week

Teams will try to resolve tariffs war amid spats over China’s curbs on rare minerals and US revocation of student visas.

United States President Donald Trump has announced a new round of trade talks with China in an apparent bid to dial down a bitter battle over tariffs between the world’s two biggest economies.

The president said on social media that the meeting would take place in London on Monday, his announcement coming one day after a rare leader-to-leader phone call with Chinese counterpart Xi Jinping appeared to calm rising tensions.

“The meeting should go very well,” said Trump in a post on his Truth Social platform, adding that Treasury Secretary Scott Bessent, Commerce Secretary Howard Lutnick and Trade Representative Jamieson Greer would meet the Chinese team.

The talks will mark the second round of negotiations between the two countries since Trump launched his trade war this year, targeting China with levies of up to 145 percent. Beijing struck back with countermeasures of 125 percent.

Following talks in Geneva last month, both sides agreed to temporarily bring down the triple-digit tariffs, with US tariffs cooling to 30 percent and China’s to 10 percent.

But the temporary halt is expected to expire in early August and Trump last week accused China of violating the pact, underscoring deeper differences on both sides.

US officials have accused China of slow-walking export approvals of rare earth minerals, which the country had limited after the tariff war broke out, triggering alarm among US companies.

Other US concerns include alleged fentanyl trafficking, the status of democratically governed Taiwan, and China’s state-dominated, export-driven economic model.

On Wednesday, Trump said on Truth Social that Xi was “VERY TOUGH, AND EXTREMELY HARD TO MAKE A DEAL WITH”.

However, he reported a “positive conclusion”, following his long-awaited phone call with Xi on Thursday, which likely paved the way for further high-level trade talks – though a swift resolution to the tariffs impasse remains uncertain.

The Chinese foreign ministry said Xi asked Trump to “remove the negative measures” that the US has taken against China, alluding to his administration’s decision to revoke the visas of Chinese students studying in the US.

The Museum of Contemporary Art, Los Angeles threw a glitzy bash at the institution’s Geffen Contemporary in Little Tokyo Saturday, raising $3.1 million and honoring architect Frank Gehry, artist Theaster Gates and philanthropist Wendy Schmidt. Speaker Emerita Nancy Pelosi — a surprise guest — showed up to pay tribute to Gehry, while Ava DuVernay celebrated Gates and Jane Fonda honored Schmidt.

The special program honoring “visionaries” who helped shaped the museum’s trajectory is part of a new gala tradition called MOCA Legends, which will continue with new honorees next year.

The night began with cocktails in the plaza and private access to the Olafur Eliasson exhibition, “OPEN.” The Japanese American drumming group TAIKOPROJECT played while guests found their seats for dinner.

MOCA director Johanna Burton welcomed attendees with a speech about the power of art and its ability to bring communities together.

“As we celebrate our annual gala, we are not just honoring individual achievements, but reaffirming our collective belief in the power of art to connect and challenge; uplift and endure,” Burton said, according to a news release about the event.

After Pelosi’s introduction of Gehry, which included mention of his 1983 renovation of the Geffen Contemporary, the 96-year-old legend noted how much the museum has meant to him over the years.

“Artists brought me into their club — it’s where I wanted to be, and they opened my eyes to another world,” Gehry said.

I’m arts and culture writer Jessica Gelt, and I’m here for all the celebrations of art and artists — the more the better. Here’s your weekend rundown of arts news.

Best bets: On our radar this week

Noah Davis at work in Los Angeles in 2009.

(Patrick O’Brien-Smith)

Noah Davis
A collection of more than 50 figurative paintings made by the late Los Angeles artist, who died at 32 in 2015, just as Davis’ career was beginning to attract wide attention, arrives after stops in Potsdam, Germany, and London. Davis’ paintings, often built around found photographs, regularly balance on a knife-edge between daily life and dream. The exhibition represents the first institutional survey of Davis’ work.
Sunday-Aug. 31. UCLA Hammer Museum, 10899 Wilshire Blvd., Westwood. hammer.ucla.edu

Hong Yoo, on the daegeum, performs at the L.A. Phil’s “Seoul Festival” on June 3.

(Jason Armond / Los Angeles Times)

Seoul Festival
The L.A. Phil turns to the South Korean capital this week for a follow-up to its revelatory Reykjavik and Mexico City festivals. Unsuk Chin, today’s best-known Korean composer, is the curator. Despite a seeming wealth of renowned performers, Korea remains a musically mysterious land. The mostly youngish composers and performers in the first festival event, an exceptional concert of new music on Tuesday night, were all discoveries. The festival continues with weekend orchestra concerts featuring different mixes of four more new Korean scores commissioned by the L.A. Phil, Chin’s 2014 Clarinet Concerto and a pair of Brahms concertos. A chamber music concert with works by Schumann and Brahms played by Korean musicians is the closing event Tuesday.
Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com

Emily Yetter and Jack Stehlin in “Lear Redux” at the Odyssey Theatre.

(John Dlugolecki Photography)

‘Lear Redux’
While Center Theatre Group reworks Shakepeare’s “Hamlet” at the Mark Taper Forum (see item below), across town, Odyssey Theatre renews its collaboration with theater artist John Farmanesh-Bocca for a madcap adaptation of the Bard’s “King Lear,” another entry in the director-playwright’s Redux series. Veteran stage actor Jack Stehlin stars as the titular monarch in the production, which Stage Raw’s Deborah Klugman described as “wildly idiosyncratic.” In 2016, Times’ contributor Philip Brandes made Farmanesh-Bocca’s “Tempest Redux” at the Odyssey (also starring Stehlin) a Critic’s Choice, writing that the work “boldly transposes Shakespeare’s play to a darker, more unsettling key, but the inventive staging and solid command of source text make for a memorable re-imagining.”
Wednesday-Sunday, through July 13. Odyssey Theatre, 2055 S. Sepulveda Blvd. odysseytheatre.com

Dispatch: ‘Good Night, and Good Luck’

George Clooney in “Good Night and Good Luck” on Broadway.

(Emilio Madrid)

When CNN broadcasts a live performance of “Good Night, and Good Luck” from the Winter Garden in New York City on Saturday (4 p.m. PDT), it’s apparently the first time a Broadway play will be shown live on television, and the timing could not be better.

An adaptation of George Clooney and Grant Heslov’s 2005 film, which chronicled CBS newsman Edward R. Murrow’s heroic crusade against Sen. Joseph McCarthy’s communist witch hunts, the broodingly elegant production, sharply directed by David Cromer and starring a quietly committed Clooney in the role of Murrow (played in the film by David Strathairn), was not only one of the most stirring offerings of the Broadway season but also one of the most necessary.

As media companies face a campaign of intimidation from the Trump administration, the figure of Murrow, standing tall in the face of demagogic adversity, is the courageous example we need right now.

I don’t know how different the experience will be watching at home, but “Good Night, and Good Luck” made me reflect on what theatergoing might have been like in ancient Greece. Athenian citizens would gather at an open-air theater as a democratic privilege and responsibility. Playwrights addressed the polis not by dramatizing current events but by recasting tales from the mythological and historic past to sharpen critical thinking on contemporary concerns.

Clooney and Heslov aren’t writing dramatic poetry. Their more straightforward approach is closer to documentary drama, but the effect is not so disparate. We are affirmed in the knowledge that we are the body politic.

— Charles McNulty

Culture news and the SoCal scene

Gina Torres from “Suits” and Patrick Ball from “The Pitt” pose for a portrait as they rehearse for “Hamlet” at the Mark Taper Forum.

(Jason Armond / Los Angeles Times)

Director and playwright Robert O’Hara’s world premiere adaptation of Shakespeare’s “Hamlet” opened Wednesday at the Mark Taper Forum starring Patrick Ball from “The Pitt” and Gina Torres from “Suits.” The Times sat down with the trio of creatives for an interview about how the show came together — as well as the many novel ways it diverges from the traditional script. O’Hara presents a modern-day vision that questions whether Hamlet is a tragic hero or a murderous psychopath. The mystery is solved “CSI“-style and the tone is very L.A. noir. For his part, Ball can’t believe any of this is really happening, having been a relative unknown before “The Pitt” premiered in January.

Domingo Hindoyan was named the new music director of L.A. Opera.

(Chris Christoloudou)

L.A. Opera announced Domingo Hindoyan as its new music director. Hindoyan — chief conductor of the Royal Liverpool Philharmonic — will replace outgoing music director James Conlon when he steps down at the end of the 2026 season. When Hindoyan, a native of Venezuela, made his L.A. Opera debut last November with “Roméo et Juliette,” Times classical music critic Mark Swed speculated he might be in the running for the coveted position. Turns out he was right.

“Los Angeles Before the Freeways: Images of an Era 1850-1950” by Arnold Hylen with Nathan Marsak.

(Angel City Press at the Los Angeles Public Library)

Times contributor Nick Owchar talks with architectural historian Nathan Marsak about the Angel City Press reissue of photographer Arnold Hylen’s book of mid-20th century photos, “Los Angeles Before the Freeways: Images of an Era 1850-1950.” Marsak curated and expanded the new edition, which details a fascinating world of lost streets, civic buildings, shops and restaurants.

Heidi Zuckerman at the construction site of the Orange County Museum of Art in 2021.

(Gina Ferazzi / Los Angeles Times)

Orange County Museum of Art executive director Heidi Zuckerman — who announced she will step down in December — has launched a new online platform called “About Art.” It’s home to her “Why Art Matters” newsletter and “About Art” podcast, as well as a number of lifestyle offerings including an entry on Zuckerman’s love of matcha and how to prepare the perfect cup. In a news release about the venture, Zuckerman notes that her work has gathered a community of 40,000 art enthusiasts.

The summer Hollywood Bowl season is upon us, and with it comes the complimentary Market Tasting Series with wine picks by chef Caroline Styne. The fun begins with the Roots Picnic this Sunday in the Plaza Marketplace near the box office. Tastings start an hour before doors open, and you can meet with vintners and reps from Habit Wines, Skurnik Wines, Grapevine Wine Company, Kermit Lynch Wine Merchant, Elevage Wines and more. The final tasting will take place before the John Legend concert on Sunday, Sept. 28.

Guests enjoy wine and friendship at the Barnsdall Art Park Foundation’s weekly wine tasting.

(Photo by Janna Ireland; courtesy of Barnsdall Art Park Foundation)

Speaking of wine, Barnsdall Art Park Foundation is back — beginning tonight at 5:30 p.m. — with its 16th annual Barnsdall Fridays wine tasting fundraiser (the first two Fridays are already sold out). Proceeds from the events, scheduled to run through Sept. 26, support cultural programming at the park. The popular summer series comes as proposed city budget cuts imperil the park’s finances. Guests are invited to relax on Olive Hill, as well as the west lawn of Frank Lloyd Wright’s Hollyhock House — the only existing UNESCO World Heritage site in the city of Los Angeles. Wines come courtesy of Silverlake Wine, and there are always a variety of local food trucks onsite, as well as a DJ. While there, visitors can check out exhibitions and artist-led presentations at the Los Angeles Municipal Art Gallery and Barnsdall Junior Arts Center Gallery.

— Jessica Gelt

And last but not least

I’m happy to report that I’ve been to 14 of the 17 eateries on The Times Food section’s list of L.A.’s oldest restaurants. Some, like Musso & Frank Grill, I’ve ambled into many times (that martini!), and others, like Mijares Mexican Restaurant, I’ve stumbled upon while walking around town. I’ll spend this weekend visiting the remaining three.

Normally, the running of the Belmont Stakes without a chance at a Triple Crown winner makes the third leg of the series about as interesting as a television procedural — the Chicagos, FBIs or Law & Orders — in the last two minutes after the culprit has been identified and prosecuted.

But not this year. The 157th running of the Belmont Stakes has about as many plot lines as a season of “The White Lotus.” It’s easily the best race of the year, and, yes, that includes the Kentucky Derby.

You’ve got your sentimental favorite in Journalism, whose stretch drive in winning the Preakness Stakes could make almost anyone a fan of horse racing.

You’ve got your villain in Sovereignty, who kicked racing tradition in the teeth after winning the Kentucky Derby when his connections refused to enter him in the Preakness Stakes because of the short time frame — two weeks — between the first two legs of the Triple Crown. It killed any opportunity racing had to build a new fan base revolving around the Derby and a possible Triple Crown winner.

