Pop Music

DUA LIPA has topped heat magazine’s annual Rich List – with a fortune of £129million.

And the pop star looks like she’s going to be keeping her crown as she’s miles ahead of second place Tom Holland whose £35.7m pot looks pretty measly by comparison.

Lewis Capaldi, Millie Bobby Brown and Molly-Mae Hague, and love rat Tommy Fury, make up the rest of the top five.

The magazine Rich List, which is made up of the 30 richest under 30s in the UK and Ireland, has also compiled the biggest international stars – with Kylie Jenner coming in at No1 with a fortune of £540m, beating Hailey Bieber, Billie Eilish, Blackpink and Kylie’s sister Kendall.

And they’ve also listed their top five most generous celebs, with Sir Elton John giving away £27m last year.

While Harry Styles raised a massive £5.2m for charity last year, with Ed Sheeran also giving away £2m to good causes.

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Last month Dua and her fiance Callum Turner were on the look out for a place in the sun.

I’m told the couple, who got engaged last Christmas, have called on a property expert to tap up a series of very posh holiday homes in Andalusia in southern Spain.

A source said: “Dua and Callum are looking for a sunny bolthole to enjoy with their families.

“Their preference has been pretty clear: nice weather and properties that have space.

“They have a man scouting for homes in Portugal and Andalusia, which have amazing weather all-year round.

“The house has to be able to comfortably fit Dua and Callum, as well as their family and friends.”

THE Nineties might have been ruled by boybands and girl-bands, but life at the top of pop could be tough.

And it was probably worse for the girls, as putting on extra pounds, dating the wrong guy or, heaven forbid, having a baby were hugely frowned upon by management teams.

New BBC documentary Girlbands Forever, the follow-up to last year’s three-parter about boybands, delves into an era where record companies had less regard for duty of care, days off or mental health.

It features members of Atomic Kitten, Eternal, Sugababes, Mis-teeq and Little Mix, providing insight into what it was like being in an all-female group in the Nineties and early Noughties.

The dream was to replicate the success of the Spice Girls, the all-conquering icons who sparked the girlband explosion.

And record labels invested millions in a bid to find the next big thing.

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But as the Spice Girls’ rivals All Saints found out, the pressure became unbearable.

So much so that when founding member Melanie Blatt informed managers that she and bandmate Nicole Appleton were pregnant, both were told to abort their babies.

The reason? They had just cracked America with No1 hit Never Ever and momentum could be lost.

Melanie, 50, explains: “I hadn’t been with my partner for very long, it was definitely a bit of a surprise It wasn’t people congratulating us. It was more like this look of dread and worry and the realisation that things are going to change.

“We flew to LA and at [airport] LAX our manager, he was behind us, was telling us to abort our babies.”

She added that her bosses told them they were “going to ruin everything” and “it was the end of the band”.

Melanie ended up having her baby with her partner, Stuart Zender, the bassist for band Jamiroquai.

‘Vomiting in toilets’

But Nicole, who fell pregnant with then boyfriend Robbie Williams, did not, which Melanie admits caused issues with their relationship.

She explains: “Nic and I had been best friends since we were 11. We took pregnancy tests in a hotel in Canada and spent that whole night discussing bringing our kids up together. It was one of the best nights ever.

“And it’s not really my place to talk about it, but unfortunately . . . it was a very uncomfortable situation because I kept mine, she didn’t. That was a really tricky part of my and our existence.”

All Saints, which consisted of Melanie, sisters Nicole and Natalie and main songwriter Shaznay Lewis, were always deemed a “cool version” of the Spice Girls and were far more rock ‘n’ roll.

Whereas Victoria Beckham, Emma Bunton and Mel B found love with a footballer, an R&B singer and a dancer respectively, the All Saints girls dated rock stars, with Nicole marrying and having a son with Liam Gallagher.

Melanie says: “We were turning up to kids’ TV shows on a Saturday morning without having one wink of sleep. We looked fine, just a bit of vomiting in the toilets prior to CD:UK.”

After two albums, All Saints split in 2001, a disparity in earnings between Shaznay and the rest of the band being a major factor.

By the end of their existence as a group, Melanie says they “hated each other”.

She adds: “We’d fallen out, it was hell, it was ‘separate’ everything.

“It was just ridiculous but literally one of the proudest moments of being in that band was calling it quits because we didn’t stay for the money. We wanted to be done, we didn’t want to be with each other any more and we made that decision.

“We were in control. We were supposed to go on tour and we gave the money back and I’m so proud of that. That’s one of the only decisions we were all happy to make together, telling each other to f*** off.”

• Girlbands Forever begins on Saturday at 9.20pm on BBC Two.

Little Mix

AS girlbands moved into the 2010s, life did not get any easier, with social media now to contend with.

With Little Mix, Perrie Edwards, 32, bore the brunt of the online abuse due to her relationship with One Direction heart-throb Zayn Malik.

She explains: “Social media was dark, especially back in the day.

“Me and the girls used to get a lot of stick. Things we would wear or how we would look, people would pick us apart.

“You’re hurting enough as it is, never mind everybody having an opinion on it. Everyone wants to know your business and everyone feels like they have ownership in that.

“You can’t escape it. So you may as well sing about it.”

Life in girlbands was relentless, so Little Mix lasting ten years was a monumental achievement.

But Perrie, below, admits she almost quit when she was at her lowest ebb ahead of a gig in Las Vegas.

She says: “I didn’t want to go, I was so exhausted. I tried getting out of the trip and when I got there, I started experiencing panic attacks.

“I didn’t know what was happening at the time, I’d never experienced a panic attack.

“I ended up in a hospital. I didn’t want to let the girls down. They had to do it without me and I hated it and I really resented myself for it.”

She adds: “When you’re in a group dynamic, even though you’re going through stuff individually, you can’t just be selfish so I kind of put a brave face on a lot of time.

“I didn’t want to let the team down.”

Eternal

ETERNAL had a No1 smash hit with I Wanna Be The Only One in 1997, but their looks soon became a concern.

Founding member Kelle Bryan, 50, reveals: “People were always voicing concerns about my weight and about our weight as a band. Stylists would come along and say, ‘This doesn’t fit you, this doesn’t fit you’.

“We’re talking about an era where being a size zero was popular, so they sent us away to this place in the countryside where they were able to control what we ate.”

Atomic Kitten

WHILE on the 1999 Smash Hits Tour, Atomic Kitten’s Kerry Katona fell for Westlife singer Brian McFadden, but was ordered not to date him by management.

Kerry, 45, says: “They all went absolutely f*ing apes**t. I remember [Westlife manager] Louis Walsh saying, ‘I don’t like you, you’re trouble’.

Bandmate and best pal Natasha Hamilton, 43, adds: “It was definitely bad for the brand. Not from my point of view but from the label and management. They said girls can’t be seen with one of the boys in the biggest boyband in the UK because fan jealousy is a thing.”

Mis-Teeq

BEING an all-black group who rose up from the “underground scene” in 1999, Mis-Teeq felt they were discriminated against and given fewer opportunities.

Su-Elise Nash, 44, says: “We weren’t invited to the same premieres. Some magazines wouldn’t consider us for the cover because they didn’t think three black girls would sell.

“Our struggle to get there was definitely not as easy as it would have been if we had one white member or we’d all-white.”

Sugababes

WHEN Sugababes founding member Mutya Buena gave birth to her first child aged 19 – while the band were working on their fourth album – there was no let-up.

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Mutya, now 40, quit the group that same year in 2005 and was later diagnosed with post-natal depression.

Record label exec Darcus Beese says: “I remember standing in my kitchen trying to talk her down. I had no concept of post-natal depression. I would ask questions now like, ‘How’s your mental health?’.”

HE’S got some time on his hands after pushing back the release of new album Britpop until February.

And after announcing he was planning on opening a luxury hotel in Dubai, Robbie Williams is now working on another madcap idea.

“I want to open a University of Entertainment,” Robbie, right, revealed. “I did notice nobody else is doing it.”

