death

British pop star Liam Payne’s final TV appearance is finally on the horizon, less than a year after he died suddenly in Argentina.

Netflix on Tuesday released the trailer for its upcoming singing competition series “Building the Band,” which features the late One Direction singer as one of its guest judges. The series, set to premiere July 9, could bring a sense of closure for fans of Payne, who began his singing career as a contestant on the competition series “X Factor.”

In the teaser, Payne offers his wisdom to aspiring singers, urging them, “I need to feel the connection between you guys.” The singer knew a thing or two about group chemistry: during his second “X Factor” foray in 2010, judges Simon Cowell and Nicole Scherzinger decided Payne should join fellow contestants Harry Styles, Niall Horan, Zayn Malik and Louis Tomlinson to form One Direction. Despite losing the crown, the quintet went on to become a pop sensation best known for songs including “What Makes You Beautiful” and “Story of My Life.”

“Building the Band” reunites Payne with Scherzinger, whose role is judge and mentor. Destiny’s Child alum Kelly Rowland also serves as a guest judge. Backstreet Boys singer and Payne’s friend AJ McLean is the show’s host. The series features 50 singers who work with the veteran musicians to form six bands.

Netflix confirmed Payne’s posthumous appearance earlier this month as it released a first look and announced the series’ premiere date. The streamer wrapped production on “Building the Band” before Payne’s death and received support from the singer’s family to push forward. Payne’s “family reviewed the series and is supportive of his inclusion,” Netflix said in a statement to Deadline.

Payne died Oct. 16 after falling from a balcony at a Buenos Aires hotel. He was 31. Shortly after his death, officials determined the singer died from multiple traumas and internal and external bleeding caused by the fall. Officials announced in December that Payne also had traces of alcohol, cocaine and a prescription antidepressant in his system when he fell.

Two hotel workers and Payne’s friend Rogelio “Roger” Nores were three of five people charged for their alleged involvement in the singer’s death but were cleared of those charges in February. Appeals court judges ruled at the time that Nores did not have a role in Payne’s “obtaining and consuming alcohol” and that he could not have taken actions to prevent Payne’s death.

The two remaining suspects — charged in December with allegedly supplying Payne with narcotics before his death — will stand trial, officials announced earlier this month.

Emmerdale fans will see the arrivals of two new characters next week, both causing trouble on the ITV soap, with danger, betrayals, discoveries and secrets under threat

There’s plenty of carnage coming up on Emmerdale, with two new faces, secrets under wraps and a brutal attack.

One iconic character faces death after a violent attack, with him rushed to hospital in a life-threatening condition. Someone is double crossed, and it could have serious repercussions.

A character is nervous over their recent near-kiss with someone else as he fears it could be exposed, while a feud rumbles on too. Kicking things off, there’s a horrifying twist for Paddy Kirk next week.

Paddy, who has been on the soap for decades, is brutally attacked and left lifeless, as his dad Bear races to save him. Amid a time of conflict between the father and son, Bear battles to save his son’s life when the vet is injured badly by a dog.

Paddy is trying to rescue a sheep caught in the fence on the land of new farmer Celia, only to be caught and bitten by an aggressive dog. Bear manages to save him, but he’s left traumatised by the incident. As Paddy’s loved ones gather at the hospital, he emerges from surgery.

READ MORE: EastEnders Shane Richie addresses Alfie ‘exit’ and teases huge Zoe Slater twist

But he and wife Mandy Dingle are reeling when Bear launches a verbal attack on his son’s character. Taking the words to heart, a heartbroken Paddy sobs silently before struggling in the fallout. Soon he heads for Celia’s farm to confront her about the attack but it doesn’t go well.

He blames Bear for this and the pair are further apart than ever before. Telling his dad to move out, he’s clear he wants nothing to do with him but will this be it for them amid Bear’s own mystery worrying storyline?

Celia isn’t the only new arrival to the show next week, as newcomer Ray, a new villain, also makes his mark. As Ross Barton and his brother Lewis Barton’s secret weed hustle continues, Mack Boyd makes a horrifying decision amid his own involvement in the plot.

With Moira Dingle still facing financial issues and struggling to keep the farm, with Mack still thinking he’s to blame, they consider whether to sell the weed to a dealer for a huge sum of money. When Lewis refuses, Mack goes behind their backs and agrees to sell up to Ray.

Lewis assumes his brother Ross has betrayed him and their relationship falls apart as Mack feels guilty over what he’s done. Mack is left desperate though without the brothers on board, as he struggles to meet the dealer’s demands.

So when all the plants go missing from the barn, Ross accuses Mack of stealing it and selling it all to Ray but he protests his innocence. So who has taken the weed and where is it now?

Vinny Dingle also faces turmoil next week after he recently tried to kiss his pal Kammy Hadiq. While Kammy has said he won’t tell anyone including Vinny’s fiancée Gabby Thomas, Vinny can’t help but fear it will be exposed.

He’s avoiding his pal so when Gabby invites Kammy to their engagement party, Vinny is in turmoil. Finally next week Sarah Sugden supports her grieving grandfather Cain Dingle who’s upset when the whole family is barred from his son Nate Robinson’s funeral by Tracy.

Emmerdale airs weeknights at 7:30pm on ITV1 and ITVX, with an hour-long episode on Thursdays. * Follow Mirror Celebs and TV on TikTok , Snapchat , Instagram , Twitter , Facebook , YouTube and Threads .

On Sunday at approximately 2 a.m. Tehran time, seven B-2 stealth aircraft attacked the Iranian nuclear facilities in Fordo, Natanz and Isfahan, strikes enabled as much by the belief that Iran had this coming as the particular technology of the American bombers. A drawling President Trump put it in stark terms shortly after the operation ended. “For 40 years, Iran has been saying death to America, death to Israel. They have been killing our people, blowing off their arms, blowing off their legs, with roadside bombs. That was their specialty.”

Convention drives coverage of Iran in the United States, from stock images of anti-American murals to the enduring menace of “Iranian-backed militias.” Now there is an emerging consensus that overthrowing the government in Tehran will accomplish what Israeli and U.S. missiles and air assaults have not: an end to Iran’s nuclear program and that country’s destabilizing aspirations for regional hegemony, not to mention an end of the oppressive Islamic Republic itself. A series of headlines, analysts and politicians have in recent days presented regime change as a natural certainty, nothing less than a magic bullet. This too is seen as Iran’s due.

Very few of these expert voices have taken the next step by asking, “Then what?” Where does the magic bullet land? Sovereign imperatives await the next group to come into power. Democratic or otherwise, the government that replaces the current regime will be laser-focused on Iran’s survival. And there is very little reason for Israel or the U.S. to think that a reconstituted Iran will become more conciliatory toward either country once the war ends.

The reality is that nationalism, not theocracy, remains what what the historian Ali Ansari calls the “determining ideology” of Iran. There is a robust consensus among scholars that politics in Iran begins with the idea of Iran as a people with a continuous and unbroken history, a nation that “looms out of an immemorial past.” Nationalism provides the broad political arena in which different groups and ideologies in Iran compete for power and authority, whether monarchist, Islamist or leftist.

And that means that the patriotic defense of Iran isn’t a passing phase, produced under the duress of bombs, but the default position, the big idea that holds Iran together, hardened over the last two centuries of Iranian history and the trauma of the loss of territory and dignity to outside powers, including the Russians, the British and the Americans.

Getting rid of Islamic rule won’t change this dynamic; it is almost sure to guarantee that something worse will come along, sending Iranian politics in unexpected and more corrosive directions. Americans, after all, need only look to their current administration (or past interventions in the Middle East) for examples of how populist responses to foreign invasions, real or imagined, can lead to unthinkable outcomes.

“Trump just guaranteed that Iran will be a nuclear weapons state in the next 5 to 10 years, particularly if the regime changes,” Trita Parsi of the U.S.-based Quincy Institute wrote Saturday night. This is especially true if a new regime is democratic. The promised “liberation” of the Iranian people through devastating bombing campaigns presents the worst-case scenario for Israel and the U.S., as no future elected government would survive unless it sustained, and perhaps surpassed, the Islamic Republic of Iran’s current belligerence.

There is tragedy here. Ordinary Iranians, like most people, want peace and security, preferably through diplomacy and dialogue. The unprovoked attacks of the last week and their subsequent justification by not only the U.S. but also nearly all of the European Union, a disastrous sequence that began with Trump’s wanton violation of President Obama’s Iran deal in 2018, have convinced an increasing number of Iranians that the restraint of arms, nuclear or otherwise, is national suicide.

