coach Karl Dorrell in 2002 — to turn around a struggling program and create a long-lasting legacy.

But that would only be possible with the right people at the top.

And for Maurice, it felt right with Chesney.

“We preach certain things in our household, and coach Chesney preaches and practices those things,” Maurice said. “Hearing coach Chesney talk, hearing all the coaches talk, their strength staff, their training staff — everybody’s on the same page. It’s constant communication. They have a plan of how they operate, how they raise young men on and off the field. It’s a great opportunity to go to a place that needs to be put back where it needs to be.”

Above all, Maurice is looking forward to being a fan.

“I know he’s a terrific player, he’s a great student and I’m excited to see what he can do,” Maurice said of his son. “I don’t know if I still have any records, but if I do, I’m sure they’ll be broken by the time he’s out of there. I can’t wait to watch him and cheer for him and love him up and hug him and do all the stuff that dads get to do when they watch their boys.”

Time for the Bruins to go camping

UCLA preseason camp kicks off on Thursday on the UCLA campus. Chesney and his staff will lead the Bruins through workouts at Great Park Sports Complex in Irvine from Aug. 10-14. Many coaches opt to spend at least a few days away from campus during preseason workouts to promote more team bonding. UCLA will kick off Chesney’s debut season at Cal on Sept. 5.

Betts wins prestigious Honda Cup

UCLA center Lauren Betts shoots over Duke’s Toby Fournier during an Elite Eight game in Sacramento on March 29.

(Eric Thayer / Los Angeles Times)

Former UCLA All-American Lauren Betts earned one more award to cap her successful run as a Bruin.

Betts was named 2026 Honda Cup winner at the Collegiate Women Sports awards last week, becoming the seventh Bruin and 20th basketball player to win the top award in college women’s sports. Honda awards are presented to top performers in 12 NCAA sports and they compete for the top overall prize — the Honda Cup.

Betts helped UCLA win its first women’s basketball NCAA national championship, earning the tournament’s most outstanding player award. She led UCLA in scoring (17.1) and rebounding (8.8) while averaging 27.7 minutes per game.

In case you missed it

Bob Chesney, UCLA top players share their belief Bruins will win at Big Ten media days

Plaschke: Bob Chesney is going to do the impossible at UCLA — win

Big Ten commissioner pushes back on talk of breaking away from NCAA with SEC

Teen obtained UCLA jersey worn by Kareem in trade for his radio. Decades later, he’s set to make a fortune

UCLA Unlocked: Are you ready to make room on the Bob Chesney bandwagon?

Have something Bruin?

Do you have a comment or something you’d like to see in a future UCLA newsletter? Email newsletters editor Houston Mitchell at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.

As Israel gears up to hold elections in October, a dramatic surge in settlement activity has heightened concerns that the settler movement is stepping up efforts to cement its grip on the occupied West Bank, in stark defiance of international law.

Last week, the United Nations warned that attacks by Israeli settlers – often carried out alongside Israeli forces – and the creation of illegal settlements and outposts had hit “an all-time high”.

The uptick comes as members of Israel’s hard right seek to ratchet up the political temperature ahead of the crucial polls. It also follows a parliamentary term during which Israel moved to entrench control over the West Bank deeper within the machinery of the state, shifting authority from military administration to civilian institutions, accelerating settlement planning and expanding infrastructure.

However, the Religious Zionist Party of Finance Minister Bezalel Smotrich – the man widely credited as pushing the settler project to the forefront of Israeli political debate – is suggested by numerous opinion polls to be far from certain to even meet the electoral threshold for the post-election Knesset.

This has prompted what analysts describe as a desperate scramble to promote the settlement mission while consolidating the support of the settler minority that Smotrich grew up within.

Speaking at a meeting of Prime Minister Benjamin Netanyahu’s right-wing Likud Party in late July, Israel’s Defence Minister Israel Katz boasted that, under the governing coalition and Smotrich’s supervision, Israel had approved the establishment of 104 illegal settlements and some 160 settlement farms in the West Bank since coming to power in 2022, according to Israeli media.

In August of last year, Smotrich announced the creation of the E1 settlement project, linking occupied East Jerusalem with the existing settlement of Maale Adumim, located several kilometres to the east – a proposal which, Smotrich bragged, “buries the idea of a Palestinian state”.

The race to settle

Smotrich, who made increased administrative control over the West Bank a condition for supporting Netanyahu’s right-wing coalition in 2022, has undertaken a series of measures to expand the influence of settlers within policymaking.

In 2023, he established his influential Settlements Administration agency within the Ministry of Defence – which oversees the West Bank’s occupation. And last month, he legally embedded the agency within the ministry, making it harder to reverse any of the decisions taken under its watch.

Israeli political analyst Nimrod Flaschenberg said it is “hard to imagine” that Netanyahu “won’t come up with some kind of imaginative ploy to keep him and the far right on the ticket”, referring to Smotrich.

“He has very strong support within the settlements and the ideological far-right,” Flaschenberg added, “but that might not be enough in and of itself to get him securely past the threshold. He’s being squeezed between the populism of [far-right Israeli National Security Minister Itamar] Ben-Gvir and what many people in the lower middle class see as the security of Netanyahu.”

Keeping the hard right

Allied to Smotrich is a prime minister who observers describe as facing not simply an electoral battle, but an existential battle for both his freedom – as a consequence of his long-running corruption trial – and legacy, should the independent inquiry into his failings ahead of the Hamas-led attack of 2023 go ahead.

Given the stakes, some analysts have suggested the incumbent was far from ready to gamble on losing the support of Israel’s hard right and settler movement by condemning the increasing levels of violence in the West Bank.

“We saw him come out on US TV and concede that there may have been a few incidents in the West Bank, but nothing serious,” Chatham House’s Yossi Mekelberg said of Netanyahu’s response to the widespread violence that has swept the West Bank in recent weeks.

“He needs the hard right and settlers’ support, if not for him individually, then at least for his bloc.”

While Netanyahu may feel he has room to manoeuvre over the hugely controversial issue of ultra-Orthodox conscription, no such margin existed within the hard right and settlers. Ultra-Orthodox parties, a key component in the 2022 coalition government, have made the exemption of their constituents from the draft – which almost all Israeli adults are eligible for – a pillar of their political campaigning in recent years.

“Netanyahu knows that the ultra-Orthodox will likely stay with him,” added Mekelberg. “The settlers are more binary. You’re either for them or against,” he said.

Cresting the wave

Irrespective of electoral tactics, the consequences for people living in the occupied West Bank have been catastrophic. In July alone, according to the Palestinian Authority’s Colonization and Wall Resistance Commission, there were 2,256 attacks against Palestinians and their property: 1,458 by the Israeli army and 798 by settlers.

After Yair Golan, leader of the opposition Democrats party, offered a rare criticism of the settler “extremism” which triggered the latest round of violence, Katz accused him of spreading a “blood libel”.

According to leaks of the same meeting in Hebrew-language media, other ministers present called for a harsher response to any resistance from Palestinians, and for the military to be given even greater freedom to shoot at them.

“As the election gets closer, we’re seeing an even greater increase in the violence that’s been escalating ever since October 2023,” said Yair Dvir, of the Israeli rights group B’Tselem.

“It’s important to add this isn’t just the scale of the violence, but also its brutality and the participation of the Israeli state – both the soldiers and the political support they’re receiving.”

Iran and Oman are reportedly closing in on a deal that would give the Islamic Republic full control over ships entering the Strait of Hormuz. This comes as a tenuous pause in fighting between the U.S. and Iran enters a sixth day and a day after U.S. President Donald Trump insisted that Iran would fully open the vital chokepoint today or face new and more intense attacks that would include powerplants, other civilian infrastructure and even strikes on leadership. Iran largely closed the Strait after it was hit by the U.S. and Israel on Feb. 28. The American leader is pushing a rekindled effort to find a diplomatic off-ramp to a conflict that has killed 18 American troops, wounded hundreds more, drained U.S. weapons stocks and roiled international relations and global financial markets.

