fashion

SIR Elton John’s glasses firm owes a whopping £3.7million, latest figures have revealed.

The Rocket Man star’s glasses are available via his website and at high street giant Specsavers.

However, the firm that receives cash from the sale of the eyewear has substantial debts.

Accounts for Elton John Optical Company Ltd show that it is £3.7m in the red for the 12 months to the end of March this year.

The company has cash reserves of £308,173 and paid just £1,020 in Corporation Tax on its taxable income for the most recent trading period.

The bulk of the cash is owed to firms called William A Bong Ltd, J Bondi Inc and J Bondi LLP – outfits that form part of the star’s business empire.

GOODBYE YELLOW

Watford in major kit change ditching yellow shirt thanks to Elton John

STAR LOOK

Brit actor looks unrecognisable with bushy beard – but can you guess who it is?

Elton, 78, offers fans two pairs of glasses for £130 at Specsavers.

Buyers are told: “Introducing the Elton John Eyewear glasses collection.
“Designed by the man himself, the Elton John Eyewear range is bursting with his love of individualism and flamboyant style. Inspired by Elton’s journey, you’ll find pops of colour, smatterings of glitter and twists on classic designs.”

He recently admitted that his eyesight was failing and he can now only sign autographs with his initials.

The pop legend lost vision in his right eye in July last year after contracting an infection on holiday in the South of France, and said his left eye is “not the greatest”.

In December, he explained he was unable to watch his new musical version of The Devil Wears Prada.

He added: “I haven’t been able to come to many of the previews because, as you know, I have lost my eyesight.

“But I love to hear it.”

And interviewed on Good Morning America, he said. “It kind of floored me, and I can’t see anything.

“I can’t read anything, I can’t watch anything.”

MANY A-list models stunned while strutting down the runway donning lingerie at the Victoria’s Secret Fashion Show.

The night was filled with beauty and sexy outfits for the brand’s annual runway show on Wednesday night in New York City.

It began with jaw-dropping looks from models wearing an array of sultry lingerie, including pregnant Jasmine Tookes, who stepped out first in a barely-there gold beaded number.

She paused at the end of the runway as she cradled her baby bump and was met with cheers from the crowd.

Others like Behati Prinsloo and Alessandra Ambrosio matched her all-gold look in string two-piece ensembles, the former with a massive train, while Alessandra rocked giant wings.

Soon after, several musical acts took the stage.

Madison Beer started the lineup, performing her hit track Bittersweet while wearing nothing but a white angel corset.

She blended in perfectly with the ladies, as most wore variations of white and pink outfits.

Gigi Hadid turned heads in a skimpy pink lingerie set with an enormous pink, feathery coat draped over her arms.

Shortly after, the stage transformed into the brand’s signature pink-and-white polka-dot colors for its PINK loungewear collection.

The singing group TWICE then entered the runway, making history as the first K-pop girl group to perform at the exclusive event.

The foursome sported varying form-fitting ensembles, with knee-high furry boots.

They sang their songs, This Is For and Strategy while the models walked past them in more comfortable attire.

This included newcomers Lila Moss and Barbie Ferreira, who stunned in a gray lounge set and a jean jacket, respectively.

At the end of the PINK showcase, the ladies posed for a group shot in the middle of the stage with TWICE, which was shown on a giant screen.

The evening continued with more seductive attire, as Colombian singer Karol G performed in a body-hugging, see-through white number.

The models kept the red theme going, with Bella Hadid flaunting her incredible figure in a jaw-dropping lingerie set.

Others wore various red lingerie, some paired with props such as capes, wings, and devil horns.

Karol G also got in on the fun, catwalking across the stage to show off her skintight bodysuit with matching wings.

The mood then brightened with more pastel-colored pieces, including a breathtaking vision of Emily Ratajkowski.

The supermodel wore a pink bra and underwear set, strapped heels wrapped up to her knees, and a huge, sparkly pink prop on her back.

The lights dimmed again to display the all-black lingerie pieces, including plus-size model Ashley Graham flaunting her curves in a glittery two-piece.

She paired the look with massive black angel wings and strappy heels.

Gigi later reappeared, wearing a form-fitting white corset and matching skirt, while holding large white angel wings.

Her sister, Bella, also reemerged donning a sexy tasseled white lingerie set with fluffy white wings strapped to her back.

The show ended with a medley performance by Missy Elliott, which included her popular tracks Get Ur Freak On, Work It, and Lose Control.

OMAZE-ING

I went from council flat to winning £4m house… But this is why I’m selling up

BOTTOMS UP

Wetherspoons reveals opening dates of 5 new pubs starting next week

Missy made a grand entrance on a platform that came down from the ceiling before she appeared in an all-black sparkly outfit.

The models returned to the stage altogether when Missy’s performance concluded for an encore, as pink confetti covered the room.

THEY say an apple doesn’t fall far from the tree – and in the case of Chris Martin and Gwyneth Paltrow’s daughter it could hardly be more appropriate.

Yesterday we revealed Apple Martin’s first photoshoot, posing with a python in an ad campaign for fashion brand Self-Portrait.

And last week saw her collaboration with her mum for a high-profile Gap shoot.

But the 21-year-old model, singer and socialite insists we should all forget the nepo baby label — because it’s all thanks to her parents “instilling a work mentality in her”.

“I should not be entitled to anything, I have to work,” she said in a recent interview.

But what Apple means by “work” is raising a few eyebrows in the world of showbiz.

Read more on Apple Martin

TWIN OF GWYN

Gwyneth Paltrow’s daughter Apple Martin, 18, stuns at Paris Fashion Week

MEET THE MINI-MES

These lookalike daughters are following in their mums’ famous footsteps

Singing on records by her dad’s band Coldplay, cameos in her mum’s Netflix documentaries, and even a movie role — despite having zero acting experience — are only fuelling accusations that she could well be this year’s ultimate nepo baby, or the child whose success is seen as resulting from their parents’ connections.

A showbiz insider said: “Apple has all the qualities to be the new It girl.

“She’s got girl-next-door looks and has a sweet and innocent demeanour, but deep down she has a wild side.

“She’s sure to ruffle a few feathers as she makes her way in the modeling world.

“And whether she likes it or not, she’s definitely one of the nepos to watch.”

But showing she is not afraid to hit back at the naysayers, the fiery model said: “I constantly remind myself how grateful I am to have these opportunities. I know this is not a normal way to grow up, by any means.

“But my parents did a really good job of instilling in me that I shouldn’t be entitled to anything.”

Apple claims she always wanted to be a model, recalling how she “did run runway walks” in her bedroom while dressed for school, practising her version of Ben Stiller’s Blue Steel pose from the film Zoolander.

She said: “I’ve always been obsessed with fashion. I remember when my mum would do fittings for photoshoots when I was younger, I’d love to just hang out while she was getting her make-up done on set.”

My parents did a really good job of instilling in me that I shouldn’t be entitled to anything

Apple Martin

Given that dad Chris is the super-clean frontman of the world’s most inoffensive band, Apple’s personality — as well as her looks — is perhaps more aligned with her Hollywood-star mum, who knows all too well about divisive images.

Gwyneth — herself the nepo baby of film director Bruce Paltrow and actress Blythe Danner — was a self-confessed party girl in the Nineties and famously bragged about loving the buzz of “doing cocaine and not getting caught” during her twenties in New York.

It’s yet to be seen how Apple gets her kicks on a night out, but her parties have certainly gained quite a reputation after police were forced to shut down one particularly raucous bash in 2022 with 50 of her pals at Gwyneth’s estate in the Hamptons — the affluent seaside resort on New York’s Long Island.

Mum was out of town at the time but according to neighbours, the revellers were “partying like rock stars” and made so much noise, angry locals had no choice but to call the cops.

Apple reportedly ended up receiving a fine for hosting a gathering without a permit. Her parents have a combined worth of £320million, so it’s unlikely she would have struggled to pay it.

Apple, who was born in London, was educated in California, attending the £30,000-a-year Harvard-Westlake School in Los Angeles, where she graduated in 2022.

She is now studying English and history at Vanderbilt University in Nashville, Tennessee.

Her taste for fashion has been evident since she got a job in a clothes shop aged 15.

I don’t think we need another celebrity child in the world

Apple Martin

She attended her first runway show in 2023, sitting front row at the Chanel Haute Couture show in Paris, and said afterwards she was developing her own style, a mix of “classic ’90s and cool grandpa”.

Apart from brief appearances in her mum’s Netflix shows and Instagram pictures, as well as singing on Coldplay songs — including 2021 single Higher Power — Apple has only entered the limelight in the last few years, when signs of her personality have begun to shine through.

In April this year she gave a bolshy take on growing up in the public eye for high-end fashion mag Interview — where she worked as an intern — in which she admitted she used to be “anxious about making mistakes”.

She added that she had been put off showbiz because “I don’t think we need another celebrity child in the world.”

She continued: “I just try to do what feels right and block out anything regarding me in the news to the best of my ability.

“And I’m getting a lot better at being like, ‘F*** it’. I’m not going to be scared. I just want to do what seems fun and figure my life out.”

But Apple’s steely approach was put to the test last year when she made her debut at the high-society Le Bal des Débutantes — a modern version of the old debutante ball — in Paris.

The bash at the $1,000-a-night Hotel Shangri-La was supposed to signal her arrival, in a stunning Valentino gown, as a new Hollywood power player.

But instead Apple suffered an online backlash after she was accused of deliberately photobombing a fellow guest and forcing her out of the frame, then pouting and posing for several photos.

After the footage went viral, social media users branded her “obnoxious”, “entitled” and “giving Regina George” — a reference to the notorious queen bee in the 2004 movie Mean Girls.

But rather than give a mature response, Apple instead poked fun at the situation, posting a video on TikTok with a pal jokingly stating that they are both “a delight” and “very funny” — which only served to earn her the nickname “Rotten Apple”.

Gwyneth was also at the ball with ex-husband Chris and Apple’s 19-year-old brother Moses, who is the lead singer in up-and-coming band Dancer.

