CHICAGO — The detention by immigration authorities of a Chicago man whose 16-year-old daughter is undergoing treatment for advanced cancer is illegal, and he must be given a bond hearing by Oct. 31, a federal judge has ruled.
Attorneys for Ruben Torres Maldonado, 40, who was detained Oct. 18, have petitioned for his release as his deportation case goes through the system. While U.S. District Judge Jeremy Daniel said in an order Friday that Torres’ detention is illegal and violates his due process rights, he also said he could not order his immediate release.
“While sympathetic to the plight the petitioner’s daughter faces due to her health concerns, the court must act within the constraints of the relevant statutes, rules, and precedents,” the judge wrote Friday.
Torres’ attorney took the ruling as a win — for now.
“We’re pleased that the judge ruled in our favor in determining that ICE is illegally detaining Ruben. We will now turn the fight to immigration court so we can secure Ruben’s release on bond while he applies for permanent residence status,” his attorney, Kalman Resnick, said in a statement Friday night.
Torres, a painter and home renovator, was detained at a suburban Home Depot store. His daughter, Ofelia Torres, was diagnosed in December with a rare and aggressive form of soft-tissue cancer called metastatic alveolar rhabdomyosarcoma and has been undergoing chemotherapy and radiation treatment.
Torres entered the U.S. in 2003, according to his lawyers. He and his partner, Sandibell Hidalgo, also have a 4-year-old son. The children are both U.S. citizens, according to court records.
“My dad, like many other fathers, is a hardworking person who wakes up early in the morning and goes to work without complaining, thinking about his family,” Ofelia said in a video posted on a GoFundMe page set up for her family. “I find it so unfair that hardworking immigrant families are being targeted just because they were not born here.”
The Department of Homeland Security alleges that Torres has been living illegally in the U.S. for years and has a history of driving offenses, including speeding and driving without a valid license and insurance.
“This is nothing more than a desperate Hail Mary attempt to keep a criminal illegal alien in our country,” Assistant Homeland Security Secretary Tricia McLaughlin said in a statement. “The Trump administration is fighting for the rule of law and the American people.”
At a hearing Thursday, which Ofelia attended in a wheelchair, the family’s attorneys told the judge that she was released from the hospital just a day before her father’s arrest so that she could see family and friends. But since his arrest, she had been unable to continue treatment “because of the stress and disruption,” they said.
Federal prosecutor Craig Oswald told the court that the government did not want to release Torres because he didn’t cooperate during his arrest,
Several elected officials held a news conference Wednesday to protest Torres’ arrest. The Chicago area has been at the center of a major immigration crackdown dubbed “Operation Midway Blitz,” which began in early September.
Julio Torres is always in search of the next challenge. The writer, comedian, actor and producer is adding the title of playwright to his ever-growing, multi-hyphenate list of occupations. Since his days as an Emmy-nominated writer for “Saturday Night Live,” Torres has written and starred in the Peabody Award-winning HBO Max original series “Los Espookys,” wrote and starred in the HBO Max original series “Fantasmas” and directed, wrote and starred in his first feature film, “Problemista,” co-starring Tilda Swinton.
For his latest venture, Torres made his way to the stage — admittedly not knowing exactly what goes on in the theater, but willing to take a shot with his first comedic play, “Color Theories.” In it, the audience gets a closer look at the eccentricities that frame his imaginative inner world.
As the son of a civil engineer and architect/fashion designer, Torres’ knack for world building comes as no surprise. In a recent feature for Architectural Digest, Torres opened the doors to his wonderland Brooklyn studio apartment, which contained escapist daydream corners and custom futuristic furniture made of glass, chromatic metals and mirrors, all cut and shaped into squiggles and sharp edges. With elements of retro-elegance and the ambiance of a playhouse, Torres’ vision is nostalgically absurdist and highly refined.
The same can be said about most of his work, including his vision for “Color Theories.” In order to bring his ever unpredictable vision to life, Torres teamed up with longtime scenic design collaborator Tommaso Ortino to create a fantastical surrealist stage for his live theatrical debut, which took place Sept. 3 at the Performance Space New York, located in downtown Manhattan.