He said of the inspiration behind his dream school: “I grew up as a vaudevillian. That’s what I am. I am cabaret.

“I spent all of my youth watching my dad do cabaret and watching all of the acts that he would bring off and on stage — and how talented and hard-working they were, and how genuinely funny the funny acts were, and how genuinely amazing the vocalists were.”

Robbie, who left Take That in 1995 before launching his hugely successful solo career, added: “I arrived in 1995, after Take That, I want to be Oasis.

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“I want to be Radiohead. Then, when I opened my mouth and my mind, I came out instead and I’m not cool. And you go, ‘OK, so what am I? Oh, I’m all of these people that I loved — Tommy Cooper, The Two Ronnies and Morecambe and Wise.

‘In a different place’

“The way they made me feel is how I want to make people feel.”

Robbie will be back on stage next year, kicking off a mini-tour in Glasgow on February 4, before playing three more intimate shows in Liverpool, London and Wolverhampton.

And until then, he said he’s going to be busy working on his new plans.

He told the Heretics podcast: “I’ve got so many fingers in so many pies, giving me so much to peruse. My ambition and my want and my need and my desire has not abated. But the oxygen I once had in my career, where I couldn’t miss every time I went to the table, has been taken away from me just because I’m an older pop star now.

“The rise was a long time ago, 1990 till, say, 2010.

“It’s only different as it’s different for everyone else lucky enough to have had my kind of career. I was the most played artist for ten years in a row.

“And, you know, thank you. I’ve had a nice run, but I’m in a different place now.

“And it’s not over. Where does all of that naked ambition and drive go?

“It goes into purpose. It goes into creating.”

If it ever gets off the ground, I’ll make sure to sign up for a night class.

Good friendships in the Mix

THEY may no longer be making music together, but Little Mix are still best of pals.

Pregnant Perrie Edwards and Leigh-Anne Pinnock were backstage at the Roundhouse in Camden to support Jade Thirlwall at her gig.

Leigh-Anne shared this sweet snap of them together, and one of my mates spotted them dancing and singing along to Angel Of My Dreams.

Jade, whose debut album, That’s Showbiz Baby, peaked at No3 when it came out last month, is now preparing to head Stateside in the New Year.

Let’s hope she can do what Little Mix couldn’t and crack America.

Jade kicks off a run of 14 shows in San Diego on January 30.

Fergie up fur reunion

IT looks like Fergie can’t decide if she’s too hot or too cold.

The Black Eyed Peas singer teamed this crop-top with a faux fur jacket as she performed at One Musicfest in Atlanta, Georgia.

The I Gotta Feeling singer wowed fans at the event in Piedmont Park, belting out some of her biggest hits including amazing 2006 single London Bridge.

Earlier this year, I revealed that Fergie had created a whole new music video for the track in the capital as part of Lena Dunham’s Netflix series, Too Much.

Fergie left the Black Eyed Peas in 2018, but I told you this summer that discussions are under way about a possible reunion with her bandmates Will.i.am, APL.DE.AP and Taboo.

I’d love to see this happen.

Jovi’s got the Midas Tuchel

I TRIED my hardest to make Jon Bon Jovi a Spurs fan when I hung out with him last week, but his legendary PR Alan Edwards – a die-hard Gooner – persuaded him to follow the reds.

Jon was obviously something of a lucky charm as Arsenal managed a 1-0 win over Crystal Palace on Sunday.

He later hung out with England boss Thomas Tuchel and Jason Sudeikis.

It was Jon’s first Premier League game and I bet my last quid it’ll be his last given how rubbish Arsenal are.

You should have watched Spurs instead, Jon.

We battered Everton 3-0.

Is Geri in a bad Spice?

THE Spice Girls were all smiles at the launch of Victoria Beckham’s Netflix documentary this month.

But insiders say those grins were more like grimaces once the cameras were off – and the finger of blame is being pointed at Geri Horner.

A well-placed mole told me that while Mel C and Emma Bunton were together on row D, Geri was placed in a different area with her husband Christian Horner.

And the apparent snub is now the talk of the town.

Our source explained: “All people are still talking about what happened with Geri that night.

“She was seated away from Mel C and Emma, which seems weird given they were there to support Victoria. Inside the party she only seemed to talk to Victoria, too. It all felt rather frosty. No one has seen a photo of the four of them together either.”

Something is definitely up.

Last November, I revealed how Geri was dragging her heels over a new Netflix band biopic.

And last week, The Sun reported the band – completed by Mel B – were planning on implementing a “rule of four”, to allow the show to go ahead even if Geri wasn’t on board.

A telly insider said: “Geri has been dragging her heels for almost a year now and the rest are keen to plough ahead, as next year marks the 30th anniversary of first single Wannabe.”

Get it together, Ginger.

Cops get Raye on track

RAYE has revealed the police have found her stolen car – with her songwriting books on the backseat.

The Where Is My Husband! singer was forced to push back her second album after the thieves nicked her motor last year.

But now Raye is busy putting the finishing touches to the record after getting them back.

Appearing on Global’s Big Top 40, Raye, right, said: “It was a rollercoaster journey but what I didn’t tell people is that the police called me two or three months ago and said, ‘We’ve found your car.’

“Not only did they get it back but not one thing had been taken out of the car.

“All my songwriting books were there untouched.

“There was so much important stuff in there and when I was flicking through it I was like, ‘Thank God this has been returned to me’.”

Mark: I still get nervous

MARK RONSON has a load of hits to his name but has admitted he still questions if he’s any good every time he gets into the studio.

On Radio 2’s Tracks Of My Years, which airs all this week on Vernon Kay’s morning show, Mark said: “Every time I get into the studio with somebody for the first time, or even if it’s someone like Dua Lipa, or someone I’ve worked with a lot, it’s that combination of like, before the first day of school meets a blind date, meets every insecurity.

“Am I going to think of an idea? Am I going to be able to deliver?

“I still have that and I know people might be like, ‘That’s ridiculous, you’re good, don’t worry about it’.

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“But I think it’s served me well in my career because it’s always made me work extra hard.

“I wouldn’t know what to do if I fully lost that.”

FORMER Sugababes star Amelle Berrabah has confirmed she’ll “reveal secrets” about the band after being ousted from the reunion.

The popstar, now 41, joined the girl group in December 2005 as a replacement for Mutya Buena and stayed with the band until they went on hiatus at the end of 2011.

When the Sugababes came to end, Amelle was singing alongside Heidi Range, who joined the group in 2001, and last recruit Jade Ewen, who came on board in 2009.

Whilst with Heidi and Jade, Amelle released the Suagbabes seventh album Sweet 7 before the band “fizzled out”.

At the same time, the band’s original line-up, Mutya, Keisha Buchanan and Siobhan Donaghy began performing together again and by 2019 won a legal battle to re-gain the band name Sugababes – essentially preventing the other three from ever reuniting.

Now Amelle is getting her own back on being ousted from the band’s reunion.

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She is set to spill “secrets” in an explosive new BBC documentary called Girlbands Forever.

Posting about the doc on Instagram, she wrote: “Had such a wonderful time chatting all things girlbands for the BBC show ‘Girlbands Forever’.

“It brought back so many amazing memories — from my time in the Sugababes to the incredible era of pop that shaped so many of us.

“So grateful to have been part of it all, and to share a few laughs (and maybe a few secrets 😜) along the way!

“Sending love to all the girlbands who paved the way and to all the music lovers who still keep the music alive!

“Girlbands Forever promises a nostalgic trip through that time in pop music history.”

It comes as The Sun asked Amelle last year if she ever saw any of the Sugababes stars anymore.

She admitted she hadn’t heard from any of the original three and revealed that there has been virtually no contact with them ever.

The star, who is the only Sugababe to achieve a solo number one away from the group, said: “I’ve never met Siobhan, I’ve heard great things, though.

“Mutya, the only day I’ve ever met her was to wish me luck for CDUK and we had a little chat and a cuddle.

“That’s literally the only time I’ve ever met her.

“And then Keisha, we haven’t spoken in a few years to be honest.”