You’ve got your fresh-faced wannabe in Rodriguez, whose last race was a win in the Wood Memorial. He was scheduled to run in both the Kentucky Derby and Preakness, but a sore hoof forced him to withdraw from both races. His early speed and front-running ability likely means he’ll be on the lead as the horses head down the backstretch. Add to that the fact that he is trained by Bob Baffert and ridden by Mike Smith, both Hall of Famers who know how to get a horse from gate to wire in winning form.

And finally, you’ve got a wiseguy (professional gamblers) horse in Baeza, whose talent far exceeds his early results. He finished a strong third in the Kentucky Derby and second in the Santa Anita Derby behind Journalism. He is also trying to find a place in history for his mom, Puca, who has produced Kentucky Derby winner Mage and last year’s Belmont winner in Dornoch. If Baeza were to win, he would be the first horse who has a dam who has won three Classic races. That’s a record.

And that’s just half of the eight-horse field.

Whoever finishes first, the victory is likely to be remembered as having an asterisk next to it. The Belmont Stakes, considered the test of champions because of its normal 1 1/2-mile distance, is being run at the less interesting distance of 1 1/4 miles. The reason is the race has been moved from Long Island’s Belmont Park to Saratoga Race Track in Saratoga Springs, a suburb of the New York state capital of Albany, because of a massive rebuild at Belmont Park.

The reason the race was shortened is because to have a 1 1/2-mile race at Saratoga, the horses would have to start on a turn, something the organizers didn’t want to happen.

The starting positions add little clarity as to who might win. Sovereignty (post 2, 2-1 on morning line) should have no problem getting early running room, especially with Rodriguez on his immediate outside. Rodriguez (post 3, 6-1) and Crudo (post 5, 15-1) are expected to battle for the lead early. Crudo’s last win was his last outing with a 7 1/4-length win in the Sir Barton Stakes at Pimlico.

Journalism will be breaking from post 7 at 8-5 morning line odds.

“He’s been kind of the same horse since July of last summer,” Michael McCarthy, trainer of Journalism, told NYRA publicity. “He does everything you ask a good horse to do — eats well, trains well, packs well. I thought the last six or seven weeks here, his energy has been the same throughout. Obviously, Saratoga is very good for horses. He seems reenergized up here. I’m looking forward to a wonderful renewal of the Belmont Stakes on Saturday.”

If either Journalism or Sovereignty wins, they will be the first repeat winner of a Classic race since Justify in 2018, who won all three Triple Crown races. Since then, no horse has won more than one Classic race, making it a 21-race streak. Of course, Triple Crown races are only for 3-year-olds meaning trainers start every year fresh trying to find prospective winners.

Racing is in desperate need of stars and the chase for the Triple Crown is one way of getting them. It’s why there was such consternation when trainer Bill Mott and owner Godolphin, decided to skip the Preakness Stakes.

“You never know until they actually do it in a race,” said Michael Banahan, who heads Godolphin in the U.S. “He always gave us that indication that he’d like to go long. And we thought the Derby as well and then finished up, from the top of the stretch to the wire in very good fashion and galloped all the way through the wire.

Crudo is a 15-1 longshot to win the Belmont Stakes, which features an eight-horse field.

(Seth Wenig / Associated Press)

“So, I’m with the Belmont this year at Saratoga. He just has to do the same distance again. So, I would anticipate that’ll be fine for him. I suppose if it were a regular Belmont at Belmont Park, that’ll be another question to answer going that far. It certainly looks like a mile-and-a-quarter was well [within] his wheelhouse in the Derby and anticipate that it shouldn’t be any issue at Saratoga as well.”

The horse that is poised to pull the upset is Baeza, who has only won one race, a maiden at Santa Anita. His second-place finish in the Santa Anita Derby would have normally been enough to get him in the Kentucky Derby. But Churchill Downs, in an obvious attack at West Coast races, lowered the point total because of a small field.

Trainer John Shirreffs did not want to bring the horse to Churchill Downs, hoping there were enough scratches to get him in the race. Shirreffs was overruled by the owners so he stood on the backside at Barn 41 while hoping for an entry to the world’s most famous race. The reprieve, and entry, came when Rodriguez was scratched because of a sore hoof.

Baeza more than proved his entry into the Derby with a strong third-place finish.

“I think Baeza, week by week, he’s developed a little bit more,” said Shirreffs. “He’s developed a little bit more. I see him, maybe, a little bit taller, a little ‘stretchier’ He seems to be holding his weight really well. And you can really get an image of him now is what he’ll look like as a 4-year-old. So, you’re starting to see him emerge.”

The most likely scenario is the winner of the Belmont Stakes will come from the four most prominent horses. It’s more than possible that the 21-race streak without a repeat winner will be over.

But they run the races to answer that question.

A BODY found in a lift shaft in Malaysia has been identified as the missing Brit backpacker Jordan Johnson-Doyle.

Jordan, 25, was last seen at a bar in Kuala Lumpar but then vanished – sparking a desperate plea from his family and a police search.

1

Malaysian police confirmed today that a body was found at the base of a lift shaft on Wednesday, and has been identified as Jordan.

More to follow… For the latest news on this story keep checking back at The Sun Online

Thesun.co.uk is your go-to destination for the best celebrity news, real-life stories, jaw-dropping pictures and must-see video.

Like us on Facebook at www.facebook.com/thesun and follow us from our main Twitter account at @TheSun.

The Dodgers’ biggest question this season is an eerily familiar one.

Will their pitching ever get back to full (or at least, significantly improved) health? And will it be as productive as expected if or when that happens?

To this point, the team remains confident on both fronts.

Injured starters Tyler Glasnow, Blake Snell and Roki Sasaki are all in throwing progressions. Two-way star Shohei Ohtani is continuing to build up his arm through weekly live batting practices, and Emmet Sheehan is on a rehab assignment with triple-A Oklahoma City. And a whole litany of relievers are also expected back at some point, with Kirby Yates and Michael Kopech likely to return this weekend, and Blake Treinen and Brusdar Graterol possibilities over the coming couple of months.

Still, as this last week has epitomized, there is an ever-present lack of certainty hanging over the state of the staff as well, with the recovery of any injured pitcher seemingly liable to shift at any moment.

“I’m very confident we’re going to get them all back,” manager Dave Roberts said Wednesday. “I just don’t know when.”

This week, Glasnow became the latest example of that unpredictable dynamic.

On Monday, Roberts offered a seemingly troublesome update on the oft-injured right-hander. After Glasnow had thrown one bullpen session a week and a half earlier, a bout of back tightness had kept him from throwing off a mound again since.

“There was one ‘pen and, then [his] body didn’t respond,” Roberts said. “So we’re trying to figure out when we can ramp him back up.”

On Tuesday, however, Glasnow presented a more optimistic version of events. Yes, his back became “a little tight” after his initial bullpen session, he said. But he described the resulting pause in his throwing progression as nothing more than a “precaution,” adding that he plans to resume throwing bullpens in the coming week.

“I feel totally fine, totally normal,” said Glasnow, who initially went on the injured list in April because of shoulder inflammation. “My shoulder’s totally fine. That issue, I haven’t felt since I started throwing. It was fine. [The back tightness] really was just, I think, a precaution. I felt totally fine. I’m good to go.”

During his time on the IL, Glasnow believes he found a middle ground between the pitching mechanics he had last year (when his season ended early with elbow tendinitis) and the changes he made over the winter (which he felt contributed to his more recent shoulder issue).

Dodgers pitcher Roki Sasaki watches a game against the Arizona Diamondbacks from the dugout at Dodger Stadium on May 21.

(Gina Ferazzi / Los Angeles Times)

“Trying to meld a best-of-both worlds situation,” he said. “But right now, I feel really, really good mechanics-wise, to just be athletic and throw. It’s enabled me to just be myself more now.”

And though he is still weeks, if not a month or more, away from being activated, Glasnow said he’s confident about having enough time over the second half of the season to rediscover a rhythm ahead of the playoffs.

“I’m trying to get back as soon as I can,” Glasnow said. “But we’re on the same wavelength of, ‘Let’s get you back out as healthy as possible as soon as possible, in a healthy way.’”

Snell, who has also been out since early April because of shoulder trouble, has endured his own stop-and-start recovery process.

After first going on the injured list two starts into the season — because of shoulder pain that he later said had been bothering him since spring training — Snell started to ramp up a few weeks later, progressing to a bullpen session on April 19.

His shoulder, however, didn’t respond well in the days following that step. Thus, he was shut down from throwing again, and received an injection to help alleviate his lingering discomfort.

Since then, Snell has been on a more methodical throwing plan. Recently, his shoulder has finally started to feel normal. And, like Glasnow, he is hoping to begin throwing bullpens once more over the next week.

“I can’t wait [to get back],” Snell told AM 570 last weekend. “Having to wait, it sucks. It’s a long process. But I’m gonna go slow. I’m gonna make sure I’m ready. So when I start pitching, I can get going and do my thing.”

This remains the Dodgers’ company line with most of their injured arms — the team wanting to purposely take their progressions slowly in the short term, to ensure they are available in the long run later this year.

“As far as return to play, there’s certainly a cautiousness to it,” Roberts said. “Because as you start getting into the middle of the year, then any setback could be detrimental for the rest of the season.”

In the meantime, uncertainty on the mound — where the Dodgers currently rank 22nd in the majors with a 4.10 team ERA — will continue to loom.

There is always the threat of setbacks; like what happened with Evan Phillips, who underwent season-ending Tommy John surgery Wednesday for an injury that was initially expected to sideline him for only two weeks.

And even once pitchers do come back, their levels of performance are subject to variance. That’s been the case recently with Kopech, who struggled so much during a rehab stint in Oklahoma City (where he gave up 11 runs and 11 walks in 6 ⅓ innings) that the Dodgers had him throw a live batting practice session in front of their big league coaching staff Wednesday to help him work through some mechanical adjustments.

“The stuff was good,” Roberts said of Kopech, out since the start of the year because of a shoulder impingement. “Just curious to see what the pitching guys and the training staff feel, and what he thinks of how he felt today. And we’ll kind of move forward after that.”

Yates, who has not required a rehab stint recovering from a hamstring strain, also threw live BP on Wednesday.

“We’ll see how they feel tomorrow,” Roberts said. “And then I think we’ll have a much better decision on this weekend for both guys.”

The good news for the Dodgers is that they do have depth. They don’t need every one of their injured pitchers to return to health and previous form. Even if only half of the arms currently on the IL get back to where they were before, they could still have a pitching staff capable of contending for another World Series title.

Because of that, it seems unlikely they’ll make overly aggressive moves on the trade market leading up to the July 31 deadline. They could use another right-handed reliever to replace Phillips but might be wary of a high-cost splash for a front-line starter (especially after doling out more than half a billion dollars the last two winters to Glasnow, Snell and Yoshinobu Yamamoto).

For now, they continue to trust that pitchers such as Snell, Glasnow and Ohtani will be impact contributors for the stretch run of the season. They are confident that Sasaki (who has continued regular catch play while battling his own shoulder issue), Sheehan and Graterol will give them more pitching coverage as well.

But until then, they will nonetheless face a precariously familiar situation: hoping enough injured pitchers are able to regain health over the course of the season, and that more unforeseen setbacks won’t continue to leave them shorthanded on the mound.

“I think we’re very confident that we’re going to get the guys we’re talking about back,” Roberts said. “Then once we get them back, we got to make sure we keep them back too.”

ALDI is bringing back its sell-out pressure washer just in time to blast your garden into shape this summer.

The special buys bargain is a whopping £58 cheaper than a similar Karcher model.

2

2

The bargain FERREX Small Pressure Washer lands in stores this Thursday, June 5, as part of the supermarket’s latest Specialbuy drop and it’s only £49.99.

It previously hit shelves in April and flew out fast, with shoppers rushing to get their hands on one.

Now it’s back by popular demand, and it’s expected to sell out all over again.

Packing a punch with a 1,400W motor and 110 bar max pressure, it’s perfect for washing away moss, grime and stubborn dirt from patios, driveways and garden furniture.

The compact gadget comes with a three-metre hose, spray gun, cleaning lance and extension, and it’s got a quick-connect system to easily swap attachments on the go.

Weighing just 5kg, it’s light enough to carry around the garden and small enough to tuck away neatly after use thanks to its integrated hose and cable holder.

It’s a budget-friendly alternative to big brands — the Karcher K2 Power Control Home pressure washer, which also offers 110 bar pressure, costs £108 at Screwfix right now.