Julio Torres performs in “Color Theories” at the Performance Space New York.
(Emilio Madrid)
Before Torres begins his performance, the audience is greeted by a giant book doused in bold, mostly primary colors, a grandfather clock with the numbers melted off its face à la Dalí and tall, blank scrolls. On top of the book lies a giant lipstick-stained wine glass, and an actor lying face down in a bubble-shaped, burgundy satin cloak — or, Drew Rollins playing the role of spilled wine. Rollins is accompanied by Nick Myers, who sits on the side of the stage dressed as a music box in silver foil and oversized pearls. They both play the roles of Torres’ stagehands and narrative helpers. Costumes were designed by Muriel Parra, best known for her work in “A Fantastic Woman” (2017), “Neruda” (2016) and “The Settlers” (2023).
Once the lights come down and the play begins, the whimsical characters crack open the giant book, revealing a stark contrast of blank pages. They proceed to open a flap where the comedian emerges, from the cushioned interior of his own creation. He begins by describing the abstract personalities of different letters of the alphabet, referring to them as staff with “wants, needs, hopes and dreams.” From there, he seamlessly transitions into the definition of the first color on the list: navy blue, which represents (American) bureaucracy, policing and control. Throughout the play, this “law and order” blue encroaches on the existence of every color selected by Torres.
Upon noticing that Torres is spending too much time discussing navy blue, his robotic buddy Bebo — also a recurring character in “Fantasmas” — pops out of the giant clock and serves as a colonel of time and color story order. (He also happens to be blue.)
What Torres dubs as “relaxed” green, “commercial-portrayals-of-joy” yellow, “lusty and ragey” red, “teenage” orange, “soft” beige and “mysterious” purple are all accompanied by playful examples of behaviors, objects and societal conditioning that represent each color. The operatic sound effects paired with each color were created by Lia Ouyang Rusli, who was tasked with the important role of not only composing the sounds for each color, but their respective emotions. Torres explained in a separate interview: “Green should also sound like we combined the sounds of yellow and blue, and so that’s fun.”
One of the most poignant moments of the play is during his green monologue, when Torres reminisces about the video store he grew up visiting in San Salvador. He unashamedly admits he never returned a movie on time, so the owner would bargain the late fee with him based on if the movie was requested during the days it was off the shelf or not.
“This was all working perfectly fine until Blockbuster came in and suddenly we were in a navy blue system,” he explains — with a nod to the U.S. influence on El Salvador, namely in the way American capitalism infringes on countries within reach of its empirical tentacles.
Immigration status is a recurring theme in much of Torres’ work. In his directorial debut, “Problemista,” Torres plays the protagonist Alejandro, who scrambles to find a work visa in 30 days after being fired from his job — and makes desperate attempts to earn quick cash in an effort to pay his legal fees. In “Color Theories,” Torres describes several run-ins with airport immigration authorities and the complications of traveling with a Salvadoran passport.
He recounts being turned away from entering Costa Rica because his passport was too wrinkled — and of being taken to an interrogation room for not knowing he needed a travel visa to enter the U.K. While detained, he noticed authorities had branded the interrogation area as a pseudo-mental wellness safe space — messaging that contradicted the reality of his experience.
Torres uses blue and red to exemplify his anti-capitalist stance by endearingly explaining how those with extreme wealth maneuver tax evasion, how governments allow and excuse war crimes, and how pervasive individualism prevents progress. “Color Theories” reaches its apex when Torres begins discussing the space between the shades black and white — neither representing good nor evil, but rather the known and the unknown.
Julio Torres’ new play “Color Theories” at Performance Space New York.
(Emilio Madrid)
It’s a beautiful way to take what have become very divisive points of view and create an atmosphere of shared humanity among the audience. From here, the colors that become the focal point are bright, airy mixes of pastels, which highlight the beauty in all of our differences and ranges of knowledge.
In just over an hour, Torres delivers a concise portrait of how he navigates and experiences the world in terms an elementary schoolchild can understand — which he jokes about by saying the play will be taken to schools across the U.S. His character development transitions from a justified frustration to the conclusion that humans behaving as though they know it all is the ultimate act of hubris.
