Philip Doyle, who led Ireland to the Women’s Six Nations Grand Slam as head coach in 2013, has died aged 61.

He had two spells in the role, leading the side for three years after being appointed as Kevin West’s successor in 2003 before returning in 2010.

Doyle enjoyed success in the second stint as he steered Ireland to a first Six Nations Grand Slam in 2013, a first win over New Zealand and a fourth-placed finish at the 2014 World Cup.

He stood down after that tournament and went on to take over as Scotland women’s boss in 2019, but left that role a year later due to the challenges of the Covid-19 pandemic.

He also had spells coaching Blackrock College women’s team and Ulster Rugby’s women’s team.

Leading tributes, Blackrock College said there was “profound sadness” and described Doyle, affectionately known as ‘Goose’, as “the most influential coach in the history of women’s rugby”.

The club added: “At Blackrock, Goose was far more than a list of achievements. He was a mentor, a friend, a storyteller, and a constant source of encouragement.

“He cared deeply about the people he coached. He gave players confidence, challenged them to be better, and reminded everyone around him why rugby is such a special game.”

“Few people have done more to advance the women’s game in Ireland and fewer still have done it with such charisma, warmth, humility and generosity of spirit.”

The United Nations’ International Maritime Organization (IMO) has suspended plans to evacuate more than 11,000 sailors stranded in the Strait of Hormuz after a cargo ship transiting the waterway was struck by a projectile.

IMO Secretary-General Arsenio Dominguez said several crews had already been evacuated, but the agency had decided to pause the operation until there were “necessary safety guarantees” for those involved.

The United Kingdom Maritime Trade Operations (UKMTO), a Royal Navy maritime security agency, said on Thursday that a cargo vessel had been struck by “an unknown projectile” about 7.5 nautical miles (14km) southeast of Dahit, Oman. No casualties were reported.

The incident comes despite a memorandum of understanding (MoU) signed by the United States and Iran last week that ended hostilities and included provisions aimed at reopening the strategic waterway. Iran had restricted passage through the strait in early March after the US and Israel attacked it on February 28. In April, the US imposed a naval blockade on Iran-linked vessels trying to pass through the waterway.

Since the MoU was signed, commercial traffic has restarted through the strait, but key disagreements remain over which shipping routes vessels should use — and whether Iran gets to charge a toll or fee.

Oman and the IMO have proposed a new shipping corridor that would partially bypass waters under Iran’s direct control. Tehran has rejected the plan, saying it was announced without consultation and raises safety concerns while demining operations are still under way. While Iran has not claimed responsibility for Thursday’s attack on the ship off Oman, it has not denied any role, either.

The latest attack has heightened concerns that tensions over navigation through the strait remain unresolved. Here’s what we know.

Why is the UN evacuating sailors?

Following the outbreak of the US-Israel war on Iran on February 28, Tehran and Washington imposed counter restrictions on the passage of ships through the Strait of Hormuz, leaving thousands of seafarers unable to leave vessels trapped in the waterway.

More than a dozen sailors have also been killed in attacks on ships — some from American missiles, others from Iranian projectiles. Most of those killed were from India.

Even with last week’s agreement between Washington and Tehran to end the conflict, more than 11,000 sailors remain stranded in the strait.

Announcing the evacuation plan on Tuesday, the IMO’s Dominguez said the operation would be conducted in “close cooperation with Iran, Oman, all other coastal states in the region, the United States and the maritime industry”.

Oman’s Ministry of Defence said the operation, which had been under discussion for months, would be carried out in phases.

Denmark also announced on Tuesday that it would join a multinational maritime mission led by France and Britain to help restore safe navigation through the strait.

Why was the ship attacked?

The Singapore-flagged cargo vessel Ever Lovely was struck by what authorities described as an “unknown projectile” while transiting the Strait of Hormuz on Thursday.

Ship-tracking data from MarineTraffic showed the vessel had been following the southern shipping route proposed by the IMO earlier that day, a corridor that passes closer to Oman’s coastline and has been rejected by Iran.

Singapore’s Maritime and Port Authority (MPA) said the vessel had since completed its transit through the strait and was continuing its voyage, adding that all 21 crew members were safe.

The authority said it was “deeply concerned” by an attack it described as “unprovoked, unjustifiable, and a breach of international law”.

“All actions affecting international shipping must fully comply with international law, in particular the United Nations Convention on the Law of the Sea, and not endanger the safety of seafarers and ships at sea,” the MPA said.

The incident prompted the IMO to suspend its planned evacuation of stranded sailors. Dominguez said the Ever Lovely “did not transit under IMO’s evacuation framework”.

“I have always reiterated that the safety of the seafarers remains paramount. Therefore, to ensure a coordinated approach and navigational safety, the evacuation plan will be paused until further clarity is obtained,” he said.

What has Iran said?

While it remains unclear if the attack was carried out by Iran, the country’s Islamic Revolutionary Guard Corps had criticised the new shipping corridor announced by Oman and the IMO, while also warning that passage through the strait, “is only possible via routes announced by Iran,” the state broadcaster IRIB reported.

Kazem Gharibabadi, Iran’s deputy foreign minister, has said safe passage through the Strait of Hormuz cannot be guaranteed for vessels transiting “with ambiguous arrangements, parallel routes, or decision-making outside of Iran’s considerations as the coastal state”.

“Any credible framework must be based on coordination with Iran and the provisions of paragraph five of the Islamabad Memorandum of Understanding,” he said in a statement on X. “Otherwise, the outcome will be the suspension of the designated parallel route.”

Iran first published its own map of approved navigation routes in April, directing ships to sail much closer to the Iranian coastline than before the conflict.

The IRGC’s latest warning came after a Liberian-flagged oil tanker transited the strait on Thursday using a route closer to Oman’s coast.

On Friday, a further three foreign oil tankers that attempted to cross the Strait of Hormuz “without authorisation” were turned back after a warning from the IRGC, Iranian state TV reported.

Analysts say control over the Strait of Hormuz has long been one of Tehran’s most important sources of strategic leverage, allowing it to exert pressure on the US, whose economy is inextricably tied to global markets.

Why was the evacuation suspended?

Reporting from Tehran, Al Jazeera’s Resul Serdar Atas said the attack appeared to show Iran was prepared to enforce its warnings over navigation through the Strait of Hormuz, after Tehran insisted vessels using either the Iranian or Omani route must coordinate with its authorities.

“Yesterday, Oman announced new routes for the passage of the ships. But then the IRGC released a statement, saying that whether the ships go through the Iranian or Omani territorial waters, they need to be in full coordination with Iranian authorities,” Atas said.

“And if they violate that, then Iran is going to act accordingly. So the question was whether Iran is going to really act or not?

“The answer is yes. Now, we have seen that a tanker has been attacked by some projectiles in the Strait of Hormuz. The Revolutionary Guards did not claim responsibility but did not deny it either.”

Atas added that Gharibabadi, Iran’s deputy foreign minister, had also warned that any shipping arrangements made without taking Iran’s position as a coastal state into account would be unacceptable.

“Perhaps, in the coming days and weeks, we are going to see that the Strait of Hormuz will be one of the main sticking points.”

What other disputes remain?

Under last week’s memorandum of understanding, Iran agreed it would “make arrangements using its best efforts for the safe passage of commercial vessels with no charge, for 60 days only, from the Persian Gulf to the Sea of Oman and vice versa”.

Although the agreement says commercial traffic should resume immediately, it also acknowledges that mines laid during the conflict must first be cleared, stating that “demining by the Islamic Republic of Iran will be instated within 30 days”.

It also provides for discussions between Iran, Oman and other Gulf states over future arrangements for managing navigation through the waterway.

However, the agreement does not specify what will happen after the initial 60-day period.

Last week, Tehran announced it would waive any transit fees during those 60 days while negotiations with the United States continue in Switzerland, raising the possibility that charges could be introduced if no broader agreement is reached.

Iran’s chief negotiator, Mohammad Bagher Ghalibaf, has also suggested Tehran does not intend to return to the pre-war status quo.

“Hormuz will never return” to how it operated before the conflict, he said. The proposal has also faced resistance from the United States and several Gulf states.

Are ships still moving through the strait?

Commercial shipping has gradually resumed, although traffic remains well below normal levels. Before the conflict, between 120 and 140 vessels typically passed through the Strait of Hormuz each day.

According to maritime analytics firm Kpler, 54 verified commercial and energy-related vessels transited the strait on Thursday, down from 70 verified crossings the previous day.

“West-to-East movements dominated, while the Omani Route accounted for the largest share of identified passages. Yet route transparency remains incomplete, with several Dark or Unknown crossings recorded.

“A reported projectile strike on a cargo vessel southeast of Dahit, Oman, adds fresh operational risk, underscoring the gap between improving physical flows and still-fragile maritime security conditions,” Kpler added.

President says his country will readmit genuine nationals but insists Europe must first verify deportees’ identities.

Mogadishu, Somalia – The European Union has imposed visa restrictions on Somali citizens, escalating a dispute with Mogadishu over the return of Somalis living in Europe illegally.

The bloc’s member states approved the measures on Thursday, acting on a report that Somalia was not doing enough to take back nationals who had been refused the right to stay.

Somalia’s President Hassan Sheikh Mohamud pushed back, saying his government would readmit its citizens, but said that many returnees were not Somali nationals.

“We haven’t rejected our people; they own this country. And we cannot reject them,” the president said at an Independence Day event on Thursday, adding that Somalia had “questions about how those people would be returned.”

People across the Horn of Africa share a similar appearance, he said, and some present themselves as Somali to claim asylum in Europe. He pointed to past cases in which individuals sent back as Somalis turned out not to be, including some who “don’t know the Somali language.”

“If they are Somali, then we’ll take them. If they aren’t, we’ll help you find out where they are from, and you can send them there,” Mohamud said.

The pressures driving people to leave are rooted in decades of upheaval.

Somalia is still rebuilding after the collapse of its central government in 1991 and the long civil war that followed.

Recovery efforts have been stifled by the ongoing armed rebellion of al-Shabab, an al-Qaeda-linked armed group that has waged deadly attacks since 2006.

Those conditions have pushed many young Somalis to attempt the dangerous journey to Europe, often through Libya, where migrants have faced detention, extortion and violence.

The prime minister regularly handled such cases, Mohamud said, adding that Somali embassies had been instructed to help citizens return.

Magnus Brunner, the bloc’s migration commissioner, said countries of origin had to meet their commitments “otherwise, there can be consequences.”

A European Commission assessment concluded that Somalia’s cooperation on readmission was insufficient.

Under the new rules, member states can no longer issue multiple-entry visas to Somalis, and the fee waiver for holders of diplomatic passports has been removed. The standard processing time for visa applications has also been extended from 15 to 45 days.

The suspension has no fixed end date and is intended as leverage to push Mogadishu towards closer cooperation.

Somalia now joins a short list of countries hit with such measures.