She has previously admitted that despite Apple’s recent claims that her parents don’t want her to be “entitled”, there is little doubt that she is — but Gwyneth sees it as positive.

Talking about Apple and her pals, she said: “They have, and I mean this word in the best possible way, a sense of entitlement that’s beautiful.

“It’s not spoiled . . .  I find it very uplifting and heartening that we all seem to be going in this direction together.”

Even so, Gwyneth knows Apple’s spiky side too, having received a ticking off from her for posting a snap of her on Instagram when she was 14.

Apple commented under Gwyneth’s post, ranting: “Mom we have discussed this. You may not post anything without my consent.”

Sassy response

She later deleted the remark after her mum replied: “You can’t even see your face.”

Apple also gave a sassy response when her mum posted a picture of herself making breakfast while topless, writing: “Did I steal your shirt by accident”.

And she also ripped into Gwyneth’s morning routine while trolling the TikTok account of her lifestyle brand Goop, saying: “She eats nothing except for dates and almond butter,” adding that Gwyneth had been on a cleanse “since the day I was born, apparently”.

But when asked how she stays grounded, Apple said: “Hanging out with my friends and trying to have a normal college experience makes me feel more normal.

“That’s how I like to unwind. We’ll sit down and do little guitar playing sessions, one person will play and the others will sing.

OMAZE-ING

I went from council flat to winning £4m house… But this is why I’m selling up

BOTTOMS UP

Wetherspoons reveals opening dates of 5 new pubs starting next week

“I also love watching reality TV with my friends. There was one day we spent five hours on the couch and just watched old episodes of America’s Next Top Model.”

Normal? Or nepo? You decide.

To live in Los Angeles is to be a seeker. There are those who come to the city in search of the limelight and affluence. There are others who crave temperate weather and long for accessible beaches. The list goes on. Some of these desires are easily satisfied, while others are left unfulfilled or forgotten. But for those born and raised in this atypical metropolis, like Shirley Kurata, the search is never-ending.

The costume designer tells me the key to loving this city is to never stop venturing around. We sit in the shaded back patio of Virgil Normal, a 21st century lifestyle shop she owns with her husband, Charlie Staunton. She wears a vibrant pink getup — a vintage top and Issey Miyake pants — complete with small pleats and optimal for the unavoidable August heat wave. Her signature pair of black circular glasses sits perfectly on the bridge of her nose. It’s a style of eyewear she owns in several colors.

“I always tell people, L.A. is like going to a flea market. There’s some digging to do, but you’ll definitely find some gems,” says the stylist and costume designer, as she’s regularly on the lookout for up-and-coming creative hubs and eye-catching storefronts. “It won’t be handed to you. You have to dig.”

In one way or another, “digging” has marked Kurata’s creative livelihood. Whether she’s conjuring wardrobes for the big screen, like in the Oscar-winning “Everything Everywhere All at Once,” or styling musicians like Billie Eilish, Florence and the Machine and ASAP Rocky for photo shoots and music videos, the hunt for the perfect look keeps her on her toes.

Over the summer, Kurata spent a lot of time inside the Costco-size Western Costume Co., pulling looks for Vogue World, the magazine’s annual traveling runway extravaganza. This year, the fashion spectacle is centered around Hollywood and will take place at Paramount Pictures Studios in late October. She is one of the eight costume designers asked to present at the event — others include Colleen Atwood of “Edward Scissorhands,” Ruth E. Carter of “Black Panther” and Arianne Phillips of “Once Upon a Time in Hollywood.” Kurata will be styling background performers and taking inspiration from the invited costume designers.

Shirley wears vintage hat, Meals Clothing top, shirt and dress, We Love Colors tights, Opening Ceremony x Robert Clergerie shoes and l.a. Eyeworks sunglasses.

“[Vogue] wanted someone that is a stylist and costume designer who has worked both in fashion and film. Because a lot of costume designers work primarily in TV and film, they don’t do the fashion styling for editorial shoots,” says Kurata. “I’m coming on and working with what other costume designers have done.”

Since her start in the business, Kurata has gained acclaim for her ability to infuse daring prints and vibrant color into the narrative worlds she deals with. Her maximalist sense of experimentation took center stage in “Everything Everywhere All at Once” and earned her an Academy Award nomination for costume design. From a bejeweled Elvis jumpsuit to a look made entirely of neon green tassels meant to resemble an amoeba, her vision was avant-garde, playful and undeniably multidimensional.

When Kurata isn’t on set or in the troves of a costume house, she’s likely tending to Virgil Normal. Housed in a former moped shop, the Virgil Village store offers a selection of novelty items and streetwear treasures, curated by both Kurata and Staunton. Though Staunton jokes that he’s constantly seeking her approval when sourcing inventory: “If it’s not cool enough for her, it doesn’t come in.”

The couple first met at the Rose Bowl Flea Market through mutual friends. At first sight, Staunton recalls being enthralled by her perpetually “cool” demeanor. Early in their relationship, he even floated the idea of starting a clothing line together, just to “knock off her closet.”

Shirley wears Leeann Huang t-shirt, skirt and shoes, We Love Colors tights and l.a. Eyeworks glasses here and in photos below.

“She’s like a peacock. It’s not like she’s trying to get attention. But she has her own vision and doesn’t really care what’s going on. She knows what’s cool,” says Staunton, who cites Kurata as the biggest “inspiration” for the store.

Inside the quaint red brick building, blue L.A. hats are embroidered to read “Larry David,” acrylic shelves are packed with Snoopy figurines (for display only), trays of l.a. Eyeworks frames fill the tables and each clothing tag is a different elaborate doodle illustrated by Staunton. He adds that everything in the store is meant to have a “rabbit hole” effect, where shoppers can give in to their curiosities.

“We wanted a place where like-minded people could come here and have it be a space to hang out. They don’t have to buy anything,” says Kurata. The attached patio is complete with a mural of a man floating in space, pipe in hand, and the coolers are still filled with chilled beers and sparkling waters from their most recent get-together. She tells me about how many times they’ve allowed musicians and artists to transform this peaceful outdoor space into a lively venue.

“Having that connection with a community of creatives in the city is essential. Having that sort of human interaction is really good for your soul, and for your creativity,” she shares. “Having this store has been one of the most fulfilling things that I’ve done, and it’s not like we’re not making a ton of money off it.”

From the cactus out front, which Kurata and Staunton planted themselves, to grabbing lunch at the taqueria down the street, she explains cultivating a space like this and being an active part of the neighborhood has made her into a more “enriched person.” Kurata, who is of Japanese descent, brings up the lesser known history of East Hollywood. In the early 1900s, the neighborhood, then called J-Flats, was where a sizable group of Japanese immigrants settled. It was once a bustling community with Japanese boarding houses that offered affordable rent and home-cooked meals. Today, only one of these properties is operating.

“Having that connection with a community of creatives in the city is essential. Having that sort of human interaction is really good for your soul, and for your creativity,”

For Kurata, being a part of this legacy means trimming the nearby overgrown vegetation to keep the sidewalks clear and running over to the locally owned convenience store when Virgil Normal needs supplies, instead of immediately turning to Amazon. She pours everything she learned from being raised in this city back into the store, and in turn, its surroundings.

Kurata was born and raised in Monterey Park, a region in the San Gabriel Valley with a primarily Asian population. The neighborhood is a small, homey stretch of land, known for its dining culture, hilly roads and suburban feeling (but not-so-suburban location). These days, she’ll often find herself in the area, as her mother and sister still live there. Together, they enjoy many of the surrounding dim sum-style restaurants.

Even from a young age, she was encouraged to treat the entire city as her stomping grounds. She attended elementary school in the Arts District, which she describes as quieter and “more industrial than it is today.” She also spent a lot of her childhood in Little Tokyo, shopping for Japanese magazines (where she found a lot of her early inspiration), playing in the arcade and grocery shopping with her family.

Shirley wears Leeann Huang lenticular dress and shoes, Mary Quant tights and l.a. Eyeworks sunglasses.

For high school, she decided to branch out even further, making the trek to an all-girls Catholic school in La Cañada Flintridge. “It was the first time where I felt like an outsider,” Kurata says, as she had only previously attended predominantly Asian schools. She laughs a little about being one of the rare “Japanese Catholics.”

“When you’re raised in something, you go along with it because your parents tell you, and it’s part of your education,” Kurata says. Her religious upbringing began to reach a point where she wasn’t connecting with it anymore. “Having that sort of awakening is good for you. I was able to look at myself, early in life, and realize that I don’t think this is for me.”

Her senior year, she discovered vintage stores. (She always knew that she had an affinity for clothing of the past, as she gravitated toward hand-me-down Barbies from the ’60s.) Her coming-of-age style consisted of layering skirts with other oversize pieces — and everything was baggy, “because it was the ’80s.” With this ignited passion for vintage and thrifting, Kurata began to mix items spanning across decades into one look.

“All the colors, the prints, the variety. It just seemed more fun. I would mix a ’60s dress with a jacket from the ’70s and maybe something from the ’40s,” says Kurata. It’s a practice that has remained a major part of her creative Rolodex.

Her lifelong interest in fashion led her to get a summer job at American Rag Cie on La Brea Avenue. At the time, the high-end store primarily sold a mix of well-curated timeless pieces, sourced from all over the world. It was the first time she encountered the full range of L.A.’s fashion scene. She worked alongside Christophe Loiron of Mister Freedom and other “rockabilly and edgier, slightly goth” kinds of people.

“Living abroad is such an important way of broadening your mind, being exposed to other cultures and even learning another language. It helps you grow as a person. It’s the best thing I ever did.”

“Time moved really slowly in that place. But just the creativity that I was around, from both the people who worked there and shopped there, was great exposure,” says Kurata, who recalls seeing faces like Winona Ryder and Johnny Depp browsing the selection and Naomi Campbell and Christy Turlington trying on jeans.