Highlighting the precarious nature of vessel transits through this narrow passage between Iran and the United Arab Emirates (UAE), another ship was struck by Iran overnight as it was leaving the Strait, a maritime security official told TWZ.

The Gulf of Oman, which is the eastern approach to the Strait and the Persian Gulf, is largely controlled by Iran to the north and Oman to the south. Under the emerging agreement between those countries, “vessels heading into the Persian Gulf will transit a channel controlled by Iran, and close to its coast. Ships leaving the Gulf will travel on a channel near Oman,” The New York Times reported.

Both Iran and the U.S. are already following this general traffic pattern, with the U.S. Navy recommending transits close to the Omani coastline and Iran pushing shipping toward its shores. The middle of the Strait has been deemed too hazardous because of the threat primarily from mines. The new plan being pushed by Iran and Oman would expand the use of these traffic patterns. Unless there is some special cutout made in the deal, it could require the U.S. Navy to seek permission to enter the Persian Gulf and then have to make the transit deep in Iranian waters, giving American warships degraded defensive options and putting them in the heart of Iran’s weapons engagement envelope.

While Iranian officials say that they won’t impose tolls, the accord does include a charge for service fees to cover the environmental impact of the shipping, security for the cargo ships and tankers, and staffing, the publication added. Revenues would be divided equally between Iran and Oman, two Iranian officials told the Times.

Reuters reported on Tuesday that “Tehran ​is unlikely to change its position,” because it has already shown flexibility by moving from its initial position of seeking full control over ​traffic in both directions in the strait.

But a U.S. official familiar with the negotiations told the Times on Monday that the Iranian account was “not accurate,” and said that any “temporary” routes established through the strait would not involve approvals or permissions by Iran, and would involve no tolls.

In the spirit of Zeus’ law to be generous toward guests, I’m honored to welcome classics professor Emily Wilson to the land of film criticism. As she’s recently learned, it’s an adventure that sails smack into islands of musky internet trolls and clashes with cinematic and literary titans like Christopher Nolan and Joyce Carol Oates.

Nolan credits the opening line of Wilson’s 2017 translation of Homer’s “The Odyssey” — “Tell me about a complicated man” — as partly inspiring his adaptation of the ancient epic, which, nearly a month into its release, is soldiering toward a billion-dollar box office gross. Symbiotically, Wilson’s edition is now the No. 2 bestselling book in the country. That Wilson’s incendiary essay in the London Review of Books revealed she doesn’t think much of Nolan’s blockbuster struck some as hubris, including Oates, who took to social media to decry the scholar’s “tone of dismissal” and “haughty superiority.”

If you haven’t been following the controversy, Wilson felt that Nolan had flattened the saga by mostly erasing the Greek gods and Odysseus’ wit, lust and thorny contradictions. Oates likened the tone of Wilson’s critique to the “crude language of MAGA folks.” In short: Wilson snuck a 2,700-year-old poem through the gates of mainstream taste — and after that victory, her arrogance left her marooned.

Sounds familiar if you’ve read Homer. Less so if you’ve only seen the film. Wilson is right that Nolan’s movie lacks Odysseus’ egomaniacal brilliance.

I’m here to play peacemaker. Wilson adores Odysseus so much that she has his bow tattooed on her right leg. Frankly, Nolan doesn’t seem to like the wily, libidinous and violent trickster-veteran of the poem — half Rhett Butler, half Rambo in “First Blood” — as much as Wilson or I do. Because if he did, that Odysseus would be onscreen.

But having seen his movie twice, it’s obvious that Nolan is less interested in Wilson’s first line than her fifth: “Tell the old story for our modern times.” That, he’s done. His take on Homer is, as I wrote in my original review, “a moralistic ‘Oppenheimer’ prequel.” For the record, I like it anyway.

Film critics and translators start work in the same place. Step one: What is the artist’s intent? Wilson considered the entirety of Homer’s tale and decided the right word for polytropos was “complicated.” I weighed what Nolan chose to protect, tweak and abandon in his own version and concluded that he wanted to make an action-tragedy about societal decline.

Movies must be measured against their own ambitions. A stoner comedy can’t be graded like a Shakespearean drama (and vice versa). Here’s where Wilson runs aground. She wants to allow Nolan creative freedom, knowing that the Greek playwrights rebooted figures like Odysseus and Medea just like Marvel treats Spider-Man. There’s even a spinoff of the original poem in which Odysseus has kids with Circe.

Yet, storytellers have to protect the core of their characters. Medea must be angry, Spider-Man must be helpful and Odysseus, dang it, must have swagger. Damon doesn’t.

This is why Wilson deserves empathy even if she can’t bring herself to grant Nolan the same grace. As a professor of classics at the University of Pennsylvania, she’ll be on the front line of academics condemned to unteach Nolan’s heavily altered screenplay to students who will arrive quoting it chapter and verse. For decades to come, high school kids — probably even a few high school teachers — are just going to pop in his Blu-ray and call it a day.

Nolan does hit his target, eventually. Yet his script wobbles. He’s made a movie about Odysseus’ remorse for inventing the Trojan horse without a crucial scene: the moment he invents it. We see Odysseus silently stroll the beach outside Troy, but not the pride he must have felt running back to base to pitch an idea that will finish the war and let his allies go home. The emotional arc Nolan wants to trace should start there. The beat’s absence is confounding since Odysseus also needs to appear clever (and never does).

This is what it means to measure a film against its ambitions. Only after we accept that Nolan is solely interested in human mistakes can we gauge his disregard for the Greek gods. I dig that choice — it’s bold — yet still think he flubs it by not replacing the magical powers of Charlize Theron’s Calypso and Zendaya’s Athena with, say, a personality. What a waste of two terrific actors. It’s no wonder Oates stuck up for him. Her novel “Blonde” also stripped the agency from love goddess Marilyn Monroe and its own 2022 movie adaptation launched a thousand hot takes.

There will never be a faithful modern film version of “The Odyssey.” No, not even whatever AI slop Elon Musk claims he’s green-lighted, a project I’m sure will come to fruition as fast as his any-year-now claim that he’s landing on Mars.

The issue isn’t just the poem’s length. It’s that today’s audiences have zero stomach for happy endings about horrible wrongs. We can barely rationalize the slaughter of the suitors. No one wants to watch Homer’s gory scene after that, when Telemachus cruelly orders a dozen enslaved girls to clean up the mess and then executes them too.

Only a seven-and-a-half hour Italian miniseries produced by Dino de Laurentiis in 1968 dares mention that second bloodbath and even in that, the women are hung offscreen after we’ve been assured (fictitiously) that the maids tried to kill them first. (Side note: Dino’s Penelope, played by the mighty Irene Papas, is my favorite.)

Previous movie adaptations of “The Odyssey” soft-pedal or ignore the hero’s postwar PTSD. You catch a glimpse of it in the two-part NBC special from 1997 in which Armand Assante’s Odysseus rescues a Trojan toddler. But mainly, he spends more time hot-tubbing with Vanessa Williams’ Calypso.

That’s not a knock. The ’90s “Odyssey” is as tacky as Caesars Palace but Assante’s smooth-talking horndog is closer to my ideal Odysseus than Damon’s neutered mope. He sleeps with both Calypso and Circe and still earns his tender reunion with Penelope by choosing her beloved wrinkles over those gods’ immortal perfection. (For what it’s worth, Oates is a fan of it too. Wilson has yet to comment.)

