ERAs

Taylor Swift Eras documentary release schedule and how to watch

Taylor Swift will be releasing not one but two projects around her record breaking Eras Tour.

Taylor Swift’s Eras Tour is getting a behind-the-scenes docu-series that will give fans new insight into the “inner-workings that created the phenomenon”.

Last week marked the launch of the biggest album in history, Taylor Swift’s The Life of a Showgirl with more than four million equivalent album units earned in the US.

But the 14 Grammy-winning artist isn’t slowing down with two projects in the works that will provide a whole new look at her iconic The Eras Tour which came to an end last year.

Taylor Swift: The Eras Tour, The End of an Era is described as an “illuminating docu-series” that will give an “intimate look at Taylor’s life as her tour made headlines and thrilled fans around the world ”.

Not only will the series provide fans with “never-before-seen” content, it will also spotlight performers, family members and friends, including Sabrina Carpenter, Ed Sheeran and Gracie Abrams.

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Taylor Swift: The End of an Era episode release schedule

Taylor Swift’s upcoming The End of an Era docu-series is going to debut on Friday, December 12, on Disney+.

Unfortunately, all six episodes are not going to be available to watch on this release date with just the first two dropping on December 12.

From then, two episodes are going to be released each week until the penultimate and final instalments are dropped on Boxing Day, Friday, December 26.

Here’s a full rundown of when Disney+ subscribers can expect Taylor Swift’s The End of an Era to come out:

Episodes One and Two: Friday, December 12

Episodes Three and Four: Friday, December 19

Episodes Five and Six: Boxing Day, Friday, December 26

A teaser trailer for the documentary has been released with the award-winning artist telling fans: “The Eras Tour wasn’t when all the pieces fell into place.

“This tour was just when every single one of us who had done so much work, pushing inch by inch, to where we all clicked together.”

The End of an Era docu-series won’t be the only project that Swifties can get excited about either.

It has also been confirmed that The Eras Tour: The Final Show, which will be the full concert film, is also going to be available from December 12.

The last concert on the tour took place in Vancouver and features the entire set of The Tortured Poets Department which was added to the tour following the album’s release in 2024.

Taylor Swift: The End of an Era debuts on Friday, December 12, on Disney+.

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Taylor Swift’s Eras tour makes record-breaking $2 billion

Taylor Swift is not done with her record-breaking era: The pop superstar’s global tour sold more than $2 billion in tickets, making Taylor Swift: The Eras Tour the highest-grossing tour of all time for a second year in a row.

The “Anti-Hero” and “Fortnight” singer, who wrapped the road show on Sunday after a three-night run in Vancouver, sold $2,077,618,725 in tickets during the 21-month outing. On Monday, production company Taylor Swift Touring confirmed the final revenue total to the New York Times in its first official disclosure of the show’s revenue numbers. That’s a lot of friendship bracelets and bejeweling.

Representatives for Swift did not immediately respond Monday to The Times’ request for comment.

“This tour has been the adventure of a lifetime, and I speak on behalf of my band, my crew, my fellow performers, who all love their families and have spent time away from everything that they know and love and have performed when they were sick, when anything was going on in their lives,” Swift told the thousands of fans closing out the tour with her in Vancouver’s BC Place on Sunday. “I just wanted to say that on behalf of all of us, I will never forget you giving us that moment.”

The tour launched in March 2023 after a Ticketmaster-busting rush on ticket sales, and crossed the billion-dollar mark last year. It was both a critical and commercial success that superseded the previous record set by Elton John’s record-breaking Farewell Yellow Brick Road tour, which made more than $939 million during its 330-show run. Coldplay’s ongoing Music of the Spheres tour, which recently booked additional concert dates through next year, recently surpassed the $1-billion mark and is being discussed as potentially approaching Eras’ impressive numbers. It currently trails Eras as the No. 2 highest-grossing tour with $1.1 billion in revenue.

Swift, 34, performed 149 sold-out shows and 10,168,008 people attended the concerts, the New York Times said. Each seat costs an average of $204 — a significantly higher price point than the industry standard, which the trade publication Pollstar estimates at $131 for the top 100 global tours of 2023. (Fans and scalpers surely forked over much more).