Girlbands Forever airs on BBC Two and the BBC iPlayer on November 1 at 9,20pm

Sugababes – over the years

Siobhan Donaghy (1998-2001, 2013-present)

Keisha Buchanan (1998-2009, 2013-present)

Mutya Buena (1998-2005, 2013-present)

Heidi Range (2001-2011)

Amelle Berrebah (2005-2011)

Jade Ewen (2009-2011)

FEUD rumours have reignited inside a huge UK boyband after fans spotted a major clue on their social media.

The group had massive hits between 2009 before it was disbanded in 2014, with plans to bring the boys back together.

But now it seems The Wanted aren’t reuniting, and stars Max George and Nathan Sykes might not be talking at all.

Fans on Reddit noticed that the pair have unfollowed each other on Instagram, cutting off social media communication.

One wrote, “Not to sound parasocial or anything, but for some context, I have been a fan of The Wanted since 2012.

“I have been following all 5 of them on Instagram from 2014 before their breakup.

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“I remember vividly most of them unfollowing each other and specifically Max unfollowing all of them and then ofc all of them followed each other back after Tom announced his diagnosis.

“I couldn’t help but just check for fun to see if the boys are all following each other, and couldn’t help but notice Max and Nathan unfollowed each other?

“I wonder if there’s any beef between them lol.”

The band was first formed in 2009 by Max, Nathan, Jay McGuiness, Siva Kaneswaran and the late Tom Parker.

Max and Siva made The Wanted 2.0 following the death of Tom after his shock death back in 2022.

Another fan replied to the Reddit thread, saying, “I’ve always suspected Max and Nathan had a falling out before they broke up the first time.”

A third said, “It’s a real shame because teenage me loved Nathan and Max’s interactions.

“I remember when Nathan used to comment on Max’s ig posts around 2 years ago.

“They haven’t followed each other in a very long time.

“I think there’s some beef there but I don’t know what.”

Outside of the feud rumours, Max has only recently jetted out to America to support Siva at his first-ever stateside gig in Las Vegas.

The show, at the M Resort Spa Casino’s events space, M Pavilion, marked the duo’s first show in the US since reforming as The Wanted 2.0.

Nathan Sykes and Jay McGuinness did not appear on stage for the Vegas gig.

Meanwhile, Nathan has been busy getting married, with his nuptials alongside his girlfriend of six years confirmed earlier this month.

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The pair were first seen together in public photos in November 2018 and announced their engagement in December 2022.

A stunning wedding ceremony snap shared on the couple’s social media accounts showed the happy two on their special day.

ON Christmas Eve, 1956, a 15-year-old boy heads due south on a five-hour Greyhound Bus journey from his home in Hibbing, Minnesota.

Arriving in the state capital, Saint Paul, he meets up with two summer camp friends and they go to a shop on Fort Road called Terlinde Music.

Styling themselves as The Jokers, the fledgling trio record a rowdy, rudimentary 36-second rendition of R&B party hit Let The Good Times Roll and a handful of other covers.

The boy, with his chubby cheeks and hint of a rock and roller’s quiff, leads the way on vocals and piano.

Already enthralled by popular sounds of the day from Elvis Presley to Little Richard and the rest, he is now in proud possession of a DIY acetate — his first precious recording.

His name is Robert Allen Zimmerman, Bobby to his family and friends.

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Less than seven years later, on October 26, 1963, as Bob Dylan, he takes to the stage in the manner of his folk hero Woody Guthrie, now adopting an altogether more lean and hungry look.

Acoustic guitar and harmonica are his only props as he holds an audience at New York City’s prestigious Carnegie Hall in the palms of his hands.

He performs his rallying cries that resonate to this day — Blowin’ In The Wind, The Times They Are A-Changin’, A Hard Rain’s A-Gonna Fall.

He calls out the perpetrators of race-motivated killings with The Lonesome Death Of Hattie Carroll and Only A Pawn In Their Game.

He dwells on matters of the heart by singing Don’t Think Twice, It’s All Right and Boots Of Spanish Leather.

His 1956 schoolboy shindig and the Carnegie Hall concert, presented in full for the first time, bookend the latest instalment in Dylan’s endlessly captivating Bootleg Series.

Titled Through The Open Window, it showcases an artist in a hurry as he sets out on his epic career.

“I did everything fast,” he wrote in his memoir, Chronicles Vol.1, about his rapid transformation. “Thought fast, ate fast, talked fast and walked fast. I even sang my songs fast.”

But, as he continued: “I needed to slow my mind down if I was going to be a composer with anything to say.”

Among the myriad ways he achieved his stated aim, and then some, was by heading to the quiet surroundings of New York Public Library and avidly scouring newspapers on microfilm from the mid-1800s such as the Chicago Tribune and Memphis Daily Eagle, “intrigued by the language and the rhetoric of the times”.

He’d fallen under the spell of country music’s first superstar Hank Williams — “the sound of his voice went through me like an electric rod”.

Dylan affirmed that without hearing the “raw intensity” of songs by German anti-fascist poet-playwright Kurt Weill, most notably Pirate Jenny, he might not have written songs like The Lonesome Death Of Hattie Carroll.

Then there was Mississippi Delta bluesman Robert Johnson, who Dylan likened to “the scorched earth”. “There’s nothing clownish about him or his lyrics,” he said. “I wanted to be like that, too.”

‘Did everything fast’

We’ll hear more later about the man considered to be his primary early influence, Woody Guthrie, the “Dust Bowl Balladeer” who wielded a guitar emblazoned with the slogan “This machine kills fascists”.

And about leading Greenwich Village folkie Dave Van Ronk, known as the “Mayor Of MacDougal Street”, who had Dylan’s back from the moment he first saw him sing.

On two occasions in recent years, I’ve had the privilege of talking to Joan Baez, the unofficial “Queen” to Dylan’s “King” of the American folk scene in the early Sixties.

She championed him as he made his way, frequently bringing him on stage, their duets on his compositions like With God On Our Side revealing rare chemistry.

They also became lovers as Bob’s relationship with Suze Rotolo, the girl on the cover of the Freewheelin’ album, crumbled.

“He was a phenomenon,” Baez told me in typically forthright fashion. “I guess somebody said, ‘There’s this guy you gotta hear, he’s writing these incredible songs.’

“And he was. His talent was so constant that I was in awe.”

A leading figure in the civil rights movement, who marched with Martin Luther King, Baez added: “It was a piece of good luck that his music came along when it did. The songs said the things I wanted to say.”

But she finished that reflection by saying, tellingly: “And then he moved on.”

For Dylan, now 84, has forever been a restless soul, “moving on” to numerous incarnations — rock star, country singer, Born Again evangelist, Sinatra-style crooner, old-time bluesman, you name it.

In the closing paragraph of Chronicles, he admitted: “The folk music scene had been like a paradise that I had to leave, like Adam had to leave the garden.”

But it is that initial whirlwind period, 1956 to 1963, centred on bohemian Greenwich Village and the coffee shops where young performers got their breaks which forms Volume 18 of the Bootleg Series.

Through The Open Window is available in various formats including an eight-CD, 139-track version, and has been painstakingly pieced together by co-producers Sean Wilentz and Steve Berkowitz.

And it is from Wilentz, professor of American history at Princeton University and author of the liner notes accompanying this labour of love, that I have gleaned illuminating insights.

I can’t think of too many modern artists of his stature, if any, who developed that rapidly

Sean Wilentz

He begins with the arc of Dylan’s development, first as a performer, then as a songwriter, during his early years.

Wilentz says: “He came to Greenwich Village in 1961 with infinite ambition and mediocre skills. By the end of that year, he had learned how to enter a song, make it his own, and put it over, brilliantly.

“By the end of 1962, he had written songs that became immortal, above all Blowin’ In The Wind and A Hard Rain’s A-Gonna Fall.

“By the time of the Carnegie Hall concert in 1963, the capstone to Through The Open Window, his songwriting had reached the level we can recognise, that would eventually lead to the Nobel Prize.

“And his performance style, for the thousands in that hall, was mesmeric. I can’t think of too many modern artists of his stature, if any, who developed that rapidly.”