Kurata continued her L.A. expedition to Cal State Long Beach, where she began her art degree. It wasn’t long before Studio Berçot, a now-closed fashion school in Paris known for its avant-garde curriculum, started calling her name.

“Living abroad is such an important way of broadening your mind, being exposed to other cultures and even learning another language. It helps you grow as a person,” says Kurata. “It’s the best thing I ever did.”

Her Parisian studies lasted around three years and it was the closest she had ever gotten to high fashion. Sometimes, she would be able to see runway shows by selling magazines inside the venue or volunteering to work backstage. Other times, she relied on well-intentioned shenanigans. She used to pass around and reuse an invitation within her group of friends. She once snuck in through a large, unattended hole in a fence. In one instance, she simply charged at the entrance when it began to rain. All things she did in the name of fashion.

“I would just do what I could to see as many shows as possible. All of the excitement is hard to explain. When I worked backstage, there’s this labor of love that’s put towards the show. It’s this contagious energy that you could feel when the models start coming,” says Kurata, who saw everything from Jean Paul Gaultier to John Galliano and Yves Saint Laurent. When she was backstage for a Vivienne Westwood show, she recollects seeing this “shorter model, and thinking, ‘Oh, she’s so tiny,’ and then realizing that it was Kate Moss who was still fairly new at that point.”

“We wanted a place where like-minded people could come here and have it be a space to hang out. Having this store has been one of the most fulfilling things that I’ve done.”

Staying in France was intriguing to a young Kurata, but the struggles of visas and paperwork deterred her. She instead returned to L.A., freshly inspired, and completed her bachelor’s degree in art (to her parents’ satisfaction). She didn’t plan to get into costume design, Kurata explains. But when it became clear that designing her own line would require moving to somewhere like New York or back to Europe, she realized, “Maybe fashion is not the world I want to get into; maybe it’s costumes.”

“I felt comfortable with that decision,” shares Kurata. “I do love film, so it was just a transition I made. It was still connected [to everything that I wanted to do].”

Without the aid of social media, she sent letters to costume designers, hoping to get mentored, and started working on low-budget jobs. She quickly fell in love with how much the job changed day-to-day. On occasion, there are 12-hour days that can be “miserable,” but her next job might be entirely different. One day she’s styling the seasonal campaigns for her longtime friends Kate and Laura Mulleavy, owners of Rodarte, and the next she could be styling for the cover of W Magazine, where a larger-than-life Jennifer Coolidge stomps through a miniature city in a neon polka-dot coat.

Whenever Kurata takes on a project, Staunton says she “just doesn’t stop.” Sometimes, he’ll wake up at 3 in the morning and she’s emailing people in Europe, attempting to hunt down a rare vintage piece. Her passion is the kind that simultaneously consumes and fuels her.

“There’s a lot of times [with her work] where I’m like, ‘That’s just straight out of Shirley’s closet.’ It’s not like she has to compromise. It’s something she would wear herself. She doesn’t have to follow trends,” explains Staunton. “People seek her out, because she has such a unique vision.”

“I always tell people, L.A. is like going to a flea market. There’s some digging to do, but you’ll definitely find some gems.”

Kurata thinks of herself as “someone who gets bored easily.” It’s a quality that’s reflected in her eclectic style, busy travel schedule, Virgil Normal’s constantly changing selection and even the common feeling she gets when she’s sick of all of her clothes. It’s a good thing being bored and being in Los Angeles don’t go hand in hand.

I ask Kurata a somewhat daunting question for a born-and-bred Angeleno.

“Do you think you could ever see yourself calling another place home?”

She lets out a deep sigh and tells me it’s not something she’s closed off to. Though, she takes a moment to reflect on how everyone came together to provide support during the Palisades and Eaton fires earlier this year. Or how good it feels when they have events at Virgil Normal, to be surrounded by a diverse group of creative minds “who don’t judge.” She even thinks about how she currently lives in a Franklin Hills house, a neighborhood she never thought she would be able to afford.

Time and time again, Kurata and this sprawling city-state have looked out for each other. From the way she speaks of different areas with such an intrinsic care, to showcasing her unique creative eye in Tinseltown, L.A. has made her into a permanent seeker. Whether she chooses to stay in Franklin Hills for the rest of her life or packs up everything tomorrow, she’ll always keep an eye out for hidden gems — just like at the flea market.

Diane Keaton, the actress who starred in some of the biggest movies of the last half-century, including the “Godfather” and “Annie Hall,” while serving as a style trend-setter and a champion of Los Angeles’ past, has died. She was 79.

Her death was first reported by People and confirmed by The New York Times.

In an extraordinary run during the 1970s when she was dominant, her career spanned the high points of American cinema: Francis Ford Coppola’s mafia saga and several of Woody Allen’s urbane comedies, climaxing in an Oscar win for her culture-changing turn as the title character in 1977’s “Annie Hall.” Keaton’s catchphrase, “Well, la-di-dah,” became iconic.

Over her career, she received four Oscar nominations for lead actress, winning for “Annie Hall.”

Born in Southern California, Keaton achieved fame in the 1970s through her frequent collaborations with Woody Allen and Francis Ford Coppola. She appeared in three “Godfather” movies as well as eight Allen films. Her star turn as Annie Hall earned her critical raves and made her a fashion icon of the era with Annie’s fedora hats, vests, ties and baggy pants. The Times once called her look “fluttery, vulnerable, almost unbearably adorable.”

“Annie’s style was Diane’s style — very eclectic,” designer Ralph Lauren said in a 1978 story in Vogue, soon after the movie came out. “She had a style that was all her own. Annie Hall was pure Diane Keaton.”

She was often asked if she got tired of the notoriety “Annie Hall” brought her, including the magazine covers, think pieces and fashion homages.

“No, I’m not. Everything is because of ‘Annie Hall’ with Woody. He has a great ear for women’s voices. I’m so grateful to him; he really gave me an opportunity that changed my life,” she told The Times in 2012. “I’m never disappointed about people talking to me about ‘Annie Hall.’ But I will say, a lot of people don’t know ‘Annie Hall’ exists, and that’s just the way it goes — goodbye! It’s bittersweet.”

She managed to capture the cultural zeitgeist in later films. In 1987, she played a successful businesswoman who upends her life to care for a relative’s baby in “Baby Boom.” In 2003, she won acclaim in “Something’s Gotta Give” for playing a successful writer navigating with romance in her 50s.

Keaton also got Oscar nominations for “Reds” (1982), “Marvin’s Room” (1996) and “Something’s Gotta Give.”

Keaton was a patron of the L.A. arts scene and also gained note as a champion of architecture preservation, remaking grand homes across the region. In collaboration with the Los Angeles Public Library, she edited a book of tabloid photos called “Local News” that ran in the Los Angeles Herald-Express.

In a 2018 interview with The Times, she said she felt privileged to still be working.

“I know what I am by now,” she said. “I know how old I am. I know what my limitations are and what I can and can’t do. So if something appeals to me, I’m definitely going to go for it.”

Later in life, Keaton became a major voice in architecture preservation.

She grew up Santa Ana during the post World War II housing boom in the 1950s and told The Times in an interviews she loved going to open houses with her father

“My father took me to see model homes, which I thought were palaces,” Keaton said.

She began buying and fixing up landmark homes around L.A., especially those of the Spanish colonial style.

“You have to get to know a house and try to keep its integrity. I try to honor the architect,” she said. “I love to go into an empty house. You look at the house and start to feel what it might need.”

“There are so many house treasures, unsung gems, all over Los Angeles,” she said.

Explaining how she came to edit the book of L.A. tabloid photos, Keaton told The Times the L.A. city library came up to her at a swap meet.

The librarian said, ‘There’s these files in the basement of the Central Library’ — the most beautiful building. I took a look. There are books and books to be made out of those images. This is a brilliant archive.”

In recent years, Keaton had become a hit on Instagram, posting photos of architecture, fashion and more. In an interview in 2019, she said she was still very active, eager to work and try new things but was also thinking more about her mortality.

“Of course, you think about it. How can you not?” she said. “I mean, I’m 73. How long do you live? It’s really important what those years are like.”

Keaton death brought tribute across Hollywood and beyond.

“She was a very special person and an incredibly gifted actor, who made each of her roles unforgettable. Her light will continue to shine through the art she leaves behind. Godspeed,” said Nancy Sinatra.

MOST of the Beckhams put on a united front at Victoria’s Paris Fashion Week show but eldest son Brooklyn snubbed his family again.

The designer and former Spice Girl, 51, was joined by husband David, 50, sons Romeo, 23, and Cruz, 20, as well as 14-year-old daughter Harper in the French capital last night.

5

5

5

They fought bad weather to get to the Val-de-Grace venue but Brooklyn, 26, and actress wife Nicola Peltz, 30, remained in LA even though Victoria’s collection was inspired by being a mother.

Describing the show, Posh’s website said: “For Spring- Summer 2026 collection, Victoria Beckham revisits the instinctive experimentation of girlhood dressing, inspired by the designer’s own adolescence and her perspective as a mother.”

Ex-Vogue editor Anna Wintour, 75, was seen chatting to David before it started.

She joined the family on the front row alongside Cruz’s model girlfriend Jackie Apostel, 29.

The Beckhams’ close friend Eva Longoria, 50, was seen leaving her hotel in a black wrap dress with her producer husband, Jose Baston, 57, as they travelled to the show.

The event comes ahead of Victoria’s self-titled docuseries which will be released on Netflix on Thursday.

Earlier, Cruz was seen in a white T-shirt with the date 24.10.25 — with some suggesting it could be a release date for his music.

He has been working on tracks for several years and recently spent time in the studio with The Kooks frontman Luke Pritchard.

5

5

BOOZERS are giving away one million free tasters of beer during Cask Ale Week, which begins today.

In a bid to kick-start a cask ale comeback, more than 10,000 pubs will each be offering punters hundreds of samples of freshly poured beer.