Only the two most recent versions — Nolan’s and Uberto Pasolini’s 2024 “The Return,” starring a sinewy Ralph Fiennes — center on Odysseus’ culpability for the carnage of the Trojan War. Damon’s Odysseus is numbed by the massacre of Troy’s civilians; Fiennes’ hates himself for leading the best men of Ithaca to their death, gutting his own community in the heedless destruction of another. I’m tempted to diagnose the current gloom as the result of our own post-9/11 forever wars.

The 21st century has seen enough genocide for Homer to compose a hundred sequels. Only those stubbornly ignorant to the human cost of actual combat would be psyched to bring on more of it. (Just ask the veterans in my family how they feel things are going in Iran.) At the end of “The Return,” when Fiennes stands entrail-smeared before his beloved Penelope, she recoils from the horror of the battlefield brought right into their home.

That interpretation has its flaws too. The middle stretch has a concocted outdoor chase sequence that feels like a clumsy campground slasher. Wilson applauded its “stylish sparseness.” Fair enough. I’d still love to invite her and Nolan and even Oates to a banquet of wine and roasted fowl and have a blast agreeing to disagree. No weapons allowed.

Brazilian UFC flyweight Allan Nascimento has died after suffering an apparent heart attack in his sleep, the organization announced. He was 34.

Nascimento was found unresponsive Monday morning, according to the UFC, and was pronounced dead at the scene “despite the efforts of the responding medical team.”

He is said to be survived by his wife and two children.

“Our thoughts and deepest condolences are with Allan’s family, friends, teammates, and loved ones during this incredibly difficult time,” UFC wrote on social media.

At 5 foot 9 and 126 pounds, Nascimento built a reputation “as a skilled competitor and consummate professional,” according to a tribute posted on the UFC site, while compiling a 4-2 record in the Octagon and 22-7 overall (16 wins by submission).

Nascimento started training at the famed Chute Boxe Diego Lima academy in his hometown of Sao Paulo, Brazil, at age 15. It was there that he was given his nickname, Puro Osso, which is Portugese slang for “skin and bones.”

“When I joined my academy, I was extremely thin,” Nascimento told the website Sherdog in 2021. “I weighed nothing. As soon as people saw me, they called me ‘Puro Osso.’ The nickname stuck.”

Nascimento’s first MMA fight was in 2011, with his UFC debut coming 10 years later. His final bout was a split decision loss to Mitch Raposo at UFC Fight Night 279 in Las Vegas.

On Monday, former UFC lightweight champion Charles Oliveira posted several tributes to his close friend and Chute Boxe Diego Lima teammate on his Instagram Story.

“Today I lost a brother that fighting gave me,” Oliveira wrote in Portugese. “Thank you for always being there, for sharing the mat and the corner, and for your words. I’m just so grateful for having you by my side, brother, in training, in the corner and when hanging out. I love you, kid.”

Fellow Brazilian UFC fighter Caio Borralho commented on UFC’s Instagram post about Nascimento’s death: “He was one of the most kind fighters that’s I’ve ever met! Polite, good energy and always in good spirits! He will be missed.”

UFC Brazil reporter Evelyn Rodrigues wrote in the comments: “One of the kindest souls I’ve ever had the privilege of knowing through MMA. Rest in peace, Allan.”

More than 100 Palestinians whose bodies were trapped beneath rubble for nearly three years have been laid to rest in Gaza City, in one of the largest mass funerals held in the enclave since Israel’s genocidal war on Gaza began.

Thousands of people gathered on Tuesday to bury the remains of 112 members of the Abu Sharia and al-Hasayna families after rescue teams recovered their bodies from the site of a November 2023 Israeli attack in the Sabra neighbourhood.

According to Palestinian officials, the November 22, 2023 attack killed 308 members of the two families, including 40 children, 30 women and seven people with disabilities.

Rescue teams recently recovered more than 100 bodies from the site, allowing families to hold funeral prayers and burials. Palestinian authorities say about 157 people remain missing, either still beneath the rubble or otherwise unaccounted for.

Rows of coffins draped in Palestinian flags were carried through Gaza City as mourners gathered for the funeral. Large banners bearing photographs of the victims were displayed alongside calls for an end to Israel’s war on Gaza that began in October 2023.

‘Exceptional and painful scene’

The Palestinian Civil Defence in Gaza described the funeral as one of the largest held in the territory during the war, with spokesman Mahmoud Basal posting on X that Gaza was “set for an exceptional and painful scene”.

He said the funeral procession reflected the scale of the human losses suffered by Palestinian families who have waited years to bury their relatives.

The funeral also prompted an outpouring of grief from Palestinian researchers, activists and human rights advocates, many of whom said it symbolised the suffering of families still waiting to recover loved ones buried beneath the rubble.

Mustafa Barghouti, secretary-general of the Palestinian National Initiative, described the funeral as potentially being “the largest funeral in Palestinian history”.

Palestinian researcher Mahmoud Hamed al-Aila said Gaza was “extracting the bodies of its children from under the rubble after years of genocide”.

“What heart can bear this pain?” he asked.

Activist Mohammed Haniyah said dozens of other bodies have decomposed or are still missing under the rubble.

Another activist, Ali Abo Rezeq, said the procession turned “massacre statistics into coffins and shrouds”, highlighting that some families searched through the rubble with their bare hands because of the shortages of heavy equipment.

Online bloggers, including Malik Al-Shanbari and Khaled Safi, viewed the funeral not merely as a burial ceremony, but as a “renewed testament to the scale of the tragedy left behind by the war”.

Ramy Abdu, chairman of the Euro-Med Human Rights Monitor, said around 200 members of the Abu Sharia family are still believed to be beneath the rubble, and that their remains may have decomposed.

The funeral also highlighted the fate of thousands of other Palestinian families who are still waiting to recover the remains of their relatives believed to be missing beneath the rubble across Gaza.

The funeral was held amid ongoing Israeli violations of a “ceasefire” agreement in October. As of Monday, continued Israeli strikes have killed at least 1,250 Palestinians and injured 4,110 others.

The so-called ceasefire deal was signed after more than two years of Israel’s genocidal war on Gaza, which has killed at least 73,375 Palestinians and wounded at least 174,220, most of them women and children.

About 90 percent of Gaza’s infrastructure has also been damaged or destroyed during the genocide.

Meanwhile, the Assembly of Palestinian Clans and Families called on the Western-backed Board of Peace to accelerate efforts to recover bodies still trapped beneath the rubble, clear the debris and support the reconstruction of Gaza.

It said the burial of 112 Palestinians may have marked the end of the long wait for some families, but it did not end the search for thousands of others still missing.

Oil prices fell to a three-week low on Tuesday as senior US officials raised hopes of a deal with Iran to reopen the key Strait of Hormuz waterway.

US Secretary of State Marco Rubio and Treasury Secretary Scott Bessent both announced talks had progressed to allow shipments to potentially resume as soon as this week.

The cost of a barrel of brent crude, the global benchmark for oil prices, fell by almost 5% to under $80 on the news of supply disruptions potentially being eased.

But the failure of previous negotiations in recent months to de-escalate the conflict between the US and Iran has led to a volatile oil market, with drivers ultimately being hit by higher fuel prices at the pumps.

On Tuesday, along with the drop in Brent crude, US West Texas Intermediate prices were down more than 5%, to $76 a barrel. Both contracts dropped to their lowest levels since 13 July.

US Secretary of State Marco Rubio said there had been progress made in discussions on getting more ships through the Strait with Iran and Oman.

“There’s been progress made in those talks, but not finality yet. We’re hoping that will happen very shortly,” he told reporters at the State Department.

Bessent said a deal to reopen the Strait of Hormuz could be agreed as soon as Tuesday or Wednesday.

There was a “chance we may have a deal today or tomorrow to open the strait and move towards a more normalized position in this conflict,” he told CNBC.