The EU imposed similar restrictions on The Gambia in 2021 and Ethiopia in 2024, lifting the Ethiopian curbs in May after deciding cooperation had improved.

The visa restrictions add to a run of setbacks for Somali travellers.

The United States imposed a sweeping travel ban in 2025, after President Donald Trump returned to office, covering citizens of a dozen countries, including Somalia.

The policy drew attention this month when Omar Abdulkadir Artan, named Africa’s referee of the year in 2025, was denied entry to the US and couldn’t officiate at the World Cup, despite holding a valid visa.

The standoff comes as the EU tightens its wider approach to migration, pursuing return centres beyond its borders and faster deportations for people refused the right to stay.

FORMER The X Factor singer Katie Waissel has been dashed back to hospital with a suspected blood clot on her lung — less than two days after being discharged.

The 2010 reality TV star was readmitted to hospital just 36 hours after being allowed to go home.

Singer Katie is currently fighting a severe case of bacterial pneumonia and doctors now suspect a blood clot on her lung.

The 40-year-old was taken to London’s private Wellington Hospital for urgent scans and tests.

Taking to X, Katie told her followers: “After a day and a half at home, I’m now BACK at the hospital and not doing so great.”

She added in a later update: “Whilst still battling this awful bacterial pneumonia, there’s now a suspected blood clot on my lung, so I’m back in for more scans, tests and needles.

A&E DASH

X Factor star Katie Waissel rushed to hospital by ambulance in ‘excrutiating pain’

ABUSE SHOCK

Katie Waissel reveals 8 celebs told her they suffered sex abuse in industry

“I’m fairly certain I’ve run out of veins for people to poke at this point.”

The mum-of-one praised the medical team at the facility for their ‘incredible’ support.

She stated that her absolute priority is to ‘get better and get home to my little boy’.

Katie shares her seven-year-old son, Hudson, with her former partner, personal trainer Andy Speer, who was born in 2018.

This latest setback follows her emergency admission last week to St John and St Elizabeth’s Hospital in London.

Reflecting on the initial scare, the songwriter admitted she was ‘far closer to the edge than I realised’.

She called the illness ‘one of the most frightening and excruciatingly painful experiences of my life’.

The close call has given her a brand new outlook on life.

In a separate social media post on Thursday, she shared: “I’m still a little bit in shock, if I’m honest, coming to terms with just how close I came to not being here anymore.

“It’s made me realise there are still so many things I want to see, do, learn and experience, and that perhaps ‘one day’ isn’t a date we should rely on.

“So, I’ve decided it’s time to write a proper bucket list and start ticking things off.”

This is not the star’s first sudden health crisis.

Back in 2021, she needed emergency treatment for a suspected heart attack, later sharing images of herself fitted with a cardiac monitor.

Katie originally rose to fame on the seventh series of The X Factor.

She was mentored by Cheryl in the girls category and eventually finished the ITV competition in seventh place – which was won by Matt Cardle.

She also appeared as a housemate on Celebrity Big Brother in 2016.

The singer is now qualified to work as a paralegal or start vocational training to become a solicitor or barrister.

The mum-of-one and lawyer set up her own dedicated foundation, O.W.H.L, in 2023 – campaigning to reform safety standards within the showbiz world.

She was branded the “most hated contestant” when she appeared on the show and has sought therapy for post-traumatic stress disorder (PTSD) after suffering panic attacks and suicidal thoughts.

GREENBELT, Md. — Former Trump administration national security adviser John Bolton pleaded guilty on Friday to illegally retaining classified information, sealing a deal with federal prosecutors that could allow him to avoid a prison term.

Bolton, who became an outspoken critic of President Trump after serving in the Republican’s first administration, is scheduled to be sentenced on Oct. 28 by U.S. District Judge Theodore Chuang in Greenbelt, Md.

Bolton pleaded guilty to a single count of illegally retaining classified information. His plea agreement with the Justice Department may enable him to avoid time behind bars, but the judge ultimately will decide his punishment.

The plea agreement recommends capping any prison sentence at five years but the judge isn’t bound by that part of the deal. Bolton can withdraw his guilty plea if the judge issues a longer prison sentence or a fine greater than $2.25 million.

Bolton was charged last October with 18 counts of either retaining or disseminating classified information, including diary-like notes that he shared with relatives as he wrote a memoir about his career in government.

Other Trump adversaries have been charged with federal crimes during his second term in the White House. While some of those cases have collapsed under judicial scrutiny and amid claims of political retribution, Bolton didn’t mount a vigorous defense against his charges before cutting a deal.

FBI agents searched Bolton’s Maryland home and Washington, D.C., office last August, but the investigation began before Trump returned to the White House in January 2025.

Bolton served for more than a year in Trump’s first administration before getting pushed out in 2019. He later published a book called “The Room Where it Happened” that presented an unflattering portrait of Trump’s leadership.

The Trump administration fought unsuccessfully to block the book’s release, claiming it contained classified information that could jeopardize national security. Trump derided Bolton as a “crazy” warmonger who would have led the country into “World War Six.”

Bolton’s indictment focused on notes that he shared with his wife and daughter rather than the contents of his book. After sending one document, Bolton wrote in a message to his relatives, “None of which we talk about!!!” In response, one of his relatives wrote, “Shhhhh,” prosecutors said.

Kunzelman writes for the Associated Press.

United States president Donald Trump was expected by many to regularly feature at the World Cup.

But he is yet to attend a single match, despite the United States team winning two of their three group games, and qualifying for the knockout stages.

So is it a surprise? Why may he have stayed away? And will he appear before the final? BBC Sport takes a closer look.

“My fellow Americans, citizens of the world, the United States is honoured to play host to this magnificent celebration. The World Cup has captured the imagination of our country, as has the game itself in the last few years…So I welcome all who have come from all countries and all continents and all who will watch these games in the United States for the next 30 days.”

The words of president Bill Clinton on 17 June, 1994 at Soldier Field in Chicago when attending the opening match of the first World Cup to be held in the United States.

The day is remembered more for Diana Ross’ missed ‘penalty-kick’ during the pre-match festivities than Clinton’s address, but his presence now seems more notable.

Because 32 years on, the country is once again staging the event, and yet, with the halfway point of the tournament passed, the current president has stayed away.

Earlier this month, Trump hailed the number of tickets sold by Fifa, labelling it “the most successful World Cup they’ve ever had”, and reinforcing the widely-held view that he would be a highly visible and enthusiastic presence.

After all, in the build-up, the tournament had seemed very important to him. He even referenced it, external in an address at a rally staged on the eve of his presidential inauguration early last year.

And Trump then played a central role at the draw in Washington DC in December, where he was awarded Fifa’s inaugural ‘Peace Prize’ by the governing body’s president Gianni Infantino.

The two men have forged a close relationship in recent years, with Infantino welcomed to both the Oval Office and Trump’s Florida residence Mar-a-Lago.

Trump has also been a regular presence at several other major sports events in the US during his second term, from the Super Bowl, and last summer’s Club World Cup final, to the opening day of golf’s Ryder Cup at Bethpage.

However, when co-hosts the US played their opening match v Paraguay on 12 June in Los Angeles, following on from an opening ceremony, the president was notable by his absence, with secretary of state Mark Rubio travelling from Washington instead.

It appeared that Trump had prioritised an Ultimate Fighting Championship (UFC) event on the White House lawn two days later, celebrating his 80th and America’s 250th birthday.

Casablanca court delivers landmark verdict in ‘Escobar of the Sahara’ case: up to 12 years for top figures.

A Moroccan court has handed prison sentences of up to 12 years to 29 individuals – including prominent politicians and sports figures – concluding a major international drug trafficking and corruption trial.

The verdicts, delivered late on Thursday in Casablanca following a two-year trial, mark one of the largest anti-corruption operations in Morocco’s history.

Among those convicted were Abdennebi Bioui, a construction tycoon and former regional council president, Said Naciri, former president of Casablanca’s Wydad AC football and sports club and former MP Belkacem Mir – all senior members of the governing PAM party. Naciri received 10 years, Bioui 12 and Mir 10.

Besides the three main defendants, sentences for the remaining ranged from two to nine years, depending on their individual role in the network.

The wide-ranging case was triggered by courtroom testimony from El Hadj Ahmed Ben Brahim, a notorious Malian drug trafficker nicknamed the “Pablo Escobar of the Sahara”.

Currently serving a 10-year sentence in Morocco, Ben Brahim told judicial investigators that his former Moroccan political and business associates had betrayed him, seizing millions of dollars worth of his luxury real estate and vehicles following his arrest in 2019.

The trial involved more than 20 defendants, 18 witnesses and two civil parties which centred on a sophisticated network that transported tonnes of Moroccan cannabis resin across North Africa to Europe, alongside Latin American cocaine shipments.

Defendants were convicted on charges including drug and gold trafficking, corruption, forgery and money laundering.

The court also ordered the seizure of assets and levied hundreds of millions of dollars in customs and exchange fines against the principal ringleaders.

Moroccan media reported that families of the convicted, present without legal representation due to a lawyers’ strike, were left in shock, with some collapsing in the courthouse.

The scandal reached the highest levels of state, prompting King Mohammed VI to demand a legally binding code of ethics aimed at “moralising” parliamentary life.

Jorge Rodríguez, the president of Venezuela’s National Assembly, said 250 buildings had been damaged or lost, mostly in La Guaira.

Photos and videos showed debris strewn on the streets. In some footage, people can be heard calling for help.

The BBC has verified footage of a 10-storey hotel reduced to rubble in La Guaira, and another video that recorded people screaming and fleeing as a multi-storey collapses in El Junquito, west of Caracas.

Other verified footage shows destruction further from the capital. One video shows a multi-storey building, reportedly a hotel, totally collapsed in Tucacas, on Venezuela’s coast, about 250km (155 miles) northwest of Caracas.

Mayor Gustavo Duque of Chacao, which forms part of the greater metropolitan area of Caracas, said on Thursday outside the rubble of one collapsed building that 11 people had died there and 23 had been rescued.

In an Instagram video, he said the team was trying to clear the rubble so that specialists could go in “to reach people who are hopefully still alive”.

“We’re trying to rescue as many people alive as possible,” he said.

Fuel supplies into the city have been cut off and internet blackouts have also been reported.

As summer heats up alongside the exhausting news cycle, it’s crucial to find ways to unplug and wind down. Golden Hour in the newly renovated sculpture garden at the Norton Simon Museum is just the thing. Taking place tonight (Friday), and on two more Fridays this season (July 31 and Aug. 28), the event lasts from 4:30-6:30 p.m. and features a different musical group each time.

Tonight is the Verbena Quartet; a North Indian ensemble and a jazz trio are upcoming.

The fun is free with museum admission, and guests are encouraged to bring blankets to relax in the grass. I took my family of four to a recent event and it proved to be the rare occurrence when both the 10-year-old and the 17-year-old were happy. The museum provides all kinds of great art supplies on a big table by the entrance, including sketch paper, clipboards, colored pencils and charcoal drawing utensils.