“Color Theories” does not communicate as a pessimistic rant about the world but rather examines how government and institutions of power shape our society — and how that power complicates and often oppresses the everyday reality of the average person — by using humorous, universally relatable vantage points and lighthearted pop culture moments.
Arsenal are favourites to sign Crystal Palace’s Eberechi Eze, Manchester United will have to pay £65m for Brentford’s Bryan Mbeumo and Jadon Sancho tries to facilitate a move to Juventus.
Arsenal are prepared to offer a player swap for Crystal Palace midfielder Eberechi Eze, 27, and look set to beat Tottenham Hotspur to the Englishman’s signature. (Sun), external
Brentford are likely to demand £65m for their striker Bryan Mbeumo, 25, having already rejected bids of £55m and £62.5m from Manchester United for the Cameroon international. (Mirror), external
Sporting and Sweden striker Viktor Gyokeres, 27, is prepared to wait until the end of the summer window to get a loan deal to another European club if his move to Arsenal does not materialise. (Sun), external
England winger Jadon Sancho, 25, is prepared to take a significant pay cut in order to move from Manchester United to Juventus, but the Serie A club are still unwilling to meet the terms. (Il Corriere dello Sport – via The Mail), external
Nottingham Forest are targeting a move for PSV Eindhoven and Belgium winger Johan Bakayoko, 22, as they line up a replacement for 23-year-old Sweden international Anthony Elanga, who looks set to move to Newcastle United.(Telegraph – subscription required), external
Manchester United are set to get £8m as part of a sell-on clause they negotiated when they sold Elanga to Forest in 2023. (Talksport), external
Forest are also considering Bakayoko’s Belgium team-mate Malick Fofana, 20, with the Lyon winger also linked with Chelsea and Bayern Munich this summer. (Sky Sports, external)
Unai Emery is keen to bring Barcelona striker Ferran Torres, 25, to Aston Villa and is prepared to offer £43m for the Spaniard. (Fichajes – in Spanish), external
Arsenal‘s attempts to sign Valencia defender Cristhian Mosquera, 21, have stalled as the La Liga club are asking for more than £20m for the Spanish international. (Mirror), external
Bayern Munich have held talks with Christopher Nkunku’s agent as they consider a move for Chelsea’s 27-year-old France striker. (Bild – in German), external
Sunderland are close to completing a deal to sign 20-year-old Morocco forward Chemsdine Talbi from Belgian side Club Brugge.(Fabrizio Romano), external
Atalanta have rejected a £45.7m offer from Saudi Arabian side Al-Qadsiah for Italy striker Mateo Retegui, with the Serie A side wanting £51.8m for the 26-year-old. (Football Italia), external
Everton are interested in signing 26-year-old goalkeeper Mark Travers, who impressed on loan at Middlesbrough from Bournemouth last season. (Sky Sports, external)
WASHINGTON — The day after immigration raids began in Los Angeles, Rep. Norma Torres (D-Pomona) and three other members of Congress were denied entry to the immigrant detention facility inside the Roybal Federal Building.
The lawmakers were attempting an unannounced inspection, a common and long-standing practice under congressional oversight powers.
Immigration and Customs Enforcement officials said too many protesters were present on June 7 and officers deployed chemical agents multiple times. In a letter later to acting ICE Director Todd Lyons, Torres said she ended up in the emergency room for respiratory treatment. She also said the protest had been small and peaceful.
Torres is one of many Democratic members of Congress, from states including California, New York and Illinois, who have been denied entry to immigrant detention facilities in recent weeks.
Jim Townsend, director of the Carl Levin Center for Oversight and Democracy at Wayne State University in Michigan, said the denials mark a profound — and illegal — shift from past practice.
“Denying members of Congress access to facilities is a direct assault on our system of checks and balances,” he said. “What members of Congress are trying to do now is to be part of a proud bipartisan tradition of what we like to call oversight by showing up.”
Subsequent attempts by lawmakers to inspect the facility inside the Roybal Building have also been unsuccessful.