“It would be freedom of movement,” he added, when asked whether Iran would be allowed to charge for ships passing through.

While senior figures in the US government have announced talks have been progressing, no details of what a potential deal may look like have been released.

The Strait of Hormuz has been a central point in negotiations between the US and Iran. Before the conflict began in late February, the waterway handled about one-fifth of global daily oil and liquefied natural gas supplies.

The disruption has sent prices at the pumps up across the world. In the UK petrol prices are now at levels seen at the start of the conflict, with the average cost of a litre of petrol hitting £1.60, according to the RAC motoring group.

In the US, gasoline prices are on average above $4 a gallon, according to the AAA. Diesel is almost $5.40 a gallon.

Qatar, which is one of the key mediators between Washington and Tehran, said it was continuing efforts with other mediators to try to achieve a diplomatic resolution to the war, but admitted no direct talks were currently planned.

On Monday, President Donald Trump warned Iran faced its “last chance” to agree a deal to allow commercial shipping to resume in the Strait.

He said he had called off “massive” strikes on the country for talks to resume.

But Iran has said it was not negotiating with the US – and had no plans to do so – and is instead talking to Oman.

US stock markets were trading higher on Tuesday following news of the negotiations lowering oil prices and also in response to corporate results related to Artificial Intelligence.

Investors have experienced jitters on Wall Street as results from Big Tech firms indicate spending on the technology is set to continue to soar.

“Spider-Man: Brand New Day” opened to $360 million in the U.S. and Canada this weekend, pushing out 2019’s “Avengers: Endgame” to claim the biggest domestic debut in history.

“Records are made to be broken,” Sony Motion Picture Group Chairman Tom Rothman said in a statement Monday. “But we will take great pride in this one, for as long as we hold it.”

Internationally, the web-slinger picked up an additional $572 million for a worldwide total of $932 million. The film, which stars Tom Holland and Zendaya, was produced by Sony-owned Columbia Pictures, Marvel Studios and Pascal Pictures on a production budget of about $225 million.

By Monday morning, nearly everyone in the exhibition business was cheering.

The chief executives of AMC Entertainment Holdings, Regal and Cinemark Holdings all put out statements about record revenue at their chains, plus deep demand for merchandise, food and drinks. Cinema United trade group chief executive Michael O’Leary applauded the “great slate of films” that have populated theaters this year.

There’s a lot to be excited about here. Expectations for the film were high, but breaking a pre-pandemic record — previously held by an “Avengers” movie, no less — is a big deal.

“The buildup to what ‘Endgame’ was at $357 million just seemed out of reach,” Jeff Bock, senior box office analyst at entertainment data firm Exhibitor Relations, told me on Monday, referring to the previous domestic debut record. “It’s pretty gratifying to see that characters and emotions still matter in filmmaking. This movie was just really about relationships.”

That emotional core was a major focus for the filmmakers. When I spoke with producer Amy Pascal in the lead-up to the opening, she said there was no topping the multiverse storyline of 2021‘s “Spider-Man: No Way Home,” which featured the return of Tobey Maguire and Andrew Garfield. Instead, the filmmakers chose to go smaller, focusing on the internal conflict and loneliness of Holland’s Peter Parker after a spell forces his friends to forget him.

Spider-Man has always been one of the most popular superheroes. But not every Spidey film has had this level of box office success. What “Brand New Day” shows is that a strong story matters more to audiences than the name of the superhero alone — an important distinction as the genre has weathered an uneven track record in recent years. Just this summer, we saw stumbles from Amazon MGM Studios’ “Masters of the Universe” and Warner Bros. Pictures and DC Studios’ “Supergirl.”

The next test arrives in December with Walt Disney Co. and Marvel Studios’ “Avengers: Doomsday,” which “Brand New Day” teases in a post-credits scene, as well as throughout the film. “As audiences saw, it sets up exciting things to come,” Marvel Studios President and “Spider-Man” producer Kevin Feige said in a Sunday statement.

The recovery, by the numbers

Domestic box office revenue for the weekend totaled $436.5 million, according to data from Rentrak. Spider-Man accounted for 82% of it, but Christopher Nolan’s “The Odyssey” also hauled in $51 million in its third weekend, on its way to worldwide revenue of more than $912 million.

Together, the pair have combined for a unique, and telling, one-two punch. It’s the same phenomenon that drove moviegoers to A24’s “Backrooms” and Focus Features’ “Obsession.” Originality in storytelling really does matter, despite the plethora of reboots and sequels. And when moviegoers have more choices, they’re coming back, again and again, analysts say.

“These two films in particular have really turned moviegoing itself into the event,” Bock said. “The audience isn’t rejecting theatrical movies. They’re rejecting films that don’t feel essential.”

Domestic summer box office revenue to date now stands at nearly $3.6 billion, up 16.7% compared to 2025 and — importantly — only 0.7% behind the same period in 2019. Year-to-date revenue is about $6.2 billion, a 15.4% improvement from last year, though it still lags 2019 by 11.6%.

And with another blockbuster to come in December — Warner Bros. and Legendary Entertainment’s “Dune: Part Three” — analysts now predict 2026 domestic revenue is on track to reach $10 billion, a milestone that hasn’t happened since before the pandemic.

What could undo it

Here’s the catch. A major part of that recovery rests on volume: more titles, more genres, more reasons to leave the house on a given weekend. Which is exactly what a federal judge in Oakland is weighing right now.

Paramount Skydance’s nearly $111-billion acquisition of Warner Bros. Discovery has cleared the Justice Department, the European Commission and regulators in more than a dozen other countries. What it has not cleared is a coalition of 12 state attorneys general, led by California’s Rob Bonta, who sued July 13 to block the deal under the Clayton Antitrust Act.

On Friday, the parties each proposed their preferred dates for an antitrust trial over which U.S. District Judge Araceli Martínez-Olguín will preside as Paramount argues for its merger to proceed and the state attorneys general argue against it. The judge has said the states had presented compelling evidence the combined company would hold a substantial share of the wide-release theatrical distribution market — enough, she said, to presume the deal likely violates antitrust law. The Writers Guild of America has joined the states’ lawsuit.

Paramount has said the merger will benefit consumers, workers and the entertainment industry, and that the states’ claims of anticompetitive effects “are without any basis in modern market realities.”

Hollywood has seen this movie before. The last unaccounted-for variable from the pre-pandemic era is Disney’s 2019 acquisition of the entertainment assets of 21st Century Fox, which combined two studios and led to fewer theatrical releases.

Paramount Skydance chief executive David Ellison has promised the combined company will release a minimum of 30 films a year. Many in Hollywood have their doubts.

“If they’re able to execute on that promise of 30 titles a year, I think we’re going to accelerate even further,” said Daniel Loria, a senior vice president at The Box Office Co. “We’re on a great trajectory. But there are serious questions that remain on their capacity to do so, and what the impact of another slowdown in releases from a major studio would bring.”

Paramount has said it won’t close the deal before June 2027 unless the litigation resolves sooner, and is pushing for a November trial; the states want April 2027. Either way, the industry just posted its biggest opening weekend ever while the question of how many movies get made is sitting in a courtroom in Northern California.

Stuff We Wrote

Film shoots

Number of the week

The Hollywood Foreign Press Assn. has sued Jay Penske, Penske Media Corp., the Golden Globe Foundation and others over the 2023 acquisition of the Golden Globe Awards, alleging antitrust violations.

As my colleague Stacy Perman reported, the Hollywood Foreign Press Assn. is seeking at least $150 million in damages.

The group, which founded the Golden Globes, said in its lawsuit that Penske and the other named defendants “orchestrated and participated in a clandestine scheme to fraudulently acquire the Golden Globe Awards, dismantle the HFPA [Hollywood Foreign Press Assn.], and exert monopolistic control over Hollywood trades and the awards circuit thereby violating California’s antitrust and consumer protection statutes.”