There are also sheets of paper encouraging creative ways to approach drawing various sculptures in the garden, alongside a family-friendly Golden Hour bingo card with squares including “Spot something framed by tree branches” and “Look at the space between two objects.”

I did some drawing with my toes in the grass while my kiddos curved their necks over their own mini masterpieces. My husband read a book. The sun slanted low as the afternoon melted into early evening, casting lovely shadows on the families, couples, friend groups and solitary artists scattered around the garden sipping wine and snacking on cheese and crackers from the nearby cafe.

When we had our fill of relaxing, we ambled into the museum. My daughter wanted to gaze at the Picassos and the Van Goghs. As did I. I never don’t cry when I look at “The Mulberry Tree.”

“Can you imagine what he was thinking?” I asked my 10-year-old as we regarded the painting. “The pain and the beauty of it?”

She nodded sagely, gently smoothing her thumb against her own recent drawing, her deep inner world a mystery to me. The beauty and the pain of it. I was glad we had cuddled together in the late afternoon sunshine.

I’m arts editor Jessica Gelt, wishing you and your loved ones peace. This is your arts and culture news for the week.

The week ahead: A curated calendar

FRIDAY

Antigone
The Bebelos Players present a back-to-basics production of Sophocles’ classic drama about a young woman who defies a king to honor her dead brother.
7 p.m. Friday-Sunday. Theosophy Hall, 245 W. 33rd St. eventbrite.com

“Horse,” by Rick Bartow, 2014, wood, tar, wax, false teeth, nails. 56 x 42 x 12 in.


(Yubo Dong, ofstudio)

Rick Bartow
Last chance to catch “All of these things have happened,” an exhibition of works on paper by the late Native American artist that touch on tragedies from throughout his life, as well as “Horse,” a 2014 sculpture covered in tar, wax, false teeth and nails that is “a study of sustained resilience.”
Noon-5 p.m. Friday-Sunday, Wednesday and Thursday (last day). Timothy Hawkinson Gallery, 7424 Beverly Blvd. timothyhawkinsongallery.com

Spencer Finch
“Balboa of House and Garden,” composed entirely of new work, is the artist’s first exhibition in Los Angeles. The show includes more than 50 unique works on paper, a site-specific skylight installation and a monumental outdoor sculpture. Finch’s “Memory Landscape (Nairobi, Chicago, Honolulu, Jakarta),” 2025, a commissioned tile wall mural inspired by places from President Barack Obama’s formative years, was recently installed at the Obama Presidential Center in Chicago.
Opening, 6-8 p.m. Friday; 10 a.m.-6 p.m. Tuesday-Saturday, through Aug. 22. Lisson, 1037 N. Sycamore Ave. lissongallery.com

Bodo Mato
The pseudonymous multidisciplinary artist uses a subconscious dreamworld to access a legendary lost city to find real-world parallels in the exhibition “Atlantis: Echoes of Hubris.”
Opening reception, 6-10 p.m. Friday. 11 a.m.-5 p.m. Saturday-Tuesday. 7811 Gallery (West), 7813 Melrose Ave. 7811gallery.com

Raymond Saunders, “Layers of Being,” 1985. Mixed media on canvas, 81 x 59 15/16 x 1 in.

(Carnegie Museum of Art, Pittsburgh / Gift of Mr. and Mrs. William Block / © 2025 Estate of Raymond Saunders)

Raymond Saunders
“Flowers From a Black Garden” is a career-spanning look at the painter (1934-2025) as he moved from Dada, expressionism and assemblage to Fluxus, Pop and postmodernism, beginning in the 1960s.
11 a.m.-6 p.m. Wednesday-Sunday, through Jan. 3. UC Irvine Langson Orange County Museum of Art, Segerstrom Center for the Arts, 3333 Avenue of the Arts, Costa Mesa. langson.uci.edu

SATURDAY

Chrysalis prototypes deployed in Joshua Tree, 1970, reproduction.

(Chrysalis Corporation)

Alternative Palm Springs: Other Desert Architectures
In some parallel reality there may exist a Coachella Valley unlike anything you’ve ever imagined. In lieu of that, this exhibition shares the unbuilt visions of prominent architects, off-grid designs of the counterculture, and private and public worlds created by the LGBTQ+ during the 20th century, yielding an expanded view of the area’s architectural ambitions.
10 a.m.-5 p.m. Friday-Sunday; noon-8 p.m. Thursday; through Jan. 4; closed June 26 and July 4. Architecture and Design Center, Edwards Harris Pavilion, 300 S. Palm Canyon Drive, Palm Springs. psmuseum.org

Declarations of Independence
Gay Men’s Chorus of Los Angeles and guest artist Justin Tranter celebrate national and individual freedom and pride for America’s 250th anniversary.
7 p.m. Saturday; 3:30 p.m. Sunday. Saban Theatre, 8440 Wilshire Blvd., Beverly Hills. gmcla.org/declarations

A Great Night in Hip-Hop
The Roots return for their third year at the Bowl, joined by Nas, with appearances from T.I., Bun B, De La Soul and more.
7:30 p.m. Hollywood Bowl, 2301 N Highland Ave. hollywoodbowl.com

Rota Fortunae
A one-night-only experimental opera featuring Jordan Slaffey reimagines the four women of the 1996 crime thriller “Set It Off” using movement, live music and fashion. Directed by Chris Emile, music by composer and DJ Cody Perkins and designs by James Flemons.
7:30 p.m. Indoor Swap Meet, 128 S. La Brea Ave., Inglewood. eventbrite.com

Peter Stampfel
An innovator of anti-folk, freak-folk and psych-folk, the 87-year-old co-founder of the Holy Modal Rounders makes a rare West Coast appearance.
8 p.m. McCabe’s Guitar Shop, 3101 Pico Blvd., Santa Monica. mccabes.com

THURSDAY

Ojai Film Society Summer Screening Series
Annual presentation of independent, foreign, documentary, critically acclaimed and classic films kicks off Thursday with Taika Waititi’s 2016 adventure comedy “Hunt for the Wilderpeople,” starring Sam Neill. Other screenings: “Selena Y Los Dinos” (July 10); “Cookie Queens” (July 17); “Best in Show” (July 24); “Arrival” (Aug. 20); and “Jurassic Park” (Aug. 27).
7:30 p.m. Thursday; various dates through Aug. 27. Libbey Bowl, 210 S. Signal St., Ojai. ojaifilmsociety.org

Tank and the Bangas
The Grammy-winning New Orleans music group shares its signature blend of funk, soul, hip-hop, rock and spoken word. Featuring an opening set by Butter Funk Family and DJ sets by Tosstones.
7 p.m. Skirball Cultural Center, 2701 N. Sepulveda Blvd. skirball.org

Arts anywhere

Meryl Streep, from left, and Amanda Seyfried, Rachel McDowall and Ashley Lilley in the 2008 movie version of “Mamma Mia!”

(Peter Mountain / Universal Pictures)

Broadway unbound

Two of the biggest hit musicals ever are in town simultaneously starting this week — “Mamma Mia!” is at the Ahmanson through July 19 and “Phantom of the Opera” plays the Hollywood Pantages through Aug. 9. If you want to bone up beforehand or relive the hits after you’ve been to the theater, the cinematic adaptations of both are widely available. The 2008 movie version of “Mamma Mia!” starring Meryl Streep and Amanda Seyfried streams on Prime through the end of June and the 2004 “Phantom” with Gerard Butler and Emmy Rossum is streaming on Prime and Apple TV. Both films are available to rent or buy on various platforms and, if you’re into physical media, relatively inexpensive Blu-ray and DVD versions can be had online. Public libraries are also great resources for arts-related content.

— Kevin Crust

Culture news and the SoCal scene

Passengers wait to board the first train to arrive at the Metro D Line at the Wilshire/Fairfax Station in Los Angeles on May 8, 2026.

(Genaro Molina / Los Angeles Times)

With the new Metro D Line subway extension up-and-running with new stations at Wilshire/La Brea, Wilshire/Fairfax and Wilshire/La Cienega, we asked architecture writer Sam Lubell to take an aesthetic look at these new displays of public art. “Suddenly the city feels different. Not transformed, exactly. But more connected,” wrote Lubell. “The fracturing grip of the city’s incomprehensible expanses, clogged arteries and stagnant governance — all intimidating barriers to healthy civic life — feels a little looser. … The stations, too, feel more connected, with art, architecture and infrastructure blending seamlessly into a cohesive experience … But above ground, it’s a tale of two (transit) cities. Outdoor plazas lack the kind of textured civic presence that’s been created below.”

The Hollywood Bowl opened its summer season with a lavish production, “The Best of Broadway,” starring Lea Salonga, Brian Stokes Mitchell, Darren Criss, Renée Elise Goldsberry and Halle Bailey, and hosted by Billy Crystal. The program including a selection of Broadway tunes old and new, was delivered with flair to an appreciative audience. “I had a lovely time,” reports Times theater critic Charles McNulty, “but I can’t say the concert lived up to its title. Not that impressive virtuosity wasn’t on display, but Broadway is truly at its best when musical numbers are embedded in a story, allowing the performers to feed off each other and reach heights that they might not be able to reach on their own. Too much of the bill required the actors to stand and deliver, ‘American Idol’-style. It was a little unfair to place such a heavy burden on them.”

McNulty also reviewed the Geffen Playhouse’s Los Angeles premiere of Pearl Cleage’s “Angry, Raucous, and Shamelessly Gorgeous,” about an American expat actor angling for her big comeback. The play, wrote McNulty, “is hamstrung with exposition. More time is devoted to setting up the dramatic situation than to activating it. … The intentions are noble and the themes are handled with admirable complexity, but the writing is sluggish. The plot is like an old car whose engine just refuses to start on a cold winter morning.”

After 20 years as LA Opera Music Director James Conlon will step down.

(Robert Gauthier / Los Angeles Times)

The final show of L.A. Opera’s production “Marriage of Figaro” last Sunday also marked the end of James Conlon’s tenure at the podium as the organization’s music director. Stepping down after 20 years, Conlon spoke to Times classical music critic Mark Swed. “I love L.A. and I’m not going to leave,” said Conlon. “I am absolutely happy at this point in my life. You know my age is 76. It is not a secret. I wear it proudly. But I’ve been a music director for 47 years, and I don’t want to be a music director any longer. I will still conduct.” Will he return regularly to L.A. Opera? “That’s the theory,” he said

Another maestro who can’t quit L.A. is Esa-Pekka Salonen. Last weekend, the beloved composer and conductor, who is back with the L.A. Phil as creative director, returned to the Ojai Music Festival after a quarter-century absence. “Salonen found renewal not from the desperation of rethinking but from freshening, illuminating the perception of exceptional young musicians first encountering greatness,” wrote Swed in his review of the four days. “In these uncertain times, that may be the most remarkable act of artistic optimism.”