One of the show’s striking aspects is the lively, often comical, between-song banter. (Yes, Dylan did talk effusively to his audiences back then. Not so much these days.)

In order to assemble Through The Open Window, Wilentz and Berkowitz had “more than 100 hours of material to draw on, maybe two or even three hundred”.

Their chief aim was to find a way to best illuminate “Bob Dylan’s development, mainly in Greenwich Village, as a performer and songwriter”.

But, adds Wilentz: “Several factors came into play — historical significance, rarity, immediacy and, of course, quality of performance.

‘Good taste in R&B’

“We hope, above all, that the collection succeeds at capturing the many overlapping levels — personal, artistic, political and more.”

Though noting Dylan’s inspirations, Woody, Elvis and the rest, Wilentz draws my attention to “a bit of free verse” written by Bob in 1962 called My Life In A Stolen Moment, which suggests nothing was off limits.

“Open up yer eyes an’ ears an’ yer influenced/an’ there’s nothing you can do about it.”

This is our cue to take a deep dive into the mix of unheard home recordings, coffeehouse and nightclub shows as well as studio outtakes from Dylan’s first three albums for Columbia Records — his self-titled debut, The Freewheelin’ Bob Dylan and The Times They Are A-Changin’.

Of the first track, that primitive take on Let The Good Times Roll, Wilentz says: “Dylan and the other two were obviously enthusiastic, and they had good taste in doo-wop and R&B.

“But if you listen closely, you can hear Dylan, on piano, calling things to order and pushing things along, the catalyst, the guy we know from other accounts who was willing to take more risks onstage.”

I ask Wilentz what he considers the most significant previously unreleased discoveries and he replies: “Most obviously Liverpool Gal from 1963, as it’s a song even the most obsessive Dylan aficionados have known existed but had never heard.

“He only recorded it once, at a friend’s party, and it’s stayed locked away on that tape until now.

Dylan was producing so much strong material that some of it was inevitably laid aside

Sean Wilentz

“While not Dylan at his peak, it’s a fine song. It’s significant lyrically, not least as testimony to his stay in London at the end of 1962 and the start of 1963. That stay had a profound effect on his songwriting, and one gets a glimpse of it here.”

Also included is near mythical Dylan song The Ballad Of The Gliding Swan, which he performed as “Bobby” in BBC drama Madhouse On Castle Street during his trip to Britain.

The only copy of the play set in a boarding house was junked by the Beeb in 1968 but this 63-second audio fragment survives.

Of even earlier recordings, Wilentz says: “I’m drawn to Ramblin’ Round.

“Although known (in his own words) as a Woody Guthrie jukebox, Dylan has never released a recording of himself performing a Guthrie song.

“Here he is, in an outtake from his first studio album, handling a Guthrie classic, and with a depth of feeling that shows why his earliest admirers found him so compelling.”

Wilentz considers other treasures: “There’s an entire 20-minute live set from Gerdes Folk City from April, 1962, concluding with Dylan’s first public performance of Blowin’ In The Wind.

“Then there are two tracks of singular historic importance, the first known recordings, both in informal settings, of two masterpieces, The Lonesome Death Of Hattie Carroll and The Times They Are A-Changin’.”

If these versions shed fresh light on classics, let’s not forget the great Dylan songs that didn’t make it on to his albums, so great was the speed he was moving.

Does Wilentz find it staggering that songs like Let Me Die In My Footsteps and Lay Down Your Weary Tune were discarded?

“Yes and no,” he answers. “Yes, because these are powerful songs that were left largely unknown for years.

“No, because Dylan was producing so much strong material that some of it was inevitably laid aside.

‘Literary genius’

“Sometimes intervening factors kicked in. Take the four songs that, for business and censorship reasons, got cut from Freewheelin’ and replaced with four others.

“The album was actually better in its altered form, including songs like Girl From The North Country.

“But that’s how Let Me Die In My Footsteps was lost, along with a lesser-known song I love that we’re happy to include, Gamblin’ Willie’s Dead Man’s Hand, as well as an amazing performance of Rocks And Gravel.”

So, we’ve heard about songs but who were the key figures surrounding Dylan during his formative years?

Wilentz says: “Among the folk singers, Van Ronk most of all, and Mike Seeger, about whom he writes with a kind of awe in Chronicles.

“There was the crowd around Woody Guthrie, including Pete Seeger (‘Mike Seeger’s older brother,’ he calls him at one point) and Ramblin’ Jack Elliott.”

He singles out producer John Hammond, “for signing him to Columbia Records and affirming his talent.

“But most important of all there was Suze Rotolo, who was a whole lot more, to Dylan and the rest of the world, than the girl on the cover of The Freewheelin’ Bob Dylan.”

Finally, I ask Wilentz why the singer felt uncomfortable at being labelled king of the folk movement, “the voice of a generation” if you like.

“People misread Dylan from all sides,” he argues. “Never a protest singer in the mould of Guthrie or Seeger, even though he worshipped Guthrie and admired the left-wing old guard by the time he turned up.

“But Dylan wasn’t one of them, though he sympathised, in a humane way, with victims of injustice.”

Dylan’s work springs from a matrix that is emotional, filtered through his literary genius

Sean Wilentz

Wilentz believes the recent biopic A Complete Unknown, with Timothee Chalamet making a decent fist of portraying the young Dylan, “is a little misleading”.

He says: “It wasn’t Dylan’s ‘going electric’ that pissed off the old guard and their younger equivalent as much as his moving beyond left-wing political pieties.

“Hence the song My Back Pages, from 1964: ‘Ah but I was so much older then/I’m younger than that now.’”

Wilentz concludes: “Dylan’s work springs from a matrix that is emotional, filtered through his literary genius.

“It was impossible for someone like him, living through those two years (1962-63), not to respond to the politics in an artistic way.

“How, if you were Bob Dylan, could you not respond to the civil rights struggle, the killing of Medgar Evers (Only A Pawn In Their Game) or Hattie Carroll, as well as the spectre of nuclear annihilation?

“Dylan had a lot to say, but he was never going to be the voice of anyone but himself.”

Maybe he’d already explained himself on Don’t Think Twice, It’s Alright:

“When your rooster crows at the break of dawn

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Look out your window and I’ll be gone.”

BOB DYLAN

Through The Open Window
The Bootleg Series Vol.18

★★★★★

THIS the stuff of Dreams for millions of fans across the globe and now there’s fresh hope for a Fleetwood Mac reunion.

The group have not performed together since 2019 and they were left devastated when Christine McVie died in 2022.

But I’ve been told that there are serious discussions behind the scenes about a series of projects involving all of the remaining members to celebrate the 50th anniversary of their album Rumours, which is among the best-selling and most critically acclaimed records of all time.

At the centre of the plans is said to be Mick Fleetwood, who is leading peace talks between former couple Stevie Nicks and Lindsey Buckingham, as well as John McVie.

A one-off show, a TV special and a documentary about the making of Rumours are among options being discussed for the 2027 milestone.

And Warner Records is also preparing a special re-release of the album featuring unheard material from the original studio sessions.

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A source close to Mick in the US said: “Fleetwood Mac are discussing new projects and how to mark Rumours’ big 5-0. For certain there is a special edition version of the album coming, which the band and label have been secretly looking at.

“But also there is a significant hope that it is time for the definitive documentary on all the chaos in the studio that created the magic on record.

“John and Christine were divorcing and she was dating their lighting guy. Stevie and Lindsey were over just before she and Mick enjoyed a brief fling. And drugs and booze were everywhere.

“The desire is for everyone to sit down and present their side of events on screen.

“And then of course comes the potential for a stage reunion and concert. That is the goal from Mick.

“Stevie has said it would not feel right being on stage without Christine, but also she and Lindsey are on a healing journey right now, which could be the path to a new show.

“However there is a desire to pay tribute to Christine in some way and a live show around Rumours seems a very fitting way.

“The gig would fill a stadium dozens of times because of the love they command.

“But unless some major shift happens, a tour is unlikely at this stage.”