A spokesperson for Penske and the Golden Globes denied the allegations, saying the suit “continues the absurdity and irrationality that the industry has come to expect from the defunct organization formerly known as the HFPA.”

What I’m watching

I had a pretty hectic week, which didn’t leave a lot of time to catch up on TV. But I did go see the L.A. Sparks game against the New York Liberty, which unfortunately ended in a loss. We’ll see what happens now that star Kelsey Plum has been traded.

Paramount Chairman David Ellison believes the tug-of-war over his proposed $111-billion purchase of Warner Bros. Discovery comes down to a single question: whether he can be trusted to control CNN.

“I believe this fight is not really about market share,” Ellison wrote in a Tuesday op-ed in the New York Times, noting that regulators around the world, including the U.S. Justice Department, have approved the deal that has been temporarily blocked by an antitrust lawsuit brought by California Atty. Gen. Rob Bonta and his coalition of Democrat state attorneys general.

“I believe a plainer worry sits beneath the briefs and the news releases … The issue is whether I can be trusted as a steward of Warner’s CNN,” Ellison wrote.

The rare opinion piece serves as Ellison’s acknowledgment that his family’s close association with President Trump has sullied his standing in Hollywood and beyond.

Shakeups at CBS News, which is part of Paramount, the departure of CBS late night host Stephen Colbert, and a visible presidential lobbying effort — including hosting a dinner for Trump in Washington in late April and attending Trump’s birthday extravaganza in June with UFC fights on the White House lawn — have come with a cost.

More than 5,000 entertainment industry workers, including such high-profile stars as Jane Fonda, Ben Stiller, Bryan Cranston and Mark Ruffalo, signed an open letter early this year, calling on Bonta to try to block the merger.

Bonta and the other state attorneys general sued, saying the merger of two of the major film studios would give Paramount-Warner Bros. more than 25% of the wide-release theatrical film market. Their lawsuit also alleged the combined company would own too many cable TV channels — more than 50, including CNN, TBS, HGTV and Comedy Central.

Many in Hollywood fear that the consolidation of two historic studios will bring thousands of layoffs and contribute to a bleaker employment picture. Ellison’s Skydance Media’s takeover of Paramount a year ago resulted in the loss of 2,000 jobs.

Some have opposed the Warner Bros. deal, saying one family shouldn’t be allowed to control two significant news operations: CBS News and CNN, which is owned by Warner Bros. Discovery.

“There has been speculation about my politics, my loyalties, my intentions,” Ellison wrote.

“Unfortunately, I can’t give anyone a view into my heart and mind, but I can share this: I have regularly voted for candidates of both parties; I hold some views that would be called conservative and others that would be called liberal, just like most Americans,” Ellison said. “And when it comes to our news operations, I do not aspire to lead these companies to bend their newsrooms to my views. I believe that news should be based on facts and truth.”

“Great news organizations like CNN and CBS News are here to tell it straight down the middle,” he said. “That requires newsrooms that reflect the whole world, not one side of it. And it requires independence. Our journalists will continue to answer to the facts and to all the people they serve — not to any party or cause.”

“These were founding principles for both CNN and CBS News, for legends like Ted Turner and Edward R. Murrow, and it is exactly that kind of independence that has always fueled the greatness of “60 Minutes,” Ellison wrote.

Fired “60 Minutes” correspondents, including Cecilia Vega, have complained that since Bari Weiss became editor-in-chief of CBS News last fall, journalists have been asked to tilt the presentation of controversial news events, including protests to Immigration and Customs Enforcement actions earlier this year in Minnesota, which led to the deaths of two Americans.

Paramount has pushed back saying the plaintiff states have defined markets that fail to factor in the rise of technology companies, including Netflix, Google’s YouTube and Amazon Studios, which also attract significant swaths of viewership.

The Writers Guild of America has separately sued to block the merger, saying the deal would lead to less opportunities and lower pay for writers struggling to stay in the industry.

U.S. District Judge Araceli Martínez-Olguín, who is overseeing the high-profile case, issued a temporary restraining order to block the merger from finalizing while the two sides hash out the evidence. Late last month, Paramount agreed to delay the merger until after a trial — or until June 1, whichever date comes first.

In court documents filed Friday, Bonta and his coalition of 11 other Democratic attorneys general proposed having a two- to three-week trial in April to weigh the evidence.

Ellison’s Paramount pushed back, saying the media company would like to start the courtroom action on Nov. 4.

Now the judge must schedule the court date.

“The states claim this deal will give one company too much influence over theatrical releases and cable operators, while the W.G.A. argues that our combined market power will hurt writers,” Ellison said in the opinion piece. “Both suits imagine a Hollywood that no longer exists — an industry ruled by a handful of legacy studios.”

Welcome back to The Times’ Lakers newsletter where the NBA is slipping into its summer slumber.

The long league-wide nightmare is over (or, depending on your team, just beginning): LeBron James has chosen a suitor. The 22-time All-Star is heading to the Philadelphia 76ers. James’ much-anticipated decision was the last major domino of the eventful offseason that shifted the balance of power in the league, relocated some of the sport’s biggest stars and completely remade the Lakers roster.

As we get ready to go into offseason rest mode, here’s where the Lakers stand heading into the summer:

Roll call

He got a new deal and new jersey number on his new team. Now Walker Kessler can move on to more important things.

“Still learning names,” the Lakers’ prized offseason acquisition told reporters last month. “That’s probably the hardest thing right now.”

The former Utah center was the centerpiece of the Lakers’ transformational offseason. Wanting to pair Luka Doncic with a new center, the Lakers reached for the 25-year-old Kessler, signing him to a four-year, $130-million deal while sending four first-round picks to Utah.

Now the focus will be whether these moves can pay off. Getting a roster with nine new players to jell will be a season-long journey for the Lakers. The process is starting even before training camp as Doncic invited all of his teammates to Slovenia for a minicamp/group vacay this summer, according to ESPN. The superstar point guard stayed in Europe this offseason to rehab his hamstring injury and spend time with his two young daughters. Doncic elected not to play for his national team during the FIBA World Cup European Qualifiers to focus on his family.

Doncic’s leadership was a major theme during his first full season with the Lakers, when he organized team activities including a Porsche Driving Experience for players and gifted everyone in the organization electric bikes for Christmas. With James and fellow vocal leader Marcus Smart now elsewhere, Doncic’s presence off the court will be almost as important as his outsized impact on it.

From a basketball perspective, the Lakers already know they can count on Doncic.

“All four guys around him, it just makes it a lot easier for them to do what they need to do,” Kessler said of playing with Doncic. “What I can do for him is obviously play defense for him, set great screens. Get him some assists. It’s gonna be a lot of fun. I’ve never played with a point guard of that kind of size and stature to where he’s just a matchup nightmare.”

Kessler already has experience with some of his new Lakers teammates. Even before he played with guard Collin Sexton in Utah from 2022-25, Kessler was familiar with the fellow Atlanta-area native from their high school days.

Kessler also played with Austin Reaves during the 2023 FIBA World Cup, in which the United States finished fourth. Reaves was the United States’ second-leading scorer, averaging 13.8 points per game, while Kessler, then only one season into his NBA career, tied for the team lead with nine total blocks while playing the fewest cumulative minutes (56).

“He’s a big, goofy dude that just enjoys life and has fun,” Reaves told reporters during summer league about his impressions of Kessler. “Obviously you see what he does basketball wise and how he impacts the game. He’s good defensively, good in the pocket. Just a smart player. So I’m happy to have him on the team and get to play with him.”