Rep. Jimmy Gomez (D-Los Angeles), who was with Torres the day she was hospitalized, went back twice more — on June 9 and on Tuesday — and was rebuffed. Torres and Rep. Judy Chu (D-Monterey Park) tried at separate times Wednesday and were both denied.
Gomez and other Democrats have pointed to a federal statute, detailed in yearly appropriations packages since 2020, which states that funds may not be used to prevent a member of Congress “from entering, for the purpose of conducting oversight, any facility operated by or for the Department of Homeland Security used to detain or otherwise house aliens …”
The statute also states that nothing in that section “may be construed to require a Member of Congress to provide prior notice of the intent to enter a facility” for the purpose of conducting oversight. Under the statute, federal officials may require at least 24 hours notice for a visit by congressional staff — but not members themselves.
Under ICE guidelines published this month for members of Congress and their staff, the agency requests at least 72 hours notice from lawmakers and requires at least 24 hours notice from staff.
The agency says it has discretion to deny or reschedule a visit if an emergency arises or the safety of the facility is jeopardized, though such contingencies are not mentioned in the law.
Gomez said an ICE official called him Tuesday to say that oversight law doesn’t apply to the downtown L.A. facility because it is a field office, not a detention facility.
“Well it does say Metropolitan Detention Center right here in big, bold letters,” he says in a video posted afterward on social media, gesturing toward a sign outside the building. “But they say this is a processing center. So I smell bull—.”
Department of Homeland Security police patrol the street after detaining a protester at the Edward R. Roybal Federal Building in downtown L.A. on June 12.
(Gina Ferazzi / Los Angeles Times)
If no one is technically being detained, Gomez said he rhetorically asked the official during their call, are they free to leave?
Torres visited the facility in February by setting up an appointment, her staff said. She got another appointment for last Saturday, but ICE canceled it because of the protests. When members emailed ICE to set up a new appointment, they got no response.
Gomez said he believes ICE doesn’t want lawmakers to see field offices because of poor conditions and lack of attorney access because of ramped-up arrests that have reportedly left some detainees there overnight without beds and limited food.
In some cases, lawmakers have had success showing up unannounced. On Friday, Rep. Pete Aguilar (D-Redlands) toured the Adelanto ICE Processing Facility, north of San Bernardino. After being denied entry to the Adelanto Facility on June 8, Chu and four other California Democrats were allowed in on Tuesday.
“Just because ICE has opened their doors to a few members of Congress does not excuse their inflammatory tactics to meet deportation quotas,” said Rep. Mark Takano (D-Riverside), who visited Adelanto with Chu. “Accountability means showing a consistent pattern of accessibility, not just a one-off event.”
The representatives learned the facility is now at full capacity with 1,100 detainees, up from 300 a month ago. Chu said they spoke to detainees from the L.A. raids, who she said were not criminals and who are now living in inhumane conditions — without enough food, unable to change their underwear for 10 days or to call their families and lawyers.
Chu said the group arrived early and stood in the lobby to avoid a repeat of their previous attempt, when facility guards kept them off the property by locking a fence.
Tom Homan, President Trump’s border policy advisor, departs a meeting with Republican senators who are working to cancel $9.4 billion in spending already approved by Congress at the Capitol in Washington on June 11.
(J. Scott Applewhite / Associated Press)
In an interview with The Times this month, Trump’s chief border policy advisor Tom Homan said members of Congress are welcome to conduct oversight, but that they must contact the facility first to make arrangements. The agency has to look after the safety and security of the facility, officers and detainees, he said.
“Please go in and look at them,” he said. “They’re the best facilities that money can buy, the highest detention standards in the industry. But there’s a right way and wrong way to do it.”
Tricia McLaughlin, assistant secretary for Homeland Security, said in a statement to The Times that requests for visits are needed because “ICE law enforcement have seen a surge in assaults, disruptions and obstructions to enforcement, including by politicians themselves.”
She added that requests for visits should be made with enough time — “a week is sufficient” — to not interfere with the president’s authority under Article II of the Constitution to oversee executive branch functions.
DHS Assistant Secretary for Public Affairs Tricia McLaughlin, flanked by Deputy Director of Immigration and Customs Enforcement Madison Sheahan, left, and acting Director of ICE Todd Lyons, speaks during a news conference in Washington on May 21.