Aaron Bay-Schuck, co-chairman and CEO of Warner Records confirmed at LA’s City of Hope gala that “some very special” music leftover from the making of Rumours had been found.

He said: “We will do everything in our power to respect that anniversary as long as they’ll let us.”

Last month, Stevie and Lindsey suggested relations had thawed when they reissued their 1973 Buckingham Nicks album.

And in March, Mick admitted: “I always have a fantasy that [Stevie] and Lindsey would pal up a bit more and just say everything’s OK for them both.”

They are beloved by an entirely new generation now thanks to social media, so there will be millions around the globe hoping they can patch things up for one last hurrah.

Aaron Bay-Schuck was at City of Hope’s Spirit of Life gala to celebrate co-chairman and Warner Records COO Tom Corson, who was honoured at the event.

It is the centrepiece of the music, film and entertainment industry’s annual philanthropic campaign and raised nearly $6million.

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Funds from the campaign are fueling leading research and survivorship programs for young adults, including music therapy.

Michael Buble, Cher and members of Linkin Park were among other guests who were there in LA last week.

POP star Sabrina Carpenter is a white for sore eyes in a revealing outfit.

The Espresso singer, 26, was seen leaving TV show Saturday Night Live’s after-party in New York.

She had appeared in a sketch as a young boy interviewing “President Donald Trump” for a podcast.

Sabrina also addressed the controversy over the cover for her latest album Man’s Best Friend, which showed her on all fours being grabbed by the hair.

She said the pic was cropped and joked that the original showed SNL’s Bowen Yang ­lifting her up by the hair after she had been pushed over by actor Martin Short.

Fans have rushed to her defence and accused SNL of “trying to sabotage” her following a tech issue during one of her skits.

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The singer returned to the late-night live sketch comedy show to host and perform on Saturday night but her mic briefly went off mid-skit.

This meant viewers were unable to decipher what the Espresso singer was saying.

She continued to say her lines with the other SNL stars before the mic was switched back on after a few songs.

However, her loyal fans were left unhappy and flocked to social media to share their frustration.

One person wrote: “Brief mic problem. Can’t recall ever seeing that before.”

Another fan of the Grammy award-winner fumed: “Who cut off Sabrina’s mic in the middle of the skit? They tryna sabotage my girl.”

MELANIE C lives up to her Sporty Spice nickname as she poses in a series of workout snaps.

The toned Spice Girl, 51, wore a leotard and red boots to help launch her new music.

Speaking of her dance single Sweat, she wrote: “I’m so happy this track is finally all yours. Dance to it. Run to it. Lift to it. SWEAT to it.”

Mel, real name Chisholm, has a gig lined up next year at London’s O2 Academy Brixton.

Mel C issued a sweet message to her Spice Girls bandmate Mel B after she missed her lavish London wedding in July

The popstar was absent from Mel’s happy day at St Paul’s Cathedral on Saturday, which saw Emma Bunton, 49, the sole other girl group member in attendance.

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New bride Mel, 50, sealed her wedding to groom Rory McPhee with a kiss outside the architectural landmark.

The Wannabe singer stunned in a gown adorned with dazzling pearl detail around the collar and sleeves and a long flowing veil as she stepped out of the iconic venue.

She uploaded a snap showing the happy couple together with the words: “So so happy for you both and beyond gutted I couldn’t be there.

“Excited to celebrate with you really soon. Yipee!”

In her next slide, Mel showcased a snap of her performing in Stockholm, Sweden.

She added the words: “Bit of a soggy one last night.”

X FACTOR winner Joe McElderry says he’ll be ‘eternally single’ while opening up on his dating life.

The talented 34-year-old became a household name after he won the show in 2009, as a fresh-faced 18-year-old with Cheryl as his mentor.

But where his career has thrived, Joe’s not had the same success when it comes to dating. 

Joe referred to himself as “eternally single” in a chat with The Sun, while adding: “I’ve been single for a very, very long time. 

“And I mean I listen, I’m open to meeting somebody and I’d love to meet somebody, but I think dating is so hard now.

“Online dating is a minefield, and I don’t think people meet people unless it’s on dating apps now, which is crazy. It’s kind of sad in a way.” 

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And if he is to meet someone, they’d have to get the green light from his grandma Hilda. 

Joe continued: “She’s a very good judge of character. You’ll know if she doesn’t trust somebody or she doesn’t like somebody. 

“In our industry, you can come across some dodgy people, but she can call it out in seconds of somebody walking in a room and I’m like, that’s a wise woman.”

Joe shares a very close bond with his grandma Hilda, with the pair set to do a live recording of their popular podcast That’s Ridiculous, on October 23rd. 

The booked and busy star is also delighting audiences across the North East with his autumn tour, culminating in his one-night-only Festive Party at Newcastle’s O2 City Hall on 1st December.

Sharing more about tour life, the Climb singer told us: “It’s a very short tour in comparison to what I normally do, but I’ve been on the road with Joseph the musical since January. 

“We finished that in August, and the original plan was to kind of just have October off, and chill out, and then I got halfway through the year and I was like, I feel like I’m gonna miss touring. 

“So we managed to kind of shoehorn in about 10 shows, it’s been great.  We’ve done three of them already and it’s been lovely and it’s my favourite thing to do, just to be in the room with people that support me and know my music.” 

The star shared his pre-show ritual which he has stuck by for years – but admits it’s “not for everyone.” 

Joe continued: “The weirdest thing I do is I gargle bicarbonate of soda. 

“Years ago, a wonderful supporter of mine sent a letter in and he was saying how it’s like an remedy, and so I read this letter and I thought that sounds a bit strange, but I’m going to give it a go and honestly, I mean I’m not a doctor, so if anybody reads this as advice, do it at your own risk, but it’s like a miracle cure for the voice, it’s like a natural antiseptic. 

“You don’t swallow it or anything, it’s just a gargle on your voice. But I swear by it. I have it half an hour before the show. I sometimes have it in the interval of a show. And I even have it in a quick change if I’m struggling on a show day.” 

The 34-year-old admits huge singers have taken his advice in the past after asking what could work to help their vocal chords. 

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“It does taste disgusting, but honestly not one person has ever come back and gone, #that didn’t work,’” Joe added. 

Tickets for both the tour and the festive show at O2 City Hall are available via Joe’s official website and venue box offices – www.joemcelderryofficial.com.

A BBC star’s nepo daughter has revealed her addiction battle on her new single.

The singer has opened up for the first time about struggling with addiction, ADHD and substance abuse.

Line of Duty star Adrian Dunbar‘s daughter, Madeleine Dunbar, 37, whose artist’s name is Minx has explored her past in her new music video.

The artist took to Instagram with an image of herself spread across a lime satin bedspread with beer cans rolled into her hair as curlers

In the image she is surrounded by lines of fake white powder, pill packets and bottles.

The artist said: “My name is Madeline Dunbar, My artist name is Minx.

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“I am a recovering addict. I am a NeuroSpice.

“Messy, Messy ADHD Queen and I am writing songs about it.

The camera then flips to Madeline’s cat and she jokes: “Oh that’s my cat Tony. I think he thinks I’m relapsing.

“Don’t worry baby boy we are not going back there. That is just my ADHD medication crushed up on a golden plate.”

Madeline then bursts into laughter and adds: “Anyways if any of this stuff resonates with you in the right place.

“I’m about to release a track called Dopamine on the 1st November.

“I think you’re gonna f**k with it.”

The singer describes her music as “high-energy pop rap with hip hop, house and Latin influences”, drawing inspiration from Madonna, Lady Gaga, Janelle Monae and Rosalia.

Lyrics from the song include: “And every time I think that I’m in control / You serve another cocktail of chemicals / And it’s nice, but I wonder”

In an earlier post the singer wrote: “Fully clean and sober writing songs about addiction is cathartic but sitting in front of my favourite vices (albeit fake substitutes) was a bit triggering.

“It also made me feel a great sadness for the person I once was and the people still suffering.

“This track is a foray into the desperation felt by anyone suffering with adhd or addiction or like me, both!