4

4

It is hoped that the “Try Before You Buy” campaign will breathe life back into Britain’s signature beer amid a steady, long-term decline in sales as well as in the numbers of pubs selling it.

Hampered by its clichéd reputation as an “old man’s drink”, traditional hand-pulled beers have been slowly bumped off the bar by highly carbonated lagers and craft ales.

However, a growing popularity among younger pub-goers suggests “real ale” may be ripe for a ­renaissance.

Research has revealed that an increasing number of Gen-Z drinkers are choosing cask beers which, in general, are more affordable, lower in alcohol and brewed more naturally.

Heritage status

Figures show that 25 per cent of 18 to 24-year-old beer drinkers ­regularly order cask ales at the pub — an increase of more than 50 per cent on the previous year.

Cask ale’s unique, traditional form of dispense means it is the only type of beer that can’t be sold in shops or supermarkets.

“If more people chose cask ale on just one more of their visits to the pub, it would make a big difference to the future prospects for our ­national drink — and to pubs, which are the only place to sell it,” said Fergus Fitzgerald, head brewer at Suffolk brewer Adnams.

“Ironically, cask beer seems to be more appreciated globally than it is in Britain.

“Incoming tourists put a visit to a traditional pub to enjoy a pint of foaming cask ale close to the top of their ‘must do’ list.

“Equally, many of the world’s top craft beer brewers cite British cask ale as their biggest influence.”

Earlier this year, passionate pub- goers set up a petition calling for the Government to grant cask ale and its surrounding culture Unesco heritage status.

The Unesco accolade, which acknowledges its cultural significance and artisanal practices, has already been granted to Belgian beer, French baguettes and even the “Mediterranean diet’.”

“Local pubs really need local ­customers in order to thrive,” added Fergus.

“Cask Ale Week is an opportunity for drinkers to find the style they most enjoy and show their support for British pubs and British beer.”

WHY WE LOVE IT SO MUCH

IN a bid to highlight the problems facing pubs, The Thinking Drinkers Ben and Tom recently completed “The Great British Pub Ride” – a tandem bike journey from Land’s End to John O’Groats relying ENTIRELY on the hospitality of beautiful British boozers.

At the end of each gruelling day in the saddle, they rewarded themselves with a pint of cask ale.

4

4

Here, Ben explains why he loves cask ale so much:

“The envy of the brewing world yet criminally under-appreciated in this country, cask ale is naturally carbonated beer that undergoes secondary fermentation in the barrel.

It’s unfiltered, unpasteurised, brewery-fresh beer that is poured – alive and kicking – straight from the barrel into your glass.

Comparing cask ale in the pub to a can of mainstream lager is like comparing a freshly baked, warm crusty loaf to a bag of sliced white.

But it’s not a warm beer (served properly, it should be gently sparkling and served at between 11C-13C) and spans a broad spectrum of styles from light, hoppy pale ales and softly sweet amber beers to smooth, rich velvety stouts and super-session friendly low-alcohol brews.

In these austere times, it’s an absolute bargain compared to other beers at the bar.

Even though publicans need to work harder to keep it fresh in the cellar, cask ale costs considerably less than many mainstream lagers.

Lest we forget, it’s a more patriotic pint, too.

When you pay for a pint of cask ale, chances are you’re putting valuable pennies in the pockets of both British brewers and British farmers who provide the succulent barley and aromatic hops.

You simply cannot replicate the joys of real ale while sat on your sofa, so get down to your local, order a fresh pint of cask ale and breathe life back into the beleaguered British boozer.

If we don’t use them, we’ll lose them.”

SAMANTHA Cameron’s luxury fashion brand Cefinn is set to shut its doors after eight years.

The wife of former PM Lord Cameron said the decision was “very hard”, but admitted industry pressures had made it impossible for the label to stay afloat.

2

Cefinn’s next winter collection, launching later this month, will be its final offering.

The brand will continue to trade through its London stores and its website in the coming months, allowing customers to snap up the remaining pieces.

Lady Cameron, who worked in fashion before her move to No10, has had her label celebrated for its stylish yet practical designs for modern women.

It has been worn by both Princess Kate and Queen Camilla.

But retail firms have been hit hard by the Labour Government’s hikes to the minimum wage and employers’ National Insurance contributions in April, as well as the impact of rising business rates.

It comes as plus-size fashion brand Live Unlimited has filed a note of intent to appoint administrators this week.

Public filings reveal that the firm has enlisted advisers from Irwin Mitchell to manage the process.

A note of intent typically gives a retailer ten days before it officially goes bust, although this can be cut shorter if needed.

The label was launched in 2012 and has been stocked online and in-store by both Next and John Lewis.

2

SPOONS SPICE

WETHERSPOONS is adding Irish takeaway dish The Spice Bag to its menus in England, Scotland and Wales later this month.

From September 17, punters can enjoy the salt and chilli chicken strips dish, including red onion, chillies and coriander, for £8.99 with a soft drink — or £10.52 with a pint.

Sarah Shaw of the pub chain said: “It has already proven extremely popular with customers in our Republic of Ireland pubs.”

Annabelle Chang recommends books for a living. If you were to ask which one she finds most “criminally underrated,” she’d tell you it’s Katie Henry’s “This Will Be Funny Someday.”

“It is truly one of my favorite books I’ve ever read, not just my favorite YA books, just one of my favorite books that I think will really appeal to everyone,” Annabelle, 19, told The Times. “I read it at such an important time in my life. I was 16. The protagonist is also 16.”

“Annabelle’s love for this book actually inspired our entire family to read it,” her older sister Alexandra Brown Chang, 25, added. “I think it’s absolutely fantastic. I read it when I was 23, but I still resonate with it.”

Annabelle’s knack for recommending great young adult books led her to start an Instagram and blog during the COVID-19 pandemic. After seeing the positive response from readers of all ages, she began selling titles online and at pop-up events, including the Los Angeles Times Festival of Books. At 16, she opened a brick-and-mortar store in Studio City: Annabelle’s Book Club LA, the first young adult-focused bookstore in the country.

“I actually had my heart set on this one space in West Hollywood and I was so sad when it didn’t work out. The landlord at the time said that nobody would ever come to a bookstore, which I was very sad to hear,” Annabelle said. “But it all worked out for the best and I truly could not imagine a better place for the bookstore.”

At 16, Annabelle Chang opened a brick-and-mortar store in Studio City: Annabelle’s Book Club LA, the first young adult-focused bookstore in the country.

(Annie Noelker / For The Times)

On Sept. 2, Annabelle’s Book Club, which was recently featured in a scene in the film “Freakier Friday,” will host an extra special event: a launch party for her sister’s debut novel, “By Invitation Only.” Inspired by Alexandra’s own experience as a “debutante dropout,” the coming-of-age story follows two seemingly different female protagonists, Piper and Chapin, whose worlds collide at the elite La Danse des Débutantes in Paris. Together, Annabelle and Alexandra strive to amplify young adult narratives.

“Historically, YA hasn’t been taken as seriously as it should be, but I think we are at a moment where that is changing and people are really recognizing the power of these stories,” Annabelle said. “They’re impactful for readers of all ages, and they address universal themes and are just incredibly important for everyone.”

“I’ve wanted to write a young adult novel for a very long time, and I think that coming-of-age stories have pretty much proven to be evergreen because every generation seems to be finding new ways to tell them,” added Alexandra, who graduated from Stanford in 2022. “I think that we don’t really come of age once. We keep coming of age because every single new stage of life, whether it’s going to college or experiencing your 20s, it forces you to reevaluate who you are and who you want to be.”

Annabelle and Alexandra grew up in a literary household. Their mom, Amanda Brown, wrote the 2001 book “Legally Blonde,” which was later adapted into the Reese Witherspoon-starring blockbuster and a Broadway musical. The girls recall their mom and dad, technology investor Justin Chang, reading to them every night, which helped inspire their love for books and storytelling. Among Alexandra’s favorites were “Eloise,” “Madeline” and “Sweet Dream Pie.”

“I loved ‘Pinkalicious,’ which I think makes sense as the bookstore is also very pink,” Annabelle added. “It’s always been my favorite color and one of my favorite stories to this day.”

“I’ve wanted to write a young adult novel for a very long time, and I think that coming-of-age stories have pretty much proven to be evergreen because every generation seems to be finding new ways to tell them,” said Alexandra Brown Chang.

(Annie Noelker / For The Times)

At 14, Alexandra started the fashion blog Alex and Ella with her close friend, and later launched her own site, the Zeitgeist, where she continued to write about fashion, art, travel and more. While in high school, she interned for designer Zac Posen in New York, an experience she called “life-changing.”

“It really allowed me to learn so much more about fashion, the business side of fashion, but also the design aspect,” Alexandra said. “And it really helped me see fashion in all of its amazing ways and as an art form.”

In “By Invitation Only,” fashion takes center stage as the girls prepare for their debutante debuts. Especially through Chapin’s character, Alexandra argues that fashion should be treated as a serious craft — similar to young adult literature.

“When all of the debutantes are wearing custom gowns, it makes sense that all of them would have an incredible amount of time and thought put into them,” she said.

Earlier this month, Alexandra took part in the festivities at Annabelle’s Book Club for Bookstore Romance Day — an annual celebration of romance books at independent bookstores across the country. In addition to hosting perfume making and lipstick reading — which is like tarot card reading, but with lipstick — the store gave away an advance copy of “By Invitation Only.”

While there are romantic elements throughout “By Invitation Only,” the heart of the story lies in the complicated relationship between Chapin and Piper. Unlikely friendships are one of Alexandra’s favorite tropes, she said.

“Piper and Chapin come from completely different backgrounds when their lives unexpectedly collide in Paris, and they really do change for the better,” Alexandra said. “And I think that’s a great message that everyone could use right now, and it certainly is true for myself and so many of my closest friends, and I really value those friendships.”

Alexandra spent about five years writing her novel and sent several early drafts to her sisters, including Annabelle; Audrey, Annabelle’s identical twin; and 15-year-old Ames. “I was really excited to get their input as the target age demographic as well,” she said of her younger siblings.