“This unlawful policy is a smokescreen to deny Member visits to ICE offices across the country, which are holding migrants — and sometimes even U.S. citizens — for days at a time,” he wrote. “They are therefore facilities and are subject to oversight and inspection at any time. DHS pretending otherwise is simply their latest lie.”
Townsend, the congressional oversight expert, said the practice goes back to when President Truman was a senator and established a committee to investigate problems among contractors who were supplying the World War II effort.
“That committee conducted hundreds of field visits, and they would show up unannounced in many instances,” Townsend said.
More recently, Sen. Chuck Grassley (R-Iowa) drove to the Pentagon in 1983 and demanded access to ask questions about overspending after being stonewalled, he said, by Department of Defense officials.
The Supreme Court has interpreted the Constitution to mean that Congress has wide authority to conduct oversight to show up unannounced in order to secure accurate information, Townsend said.
National Guard members stand at post at the Edward R. Roybal Federal Building in Los Angeles on June 10.
(Myung J. Chun / Los Angeles Times)
Sen. Alex Padilla (D-Calif.) said the Trump administration is trying to hide the truth from the public. Last week, Padilla was shoved out of a news conference, forced to the ground and handcuffed after attempting to question Homeland Security Secretary Kristi Noem.
“The Trump administration has done everything in their power but to provide transparency to the American people about their mission in Los Angeles,” he said during an impassioned floor speech Wednesday in which he cried recounting the ordeal.
In an interview Wednesday with Newsmax, McLaughlin accused Democratic lawmakers of using oversight as an excuse to stage publicity stunts.
“The Democrats are reeling,” she said. “They have no actual message and so they’re doing this to get more attention and to manufacture viral moments.”
On Tuesday, Gomez wore a suit jacket with his congressional lapel pin and carried his congressional ID card and business card in his hand — “so there would be no mistake” as to who he was. He said he was concerned that what happened to Padilla could also happen to him. He was denied access anyway.
Gomez said federal officials should be fined each time they deny oversight access to members of Congress. He said he and other members are also discussing whether to file a lawsuit to compel access.
“When you have an administration that is operating outside the bounds of the law, they’re basically saying, ‘What recourse do you have? Can you force us? You don’t have an army. We don’t need to listen to you,’” Gomez said. “Then you have to put some real teeth into it.”
Times staff writer Nathan Solis in Los Angeles contributed to this report.
Liverpool are competing with Spanish giants for Adam Wharton, but could lose Harvey Elliott to Wolves, while Real Madrid forward Rodrygo’s agents have held talks with a trio of Premier League clubs…
A move for Chelsea’s French striker Christopher Nkunku, 27, could also be part of Liverpool’s summer plans. (Footmercato – in French, external)
Wolves are stepping up their efforts to sign Liverpool’s English midfielder Harvey Elliott, 22. (GiveMesport, external)
Premier League trio Chelsea, Manchester City and Arsenal have already held talks with the agents of Real Madrid’s 24-year-old Brazilian forward Rodrygo, who has fallen down the pecking order at the Bernabeu. (Fichajes – in Spanish, external)
Aston Villa are hoping to turn Axel Disasi’s loan move from Chelsea permanent in the summer, with the club already starting negotiations with the 27-year-old French defender. (Footmercato – in French, external)
Chelsea, meanwhile, have a shortlist of potential centre-back signings, including 22-year-old Englishman Jarrad Branthwaite of Everton, and England international Marc Guehi, 24, at Crystal Palace. (Sky Sports, external)
Aston Villa could bring Barcelona’s 25-year-old Spanish striker Ferran Torres back to the Premier League for a fee in the region of £42m during the summer transfer window. (Birmingham Mail, external)
Southampton are interested in Sturm Graz right-back Max Johnston, 21, with the Scotland international reportedly available for £3m. (Sky Sports, external)
Wrexham are considering a move for 26-year-old Nottingham Forest midfielder Lewis O’Brien – currently on loan at Swansea City – following their promotion to the Championship. (Football League World, external)