Insofar as the Islamic Republic can claim that it is the only Iranian government in more than 200 years to have lost “not an inch of soil,” it continues to cling to power. Of course, such legitimacy comes with a dual edge. This regime may survive in the short term, but if and when it does fall it will be because its leaders failed to keep Israeli and American arms out, munitions that have already killed more than 800 of their fellow citizens in less than a week, according to the Washington-based group Human Rights Activists.

One of the most common conventions when it comes to Iran, typically presented as a gesture of grace, is to draw a distinction between its government and the people, to lay blame on “the mullahs” and not the country’s long-suffering citizens for their country’s status as a rogue actor. As a way to appeal to Iranians of the righteousness of his cause, Israeli Prime Minister Benjamin Netanyahu and his surrogates have deployed tropes of civilizational greatness that would make even the most ardent Persian chauvinist blush. On Thursday, the Israeli prime minister announced that the time had come for the Jews to repay an ancient debt: “I want to tell you that 2,500 years ago, Cyrus the Great, the king of Persia, liberated the Jews. And today, a Jewish state is creating the means to liberate the Persian people.” Regime change, by this logic, is a project of recovery and revivalism, a surefire way to make Iran great again.

Iranians are proving to be less nuanced, and unconvinced. The distance between the Iranian state and society has in the last week been reduced to almost nothing. Across the range of experience and suffering, from imprisoned Nobel Peace Prize laureates and formerly imprisoned Palm D’Or winners to working-class laborers left behind by the revolution, the overriding sentiment today in Iran is clear: These clerics may be scoundrels, but they’re our scoundrels, our problem to solve.

Nearly 50 years into an unwanted dictatorship, Iranians have developed a refined capacity for identifying bad faith. They know who has Iran’s interests at heart and who is trying to save his own skin.

Iranian American Shervin Malekzadeh is a visiting assistant professor of political science at Pitzer College and author of the forthcoming book, “Fire Beneath the Ash: The Green Movement and the Struggle for Democracy in Iran, 2009-2019.”

The soaps are lining up big scenes this coming week, with Emmerdale danger for Robert Sugden, a devastating Coronation Street drug plot and an EastEnders exit teased

There’s some really big moments coming up this week ahead on Emmerdale, EastEnders and Coronation Street.

One soap is about to air a massive week of episodes as they tackle an LSD storyline, and the serious consequences of drug use. We’ll see characters in danger, mystery scenes yet to be revealed and trouble for one character.

Over on Emmerdale, we might see someone become killer John Sugden’s next victim. Robert Sugden is left facing danger at the hands of his brother according to the soap, who has released cryptic spoilers that hint at deadly scenes.

EastEnders could be hinting at an exit too following the news Bernadette Taylor would be leaving the BBC soap. New spoilers hint at trouble involving the character, so it’s perhaps a hint of how she will exit the show.

READ MORE: EastEnders Shane Richie addresses Alfie ‘exit’ and teases huge Zoe Slater twist

Emmerdale’s Robert Sugden in danger

Robert Sugden seemingly facing a life-or-death situation next week., the soap has hinted to viewers. Ryan Hawley’s character faces danger as teased in images and spoiler lines.

While it’s being kept a mystery on what actually happens, what we do know is that John wants to get rid of his brother after seeing him as a threat. Spoilers revealed that after Robert is drugged by his date, John drives off with Robert in the back of his van.

It’s not been made clear if John has orchestrated the drugging or not, but he’s soon very much involved. Robert soon finds himself at the mercy of killer John it would seem, or at least that’s what the soap has teased, as he’s left “lifeless”.

Images see John looming with a syringe in his hand with Robert laying down in the van. But will John really go as far as to kill his own sibling? While spoilers have hinted Robert wakes up, it’s yet to be revealed if there’s more scenes with John or if he remains in danger.

EastEnders exit ‘sealed’

Bernadette Taylor’s exit storyline may have been teased, as she’s asked by cousin Felix Baker for her seal of approval over his new romance with Johnny Carter. But with her reluctant to after him covering up the murder of her brother Keanu, something Felix knows nothing about, will it come back to haunt all those involved?

Theres a strange discovery though when some weird invoices are spotted linked to the Panesar account, which Bernie has access to. She dismissed the concerns, but soon she’s questioned once more. As Ravi and Suki go to confront Bernie about the irregularities, will they make a discovery and is this linked to Bernie’s looming exit?

Coronation Street LSD horror

There’s dramatic scenes starting next week with the soap set to tackle an LSD storyline. The repercussions could be massive as multiple characters are caught up in the drama.

There’s potentially devastating scenes ahead as disaster hits the street after a house party. Aadi Alahan decides to throw a gathering, only for troublemaker Brody Michaelis to bring a bottle of LSD.

Aadi spots the drugs and kicks Brody out of the party, leading to chaos as he refuses to go before finally fleeing. But Aadi makes a decision he could live to regret when he, Nina and Summer decide to drink the LSD.

Aadi leaves his unattended only for someone else to accidentally drink it. What follows is a dramatic turn of events with Nina and Summer high only to be left terrified when they hear sirens, with it hinted something bad has happened.

As for another resident, the person who took the third cup of LSD is left in a bad way and their condition deteriorates.

Emmerdale airs weeknights at 7:30pm on ITV1 and ITVX, with an hour-long episode on Thursdays. EastEnders airs Mondays to Thursdays at 7:30pm on BBC One and BBC iPlayer.

Coronation Street airs Mondays, Wednesdays and Fridays at 8pm on ITV1 and ITV X. * Follow Mirror Celebs and TV on TikTok , Snapchat , Instagram , Twitter , Facebook , YouTube and Threads .

Yes, Tom Cruise will soon own an Oscar. But has he ever flown a Boeing 737 with 150 passengers on board?

I’m Glenn Whipp, columnist for the Los Angeles Times and host of The Envelope newsletter, here to explain why Nathan Fielder should be the Top Gun of this Emmy season.

A show too singular to ignore

The second season of Nathan Fielder’s brilliantly bonkers “The Rehearsal” opens inside a commercial jet cockpit where the plane’s captain and first officer are having a tense exchange as they prepare to land at a fogged-in runway. The first officer suggests they’re off course. The captain disagrees but is soon proved wrong as the plane crashes. We see the pilots slumped in the cockpit, dead. Then the camera pans to Fielder, surveying the fiery aftermath, a disaster he just re-created in a simulator on a soundstage.

With that prelude, it may seem strange to tell you that I laughed out loud as many times watching “The Rehearsal” as I did any other TV series this season. Not during the simulated disasters, of course, which Fielder used to illustrate what he believes to be biggest issue in airline travel today — pilots failing to communicate during a crisis.

So, yes, “The Rehearsal” is about airline safety. Mostly. But Fielder is a master of misdirection. There is no way you can predict where he’ll direct his premise, and I found myself delighting in utter surprise at the tangents he took in “The Rehearsal” this season.

An alternate biopic of pilot Chesley “Sully” Sullenberger, with Fielder playing Sully from diapered baby to the Evanescence-loving hero landing in the Hudson River? Yes! Re-creating the German subsidiary of Paramount+ as a Nazi headquarters? OK! Vacuuming up air from San Jose to help train a cloned dog in Los Angeles while he attempts to understand how the nature-vs.-nurture dynamic might play out in human behavior? Ummmmm … sure. We’ll go with it!

Nathan Fielder takes the controls in “The Rehearsal.”

(John P. Johnson / HBO)

With Fielder’s incisive mind, the detours are everything. Even the destination this season came as a jolt. Yes, it involves that Boeing 737 I mentioned in the intro, and, no, I’m not going to elaborate because I still feel like not enough people have watched “The Rehearsal.” The series’ first two seasons are available on HBO, as are all four seasons of Fielder’s Comedy Central docuseries “Nathan for You,” which had Fielder “helping” small-business owners improve their sales. (Example: Pitching a Santa Clarita liquor store owner that he should sell booze to minors but just not let them take it home until they turned 21.)

The humor in “The Rehearsal” can be just as outrageous as “Nathan for You,” but the overall tone is more thoughtful, as it also explores loneliness and the masks we all wear at times to hide our alienation.

For the Emmys, HBO has submitted “The Rehearsal” in the comedy categories. Where else would they put it? But the show is so singular that I wonder if even its fans in the Television Academy will remember to vote for it. They should. It’s funny, insightful, occasionally terrifying, utterly unforgettable. And I hope Isabella Henao, the winner of the series’ reality show competition, goes places. She sure can sing!

Tom Cruise, Dolly Parton will have their Oscar moments

Meanwhile, that other pilot, Tom Cruise, will finally receive an Oscar, an honorary one, in November at the Governors Awards, alongside production designer Wynn Thomas and choreographer and actor Debbie Allen.