After the launch at Annabelle’s Book Club, Alexandra will head to bookstores across the country to promote her book, including Kepler’s Books in Menlo Park and Book Passage in San Francisco. Meanwhile, Annabelle is getting ready for her second year at Stanford, where she plans to major in product design and minor in creative writing. Still, she continues to juggle her responsibilities as a student and a business owner.

“It is certainly a balance. I feel incredibly lucky that we have such a wonderful team at our store, who can run the day-to-day when I can’t be there,” Annabelle said. “I find myself going back quite often for events and meetings.”

Even as they pursue their individual paths, Annabelle and Alexandra savor every opportunity they get to collaborate with each other.

“I love that we’re able to spend even more time together and that we have this common interest,” Alexandra said. “It’s really special.”

Tis the season to be beside the seaside – and to hype and critique coastal towns in surveys and rankings. I suppose lists of this year’s “in” and “out” resorts help tourists decide where to go; no point going to Skegness for Michelin-starred food, or to Salcombe for a laugh and cheap beer. Less obvious coastal towns provide more nuanced fare. Perhaps the most alluring spots are those where we don’t forget the sea. These three towns are routinely ranked last resorts or else ignored altogether, but they offer more than stuff to eat, drink, buy and post on socials – and are close to swimmable beaches.

Ayr, Ayrshire

A century ago, Clyde steamers and the Glasgow and South Western Railway took thousands of sunseekers from inland towns to the Ayrshire coast. They came to escape the smoke and noise of industry, breathe in the briny air, and admire the Isle of Arran and tiny Ailsa Craig – from afar or up close on an excursion. The bed and breakfasts on elegant Park Circus (a sweeping crescent lined with cherry trees that blossom red on one side and white on the other) and the Georgian villas on Eglinton Terrace evoke something of the golden days of yore.

It’s easy to imagine parasol-sporting ladies and tall-hatted gents strolling across the Low Green, a large field between the town centre and the beach. This open space – perfect for picnics, kite-flying and impromptu games – and the absence of any clutter on the prom make the seafront unusually peaceful. It’s as if Ayr has refused to become a traditional resort. No tat, no tack, not many tourists. There are places to play on swings and get an ice-cream or a pint, but lovers of amusement arcades and bucket-and-spade shops should probably stay away. On the short block beside the Low Green the buildings are mainly residential – including care homes, that standard fixture of coastal towns.

The beach is a golden sweep about two miles in length, with the old harbour at the north end. Wharves and quays once bustled all along the River Ayr. By the 14th century, this was Scotland’s principal west coast port. In the 18th century, more than 300 ships were moored every year, unloading American tobacco, French wine, Spanish salt, English earthenware and slate from Easdale in the Firth of Lorn. Walk south and you come to the ruins of Greenan Castle, a 16th-century clifftop tower. The sunsets over Arran are life-enhancing. I watched a woman of retirement age do her tai chi moves while keeping her eyes fixed on the island – spiritually separate from the dog-walkers and prom-striders.

Robert Burns was born near Ayr and baptised in the Auld Kirk. In Tam o’ Shanter he writes: “Auld Ayr, wham ne’er a town surpasses, / For honest men and bonny lasses”. A lively pub on the high street, which is set back a good mile from the beach, is named after the poem; it claims to be the oldest in Ayr, but so does the Black Bull on the opposite side of the river. The old bridge (or Auld Brig, if you prefer, which inspired another Burns poem) that takes you across is pedestrianised and a beauty. All the old pubs are enticing but I had my most enjoyable, peaceful beer and dram in the Twa Dugs – also named for a Burns poem. In Ayr’s Waterstones, I found a long-overlooked 1969 Booker-nominated novel by Gordon M Williams, From Scenes Like These, that provided a brutally realistic riposte to Burns-esque takes on rural Scotland. I read it in the boozers, the caffs, on benches.

People in Ayr will tell you the town has declined. They’ll tell you that in nine out of 10 seaside resorts. But this column gets me around, and I can vouch for the town’s general busyness and good looks. Sedate, somewhat stern, bereft of traditional fun stuff, it’s an ideal hideaway for those who want to do beach walks, read or write, and check into small, friendly guest houses.
Things to see and do: Rozelle House Museum, Robert Burns Birthplace Museum, Culzean Castle and Country Park

Bangor, Gwynedd

Bangor, the oldest city in Wales, came second from bottom in the Which? 2025 rankings and absolute bottom in 2024. Perhaps the latter partly anticipated the former. Casually saddle a place with derision and it takes a great effort to shake it off.

As the gateway to the island of Ynys Môn (Anglesey), a university town and former royal capital, Bangor doesn’t need star ratings or hip amenities. The city’s origins stretch back to the founding of a monastery in the early sixth century. A cathedral was later built on the site. For centuries, Bangor was the spiritual and ecclesiastical hub for Gwynedd – a kingdom until the English came a-conquering – but remained a small settlement. Nonetheless, during the first flush of Welsh tourism, at the turn of the 18th and 19th centuries, pleasure steamers from Liverpool brought visitors to see the big church and the wild waters of the Menai Strait.

The boom years came after 1826 with the completion of the Holyhead Road, linking London with Dublin – hitched to the recently created UK by the 1800 Acts of Union. The first major civilian state-funded road building project in Britain since the Roman era, the job was given to Thomas Telford. The road (much of it on the same route as today’s A5) swept through central Bangor, making the former big village a major staging post, and creating the longest high street in Wales. To replace the ferry-shuttles, Telford’s magnificent Menai Suspension Bridge opened in 1826. Two decades later, Robert Stephenson built a tubular bridge to carry the Chester-Holyhead railway across the straits. With communications much improved, Bangor became a proper little port, with shipbuilding, sail making, iron founding, smithing and timber yards, as well as slate yards.

Walk to the natural end of this high street – which turns residential – and you come to the shore, a pier and a large park between neo-Norman Penrhyn Castle and the sea. You don’t have an in-town beach, which might be why some of the raters have a low opinion of Bangor. But the Wales Coast Path and the railway line link Bangor with beaches at Llanfairfechan and Penmaenmawr, eight and 10 miles away respectively. In fact, this might be the best-connected seaside town in the UK, with Eryri national park (Snowdonia), Unesco-listed Caernarfon Castle and Criccieth and the Llŷn peninsula accessible by bus, and of course Anglesey on the doorstep.
Things to see and do: walk the Menai Suspension Bridge, kayaking off Caernarfon, Aber Falls Distillery

Millom, Cumbria

The Cumbrian coast is the most intriguing stretch of littoral in these islands. Backed by the towering, cloud-drawing fells of the national park, the shore is often beneath a blue dome. The towns along it are chapters in British social history. Whitehaven is like a Devon port town without the crowds. Workington is a fascinating ex-industrial town. Nethertown is a hidden hamlet in a spectacular setting.

Millom, at the southern tip of the old county of Cumberland, is a stop on the coast-hugging railway line – a superlative train ride – between Barrow-in-Furness and Sellafield. Its main connection to the nexuses of nuclear war and power are the Millomites who commute south and north for work. Millom once had industry; hematite ore (iron oxide) was found at Hodbarrow in 1856 and mined till 1968, the population swelling to 10,000. Much of the land was transformed into an RSPB nature reserve, centred on the north-west’s largest coastal lagoon; little, common and sandwich terns breed on the islands and you can see ringed plovers, redshanks, great crested grebes and oystercatchers around the wetlands.

Millom is tiny, but has none of the jams and crowds of the villages in the nearby Lakes. The Camra-rated Bear on the Square has real ales, good food and live music. The town has its own fell – Black Combe – and while only a 600-metre Marilyn, its isolation and proximity to the sea make it feel higher. The views from the summit are magnificent – with Blackpool Tower and Scafell Pike visible in clear weather.

The poet Norman Nicholson (1914-1987) was born in Millom and spent almost all his life here, shunning metropolitan literary circles and asserting that the much-maligned “provincial” has more in common with people of other times and lands and consequently “may be all the more aware of that which is enduring in life and society”. The titles of his books reflect the locale: Rock Face (1948); The Shadow of Black Combe (1978); Sea to the West (1981). St George’s church has a stained-glass window designed by Christine Boyce that was inspired by Nicholson’s writing. His house is being restored, while Millom as a whole is undergoing a major rebuild with heritage and health projects afoot as well as a 7.5-mile walking and cycling trail.

For a swim, head to Silecroft by train (one stop) or on foot (3.5 miles); Haverigg beach, though closer, often has pollution warnings.
Things to see and do: Millom Heritage and Arts Centre, Swinside Stone Circle

Further information: Visit Scotland, Visit Cumbria and Visit Wales

Shakira Austin didn’t realize how important fashion would become when she entered the WNBA in 2022.

Her introduction to game-day tunnel fashion began at the University of Mississippi in 2020.

“My school started doing their own tunnel fits,” she said. “It was cute, but I definitely didn’t know [the WNBA tunnel walk was] as popping and as big as it is now.”

During the last few years, college and WNBA social media teams have photographed players walking into arenas and to their locker rooms on game day. Tunnel walk fashion now quickly spreads on social media on game days.

The Chicago Sky’s Angel Reese poses on the orange carpet during WNBA All Star Game week in Indianapolis.

(Darron Cummings / Associated Press)

What started as a social media trend that fans enjoyed has become a high-profile chance for WNBA players to show off their personal style and potentially land endorsement deals. A Vogue article published last season declared that “The WNBA Tunnel Is Officially a Fashion Destination.”

Austin has adapted to the spotlight and says she enjoys expressing herself through clothing.

“It gives a little bit of a model essence,” Austin said. “You go through, you pick out your fit for the day, and all cameras are on you, so it’s definitely a nice little highlight off the court before you start to lock in for the game.”

Now in her fourth year with the Washington Mystics, Austin’s sense of style is fully her own.