The “Shake it Off” singer-songwriter powered through songs from her growing oeuvre throughout the production, also finding time to record her 11th studio album, “The Tortured Poets Department,” which she released mid-tour last April. The 14-time Grammy Award winner incorporated songs from the album in the post-release phase of the show, at one point including a cameo from her boyfriend, star NFL tight end Travis Kelce.

On Monday, the Associated Press reported that the tour earned an estimated $1.04 billion in North America. Factoring in Swift’s worldwide concerts, that figure was boosted to $2.2 million, according to Pollstar.

Andy Gensler, editor in chief of Pollstar & VenuesNow, told AP that what Swift and the Eras tour accomplished across five continents and in front of 10 million fans is “extraordinary and unprecedented.”

“The tour’s $2.2 billion estimated gross is the highest of all time and nearly doubles the second biggest tour,” Gensler said. “It’s also an example of the limits this industry continues to push far past while bringing music, community and peak life experiences to legions across the globe.”

Pollstar’s estimate falls short of Taylor Swift Touring’s final tally. Nevertheless, the tour’s might was palpable, repeatedly causing seismic activity along the way and being credited with boosting local economies wherever it stopped.

Concertgoers spent an average of $1,300 on travel, lodging, food and merchandise, according to the U.S. Travel Assn., which is on par with what football fans might spend on the Super Bowl. The association says that every $100 spent on live performances generates about $300 in other expenses including spending on hotels, food and transportation. The Travel Assn.’s Eras numbers were reported before Swift brought the tour back to the United States earlier this year. CNN reported Monday that Swifties spent an estimated $5 billion in the United States, citing figures from survey company Question Pro. That total, however, only took into account direct spending. The numbers could exceed $10 billion when indirect spending is factored in and when non-ticket holders make purchases outside of the venue, CNN said.

Meanwhile, the tour’s corresponding concert film, “Taylor Swift: The Eras Tour (Taylor’s Version),” also dominated the box office. Upon its October 2023 release, “Eras” earned $96 million in its four days at the domestic box office, marking the highest opening for a concert film. The 3 1/2-hour film broke another record when it began streaming on Disney+ in March, with the streamer saying that it had been viewed 4.6 million times in its first three days of release, Variety reported.

The “I Can Do It With a Broken Heart” singer also commemorated the tour with a 256-page coffee-table book that was released last month. Although the book instantly became a top seller and was the biggest publishing launch of 2024, it was swiftly dubbed the “Errors Tour” book after Swifties discovered that it was teeming with typos, grammatical errors and low-quality photos.

Times pop music critic Mikael Wood contributed to this report.

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The end of an Eras tour approaches, marking a bittersweet moment for Taylor Swift fans

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NASHVILLE, Tenn. (AP) — After more than 150 shows across five continents over nearly two years, the global phenomenon that is Taylor Swift’s Eras Tour is coming to an end.

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There is no simple way to encapsulate the effects of Swift’s decision to put on a 3 1/2-hour concert, showcasing 44 songs representing 10 different “eras” of her career — a feat she kicked off in March 2023 and will end Sunday in Vancouver, Canada. The tour shattered sales and attendance records and created such an economic boom that even the Federal Reserve took note.

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But for many who attended the concerts, and the millions more who eagerly watched fan-broadcasted livestreams on their screens, the tour also became a beacon of joy — a chance not only to appreciate Swift’s expansive music career, but also celebrate the yearslong journey fans have taken with her.

“Right now we have this special designated time to be together, talk about the show and hang out,” said Tess Bohne, a stay-at-home mom of three turned content creator dedicated to livestreaming Swift’s concerts — by attending herself or coordinating with others to highlight their streams. “For some, it’s their therapy.”

Bohne, who has earned the title among the Swiftie community as the “livestream queen,” says she often interacts with fans hosting parties to watch an Eras concert live at home with their closest friends. People have also made lasting friendships as they geek out together watching the show from afar.