Dolly Parton, singer, actor and beloved icon, will be given the annual Jean Hersholt Humanitarian Award for her charitable work.

Cruise has been nominated for three acting Oscars over the years — for playing Marine Corps Sgt. Ron Kovic in Oliver Stone’s 1989 antiwar movie “Born on the Fourth of July,” the sports agent who had Renée Zellweger at hello in Cameron Crowe’s 1996 classic “Jerry Maguire” and the chauvinistic motivational speaker in Paul Thomas Anderson’s 1999 opus “Magnolia.” Cruise was also nominated as a producer for 2022’s dad cinema favorite “Top Gun: Maverick.”

Tom Cruise, left, and Paul Newman in “The Color of Money.”

(Fox Broadcasting Company)

Cruise should have won the supporting actor Oscar for “Magnolia,” a ferocious turn in which he harnessed his strutting brashness to play an odious character hiding a deep well of pain. It came the same year as his star turn opposite then-wife Nicole Kidman in “Eyes Wide Shut.” Not a bad double feature! Instead, Michael Caine won for “Cider House Rules” during an Oscar era in which there was seemingly no prize Harvey Weinstein couldn’t land. It wasn’t even Caine’s first Oscar; he had already won for “Hannah and Her Sisters.”

Cruise has devoted himself to commercial action movies, mostly of the “Mission: Impossible” variety, for the past two decades. He did recently complete filming a comedy with director Alejandro González Iñárritu, scheduled for release next year.

It’d be funny if Cruise wins a competitive Oscar after picking up an honorary one. It happened with Paul Newman, Cruise’s co-star in “The Color of Money.”

Read more of our Emmy coverage

WASHINGTON — Coming to court this week, a police officer’s widow wanted to prove that a man assaulted her husband during a mob’s attack on the U.S. Capitol and ultimately was responsible for her husband’s suicide nine days later. A jury’s verdict on Friday amounted to only a partial victory for Erin Smith in a lawsuit over her husband’s death.

The eight-member jury held a 69-year-old chiropractor, David Walls-Kaufman, liable for assaulting Metropolitan Police Officer Jeffrey Smith inside the Capitol on Jan. 6, 2021. They will hear more trial testimony before deciding whether to award Erin Smith any monetary damages over her husband’s assault.

But the judge presiding over the civil trial dismissed Erin Smith’s wrongful death claim against Walls-Kaufman before jurors began deliberating. U.S. District Judge Ana Reyes said no reasonable juror could conclude that Walls-Kaufman’s actions were capable of causing a traumatic brain injury leading to Jeffrey Smith’s death.

Reyes divided the trial into two stages: one on the merits of Erin Smith’s claims and another on damages. The damages phase is expected to stretch into next week.

Erin Smith claimed Walls-Kaufman gave her husband a concussion as they scuffled inside the Capitol. Jeffrey Smith was driving to work for the first time after the Capitol riot when he shot and killed himself with his service weapon.

His widow claims Walls-Kaufman struck her 35-year-old husband in the head with his own police baton inside the Capitol, causing psychological and physical trauma that led to his suicide. Jeffrey Smith had no history of mental health problems before the Jan. 6 riot, but his mood and behavior changed after suffering a concussion, according to his wife and parents.

Walls-Kaufman, who lived near the Capitol, denies assaulting Jeffrey Smith. He says any injuries that the officer suffered on Jan. 6 occurred later in the day, when another rioter threw a pole that struck Jeffrey Smith around his head.

Walls-Kaufman served a 60-day prison sentence after pleading guilty to a Capitol riot-related misdemeanor in January 2023, but he was pardoned in January. On his first day back in the White House, President Donald Trump pardoned, commuted prison sentences or ordered the dismissal of cases for all of the nearly 1,600 people charged in the attack.

Trump’s sweeping act of clemency didn’t erase Erin Smith’s lawsuit against Walls-Kaufman.

Erin Smith, the trial’s first witness, recalled packing a lunch for her husband and kissing him as he headed off to work on Jan. 15, 2021, for the first time after the riot.

“I told him I loved him, said I would see him when he got home,” she testified.

Within hours, police officers knocked on her door and informed her that her husband was dead. She was stunned to learn that he shot himself with his service weapon in his own car.

“It was the most traumatic words I’ve ever heard,” she recalled. “You just don’t know what to do.”

Walls-Kaufman’s attorney, Hughie Hunt, urged jurors to “separate emotion” and concentrate on the facts of the case.

“This is tragic, but that doesn’t place anything at the foot of my client,” Hunt said during the trial’s opening statements.

Jeffrey Smith’s body camera captured video of his scuffle with Walls-Kaufman. In his testimony, Walls-Kaufman said he was overcome by “sensory overload” and “mass confusion” as police tried to usher the crowd out of the Capitol.

“I couldn’t tell who was pushing who or from what direction,” he said.

The police department medically evaluated Jeffrey Smith and cleared him to return to full duty before he killed himself. Hunt said there is no evidence that his client intentionally struck Jeffrey Smith.

“The claim rests entirely on ambiguous video footage subject to interpretation and lacks corroborating eyewitness testimony,” Hunt wrote in a court filing in the case.

More than 100 law enforcement officers were injured during the riot. Capitol Police Officer Brian Sicknick collapsed and died a day after engaging with the rioters. A medical examiner later determined he suffered a stroke and died of natural causes. Howard Liebengood, a Capitol police officer who responded to the riot, also died by suicide after the attack.

In 2022, the District of Columbia Police and Firefighters’ Retirement and Relief Board determined that Jeffrey Smith was injured in the line of duty and the injury was the “sole and direct cause of his death,” according to the lawsuit.

Kunzelman writes for the Associated Press.

A Channel 4 sitcom, starring a Death in Paradise favourite, is now trending on Prime Video despite having been released over a decade ago

A sitcom featuring Ardal O’Hanlon that originally aired over a decade ago has found new popularity on Prime Video.

London Irish, which first graced Channel 4 in 2013, boasts a star-studded cast including Death in Paradise’s Ardal O’Hanlon and Derry Girls’ Peter Campion. The show centres around a group of Belfast expats navigating life in London.

The series was the brainchild of Lisa McGee, the creative force behind Derry Girls. Despite only running for six episodes and Channel 4 deciding against a second season, London Irish has found renewed interest.

Now available on Prime Video, the show has been given the ‘trending now’ label, demonstrating its enduring appeal 12 years after its initial release.

The cast also features Sinéad Keenan, known for her role in Unforgotten, Game of Thrones actor Ker Logan, No Offence’s Tracey Lynch, and Kat Reagan, reports Wales Online.

Phoebe Waller-Bridge, the creator and star of BBC’s Fleabag, also makes a guest appearance in London Irish, portraying a character named Steph in one episode.

The synopsis for London Irish reads: “Conor and Bronagh are twenty-something siblings from Northern Ireland who, along with friends Packy and Niamh, are trying to make their way through London life.

“The foursome find navigating the big city challenging, particularly as they’re playing by their own unique set of rules, leading to all sorts of mischief.

“Conor is highly unpredictable and tends to just go with unbelievable things that tend to happen to him while his older sister, Bronagh, is the opposite of him – cynical, dark and fierce. Self-confident Niamh is ambitious and can be ruthless when she doesn’t get what she wants.

“Packy is the closest thing the group has to a parental figure and tries to keep the others in line but often gets dragged into their madness.”

Ardal, who portrays Chris in the sitcom, first gained recognition in Father Ted before joining BBC One’s Death in Paradise as DI Jack Mooney.

He left the popular drama series in 2020, but recently appeared in spin-off series Return to Paradise. His character featured remotely as part of a storyline with DI Mackenzie Clarke (Anna Samson).

London Irish is available to stream now on Prime Video.

For 46 years it’s been a wonderful ride, the sweetest of sagas, the Buss family treating the Lakers like their precocious child, nurturing, embracing, empowering, transforming them into arguably this country’s most celebrated sports franchise.

But it’s time.

It’s time to give their baby to somebody who won’t be burdened by the family ties or deep friendships that have increasingly interfered with the chasing of championships.

It’s time to hand their beloved to somebody with enough money to keep it strong and enough vision to keep it relevant.

It’s time for the Lakers to… become the Dodgers?

Yes! It’s them! They’re here! Welcome, welcome, welcome! Come on in! Make yourself at home! History has been waiting for you!

This is really happening, the majority ownership of the Lakers is really being sold to Dodgers chairman Mark Walter and his TWG Global group at a franchise valuation of $10 billion, making it the richest transaction in sports history.

To Los Angeles sports fans, it’s worth even more.

For the future of professional sports in this city, it’s priceless.