Spanish artist Nieves Gonzalez stands next to one of her paintings that is part of her solo show at the Richard Heller Gallery at Bergamot Station in Santa Monica on June 18, 2026.

(Genaro Molina / Los Angeles Times)

Not yet 30, Spanish painter Nieves González is a burgeoning international art star with an exhibition at Richard Heller Gallery in Santa Monica. “Fashion inspires me,” she told writer Jane Horowitz in a recent interview. “Just as 17th century artists drew inspiration from the fashion of their day — often creating paintings that served as catalogs of current styles — I do the same. The goal is to not merely convey a specific message or ideology but to create a testament to a generation and the era in which we live.”

“California Gothic: A Bus Tour,” an avant-garde sightseeing event organized by the New Theater Hollywood, turns Tinseltown “into a stage, drawing locals for a mash-up of state history, gothic storytelling and public-intellectual riffing on the broken California dream,” wrote Times staff writer Eloise Rollins-Fife. The tour ended its latest run in mid-June, but will reopen during the last week of October for a special “ghost tour” edition.

Times columnist Patt Morrison reported from the City of Lights on Paris-born street artist JR’s “La Caverne du Pont Neuf,” which she describes as “an enormous art installation, a trompe l’oeil inflatable snow-clad mountain range … an homage to the innovative work of groundbreaking environmental artists Christo and Jeanne-Claude.” The work uses about 200,000 square feet of printed fabric on the city’s oldest bridge to create the illusion and the artist told Morrison, “Your eye wants to believe it, and for a moment you let yourself. That gap between knowing and believing is where the play happens, and people love being inside that gap.”

Stewart McLaurin, president of the White House Historical Assn., displays a newly-acquired suite of four interrelated paintings by Norman Rockwell titled, “So You Want to See the President!” at the association’s offices Wednesday, June 10, 2026, in Washington.

(John McDonnell / Associated Press)

In the 1940s, Norman Rockwell spent time in the visitor’s lobby of the White House sketching U.S. senators, members of the military, the press and a Miss America as they awaited entry into the Oval Office to see President Franklin D. Roosevelt. Eight decades later, four of the sketches have been acquired by the White House Historical Assn. for $7 million, according to the Associated Press. Titled “So You Want to See the President!” the sketches will be on public display through June 2027 at the historical association’s “The People’s House” education center near the White House.

It was a busy week for announcing some of this fall and winter’s Broadway openings. Lincoln Center Theater’s Vivian Beaumont will host a revival of Aaron Sorkin’s “A Few Good Men,” starring Bradley Whitford and Tom Blyth, directed by six-time Tony winner Michael Arlen, starting Oct. 8. In March 2027, LCT Artistic Director Lear deBessonet will helm a new production of Rodgers and Hammerstein’s “The Sound of Music,” for its first Broadway run in nearly 30 years. A revival of Richard Greenberg’s “Three Days of Rain” lands in February 2027 at a Shubert Organization-owned theater to be announced with Anna D. Shapiro directing. The cast will include “Heated Rivalry’s” François Arnaud and David Corenswet of “Superman” in their Broadway debuts, joined by Yvonne Strahovski of “The Handmaid’s Tale.” The play was previously on Broadway in 2006 with Julia Roberts, Bradley Cooper and Paul Rudd. Walter Hill’s 1979 gang saga “The Warriors” will make the leap from screen to stage as a musical, with a book, music and lyrics by Lin-Manuel Miranda and Eisa Davis. Previews begin at Broadway’s Lunt-Fontanne Theatre in March 2027 with an opening slated for April. Jenny Koons will direct.

— Kevin Crust

And last but not least

We cover a lot of awards in this space, but today we get to give a shout-out to one of our own. Times theater critic Charles McNulty was awarded the prestigious Nell Minow Award for Cultural Criticism by the National Press Club this week. His submission included a reflection on the Los Angeles wildfires through the poetry of Shakespeare’s “The Tempest”; a tribute to South African anti-Apartheid trailblazer Athol Fugard; and an essay on the complexities of Audra McDonald’s performance in “Gypsy,” among others. The Times also won the Breaking News Award in the print/online category for its reporting on the January 2025 L.A. firestorms. A presentation ceremony and dinner will take place Aug. 27 at the National Press Club in Washington, D.C. For the complete list of winners, visit press.org.

THERE’S a brand-new woodland playground opening this weekend with everything from slides and climbing walls.

The even better news is that they’re offering discounted tickets throughout the summer holidays.

Tucked away in the Helmingham Estate in Suffolk is Guildenacre – an immersive playground with slides, climbing walls and zip lines.

The play area is inspired by nature and animals is split into four.

The first part is Flint’s Hollow which is home to Flint the Badger and full of tunnels and burrows.

There are two-storey lookout spots too and a covered, twisty slide.

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Up high in the trees is Eira the Owl’s Canopy Keep which has a rope ladder to climb and wooden walkways which lead up to a huge telescope on the stargazing deck.

The Elderglade is where kids will find Atlas the Stag.

It’s the largest play area featuring climbing walls, tunnels, ladders, multi-level walkways, bridges and impressive twin slides to race down.

Vex the Vixen’s Ember Den is designed for older children in mind, it has a more challenging climbing structure with monkey bars and balance beams.

It even has a zip line and the younger ones won’t miss out either as there’s a mini version for the youngsters.

Each area of the playground is linked through bark pathways – so anyone with pushchairs or wheelchairs can easily access it.

When it’s time to eat, visitors can pop into The Black Dog Deli for snacks, pastries, children’s lunchboxes and ice creams.

Tickets to the play area are discounted too thanks to the temporary reduced rate of VAT over the summer.

From when it opens until August 31, tickets booked online are £11.50 for children aged five and over, £8 for adults and £6 for children aged three and over.

You can buy tickets on the day too – these are £13 for children aged five and over, £9.50 for adults and £7.50 for children aged three and over.

Children under three go free.

There’s no restriction on how long you spend at Guildenacre either as there are no allocated time slots.

Guildenacre will be open for weekends from June 27 and then daily for the summer holidays from July 18 until August 31, before returning to its weekend opening.

The play area is set in amongst the four-acre woodlands at Helmingham Hall which is a moated 16th century manor house with a 400-acre deer park.

It has Grade I listed gardens surrounding the house – those who visit Guildenacre will also receive a 25 per cent discount on.entry to the gardens

From the playground the gardens are a short 10-minute walk away or a two-minute drive away.

British tourists have been warned to be careful in France this summer after new rules were brought in during a heatwave as temperatures rise across the country

British tourists have been warned they could be hit with a fine of up to £129 this summer if they visit France. The ban, which applies to non-Brits as well, is in relation to public decency.

Just like the UK, though to a greater extent, France has been experiencing incredibly high temperatures in recent days. In response, several measures have been put in place to protect the public.

One of the laws brought into place has been a ban on men being topless in public places, resulting in a fine that could be as high as €150 (£129.62). The bans have been brought into force in coastal towns including Narbonne in southern France.

In some cases, the ban has been brought in to maintain respect for urban spaces, whilst others have brought it in for hygiene reasons. In places such as Narbonne, the ban will be in place until the end of September.

Residents have so far, it appears, backed the plan. Speaking to the Times, an Australian living in the town, Anthony Hill, 53, said: “This isn’t something the staff of our café can easily police on their own without getting into arguments with customers.

“So I think it’s a very good thing. Having bare-chested guys on the terrace can put off other customers.”

Meanwhile the local mayor Bertrand Malquier, added: “It’s about hygiene and avoiding exhibitionism.”

The attitude has been reflected in La Grande-Motte where local Marie, 37, expressed her support to the publication. She said: “If I’m out with my kids in the town centre I really don’t want to see guys without shirts. It’s a matter of decency — and there’s also the smell when they walk past you.”

A French Twitter user, Yannick Moreau, agreed: “This is inappropriate behaviour that has an unfortunate tendency to increase year after year. So it’s time to make it clear: it is forbidden to walk around shirtless or in swimwear in Les Sables d’Olonne. A bit of decency, please!”

This isn’t the only ban that has been introduced in France, with the country’s capital Paris also introducing a ban on drinking takeaway alcohol in the street.

The ban began at midday today (June 26) and will run all the way until 7 o’clock France time on Saturday morning. It will then return at midday on Saturday and the end again at seven o’clock on Sunday morning.

Talking about the ban, the city’s police chief Patrice Faure, told BFM TV: “As you know, drinking alcohol with the sun beating down can have a devastating effect. We are reaching a saturation point in hospital facilities.

“I must ensure that the pressure decreases.”

Hospitals in the city have been under increasing pressure as more people have come in after being affected by the heat which has been so high that the city’s LGBTQ+ Pride march has been delayed until September.

Hi, and welcome to another edition of Dodgers Dugout. My name is Houston Mitchell. We are exactly halfway through the Dodgers season and they are 52-29. The newsletter mathematician is out sick, but I think that works out as being on pace for a 104-58 record this year.

Remember a few weeks ago when the Dodgers were slumping a bit? They had lost four in a row and had dropped into second place behind the San Diego Padres? Well, the Dodgers have the best record in baseball now and are in first place by nine games over the Padres.

They are headed to Petco Park to start a three-game series tonight, with a chance to bury the Padres this weekend, or, let the Padres get within shouting distance again.

So, with 81 games to go, here’s a look at the top two teams in the NL West:

Record
Dodgers, 52-29
Padres, 42-37

Batting average
Dodgers, .262 (1st among the 30 teams)
Padres, .220 (30th)

On-base%
Dodgers, .345 (1st)
Padres, .294 (30th)

Slugging%
Dodgers, .438 (1st)
Padres, .364 (30th)

Runs per game
Dodgers, 5.22 (2nd)
Padres, 3.91 (30th)

Doubles
Dodgers, 137 (7th)
Padres, 113 (T24th)

Home runs
Dodgers, 109 (3rd)
Padres, 81 (T22nd)

Batting avg. with runners in scoring position
Dodgers, .265 (7th)
Padres, .247 (15th)

Batting avg., two out and runners in scoring position
Dodgers, .242 (9th)
Padres, .238 (12th)

Well, there goes the theory that the Dodgers are a poor clutch-hitting team.

ERA
Dodgers, 3.40 (3rd)
Padres, 3.85 (9th)

Rotation ERA
Dodgers, 3.25 (2nd)
Padres, 4.50 (23rd)

Bullpen ERA
Padres, 3.12 (2nd)
Dodgers, 3.68 (10th)

The Dodgers are in the top 10 in everything, while the Padres are in the bottom 10 in a lot of things. It’s amazing they are in second place with an offense that bad,

Now let’s look at the lineups.