That makes Aldi’s version a massive £58 cheaper.

Aldi’s Specialbuys are known for delivering big-name features at bargain prices, from kitchen gadgets to garden must-haves but stock is always limited, and when it’s gone, it’s gone.

You can call your nearest store ahead of making a trip and check they’ve got the pressure washer in stock.

To stay ahead of the game, shoppers can also sign up to Aldi’s email alerts to get the inside scoop on upcoming deals.

And don’t forget it always pays to shop around.

Sites like Trolley.co.uk and PriceSpy let you compare prices across thousands of products and track price history, so you can be sure you’re getting the best bang for your buck.

Garden makeover

Aldi isn’t the only retailer offering great garden deals this summer.

In fact, a Home Bargains buy is said to add a touch of glamour to your garden.

The retailer is also selling a budget buy guaranteed to brighten up your space.

You can also add a stylish touch to your privacy fence with a B&M buy.

Or you can pick up another summer flower favourite from B&Q right now.

Shoppers can also nab a £9.99 novelty decor buy that adds character to flowerbeds.

A £7 gardening gadget is also available from Home Bargains and is guaranteed to transform your lawn.

And Lidl customers can add a “whimsical” touch to their flowerbeds for just £3.

Or a £2 B&M buy transforms your patio into an “ambient” paradise this summer.

Its always worth comparing prices across different stores to make sure you’re bagging the best deals.

How to save money when shopping at Aldi

Unlike other major grocers, Aldi does not have a rewards or point card system but that does not mean you cannot save on your shop.

Every week the store releases a list of special buys, which are unique bargain products you find online at Aldi and in store.

The store releases a fresh range of deals every Thursday and Sunday, so be sure to check regularly to see what’s new.

Meanwhile, the store also regularly sells fruit and vegetables at highly discounted prices, as part of its ‘super six’ deal.

It also does weekly saving offers on typically pricey items such as meat and fish.

Plus, it’s worth keeping an eye out for products with red stickers on them.

These are added to items that have been reduced due to them being close to their best before date or slightly damaged.

The best time to get these reduced products is towards the end of the day, when you can get discounts worth up to 75%.

The PG rating has made a major comeback in Hollywood.

It’s strange to remember now, but during the height of the COVID-19 pandemic — when studios were sending many of their family-friendly movies straight to streaming services — there were serious conversations in the movie business about whether youngsters and their parents would ever return to theaters in full force.

Streaming was just too convenient and affordable, compared with a Saturday outing of two parents and 2 1/2 kids, the logic went.

But in recent years, the family audience has proved to be a bulwark for the theatrical movie business.

Disney’s live-action “Lilo & Stitch” topped the domestic box office again over the weekend with $63 million in ticket sales, for a total of $280 million so far. It beat the latest “Mission: Impossible” and the new “Karate Kid: Legends,” both rated PG-13. As of Sunday, “Lilo & Stitch” had crossed $610 million globally.

Warner Bros. and Legendary’s “A Minecraft Movie,” also rated PG, has amassed $423 million in the U.S. and Canada, the best of the year so far. Adding international grosses, its global tally is $947 million.

Nine PG-rated movies have been released in more than 2,000 locations this year, up from six during the same period in 2024, according to industry estimates. Those movies have accounted for 41% of ticketing revenue in the U.S. and Canada this year, compared with 21% a year ago. (The Pixar megahit “Inside Out 2” was released in mid-June of 2024.)

Family films are a boon to studios and theaters at a time when other categories — such as comic book films and one-off dramas and comedies — have been less reliable than they were in the past.

And there’s more to come, including Universal’s “How to Train Your Dragon” remake, Pixar’s “Elio” and DreamWorks Animation’s “The Bad Guys 2.”

Importantly, many of these movies are coming one after the other, which is essential if the industry hopes to re-create the moviegoing habit for current and future generations, especially as social media, YouTube and video games claim more of young people’s attention.

“One of the things that I think the industry has struggled with over the last number of years is just having a regular cadence of movies in the theater,” said Michael O’Leary, head of the trade group Cinema United (formerly the National Assn. of Theatre Owners). “If you’re a young person, and there’s a six-month gap between movies, there’s a lot of things going on, and your attention wanes.”

The focus on PG-rated content stands in contrast with a few years ago, when the PG-13 rating was widely seen as the way to include a broad, “four-quadrant” audience: men, women, old and young. A PG rating tagged a new release as more of a kids movie. PG-13, the label for Marvel and DC movies, had more of a cool factor for teens and young adults.

O’Leary has a theory for why things have shifted, and it has to do with the media consumption habits of today’s very young, known as Generation Alpha, or those who came after Gen Z.

Kids now are more than just digitally native.

They’re aware of new movies and TV shows coming out, in part because of exposure to social media at an earlier age compared with past generations of children. Parents will naturally be more comfortable taking their 7- and 8-year-olds to something like “Minecraft,” because they’re less likely to be presented with objectionable content.

The Motion Picture Assn.’s rating system, though sometimes fraught and misunderstood, is meant as a guide for parents.

“Younger people are inundated with more and more content at an earlier age, and they’ve become, in some ways, more discriminating connoisseurs of what they want to see,” O’Leary said.

Surely there are some parents who take their kids to the movies less often now after the pandemic with the proliferation of at-home entertainment options. But overall, family movies are leading the industry. If the pandemic proved anything, it’s that if you’re a parent, you really can’t spend all your time in the house.

Gen Z — now anywhere from 13 to 28 years old — is clearly doing its part. According to a recent NRG survey, 37% of Gen Zers say they go to the movies more than six times a year, up from 29% who agreed with that statement in February 2023.

Adults, too, might be interested in seeing more PG content in theaters, particularly in the American heartland.

Angel Studios’ animated Jesus film “The King of Kings” performed well (though somewhat ironically, most of Angel’s live action movies are PG-13).

The post-pandemic recovery of the family audience hit a big milestone in 2023 with Illumination’s “The Super Mario Bros. Movie,” which grossed more than $1.36 billion worldwide. That was followed by the success of 2024 sequels such as “Inside Out 2,” “Moana 2,” “Despicable Me 4” and “Mufasa: The Lion King,” which all benefited from multigenerational appeal.

The blockbuster Broadway adaptation “Wicked” was also rated PG, which helped make it a family moviegoing event.

Now, the category is again on a hot streak. Industry analyst David A. Gross declared in a recent edition of his FranchiseRe newsletter, “the production pipeline is full and any loss of audience to streaming during the pandemic is over.”

What hasn’t come back as strongly? Most notably, superhero pictures — one of the pillars of moviegoing for the last couple decades. Before the pandemic, the industry averaged seven superhero movies a year, and those would drive billions of dollars in global revenue, Gross said. Lately, the genre has been significantly thinner and far less consistent.

R-rated horror movies are thriving (look at “Sinners” and “Final Destination Bloodlines”), but other adult-oriented movies are hit and miss.

Increasingly, when studios want to draw a mass audience, that means going younger.

Stuff we wrote

Number of the week

What’s the magic number that will allow Paramount’s $8-billion merger with Skydance to go through?

The Wall Street Journal reported that Paramount was willing to part with $15 million to settle President Trump’s lawsuit against the company over edits to its pre-election “60 Minutes” interview with Kamala Harris.

No surprise, that’s apparently not enough. Trump’s team wants more, the Journal reported. The president wants $25 million and an apology from CBS News, a source told the paper.

Trump’s critics, journalists and 1st Amendment experts say the lawsuit is basically a shakedown. Some anti-Trump lawmakers say a settlement by Paramount could amount to an illegal bribe.

Paramount is awaiting merger approval from the FCC, which is tasked with reviewing the transfer of broadcast licenses. Sources have told my colleague Meg James that the FCC approval process has been bogged down.

The company stresses that it sees the legal dispute and the FCC review as separate issues. No one believes Trump sees them that way.

On Monday, Paramount said it would add three new board members.

Finally …

There’s been an unreal amount of good TV on lately. I’ve been catching up on Nathan Fielder’s “The Rehearsal,” and often can’t believe what I’m seeing.

Also, Marc Maron is ending his podcast after 16 years. I’ve linked to various episodes in this newsletter. Here’s one I’m looking forward to catching up with.

It’s a tense week in Emmerdale next week as the police are closing in on Nate’s death after the discovery of his body – but will the truth ever be revealed?

Fans may not yet have recovered from last week’s shock events in Emmerdale, but there’s much more to come next week – as spoilers for the ITV soap tease more drama ahead.

After Robert Sugden’s shock return, the village was rocked once again with Cain, Caleb, Chas and Ruby terrified about the revelation that a body has been found at the bottom of the lake. After learning the body had been there for months – they were left panicking that the body was Anthony’s.

However, this week it’s set to be revealed that it’s Nate’s body in the river, with a guilty John questioned about the day Nate disappeared. But OF COURSE he’s got a plan…

When the interview is over, John hopes he’s said enough to protect Cain – who voices his suspicions that Tracy is responsible for the death of Nate.

Obviously venting after Cain’s accusation, Tracy tries to defend herself. John tries to comfort Cain reassuring him the police will find something else to focus on soon, as he formulates a plan. What does John have up his sleeve?

Things later escalate when the police arrive at Tug Ghyll with a search warrant – where they find Nate’s phone in Frankie’s playhouse leaving Tracy distraught as she’s taken in for questioning.

With all eyes on her, an innocent Tracy desperately needs an alibi as she tells police she was at her sister Vanessa’s the day Nate was supposed to leave for Shetland. But will her sister corroborate?

Away from the Nate drama, Mandy and Paddy are left panicking when they find out Bear has left Eve in danger when he promises the littlun some sweets.

However, things take a dangerous turn when Eve gets her hands on Bear’s sleeping tablets, leaving Mandy and Paddy horrified. Will Eve be okay?

Elsewhere, there’s fury for more villagers, as Jacob is left furious when finds out Sarah hasn’t told Charity about her cancer. And there’s even more drama with Tracy as she ends up in a heated exchange with Ruby – in which she ends up slapping her across the face. But what is it about?

It seems Gabby is the only villager having a good week next week, as Vinny heads over to Kammy for help to win her back over after forgetting the anniversary of their first kiss. She’s left delighted with the romantic scenes, and Vinny’s all smiles when he realises his plan is coming together.

However, Kammy’s good deeds don’t last long when he’s heard organising to sell Clemmie’s stolen phone…

Emmerdale airs weeknights at 7:30pm on ITV1 and ITVX, with an hour-long episode on Thursdays. * Follow Mirror Celebs and TV on TikTok , Snapchat , Instagram , Twitter , Facebook , YouTube and Threads .

Coronation Street fans may want to get the tissues next week, as the soap are set to air the final goodbye for PC Craig Tinker – but one resident fails to attend

It’s set to be an emotional week in Coronation Street next week as Craig Tinker gets the send off he deserves after being brutally killed. However, things are thrown into chaos when one resident fails to show up.

We’ll also see Betsy sneakily visit someone in prison, and a shock arrest for another unlikely resident.

The funeral day starts off in panic when Sarah’s concerned to discover that Kit’s already left for the day. Lisa is then forced to step in and make a heartfelt speech at the funeral after he’s still no where to be seen. But where is Kit?

It’s evident he has a lot on his mind as absence comes after he finds Brody injured in an alley with a broken bottle of whisky next to him.

It’s also a tough week for Lisa – as Carla confides in Betsy that she’s worried for her partner. However, Betsy only adds to the worry as Lisa soon catches her daughter snooping through some of her old files.

If the emotions of the weeks on goings weren’t enough for Lisa, she’s set for another shock when she learns her daughter has lied about her whereabouts.

Unbeknownst to Lisa, Betsy shows best friend Lauren a picture on her phone of the letter she found containing information on her mum, Becky, and is intent on getting answers.

She then seeks support from Lauren, who accompanies her to the prison visiting room where she prepares to meet Logan, the villainous brother of Mason and Matty Radcliffe. Betsy tells him she’s here to find out what really happened to Becky. But will Logan’s return come with the answers she needs?

However, it’s not long before Steve lets slip to Lisa and Carla that Betsy has lied about her whereabouts and in fact ordered a cab to Highfield Prison. How will Lisa and Carla react?

Betsy’s not the only one in trouble – as Maria’s shock altercation leaves her in trouble with the police.

During the Platts barbeque, Maria demands Lou empties her pockets after assuming she’s stolen money from Shona. But are Maria’s accusations correct?