Without much styling advice from teammates as a rookie, she leaned on her passion for creativity and beauty to guide her looks.

“I’ve just always liked to express myself through beauty — from either masculine or feminine looks,” she said.

At 6 foot 5, Austin has had to work with limited clothing options.

“Being that I am a tall girl, it’s kind of hard to find clothes, so repeating stuff is a big deal for me,” she said. “Also, just making [the outfit] a different vibe each time.”

The Dallas Wings’ Paige Bueckers poses on the orange carpet during a WNBA All-Star Game event in Indianapolis.

(Darron Cummings / Associated Press)

Connecticut Sun center Olivia Nelson-Ododa didn’t get comfortable until she partnered with stylist Kristine Anigwe, a former WNBA player and owner of KA Creative Consulting.

“Figuring out, ‘OK, this is my style, this is what I actually like and enjoy wearing. How can I put it together in something that is comfortable and makes me feel confident?’” Nelson-Ododa said.

She describes being a “serial pieces repeater,” choosing to mix and match rather than follow trends.

“Honestly, it’s fashion, there’s like no rules to it.”

Off the court, fashion is now a way for her to show different sides of herself beyond her basketball identity.

“We already have an amazing job like this, and being able to add on by showing ourselves in a different light is super fun,” she said.

Although she doesn’t have the biggest interest in fashion, Sparks center Azura Stevens has seen tunnel fashion evolve into something much bigger.

The Sparks’ Rickea Jackson poses on the orange carpet during a WNBA All-Star Game event in Indianapolis.

(Darron Cummings / Associated Press)

“It’s cool to put together different fits, kind of show your personality through style,” she said. “I am kind of used to it now — it’s just a part of the game-day routine.”

During her time in the league, fashion has become a natural part of the culture.

“It has become a really big thing for it to be like runways almost before the game. It’s a part of the culture now of the [league],” she said.

Stevens’ teammate, veteran forward Dearica Hamby, has had a career full of fashion transitions since she entered the league in 2015 when fashion wasn’t a major part of the WNBA culture.

“Mine has changed over the course of the years,” she said. “For me, I’m sometimes business-like, but overall just really well put together.”

Hamby credits her time with the Las Vegas Aces as the moment she saw the shift.

“I kind of feel like my time in Vegas is when it really took off. We had a really talented photographer who was able to capture our fits,” she said.

Hamby is still learning what works best for her style. One thing she’s noticed: how an outfit looks in a photo matters.

“Sometimes things don’t photograph well, and that’s what I am starting to learn,” she said. “It could look good in person, but it doesn’t necessarily photograph well, so you wanna wear things that are cut and crisp.”

As tunnel walk content grows on social media, so can critiques of players and their outfit choices.

“I’ve definitely gotten flamed before for certain outfits,” Nelson-Ododa said. “Some people are not fans and some people are fans. I really don’t care, as long as it feels good on me, I’m fine.”

“You definitely know that eyes are going to see, and you’re going to be talked about — whether it’s a positive view or negative view,” Hamby said.

What matters most to Hamby is the feeling behind the fit: “Just remind yourself that if you feel good and you feel like you look good in it, that’s all that matters.”

New Delhi, India — When models sashayed down the ramp at Milan Fashion Week last week, Harish Kurade looked at them on his smartphone in awe, sitting in his village in southern Maharashtra state, more than 7,000km (4,350 miles) away.

Models were showcasing a new line of open-toe leather sandals, designed by Prada, the iconic luxury fashion house. However, in India, the visuals raised a furore among artisans and politicians after the Italian giant failed to credit the ancient Maharashtra roots of its latest design.

“They [Prada] stole and replicated our crafty work, but we are really happy,” said Kurade in a chirpy tone. “Today, the world’s eyes are on our Kolhapuri ‘chappals’ [Hindi for sandals].” Kolhapur is a city in Maharashtra after which the sandals are named.

After facing backlash, Prada acknowledged that its new sandal designs “are inspired by traditional Indian handcrafted footwear, with a centuries-old heritage”, in a letter to the Maharashtra Chamber of Commerce.

While Kurade is chuffed about the centuries-old sandal-making craft from his village potentially gaining global exposure, other artisans, politicians and activists are wary of cultural appropriation and financial exploitation by Prada.

So, what is the controversy about? And what are artisans in Kolhapur saying about Prada? Can it change anything for the workers behind the original sandals?

What did Prada step into?

Prada showcased the classic T-strapped leather flats at the Spring/Summer 2026 menswear collection at Milan Fashion Week.

In its show notes, the Italian brand described the new range of footwear only as “leather sandals”. The notes made no mention of any Indian connection, despite its uncanny resemblance to Kolhapuri sandals, which are wildly popular across India and often worn on special occasions, such as weddings and festivals, along with traditional Indian clothing.

Outraged, a delegation of Kolhapuri sandals manufacturers met Maharashtra Chief Minister Devendra Fadnavis on Thursday last week to register their protest.

Showing his support for the delegation is Dhananjay Mahadik, a member of parliament from the state’s Kolhapur district, belonging to the governing Bharatiya Janata Party (BJP). Mahadik told reporters that the sandal makers and their supporters are in the process of filing a lawsuit in the Bombay High Court against Prada.

Mahadik also wrote to Fadnavis, drawing “urgent attention to a serious infringement on Maharashtra’s cultural identity and artisan rights”, and called on him to “protect the cultural heritage of Maharashtra”.

In his letter, he noted that the sandals are reportedly priced at approximately $1,400  a pair. By contrast, the authentic Kolhapuri sandals can be found in local markets for about $12.

How has Prada responded?

The Maharashtra Chamber of Commerce, Industry and Agriculture (MACCIA) also wrote to Patrizio Bertelli, the chairperson of Prada’s Board of Directors, about the concerns of sandal makers.

Two days later, the company responded, acknowledging that the design was inspired by the centuries-old Indian sandals. “We deeply recognise the cultural significance of such Indian craftsmanship. Please note that, for now, the entire collection is currently at an early stage of design development, and none of the pieces are confirmed to be produced or commercialised,” Prada said.

The company added that it remains “committed to responsible design practices, fostering cultural engagement, and opening a dialogue for a meaningful exchange with local Indian artisan communities, as we have done in the past in other collections to ensure the rightful recognition of their craft.

“Prada strives to pay homage and recognise the value of such specialised craftspeople that represent an unrivalled standard of excellence and heritage.”

Srihita Vanguri, a fashion entrepreneur from the city of Hyderabad, said that Prada’s actions were “disappointing but not surprising”.

“Luxury brands have a long history of borrowing design elements from traditional crafts without giving due credit – until there’s a backlash,” she told Al Jazeera. “This is cultural appropriation if it stops at inspiration without attribution or benefit-sharing.”

Kolhapuris, which the sandals are also known as, are not just a design, she insisted. They carry the legacy of centuries of craft communities in Maharashtra and the neighbouring state of Karnataka. “Ignoring that context erases real people and livelihoods,” she added.

What about artisans of Kolhapur?

Kolhapur, nestled in southwestern Maharashtra, is a city steeped in royal heritage, spiritual significance and artisanal pride. Beyond its crafts, Kolhapur is also home to several revered Hindu temples and a rich culinary legacy – its food is spicy.

Its famed sandals date back to the 12th century, with more than 20,000 local families still involved in this craft.

The family of Kurade, who was happy about Prada showcasing the sandals, lives on the outskirts of Kolhapur, and has been in this business for more than 100 years.

But he said the business has taken a beating in recent years. “In India, people don’t really understand this craft or want to put money in this any more. If an international brand comes, steals it and showcases it on global platforms, maybe that is good for us,” he told Al Jazeera.

He said that craftsmen like those in his family “still stand where they were years ago”.

“We have the craft and the capacity to move ahead, but the government has not supported us,” the 40-year-old said.

Rather, Kurade said, politics has made things worse.

Since 2014, when Prime Minister Narendra Modi’s Hindu majoritarian government came to power in New Delhi, cows have transformed from just symbols of reverence into a flashpoint for religious identity and social conflict. Cow protection, once largely cultural, has become violent, with vigilantes hunting down Dalits and Muslims, the communities that mostly transport cows and buffaloes to trading markets where they are bought for slaughter.

That has disrupted a reliable supply of cow and buffalo hides, which are then tanned with vegetables to make Kolhapuri chappals.

“The original hide we use for quality is restricted in several states because of politics around cows,” said Kurade. “The supply has touched new lows due to politics on cows – and we have been suffering because it has become really expensive for us to keep doing it with the same quality.”

Craftsmen like Kurade believe that if they can make the sandals cheaper and more accessible, “people will wear this because it is what people have loved for centuries”.

Still, Kurade said, while Prada can try and imitate Kolhapuri aesthetics, it cannot replicate the intricate hand-woven design patterns, mastered by the Dalit community in southern Maharashtra and some parts of bordering Karnataka. Dalits are traditionally the most marginalised segment of India’s complex caste hierarchy.

“The authentic design is something which is rare and unique,” he said. “Even shops in Kolhapur city may not have them.”

The real designs, Kurade said, are still made in villages by using centuries-old craft.

But because of the challenge of sourcing quality hides, and faced with an increasingly digital marketplace that artisans are unfamiliar with, Dalit sandal makers need help, he said.

“People who know markets, who can sell it ahead, are the ones cashing in on this. Poor villagers like us cannot run a website; we do not have the marketing knowledge,” he said.

“The government should look into this, to bridge this gap – it is their duty to look into this. The benefits never reached the real makers from the Dalit groups.”

Has it happened before?

Since 2019, after sustained advocacy by artisan groups, India has protected Kolhapuri sandals under its Geographical Indications of Goods Act (1999), preventing commercial use of the term “Kolhapuri Chappal” by unauthorised producers. But this protection is limited within national borders.

Prada has previously faced significant criticism over alleged cultural appropriation, most notably in 2018 when it released the “Pradamalia” collection – keychains and figurines that resembled racist caricatures with exaggerated red lips, drawing immediate comparisons with blackface imagery. After the backlash, Prada pulled the products from stores and issued a public apology.