Catcher
Dodgers, Will Smith, .249/.338/.382, 102 OPS+
Padres, Freddy Fermin, .145/.245/.258, 41 OPS+

Smith is having an off year by his standards, while Fermin is having an off year by living person standards. His backup, Rodolfo Durán, is hitting .136/.239/.339

First base
Dodgers, Freddie Freeman, .282/.372/.486, 139 OPS+
Padres, Ty France, .252/.297/.485, 115 OPS+

Freeman just keeps chugging along. He is in the top 100 in major league history in hits, runs, doubles, homers, RBIs and walks. He is the active leader in times reached base with 3,741. He’s 36, and next year he will really start rocketing up the career lists as a lot of players are tightly bunched just ahead of him. France is 31, and next year he has a really good shot at being 32.

Second base
Dodgers, Alex Freeland, .241/.324/.340, 87 OPS+
Padres, Fernando Tatís Jr., .283/.347/.367, 101 OPS+

Freeland is the worst hitter among the starters, and he isn’t that bad. Tatis hit 25 homers last season and has three this season, as the Padres have lost all their power this season for some reason. Normally, Jake Cronenworth starts at second for the Padres, but he has been on the IL since May 5 because of concussion symptoms and was hitting only .144 in 34 games before that.

Third base
Dodgers, Max Muncy, .266/.365/.508, 142 OPS+
Padres, Manny Machado, .184/.267/.378, 79 OPS+

You know what you never hear anymore? This: “The Dodgers need to move on from Muncy at third.” Muncy has been their most consistent hitter and has worked hard to improve defensively. Meanwhile, everyone would like to know what happened to Machado, who has been terrible this season and at one point seemed to blame analytics for his slump. He had a walk-off hit Tuesday and seems to be emerging from his doldrums, hitting .259/.339/.556 since June 9.

Shortstop
Dodgers, Mookie Betts, .230/.290/.415
Padres, Xander Bogaerts, .230/.321/.337

Speaking of season-long slumps, hi Mookie! He is also showing signs of life, hitting .317/.358/.524 since June 9 and lifting his numbers to where they are better than Bogaerts’.

Left field
Dodgers, Teoscar Hernández, .276/.348/.436, 119 OPS+
Padres, Samad Taylor, .379/.438/.448, 150 OPS+

Hernández should be back off the IL soon, and Alex Call has filled in quite well in his place. The Padres have played better since calling Taylor up from the minors a couple of weeks ago. His lofty numbers will probably drop (he has had only 66 plate appearances), but his speed has been a spark for San Diego. He replaced normal left fielder Ramón Laureano, who is probably out for the season after hip surgery.

Center field
Dodgers, Andy Pages, .266/.318/.474, 119 OPS+
Padres, Jackson Merrill, .212/.274/.352, 74 OPS+

Pages has been the linchpin of the offense pretty much all season and it’s nice to see a player shake off a brutal postseason on offense by rebounding this year. Merrill is one of many Padres who are mysteriously slumping this season. He hit .264/.317/.457 last season.

Right field
Dodgers, Kyle Tucker, .234/.333/.374, 98 OPS+
Padres, Jase Bowen, .133/.138/.167, 1 OPS+

Tucker would have been great if he was working under the same contract Michael Conforto had last season. Dodgers fans would be pleased with that production for that pay ($17 million). Instead, he’s getting $60 million for league-average production. Bowen has had only 32 plate appearances, and Tatís will move back here once Cronenworth is able to return to second base.

Designated hitter
Dodgers, Shohei Ohtani, .295/.414./.549, 168 OPS+
Padres, Miguel Andujar, .246/.283/.405, 90 OPS+

Ohtani is the best player in the game, while the Padres seem confused as the what a DH is supposed to do. Hint: the word “hitter” is right there in the job title.

Starting pitchers (in order of IP)
Dodgers
Yoshinobu Yamamoto, 7-5, 2.65 ERA
Justin Wrobleski, 9-2, 2.71 ERA
Shohei Ohtani, 8-2, 1.58 ERA
Roki Sasaki, 3-4, 4.76 ERA
Emmet Sheehan, 3-5, 5.32 ERA
Eric Lauer, 2-0, 2.54 ERA

Padres
Michael King, 5-6, 3.33 ERA
Randy Vásquez, 6-5, 4.17 ERA
Walker Buehler, 4-3, 3.96 ERA
Griffin Canning, 1-5, 7.38 ERA
Lucas Giolito, 2-3, 5.16 ERA

The Dodgers have one weak spot right now in Sheehan. The Padres just put Giolito on the IL and have been using openers quite a bit lately. It’s nice to see Buehler become a productive pitcher again.

Closer
Dodgers, Tanner Scott, 1-3, 2.18 ERA, 11 saves
Padres, Mason Miller, 2-1, 0.79 ERA, 21 saves

Scott has been good this year, but Miller is the best closer in baseball and has given up only 14 hits and 13 walks in 34 innings, while striking out 66.

Relievers (six most-used, in order of IP)
Dodgers
Edgardo Henriquez, 2-0, 2.93 ERA
Will Klein, 2-2, 2.59 ERA, 1 save
Jack Dreyer, 3-1, 3.82 ERA
Alex Vesia, 1-1, 2.39 ERA, 3 saves
Kyle Hurt, 2-1, 3.42 ERA, 1 save
Blake Treinen, 4-1, 3.52 ERA, 1 save

Padres
Adrián Morejón, 6-1, 3.51 ERA, 1 save
Wandy Peralta, 1-0, 1.82 ERA
Jason Adam, 2-1, 2.45 ERA
Ron Marinaccio, 1-0, 3.72 ERA
Yuki Matsui, 0-1, 1.67 ERA
Kyle Hart, 0-1, 4.13 ERA

It seems unlikely that the Padres will fade quietly into the night, especially if Machado and Tatís start hitting.

For full stats for both team, click here for the Dodgers and click here for the Padres.

Milestone for Mookie

Betts hit the 300th home run of his career Wednesday against the Twins, becoming only the 169th player to reach that mark. He is tied with Chuck Klein and one behind the great Rogers Hornsby. He is 14 behind for Dodger Reggie Smith and 16 behind former Dodger Ron Cey.

Ohtani vs. Rushing

Dodgers catcher Dalton Rushing wears his emotions on his sleeve. Sometimes, that’s a good trait in a player. Alex Vesia is like that and he seems to fire up the team. He does it in a “Yeah! Let’s beat these guys!” sort of way.

Rushing, however, is sort of a high-energy Eeyore, the guy who makes every mistake he makes a tragedy of epic proportions.

During Wednesday’s game against the Twins, Rushing had some problems behind the plate while Ohtani was pitching.

Rushing let a pitch get past him for a passed ball due to some miscommunication. Ohtani explained to reporters after the game (through interpreter Will Ireton): “There were two pitches called. The first one was offspeed. The second pitch was a fastball. Rush thought that he was getting an offspeed because I started moving after the first pitch was called, but what I had in mind was the second pitch, which was a fastball.”

From Rushing: “Shohei and I talked about it. It was an error on my side. I messed it up. It was my fault.”

Also, a pitch was called a ball and Ohtani thought it was a strike. He tapped his head to call for an ABS challenge while Rushing shook his head to not challenge. The umpire accepted the challenge and it was a strike.

Ohtani gave up three runs in the second inning. After that, he called his own pitches instead of letting Rushing call them. He then pitched four scoreless innings.

Ohtani, on how to make things better: “The in-game flexibility, reading the swings, reading how the hitters are really taking their approach during the game — that’s how I see what adjustment needs to happen. In that sense, I personally realized we just have to be better at being on the same page and communicating throughout the game.”

Also Ohtani: “There’s really a couple ways of communicating. One is by words, but the other way to be able to communicate is by example, and just taking charge and showing Rush what kind of pitching style I’m capable of.”

Now, I’m not interpeter Will Ireton, but I interpret that as, “When is Will Smith coming back?”

Rushing also struck out in his first three at-bats. He was upset with himself during the game and was consoled on the bench by Dave Roberts, Freeman and Dodgers mental skills coach Brent Walker. That’s a lot of hand holding during a game. And Rushing has had other moments on the bench during games where he has gotten upset or angry about something that has happened. Always directed toward himself, not to his teammates.

Could this be a big problem? Well, it could be. But, the Dodgers didn’t get to where they are by not knowing how to handle situations like this. A lot of scouts will tell you that the biggest difference between triple-A and the majors is the mental aspect. Rushing is learning this now. It would be great if he was just calm and cool and handled all situations flawlessly. But we were all made different for a reason. So, we can afford to give him a little grace, and if the Dodgers feel he (or anyone else) is becoming a detriment to the team, then one day we will wake up to discover, “The Dodgers have traded …”

In the meantime, don’t focus on just these occasional outbursts, look at how well he has played overall. He’s a major league player, he just needs a little help. And don’t we all sometimes?

Final word from Rushing, to reporters after the game: “Good thing he’s as good as he is and he can take control of the game, but it’s pretty embarrassing. They’ve always got my back. Once again, it’s embarrassing that I need support like that. I’m a grown man, and it’s a pretty tough pill to swallow.”

Up next

Friday: Dodgers (Roki Sasaki, 3-4, 4.76 ERA) at San Diego (Walker Buehler, 4-3, 3.96 ERA), 6:45 p.m., Apple TV, AM 570, KTNQ 1020

Saturday: Dodgers (Yoshinobu Yamamoto, 7-5, 2.65 ERA) at San Diego (Randy Vásquez, 6-5, 4.17 ERA), 5:40 p.m., SportsNet LA, AM 570, KTNQ 1020

Sunday: Dodgers (Emmet Sheehan, 3-5, 5.32 ERA) at San Diego (Michael King, 5-6, 3.33 ERA), 1:10 p.m., SportsNet LA, AM 570, KTNQ 1020

All times Pacific

*-left-handed

In case you missed it

Shohei Ohtani is the first Dodger to be named 2026 All-Star

Shohei Ohtani takes control of Dodgers’ win after miscommunication with Dalton Rushing

Dodgers fulfill $1-million pledge in response to ICE raids, owners divest from prison group

MLB clears Dodgers’ Dr. Neal ElAttrache after link to Conor McGregor steroids report

Shaikin: Why a salary cap wouldn’t be enough to stop the Dodgers from winning

And finally

Vin Scully tells us the first phrase he learned in Japanese. Watch and listen here.

Until next time …

Have a comment or something you’d like to see in a future Dodgers newsletter? Email me at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.

June 26 (UPI) — Authorities in Paris implemented restrictions on drinking in public and takeout alcohol sales on Friday for the second time in five days, amid one of the most severe June heat waves on record.

In an effort to reduce stress on the capital’s hospitals, public consumption of alcohol will be banned from noon through 7 a.m. Saturday, local time, and from noon on Saturday through 7 a.m. on Sunday, and can only be sold in bars and restaurants between 6 p.m. and 7 a.m on both days.

Prime Minister Sebastien Lecornu said the health alert level was being raised to its highest, to boost hospital staffing and protect the vulnerable while Paris police chief Patrice Faure said the the capacity of hospitals to cope was “reaching a saturation point.”