This is the best thing to happen to the Southland’s sports landscape since, well, the last time Walter’s TWG Global group bought something this big.

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It was 2012, and they bought the Dodgers, and just look what they’ve done with them.

Since 2013, Walter’s team has been in the playoffs every year, won their division 11 of those 12 years, appeared in four World Series and won two of them.

Since 2013, the Lakers have won one title in their only Finals appearance during that period while making the playoffs only half the time.

Mad respect to the Buss family, who oversaw 11 championships while providing the stage for greats from Magic Johnson to Kobe Bryant to LeBron James. But since the death of patriarch Jerry Buss in 2013, the organization has lacked a sustained championship vision and effective championship culture.

Everybody loves Jeanie Buss, who will continue in her role as Lakers governor, but she has grown increasingly out of touch with the demands of the modern game.

Where contending teams are now led by analytics-driven minds, she would rely on old friends like Linda and Kurt Rambis and Rob Pelinka, who became part of the family by being Kobe Bryant’s agent.

Where contending teams increasingly relied on younger players, Buss’ Lakers were always tied to aging superstars, their title hopes crashing around a hobbled Bryant and now buckling under a slowly eroding James.

Lakers owner Jerry Buss with children (clockwise from top left) Jeanie, Johnny, Jim and Janie in 1979.

(Gunther / mptvimages.com)

Since Jerry Buss’ death, the vision-less Lakers have wandered through the NBA desert in search of a strong leader who could build for sustained success.

In Walter’s group, they have that leader.

If the Dodgers are any indication, the Lakers are in for the sort of massive facelift that would make even a Beverly Hills plastic surgeon blush.

There will be money poured into the Lakers’ woefully small infrastructure, more money for coaches, more money for scouts, more money for trainers, more money for the amenities at Crypto.com Arena.

Who knows, maybe even more money for a new arena eventually? Don’t scoff, the Dodgers spent more than $500 million just to put a shine on Dodger Stadium, they will dig deep for that fan experience. They will dig deep for everything.

If there’s an insanely expensive but wildly successful general manager candidate out there — former Golden State guru Bob Myers comes to mind — the new Lakers will buy him.

Jeanie Buss attends a game between the Lakers and the Milwaukee Bucks at Crypto.com Arena on March 20.

(Allen J. Schaben / Los Angeles Times)

If there’s an experienced but costly head coaching candidate hanging around, the new Lakers will nab him.

Although they will be somewhat constrained by the salary cap, the new Lakers will go deep into any tax to buy the best players as long as they can retain their draft picks.

The Dodgers are about winning every year, not just the next year, so expect the new Lakers to covet the future as much as the present.

This is good news for young Luka Doncic. This is not such good news for James.

The Buss family always vowed to do whatever it takes to keep James happy and allow him to retire here. The new Lakers won’t be so sentimental. James hasn’t signed on for next season yet, and maybe this change of ownership changes what once appeared to be a slam dunk.

The new Lakers won’t have the rich heart of the old Lakers. But they also won’t have the old destructive loyalties.

The new Lakers will be only about winning, something Jerry Buss understood and amplified, something which has been sadly lost since his passing.

Lakers owner Jerry Buss celebrates with the Larry O’Brien Trophy after the team’s 1980 NBA championship victory.

(NBAE / Getty Images)

The Buss family was good for Los Angeles, and their stewardship of one of this city’s crown sports jewels should be celebrated.

But it’s time, and it’s perfect that their neighbors down the road have decided to be the ones to spruce up the place.

Before this sale, the only thing the Dodgers and Lakers shared occurred after victories, when both team’s sound systems would blare, “I Love L.A.”

Now they share a championship bank account, a championship vision, and a championship commitment.

Man, I love L.A.

EXPERTS have issued an urgent warning over popular slushy drinks that could leave children unconscious.

Parents giving the icy shakes to kids as a cooling summer treat were told they may contain high amounts of a sweet syrup that’s dangerous to young children.

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Brightly coloured slushies are a mainstay at cinemas, corner shops and theme parks – especially as temperatures ramp up.

But the sweet icy drinks often contain glycerol, a sugar substitute that gives slushies their signature, semi-frozen texture.

The Food Standards Agency (FSA) has now updated its guidance to state that slush ice drinks containing glycerol are not suitable for children under seven.

It follows several incidents involving slushy drinks in recent months.

A two-year-old girl was left listless and grey and “20 minutes from death” after having a slushy drink at a neighbour’s birthday party, according to her gran.

And two young boys became violently ill after slurping on slushies as a half term treat.

Earlier this year, the brightly-coloured drinks — which are designed to appeal to children — were linked to the hospitalisation of 21 children aged two to seven.

Members of the food watchdog’s board called for the change after reviewing evidence on the risk of glycerol to young children’s health.

UK guidance previously stated that that slush ice drinks with glycerol are not recommended for children under four due to the risk of glycerol intoxication, and that those under 11 should have no more than one.

Now, the FSA warned parents not to give the drinks to children under seven.

FSA chair Professor Susan Jebb: “In the warm weather, children may be more likely to consume slush ice drinks containing glycerol, so it’s important that parents and carers are aware of the risks.

“As a precaution, the FSA is recommending that children under seven do not consume slush ice drinks containing glycerol.”

Slush ice drinks can contain glycerol –  also called E422 or glycerine on some labels – as a substitute for sugar to prevent them from freezing solid.

The sugar substitute is also found in some other foods, but at much lower quantities than in slush ice drinks. 

Consumed at high levels, glycerol can cause very low blood sugar levels and unconsciousness in young children – also known as glycerol intoxication syndrome.

Dr Duane Mellor, registered dietitian and senior lecturer at Aston Medical School in Birmingham, previously told Sun Health why children – who are smaller than adults – are more at risk of drinking dangerous amounts.

“If too much glycerol is consumed too quickly and in too large a volume, it can potentially change the blood concentration,” Dr Mellor said.

“This can then affect the amount of fluid around the brain, leading to symptoms including confusion, dizziness, nausea and even, on occasion, loss of consciousness.”

Pharmacist Abbas Kanani, from Chemist Click, told Sun Health: “Glycerol may cause side effects such as nausea, gastrointestinal discomfort, dizziness, and headaches.

“In the case of slush-ice drinks, the dangers are typically associated with very high levels of exposure and may lead to glycerol intoxication, which could cause hypoglycaemia, shock and loss of consciousness.

“The Food Standards Agency state that there are concerns about its acute effects on young children when consumed in large amounts over a short period, leaving them vulnerable to the symptoms listed above.

“Whilst symptoms are usually mild, young children may suffer from headaches and sickness caused by exposure to glycerol.”

According to the FSA, just one 350ml drink with the highest levels of glycerol could potentially cause a problem for a four-year-old.

In youngsters aged five to ten, one and a half of these drinks can have dangerous effects, if consumed quickly.

‘Protect children’

FSA board members previously conducted a risk assessment of slushy ice drinks in 2023, “which was based on average body weight” estimates for children.

This time, the food watchdog took a more cautious approach, taking into account that some children might have a lower than average body weight for their age.

“The assessment incorporated information from recent glycerol intoxication incidents and assessed the impact of one serving of slush ice drink (350ml with 50,000mg/L glycerol) on children with a lower-than-average body weight for their age,” the FSA wrote.

“As children’s weights vary, body weight has been converted to age to provide more practical advice for parents and businesses.”

The updated advice applies to ready-to-drink slush ice drinks with glycerol in pouches and home kits containing glycerol slush concentrates.

The FSA advised businesses selling slushies to add the minimum amount of glycerol needed to achieve the desired texture.

It also called on businesses to share how much glycerol was being added to drinks and foods.

Prof Jebb said: “We expect industry to share data on the quantity of glycerol in their products to inform our future work.

“Meanwhile, there are immediate actions they can take that can help protect children and reduce the risk from these products.

“For example, retailers should limit cup sizes and should not offer free refill promotions to children under 10.”

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Arla Agnew, two, was left falling in and out of consciousness after enjoying the popular frozen treat at a neighbour’s birthday party.

Arla’s gran, Stacey, 39, told The Scottish Sun that they youngster became “limp and lifeless” in the hours after consuming the drink and was rushed to hospital, where it was found her blood sugar levels were dangerously low.

“The doctor said to us if we had been another 20 minutes it could have been so different. We were absolutely devastated,” the gran added.

Meanwhile, mum Roxy Wallis, 36, said her two sons fell violently ill minutes after drinking slushies.

“My middle child felt sick, dizzy, and incredibly pale. By the time we reached the ticket machine, he had vomited everywhere.

