LA Opera names Venezuelan conductor Domingo Hindoyan as music director
When Domingo Hindoyan, the Venezuelan chief conductor of the Royal Liverpool Philharmonic, made his debut with L.A. Opera last November with “Roméo et Juliette,” Times…
When Domingo Hindoyan, the Venezuelan chief conductor of the Royal Liverpool Philharmonic, made his debut with L.A. Opera last November with “Roméo et Juliette,” Times…
Osvaldo Golijov’s beauteously strange “Ainadamar” has reached Los Angeles. The opera, one of this century’s most gratifying, portrays the 1936 political execution of the poet…
If Los Angeles has a reputation for opera, it is as an outlier, a city freed from encrusted tradition and eager to invent. Long Beach…
When L.A. Opera invited Gustavo Santaolalla to write a new score for the Spanish version of the 1931 film “Dracula” to be performed live with…
When the curtain rises Saturday evening on Los Angeles Opera’s “Turandot,” composer Giacomo Puccini’s last work will feature the L.A. debut of the production’s biggest…
The label of elitism sticks to opera like superglue. The label is a fake, but one for which no cultural chemical capable of removing it…
James Conlon, the second music director in Los Angeles Opera’s almost 40-year history, will step down from his role after the 2025-26 season, the company…