“As you know, drinking alcohol with the sun beating down can have a devastating effect,” said Faure.

The bans coincided with a France-Norway game at the FIFA World Cup in Boston, due to kick off in the early hours of Saturday, local time.

Paris Pride, which was due to run Thursday through Sunday, was moved to September, and the Solidays music festival, scheduled to be held over the same period, was canceled because police felt going ahead with either amid the searing temperatures posed a major public health risk.

On Thursday, a three-year-old child died in a hot car in Saint-Gratien in the northern Paris suburbs.

As Paris baked in record temperatures that peaked at 40.9 degrees Celsius earlier in the week, Health Minister Stephanie Rist warned the health impacts of the heat were not restricted to the elderly, infants and other vulnerable groups.

“Even if you are young and in good health with no underlying medical issues, this heat will affect you too. Young people are also suffering from cardiac arrests,” she said, explaining that the Paris ambulance responded to a four-fold jump in cardiac arrests, compared with normal, during a 24-hour period.

Paris mayor Emmanuel Gregoire said the mortality rate was on the increase and urged people, especially the young, to suspend normal physical activity such as jogging.

“We must not believe we are invulnerable. It’s fine to take a couple of days off from exercising,” he said.

Activists have used thermal cameras to show the extreme temperatures outdoor workers are facing during Europe’s summer heatwaves, with one construction worker shown enduring surface temperatures above 65°C.

The thrilling final season of The Bear has finally arrived, but one key player is tragically missing from the last night of service

The series paid tribute to one of his most iconic films.

**Warning – this article contains major spoilers for The Bear Season 5.**

The Bear’s last ever episode pays tribute to a major star who tragically was unable to return to film the final season.

FX’s popular comedy-drama, which streams on Disney+ worldwide, follows the talented yet chaotic team of a gourmet restaurant in Chicago, led by head chef Carmy Berzatto (played by Jeremy Allen White).

Season 4 of the hit series introduced business consultant Albert Schnur, who advised grill cook Ebraheim (Edwin Lee Gibson) with his plans to franchise the restaurant’s profitable sandwich window.

Albert was portrayed by actor and director Rob Reiner, who is best known for helming a string of major films in the 1980s and 90s, including Stand By Me, This Is Spinal Tap, Misery, When Harry Met Sally…, and A Few Good Men.

Reiner, 78, was tragically killed last December with his wife Michele, 70. Their son, Nick, was charged with two-counts of first-degree murder and is awaiting a preliminary hearing after pleading not guilty.

He does not appear physically in the final season of The Bear, but eagle-eyed viewers will have spotted a touching reference to both the character and one of Reiner’s most beloved films.

After Ebraheim gets the go-ahead from Carmy to franchise The Beef, he rings up Albert to let him know his plans.

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This means members can stream hit shows like Andor, The Bear and Alien: Earth, plus countless titles from Star Wars and Marvel, for a fraction of the usual price.

Promising to send him over some documents, he asks if there is anything else he needs. Ebraheim pauses, smiles and replies: “As you wish.”

Movie buffs will immediately recognise the quote from one of Reiner’s most iconic films, The Princess Bride. In the classic fantasy adventure, farm boy Westley (Cary Elwes) often says this to Buttercup (Robin Wright), when he really means “I love you”.

The quote has stood the test of time as an admission of love and now stands as the perfect send-off to the cherished filmmaker who played such a memorable role in the series.

Viewers who noticed the tribute have taken to social media after it left them emotional, with one fan admitting: “ugh broke my f****** heart. you know rob would’ve played the f*** out of actually coaching ebra.”

“Damn near cried through every episode of the bear final season but then they F****** THREW IN ‘AS YOU WISH’,” another exclaimed with a tearful emoji.

Another emotional post read: “EBRA’S, ‘AS YOU WISH’. YOU GUYS CAN’T DO THIS TO ME [crying emoji] I LITERALLY JUST WATCHED PRINCESS BRIDE A FEW NIGHTS AGO. RIP ROB REINER”

Someone else said: “Finally watching S4 of the Bear (S5 coming out made me finally do so) and oh my god I am so depressed knowing Rob Reiner is no longer with us.”

The Bear Season 5 is available to stream on Disney+.

Consumer discretionary stocks remain in focus as companies navigate shifting consumer spending, travel demand, e-commerce growth, and evolving economic conditions across retail and leisure markets.

In light of this, below is a list of the top S&P 500 Consumer Discretionary holdings

Saying thank you very much for a 20% annual increase before escalating the protest to another level shows the confidence the players, and their representatives, are feeling.

The average UK employee can currently expect a 3.4% annual pay rise, and with first-round losers at Wimbledon guaranteed to take home £80,000, sympathy among the general public is likely to be in short supply.

But for the players this is not about the annual increase, but about getting a higher percentage of the revenue they help the All England Club generate.

The AELTC counters with the argument that revenue does not take into account their costs, or investment in infrastructure and other grass-court events.

But the players feel emboldened, and will not mourn over lost media opportunities, especially if they can avoid being fined.

The French Open prize money increase was in single digits, but players received 16% at the Australian Open and expect this year’s US Open to at least match the 20% rise they offered last year.

They are slowly but surely getting what they want on pay, although are asking for an extra 1.5% of revenue every year until 2030.

Those figures may not be delivered across the board, so can the issue be solved by negotiation, or will it revert to a game of bluff in which players threaten strike action – and more convincingly than they have to date?

June 26 (UPI) — Britain’s King Charles III paid $17.2 million in taxes in 2024-25 and almost $40 million since he ascended the throne in 2022, according to the first ever tax statement published by the crown.

The British monarch has no tax liability in law, but both the then-Prince Charles and the late Queen Elizabeth II began paying voluntarily in 1993.

The palace said in a news release Thursday that the move to release the sovereign’s personal tax bill — but not his tax return — together with a statement detailing income sources was “part of the Royal Household’s commitment to transparency.”

The Royal Household’s annual financial statement shows Prince William paid a little over $10.3 million in taxes in 2024-25, bringing the total father and son paid to His Majesty’s Revenue & Customs to more than $66 million since September 2022.

Charles’ effective rate of tax remains unknown because the only source of income provided is $33.7 million revenue from his Duchy of Lancaster, a private estate that has provided the reigning monarch’s personal income since 1399, out of which other working members of the royal family are paid.

Same for William, who earned $28.5 million in revenue from his Duchy of Cornwall, out of which he pays his own way for himself and his family.

William’s duchy, which he inherited from his father, was worth $1.59 billion, while the King’s had assets of $911 million. Neither can benefit from sales of assets belonging to their respective estates.

Taxation experts said the releases did little to increase the transparency they were billed as providing.

Dan Neidle of Tax Policy Associates told the BBC that the King’s affairs remained “highly opaque”.

“We don’t know how much of that is capital gains tax, how much is income tax. Very importantly, we don’t know what expenses he’s deducted to come up with the figure on which he pays the tax,” he explained.

At the same time, the Sovereign Grant for the financial year ended March 31, money the government pays each year to fund the monarch’s official duties, the travel of working members of the royal family, and running and maintaining the main five royal palaces and castles, rose to $174.6 million after remaining flat for the past four years.

More than half, $88.2 million, went on maintaining and “reservicing” the royal real estate, according to the Sovereign Grant Statement.

The grant will rise to $182.4 million in the current financial year, which started April 1, but the rise is a one-off to cover the final year of a 10-year, $489.4 million modernization program for Buckingham Palace, and will thereafter be pegged at $132.2 million a year through 2032.

The grant is a fixed share — 12% — of the profit generated over the two previous financial years by the Crown Estate, a sprawling $16 billion business, real estate and land portfolio that technically belongs to the monarch but was surrendered to parliament in 1760.

Keeper of the Privy Purse, James Chalmers, pointed to the stability afforded by previous reigns during periods of historic transition, saying today’s monarchy was continuing to adapt to meet the challenges of the modern world where the Royal Family’s “soft” diplomacy was ever more valuable.

“So, while much changes, our central principles remain: to deliver value for money and to support the Royal Family as they seek to help shape a better world, here in the United Kingdom, across the Commonwealth and beyond,” he said.

“While Royal finances can sometimes appear complex, the underlying system is clear in principle, structured in law and refined over time to ensure the Monarch can serve with independence, accountability and in the long-term interests of the nation,” added Chalmers.

The king also used the news release to announce that, despite the costly refurbishment, he and Queen Camilla will never live at Buckingham Palace — the iconic official royal residence since Queen Victoria made it her home in 1837 — although it will continue to be used for official events and engagements and will be opened to the public.

King Charles’ preferred royal residence is the nearby Clarence House.

The Turkish Air Force looks set to receive a major boost to its fighter fleet, with the delivery of dozens of F110 engines required to power the homegrown TF Kaan combat jet. This would be one of the most significant positive developments in U.S.-Turkish defense relations since Turkey was ejected from the F-35 program in 2019, and may even pave the way for Ankara to rejoin that effort.

Citing four sources familiar with the matter, Reuters reports that President Donald Trump’s administration plans to go ahead with the engine sale, said to be worth more than $700 million, despite some resistance from Congress.

Ahead of his July trip to a NATO summit in Turkey, Trump was asked by a reporter whether Turkish President Tayyip Erdogan would be provided with a “big gift” in the form of F110 engines and potentially F-35 fighter jets.

“He’s a member of NATO,” Trump replied. “He really is a strong member of NATO. Yeah, I’m going to probably do something that’s going to make him very happy.”

Speaking alongside Trump, Vice President JD Vance said a review was underway to see if Turkey could receive the F-35.

“Pete and the entire team are reviewing this right now, because there are certain things that we have to certify have happened … in order to comply with American law,” Vance ⁠said, referring ​to Secretary of Defense Pete Hegseth.

The question of whether Turkey might receive F-35s has long been a fraught one, with Ankara kicked out of the program back in 2019, a development we will return to later.

For now, however, Turkey’s priority seems to be securing F110 engines.

Turkey’s TF Kaan next-generation fighter is a flagship program of the country’s burgeoning aerospace industry. The program was launched in 2010, and the first prototype took to the air in early 2024.

Reportedly, Turkey plans to complete three pre-production prototypes, to be followed by 250 series-production aircraft, incorporating various refinements.

Last month, a contract was reportedly signed for 20 examples of the initial Block 10 versions of the Kaan.

The twin-engine Kaan was developed with a reduced radar signature in mind, as well as a high level of performance and modern avionics and other systems. As a result, it doesn’t offer the same level of low observability as the F-35, while its sensor fusion, electronic warfare capabilities, and other ‘fifth-generation’ features lag behind the U.S.-designed jet.

Critically, the Kaan is powered by U.S.-supplied General Electric F110 turbofans.

F110s are assembled under license in Turkey by TUSAS Engine Industries (TEI) but are still governed by U.S. export restrictions. These engines are already used in significant numbers by the Turkish Air Force F-16 fleet, the third-largest in the world. Outside of the F-16, the F110 is also used in the F-15E Strike Eagle and F-15EX Eagle II, among other F-15 variants. An F110 comes with a typical flyaway unit cost of $10 to $15 million.