“At this point, my oldest son looked pale and felt sick but wasn’t as bad – he was a bit bigger than his brother.”

Abbas shared advice for parents in the event that their child suffers a reaction after drinking a slushy.

“If you suspect intoxication from a slushie drink and your child is experiencing any symptoms, even if they are mild, seek immediate medical attention.

“This is important so that your child can be assessed and any serious reactions can be ruled out.”

The railroad tunnel in which John Doe #135 was found had spooky graffiti and a dark mystique, the kind of place kids dared each other to walk through at night. People called it the Manson Tunnel — the cult leader and his disciples had lived nearby at the Spahn Movie Ranch — and someone had spray-painted HOLY TERROR over the entrance.

By June 1990, occult-inspired mayhem had become a common theme in the Los Angeles mediasphere. The serial killer known as the Night Stalker, a professed Satanist, had been sentenced to death a year before, and the McMartin Preschool molestation case, with its wild claims of ritual abuse of children, was still slogging through the courts.

So when venturesome local teenagers discovered a young man’s body in the pitch-black tunnel above Chatsworth Park, the LAPD considered the possibility of occult motives. The victim was soon identified as Ronald Baker, a 21-year-old UCLA student majoring in astrophysics. He had been killed on June 21, a day considered holy by occultists, at a site where they were known to congregate.

Ronald Baker in an undated photo.

(Courtesy of Patty Elliott)

Baker was skinny and physically unimposing, with a mop of curly blond hair. He had been to the tunnel before, and was known to meditate in the area. He had 18 stab wounds, and his throat had been slashed. On his necklace: a pentagram pendant. In the bedroom of his Van Nuys apartment: witchcraft books, a pentagram-decorated candle and a flier for Mystic’s Circle, a group devoted to “shamanism” and “magick.”

Headline writers leaned into the angle. “Student killed on solstice may have been sacrificed,” read the Daily News. “Slain man frequently visited site of occultists,” declared The Times.

Baker, detectives learned, had been a sweet-tempered practitioner of Wicca, a form of nature worship that shunned violence. He was shy, introverted and “adamantly against Satanism,” a friend said. But as one detective speculated to reporters, “We don’t know if at some point he graduated from the light to the dark side of that.”

Investigators examine the scene where Ronald Baker’s body was found.

(Los Angeles Police Department )

People said he had no enemies. He loved “The Rocky Horror Picture Show” singalongs, and worked a candle-making booth at Renaissance faires. He had written his sister a birthday card in Elizabethan English.

Had he gone into the hills to meditate and stumbled across practitioners of more malignant magic? He was known as a light drinker, but toxicology results showed he was heavily drunk when he died.

In this series, Christopher Goffard revisits old crimes in Los Angeles and beyond, from the famous to the forgotten, the consequential to the obscure, diving into archives and the memories of those who were there.

Had someone he trusted lured him to the tunnel? How was his death connected to the raspy-voiced man who placed calls to Baker’s father around that time, demanding a $100,000 ransom in exchange for his son’s life?

U.S. Army photo of Nathan Blalock.

(U.S. Army)

Baker’s housemates, Duncan Martinez and Nathan Blalock, both military veterans in their early 20s, had been the last known people to see him alive, and served as each other’s alibis. They said they had dropped him off at a Van Nuys bus stop, and that he had planned to join his Mystic’s Circle friends for the solstice.

There had been no sign of animosity between the roommates, and Baker considered Martinez, an ex-Marine, one of his best friends. They had met working at Sears, years earlier.

Martinez helped to carry Baker’s casket and spoke movingly at his memorial service at Woodland Hills United Methodist Church. His friend was “never real physically strong, like a lot of the guys I know,” Martinez said, but was the “friendliest, sweetest guy.”

His voice filled with emotion. “He would talk to anybody and be there for anybody at the drop of a dime,” Martinez continued. “And I just hope that it’s something I can get over, because I love him. It’s just hard to think of a time without Ron.”

But something about the roommates’ story strained logic. When Baker’s father had alerted them to the ransom calls, the roommates said they had looked for him at Chatsworth Park, knowing it was one of Baker’s favorite haunts. Why would they assume a kidnapper had taken him there?

Duncan Martinez in an LAPD interview room.

(Los Angeles Police Department)

There was another troubling detail: Martinez had cashed a $109 check he said Baker had given him, but a handwriting expert determined that Baker’s signature was forged.

Martinez agreed to a polygraph test, described his friend’s murder as “a pretty unsensible crime” and insisted he had nothing to do with it. “I’ve never known anybody to carry a grudge or even dislike Ron for more than a minute, you know,” Martinez said.

The test showed deception, and he fled the state. He was gone for nearly 18 months.

He turned up in Utah, where he was arrested on a warrant for lying on a passport application. He had been hoping to reinvent himself as “Jonathan Wayne Miller,” an identity he had stolen from a toddler who died after accidentally drinking Drano in 1974, said LAPD Det. Rick Jackson, now retired. Jackson said Martinez sliced the child’s death certificate out of a Massachusetts state archive, hoping to disguise his fraud.

In February 1992, after being assured his statement could not be used against him, Martinez finally talked. He said it had been Blalock’s idea. They had been watching an old episode of “Dragnet” about a botched kidnapping. Martinez was an ex-Marine, and Blalock was ex-Army. With their military know-how, they believed they could do a better job.

They lured Baker to the park with a case of beer and the promise of meeting girls, and Blalock stabbed him with a Marine Corps Ka-Bar knife Martinez had lent him. Baker begged Martinez for help, and Martinez responded by telling his knife-wielding friend to finish the job.

“I told him to make sure that it was over, because I didn’t want Ron to suffer,” Martinez said. “I believe Nathan slit his throat a couple of times.” He admitted to disguising his voice while making ransom calls to Baker’s father.

But he never provided a location to deliver the ransom money. The scheme seemed as harebrained as it was cruel, and Martinez offered little to lend clarity. He sounded as clueless as anyone else, or pretended to be. “You know, it doesn’t completely click with me either,” he said.

“They ruined their lives, and all of the families’ lives, with the stupidest crime,” Patty Baker Elliott, the victim’s elder sister, told The Times in a recent interview.

Ronald and Patty Baker at her college graduation in the 1980s.

(Courtesy of Baker family)

In the end, the occult trappings were a red herring, apparently intended to throw police off the scent of the real culprits and the real motive.

The killers “set this thing up for the summer solstice, because they knew he wanted to be out, hopefully celebrating the solstice,” Jackson said in a recent interview. “What are the chances, of all the days, this is the one they choose to do it on?”

Jackson, one of the two chief detectives on the case, recounts the investigation in his book “Black Tunnel White Magic: A Murder, a Detective’s Obsession, and ‘90s Los Angeles at the Brink,” which he wrote with author and journalist Matthew McGough.

Blalock was charged with murder. To the frustration of detectives, who believed him equally guilty, Martinez remained free. His statements, given under a grant of immunity, could not be used against him.

Det. Rick Jackson in the LAPD’s Robbery Homicide Division squad room.

(Los Angeles Police Department )

“I almost blame Duncan more, because he was in the position, as Ron’s best friend, to stop this whole thing and say, ‘Wait a minute, Nathan, what the hell are we talking about here?’” Jackson said. “He didn’t, and he let it go through, and what happened, happened.”

Martinez might have escaped justice, but he blundered. Arrested for burglarizing a Utah sporting goods store, he claimed a man had coerced him into stealing a mountain bike by threatening to expose his role in the California murder.

As a Salt Lake City detective recorded him, Martinez put himself at the scene of his roommate’s death while downplaying his guilt — an admission made with no promise of immunity, and therefore enough to charge him.

“That’s the first time we could legally put him in the tunnel,” Jackson said.

Jurors found both men guilty of first-degree murder, and they were sentenced to life without the possibility of parole.

In June 2020, Baker’s sister was startled to come across a news site reporting that Gov. Gavin Newsom had intervened to commute Martinez’s sentence, making him eligible for parole. No one had told her. The governor’s office said at the time that Martinez had “committed himself to self-improvement” during his quarter-century in prison.

The news was no less a shock to Jackson, who thought the language of the commutation minimized Martinez’s role in concocting the kidnapping plan that led to the murder. He said he regarded Martinez as a “pathological liar,” and one of the most manipulative people he’d met in his long career.

Martinez had not only failed to help Baker, but had urged Blalock to “finish him off” and then posed as a consoling friend to the grieving family. The victim’s sister remembers how skillfully Martinez counterfeited compassion.

“He hugged everybody and talked to everybody at the service,” she said. “He cried. He got choked up and cried during his eulogy.”