“The frenzied need to feel better to feel different to feel normal.

“The futile necessity of instant gratification because that low dopamine is REAL and makes you feel so f***ing empty and unenthused.

“If you or a loved one are struggling speak out and seek help. It can be done, we do recover.”

Madeline’s father Adrian is best known for his starring role in Line of Duty as Superintendent Ted Hastings, the head of an anti-corruption squad.

But the Northern Irish actor has actually enjoyed a varied acting career, which also includes movies.

Line of Duty has run for six seasons so far, with fans begging for a seventh series of the hit BBC One cop drama.

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Adrian is wed to his Australian actress wife Anna Nygh, after they got married in 1986 – as well as Madeline he also has a stepson with Anna.

.

IT’S hard to believe, but at the age of 68, Gloria Estefan, one of the biggest-selling and most-celebrated artists of all time, is marking her 50th year in music.

She has had a stellar career, racking up everything from a slew of Grammy awards to the Presidential Medal of Freedom.

But after her musician daughter Emily performed with Cyndi Lauper at Glastonbury last year, she now has one more thing she wants to strike off her bucket list – a major slot on the prestigious Pyramid Stage.

In an exclusive chat, she told Bizarre’s Howell: “It’s very exciting, big and complex from what I hear from Emily. Like, it was crazy. But that would be super exciting.

“If I’m still around, I would love to do that. Now, Glastonbury likes all kinds of artists.”

With hits like Rhythm Is Gonna Get You, Dr Beat and, of course, Conga, she would have plenty of songs to entertain Worthy Farm.

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And she may soon be wowing even more viewers, with a big-budget biopic on the cards.

For the first time, she has confirmed Rachel Zegler, who shot to fame in Steven Spielberg’s West Side Story, Disney’s Snow White and recently in Evita on the West End, is set to play her.

She said: “I think she’s awesome. I think she’s incredible. I know she’s killed it in Evita.

“We’re still working on the green light because we’re figuring out where to do it, how to do it.

“This has been in the works for quite a few years now. And that’s how it is. You work, you work, you work, and then all of a sudden, boom, the trigger’s pulled and you’ve got to do it right away. But she’s lovely.”

But asked if she thinks Rachel will take the part, she continued: “I think she would. I just need to offer her an actual part. So we need to be greenlit completely and we’re almost there.

“I met her by Zoom. She’s got a beautiful singing voice and she’s a great actor. So absolutely.”

It was originally claimed the film will be an adaptation of her 2015 jukebox musical On Your Feet! although that idea has changed.

The star explained: “The movie’s not going to be the show. There’s a lot in there.”

Gloria was born in Cuba but her family fled to the US during the Cuban Revolution and she has now become one of Miami’s most famous residents.

And as one of the city’s stars, she has become pals with David and Victoria Beckham, who have a home there and have become key to the area with Becks’ football team Inter Miami CF.

But it’s clear they all move in the upper echelons when Stateside.

In a major name drop when quizzed on hanging out with them, she said: “I’ve been at their home. It’s lovely. David is such a lovely man – and Victoria.

“We actually went to a dinner at their home and President Obama was there, and the head of Reddit, and Jeff Bezos. It was really cool.

“It was small, but only the most powerful people in that room. It was great.

“They’re very kind people. And he’s done amazing things for soccer or football, as you call it here.”

And there have been more Brits in Miami, with Dua Lipa performing there last month, when she covered Gloria’s 1985 hit Conga.

“I was so sad that I wasn’t in town,” Gloria said.

“She had invited me to go and do that with her. And I love her. I’m a big fan of Dua Lipa. And that’s the sexiest conga you’re ever going to see, hands down.”

After such an illustrious career, she recently released her 30th album Raíces, which is largely Spanish-language escapism and the perfect soundtrack for a soiree or relaxing evening in.

And it was her husband of 47 years, producer Emilio, who made it happen.

Gloria, who was writing another musical at the time, explained how the salsa record poured out of him.

She added: “It’s got beautiful, romantic ballads. Emilio said, ‘I wrote you a love song’. I go, ‘Babe, you’re going to sing it?’.

He goes, ‘No, you’re going to sing it for me’.”

Charming.

And as for retirement after five decades in the game? Don’t count on it.

She giggled: “In ten years time, I hope to still be alive. That’s my first plan. Who knows?

“I only choose what I really, really want to give my time to. It’s just that. I had all these amazing opportunities. And they just converged this year.”

Kristen chilled Water

KRISTEN STEWART didn’t let the falling temperatures bother her as she headed out in this white mini-dress.

The Twilight actress showed off a stark fringe and bare legs as she left a screening of her new film The Chronology Of Water at the Curzon Mayfair on Thursday night.

It was part of the BFI London Film Festival and the movie, an adaptation of US writer Lidia Yuknavitch’s memoir, is her directorial debut.

Lily ‘cheat’ pain

LILY ALLEN has confirmed my story that she is about to make a return with her fifth album.

And on it, she seemingly accuses ex-husband David Harbour of cheating on her.

The Smile singer married the Stranger Things actor in 2020.

But things crumbled last year, with the relationship inspiring the latest record which is expected to be released imminently.

A new interview with Lily came out in Vogue magazine yesterday.

It features lyrics from two tracks that suggest David romanced other women while they were together and the pair then decided to “open” their marriage.

On one song, Sleepwalking, Lily sings: “You let me think it was me in my head, and nothing to do with them girls in your bed.”

On another, called Dallas Major, she reveals: “You know I used to be quite famous, that was way back in the day.

“I probably should explain how my marriage has been open since my husband went astray.”

And Lily didn’t hold back in her interview, either.

She told the magazine: “I’ve had real problems with my food over the past few years.

She added that during their break-up “it got really, really, really bad”.

Lily, who is sober, said: “The feelings of despair that I was experiencing were so strong.

“The last time I felt anything like that, drugs and alcohol were my way out, so it was excruciating to sit with those [feelings] and not use them.”

KYLIE JENNER says being a pop star is her lifelong dream – despite being mocked this week when she sang on Terror JR’s new song Fourth Strike.

Having just started singing under the name King Kylie, she said: “You know this is my dream. I’ve been talking about this since I came out of the womb… that like I wanted to be a pop star.

“I just never had the confidence or… I think turning 28 just does something to you. Like I’m going to be 30 soon and I don’t want to look back on life and have any regrets.

“This is something I’ve always wanted to try.”

JENNIFER LOPEZ is up for returning to the Super Bowl stage in February – six years after her stellar half-time show with Shakira.

The singer, whose parents are from Puerto Rico, waved the country’s flag during her performance and next year will see rapper Bad Bunny, who is from there, playing the show.

Quizzed on US TV whether they could do something together there, she said there had been “no talk” of a collaboration but that she would be open to it.

She said: “There’s no talk. I have not gotten any calls. So I just want to put the expectation down. But of course if he wanted me to do something, I would definitely do it.”

Crouchy Enter the Dragon

ABBEY CLANCY and Peter Crouch are slowly turning their home into a zoo – and the next animal they are adding is a bearded dragon.

The couple, who live in Surrey with their four children, already own two dogs, cats and a horse but now they are adding reptiles to the menagerie.

Crouchy says they are getting the reptile, which is native to Australia, because their son is desperate for one as a pet.

As well as the lizard, Abbey wants to also get lambs and chickens.

Peter said: “The more animals the better, apparently. Bearded dragons are next on the horizon. My little boy has wanted one for years. They’re actually all right. I thought it would be a nightmare, but I’ve been down the shop and held them.

“We’re actually going to get one. They grow to be quite big but they’re quite chilled.”

Michael makes big money

MICHAEL McINTYRE’s firm raked in more than £3.2million last year – making him one of the biggest earners on TV.

He had another stellar year presenting Saturday-night series Michael McIntyre’s Big Show and quiz The Wheel.

The comedian’s TV production firm Hungry McBear paid £805,000 in corporation tax in its last financial year up to December 31.

That rate suggests he made just over £3.2million.

Reserves in the company now stand at £1,718,407.