The Kaan program has long been overshadowed by the question of whether Washington will make available in larger numbers the F110 turbofans used in the prototype. Reportedly, an initial batch of 80 engines is required.

While Turkish officials have expressed hope of ultimately switching to a domestically produced engine type for the Kaan, TEI’s TF35000, it’s unclear how realistic this is, at least in the near term. Turkey has also looked at acquiring alternative engines, too, including those from Russia or Rolls-Royce in the United Kingdom.

In the meantime, the importance of the Kaan to the Turkish Air Force increased significantly in 2019, when it became clear that Ankara would be kicked out of the F-35 program, in which it had a considerable industrial stake, and a plan to buy around 100 of the fighters. Washington took that decision after Turkey refused to abandon its purchase of Russian-made S-400 long-range air defense systems.

As well as the S-400, U.S. lawmakers were unhappy with Turkey’s worsening relations with Greece, its other connections with Russia and Azerbaijan (which included the deployment of F-16s to the latter country), its conduct in the Syrian civil war, and human rights abuses. Turkey’s opposition to Sweden joining NATO also proved to be a significant hurdle.

In the wake of all this, the chances of Turkey receiving F110 engines were dramatically reduced. At the same time, Turkey’s request to buy additional F-16 fighters was also turned down. Turkey reportedly also began stockpiling spare parts for its F-16 back in 2019, fearing the effects of U.S. sanctions.

Toward the end of the Biden administration, U.S.-Turkish relations began to improve, and Washington moved to push through sales of new F-16s and upgrade kits for older jets to Turkey. There also began to be suggestions that the F-35 was potentially back on the table for Turkey.

Under the Trump administration, Washington’s relationship with Ankara has become closer, with Erdogan frequently praised by the U.S. leader.

In early 2024, the U.S. State Department finally approved a possible Foreign Military Sale to Turkey of 40 new F-16C/D Block 70 fighters, plus the upgrade of 79 existing aircraft to F-16V configuration.

At the same time, the issue surrounding the S-400 and the sanctions that followed that acquisition remains.

As it stands, U.S. law does not permit Turkey to operate or possess the S-400 system if it wishes to rejoin the F-35 program, as a result of security concerns around the Russian-made system.

During a visit to Turkey in early 2024, the U.S. Acting Deputy Secretary of State Victoria Nuland reportedly suggested that the United States might be willing to offer Patriot air defense systems if it were to give up its S-400s, which could also clear the way to re-entering the F-35 program.

“Frankly, if we can resolve this S-400 issue, which we want to do, the United States would be pleased to welcome Turkey back into the F-35 family,” Nuland said. “But we must solve this other issue first, and while we solve it, we must also ensure that Turkey has a strong air defense.”

The apparent decision to clear the F110 sale certainly represents a further softening of Washington’s stance, and it could be a stepping-stone to Ankara eventually being readmitted to the F-35 program.

Turkey’s desire for F-35s has only been intensified by the fact that Greece, its major strategic rival, has been approved for a purchase of the jets. You can read all about how tensions between Greece and Turkey are reflected in the countries’ respective air forces in this previous feature.

Even regarding the F110 transfer, some opposition to defense sales to Turkey remains in Washington.

In particular, Representative Gregory Meeks of New York, the leading Democrat on the House of Representatives Foreign Affairs Committee, has reportedly stood in the way of the engine sale during an informal review process.

However, according to the four sources who spoke to Reuters, the F110 deal should be “finalized in the coming days, followed by a formal notification from the State Department to Congress.”

While lawmakers can use the congressional review process to raise their concerns over big-ticket defense exports, the administration can override these.

According to the Wall Street Journal, the Trump administration is expected to override Meeks’ effort to block the engine deal.

For the Kaan program, the F110 is vital.

Denied the F-35 and with F-16 deals moving forward only slowly, Turkey has been forced to look elsewhere to meet its short-term fighter needs. Most significantly, it signed a deal for 20 Eurofighter Typhoon jets last October.

Turkey has also been investing heavily in drones, including the ANKA-3, a low-observable flying wing uncrewed combat air vehicle (UCAV), and the fighter-like Bayraktar Kizilelma. Still, these are viewed as adjuncts to advanced crewed fighters, like the Kaan.

Whether securing the F110 engines means the Kaan meets its target of service entry around the 2030 timeframe remains questionable.

However, it is a major step in that direction.

As well as being fielded by the Turkish Air Force, the Kaan could have significant potential for export, although sales would be governed by U.S. restrictions on its engines. It is one of a number of medium-weight fighters that feature low-observable characteristics and advanced avionics. These include China’s FC-31 and South Korea’s KF-21.

Reportedly, Indonesia already signed a contract for 48 Kaan fighters last June.

Perhaps most importantly, the F110 deal would get back on track what is very much the flagship of Turkey’s military aerospace industry. At the same time, a U.S. decision to provide Ankara with these engines will also be welcomed by those in Turkey who still wish for a way back into the F-35 program.

Contact the author: thomas@thewarzone.com

Should I stay or should I go?

It’s at once a practical and existential question that plagues the two lead chefs in FX’s “The Bear.” He was the emotionally tortured and volatile chef who left behind a rising career in Michelin-starred restaurants to return to Chicago, his hometown, to run his recently deceased brother’s floundering sandwich joint. She was a Culinary Institute of America-trained chef with potential and a steady demeanor seeking mentorship and an opportunity to work with a prodigy. Together, Carmen “Carmy” Berzatto and Sydney “Syd” Adamu — played by Jeremy Allen White and Ayo Edebiri, respectively — transformed the Original Beef of Chicagoland from a hole-in-the-wall into the titular fine-dining establishment.

But now their partnership in the kitchen has come to an end.

Created by Christopher Storer, “The Bear’s” fifth and final season picks up the morning after Syd, Richie (Ebon Moss-Bachrach) and Nat (Abby Elliott) learn Carmy is quitting the food industry and leaving the restaurant in their hands at a make-or-break moment. And the pressure mounts for Syd to decide if she’ll jump ship to pursue another opportunity. The eight-episode season, now streaming in full on Hulu, largely stretches across one day as the restaurant’s debts accumulate, suppliers cut them off and an unrelenting storm floods the kitchen and threatens to upend a night of service the chefs desperately need to have one last shot at survival and one last performance as a team to deliver an improbable turnaround.

In some ways, it’s a journey that mirrors the actors’ own trajectories. Before “The Bear” became a runaway hit, White was best known for his role on Showtime’s long-running dark comedy “Shameless,” while Edebiri primarily worked as a stand-up comedian and writer. Just as their characters have evolved and gained electric momentum in their careers, so have the actors. Both garnered Emmy Awards for their performances on “The Bear,” and they have added a multitude of film and TV credits to their résumés since. Edebiri is currently starring opposite Don Cheadle in the revival of “Proof,” her Broadway debut, while White will be starring this fall as an investigative reporter in Aaron Sorkin’s “The Social Reckoning,” a companion piece to “The Social Network” that chronicles Facebook’s whistleblower scandal.

Over separate video calls from New York, Edebiri and White reflected on “The Bear’s” conclusion and what it means to leave the characters that supercharged their careers behind. Here are edited excerpts from the conversations.

Ayo Edebiri as Sydney Adamu and Jeremy Allen White as Carmen “Carmy” Berzatto in a scene from Season 5 of “The Bear.”

(FX)

After living inside these characters’ skins for so many years, what’s it like to be done playing them?

Edebiri: They keep saying that we’re done, so I guess that really is the thing of it. Obviously I know that it’s over, but even when we were finishing our first seasons, it didn’t matter how much critical acclaim we got because we’re on a show that’s a part of a network that has a deal with the streaming service — there’s all these things that are continually in flux or that you know that you have no control over. As an actor, you’re used to this state of limbo or not totally knowing or being prepared for an ending, so I think I’m not overwhelmed by it, if that makes sense.

White: I don’t know yet. We were very lucky to understand for a long time when the show was going to end and, to a degree, how the show was going to end. It was difficult to see the direction it went — I have strong feelings about Carmy and where he ends up and how his story might continue on. So much of this season, for Carmy, is about a surrender or acceptance of his place in the world and his place in the kitchen, and it’s the first time he’s really been able to get very honest with himself since we’ve met him. And, in doing so, he chooses to leave, and that was hard for me, for Jeremy. Maybe there’s a world in which he tries this and he comes back. I think I had a different understanding for a while of Carmy’s future. I want him to be happy and healed, but it felt like … I don’t know — imagining him outside of a kitchen was hard for me.

I want to unpack that a little bit more. He wants to be happy. But it was interesting to see him wrestle with how his work hinders that — is it the crutch or the salvation? Did you find yourself having an existential moment as Jeremy taking in what Carmy was wrestling with, or have you reckoned with it before?

White: He threw himself into this work, into this world, pretty young in life. And he was really good at it. But a big part of him burying himself has so much to do with his brother, with his family. I was finishing something too. And, yes, of course, I was thinking of goodbyes, and I was thinking of moving on, and new pursuits and all of these things. I was checking in with myself and what it might feel like to just make such a hard turn in life. I thought a lot about what you get back from your work, but I think ultimately, what Carmy and I don’t share is he was causing so much chaos in his work life; it wasn’t just himself that he was punishing at times. It came down to this surrender to an easier way, a softer way, which was to turn it over to Syd, to turn it over to Richie, to turn it over to Tina in the kitchen — that part, I had an easier time understanding.

“The most beautiful thing about their relationship is their true unconditional belief in one another,” says Allen about Sydney and Carmy in “The Bear.”

(David Urbanke / For The Times)

Syd was facing a crossroads: a shiny new job that could take her to the next level or sticking with this seemingly sinking ship that has taken her to the next level, but where she’s felt unappreciated or stifled at times. Ayo, what did you think of the choice she made?

Edebiri: We’re really fortunate to have such amazing writers who thought about her and her journey. [There’s] an awareness of Sydney’s womanhood and Blackness and youth, but I think [they treated] her with the full dignity of just being a human being and getting able to be a complex character in this show and giving her the dignity of being just as flawed as the other characters. [The choice she made] just made sense to me. It made sense in the architecture of the show. It was gratifying to get to build to that with everybody.

The bulk of this final season has the team dealing with this massive storm that’s created a slew of setbacks at a make–or–break moment for the restaurant. It leads to one final symphony in the kitchen together.