Swift has long been known for leaving Easter eggs for her fans to pinpoint and decipher, a quirk that quickly took on a life of its own during the tour as eagle-eyed devotees began analyzing the possible meaning of her outfits, surprise songs and subtle lyric swaps. The buzz has been so large that multiple mobile apps were launched so fans could guess and track all the various changes. There’s even a game that gives out prizes for correctly predicting various particulars of a show, including what color guitar Swift uses while playing “Lover.”

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“Imagine your favorite sports team,” Bohne said. “They’re still a team, but they’re not going to play any games for the foreseeable future. That’s going to leave a hole for some folks.”

Swift herself appeared to struggle that the end was near while performing at her 100th Eras show in June at Liverpool.

“This is the very first time I’ve ever acknowledged to myself and admitted that this tour is gonna end in December,” she said, stressing that “this tour has really become my entire life.” Late last month, in Toronto, she briefly broke down at the thought of the tour’s impending end.

Swift kicked off the Eras tour in Glendale, Arizona, the first of many sold-out stadiums as the tour progressed first in the U.S. and later into South America, Asia, the United Kingdom and Canada.

By the end of 2023, it had become the first tour to ever gross over $1 billion and saw hundreds of millions of dollars spent on merchandise. She is likely to bring in over $2 billion by the time the tour wraps on Dec. 8, according to concert trade publication Pollstar.

Throughout the tour, Swift was named Time Magazine’s Person of the Year. Apple Music named her its artist of the year and Spotify revealed she was 2023’s most streamed artist globally. She dropped a box office-topping concert film and helped send NFL viewership skyrocketing when she began dating Kansas City Chiefs tight end Travis Kelce. Toward the end of the tour, she released a coffee table book.

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And if that wasn’t enough, she released re-recordings of her Nashville-era 2010 record, “Speak Now ” and 2014’s record “1989,” as well as released her 11th studio album, “The Tortured Poets Department.”

“I think it’s perfect in these times to have somebody like Taylor to kind of give us give us distraction, give us inspiration, give us hope,” said Ralph Jaccodine, an assistant professor at Berklee College of Music and a former concert promoter who has worked with Bruce Springsteen and others. “And this is a woman that owning it, she’s come a long way. And now she can talk about artist rights and women’s rights and equality. And really, just her work ethic is relentless.”

Even the word “era” has become ubiquitous, with fans and casual observers using the term to explain both frivolous and transformative phases — are you in your “villain era” or a “healing era”?

“I think this tour really solidified her position as a legend,” said Kayla Wong, an influencer who runs the popular Swift-focused Instagram account ↕headfirstfearless. “Whether or not you like her music, whether or not you think she’s talented, the numbers really speak for themselves. The tour broke so many records and was such a global phenomenon for so long that I think she’s achieved a level where it’s undeniable as to how everlasting her impact is.”

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Yet the tour did experience its own dark moments. In Brazil last year, one concertgoer — 23-year-old Ana Clara Benevides — passed out and later died of heat exhaustion. In July, British police charged a 17-year-old with murder over a stabbing attack during a Taylor Swift-themed summer holiday dance and yoga class that left three little girls dead. News outlets reported that Swift met with some of the survivors backstage in London.

And in August, all three of Swift’s concerts in Vienna were called off after officials announced arrests over an apparent plot to launch an attack on an event in the city. Tens of thousands of Swifties from around the world had traveled to Vienna for the shows.

“Having our Vienna shows cancelled was devastating,” Swift later wrote in a statement. “The reason for the cancellations filled me with a new sense of fear, and a tremendous amount of guilt because so many people had planned on coming to those shows.”

Through the hardships and celebrations, Swift’s connections to her fans has only ballooned and deepened throughout the tour. After the Vienna cancellations, many fans flocked to the streets to sing Swift’s songs and placed friendship bracelets — which also became an iconic feature of the shows — on a nearby tree.

Over the past two years, the fandom has welcomed new audiences _ both old and new.

“I feel like years ago, we were kind of all the same age and fans for the same reason,” Wong said of Swifties. “Now the fandom has people from all kinds of backgrounds, all ages, all different reasons for following her in the first place.”

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