The firm is jointly controlled by Michael and TV producer Dan Baldwin, who is married to Holly Willoughby.

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It makes all of Michael’s shows, including Christmas and Easter one-offs and Michael McIntyre: Showman for Netflix.

But the cash doesn’t include earnings from his stand-up tour, so he will be raking in even more.

BRITNEY Spears’ ex-husband Kevin Federline claimed the singer drank alcohol during her pregnancy and did cocaine while breastfeeding.

Britney, 43, was married to dancer and actor Kevin, 47, from 2004 until 2007.

The former couple welcomed two sons together during their three-year marriage.

On October 21, Kevin is set to release a tell-all memoir titled You Thought You Knew.

In addition to his former wife, the book also covers Kevin’s journey to Hollywood and his big break.

According to The Hollywood Reporter, it features allegations including that Britney had drank wine during pregnancy.

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As well as this, Kevin claims that Britney did cocaine while their boys were young – leaving him concerned about their breastfeeding.

The Sun has contacted Britney’s reps for comment.

Kevin told The Hollywood Reporter: “Of course this concerned me.

“Anything that could possibly harm the child is concerning. So yeah, it was a bit shocking for me through some of those moments.

“But yes, that night at the record release party was really what set everything off. I realized that I needed to get into “protect my children” mode, is what happened.

“Like I said in the book, it’s not necessarily the extracurricular activities (i.e., drug use). I was concerned for my children.

“And eventually she filed for divorce. That was the actual breaking point in the marriage.”

Meanwhile, Britney has since clapped back at her ex-husband’s claims in a passionate social media post.

She shared to Instagram: “The constant gaslighting from my ex husband is extremely hurtful and exhausting.

“Relationships with teenage boys is complex. I have felt demoralized by this situation and have always asked and almost begged for them to be a part of my life.

“Sadly, they have always witnessed the lack of respect shown by their own father for me.

“They need to take responsibility for themselves.

“With one son only seeing me for 45 min in the past 5 years and the other with only 4 visits in the past 5 years. I have pride too.

“From now on I will let them know when I am available.

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“Trust me, those white lies in that book, they are going straight to the bank and I am the only one who genuinely gets hurt here.”

Britney was seen reuniting with her rarely-seen son Jayden back in June, with a picture showing the teen towering over her.

AN EMOTIONAL JoJo Siwa was seen breaking down in tears live on stage after paying tribute to her boyfriend Chris Hughes.

The Celebrity Big Brother star, 22, has been on the road hitting venues across Britain, with her last show last night.

At her last gig of the tour, JoJo appeared to become overwhelmed.

The Dance Moms star broke down in tears as she took to the stage for the final show of her Infinity Heart Tour.

In a video shared by a fan on TikTok, JoJo was seen welling up during her performance of Back To That Girl.

She then told the audience at the Klub Proxima in Warsaw, that she doesn’t usually get “so emotional”.

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Continuing, JoJo said: “It’s been a while since I’ve done what I love which is being on stage being in front of you.

“And, most of you won’t really care, but today’s the last day of this tour.

“You don’t have to pretend you care, you came here because I’m in your city, you didn’t come here because it’s the last one.

“We’re all sobbing right now. But, it just, just to anybody who A, is in this building, B, came to any of these shows, or C, whether it be a good comment or a bad comment, left a comment, hit a like, watched a video, anyone who supported anything just a big massive thank you.”

An emotional JoJo then added: “I finally had myself pulled together and then I saw all these hearts in here.

“That caught me off guard that was good!’

The star’s emotional moment on stage followed a heartfelt Instagram post where JoJo paid a tribute to everyone on her tour who had supported her, which included Chris who has been cheering her on at the side of the stage.

She wrote: “I’ll definitely have a lot more to say once I’ve gathered some thoughts, but tonight is the final show on the Infinity Heart Tour and I am incredibly emotional.

“The amount of work that has gone into creating the show from choreographing it myself to all the creative direction to actually executing it on stage, the show represents who I want to be as a person and the artist that I wanna be in this lifetime, and it’s translated so well to the crowd and hearing your reviews that have been so positive, it just makes me flood with happiness and gratitude.

“Thank you so much for all the love on this tour, to everyone who showed up to the concerts, and to everyone who supported from the distance online.

“Means so very much.”

Chris then thrilled fans when he wrote in the comments: “Smashed it my love.”

The pair met on Celebrity Big Brother earlier this year and have been smitten ever since.

JoJo recently insisted she is not straight amid her romance with Chris and questions surrounding her sexuality.

The YouTuber has refused to put a label on her identity after falling for the former Love Island star inside the CBB house.

Prior to entering the house, JoJo was loved up with non-binary influencer Kath Ebbs but ended their romance to pursue things with Chris.

Now, she has given a candid insight into the negative reactions and “extreme amount of hate” for being currently “in a hetero relationship”.

The dancer and singer opened up in a radio interview on Sirius XM’s Smith Sisters Live.

JoJo said: “From the very, very, very beginning of our relationship. He said, ‘So you can be anything you want. I just love you. I don’t want you to change. I just love you.’

“And I don’t know, I think we got to see on episode two of Big Brother, he was the only person in fact that stood up for me right away.

OMAZE-ING

I went from council flat to winning £4m house… But this is why I’m selling up

BOTTOMS UP

Wetherspoons reveals opening dates of 5 new pubs starting next week

“That shows who he is as a straight white male that shows the kind of person he is to stand up for the young 22-year-old queer person in the house.”

JoJo appeared to be referring to when Chris defended her amid a homophobic remark from actor Mickey Rourke inside the house.

BRITNEY Spears has furiously clapped back at her “gaslighting” ex husband Kevin Federline in a brutal takedown of his jaw-dropping allegations over her conduct.

The mom-of-two issued a passionate statement on her Instagram page after her baby-daddy told how he feared the pop star would die without help – and said “it’s impossible to pretend everything is OK.”

Kevin – who is set to release book You Thought You Knew on October 21 – has already teased many shocking revelations about his relationship with the Toxic singer and life raising their sons, Sean Preston, now 20, and Jayden James, 19.

The former professional dancer, 47, has used his tome to open up about his struggles co-parenting with Britney, 43, throughout her downward spiral from pop princess to troubled artist.

As well as claiming she watched her sons sleep with knives in her hand, he has suggested she snogged a female dancer while he refused a throuple.

Now, clearly having “had enough” of the stream of stories about her the book has leaked, Britney has taken action.

BRIT CHEAT?

Kevin Federline claims Britney cheated with female dancer & he refused throuple

In a text post written in black font on a white background, she wrote: “The constant gaslighting from my ex husband is extremely hurtful and exhausting.

“Relationships with teenage boys is complex. I have felt demoralized by this situation and have always asked and almost begged for them to be a part of my life.

“Sadly, they have always witnessed the lack of respect shown by own father for me.

“They need to take responsibility for themselves.

“With one son only seeing me for 45 min in the past 5 years and the other with only 4 visits in the past 5 years. I have pride too.

“From now on I will let them know when I am available.

“Trust me, those white lies in that book, they are going straight to the bank and I am the only one who genuinely gets hurt here.”

Britney was seen reuniting with her rarely-seen son Jayden back in June, with a picture showing the teen towering over her.

The Hit Me Baby One More Time hitmaker also revealed she had bought Jayden a brand new Mercedes AMG SL 63 roadster valued at $187K.

The US chart star then wrapped her emotive message with the words: “I will always love them [her boys] and if you really know me, you won’t pay attention to the tabloids of my mental health and drinking.

“I am actually a pretty intelligent woman who has been trying to live a sacred and private life the past 5 years.

“I speak on this because I have had enough and any real woman would do the same.”

MOM LOWDOWN

Britney lost full-time custody of her sons in 2007 after an infamous breakdown during which she shaved her head.

The US star was allowed only supervised visits to see her boys, then aged two and one, who went to live with her former husband Kevin.

She now has 30 per cent custody but her relations with her sons hit a rough patch after they chose not to attend their mum’s 2022 wedding to US model Sam Asghari, her now ex.