Prada has also been criticised for store displays that have evoked racial stereotypes, as well as for its use of animal-based luxury materials like ostrich and exotic leathers, which have drawn criticism from environmental and labour rights groups.

But Prada is not alone.

In 2019, Christian Dior drew criticism for incorporating elements inspired by the traditional attire of Mexican horsewomen in its Cruise collection, without formal acknowledgement or collaboration.

In 2015, French designer Isabel Marant came under fire in Mexico for marketing a blouse that closely mirrored the traditional embroidery patterns of the Mixe community in Oaxaca, sparking accusations of cultural appropriation.

Rather than apologise, Vanguri, the fashion entrepreneur, said that the “real respect would be Prada co-creating a capsule collection with Kolhapuri artisan clusters – giving them fair design credit, profit share, and global visibility”.

“Structurally, they could commit to long-term partnerships with craft cooperatives or even fund capacity-building and design innovation for these communities,” she said.

Fashion experts have revealed the clever ‘5-4-3-2-1’ packing hack that they say could let you pack up to 30 outfits into one bag – and therefore avoid extra fees

We’ve all been there; you finish packing for a holiday, only to find that you end up having to sit on top of your suitcase, squishing it down and hoping that it won’t burst open when you check it in at the airport.

After all, if you’re away for a week it can feel impossible to decide which outfits you’ll need, and therefore packing everything from your wardrobe feels like the easiest solution. Well, according to fashion insiders there’s actually a simple rule that could help you not only cut down how much you pack, but it could mean you pack up to 30 outfits without needing much space.

The experts at Joe Browns have recommended using the ‘5-4-3-2-1’ packing method. The idea is that you stick to a simple formula; five tops, four bottoms, three pairs of shoes, two bags, and one destination-specific item.

For example for a beach holiday you could pack:

• Five tops: casual vests, lightweight blouses and a smarter top for dinner
• Four bottoms: shorts, skirts and trousers
• Three pairs of shoes: ones for walking around the city, one for poolside, and one for dressing up for the evening
• Two bags: A larger bag for the daytime, and then a smaller bag for when you only need to carry your essentials
• One destination-specific item: swimwear for the beach

Of course, if you have space then you can always add-in a few ‘bonus’ items such as a versatile dress, or a poolside cover-up. The perk of packing light is that you can opt for a smaller suitcase or stick to just one bag, meaning you could swerve extra hand luggage fees.

In fact, the insiders have previously shared a few packing hacks to avoid going over the luggage limits. One of their tips? “Go for items that have multiple purposes,” they recommend. “Prioritise versatility over volume to avoid overpacking.”

They also recommended that before packing, you look at how each item works with others to create multiple combinations. They added: “Planning mix-and-match looks helps you travel lighter and stay effortlessly stylish throughout your trip.” Layers can also be handy instead of “just in case items”, as these can be added or removed depending on how the weather acts during your getaway!

For those who do struggle to keep to one bag, there could be good news on the way. A major ruling may soon allow holidaymakers to take two bags into plane cabins, at no extra charge. That’s because the EU’s Transport and Tourism Committee recently proposed changes to EU passenger rights rules by 38 votes to two and two abstentions.

These still need to be voted through by the European Parliament in the coming weeks, and then discussed by country representatives for the European Council, but it’s already a step in a positive direction for those who struggle to navigate through airlines’ differing hand luggage rules.

You can find out more about planning a holiday wardrobe on the Joe Browns website.

Monica Vinader has added even more styles to their summer sale with up to 60% off necklaces, earrings, rings, bracelets and more

Monica Vinader, the popular jewellery brand favoured by celebrities like Kendall Jenner and royalty including the Princess of Wales, has reduced prices further on its website, with up to 60% off summer picks. Known for being one of the more affordable accessory retailers, you can now pick up Monica Vinader pieces at a reduced price.

With over 600 pieces of Monica Vinader jewellery to choose from, including stackable rings, personalised necklaces, earrings, bracelets and more, prices now start at £14. It’s the perfect time to treat yourself or a loved one to something sparkly for less.

Kate Middleton owns the Monica Vinader Nura Pearl Necklace and it is now in sale for £110, down from £129. The similar Nura Tiny Keshi Pearl Necklace is also on sale for £60 down from £150. Made from 18K gold vermeil and pearl, it makes a lovely layering piece or would make a statement on its own.

READ MORE: ‘I spent years in pain because of IBS but two weeks later I don’t rush to the toilet’

READ MORE: Cat Deeley swears by £31 Elizabeth Arden cream used behind the scenes at This Morning

Shoppers on the hunt for a versatile pair of earrings perfect for daily wear, the Siren Mini Domed Huggies are down from £60 to £39. Constructed from 18K gold vermeil, one customer said: “Such a beautiful, classy, comfy everyday hoop, which I never need to take out to sleep. Would highly recommend, particularly for the price.”

However, not everyone is satisfied with the size and another person expressed their surprise at the compactness, noting they were ‘shocked at how small they were’. For those considering a present, the Linear Disc Friendship Bracelet could be an ideal pick. Discounted from its regular £99 to £64.25 thanks to the sale offering 35% off – it’s available in various finishes.

Royally-approved jewellery

from £14

Monica Vinader

Shop sale

Save up to 60% off summer jewellery.

A delighted shopper left a review saying: “Small delicate charm bracelet that would make a lovely gift. Simple style that can be easily layered up with other pieces. Easy to fasten on your own too. Also come in a cute little gift box if you were purchasing as a present.”

Yet someone else commented on the difficulty of fastening, stating: “Can be a little tricky to tighten and loosen, couldn’t get over my big hands to start with, may need to utilise a friend to help but makes it more secure.”

Missoma is also running an up to 50% off summer sale. Pearls are featured in the sale, with the Savi Seed Pear Bracelet reduced by 26%. The limited edition bracelet is a ‘cute and elegant piece’, discounted to £73 down from £98.

Love Island fans are in luck as the exact necklace Samie Elishi wore on the show is finally back in stock. Called the San Pietro necklace by Soru, the £270 piece ‘goes with anything and stands out’.

For a splash of colour, take a look at the Monica Vinader Siren Stacking Ring. With a variety of stones and metal finishes on offer at different price points, one standout is the 18K gold vermeil with amazonite, reduced from £80 to £48.

Perfect for layering with other pieces, one happy customer wrote: “I bought this for my friend for her 40th birthday. It looks so stunning! I’m so pleased with it, and she loves it too.” You can browse the full Monica Vinader summer sale online.

SALT LAKE CITY — The 39-year-old man shot and killed at a weekend “No Kings” protest in Salt Lake City was a successful fashion designer and former “Project Runway” contestant who devoted his life to celebrating artists from the Pacific Islands.

Arthur Folasa Ah Loo was killed when a man who was believed to be part of a peacekeeping team for the protest shot at a person brandishing a rifle at demonstrators, accidentally striking Ah Loo. Ah Loo later died at a hospital, authorities said.

Detectives don’t yet know why the alleged rifleman pulled out a weapon or ran from the peacekeepers, but they charged him with murder and accused him of creating the dangerous situation that led to Ah Loo’s death, Salt Lake City Police Chief Brian Redd said at a Sunday news conference.

The “self-taught” fashion designer from Samoa, known to many as Afa, was deeply connected to his culture and community, according to the website Creative Pacific, a nonprofit organization he co-founded to support artists from the Pacific Islands. Ah Loo’s designs, which often featured colorful geometric patterns, were inspired by his Samoan heritage.

Ah Loo leaves behind his wife and two young children, according to a GoFundMe for his family that raised over $100,000 in 48 hours.

He was a founder of Utah Pacific Fashion, an organization that celebrates artistic heritage from Oceania. Recently, he designed a garment for the star of the Disney Channel animated movie “Moana 2,” Hawaiian actor Auliʻi Cravalho.

Cravalho wore the outfit to the film’s red carpet premiere in Hawaii in November. She said in an interview with Vogue at the time that the design combined traditional and modern aesthetics from her culture. Ah Loo strung individual white dovetail shells into a cape-like shape reminiscent of Hawaiian ʻahu ʻula — a feather cloak worn by ancient Hawaiian royalty, according to Vogue.

“This was the first time I was so active in helping to design a custom look, and Afa surpassed what I had envisioned,” Cravalho told the magazine at the time.

A new report accuses fashion giants of not considering the welfare of workers affected by climate change in garment factories in Southeast Asia.

Fashion brands including luxury label Hermes, sportswear giant Nike, and fast fashion chain H&M are in the hot seat amid new allegations of climate greenwashing after making commitments to slash carbon emissions in Asia, which is home to more than 50 percent of global garment production.

A report released this morning by the Business & Human Rights Resource Centre (BHRRC), titled, The Missing Thread, analysed 65 global fashion brands. It found that while 44 of them had made public commitments to reduce carbon emissions, none had adopted what is known as a “Just Transition” policy, a concept first introduced during COP27 in Egypt in 2022.

A Just Transition ensures that workers are not left behind as industries shift towards a low-carbon economy.

Only 11 companies in the study acknowledged the climate-related impact on workers in their social and human rights policies. Just four provided any guidance on managing heat-related stress.

Only two companies among those deemed the most ambitious by the report mentioned the welfare of workers. These included Inditex, the Spanish retail giant that owns the fast fashion company Zara, and Kering, the parent company of Gucci.

“Decarbonisation done without workers as critical and creative partners is not a just transition, it’s a dangerous shortcut,” said Natalie Swan, labour rights programme manager at BHRRC, in a news release.

Currently, the global textile industry relies on 98 million tonnes of non-renewable resources per year, such as oil and fertiliser. At current trends, the fashion industry is on track to be responsible for more than 25 percent of global greenhouse gas emissions by 2050.

“The fashion industry’s climate targets mean little if the people who make its products are not taken into consideration,” Swan said. “It’s not enough to go green. It has to be clean and fair.”