The center depth behind Kessler remains one of the biggest question marks for the Lakers. Their only other option at the position is the 30-year-old Kevon Looney, who signed on a one-year, $3.9-million, veteran minimum deal. The UCLA alumnus and three-time NBA champion played only 21 games for the New Orleans Pelicans last year, averaging 2.8 points and 5.6 rebounds.

Despite turning over more than half of their roster, the Lakers cannot be done with offseason moves. They already went overboard with 16 players. One has got to go before the regular season begins to reach the league maximum. Maybe more will be on the way out if the Lakers continue to pursue options to fill a persistent hole on the wing. Former Hawks forward Jonathan Kuminga is still floating in the open market.

Pending the finishing touches, the Lakers roster still might not be enough to supplant Oklahoma City and San Antonio in the Western Conference. Kessler’s play will determine the Lakers’ ceiling this season, and he hopes to make the team’s bet on him worth it.

“For me, I’m somebody that if I know that they have that belief in me, I’m gonna run through a brick wall for them,” Kessler said. “That’s just how I’ve been wired my whole life and it definitely makes it a lot easier to go out there and compete for a team.”

Favorite thing I ate this week

Clockwise from top left: cocobread fish cutter, sweet spiced plantains, red pepper goat, jerk chicken wings, cucumber salad and mom’s curry chicken roti.

(Thuc Nhi Nguyen / Los Angeles Times)

I’ve said it before and I’ll say it again: When in doubt, consult the L.A. Times 101 best restaurants list.

A hunt for a convenient post-gymnastics class snack brought us to Bridgetown Roti in East Hollywood. It’s a Caribbean cuisine gem specializing in roti, a type of flatbread, they use to make curry-filled wraps, but the chicken curry roti was only the beginning of our feast. We also got a cocobread fish cutter, sweet spiced plantains, red pepper goat, jerk chicken wings and cucumber salad.

Did it feel like we ordered almost the entire menu? Yes. Did we regret it? Absolutely not.

All the dishes were fantastic, but the red pepper goat, which can be served in a wrap, over rice or on a plate with crispy potatoes and slaw, was my favorite, and the honey jerk whole wings were another standout. And if you order a flight of sauces — which range from sweet to spicy enough that it comes with a warning — it basically multiples every dish by four with all the different combinations you can make. It’s food math.

In case you missed it

Teen obtained UCLA jersey worn by Kareem in trade for his radio. Decades later, he’s set to make a fortune

Swanson: Who cares about LeBron’s move to the 76ers? Lakers have gotten better without him

Teen paid $3 for Wilt Chamberlain Lakers jacket at thrift store. It sold for almost $90,000 at auction

Lakers release preseason schedule; opener is Oct. 5

Lakers sign Matisse Thybulle to a one-year deal as roster overhaul continues

Until next time…

As always, pass along your thoughts to me at thucnhi.nguyen@latimes.com, and please consider subscribing if you like our work!

Aug. 4 (UPI) — McDonald’s on Tuesday named a company veteran to lead the burger chain’s largest market.

Skye Anderson, who has been with the company for 26 years, will oversee nearly 14,000 restaurants as president of McDonald’s USA. She had previously been chief operating officer of the company’s U.S. business.

Chris Kempczinski, chairman and CEO of McDonald’s Corporation, said Anderson combines “deep operational discipline with strong financial judgement.”

“I’ve had the opportunity to work closely with Skye throughout much of her career, and I’ve repeatedly turned to her to lead some of our most important businesses and transformation efforts because she’s a proven change agent who can act with urgency to mobilize our System,” Kempczinski said in a statement.

Anderson succeeds Joe Erlinger, a 20-year McDonald’s veteran who had been president for the past seven years before deciding to leave the company.

Kempczinski said Erlinger will work closely with Anderson during the transition period.

Anderson’s appointment comes at a tricky time for McDonald’s, as the company on Tuesday reported quarterly results falling short of its expectations.

Executives described the performance as “disappointing,” CNBC reported.

“We don’t have a strategy problem,” Kempczinski said, the outlet reported. “We simply didn’t execute at the level we needed to in the second quarter.”

US President Donald Trump has threatened to fire US Attorney for the District of Columbia Jeanine Pirro, after she said the government would not press ahead with criminal charges of vandalism of Washington’s Lincoln Memorial Reflecting Pool against former Olympic athlete David Hearn.

The reflecting pool project is one of several changes to the landscape of Washington, DC that Trump has pursued during his second term in office.

But following a multimillion-dollar refurbishment ahead of the 250th anniversary of US independence this year, parts of the lining of the pool were seen floating on the surface, and algae turned the water from blue to green, which Trump claimed was caused by vandalism.

Hearn, 67, was among a number of people arrested for suspected criminal damage to the “American flag blue” lining of the pool.

Pirro, however, acknowledged last week that the pool’s peeling sealant appeared to be the result of a “botched installation”, putting her at odds with the US president.

On Monday, Trump sharply criticised Pirro, who he had appointed as attorney for the District of Columbia in May last year, saying she had “choked” under pressure from a judge and “folded like an umbrella”.

Pirro met the president on Monday as he pondered firing her, but sources familiar with the matter told US broadcaster CNN late on Monday that Trump held back from firing his long-term ally.

Who is Pirro, and why has the Lincoln Memorial Reflecting Pool become a flashpoint in her relations with Trump?

Here’s what we know:

Why was Hearn arrested for vandalism?

David Hearn, who said he only visited the reflecting pool to find out what the fuss was about, was among at least seven people arrested or cited over alleged damage to the pool.

He says he had put his hand into the water to examine a piece of lining which had started peeling away on June 19. But he was accused of pulling the lining away, causing more than $1,000 in damage. He was charged with destruction of government property, an offence that carries a maximum prison sentence of 10 years.

His indictment was announced at a news conference held by Pirro on July 2. The prosecutor accused Hearn, an Olympic canoeist, of “forcefully and violently” ripping the newly installed liner of the reflecting pool, part of a renovation project Trump had championed.

She described his actions as “an affront to the dignity of our shared history” and warned that Hearn could face up to 10 years in prison for the destruction of government property.

Then, this week, the charges were dropped when Pirro announced the damage had most likely been caused by faulty installation of the lining.

The pool has since been drained.

Who is Pirro?

Born to Lebanese-American parents in June 1951 in Elmira, New York, Pirro is currently the US attorney for the District of Columbia. She was hand-picked by Trump in May last year for an interim period, and her position in the Senate was confirmed in August 2025.

According to the US government, Pirro has worked in the legal field for several decades, having started as an assistant district attorney for Westchester County, New York, in 1975 and later working as the first female judge in the Westchester County Court from 1990 to 1993.

She also became the first woman elected to serve as Westchester County district attorney for three consecutive terms from 1994 to 2005 and was the first female president of the District Attorneys Association of the State of New York.

Pirro also played a key role in starting the first domestic violence unit in a prosecutor’s office in the US and has authored eight books.

Besides politics, Pirro has also appeared on television in the US true crime series The Jinx, which aired in 2015, as well as hosting the reality show You the Jury, which aired in 2017.

What has Trump said about Pirro?

When Trump hand-picked Pirro as the attorney for the District of Columbia, he said he was confident she would improve Washington, DC.

“Jeanine Pirro, I have no doubt will be an exceptional US attorney for the District of Columbia, one of the truly most important positions in our country of any position, where she will restore public safety in our nation’s capital, break up vicious street gangs and criminal networks, and ensure equal justice under the law. You’ll see very, very big improvements in the DC area, that I can promise you,” Trump said when he appointed her on May 8, 2025.

Pirro, a Trump ally, vowed to tackle violence in the city and said DC would “again become a shining city on the hill in an America that President Trump has promised to make great again and will make safe again”.

But now, relations with Trump have frayed after Pirro refused to support the US president’s claim that the Lincoln Memorial Reflecting Pool had been vandalised.

