Reese Witherspoon

Over the last decade or so, publishers of American genre fiction have borrowed a page from Hollywood’s playbook by essentially packaging novels like films, grafting together collaborators from two different A-lists: those that feature bestselling novelists and major celebrities. Large commercial rewards have been reaped from these crossbred literary partnerships. Bill and Hillary Clinton, to name just two examples, have both enjoyed bestsellers with big-time writing partners James Patterson and Louise Penny, respectively.

Now we have Reese Witherspoon, already a major force in American publishing, teaming up with Harlan Coben, one of the world’s biggest selling thriller writers, to create “Gone Before Goodbye,” a book that taps into our fascination with the follies of the impossibly rich at the same time that it ponders real questions about the ethics of social engineering via medical advances in organ regeneration.

Now, it must be said that book critics are cynical snobs by nature, and something like “Gone Before Goodbye,” which at first blush seems to have been a project drummed up in a talent agency conference room, is prone to be received with a derisory scoff and a stiff-armed shove from those who are just waiting to sink their teeth into the new Thomas Pynchon novel. But this is Harlan Coben and Reese Witherspoon we’re talking about here, two formidable talents whose track record for delivering smart entertainment is unimpeachable. “Gone Before Goodbye” is not some magpie creature patched together from shopworn thriller tropes, even if certain plot elements feel a bit much. Instead, what the two authors have delivered is a story that pulls the reader deep into a rarefied world where ethics are mere technicalities and the needs of the rich take precedence over petty trivialities like, say, morality.

The book’s protagonist, Maggie McCabe, a brilliant Army combat surgeon who, along with her husband, Marc, and their friend Trace, teamed up after college to create WorldCures Alliance, “one of the world’s most dynamic charities, specializing in providing medical services for the most impoverished,” working as field surgeons risking their lives on the front lines in Afghanistan and the Middle East. The trio once had big plans centered on the prototype of an artificial heart they designed, THUMPR7, which they were convinced would change the world by extending the lives of millions, rich, poor or otherwise.

When the book begins, these plans have been torn asunder: Marc, as it transpires, has been killed in a rebel attack on a refugee camp in Libya. Trace has gone missing along with the artificial heart prototype. And Maggie has lost her medical license due to a hiccup of bad judgment on her part. At loose ends and broke, Maggie, and the reader, are then swept into a strange adventure when a successful cosmetic surgeon named Evan Barlow approaches her with an offer to wipe out her family’s debts in exchange for Maggie committing to perform surgery for a client in Russia who is willing to pay her millions.

Off Maggie goes into the dirty world of the Russian oligarchy, in a city called Rublevka, “perhaps the wealthiest residential area in the world,” where a shady creep named Oleg Ragoravich, one of the 10 wealthiest and most reclusive Russian billionaires, has a job for her. It’s well below Maggie’s pay grade: Oleg wants augmentation mammoplasty for his mistress Nadia. Ragoravich is predictably oleaginous, a man with a file cabinet full of hidden agendas, but he is charmingly persuasive, and the money has already been wired into Maggie’s account. She is in before she even has a chance to back out.

Naturally, there is a great deal more involved than a simple boob job. Without giving too much away, Witherspoon and Coben in this novel have tapped into the wealthy’s obsession with using technology to foster super-agers. As the stakes get higher, the plot ripples out into larger and larger concentric circles that envelop Maggie’s life and everyone in it. But there is so much to take in while this happens, so much voyeuristic pleasure to be had as Maggie acclimates into an almost impossibly lush and lavish world that toggles between Russia and Dubai, the de facto playground for raffish oligarchs intent on bad behavior.

Witherspoon and Coben revel in the details. The plane that spirits Maggie from New York to Russia is a “full-size 180-seat Airbus A320 renovated for private use,” kitted out with a 65-inch contoured TV, a gourmet kitchen and a marble ensuite bathroom with an “oversize rain showerhead.” Ragoravich’s dacha is a “garish and almost grotesque” palace clad in marble that makes Maggie think of Versailles, but in a way that makes Versailles seem dumpy. Everything within is “not so much an attempt to classily suggest opulence and power as to batter you with it.” This is the kind of thriller that invites you into a gilded empyrean that compels you and repels you in equal measure.

The book’s plot mechanics hum along with great pace and verve, even if a few of its particulars are too far-fetched to swallow. With “Gone Before Goodbye,” the two authors deliver a fun ride into a shadow land where the rich are convinced that money can insulate them from everything, including their own mortality — even if they have to murder a few people to get there.

Weingarten is the author of “Thirsty: William Mulholland, California Water, and the Real Chinatown.”

I Fought The Law has had viewers in tears and as Sheridan Smith’s triumphant return to the screen plays out, she is joined by a host of other familiar faces

I Fought The Law has had viewers in tears in recent days after the ITV drama first began to air. The four-part series follows the remarkable true story of the story of Ann Ming, a mother-of-three from Billingham, County Durham, who battled for 15 years to see her daughter Julie’s killer brought to justice after he was initially acquitted.