A prosecutor intended to argue against Martinez’s release at the parole hearing, but then-newly elected L.A. Dist. Atty. George Gascon instituted a policy forbidding his office from sending advocates. The victim’s sister spoke of her loss. Jackson spoke of Martinez’s gift for deception.

“It was like spitting into the wind,” Jackson said.

The parole board sided with Martinez, and he left prison in April 2021. Blalock remains behind bars.

Rick Jackson and Matthew McGough, authors of “Black Tunnel White Magic.”

(JJ Geiger)

For 35 years now, the retired detective has been reflecting on the case, and the senselessness at its core. Jackson came to think of it as a “folie à deux” murder, a term that means “madness of two” and refers to criminal duos whose members probably would not have done it solo. He regarded it as “my blue-collar Leopold and Loeb case,” comparing it to the wealthy Chicago teenagers who murdered a boy in 1924 with the motive of committing the perfect crime.

An old cop show about a kidnapping had provoked the two young vets to start bouncing ideas off each other, until a plan took shape to try it themselves. They weighed possible targets. The student they shared an apartment with, the Wiccan pacifist without enemies, somehow seemed a convenient one.

“You have to understand their personalities, especially together,” Jackson said. “It’s kind of like, ‘I’m gonna one-up you, and make it even better.’ One of them would say, ‘Yeah, we could do this instead.’ And, ‘Yeah, that sounds cool, but I think we should do this, too.’”

A DAREDEVIL TT rider cheated death after slamming into a jumbo-sized seagull at 150mph – and somehow stayed in the saddle.

Mark Parrett, 55, was tearing through the famous Isle of Man course when the feathered missile hit him head on.

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The 3kg bird busted his lower arm, snapping one bone in two, and dislocating his wrist.

Mark, a TT veteran with 98 starts under his belt, miraculously managed to stay in control of his powerful BMW superbike.

The speedster, from Midhurst, West Sussex, was airlifted to hospital after the smash earlier this month.

He told The Sun: “It’s a bit of a miracle I stayed upright.

“It was a huge seagull – they’re all massive on the Isle of Man – and it just shot up out of nowhere.

“I was doing 140 or 150mph so there was no way of avoiding it. I had to just grin and bear it.

“It felt like being hit by a cannonball. If it had hit me in the chest or the helmet, I’d be history.

“I was lucky that I didn’t come off the bike.”

Pictures posted on social media show his racing leathers drenched in bird guts.

Mark, a self-employed electrician by day who now faces surgery to plate and pin the break, later joked: “Parrett one. Seagull nil.

“It does go to show Parrett’s are birds of prey after all.”

He added: “I’ve had enough laps around that place to know the worst thing you can do is panic.

“It’s the nature of the circuit – you can hit all sorts of things.”

Mark is aiming to return to the Isle of Man next year for his 100th start.

He added: “I’m getting too old to be doing this, but it’s like an addiction. I will be back there next year, whatever happens.”

A post on the Facebook page of Mark Parrott Racing read: “A local seagull lay in wait for ‘The Parrett’ on the approach to the 33rd milestone and hit Mark on the left arm.

“He soon realised that it was rather serious when he tried to pull in the clutch and his left hand wasn’t working.”

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ROMEO and Juliet has been hit with a trigger warning — with audiences informed it featured violent scenes and death.

Shakespeare’s classic 16th-century love story has been “retold” as a modern ballet.

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But London’s Royal Opera House deemed it necessary to warn potential visitors the production includes themes of “violence and death”.

Sir Ian McKellen, who has appeared in Romeo and Juliet productions throughout his career, previously hit out at “ludicrous” warnings.

He said: “I quite like to be surprised by loud noises and outrageous behaviour on stage.”

It comes four years after The Globe in London warned of “upsetting” themes in the play, and provided a number for The Samaritans.

They were even provided a number for the Samaritans for after the show.

Actor Christopher Biggins said: “Do we have to have signs for everything under the sun?

“It’s a joke. What they are trying to do is insulting to the mentality of theatre-goers.”

The Globe has also warned about themes of “violence, sexual references, misogyny and racism” in Shakespeare’s A Midsummer Night’s Dream, as well as “anti-semitism” in The Merchant of Venice.

In February, the University of the West of England slapped over 200 trigger warnings on Shakespeare’s work – including “bad weather” in The Tempest.

The Royal Opera House was asked to comment.

John Stamos was by Beach Boys founding member Mike Love’s side when news of bandmate Brian Wilson’s death on Wednesday was made public. The “Full House” star was also the messenger who delivered the heartbreaking news to Love, Wilson’s cousin-turned-longtime collaborator.

“I said, ‘Mike, your cousin passed away,’ and his face went blank,” Stamos, an honorary Beach Boys member, recalled to the New York Post. “And we sat in the car for two and a half hours or so … he didn’t say one word.”

Wilson, the genius behind the Beach Boys, died Wednesday at age 82. The singer’s family announced his death on social media and his website, writing in a statement, “We are at a loss for words right now.” A cause of death was not revealed, but Wilson was diagnosed with dementia and placed under a conservatorship in May 2024. Wilson, who co-founded the Beach Boys in 1961 with brothers Dennis and Carl and cousin Love, also battled mental health issues and drug addiction for decades.

Stamos, 61, relived the somber moment on Thursday ahead of the Songwriters Hall of Fame induction ceremony in New York, where Love was among the newest group of inductees that included George Clinton, Rodney “Darkchild” Jerkins and the Doobie Brothers. Though Love remained speechless after learning of Wilson’s death, Stamos said, “I knew how he was feeling.” The actor, who has performed with the Beach Boys over several decades, also spoke to the Post about Love, 84, and Wilson’s relationship, noting “they made beautiful music together.”

During the Songwriters Hall of Fame ceremony, Stamos introduced Love, who paid tribute to Wilson, as “my brother in music.” His sentiments on Thursday added to his social media tribute to Wilson on Wednesday.

“Brian Wilson wasn’t just the heart of The Beach Boys—he was the soul of our sound,” Love wrote as he reminisced on the group’s early days and Wilson’s lasting contributions to music.

Love added in his tribute: “Our journey together was filled with moments of brilliance, heartbreak, laughter, complexity and most of all, LOVE . Like all families, we had our ups and downs. But through it all, we never stopped loving each other, and I never stopped being in awe of what he could do when he sat at a piano or his spontaneity in the studio.”

Stamos was among the high-profile figures who paid tribute to Wilson on social media. Elton John, the Rolling Stones’ Keith Richards and Ronnie Wood, Mick Fleetwood, Bruce Springsteen, Nancy Sinatra and California Gov. Gavin Newsom also honored Wilson.

“Wilson fundamentally changed modern music, helping make the Beach Boys not only the defining American band of their era, but also the California band to this day,” Newsom said in a statement. “He captured the mystique and magic of California, carrying it around the world and across generations.”

The Beach Boys established a quintessentially California sound with popular tracks including “Surfer Girl,” “California Girls” and “Wouldn’t It Be Nice.”

Wilson is survived by six children, including daughters Carnie and Wendy, who made up two-thirds of the Grammy-nominated pop vocal group Wilson Phillips with the Mamas and the Papas scion Chynna Phillips. He is preceded in death by his wife, Melinda, who died in January 2024. His brother Dennis drowned in 1983 while diving in Marina Del Rey, and Carl, his other brother, died of lung cancer in 1998.

“Hacks” won the comedy series Emmy last year on the strength of a campaign that proclaimed: Vote for us! We’re actually a comedy (unlike, you know, “The Bear”).

So what happens this year when the show stopped being funny?

I’m Glenn Whipp, columnist for the Los Angeles Times and host of The Envelope newsletter. There’s not much to laugh about these days, so let’s pick our spots and consider the TV series vying for television’s top award.

‘Hacks’ Season 4 leaves room for a new winner

Let me just say at the outset that I enjoy “Hacks.” And like everyone else on the planet, I adore Jean Smart and appreciate that Lucia Aniello, Paul W. Downs and Jen Statsky created a role worthy of her talents. Comparing notes with Smart on the best sad sing-along songs is a memory I’ll always treasure, and even inspired me for a time to dip back into listening to “love songs on the Coast.”

At its essence, “Hacks” is a love story between Smart’s stand-up legend Deborah Vance and Ava Daniels (Hannah Einbinder), the young writer who helped Deborah reinvent her career. They come from different generations and possess distinct comic sensibilities. They fight, hurt each other, separate and ultimately reunite after realizing that they’re better together. They get each other. Or at least, Ava gets Deborah. And that’s enough because Deborah is the star and she doesn’t really need to bother understanding Ava’s Gen Z peculiarities. She can just roll her eyes.