In a motion filed on Friday afternoon, Pirro acknowledged that the accusations levelled against Hearn did not appear to be substantiated.

“The damage was the result of a botched installation and not vandalism, as initially represented by [the Department of the Interior],” Pirro wrote.

Pirro emphasised she had not received the “new information” until after the criminal indictment against Hearn had been returned. She blamed, in part, the “barebones police reports” her office had received.

“It was not until after the return of the indictment, that the DOI [US Department of the Interior] provided additional documents to the [US Attorney’s Office for Washington, DC] indicating that damage to the Lincoln Memorial Reflecting Pool in June 2026 was the result of flawed installation by the contractor,” Pirro wrote.

She added that the pressure to finish the reflecting pool renovation project before the Independence Day holiday – marking the 250th anniversary of the US – contributed to the renovation’s failure. Trump had planned several events for the occasion.

“The rush to complete the project led to hasty and botched work that was not remediated before the project was finished and the fencing removed,” Pirro explained, citing delayed installation work, inclement weather and repeated testing failures.

Why is Trump so angry with Pirro?

Trump has aggressively pushed claims that the algae and tears to the lining in the reflecting pool are the result of vandalism.

“We caught some people vandalising our beautiful reflecting pool,” Trump said at a news conference in June. “They took a cutter, a box cutter, or something very sharp. Can you imagine? Where do these people come up with this? And they threw a little fertiliser in the water.”

Separately, he suggested those responsible should face “years in jail” for their alleged crimes.

After Pirro’s announcement, Trump said she should have continued pursuing the case.

“Pirro made a mistake. It was vandalism,” Trump said, adding he was “really disappointed” in Pirro and that “she folded like an umbrella”.

According to US media reports, he has also considered firing Pirro over the reflecting pool saga.

In a post on his Truth Social Platform on Saturday, Trump said: “I disagree 100% with Jeanine Pirro, the U.S. Attorney for the District of Columbia, on the reflecting pool. I don’t know what she was thinking? To me, it was a pure case of VANDALISM.”

Trump and Pirro spoke by phone on Saturday, according to CNN. Sources familiar with the call said their conversation “wasn’t pretty”.

Following an in-person meeting with Pirro on Monday, sources told CNN that Trump had held back from firing her.

Neither the White House nor Pirro’s office has commented.

What happened to the reflecting pool?

The 618-metre (2,028-foot) Lincoln Memorial Reflecting Pool has served as the backdrop for many iconic moments in US history, including the 1963 March on Washington, when civil rights leader Martin Luther King Jr delivered his “I Have a Dream” speech.

It sits between the Washington Monument, a large obelisk, and the Lincoln Memorial, two popular tourist sites mere blocks from the White House. But the pool had long struggled with leaks along its granite edge and concrete bottom.

In April, Trump abruptly announced he would address the problem by relining the reflecting pool with swimming pool coating in the colour of the “American Flag Blue”.

The Trump administration granted a $13.1m contract to Atlantic Industrial Coatings, a company the president claimed to have worked with as a real estate developer, and which is led by one of his donors. The deal was struck without taking competitive bids, as is standard, on the basis that the renovation was necessary immediately.

By early June, Trump had announced the project was complete. But within days, a thick layer of green algae had appeared on the surface of the pool, and the blue coating appeared cracked, with sheets of paint flapping in the water.

On June 11, a National Park Service engineer observed that the reflecting pool’s new lining had begun to peel, Pirro said in her announcement.

Citing the engineer’s report, Pirro wrote that the damage to the pool appeared to have been caused by “over spraying and delamination”.

THE summer holidays are in full swing and if you want a fun family day out that is completely free, look no further.

From open-air museums to galleries, attractions and incredible buildings with summer activities for kids – these places will keep everyone entertained and won’t cost a penny.

Which? has revealed the top best family days out and in top spot is St Fagans National Museum of History in Cardiff.

The museum has a reconstructed historic street showing what life was like in Wales many years ago.

It’s filled with historic buildings that have been relocated to the site including a medieval church, farmhouses and a school.

In the centre of it all is St Fagans Castle, which is a 16th century manor house that has been open to the public since 1948 and is set within pretty Italian gardens.

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One visitor on Tripadvisor called it an “absolute masterpiece of living history” adding it’s in a “league of its own”.

Another added: “As far as free fun goes, this was great! It was like stepping back into time and seeing how people lived in Wales eras ago. Loved it!”

The second most highly-rated on the list is the National Railway Museum in York.

It’s considered ‘best [museum] of its kind in the world’ according to On Magazine with one visitor on Tripadvisor calling it “unique and unforgettable”.

Inside are 100 locomotives, thousands of historical artifacts, royal carriages and well-known trains like the Mallard steam engine.

There’s also the art-deco Duchess of Hamilton, and a Japanese Shinkansen bullet train too.

Here’s the full list of the the top free museums and galleries from Which?…

1. St Fagans National Museum of History, Cardiff
2. National Railway Museum, York
3. Royal Air Force (RAF) Museum Cosford
4. National Museum of Scotland
5. Cardiff National Museum
6. Kelvingrove Art Gallery and Museum, Glasgow
7. Royal Air Force Museum, London
8. Walker Art Gallery, Liverpool
9. Oxford University Museum of Natural History
10. Scottish National Galleries

Throughout the summer there are events on every day like immersive storytelling and live shows, plus there are indoor and outdoor play areas for children.

It’s completely free to visit, but it’s encouraged to book tickets online to guarantee entry, especially during the summer holidays.

Also highly-rated as a free day out is the Royal Air Force (RAF) Museum Cosford.

It has a huge collection of military aircraft as well as interactive exhibits and even a plane-themed playground.

Then there’s the National Museum of Scotland which has galleries filled with treasures from the age of the dinosaurs to new technology.

Make sure to pop up to the roof terrace too where you’ll get a view of the Edinburgh skyline.

During the summer holiday there are drop-in activities throughout the day from exploring a dinosaur trail, to space missions and crafts.

Another top free day out from Which? is the Cardiff National Museum which is filled with world-class art work and natural history – it also has exhibitions and plenty of events.

Kelvingrove Art Gallery and Museum in Glasgow is another completely free destinations for a family day out.

It opened in 1901 and has 22 galleries filled with beautiful artwork and don’t miss the organ recital at 1pm from Monday to Saturday and 3pm on Sunday.

Families can pop into Durham Cathedral to see the incredible building for free.

Throughout the summer it holds kids’ workshops like creating your own stained glass,activitys backpacks whichares filled withchallengesr and a pair of binoculars.

The surrounding grounds can be explored for free too.

Other highly-rated historical attractions that are free including St David’s Cathedral and Chichester Cathedral.

On a regular visit to the Houses of Parliament you will need to buy a ticket, but there is a way to get a tour for free.

But Which? advises that if you’re keen to visit, any UK resident can contact their MP or a member of the House of Lords to request a free-5-minute guided tour.

Here are the top free historic UK attractions…

1. Durham Cathedral, Durham
2. St David’s Cathedral, St David’s
3. Chichester Cathedral, Chichester
4. Houses of Parliament, London
5. Bury St Edmunds Abbey
6. Somerset House
7. Bristol Cathedral

Susanna Hoffs calls it “the list”: a faded piece of paper ripped from a Filofax day planner on which are scrawled the names of every guy she’s ever gone out with — some famous, some not, some “kind of douchey,” as she puts it with a what-can-you-do shrug.

“It was like a dating profile but pre-internet,” Hoffs says of the tally, which she composed sometime in the late 1980s as she was racking up hits — among them the chart-topping “Walk Like an Egyptian” and “Eternal Flame” — as the frontwoman of the Bangles. “I’m a nice Jewish girl,” she adds. “I was just keeping track, doing my homework.”