Julie Hogg, aged 22, was a mother to three-year-old son Kevin and wife to husband Andrew. She vanished after working a late shift at a local pizza parlour.

Heartbreakingly, Ann found Julie’s body hidden in the bathroom of her home in January 1990. 80 days earlier, the murderer had concealed Julie’s body behind the bath panel.

READ MORE: Killer Billy Dunlop now as I Fought The Law brings harrowing true story to ITV

READ MORE: Filming locations for Sheridan Smith’s ITV drama I Fought The Law revealed

Despite extensive searches by police forensics teams after Julie’s disappearance, they failed to locate Julie’s body.

The brand new drama features a stellar cast, headed up by none other than British TV legend Sheridan Smith, who has been a regular face on screens for decades. She started her career as Janet Smith on the BBC Three sitcom Two Pints of Lager and a Packet of Crisps, which she appeared on alongside the likes of Ralf Little, Natalie Casey and Beverley Callard.

During the show’s lengthy run throughout the 2000s, she also appeared on Fat Friends opposite Emmerdale star Lisa Riley as well as sunny sitcom Benidorm and BBC favourite Gavin & Stacey. She then turned to musical theatre, winning an Olivier Award for her portrayal of Elle Woods, the character made famous by Reese Witherspoon, in the West End production of Legally Blonde.

Further stage credits in Funny Girl and, more recently, Shirley Valentine and Opening Night followed.

But it’s gritty dramas that Sheridan has really made her mark. In 2014, she starred as Cilla Black in Cilla, played a cleaner with a gambling addiction in Cleaning Up and also starred in a number of true crime dramas with her the mother of a young gay man killed by Stephen Port in Four Lives, and as Karen Matthews’ friend Julie Bushby in the BBC drama The Moorside.

But Sheridan is not the only famous face to be starring in the much-anticipated drama. She is joined by Enzo Cilenti as DS Mark Braithwaite. He previously starred in Jekyll & Hyde for ITV alongside Hollywood star Richard E. Grant and Strictly Come Dancing’s Natalie Gumede. He also had a main role as Aubrey Hackett in The Last Tycoon opposite Lily Collins, Matt Bomer and Kelsey Grammar and can also be seen alongside Olivia Colman and Dominic West in the 2019 BBC version of Les Miserables.

Esteemed actor Andrew Lancel makes an appearance as Guy Whitburn QC in I Fought The Law, but soap fans are likely to remember him as the villainous Frank Foster on Coronation Street. He appeared as the business associate of Underworld manager Carla Connor (Alison King), and subjected the factory boss to a horrific act of rape.

He was later found dead on the factory floor and it turned out that he had been murdered by his own mother Anne, who was played by Heartbeat favourite Gwen Taylor, after she discovered what he had done. Prior to his stint on the cobbles, he had appeared on Bad Girls and Queer as Folk and has also carved out an illustrious career in theatre having starred in tours of The Sound of Music and Cilla.

The cast is rounded out by Victoria Wyant, who plays the victim in question, as well as Rivals star as Rufus Jones. The actor recently starred as Paul Stratton in the hit Disney+ series and has also starred in The Casual Vacancy and appeared in the likes of Inside No. 9, Beyond Paradise and Black Ops over the years. Fans of Hollyoaks might also recognise Kent Riley, who played Zak Ramsey in the Channel 4 soap.

CBBC fans might also recognise Aimee Kelly, who plays Judith Morden in the drama series. The actress first found fame as a teenager when she played Maddy Smith in the hit supernatural series Wolfblood opposite Bobby Lockwood.

Since she quit the supernatural series more than a decade ago, she has appeared in episodes of Call The Midwife, Grantchester and Holby City. In 2024, she played Sasha in the psychological thriller Platform 7. Others set to appear in the programme, which finishes its run on September 8, are Jack James Riley, Bryony Corrigan, and Buddy Wignall-Ho.

Ann, unhappy with the Cleveland Constabulary’s investigation, took it upon herself to challenge senior officers in a bid to uncover the truth about her daughter Julie’s murder and bring the culprit to justice.

William Dunlop was twice put on trial for Julie’s murder, each time denying his guilt. On both occasions, the jury failed to reach a verdict, leading to his formal acquittal and release.

In 1999, while serving a seven-year sentence for violent offences, Dunlop confessed to a prison officer that he had murdered Julie. At the time, due to the double jeopardy rule, he could not be retried for the murder following his acquittal.

Ann, who also serves as a consultant on I Fought the Law, expressed her support for the ITV series and shared her delight that actress Sheridan would be portraying her, stating she was “overwhelmed”.

“I am very pleased that Hera Pictures will tell the story of my campaign to overturn the Double Jeopardy Law. My daughter’s killer was wrongfully acquitted, and a number of years later confessed to her murder, for which he could only be prosecuted for perjury due to the 800-year-old Double Jeopardy Law. I wasn’t going to let this stand in my way of getting justice for Julie.

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