Their mutual dependence is believable enough. They both live for work. So much so that at the end of “Hacks’” third season, Ava has blackmailed Deborah, an act that lands her the head writer job that Deborah had promised to give her on her late-night talk show. Ava was but the learner, now she’s the master. Well played, Dark Lady of the Sith.

It was, as our old friend Jeff Probst would say, an epic blindside, and you can understand why this current season would begin with bitter acrimony between the two women, a situation so toxic that the network brought in a human resources rep to keep them from harming each other.

The animosity wasn’t fun to watch. The tone was shrill and off-putting. Was there a joke that landed in the season’s first half? I don’t remember one, but maybe that’s because I was curled up in a fetal position watching the plot unfold.

At least amid the drama of “The Bear,” I could get some some inspiration for a good set of kitchen knives.

Julianne Nicholson’s “Dance Mom” was a bright spot of “Hacks” Season 4.

(Max)

Of course, Deborah and Ava got back together, which was a relief because that HR lady was annoying. The season’s penultimate episode was ridiculous, but in all the best ways, surprising and emotionally satisfying. Helen Hunt finally scored a big moment. And Julianne Nicholson showed some moves as Dance Mom that I never imagined her possessing. Get that character to rehab and into Season 5.

Yes, “Hacks” can still entertain. Even the anticlimactic final episode gave Smart the opportunity to play boozy and bored, showcasing her depth as a dramatic actor. One would think that after what transpired, Deborah would have more opportunities, even with a noncompete clause, to parlay her ethical stance into something more meaningful than a sad casino gig in Singapore. But the finale set up one final comeback — final because “Hacks” was pitched with a five-season arc. And we’re on the doorstep.

At least they won’t have to contrive to separate Ava and Deborah again.

So, by all means, nominate “Hacks” for comedy series again. I’d rather rewatch it than nod off during the tepid “Four Seasons.” And maybe since the show’s creators have known (since 2015) what the final scene will be, we’ll have a persuasive fifth season possessing the energy of a great Deborah Vance comeback.

In the meantime, keep last year’s mandate going and give the Emmy to a show that was consistently funny.

Give the Emmy to “The Studio.”

Read more coverage of the Emmy comedy race

Hundreds of people have joined protests over the death in police custody of political blogger Albert Ojwang.

A Kenyan police officer has been arrested in connection with the death of Albert Ojwang, a political blogger who died in police custody, in a case that has reignited anger over police abuse and triggered street protests in Nairobi.

Police spokesperson Michael Muchiri said on Friday that a constable had been taken into custody, the AFP news agency reported.

He did not give further information, referring queries to the Independent Policing Oversight Authority (IPOA), which is leading the investigation. There was no immediate comment from the IPOA.

Ojwang, 31, was declared dead on Sunday, two days after his arrest in the town of Homa Bay in western Kenya for allegedly criticising the country’s deputy police chief Eliud Lagat.

The police initially claimed Ojwang fatally injured himself by banging his head against a cell wall, but an autopsy revealed injuries that pathologists said were “unlikely to be self-inflicted”.

The government’s own pathologist found signs of blunt force trauma, neck compression and soft tissue injuries, suggesting an assault. Independent pathologist Bernard Midia, who assisted with the post-mortem, also ruled out suicide.

Amid growing pressure, President William Ruto on Wednesday said Ojwang had died “at the hands of the police”, reversing earlier official accounts of his death.

The incident has added fuel to longstanding allegations of police brutality and extrajudicial killings in Kenya, particularly following last year’s antigovernment demonstrations. Rights groups say dozens were unlawfully detained after the protests, with some still unaccounted for.

Earlier this week, five officers were suspended to allow for what the police described as a “transparent” inquiry.

On Thursday, protesters flooded the streets of the capital, waving Kenyan flags and chanting “Lagat must go”, demanding the resignation of the senior police official Ojwang had criticised.

Ruto on Friday pledged swift action and said that his administration would “protect citizens from rogue police officers”. While Ruto has repeatedly promised to end enforced disappearances and extrajudicial killings, human rights groups accuse his government of shielding security agencies from accountability.

According to IPOA, 20 people have died in police custody in just the past four months. The death of Ojwang, a vocal online critic, has become a symbol of growing public frustration with unchecked police power.

International pressure is mounting, with both the United States and European Union calling for a transparent and independent investigation into Ojwang’s death.

Protests take place almost a year after several killed and seized by Kenyan police in finance bill protests.

Protesters took to the streets of Kenya’s capital Nairobi to express their fury over the death of a blogger arrested by police last week, as the country’s police watchdog reported that 20 people had died in custody over the last four months.

Police used tear gas to disperse crowds gathered close to the capital’s parliamentary building on Thursday to protest against the death of Albert Ojwang, a 31-year-old blogger arrested in the western town of Homa Bay last week for criticising the country’s deputy police chief Eliud Lagat.

Police had initially said Ojwang died “after hitting his head against a cell wall”, but pathologist Bernard Midia, part of a team that conducted an autopsy, said the wounds – including a head injury, neck compression and soft tissue damage – pointed to assault as the cause of death.

On Wednesday, President William Ruto admitted Ojwang had died “at the hands of the police”, reversing earlier official accounts of his death, saying in a statement that it was “heartbreaking and unacceptable”.

Kenyan media outlets reported on Thursday that a police constable had been arrested over Ojwang’s death.

Reporting from the protests in Nairobi, Al Jazeera’s Malcolm Webb said that Ojwang, who wrote about political and social issues, had posted online about Lagat’s alleged role in a “bribery scandal”, in which the deputy police chief had already been implicated by a newspaper investigation.

“It’s angered people that he was detained for that, and then days later, dead in a police station,” said Webb, who added that people were calling for Lagat to be held to account, and “persisting in throwing stones at the police in spite of one volley of tear gas after the next being fired at them”.

Finance bill protests: one year on

The case has shone a light on the country’s security services, who have been accused of extrajudicial killings and enforced disappearances for years.

On Thursday, Independent Policing Oversight Authority chairperson Issak Hassan told lawmakers that there had been “20 deaths in police custody in the last four months”.

The authorities are now conducting an official investigation into Ojwang’s death.

On Wednesday, Inspector General Douglas Kanja apologised for police having previously implied that Ojwang died by suicide, telling a Senate hearing: “He did not hit his head against the wall.”

Ojwang’s death comes almost a year after several activists and protesters were killed and taken by police during finance bill protests – many are still missing.

The rallies led to calls for the removal of Ruto, who was criticised for the crackdown.

Amnesty International said Ojwang’s death in custody on Saturday “must be urgently, thoroughly and independently investigated”.

The death of Beach Boys founder Brian Wilson is an immeasurable loss for music and for California, both the place and the dream of it that Wilson conjured with his regal and tender compositions.

Wilson was the visionary of the defining American rock band, one who competed with the Beatles to move pop music into new realms of sophistication and invention, while writing songs capturing the longing of an ascendant youth culture.

His death leaves only two surviving members of the original lineup — Mike Love and Al Jardine, Wilson’s high school friend who sang lead on early hits like “Help Me Rhonda” and wrote songs for beloved later-period albums like “Surf’s Up” and “Sunflower.”

On the day the world learned of Wilson’s death, Jardine briefly spoke to The Times to remember his lifelong friend and bandmate. The guitarist, vocalist and songwriter — now on tour with his Pet Sounds Band playing Beach Boys hits with a focus on their 1970s output — looked back on six decades of writing and performing with one of the greatest minds of popular music.

Jardine’s conversation was edited for length and clarity.

I just lost my best friend and mentor. It’s not a good feeling, but I’m going to carry on and continue to play our music and perform with the Pet Sounds Band.

Brian was a great friend. We grew up together, we went to high school together. We were both dropouts, which is not a bad thing as long as you have a vision of the future. His and mine was to make music.

We were very good friends and very successful in part because of his great talent. He had an amazing ability to compose, very simple things and very complex things, all at the same time. He was a visionary.

We all grew up together musically, but he grew exponentially. He became a leader, and formed new ways of chord construction, things no one had heard before, and we rose to the challenge with him.

It’s been said that Brian invented the state of California, the state of mind. That’s a cute way of saying it, but he really invented a new form of music in the ’60s and ’70s. It was very sophisticated, but went way beyond that. He was a humble giant, a great American composer.

I don’t think anyone else could walk in his shoes, given all that he went through. I did write some songs he liked, and did help him get through treacherous times. It must be so frightening to be left in the wilderness by yourself and not know how to get home. He said one song I wrote helped him get through that, which is quite a compliment from the great Brian Wilson, who had his own demons to deal with.

Brian Wilson’s band was a reawakening of his professional life. He never enjoyed touring, so this band was a whole new life for him, to experience his own music and an adulation that he never had before.