The drama later escalates when Lou is found on the living room floor with a broken coffee table – with Maria standing over her.

The police quickly arrive and tell Maria they’re arresting her on suspicion of ABH. But did she do it?

Elsewhere, there could be more upset for Todd after saying goodbye to his mother Eileen last week. He’s left gutted when Theo cancels their date – could their relationship be on the rocks?

Coronation Street airs Mondays, Wednesdays and Fridays at 8pm on ITV1 and ITV X.

* Follow Mirror Celebs and TV on TikTok, Snapchat, Instagram, Twitter , Facebook, YouTube and Threads .

May 31 (UPI) — President Trump plans to meet with German Chancellor Friedrich Merz next week in Washington, D.C..

Merz, who was elected May 6 in a parliamentary election, is scheduled to visit with Trump on Thursday in the White House, German government spokesperson Stefan Kornelius said in a news release Saturday.

Merz, a member of the center-right Christian Democratic Union, replaced Olaf Scholz, who served since 2021 with the Social Democratic Party. Merz was first elected to the Bundestag in 1994 and was leader of the opposition since February 2022.

He will travel to the U.S. capital one day ahead, according to broadcaster n-tv.

They will focus on bilateral relations, the Russia-Ukraine war, the Middle East and trade policy, which includes tariffs, according to Kornelius.

A White House official confirmed the meeting to The Hill.

Like Trump, Merz wants a cease-fire in the war between Ukraine and Russia that began in February 2022.

Merz met with Ukrainian President Volodymyr Zelensky in Berlin on Wednesday.

The chancellor said that Germany will increase financial support for Ukraine as part of a more than $5.5 billion agreement. That includes sending over more military equipment and increasing weapons manufacturing in Kyiv.

Members of the Trump administration have criticized Germany’s designation of the far-right Alternative fur Deutschland party as an “extremist” political entity.

“We have largely stayed out of the American election campaign in recent years, and that includes me personally,” Merz said in an interview with Axel Springer Global Reporters Network, which is part of Politico, that was published on May 7.

Last Wednesday, German Foreign Minister Johann Wadephul traveled to Washington and met with U.S. Secretary of State Marco Rubio.

Trump spoke on the phone with Merz during his visit on May 10 with French President Emmanuel Macron and British Prime Minister Keir Starmer to meet with Zelensky in Kyiv.

Macron, Starmer and Zelensky have already met with Trump in the White House.

Other foreign leaders who met with Trump since he took office again on Jan. 20 include Israel’s Prime Minister Benjamin Netanyahu, Japan’s Prime Minister Shigeru Ishiba, Jordan’s King Abdullah II bin al-Hussein, Indian Prime Minister Narendra Modi, Irish Prime Minister Micheel Martin, Salvadoran President Nayib Bukele, Italian Prime Minister Giorgia Meloni, Norwegian Prime Minister Jonas Gahr Store, Canadian Prime Minister Mark Carney, South African President Cyril Ramaphosa.

Many heads of state, including Trump, went to the funeral for Francis on April 26 in St. Peter’s Square at the Vatican. Merz wasn’t one of them.

The sculptor Robert Therrien had a deep connection with the Broad museum. He was among the first L.A. artists that founders Eli and Edythe Broad began collecting almost half a century ago, and the museum holds 18 of his works in its collection. Those pieces, along with more than 100 others, will go on view at the Broad beginning in November in “Robert Therrien: This Is a Story,” the largest-ever solo museum show of the artist’s work.

Therrien, who died of complications from cancer in 2019, is best-known for his monumental sculptures of everyday objects. His sculpture of a giant table and chairs, “Under the Table,” is among the Broad’s most photographed — and Instagrammed — pieces. Intimate work — drawings of birds, snowmen and chapels — will be on view, as will a reconstruction of Therrien’s downtown L.A. studio.

The Broad’s founding director Joanne Heyler once told The Times that Therrien’s studio was among the most fascinating she had ever visited. In an email shortly after Therrien’s death, she described the ground floor as “the ultimate tinkerer’s den, with endless tools, parts and found objects awaiting their role in his work, while upstairs were these perfectly composed galleries, every surface painted a warm, creamy white, including the floor, which charged the sculptures, paintings and drawings he’d install there with a dreamy, floating, hallucinogenic effect. That studio was his dreamland.”

An L.A. story

Like his studio, Therrien’s work exists in a liminal space — where memory fades into time. Standing beneath one of his giant tables evokes vague recollections of what it feels like to be a very small child in a world of legs and muffled adult activity above. A ruminative melancholy arises when viewing a precarious stack of white enamel plates. Therrien’s artistic voice is at once singular and universal — and specific to art history in L.A.

Robert Therrien, no title, (stacked plates, white), 1993.

(The Broad Art Foundation)

Exhibition curator Ed Schad summed up Therrien’s importance to this city in an email.

“Los Angeles is one of the most dynamic places in the world to make sculpture, and for 40 years, Robert Therrien was vital to that story while also hiding in plain sight,” Schad wrote. “From the spirit of experimentation and freedom in the 1970s, to the rise of fabrication and the expansion of scale in the 1980s and 1990, to Los Angeles’s ascendant presence on the global stage of contemporary art in recent decades, Therrien’s work has not only mirrored every shift but also has maintained a singular, unmistakable voice. This exhibition aims to show both the Therrien people know and love — his outsize sculptures, tables and chairs, and pots and pans, rooted in memory — and the Therrien that is less often seen: the brilliant draftsman, photographer, and thinker, whose work in these quieter forms is just as enchanting.”

I’m arts and culture writer Jessica Gelt, remembering the time I spent an entire meal hiding under a table in Nogales, Ariz., when I was five. Or was that a dream? Here’s this weekend’s arts headlines.

Here come the Tony Awards

Director Michael Arden photographed in New York.

(The Tyler Twins / For The Times)

Times theater critic Charles McNulty sat down in New York City with the directing powerhouse Michael Arden, 42. In a wide-ranging profile, McNulty discusses Arden’s path to becoming among the most sought-after directors on Broadway — and why his latest Tony-nominated musical, “Maybe Happy Ending,” is the season’s “most surprising and heartwarming.” He also writes about Arden’s new company, At Rise Creative, which he founded with scenic designer Dane Laffrey. Their production of “Parade” begins performances at the Ahmanson Theatre on June 17.

McNulty also checks in with L.A. Theatre Works, which celebrated its 50th anniversary and has found fresh opportunities for its radio plays through the rise of podcasts and on-demand streaming. “Currently, LATW’s program airs weekly on KPFK 90.7 in Southern California and on station affiliates serving over 50 markets nationwide. But the heart and soul of the operation is the archive of play recordings,” writes McNulty. This archive has almost 600 titles that can be accessed via a recently launched monthly subscription service.

The SoCal scene

Times art critic Christopher Knight examines the curious case of the art museum that wasn’t. Despite having a social media presence and a webpage, the Joshua Tree Art Museum has not manifested as an actual space for art. This is because, writes Knight, “the charitable foundation sponsoring the project was issued a cease and desist order two years ago by the California attorney general’s office. All charitable activity was halted, a prohibition that has not been lifted.”

“Forest Therapy Class” led by therapist Debra Wilbur at the Huntington.

(Yuri Hasegawa / For The Times)

Along with other organizations across the country, the Huntington recently lost its National Endowment for the Humanities grants. The money funded the Huntington’s research programs, and the institution is nonetheless determined to honor its awards to this year’s recipients. The Huntington will welcome more than 150 scholars from around the world this year and next, granting nearly $1.8 million in fellowships — a notable achievement in a climate of shrinking opportunity for research and innovation. “Supporting humanities scholars is central to the Huntington’s research mission. Here, scholars find the time, space, and resources to pursue ambitious questions across disciplines. The work that begins here continues to shape conversations in classrooms, publications, and public discourse for years to come,” Huntington President Karen R. Lawrence said in a statement.

Skirball Cultural Center has announced its 2025 season of Sunset Concerts. The popular series began in 1997 and takes place at the Skirball’s Taper Courtyard. This summer will feature two acts each night, including Brazilian singer-songwriter Rodrigo Amarante, the Colombia-based all-female trio La Perla and the Dominican band MULA. Click here for the full lineup and schedule.

The Museum of Contemporary Art in Los Angeles announced that it has acquired Cynthia Daignault’s “Twenty-Six Seconds.” The artwork is a series of frame-by-frame paintings based on Abraham Zapruder’s famous 26-second 8mm color film capturing the 1963 assassination of President John F. Kennedy. Through 486 painted frames, Daignault’s work further interrogates the tragedy, imbuing it with modern context.

And last but not least

This past weekend I took my daughter to the Summer Corgi Nationals at Santa Anita Park. It was more adorable and more ridiculous than you could imagine — with the short-legged dogs racing for the finish line in a chaotic competition that sometimes found contenders chasing one another back to the starting line.

May 31 (UPI) — President Trump plans to meet with German Chancellor Friedrich Merz next week in Washington, D.C., in the meeting between the two leaders.

Merz, who was elected May 6 in a parliamentary election, is scheduled to visit with Trump on Thursday in the White House, Germany government spokesperson Stefan Kornelius said Saturday in a news release to The Hill and Politico Europe.

Merz, a member of the center-right Christian Democratic Union, replaced Olaf Scholz, who served since 2021 with the Social Democratic Party. Merz was first elected to the Bundestag in 1994 and was leader of the opposition since February 2022.

He will travel to the U.S. capital one day ahead, according to broadcaster n-tv.

They will focus on bilateral relations, the Russia-Ukraine war, the Middle East and trade policy, which includes tariffs, according to Kornelius.

A White House official confirmed the meeting to The Hill.

Like Trump, Merz wants a cease-fire in the war between Ukraine and Russia that began in February 2022.

Merz met with Ukrainian President Volodymyr Zelensky in Berlin on Wednesday.

The chancellor said that Germany will increase financial support for Ukraine as part of a more than $5.5 billion agreement. That includes sending over more military equipment and increasing weapons manufacturing in Kyiv.

Members of the Trump administration have criticized Germany designating the far-right Alternative fur Deutschland party as an “extremist” political entity.

“We have largely stayed out of the American election campaign in recent years, and that includes me personally,” Merz said in an interview with Axel Springer Global Reporters Network, which is part of Politico, that was published on May 7.

Last Wednesday, German Foreign Minister Johann Wadephul traveled to Washington and met with U.S. Secretary of State Marco Rubio.

Trump spoke on the phone with Merz during his visit on May 10 with French President Emmanuel Macron and British Prime Minister Keir Starmer to meet with Zelensky in Kyiv.

Macron, Starmer and Zelensky have already met with Trump in the White House.

Other foreign leaders who met with Trump since he took office again on Jan. 20 include Israel’s Prime Minister Benjamin Netanyahu, Japan’s Prime Minister Shigeru Ishiba, Jordan’s King Abdullah II bin al-Hussein, Indian Prime Minister Narendra Modi, Irish Prime Minister Micheel Martin, Salvadoran President Nayib Bukele, Italian Prime Minister Giorgia Meloni, Norwegian Prime Minister Jonas Gahr Store, Canadian Prime Minister Mark Carney, South African President Cyril Ramaphosa.

Many heads of state, including Trump, went to the funeral for Francis on April 26 in St. Peter’s Square at the Vatican. Merz wasn’t one of them.

Hello! I’m Mark Olsen. Welcome to another edition of your regular field guide to a world of Only Good Movies.

Following its recent premiere at the Cannes Film Festival, “The Phoenician Scheme,” the new film by Wes Anderson, opens in Los Angeles this weekend. Each new Anderson picture still feels like something of an event, simply because it is so fun to see what he is up to this time, what idiosyncratic subset of the world will he explore and make his own.

Personally, I have been taken with how densely packed his last few films have become. “The French Dispatch” and “Asteroid City” had a layered approach to storytelling that took some time to fully unpack. So it is likely “The Phoenician Scheme” has yet to reveal itself, in need of some extended unraveling of its energetic story of an ambitious 1950s international businessman, Anatole “Zsa-zsa” Korda (Benicio del Toro, who we spoke to for our summer preview), and his estranged daughter, Liesl (Mia Threapleton), on an a series of business deals. The cast, typical for Anderson, is packed, also including Michael Cera, Scarlett Johansson, Jeffrey Wright, Mathieu Amalric, Tom Hanks, Bryan Cranston, Richard Aoyade, Riz Ahmed, Charlotte Gainsbourg and many more. (Never fear, Willem Dafoe and Bill Murray are in there somewhere.)