“Brands must stop hiding behind greenwashing slogans and start seriously engaging workers and their trade unions, whose rights, livelihoods and safety are under threat from both climate change and the industry’s response to it. A just transition is not just a responsibility, it’s a critical opportunity to build a fairer, more resilient fashion industry that works for people and the planet.”

Al Jazeera reached out to Nike, Hermes, H&M, Inditex and Kering. None of them responded to a request for comment.

Extreme weather

The effects of climate change have already hit much of Southeast Asia hard. Garment workers in countries including Bangladesh, Cambodia, Indonesia, and Vietnam have experienced extreme weather events such as surging temperatures and severe flooding.

In Bangladesh, workers reported fainting from heat-related illnesses. According to the report, factories allegedly failed to provide fans or drinking water. Similar challenges were noted in Cambodia, where temperatures regularly exceeded 39 degrees Celsius (102 degrees Fahrenheit) during a 2022 heatwave.

A third of workers said they had already lost work due to automation. In Bangladesh’s garment sector, 30 percent reported job losses stemming from technological changes. These shifts have disproportionately affected female workers, who are less likely to receive training on new technologies and are often excluded from on-the-job learning opportunities that could help them adapt to evolving industry demands.

A MAJOR fashion chain is preparing to close another store ahead of a restructuring which has placed up to 230 stores at risk.

River Island will shutter a branch in Banbury on June 28, giving customers just a few days to say their goodbyes.

1

A social media post revealed the tragic news, with locals in the area branding the move as “depressing”.

One resident of the area said: “Soon won’t be any big shops open in Banbury, getting like a ghost town.”

Another shopper added: “If people stopped buying online it wouldn’t happen.”

While a third added: “Gutted…..love River Island.”

The fashion brand, which has been sported by Paris Fury and Cat Deeley, has quietly closed a number of stores in the past few months.

A branch in Willows Place, Corby closed in April and a separate site in Vicar Lane Shopping Centre in Chesterfield closed in the same month.

The Sun has contacted River Island for a comment.

News of the closure comes days after it was revealed that up to 230 of the retailer’s stores are at risk.

The retailer is set to undergo a restructuring due to tough trading conditions.

The owners of River Island have brought in advisers from PricewaterhouseCoopers (PwC) to come up with money-saving solutions, reports Sky News.

The proposals are expected to be finalised in a matter of weeks, though sources have reportedly claimed no decisions have been approved on the retailer’s future.

Accounts for River Island Clothing Co for the year ending December 30 2023 showed the firm made a £33.2million pre-tax loss.

Then the turnover during the following 12 months fell by more than 19% to £578.1million.

In January, River Island hired consulting firm, AlixPartners, to undertake work on cost reductions and profit improvement.

However it is now understood PwC has now taken over.

TROUBLE FOR BRITISH FASHION BRANDS

A rise in online shopping coupled with Brits having less money to spend at the till has created problems for fashion brands.

New Look has closed a number of stores in the UK and it’s entire estate in the Republic of Ireland.

Bosses at the women’s fashion brand have blamed hikes to National Insurance for the move.

Earlier this year, Select Fashion closed 35 branches across the UK after it entered into liquidation.

Ted Baker was also forced to close over 30 stores last year after it went bust.

FASHION fans have been left totally divided after spotting an iconic noughties trend that has made its way back to the high-street.

After going into fashion Room 101, the frock that defined the noughties has successfully fought its way back – but many are fuming and are describing it as “cheap and tacky”. 

4

4

4

4

The bandage dress first hit the catwalk back in 1989 as the grand finale of Hervé Léger’s runway show, but it wasn’t until the likes of Victoria Beckham and other celebrities went crazy for the dresses in the 00s that they became mainstream.

Women were scrambling to get their hands on the high-street versions of the designer gowns, made with thick strips of fabric which work to “bandage” your shape and flatten out problem areas.

And now, shoppers will again be able to get their hands on the iconic bandage dresses, as they are now back in House of CB.

The much-loved chain took to Instagram to share the exciting news, leaving many totally stunned.

Alongside the social media post showing off the new frocks, the chain penned: “She’s baaaaaack. Shop the birthday bandage collection now and be ready to serve some cake.” 

According to those at House of CB, one of the “most iconic party dresses is back for another dance”.

The heavyweight stretch fabric of these £169 Sculpt Midi Bandage Dresses, which are available in a number of different colours and styles, features unique tension properties that contour your body and create curves to envy. 

The dresses are now elevated with even more definition around the bust and waistline, as well as flattering halter neck straps and a low scooped back that shows just the right amount of skin. 

A fashionista from London named Christie, was gobsmacked to see the figure hugging frocks back in stores and took to social media to share the news with others.

Posting online, the content creator gave her followers a close-up look at the House of CB dresses and gasped: “Bandage dresses are BACK??!!” 

She then questioned: “I fear I want one?”

The TikTok clip, which was posted under the username @christievian, has clearly left many open-mouthed, as it has quickly amassed 227,900 views, 23,000 likes and 215 comments. 

I can’t shake the tacky vibes I get from them

TikTok user

But social media users were left divided by the return of bandage dresses – while some were overjoyed at the news, others slammed the frocks as “cheap.” 

One person said: “Love it! I remember I bought my first bandage dress at 20 back in 2007.” 

Another added: “I can live my early 2000 dreams.” 

A third commented: “YEEEEESSSS SORRY BUT I LOVE IT.” 

However, at the same time, someone else sighed: “I can’t get behind it, I’m sorry.” 

Love it! I remember I bought my first bandage dress at 20 back in 2007

TikTok user

A second disappointed shopper slammed: “They’re trying to make 2016 happen but it’s too early. Give it 10 years at least!! This isn’t how vintage and nostalgia works…” 

Not only this, but another expressed: “They went away for a reason!”

Meanwhile, one woman penned: “I can’t shake the tacky vibes I get from them.” 

Unlock even more award-winning articles as The Sun launches brand new membership programme – Sun Club

FESTIVAL fans are being urged to go green on Glasgow Green this summer with more sustainable fashion choices.

Every year Brits throw away 300,000 tonnes of fabric waste, which ends up slowly decomposing in landfills.

4

4

And to do their bit, the team behind TRNSMT is encouraging festival-goers to choose second hand style when it comes to their outfits.

Bosses are launching a Sustainable Festival Fashion Trail, which kicks off this weekend.

Tomorrow, TRNSMT will take over the Barras Market, Off The Rails at VEGA Glasgow and will pop up at vintage stores where shoppers can explore unique finds and festival picks curated by Scottish Stylist of the Year Victoria Lee.

The Glasgow-based preloved fashion fan said: “It is my job to encourage people to step away from fast fashion and choose more sustainable routes when it comes to topping up their wardrobes.”

Getting a look right for a festival can be tricky, especially in our unpredictable Scottish weather.

But what Victoria hopes is that music-lovers will avoid buying fast fashion items that get tossed aside once the party weekend is over in favour of vintage pieces that will last a lifetime.

Victoria, who ditched her own fast fashion business when she discovered the unethical roots of her on-sale items, said: “I love the uniqueness of it.

“When you’re shopping, you can have those unique pieces that other people aren’t wearing.

“You can really focus on your personal style. I think when you’re more slow and more intentional about what you buy, it pays off more in the end as well.”

While the average lifespan of an item of clothing is three years, many people who consume fast fashion find their clothing only lasts a few months.

But some of the preloved pieces in second hand and vintage stores have been worn for decades — and are still going strong.

Victoria said: “I think a lot of people panic buy for festivals and also we’ve become a little bit too accustomed to viewing our clothes as disposable.

“So the fashion trail encourages people to buy more staple pieces. The pieces in the collections will all be pieces that you can hopefully style around other things. Normal life, not just festivals.”

SUSTAINABLE STYLE

WE are self-confessed clothes addicts.

But, despite our love for all things fashion, choosing a fest outfit still foxes us — especially with our different ages and sizes.

In our YouTube series For Everybody, we test out outfits from the high street to see who is winning when it comes to being inclusive.

Katy is 34 and a size 18 while I’m a tummy-conscious size ten 45-year-old.
So could Victoria choose gorgeous, preloved festival outfits that rocked both of our worlds?

She scoured the rails at Glasgow’s West Vintage for two looks that could go from day to night at TRNSMT.

And she played a blinder.

For Katy, Victoria chose a flowy, brightly-coloured, tie-dyed maxi skirt paired with an over-sized sports T-shirt, all for just over £40.

For me, she chose a classic denim waistcoat and a layered white mini, with a handbag scarf for a pop of colour all for £50.

These pieces can be worn for years to come, making cost per wear a snip — music to our ears.

And her top tip for what to wear this summer? The style pro said: “I’d say the most fashionable thing you can do is just go with your own personal style and express yourself and who you are. Get those pieces that are staples that you’ll be able to wear again and again.”

On Sunday, the day will kick off at the Barras Market in Glasgow’s East End, where from 12pm fans can browse curated rails of pre-loved fashion, discover upcycled gems and get styling tips from sustainability champions.

From there, fans can head to Kings Court, stopping at vintage favourites including Mr Bens Retro Clothing, Minted and West Vintage for even more unique finds picked out by Victoria.

The day wraps up at VEGA Glasgow with a special festival edition of Off The Rails, a quarterly pop-up that celebrates independent brands.

There will be live performances by artists from this year’s BBC Introducing line-up and Radio 1 Dance Stage DJs at both The Barras and VEGA, bringing the festival buzz to the city.

There will also be the chance to win festival tickets to this summer’s Glasgow Green music extravaganza on July 11 to 13, with ten golden labels hidden along the trail as a reward for those who choose pre-loved summer festival outfits.

A TRNSMT Festival spokesman said: “Planning a festival outfit is a priority for so many fans. We wanted to create something that shows how sustainable fashion can still be exciting, creative, and fun, especially in a city like Glasgow that’s full of legendary vintage and second-hand options.”

4

4