White: Those days were beautiful. So much of our show is shot so quickly, but then we really get to slow down with these choreographed pieces of kitchen ballet, and that’s also when we feel really strong as a group of performers, where we’re incredibly reliant on one another, not just for the emotional beats of a scene, but in this very technical aspect as well. I remember going back to Season 1 and filming Episode 7, “The Review,” which was the single-take episode, and just how much camaraderie came from that, and how much respect came from that for everyone — that feeling of real success that we could do this. It’s a really nice thing that happens sometimes on sets, where there is such a nice mirror of what’s going on with the characters and what’s going on with the cast. In this last push, and this team effort, we want these things as the characters, and we want these things as the cast. We want these people to have what they want, what they deserve, so it was really exciting shooting that last episode or two where all those things are coming into place.

Edebiri: That’s Chris’ thing — it’s like a classical piece of music or something; there’s different movements. His own challenge that he puts on himself, and that, in turn, puts on us, is that we’re still in the same piece of music, but everything just has a different feeling. He’d been talking about it since, low-key, Season 3, but definitely started talking about it a little bit more concertedly when we were filming [Season] 4. It was really starting to take shape in his brain. This challenge of having it be in this one day, and how each episode can feel different, was really exciting to him, so in turn, it became exciting to us.

Were you hoping for more runway to chart what the characters were facing?

Edebiri: No, I think it was cool. I was just like, “Yeah, let’s see what it is.” That’s kind of what everything has been with this show. Part of her emotional journey for the last season, what was on a slower track, in a way, there was something also really fun in having the pressure cooker of one day, and everything getting to ramp up and be quite immediate, which I think has been reminiscent of Seasons 1 and 2 in a fun way.

Tina (Liza Colón-Zayas), left, Sydney (Ayo Edebiri), Richie (Ebon Moss-Bachrach) and Carmy (Jeremy Allen White) in “The Bear.” The restaurant faces multiple setbacks, including a storm that causes damage and dwindling supplies.

(FX)

Carmy and Sydney’s dynamic has been so fundamental to the series. These are two people who see something in each other that the other doesn’t. What do you admire about their relationship as friends and as co–workers?

White: The most beautiful thing about their relationship is their true unconditional belief in one another. They see the beautiful things in one another that the other one is not able to witness in themselves. Even though trust has been tested and trust has been broken at times, there is such a loyalty to the best in themselves. They know that they can rely on one another. In a lot of ways, they saved each other. That piece in the opening episode of Season 3, where Carmy gets the call about Mikey and serves the scallop to Syd without ever having met her — there is this invisible tether that was not witnessed by either of them, but it inspired Syd, and whether Carmy knew it or not, this thing was loved and enjoyed by someone that was birthed from this very traumatic moment. There’s just this beautiful, invisible tether that has always existed and will always exist between the two of them.

Edebiri: What I admire about it is the fact that they are able to bring out — through a lot of miscommunication and hard work, but ultimately, I think, with good intentions — the best in each other. They want to see each other be the best versions of themselves.

How is that reflected in your dynamic? Jeremy, who is Ayo as a scene partner and what has she brought out in you as a performer, and vice versa?

White: I was really so lucky to kind of witness Ayo in real time — everybody else had to wait some months to see her on the show. I remember genuinely being struck by her presence, her groundedness. It felt like, if this makes sense, wrong because she was doing it so well. She’s incredibly smart, she’s a wonderful writer, and she’s very skilled improvisationally, and so, in acting with her, there’s something that always makes you feel very in the moment. You can never like relax, in the best way. It’s like you always have to surrender yourself to each moment.

Edebiri: When we first started, I was coming from the comedy world, and he was coming from a much more dramatic world. Our approaches were so different. He has such amazing presence of being and a quiet focus and has such care for the work. He’s a really great leader. There are ideas in society of men in power, and what power held by men has to look like and feel like, and he’s very gentle — especially in the show, which can live so much in the space of chaos and anxiety, having a gentle spirit really helps with filming. He’s so good at making that very clear and helping teach me that as well … I’ve definitely learned from him, without realizing it, ways to protect yourself and protect your peace, and protect also the peace of your co-workers — you get the work done, you be serious about it, but it doesn’t have to be torture.

Edebiri on working with White: “When we first started, I was coming from the comedy world, and he was coming from a much more dramatic world. Our approaches were so different. He has such amazing presence of being and a quiet focus and has such care for the work.” (David Urbanke / For The Times)

What was it like to see them get this thing they’ve been after — not one, but two Michelin stars?

White: Reading that moment —there’s been so much pain and heartache … for years and years and years, and I was just so relieved to see this joyous moment on the page. It felt so, so close to the surface of me already. And we — Jeremy and Ayo — have shared so many insane, joyous moments in our lives since the show. So it felt familiar in the best way. I’m so glad for that moment for both of them — for Carmy and Syd.

Edebiri: We’re shooting it so fast. You always wish you just had more time, and that was one of the last scenes — I think it was the last thing that he and I shot. There’s obviously a bit of a preciousness and emotionality that you’re feeling in that moment, while also tapping into what’s happening to the characters. It’s this thing that, in the brain of myself, we’ve been building to this over five seasons. There’s obviously a somewhat meta reflection of what we’ve gone through — this is just such a crazy journey. But I think at the end of it, especially because of what we know is going to change in their relationship, that in their working proximity, that they are not going to be close, but they know that they were able to do this thing and build this thing together, I think [is] what felt very special, and felt very cool. I hope it’s something that people who have loved the show also feel.

Fans have intense feelings about their relationship, as I’m sure you know. Has it surprised you how strongly people feel about their dynamic?

White: I know that exists. I don’t have too much knowledge on how that all works. It’s funny, I’m very aware of it now because it’s become part of a conversation around the show, but it was nonexistent in our approach to the work. It wasn’t even a thought for either of us. It didn’t occur to us. But I understand it. There is an intimacy, of course, with these two characters. And there is this trust. They lean on each other and they admire each other so much. I’m not like — nobody’s crazy to feel that. There is love there, it’s just not a romantic partnership.

Edebiri: It surprised me the first two [seasons] because I don’t think that that’s what we were doing. Anytime that you say otherwise, I’ve learned [not to]. It’s been hard when doing press, it feels like we get asked specific questions to try to give a specific answer, but the point of art is we make it and we give it. If people are having a response, that’s great, and if I don’t agree with you, I don’t think I’m shutting it down or anything. We made something, then you’re picking something up — that’s the exchange.

White says he knows fans have intense feelings about the relationship between Carmy and Syd. “It’s funny, I’m very aware of it now because it’s become part of a conversation around the show, but it was nonexistent in our approach to the work. It wasn’t even a thought for either of us.” (David Urbanke / For The Times)

Carmy has a few heartfelt conversations this season, but one that really stands out is the one with his mom, played by Jamie Lee Curtis, while revisiting the family home he’s stayed away from for years. He cooks for her. She’s remorseful. Jeremy, what did you think of that moment for Carmy?

White: There’s resistance in it. People like Carmy, you can give them the answer, you can give them the sorry, you can give them the opportunity, and a lot of the times they don’t know what to do with it, or they push it away, or they push it down. What that scene was about, for Carm, was becoming available to even listen. That was the conflict of the scene and the moment. But he was able to eventually get to that acceptance to release some of the resentment, to release some of the anger. Then he is able to show up for her, which was what has been absent. He was able to take it and give her something. It’s been years, if ever, that he’s really been able to do that, to get out of his own way, and be of service in that way to his mother.

Ayo, it was really touching to see Syd naming Tina her chef de cuisine. How did you feel about what that sets up for where Syd and the Bear might be headed with these women as partners in the kitchen?

Edebiri: I loved it. I love getting to work with Liza [Colón-Zayas]. I’ve been so privileged to also be able to direct her — she’s just phenomenal. I think about these two characters, where they started Day 1; Tina was pretending not even to speak English just to stay away from the girl. It was rough from the get-go, but I think both for Liza and I, as two women of color as well, we felt so invested in their relationship and the community they built with each other. There’s something very moving about that to me. Part of the thing for Sydney, she doesn’t know — I think Carmy can see it — that one of her strengths is that they’re different types of leaders. Part of what I think makes Sydney a great leader is that she’s able to delegate and actually remove herself when she knows that she might not be the best in a situation, it might be somebody else.

I haven’t actually seen it. I can’t watch the episodes, but I know when we were filming it, it was both very sweet and very funny. I don’t know if they kept any of the improv from Liza.

You can’t watch because you’re emotional about it or because you just don’t have access?

Edebiri: No, I don’t want to. We were doing all this press and everybody was, “You were so emotional; you wanted to cry, right?” And I’m like, “No, I just don’t want to watch.” I’ll watch it later. The only season that I watched before [it aired], frankly, was 3 and 4 because I had episodes that I made in it. I love the show and I know the show is good. I don’t enjoy watching myself.

I do love that Syd’s ethos in the kitchen is borrowed from “Ratatouille.”

Edebiri: Yes, f—ing rat. It tracks for Sydney.

“I love getting to work with Liza [Colón-Zayas],” says Edebiri about her co-star, whose character is named chef de cuisine. “I’ve been so privileged to also be able to direct her — she’s just phenomenal.”

(FX)

Jeremy, what was your reaction when you read Carmy is in a suit interviewing for an internship at an architectural firm? And what he expresses there?

White: I understand and I’m proud of the courage that it takes [to do a life pivot], but also I tried to play that scene in a way where I didn’t want it to be entirely clear [what happens next]. I wanted the question to be like, “Is this guy still so f— up in the head that he’s trapped regardless of his place in this world, or place of work? Is it a romance that he’s saying goodbye to? Is it a love that he still has, and he’s not quite over yet?” Then I was like, “Do we snap out of that scene and we’re back on the clock?” What is this? I think the goal of the scene is it shouldn’t be all too clear and wrapped up.

What do you think?

White: I could see there’s obviously so much love. There’s love for the people he works with, and there’s love for the paces he’s gone through, but I didn’t know. … I didn’t know if it was a goodbye or an admittance. I think I was trying to find something between him coming clean and being like, you know what, I don’t belong anywhere else or I’m so in love with this thing, but it’s not good for me, and I think it exists somewhere in between that.

Ayo, what was your reaction to Carmy interviewing at the firm?

Edebiri: I was like, “Yeah, that makes sense. This boy’s a noodle.” He’s a fool, he’s ridiculous. It makes sense.

Where do you think he goes from here? Have you thought about it? Do you think he will ever find his way back to the kitchen?

White: I haven’t thought about it too much. I do think there’s something really honest about that direction that Carmy was moving into, but I would hope there’ll always be room for him somewhere in a kitchen.

Edebiri: Syd is like, “You can’t do anything else, brother. Like, what’s the plan?” I don’t know if he takes a break, if he comes back to help her, if he does his own thing.

What do you think happens to the Bear?

Edebiri: I think they do well. It’s not just her; it’s her and Sugar and Richie and Marcus and Tina. She got in it for Carmy, but I think she ended up finding her own voice. I think they keep going, at least for a few more years. I really do.

White: I have to believe that all the pain and suffering and trauma — not only that Carmy has gone through, but that everybody has gone through — is for some greater good. That there is a payoff. My hope is that it would be successful. They’ll have the endurance and the motivation to make it.