Mia Threapleton and Benicio del Toro in the movie “The Phoenician Scheme.”

(TPS Productions / Focus Features)

In a review of the film, Amy Nicholson wrote, “Lately, Anderson has been on a tear of using his perfectionist aesthetic to defend the act of ambition itself — to honor artisans who create masterpieces in a world of philistines. The only thing he loves more than a carved credenza (and here, they’re decorated with hieroglyphics) is the craftsperson who made it and the aesthete who bought it, instead of settling for something disposable. I was never a fan of Anderson’s until ‘The Grand Budapest Hotel’ clicked him into focus. It was hard to believe he knew what he was talking about when his earlier movies tried to sell us on love between human beings. But a hotelier’s love of his linens? That I’ll buy.”

Amy added, “It’s not that you have to believe that there is a force out there more powerful than Zsa-zsa, or heck, even money itself. But if that doesn’t move you, at least Anderson deserves reverence for negotiating how to get all these A-list talents to act in his movie for peanuts. He’s managed to build yet another dazzler, a shrine to his own ambition and craft. And while it sometimes feels a bit drafty in the corners, the accomplishment itself is plenty.”

‘Bleak Week’ goes worldwide

Thomas Jane in an image from the black-and-white director’s cut of Frank Darabont’s 2007 horror movie “The Mist,” coming to “Bleak Week.”

(MGM)

The fourth edition of the American Cinematheque’s “Bleak Week: Cinema of Despair” program begins Sunday with screenings at all three of its local venues through Saturday, June 7. Having already expanded to the Paris Theatre in New York last year, “Bleak Week” is now spreading to several more cities and venues: the Hollywood Theatre in Portland, Ore.; the Music Box Theatre in Chicago; the Texas Theatre in Dallas; Trylon Cinema in Minneapolis; Coolidge Corner Theatre in Boston; and the Prince Charles Cinema in London.

“We look to expand our never-ending film festival whenever possible,” said Grant Moninger, artistic director of the American Cinematheque, via email, of the program’s ongoing expansion.

This year’s series will open with a 35mm screening of Akira Kurosawa’s 1952 “Ikiru” at the Egyptian Theatre introduced by Bill Hader. French filmmaker Claire Denis will be present for screenings of a handful of her titles, including a 35mm presentation of 2001’s “Trouble Every Day” with a Q&A moderated by Barry Jenkins.

Brady Corbet and Mona Fastvold will be present for a tribute, including films they have made together and Corbet’s separate acting work. To be screened: Michael Haneke’s “Funny Games,” Lars von Trier’s “Melancholia,” Fastvold’s “The World to Come” and Corbet’s “The Childhood of a Leader” and “Vox Lux.”

Other “Bleak Week” highlights include John Hillcoat’s 2005 “The Proposition” with a Q&A with the filmmaker and cast, Michael Curtiz’s 1950 “The Breaking Point” in 35mm and Carl Theodor Dreyer’s 1943 “Day of Wrath” screened from a nitrate print.

What may once have seemed a slightly cracked idea has grown into one of the Cinematheque’s signature programs. And there is no end in sight.

“After year one, which had 33 films, we had the worry that maybe we would have no titles left for next year — if there even was a second edition,” said Chris LeMaire, senior film programmer, via email. “But each time we start programming the next ‘Bleak Week,’ there seem to be endless possibilities.”

“Our lineup this year in L.A. has 55 films and we probably cut another 50 titles from our initial list,” added LeMaire. “Across all the venues, ‘Bleak Week’ includes over 100 titles this year, from all corners of the world and all eras of cinema history, from as early as 1919 to 2025. We’re never going to run out because many of the greatest films deal with the human condition, which naturally leads to some difficult truths.”

Brad Pitt in the movie “Moneyball.”

(Sony Pictures)

Alan Arkin’s 1971 “Little Murders” will screen in 35mm with a Q&A with star Elliott Gould moderated by screenwriter Larry Karaszewski. A screening of the black-and-white director’s cut of 2007’s “The Mist” will be followed by a Q&A with filmmaker Frank Darabont and actor Thomas Jane. Filmmaker Costa-Gavras and producer Michèle Ray-Gavras will be present for a double-bill of 1982’s “Missing” and 1970’s “The Confession.” Actor Gabriel Byrne will be at a 35th anniversary screening of Joel and Ethan Coen’s 1990 “Miller’s Crossing.”

I will be moderating a Q&A with Gus Van Sant following a screening of “Last Days.” There will also be the U.S. premiere of a 4K restoration of “Christiane F.” and the West Coast premieres of 4K restorations of “Withnail and I,” “Forbidden Games,” “The Sweet Hereafter” and “Happiness.” (A Q&A for “Happiness” will feature performers Lara Flynn Boyle and Camryn Manheim, moderated by Vera Drew.)

Where downbeat entries like Mark Romanek’s “Never Let Me Go,” Ryan Coogler’s “Fruitvale Station,” Narcisco Ibáñez Serrador’s “Who Can Kill A Child?” or Elem Klimov’s “Come and See” more obviously fall within the thematic concept of “Bleak Week,” titles such as Bennett Miller’s “Moneyball” or Boaz Davidson’s “The Last American Virgin” do not make such an apparent fit.

“We work outside of academic and algorithmic models,” said Moninger. “This allows for an emotional reaction to films and a more expansive ‘Bleak Week’ program. The festival is a tapestry of bleak moments and feelings that can be presented in all types of cinema, including the occasional comedy. We are not measuring the hopelessness of each film but creating something by bonding together a wide variety of challenging, unpromising cinema, which I hope builds to something positive.”

Ivan Dixon and ‘The Spook Who Sat by the Door’

An image from 1973’s “The Spook Who Sat by the Door,” directed by Ivan Dixon.

(United Artists / Photofest / UCLA Film & Television Archive)

This weekend the UCLA Film & Television Archive will be hosting “‘Going My Own Way’ Celebrating Ivan Dixon,” a tribute to the actor and filmmaker, including the local premiere tonight of a new 35mm print of the restoration of his 1973 film, “The Spook Who Sat by the Door.”

The film tells the story of the first Black CIA officer (Lawrence Cook), who leaves his token position at the organization to use what he learned there to train a Black guerrilla fighting force in Chicago. “The Spook Who Sat by the Door,” which was added to the National Film Registry in 2012, had a truncated release with it first came out due to its revolutionary politics, with some accounts that the FBI became involved in suppressing it.

“It’s just one of the most powerful meditations on the meaning of freedom that I’ve ever seen,” said UCLA programmer Beandrea July. “It’s so nice to see a movie that really knows what it is and doesn’t apologize for it. It doesn’t equivocate, it’s not trying to explain itself to people who aren’t interested in really understanding. It’s so satisfying to watch because it’s like finally someone actually speaks to the thing with the same oomph that the thing demands.”

On Saturday, along with the second screening of the film, there will be a showing of Christine Acham and Clifford Ward’s 2011 documentary “Infiltrating Hollywood: The Rise and Fall of ‘The Spook Who Sat by the Door,’” which examines the long saga of the film, its reception and release.

Acham will be present at screenings throughout the weekend as will Nomathande Dixon, Ivan Dixon’s daughter, as well as Natiki Hope Pressley, daughter of Sam Greenlee, author of the book on which the film is based.

Dixon, who died in 2008 at age 76, was best known for his role as Sgt. James Kinchloe on TV’s “Hogan’s Heroes,” a part he left before the show had ended to move behind the camera and begin a prolific career directing for television.

Ivan Dixon and Abbey Lincoln in the movie “Nothing but a Man.”

(Criterion Collection)

Also screening will be the 1964 film “Nothing but a Man” starring Dixon and directed by Michael Roemer, who died just last week at age 97. The film tells the story of racial tension in a small town; Dixon considered the film his favorite of his performances. The film will be paired with a 1960 episode of “The Twilight Zone” starring Dixon and Kim Hamilton.

The series will conclude Sunday with two pieces Dixon directed for television, 1983’s “Frederick Douglass: Slave and Statesman,” starring “Blacula’s” William Marshall, and an adaptation of Philip Hayes Dean’s “The Sty of the Blind Pig” starring Mary Alice and Scatman Crothers.

The Dixon family lived for many years in Altadena. What was once their home was destroyed in the January fires, a circumstance that gives the weekend an even greater emotional resonance.

“It’s special for the family because his wishes were never to have a memorial,” said Nomathande Dixon. “And this is something that feels like a tribute to him in our hometown of L.A. So we’re very appreciative of that. And I think he would’ve been thrilled.”

Points of interest

‘Michael Clayton’ in 35mm

George Clooney, left, and Sydney Pollack in the movie “Michael Clayton.”

(Myles Aronowitz / Warner Bros. Pictures)

At Vidiots on Saturday will be a 35mm screening of 2007’s “Michael Clayton” with writer-director Tony Gilroy in person. The film marked the feature directing debut for Gilroy, who previously had a successful career as a screenwriter and has gone on to be showrunner of the recent series “Andor.”

George Clooney stars in the film as a fixer for a powerful New York City law firm. He finds himself drawn into an already complicated situation involving defending an agricultural conglomerate in a class-action lawsuit when one of the firm’s top lawyers (Tom Wilkinson) has a nervous breakdown.

The film was nominated for seven Academy Awards, with Tilda Swinton winning for supporting actress for her role as the conglomerate’s chief counsel. In his original review of the film, Kenneth Turan wrote, “Watching this film makes you feel that Gilroy, best known for writing credits on all three ‘Bourne’ films, has poured the energy pent up during a decade and a half in Hollywood into this strong and confident directorial debut about desperate men searching for redemption in a cold and ruthless world. … As a director, Gilroy has an unmistakable instinct for the emotional jugular and a breakneck storytelling style that pulls you through his movie, no stragglers allowed.”

Sofia Coppola and Kirsten Dunst with ‘The Virgin Suicides’

Leslie Hayman, left, Kirsten Dunst, A.J. Cook and Chelse Swain in “The Virgin Suicides.”

(Paramount Classics)

On Sunday afternoon, the Academy Museum will screen Sofia Coppola’s 1999 feature debut, “The Virgin Suicides” with the filmmaker and star Kirsten Dunst in person. (There will also be a signing for Coppola’s new book of Corinne Day’s on-set photos from the film.) The story of five sisters in 1970s Michigan who all die by suicide, the film set the stage for Coppola’s gently incisive explorations of female interiority and a recurring collaboration with Dunst.

In his original review of the film, Kevin Thomas wrote, “Sofia Coppola shows an impressive maturity and an assured skill in adapting Jeffrey Eugenides’ novel ‘The Virgin Suicides’ to the screen for her directorial debut. As the title suggests, it’s a challenging undertaking that requires a smooth passage from pitch-dark humor to a stark finish. The result is a highly affecting film unafraid to exact an emotional toll. … While subtle in the utmost, Coppola leaves us with an understanding of how things could turn out as they did.”

‘Frances Ha’ and ‘Girlfriends’

Greta Gerwig, left, and Mickey Sumner in the movie “Frances Ha.”

(Pine District Pictures)

The New Beverly will host a double feature of Noah Baumbach’s 2012 “Frances Ha” and Claudia Weil’s 1978 “Girlfriends,” two sharply insightful portraits of female friendship, on Friday, Saturday and Sunday.

“Frances Ha” was the first screenplay co-written by Baumbach and Greta Gerwig, both who would (of course) go on to collaborate on the script for the mega-successful “Barbie,” directed by Gerwig. In “Frances Ha,” Gerwig plays a 20-something woman coming to grips with life as an adult while struggling to accept the end of a friendship by which she has long defined herself.

In his original review of the film, Kenneth Turan declared it “Effortless and effervescent, ‘Frances Ha’ is a small miracle of a movie, honest and funny with an aim that’s true.”

Of Gerwig and Bambach’s collaboration, he noted, “For the actress, a quicksilver presence with a fluid face who couldn’t be more natural on screen, ‘Frances’ is an opportunity to build a character of unexpected complexity. For the director, having a gifted collaborator able to be so completely present adds a lightness his films have not always had and has made possible an irresistible command of the moment.”

I spoke to Baumbach and Gerwig about the film when it was premiering at film festivals in Telluride and Toronto.