The Beach Boys — Dennis Wilson, left, Al Jardine, Carl Wilson, Brian Wilson, Mike Love — perform circa 1964 in California.

(Michael Ochs Archives / Getty Images)

His legacy is of course in the music, and any interpreter of that legacy has to be sharp and devoted to it. We have the most devoted people that could be there to do that, so many original members of his band. My son Matthew, he’s Brian’s voice, and the DNA is there. With his arranger, Darian, arranging all vocals, we have all the muscle and genius to pull it off.

When Carl Wilson and I were singing those parts back then, we’d abbreviate things — you can’t do everything you did in the studio with only five of us. Now we’ve got 10 people onstage and I just heard some background parts yesterday that sounded just like we used to — you can hear Carl and Dennis in there.

When we take the band out, I have a little white piano onstage, like the one he played in the past. It’s a symbolic moment, the empty piano.

While the Beach Boys tour was a hit-based performance, with this iteration, we’re more introspective, deeper cuts, performing much of the 1970s catalog. There’s quite a few numbers the public hasn’t heard, exploring the heart and soul of those albums. I was hoping Brian would have been able to join us.

But it’s wonderful, we’re hoping this music should last forever, and be felt at the deep levels that Brian experienced it.

It sure is a great responsibility to play it, but it just feels natural to me. I’ve been doing it for so long, It doesn’t feel weighty. I’m confident, especially with this band being so remarkable. I’m still learning from Brian after all these years.

WATCH Brian Wilson’s last ever performance after it was announced that the Beach Boys founder has died aged 82.

The legendary singer-songwriter – who was living with a degenerative disorder similar to dementia – last sang publicly in 2022.

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Performing at the Pine Knob Music Theatre in Clarkston, Michigan, the icon belted out a range of historic tracks.

He performed the famous tune Surfin’ USA, Help Me Rhonda and California Girls.

Wilson appeared onstage as part of his 2022 US Summer Tour in July of that year.

Today, the music legend’s family announced the tragic news that he passed away.

In a post shared on Instagram on Wednesday, Wilson’s family wrote: “We are heartbroken to announce that our beloved father Brian Wilson has passed away.

“We are at a loss for words right now. Please respect our privacy at this time as our family is grieving.

“We realize that we are sharing our grief with the world. Love & Mercy.”

Tributes are starting to roll in from fans and celebrities alike.

The Rolling Stones legend Ronnie has lead the tributes to the star and confirmed his world is “in mourning” following the passing of Brian and fellow musician, Sly Stone.

Celebrated as a spectacular songwriter, Wilson was responsible for initial successes including Surfin’ USA, Surfer Girl, and I Get Around.

Other famous tunes include All Summer Long, Don’t Worry Baby, and California Girls.

Born in Inglewood, California, Wilson formed the band – first called the Pendletones – as a teenager with his brothers Dennis and Carl.

He was the eldest and last surviving of the trio.

Brian played bass, Carl lead guitar and Dennis was on drums.

The Beach Boys rocketed to fame during the 1960s, going from local California band to national hitmakers – and international ambassadors of surf and sun.

A judge signed off on a conservatorship for Beach Boys legend Wilson just months after he was diagnosed with dementia in 2024.

He consented to the agreement and had no objections.

Wilson’s doctor said the musician suffered from a “major neurocognitive disorder” and needed help making healthcare decisions.

The judge’s decision to approve Wilson’s conservatorship came as the pop icon prepared to launch new music this year.

In 1970, the Beach Boys star started working on a country album with the band’s former manager Fred Vail on lead vocals.

The project was paused but was later picked up again by the two musicians.

The album had been due for release in 2025 and Wilson was due to be featured on guest vocals, according to Rolling Stone.

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WATCH Brian Wilson’s last ever performance after it was announced that the Beach Boys founder has died aged 82.

The legendary singer-songwriter – who was living with a degenerative disorder similar to dementia – last sang publicly in 2022.

6

6

6

Performing at the Pine Knob Music Theatre in Clarkston, Michigan, the icon belted out a range of historic tracks.

He performed the famous tune Surfin’ USA, Help Me Rhonda and California Girls.

Wilson appeared onstage as part of his 2022 US Summer Tour in July of that year.

Today, the music legend’s family announced the tragic news that he passed away.

In a post shared on Instagram on Wednesday, Wilson’s family wrote: “We are heartbroken to announce that our beloved father Brian Wilson has passed away.

“We are at a loss for words right now. Please respect our privacy at this time as our family is grieving.

“We realize that we are sharing our grief with the world. Love & Mercy.”

Tributes are starting to roll in from fans and celebrities alike.

The Rolling Stones legend Ronnie has lead the tributes to the star and confirmed his world is “in mourning” following the passing of Brian and fellow musician, Sly Stone.

Celebrated as a spectacular songwriter, Wilson was responsible for initial successes including Surfin’ USA, Surfer Girl, and I Get Around.

Other famous tunes include All Summer Long, Don’t Worry Baby, and California Girls.

Born in Inglewood, California, Wilson formed the band – first called the Pendletones – as a teenager with his brothers Dennis and Carl.

He was the eldest and last surviving of the trio.

Brian played bass, Carl lead guitar and Dennis was on drums.

The Beach Boys rocketed to fame during the 1960s, going from local California band to national hitmakers – and international ambassadors of surf and sun.

A judge signed off on a conservatorship for Beach Boys legend Wilson just months after he was diagnosed with dementia in 2024.

He consented to the agreement and had no objections.

Wilson’s doctor said the musician suffered from a “major neurocognitive disorder” and needed help making healthcare decisions.

The judge’s decision to approve Wilson’s conservatorship came as the pop icon prepared to launch new music this year.

In 1970, the Beach Boys star started working on a country album with the band’s former manager Fred Vail on lead vocals.

The project was paused but was later picked up again by the two musicians.

The album had been due for release in 2025 and Wilson was due to be featured on guest vocals, according to Rolling Stone.

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The Timothy Spall and Gwyneth Keyworth-fronted series has been hit with complaints just minutes in

Death Valley faced a storm of criticism as viewers claimed to “switch off” just minutes into the third episode.

The six-part drama, which aired its third episode on Sunday, June 8, features Timothy Spall as John Chapel and Gwyneth Keyworth as DS Janie Mallowan delving into the mysterious demise of a best man, reports the Express.

However, despite attracting viewers’ eyes, it was for all the wrong reasons. Disgruntled fans didn’t hesitate to blast the show on social media, with one irate viewer proclaiming: “What on earth is this s***?” (sic)

“#DeathValley No wonder everyone is talking about it… It’s utter drivel and woke toboot. Refund the BBC if this is the best they can s**t out.” (sic)

Another disgruntled fan expressed their dismay: “Heard it was bad, but jeezo it’s horrendously bad. The lead lady is soooo irritating and the script is chronically unfunny. A new low for BBC Sunday night viewing, absolutely horrendous.”

Frustration peaked for some, prompting them to turn off their TVs, as one viewer confessed: “Caught up with #DeathValley on BBC1. I love stuff staring Timothy Spall but just had to turn off after a few minutes due to the awful co-star detective played by Gwyneth Keyworth shouting all the time. She must be one of the most annoying TV characters ever.”

Further amplifying the chorus of disapproval, another comment stated: “I’m on the third episode of “Death Valley” – I really gave it a try, but it really doesn’t get on me. I can’t stand the main characters, they are cringe… in general I really like those shows, but this I’ll skip and that Ludwig will return soon.”

One viewer was utterly unimpressed, venting on social media: “#DeathValley on BBC1 is one of the worst programmes I’ve ever sat through!”.

Nonetheless, despite some viewers knocking the series, others have expressed their enjoyment, with a fan sharing: “I know a lot of people seem to enjoy slagging off #DeathValley, and I admit that when I saw the initial trailer, I thought it looked poor.

“However, having binged the series the other day, I can quash my original reticence & say that I loved it. Daft, funny, cosy & Welsh.”

Another viewer chimed in with support: “Enjoying #DeathValley too. It’s Sunday night viewing and I remember ‘By the Sword Divided’ and ‘The Pallisers’ so this is quite fun.”

In spite of receiving a volley of criticism, Death Valley has shown impressive resilience in viewing figures, as disclosed by the BBC. The show’s inaugural episode, which premiered on 25 May, captivated a substantial audience of 2.9 million on BBC One.

This debut not only becomes the most viewed launch for a new BBC Scripted Comedy in the past five years but also eclipses Ludwig’s premiere last September, which attracted an audience of 2.8 million.

You can catch up on Death Valley on BBC iPlayer