Today at the bottom of the list in all caps sits the name of Jay Roach, the movie director whom Hoffs met on a blind date in 1991. He’s the subject of a new song called “None of Them Were You,” in which the singer runs down some of Roach’s predecessors — “a very dapper Brit,” “a suave and handsome actor” — before musing on her deep connection with the man to whom she’s now been married for 33 years.

“I ended up with such a good guy,” she says. “It almost brings a tear to the eye.”

“None of Them Were You” isn’t the only tune with that potential on an album Hoffs is preparing to release next month. Due Sept. 18 from her Baroque Folk label, “The List” — Hoffs’ first set of original material in more than a decade — collects a dozen touching and witty songs based on tales from her life as an artist, wife, businessperson and mother. At 67, her winsome singing voice is remarkably unchanged from the era of big hair and dangly earrings. Yet the music reflects an emotional wisdom that had to be earned through experience, as in the folky “Time,” which ponders her and Roach’s relationships with their two adult sons.

“I see you dancing in the kitchen / I feel your tiny hand in mine,” she sings, “What if you fly back home this summer? / We could spend a little while.” (Beware, parents — this one will wreck you.)

A voluble presence with an easy laugh, Hoffs points out that she’s hardly been “hiding in a cave” since 2012’s “Someday.” In 2024, she put out a long-shelved solo record of songs she’d cut back in 1999; before that, she made a series of expertly curated covers albums, including three she recorded with the power-pop maestro Matthew Sweet. But publishing her first novel in 2023 — “This Bird Has Flown,” a charming bestseller about a one-hit wonder looking for a comeback — rejuvenated Hoffs’ devotion to songwriting.

“I never thought the book would sell, and I never thought it would get great reviews,” she says on a recent afternoon at her home in Brentwood. “That was a big turn career-wise.”

For “The List,” Hoffs teamed with CJ Camerieri, a musician and producer known for his work with Paul Simon and Bon Iver, among others; Camerieri in turn recruited an array of songwriters to collaborate with the two of them, including a couple of Grammy winners in Dan Wilson and Jesse Harris.

“Sue has built up decades and decades of goodwill in this town,” Camerieri says, seated next to Hoffs on a sofa, “so you call up somebody like Dan and you say, ‘Hey, you want to write a song with Susanna Hoffs?’ and he goes, ‘Great, yeah, I’m in.’”

The process was simple, the producer explains: “We’d start in Sue’s kitchen with coffee at 10 in the morning —”

“I’m really good at coffee,” Hoffs interjects. “I mean, I use Nespresso. But I’m good at being a hostess to all the lads.”

“So I’d give everybody a yellow legal pad and Sue would start telling stories,” Camerieri continues. “We’re all scribbling notes, and after about an hour, we’d go, ‘I think we got enough here,’ and we’d go write songs about what she’d told us.”

They recorded at Hoffs’ place — “We’d move this couch and the drums would go right here,” she says — beneath a vaulted ceiling that provided just the right ambience. First-call players like Greg Leisz and Wendy Melvoin stopped by to take part in the sessions; for harmony vocals in a country-ish ditty called “Bad Case of Loneliness,” they got Rufus Wainwright, with whom Hoffs had done a version of the Turtles’ “Happy Together” for Roach’s 2025 comedy “The Roses.”

The dreamy-rootsy arrangements are never less than handsome — and never prettier than in “Fool,” which Hoffs says was inspired by her love of the records Dionne Warwick and Burt Bacharach made together. Yet “The List” was built to showcase Hoffs’ rich storytelling.

The LP opens with “Casablanca,” in which she recounts a run-in with the Grateful Dead’s Bob Weir in New Orleans in the late ’80s. The Bangles were on tour opening for George Michael; the Dead had a gig at the University of New Orleans’ Lakefront Arena. After Hoffs and Weir ended up at a crawfish boil put on by the Neville Brothers, the two took a walk along Lake Pontchartrain — “He was very cute,” Hoffs says — then later strolled again through the French Quarter.

“At one point, I looked back and there was a sea of Deadheads who realized it was Bob Weir,” she says. “But I was with him. I got to be his pal, which I just couldn’t believe was happening. It was delicious.” (Between the two walks, the Bangles famously jumped onstage with the Dead to perform “Iko Iko.”)

As we’re talking, Camerieri tells Hoffs that he recently met Weir’s former tour manager — Weir died in January at age 78 — and that he’d relayed Hoffs’ memory of the encounter. “He was like, ‘I know this story,’” Camerieri says the manager replied. “‘Bob used to talk about the time he got to walk around New Orleans with Susanna Hoffs.’”

“Oh my God!” Hoffs says, eyes starting to glisten. “So it meant something to him too.”

Bookending “The List” is “What Are Wings For,” a stately ballad about sticking to one’s guns that Hoffs and Camerieri wrote with Edie Brickell, who’s married to Simon, on a trip they took to the couple’s ranch in Texas.

“We were there during the World Series [in 2024],” Camerieri recalls, “and we watched the Yankees game with Paul every night after working on songs.”

Adds Hoffs with a laugh: “He also told me that he thinks the Bangles’ version of ‘Hazy Shade of Winter’ is better than his. I was like, ‘Please don’t — yours is the iconic version.’”

By the time the Bangles covered that Simon & Garfunkel tune for the soundtrack to 1987’s “Less Than Zero,” the band was already a fixture on the radio and MTV. Hoffs formed the group in 1981 with sisters Vicki and Debbi Peterson, who learned to play together in the garage of Hoffs’ parents’ house, just a few blocks from where the singer lives today.

The Bangles came up through L.A.’s ’60s-steeped Paisley Underground scene and found stardom after the addition of Michael Steele with “Manic Monday,” a sparkling pop-rock gem gifted to the band by Prince. (Beyond her list of boyfriends, one of Hoffs’ prized possessions from back in the day is Prince’s original cassette demo of “Manic Monday.”)

“He was brilliant but mischievous,” Hoffs says of the late trailblazer, on whom she modeled the character of Jonesy from her novel. “I remember one time he invited us to Sunset Sound in the middle of the night. We get there and we’re jamming, then suddenly we look around and he’s disappeared. ‘OK, I guess we’re done.’”

The Bangles with an assortment of music execs in Los Angeles in 1987.

(Lester Cohen / Getty Images)

After eight Top 40 singles and a triple-platinum LP, the Bangles split in 1989 amid differing ideas about the band’s creative direction and ambitions. The members pursued solo and other projects but reunited to record a song for 1999’s “Austin Powers: The Spy Who Shagged Me,” which Roach directed; two more Bangles albums followed in 2003 and 2011, the second minus Steele, whom Hoffs says she’s not in touch with at the moment.

Compared to the Go-Go’s, whose parallel career was detailed in a 2020 documentary and who were inducted into the Rock & Roll Hall of Fame a year later, the Bangles haven’t quite cemented their legacy, though an authorized biography came out last year and a doc is currently in development.

Yet Hoffs doesn’t seem especially troubled by the possibility that the Bangles might be underappreciated, perhaps because she’s got plenty of her own stuff going on. Before “The List” comes out, she’ll play her old hits in a Sept. 5 gig at Largo at the Coronet and in a handful of dates opening for Billy Idol; after the new album drops, she’ll head east for a residency at New York’s Café Carlyle.

She and Camerieri are also at work on a musical adaptation of “This Bird Has Flown” for the stage or the screen. And just the other day she found a folder on her computer full of songs she wrote years ago with her friend Marvin Etzioni of Lone Justice.

“I don’t like using the word ‘bucket list,’ but all these things are labors of love,” Hoffs says.

What’s the trouble with “bucket list”?

“Oh, I don’t know,” she says, smiling. “It just seems, like, death-y.”