“The writing of it and the acting of it were separate for me,” Gerwig said at the time. “The writing of it was such a huge thing, but the acting of it was scary. I really was worried I wouldn’t be right for it…. It didn’t feel like, ‘I wrote this great part, and I’m perfect for it.’”

“I can say I totally had Greta in my head,” Baumbach said. “I always thought, ‘I can’t wait for Greta to play this part.’”

“Girlfriends” stars Melanie Mayron as Susan Weinblatt, a young photographer in New York City, who finds her life starting to unravel when her best friend (Anita Skinner) moves out of the apartment they share together. The supporting cast also includes Christopher Guest, Bob Balaban and Eli Wallach.

Selected for the National Film Registry in 2019, the film was praised by Stanley Kubrick when it was originally released; he declared it “one of the very rare American films that I would compare with the serious, intelligent, sensitive writing and filmmaking that you find in the best directors in Europe.” Lena Dunham likewise sparked to the film, once recalling of her first viewing, “It felt eerie, in the true sense of the word, how familiar this film was to me. … I almost thought, ‘Have I seen this and been gently ripping it off for the last five years?’”

Dodgers shortstop Mookie Betts will not start in any of this weekend’s games against the New York Yankees after sustaining a fractured toe this week, but the team is hopeful he will be able to avoid a stint on the injured list.

Betts told the Times on Friday night that he fractured his toe at home this week, after the Dodgers returned from a road trip on Wednesday night.

“I was just going to the bathroom in the dark and hit my toe on a wall,” he said.

The Dodgers were originally still planning to have Betts in the lineup Friday for their series opener against the New York Yankees, but he was ultimately scratched after his toe continued to give him problems before the game.

“Putting on a shoe today was difficult for him,” manager Dave Roberts said.

Despite the diagnosis, Roberts and Betts said they were confident the former MVP wouldn’t be out more than a few days.

“I know it’s at the tip of his toe, so it’s going to be one of those situations [that is] per his [pain] tolerance,” Roberts said. “I don’t expect an IL. We’ll probably have him down for the series and hopefully he’ll be available to hit in a big spot. And then we’ll kind of see. But I think for me right now it’s just day to day.”

“It’s just pain,” Betts added. “Get the swelling out, it’ll be all right.”

Betts had started in each of the Dodgers’ past 20 games, and appeared in each of their last 51 overall, having not missed any time since recovering from a two-week stomach virus at the start of the season.

While his defense had been much-improved during his second season as the club’s everyday shortstop, the 32-year-old was struggling at the plate, batting just .254 on the season with eight home runs, 31 RBIs and a .742 OPS.

In Betts’ absence on Friday, veteran Miguel Rojas took over at shortstop. Tommy Edman and Hyeseong Kim are also options to fill in for Betts at shortstop over the rest of the weekend.

“I’m gonna be all right,” Betts said. “It is what it is.”

At the end of a nearly two-week trip to Melbourne, Australia, early last month, I drove with a friend 50 miles outside the city to a rural town with the amazing name of Cockatoo.

A once-in-a-lifetime Korean meal in Australia

She teetered her pickup truck at the edge of a steep driveway, double-checking the address to make sure we were in the right place. She inched her way down to park and we walked the short path to a house nestled in the woods. Yoora Yoon greeted us at the door and welcomed us inside. We had made it to our Saturday lunch destination: Chae, a six-seat restaurant centered on the talents of Jung Eun Chae, to whom Yoon is married.

Yoon stood at the crook of the L-shaped counter where the diners had settled and introduced Chae as she quietly glided between tasks in the open kitchen we sat facing. Then he left the room. Chae placed pots of ginseng tea on burners in front of us. We were in her hands.

A plate of jeok and jeon (Korean meat or vegetable fritters) at Chae, a six-seat restaurant run by Jung Eun Chae in Cockatoo, Victoria, Australia.

(Bill Addison / Los Angeles Times)

A trio of bites comprised the first of seven courses. Sanjeok can refer to skewered meats and vegetables; Chae reconceived the dish as minced chicken marinated in ganjang (the Korean version of soy sauce that Chae makes herself) and pan-fried. She hid a lightly candied walnut half in its center for crunch. It was flanked by two jeon, or fritters. One was a loose ball of shrimp and julienned king oyster mushrooms nipped with spring onion and chile, flattened where it had browned in the skillet. The other was a zucchini coin cooked in translucent egg batter.

Each was a microcosm of mixed textures and savory flavors. I looked over with “ok, wow” raised eyebrows at the friend next to me, Besha Rodell. Longtime food-obsessed Angelenos will remember Besha as the last food critic for L.A. Weekly, from 2012 to 2017. She’s currently the chief restaurant critic for the Age and Good Weekend in Melbourne, and this month her memoir “Hunger Like A Thirst” was published.

We’ve been close for 20 years and shared many exceptional meals. Chae was shaping up to be one of them.

Jung Eun Chae at her six-seat restaurant Chae in Cockatoo, Victoria, Australia.

(Bill Addison / Los Angeles Times)

A stone bowl filled with more diverse tastes arrived next. Pyeonyuk, striated pork meat and fat pressed into square slices for satisfying chew. Yukhoe, a tangle of chopped raw beef glossed with just-made sesame oil. The dish often includes Asian pear; Chae spritzed it instead with a fermented apple extract she had concocted. Cilantro leaves dressed in nutty perilla oil acted as mulchy contrast against poached octopus and a ojingeo-jeot, squiggly fermented squid.

In the center of the plate, to season and balance the tastes, was a dense pool of cho-gochujang, a vinegared variation on the ubiquitous Korean chile paste. Chae had made this, too, from the very building blocks of Korean cuisine: She ferments her own meju, the bricks of crushed soybeans also used to craft ganjang and doenjang, the paste analogous to miso.

A platter of meat, seafood and vegetables that’s part of a multi-course meal at Chae, the six-seat restaurant run by chef Jung Eun Chae in Cockatoo, Victoria, Australia.

(Bill Addison / Los Angeles Times)

I’m generally a fast eater. This collage of small dishes, where every element felt so considered, managed to slow me way down.

Something beautifully simple followed: chicken noodle soup, its poultry-intense broth sharpened only by thin triangles of radish kimchi.

Chae, who was born in Seoul, had been working in Melbourne fine dining when she injured her ankle in a motorcycle accident, forcing her to step away from the extreme demands of kitchen work. She was considering her next move when she watched the season-three episode of “Chef’s Table” on Netflix about Buddhist nun-chef Jeong Kwan, who lives and teaches at the Baegyangsa temple in South Korea. Moved by the clarity of her philosophy and relationship to nature, Chae went to study with her. It set the path for her tiny home-based restaurant, where she would make her own jangs — as she remembered her mother doing in her childhood — and serve meals only two days a week.

What we have (and don’t have) in Los Angeles

I read up on all this after my meal with Besha, but aspects of the cooking registered as familiar even in the moment.

Kwang Uh, the chef and co-owner of extraordinary Baroo in Los Angeles, also studied with Jeong Kwan; he met his wife and business partner Mina Park at the temple. With a couple of day’s notice, Uh will make a vegetarian or vegan version of Baroo’s set menu. When I think of its bowls of wondrous, seaweed-seasoned rice and banchan of seasonal vegetables, and treasures like dried acorn jelly with the thick chew of cavatelli, I can trace the through-line of Jeong Kwan’s influence to both chefs. I’m remembering Chae’s finale of rice crowned with spinach and mushrooms and sides of kimchi and spicy radish salad; she served it alongside jeongol (hot pot) of mushrooms and croquettes of minced beef and tofu.

Los Angeles, we all know, is blessed with one of the world’s great Korean dining cultures. If I’m hungry for jeon of many shapes, I can head to HanEuem in Koreatown. For soup that seemingly heals all ills, we have Hangari Kalguksu. For chefs that turn the essence of Korean cuisine into personal, meditative tasting menus, we have Uh at Baroo and Ki Kim at his new Restaurant Ki.

And still: How rich to have a meal, on the opposite side of the world, that expressed another side of the culinary Korean diaspora unlike anything I’ve experienced. The economics of a small operation like Chae‘s must sometimes feel precarious. But the impressive structure and flow of the meal, balanced with a forested home environment in a room full of honeycomb-colored woods, was singular. Would a chef anywhere in the Los Angeles area be able to age meju, produce their own jangs and serve meditative meals to a tiny number of people?

Unlikely, but if nothing else, it reminds me that the Korean dining possibilities here are inexhaustible.

A centered shot of ginseng tea at six-seat restaurant Chae in Cockatoo, Victoria, Australia.

(Bill Addison / Los Angeles Times)

Curtis Stone’s Malibu work retreat

I’ll be writing more in detail about my time eating in and around Melbourne in the coming months. Australia is on our minds at the Food section this weekend since the Times and Tourism Australia will present the 2nd Annual Great Australian Bite on Saturday, featuring chefs Curtis Stone of Gwen and Pie Room and Clare Falzon visiting from Staġuni above Adelaide in South Australia. The event has sold out, but food reporter Stephanie Breijo wrote about the Malibu property where Stone will host the event — and where he’s building a new lifestyle empire.

Chef Curtis Stone examines new growth in his vineyard at Four Stones Farm.

(Juliana Yamada / Los Angeles Times)

Also …

Soon, the most powerful Los Angeles County politician won’t be the mayor of L.A. It won’t be a county supervisor.

It will be the elected chief executive.

“It’s probably going to be the second most powerful position in the state next to the governor,” said former West Covina Mayor Brian Calderón Tabatabai, one of 13 people now tasked with deciding just how much power should come with the post.

This week, the final five members were named to the county’s “governance reform task force.” The former politicians, union leaders, advocates and business owners will make recommendations on how to move forward with Measure G, the sprawling ballot measure approved by voters in November to overhaul L.A. County government.

Measure G was massive in scope but scant on details. That means members of the task force — five of whom were picked directly by supervisors — must figure out the contours of a new county ethics commission by 2026. They’ll also help expand the five-person board to nine by 2032.

Perhaps most consequentially, they will have to hammer out the powers of the new chief executive, an elected official who will represent 10 million county residents — a position that some task force members don’t even think should exist.

“I’m extremely concerned about the elected CEO,” said former Duarte Mayor John Fasana, a task force member. “At this point, we have to try and find a way to make it work.”

Rewind to last November’s election. The elected chief executive position was, by far, the most controversial part of the overhaul, and a bitter pill to swallow for some who were otherwise eager to see the Board of Supervisors expanded and ethics rules strengthened.

Currently, the chief executive, a role filled by Fesia Davenport, is appointed by the supervisors and works under them. She takes the first stab at the county budget and wrangles department heads, putting out whatever fires are erupting.

It’s not a glamorous job — many people don’t know it exists — but the chief executive, more than any other county leader, is responsible for keeping the place running smoothly.

With the passage of Measure G, the position will become a political one, beholden only to voters. Some have dubbed it the “mayor of L.A. County.”

Supervisor Lindsey Horvath, who spearheaded the overhaul, said that one of the most influential positions in local government will now come out of the shadows and be directly accountable to voters.

Supervisor Kathryn Barger has been deeply skeptical, warning that it will diminish the supervisors’ power and politicize a position that functions best behind the scenes. Supervisor Holly Mitchell had similar hesitations, as did some county employee unions.

Now, they’ve got to make it work.

Derek Hsieh, who heads the Assn. for Los Angeles Deputy Sheriffs as well as chairs the Coalition of County Unions, said both labor groups opposed Measure G and the creation of the elected chief executive. But now, as a member of the task force, he vowed to “bring success to that decision.”

In interviews, some task force members — both supporters of Measure G and opponents — said they plan to tread carefully.

“I’ve heard murmuring, like what if we get someone like an [Alex] Villanueva running amok and burning bridges unnecessarily,” said Marcel Rodarte, who heads the California Contract Cities Assn., referring to the bombastic former sheriff. “It’s a possibility it could happen. I want to make sure that those nine supervisors have the ability to rein in the CEO.”

Rodarte and his colleagues will take the first stab at creating checks and balances. Should the chief executive be able to hire and fire department heads? What are the veto powers? How much control will the executive have over the county’s purse strings? Currently, the position has no term limits — should that change?

Sara Sadhwani, a politics professor at Pomona College and a task force member, said she’s already hearing concerns about the lack of term limits, which would put the chief executive on an uneven footing with supervisors, who must leave after three four-year terms. She said the task force may consider a change in state law that would permit term limits.

“Looking at the federal government, there need to be very real constraints on executive power,” she said. “There has to be a healthy friction.”

Sadhwani said she’s expecting some pushback to parts of the proposal from county supervisors, who may be less than pleased to see their power siphoned away.

“We can imagine there are board members who do not want to see those powers move to an executive branch,” she said.

Rob Quan, a transparency advocate, said he’ll be watching closely.

“What I would like to see is this task force have the freedom and independence and insulation to come up with good, thoughtful recommendations,” he said. “What I don’t want to see is these supervisors using their commissioners as gladiators.”

State of play

— THREE-RING CIRCUS: L.A. city and county officials spent the past week in U.S. Dist. Judge David O. Carter’s courtroom — either monitoring or participating in a multi-day evidentiary hearing on the city’s settlement agreement with the L.A. Alliance for Human Rights. The stakes are high: the Alliance wants to place the city’s homelessness programs into receivership, effectively removing control from Mayor Karen Bass, on the grounds that the city is not meeting its legal obligations for providing such services. The city says it has made its best efforts to comply with the agreement.

So who was in the room? City Atty. Hydee Feldstein Soto monitored the hearing at various points. City Administrative Officer Matt Szabo was grilled on the stand over multiple days. Dr. Estemaye Agonafer, deputy mayor for homelessness, was sometimes prickly during three-plus hours of questioning.

— WHEN DOES IT END? The testimony in the Alliance case is expected to spill into next week, although it’s not clear how many more days are needed. Carter, who has remained unusually muted during this week’s proceedings, declared at one point: “Time’s not a concern.”

— READY TO MOVE ON: Speaking of homelessness, Councilmember Tim McOsker is looking to bring an end to Bass’ emergency declaration on homelessness, rescinding the mayor’s power to award no-bid contracts and lease buildings without council approval. The move comes two and a half years after Bass declared an emergency. Councilmember Monica Rodriguez, an outspoken critic of the city’s homeless programs, also has been a longtime supporter of terminating the emergency.

— WAGE WARRIORS: A coalition of airlines, hotels and concession companies at Los Angeles International Airport filed paperwork Thursday to force a citywide vote on a new ordinance hiking the minimum wage of hotel and airport workers to $30 per hour by 2028.

— FEELING POWERLESS: Former Animal Services General Manager Staycee Dains said in a series of interviews with The Times that she felt powerless to solve entrenched problems at her agency, including severe understaffing and mistreatment of shelter animals. Dains said she was repeatedly told by the city’s personnel department that she couldn’t fire problem employees. And she clashed with a union that represents shelter employees.

— MONEY IN THE MAIL: Many residents who lost their homes in the January wildfires should have received a tax refund after their damaged or destroyed properties were reassessed. But about 330 checks are in limbo after postal workers tried unsuccessfully to deliver them to vacant or destroyed homes.

— NO CHARGES: A former L.A. County probation official who was accused by more than two dozen women of sexually abusing them when they were minors will not be criminally prosecuted because the alleged incidents happened too long ago. Thomas Jackson, 58, has been named in dozens of lawsuits that were part of a historic $4-billion settlement.

— WHAT DISASTER? L.A. leaders declined to dramatically increase the budget of the city’s Emergency Management Department, despite the many natural disasters that could hit the region in years to come. Facing a nearly $1-billion shortfall, the City Council passed a budget that rejected the funding bump asked for by department leaders.

— I SUED THE SHERIFF: Former Times reporter Maya Lau is suing Los Angeles County and Villanueva, the former sheriff, arguing that her 1st Amendment rights were violated. Lau’s attorneys said she was the target of a sheriff’s investigation that was “designed to intimidate and punish” her for reporting about a leaked list of deputies with a history of misconduct.

QUICK HITS

• WHERE IS INSIDE SAFE? The mayor’s signature program to address homelessness went to the area around 103rd Street and Wilmington Avenue in Watts, according to the mayor’s team. That area is represented by Councilmember Tim McOsker.
• On the docket for next week: The supervisors meet Tuesday to consider a plan for holding regular meetings with city officials about the formation of the county’s new homelessness department. According to the motion, put forward by Horvath, the meetings would ensure “open communication” with the city after the supervisors voted to pull more than $300 million out of the Los Angeles Homeless Services Authority, or LAHSA.

Stay in touch

That’s it for this week! Send your questions, comments and gossip to [email protected]. Did a friend forward you this email? Sign up here to get it in your inbox every Saturday morning.

Welcome to Screen Gab, the newsletter for everyone in need of a European getaway on a budget.

If you’re not taking a big summer trip this year, or if you are and want something to make the stress of traveling feel relaxing by comparison, NBC’s new reality competition series might be up your alley. “Destination X” features a mix of known reality stars and civilians as they put their geography knowledge and deduction skills to the test in Europe for a chance at a cash prize. Executive producer Andy Cadman stopped by Guest Spot to discuss the latest entrant in the travel-competition genre.

Also in this week’s Screen Gab, TV critic Robert Lloyd unpacks the appeal of Netflix’s new series about a traumatized Edinburgh detective tasked with investigating cold cases, and film editor Josh Rothkopf explains why a quartet of travelogue comedy films featuring improv impresarios Steve Coogan and Rob Brydon as they road-trip across Europe makes for an enjoyable binge.

Plus, a service announcement: The Emmys season of The Envelope video podcast launched this week. The premiere episode features Cooper Koch and Nicholas Alexander Chavez, the stars of “Monsters: The Lyle and Erik Menendez Story,” as well as “Andor” actor Diego Luna. You can watch here or listen wherever you get your podcasts.

ICYMI

Must-read stories you might have missed

Elisabeth Moss as June in the series finale of “The Handmaid’s Tale.”

(Steve Wilkie / Disney)

‘The Handmaid’s Tale’ showrunners on the unattainable finale reunion: ‘It was heartbreaking’: Co-showrunners Eric Tuchman and Yahlin Chang spoke about the finale of Hulu’s dystopic drama and the show’s parallels to the real world.

‘The Last of Us’: Kaitlyn Dever breaks down explosive finale, teases ‘crazier’ Season 3: The actor pulls back the curtain on the Season 2 finale, teases Season 3 and reveals why the reaction to Joel’s death defied her expectations.

After one legendary moment, actor Rolf Saxon chose to accept another ‘Mission’: His role in the first ‘Mission: Impossible’ was small but memorable. Now Rolf Saxon has been called back into action for ‘The Final Reckoning’ and a more substantial part.

Elizabeth Banks and Jessica Biel on ‘The Better Sister’ finale and taking control: The co-stars and executive producers discuss making the Prime Video limited series and their decades of experience.

Turn on

Recommendations from the film and TV experts at The Times

Jamie Sives, left, and Matthew Goode in Netflix’s “Dept. Q”

(Justin Downing / Netflix)

“Dept. Q” (Netflix)

In this dark yet strangely warm series adapted by Scott Frank (“The Queen’s Gambit”) from a book series by Danish writer Jussi Adler-Olsen and transplanted from Copenhagen to Edinburgh, Matthew Goode plays Carl Morck, a moody police detective recovering from an incident, arguably his fault, that left him wounded, a partner partially paralyzed and a rookie dead. Talking his way back into service, he’s given a basement storage space for an office and a cold case involving a missing prosecutor (Chloe Pirrie), whose distressing circumstances we see without learning why. (It’s the mystery!) The primary pleasure of the series is in the team of fellow misfits who gather around Morck — a civilian expat (Alexej Manvelov) keeping mum on his experiences in the Syrian police; a chirpy cadet (Leah Byrne) back from a breakdown and tired of pushing pencils; and Morck’s recovering partner (Jamie Sives), joining from a hospital bed. It feels like the beginning of a beautiful second series. (With Shirley Henderson and Kelly Macdonald as a bonus for Scots watchers.) — Robert Lloyd

Steve Coogan, left, and Rob Brydon in “The Trip to Greece.”

(BBC / Revolution Films)

“The Trip: The Complete Series” (Criterion Collection, starting June 1)

Intensely bingeable (the movies actually got their start as four six-episode BBC runs), “The Trip” makes beautiful sense as an afternoon of viewing, maybe one accompanied by different cuisines as you go. The central premise: Actor-comedians Steve Coogan and Rob Brydon, playing barely altered versions of themselves, take to the road for epic conversations behind the wheel and at dinners, where the contours of their hyper-competitive friendship take shape, as does a parade of celebrity impressions. Director Michael Winterbottom steers the duo toward a deeper appreciation of life viewed through the rearview mirror, though honestly, you’re there for the vicious backbiting. For anyone wanting to dip in selectively: 2010’s “The Trip” features the guys’ classic dueling Michael Caines; 2014’s “The Trip to Italy” takes on “The Godfather”; 2017’s “The Trip to Spain” unleashes a killer, preening Mick Jagger; and 2020’s “The Trip to Greece” goes for Dustin Hoffman. — Joshua Rothkopf

Guest spot

A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching

“Destination X” contestants Rick Szabo, left, Allyson “Ally” Bross and Rachel Rosette during a challenge from the show.

(Helmut Wachter / NBC)

Imagine the pressure of trying to figure out where you are in the world while a man known for carrying a bat studded with barbed wire watches on. NBC’s new reality competition show, “Destination X,” follows 12 players who are whisked around Europe in a blacked-out bus — no windows or GPS to guide them — and tasked with trying to decipher their mystery locations through clues and challenges for a chance to win a cash prize. There’s plenty of alliances and rivalries that get formed along the way. The show is hosted by actor Jeffrey Dean Morgan, known for his chilling turn as charismatic villain Negan in “The Walking Dead.” New episodes air every Tuesday on NBC, and can be streamed the next day on Peacock. Executive producer Andy Cadman stopped by Guest Spot via email to discuss the show’s mix of known reality TV personalities and civilians and more. — Yvonne Villarreal

“Destination X” is adapted from a Belgian format. How true to the original version is it? How much needed to be changed to suit American audiences?

The DNA of the original Belgian format is still present: the idea of being lost and trying to work out where you are. To this we added elements of strategy, giving the players more opportunities to mislead one another, forcing them to make difficult decisions, keep secrets, form alliances and ultimately allowing the players to decide who was at risk of elimination in each episode. Pitting the players more directly against one another transformed the show from a game about geography into a strategic, social competition, more accessible to an American audience and ultimately a more dramatic and exciting reality competition show.

The first season of the U.S. version of “Traitors” featured a mix of reality TV personalities and civilians, but quickly pivoted to an all–celebrity lineup. “Destination X” features a mix of reality personalities and civilians. Is the hope to keep that kind of combo? And is that kind of blend becoming more important in today’s reality competition landscape?

I believe that there’s a real benefit in the mix between civilians and established reality personalities. With “Destination X,” we wanted to do a couple of things. Firstly, discover and get to know some amazing new reality personalities that we’ll see on our screens for years to come. We have some brilliant characters in this season that are new, unique and surprising. Secondly, we wanted to see how some of the established reality faces might react to this incredible adventure. It was an opportunity to see some familiar faces taken out of their comfort zones and challenged in totally new ways. I think that this combination is a very valuable tool — it gives viewers the chance to meet some new favourites, while still giving them the comfort of some old friends dropping in.

What’s the game or competition series that hooked your interest in the format as a viewer and led to you pursuing a career in it?

I grew up on the original “Big Brother” and then made that show for many years here in the U.K. It was such a groundbreaking show and has survived the test of time like nothing else. Many of the production techniques that we still use today came from “Big Brother.” The lure of the genre for me lies in the way that people react to difficult situations. The entertainment can often be in the competition, but for me the greatest interest lies in the social politics, relationships people make, what people will do when faced with a dilemma and how far people will go to win. We used all of these levers in “Destination X” to create the most dramatic and engaging show possible.

What have you watched recently that you’re recommending to everyone you know?

“Slow Horses” [AppleTV+], [a] British spy thriller; “The Glass Dome” [Netflix], [a] Scandi noir, and if you like tricky puzzles and social strategy, the U.K. version of “Genius Game” is worth a look.

What’s your go-to comfort watch, the film or TV show you return to again and again?

I genuinely don’t have one; I find comfort in new seasons of my favourites though. I’m very excited for the next [season of] “Stranger Things” [Netflix]!

A 53-year-old mum-of-six took a leap of faith, leaving behind her life and family in the UK to enjoy sun and cocktails in Ayia Napa. She speaks out to explain why she did it after revealing she has been trolled over her bold decision

Most of us have daydreamed about what life would be like if we just chose to live for ourselves – leaving behind all the things that hold us back. Imagine swapping the grey skies and endless routines for a place with scorching sun, cocktails, and parties. For most, it stays just a thought. But for one mum of six, it became reality.

Amanda Moss, 53, took the leap to leave her 25-year marriage, her children, and a £120k salary behind in the UK – to work from the beach in Ayia Napa. Since May 2020, she’s been living her “life with truth,” having settled in Cyprus.

But it wasn’t a snap decision. Amanda knew deep down her former routine wasn’t the life she was meant to live. “I was miserable. I thought ‘is this my life?’” she said. “I was 48 and thought ‘f*ck this.’”

Now, Amanda runs her own magazine and PR business, making around £50k a year – less than half what she earned before, but with a far better work-life balance. “I was working from 5am as soon as I woke up,” she said. “A minimum of 12 hours a day. Now I probably work five hours a day but I have a much healthier work life balance.”

“I earn around £50k and I could earn more, but I just want to live my life.” Years of visiting Cyprus planted the seed. In 2008, she bought a holiday home there, a place where she’d often bring her kids while they were growing up. What started as a getaway eventually became her new permanent home.

“Every time I’d come back to Liverpool I’d be crying,” Amanda said. “My two eldest, Floyd and Honey, said ‘why don’t you move? You’re happiest there.’”

When Covid hit, her business collapsed and suddenly it was now or never. Amanda had been sleeping in a bedroom on her own since her youngest was born – and that child is now 11.

“I didn’t think I was living up to my full potential for the last 30 to 40 years and I’m making up for it,” she said. Her three daughters moved with her initially but returned to the UK after Amanda decided the education system there was better.

While Cyprus might not be the perfect fit for her kids, it’s exactly where Amanda needed to be. She’s flourished working five hours on the beach, but still finds time to let her hair down and go clubbing multiple times a week.

“I go clubbing three to four times a week. My daughter, Honey, 23, wants me to go to the club with her and she’s like ‘that’s my mum.’”

Since moving, Amanda has also lost four stone, changing her diet and finally eating for herself rather than “comfort” – which she was doing for years. “I got to a size 18 and 15st and I thought ‘this isn’t me,’” she said. “I hated being fat.” Taking control, she started going to the gym, made new friends, and started believing in herself.

Now she spends around £400 a month on Botox, nails, lashes, and her gym membership. “Everything I do for my aesthetics and beauty regime is for me,” she said. “I’m investing in myself. I feel good. It’s the whole self-love thing, because I’ve felt all my life I’m fat and ugly.”

The glamourous mum admits she is ” a little bit vain” but she believes she has now earnt it. She now experiments with cosmetic treatments such as botox.

Amanda starts her days at the gym, which is more for her mental health than anything else. She now uses her social media to speak about her life and her honest, open approach has earned her plenty of attention, and with the extra eyes on her life it has gained some love but also some hate.

“I’ve been trolled,” Amanda admitted. “People have said I’m irresponsible. My kids are supportive. I think I’ve taught my kids to live their life as they wish and not be told society’s expectations of what they should do. I just want them to experience life in all its glory.”

And while some people question her drastic life change, many people actually commend her – even looking up to her.

“People always say to me ‘you’re so inspirational to me, I wish I could do what you do.’ And I say you can, just book it. I haven’t done anything extraordinary, I just booked a flight.” she said

Looking ahead, Amanda is embracing life with more bold leaps and ambitions and even hopes to find a romantic spark in her now home country. “Life is a gift to take control of. My next thing I want to do is fall in love with a rich handsome guy – I’m sick of working.”

“I’m living my truth, and I think people envy that. I sound really up my own arse but I’m not.”

Amanda’s six children Saxon, 24, Honey, 23, Floyd, 21, Albany, 19, plus a 16-year-old and an 11-year-old daughter all remain in the UK but often fly out during school holidays to see her. And for anyone dreaming about changing their life and ready to make the change. Amanda has simple advice: “How many people have the balls to get on a plane and say ‘I don’t want this life anymore?’”

You can follow Amanda’s journey on Instagram and TikTok @amandalifestylepr.

She’s also set to release her new book next month -‘You’re going to die so do it anyway – live life louder after 50’ where she will be sharing her journey and inspiring others to take control of their own happiness, no matter their age.

Fresh storylines are waiting TV fans this week, with new series hitting screens and streaming platforms alike. From powerful documentaries to suspenseful dramas, get the lowdown.

Ups and downs are ahead for drama lovers with new action-packed shows being released this week – but that’s not all the TV landscape brings.

Channel 5 dedicates a documentary to the royal family feud between Prince Harry, Prince William and King Charles III, recalling the trio’s tense conversation at Sandringham following Harry and Meghan’s decision to leave the Firm.

Over on Channel 4, former motorcycle racer Guy Martin embarks on road trip across Vietnam, while Matt Baker pays tribute to the people behind the UK’s bustling life.

Discovery +, on the other hand, delivers a compelling feature about Olympic champion and LGBTQ+ icon Tom Daley – from his beginnings as a young diving whizz to his life with his loved ones. Here’s everything you should keep an eye on.

READ MORE: Large family tent that’s ‘easy to assemble’ drops from £1,100 to £275 in time for summer

Crisis At Sandringham Summit

Saturday, C5

The royal walls shook in 2020 – now Crisis at Sandringham Summit reveals the explosive fallout that fractured The Firm. With Harry and Meghan’s bombshell exit still reverberating, this documentary explores the aftermath of that infamous family meeting.

Featuring gripping dramatisations, royal insiders and top-tier journalism, it digs deep into the tension between Prince Harry, his brother Prince William and their father, King Charles.

What really happened behind closed doors? And how did one discussion spark a global media frenzy? Prepare for a compelling look into palace drama that’s more explosive than fiction.

The Front Room

Saturday, Sky Cinema Premiere & NOW

A sinister houseguest, a haunted pregnancy and a chilling secret – Brandy Norwood stars as Belinda in this taut psychological thriller that will twist your nerves into knots.

When Belinda welcomes her creepy stepmother-in-law into the family home, things spiral fast into gothic terror for her and her husband Norman (Andrew Burnap).

Based on Susan Hill’s short story, The Front Room is a slow-burn descent into paranoia, grief and maternal instinct gone primal. Expect fiendish secrets, surreal horror and tension that’ll cling to your skin like fog long after the credits roll.

Our Guy In Vietnam

Sunday, C4

Guy Martin heads to Vietnam for a riveting, three-part road trip across war-scarred land and a fast-moving culture. From riding the Ho Chi Minh Trail to triggering a dormant bomb, Our Guy In Vietnam unpacks a nation’s trauma with heart and horsepower.

This isn’t your usual history lesson – it’s culture, tech and memory through a mechanic’s lens. Fifty years after the war ended, Vietnam’s resilience roars back to life in this loud, smart and surprising journey.

Tom Daley 1.6 seconds

Sunday, Discovery+

In just 1.6 seconds, Tom Daley must deliver perfection. This gripping documentary follows the Olympic diving legend and LGBTQIA+ trailblazer as he reflects on a lifetime of pushing limits.

With never-before-seen footage and heartfelt interviews with his family, Tom Daley: 1.6 Seconds dives deep into the victories, heartbreaks and pressures behind the podium.

From teenage prodigy to global icon, Tom lifts the lid on the grit that comes with the gold. But more than a sports story, it’s a portrait of resilience and the quiet power of becoming your truest self.

C*A*U*G*H*T

Sunday, ITVX

War, mistaken identity and viral fame collide in C*A*U*G*H*T, where four Aussie soldiers are dumped in the chaos of a war-torn island, where everything spirals out of control.

Captured by rebels who believe they’re Americans, the group become viral sensations after filming a hostage video – then decide fame beats going home.

Created by Kick Gurry, this darkly funny satire skewers celebrity culture with help from stars like Sean Penn and Matthew Fox. It’s outrageous, unpredictable and wickedly smart.

Mountainhead

Sunday, Sky Atlantic

Four billionaire friends, one luxury chalet and global economic collapse – Mountainhead is the end-of-the-world comedy you didn’t know you needed.

Steve Carell, Jason Schwartzman, Cory Michael Smith and Ramy Youssef all star as filthy rich frenemies navigating doomsday with cocktails and passive aggression.

Isolated from the chaos below, their retreat turns into a psychological (and hilarious) pressure cooker. Who cracks first? Who hoards the snacks? And what’s left when your money means nothing? It’s a sharp and stylish satire on privilege.

Matt Baker’s British Isles

Tuesday, More4

Matt Baker’s got his walking boots on – and his heart firmly rooted in home soil. In this lush four-part series, the Countryfile star treks across the UK, from Kent’s white cliffs to Northern Ireland and Scotland, to meet the extraordinary people quietly shaping Britain.

From sculpture-like mushrooms to engineering marvels in motion, Matt Baker’s British Isles is a feel-good patchwork of unsung heroes, beautiful vistas and big-hearted storytelling. It’s more than sightseeing – it’s soul-sighting. A great reminder of what makes Britain truly brilliant.

Blue Road: The Edna O’Brien Story

Tuesday, Sky Arts

Few writers lived as boldly as Edna O’Brien – and this intimate documentary captures her fire in full. From banned books to literary breakthroughs, Blue Road traces Edna’s fearless path through fame, feminism and family.

With tributes from friends, sons and fellow authors, plus access to her personal diaries, this isn’t just a biography – it’s a final love letter, month after the icon’s death in July, 2024. Filmmaker Sinéad O’Shea honours the Irish legend with grace and grit. Edna may have passed but her voice, spirit and rebellion clearly live on.

The Rookie

Tuesday, Sky Witness

Nathan Fillion is back as the LAPD’s most seasoned recruit, John Nolan. No longer the new kid on the block, John faces fresh pressure in season seven of The Rookie as he recovers from a gunshot wound and grapples with the physical toll of the job.

But there’s no slowing down – especially with two new rookies joining the team and a dangerous manhunt underway for two escaped inmates. Blending grit, humour and heart, The Rookie continues to prove that experience is the ultimate weapon.

What It Feels Like For a Girl

Tuesday, BBC

Heartbreaking, chaotic and unexpectedly hilarious, What It Feels Like For a Girl is the BBC’s Y2K-styled adaptation of Paris Lees’ memoir.

It follows Byron (Ellis Howard), who breaks free from the drudgery of his working-class hometown and dives headfirst into Nottingham’s neon-lit underworld.

There, he meets a crew of new friends, drugs and dizzying nights of rebellion. But when Byron falls for bad boy Liam (Jake Dunn), the fallout is brutal. A raw coming-of-age tale that blends euphoria, trauma and truth in equal measure. You’ll feel every high – and every crash.

Stick

Wednesday, Apple TV+

Owen Wilson stars in Stick, a quirky underdog comedy about second chances and missed swings. He plays Pryce Cahill, a washed-up golf pro whose glory days are long behind him.

After losing his wife, job and mojo, he meets Santi (Peter Dager), a 17-year-old golf prodigy with baggage – and maybe a shot. Together, they form an unlikely bond.

Set in small-town Indiana and full of dry wit, this series mixes sports, found family and emotional redemption. Pryce may be down, but don’t count him out – he’s about to tee off on life again.

The Survivors

Friday, Netflix

When Kieran Elliott returns to his hometown, fifteen years after a deadly storm ravaged the area and left three of his friends dead, he walks straight into a fresh murder that rips open old scars.

The Survivors blends seaside small-town secrets with brooding, slow-build suspense across six punchy episodes. Fronted by Charlie Vickers (Rings of Power), the drama grips like a rip tide, dragging you through trauma, guilt and buried truths.

As the town closes ranks, Kieran’s past resurfaces – and the monster may be someone they all know. Emotional, eerie and impossible to pause.

Straw

Friday, Netflix

Tyler Perry and Taraji P. Henson deliver gut-punch drama in Straw, a searing look at one woman’s spiral through desperation. Janiyah, a single mother with a sick child, faces the kind of day where every door shuts – and survival demands unthinkable choices.

Stark, raw and viscerally emotional, Straw is a bruising portrait of motherhood on the edge. The Color Purple and Hidden Figures star Taraji is phenomenal, anchoring a story that speaks to systemic failure, strength and sacrifice. You won’t be able to look away – even when it hurts.

Like this story? For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok, Snapchat, Instagram, Twitter, Facebook, YouTube and Threads.