The teens were also said to be embarrassed by her semi-naked pictures and overtly sexual dance videos posted on Instagram.

MARRIAGE BREAKDOWN

Kevin and Britney got married on September 18, 2004, just five months after they met but they split in 2006.

In an interview with The New York Times, Kevin previously revealed he’s kept his distance from his ex-wife and they “haven’t spoken in years,” following their divorce nearly two decades ago.

However, in the book, the DJ also revealed some of Britney’s alarming behavior, which he learned mainly from their kids.

“They would awaken sometimes at night to find her standing silently in the doorway, watching them sleep — ‘Oh, you’re awake?’ — with a knife in her hand,” Kevin wrote.

“Then she’d turn around and pad off without explanation.”

In a statement provided to Us Weekly, Britney’s representative said, ‘Once again [Federline] and others are profiting off her, and sadly it comes after child support has ended with Kevin.

‘All she cares about are her kids, Sean Preston and Jayden James, and their well-being during this sensationalism,’ they added.

In 2023, Jayden and Sean moved to Hawaii with their dad and his new wife, Victoria Prince, and the their two half-sisters. 

There were rife reports of a rift between the two sons and their famous mother, which was sparked after her conservatorship was terminated in November 2021.

Previously, the bubblegum pop queen apologized for “not being perfect.”

OMAZE-ING

I went from council flat to winning £4m house… But this is why I’m selling up

BOTTOMS UP

Wetherspoons reveals opening dates of 5 new pubs starting next week

Meanwhile, we exclusively revealed the secret Mother’s Day phone call which saw her attempt to rebuild her connection with her sons.

We told how Britney is now at pains to rebuild a loving relationship with her sons — who were once by her side for everything, from Smurf movie premieres to Dodgers baseball games and trips to Disneyland.

After 15 years, four records and a buzz-making barrage of shows, tours and festivals, the moody, multifaceted music of north London’s Wolf Alice is huge in the U.K., thanks to uniquely seductive soundscapes, visceral live shows and a relentless hunger for experimentation that melds rock, shoegaze and alternative pop.

With their latest studio album, “The Clearing,” the members are primed for the next level of success in the U.S., and it comes via songs that reflect their growth as individuals and as a collective.

Consisting of lead singer Ellie Rowsell, guitarist Joff Oddie, bassist Theo Ellis and drummer Joel Amey, Wolf Alice provides both feminine and masculine perspectives on life that feel resonant and real, with sonic approaches that can go from raging one moment to restrained the next. They’ve honed their sound even as they’ve continued to experiment with it. The result is exciting for them and for fans, now more than ever.

“This tour has been incredible. It’s definitely been the busiest and had the biggest shows we’ve ever played in America,” Ellis tells The Times via Zoom, noting that the band’s upcoming Wiltern date in Los Angeles on Oct. 13 is almost sold out.

Wolf Alice’s connection to Los Angeles is especially significant at this phase of its career. “The Clearing” was recorded here with famed producer Greg Kurstin (Adele, Miley Cyrus), who brought his pop sensibilities to the project, even as he encouraged the band to follow its own eclectic instincts, dipping into synthy, dancy elements and balladry with bite.

“We’ve had a different producer every album, so every experience has been quite different,” says drummer Amey, who joins our Zoom later. “He was just a very calm and positive force in the studio that made all of us feel very comfortable, to be able to be the best versions of ourselves … And it did come at a time where maybe even the four of us were second-guessing ourselves. We’d been in this headspace for a while about how we wanted to treat the sonics of the record. You can get stuck in that cycle … But he was so positive that he could help us get there, and he did.”

As Taylor Swift’s latest record brings scrutiny to the construction and thematics of pop music and its presentation, Wolf Alice’s seductive sway and wistful grit feels comparatively effortless, even if it’s just as accessible.

Buzz in the U.S. started after a killer set at Coachella 2016, but we caught Wolf Alice the following year at Dave Grohl’s Cal Jam in 2017. Its emotive alt-rock melodies and charisma more than held its own next to headliners including fellow-Brit Liam Gallagher and the Foo Fighters themselves (who the band has also toured with). The material, largely off its first and second albums, “My Love Is Cool” and “Visions of a Life,” respectively, offered a compelling blend of sharp riffage and dreamy textures, which reminded us of everyone from Smashing Pumpkins to Cocteau Twins at the time. Standout tracks we noted included the dissonant “Yuk Foo” and the sassy hit “Don’t Delete the Kisses.”

After another shimmering genre-blending release, 2021’s “Blue Weekend,” and now “The Clearing,” it’s almost a decade later, and the band is even harder to codify. The members are also bonafide touring and festival vets.

“In the U.K., festival culture is, like, a whole thing. The U.S. is kind of getting more like that too,” Amey says. “But European and U.K. festival culture is a rite of passage for a teenager … it’s ingrained. If you’re starting a band, you’re thinking about festivals at some point. So we love playing them. We played Glastonbury this year, and it just felt like a really wonderful way to say, ‘We’re back, here’s some new stuff,’ and also a celebration of the old stuff.”

Old or new, creative imagery has been a consistent component of Wolf Alice’s expression. Building upon the cinematic qualities of its music, its videos elevate not only its narratives but also its rock-star personas as well.

“This album explores themes of performance which I think is prevalent in the music videos and musically, in rock ’n’ roll which we also explore,” frontwoman Rowsell shares by email. “In the past Wolf Alice have shied away from performance videos so this marks a new vibe for us.”

“Bloom Baby Bloom,” which features an “All That Jazz”-style dance sequence (with choreography by L.A.’s Ryan Heffington, known for his magical movements on the Netflix cult fave “The OA” and in Sia’s “Chandelier”) brings out the drama and audacious expression of the song, especially Rowsell’s soaring vocals. It also highlights the band’s maturation and liberation as established artists at the height of their performing powers.

Similarly, “Just Two Girls,” a sweet ode to female friendship that’s a cool, ’70s soft-rock filler track on record, becomes more of a defiant anthem for feminine freedom on video.

“It’s a wonderful license of expression in which you can kind of do whatever you want,” reflects Ellis on the videos. “It’s absurdist in its nature and there are really interesting formats to explore. We’ve had some great experiences in America making them.”

The band has also had memorable moments on Amercian late-night TV, including “Jimmy Kimmel Live!” and “The Tonight Show Starring Jimmy Fallon,” turning in wild appearances that reflect its name (inspired by a book about feral children raised by wolves).

And while good old-fashioned live performance has helped its popularity grow, the band acknowledges that the music industry is different — even from when it started 15 years ago, with streaming’s domination and platforms like TikTok exposing music to new audiences. For a band driven by its own interpersonal chemistry, interactions and influences, it’s not top of mind.

“We’re not concerned with how it’s going to be distributed to people fundamentally, as we’re creatively trying to satisfy ourselves,” Ellis says. “I don’t think the mechanics of [music discovery] are affecting what we’re making in the studio or the creative process. There’s so much for a band to create nowadays, and to worry about … from our perspective, the music is what comes first and then everything else is hopefully just kind of a fun way of presenting it to the world.”

A HUGE rock band has split after a decade together – and fans are completely gutted over the news.

Irish rockers Kodaline, known for their hits such as Brother, All I Want, and Moving On, have announced that they will soon be parting ways.

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Taking to social media to share the sad news, the band, which formed in 2005, wrote: “After over a decade, it’s time to say goodbye.

“With all our love. VSMJ.”

The caption accompanied a video, which saw the band performing on stage with a voiceover that played over the top.

In the voiceover, the band members could be heard saying: “After over a decade together we’ve made the difficult decision to say goodbye to Kodaline. 

“It might come as a surprise, and it’s definitely bittersweet for us too.

“What we’ve shared has changed our lives forever. 

“From busking on the streets of Dublin to playing shows across the world, it really has been the stuff that dreams are made of.

“We want it to end on a high, so before we say goodbye, we’re heading into the studio one last time to record our fifth and final album as Kodaline. 

“We are, and always will be, forever grateful for your love and support.”

They went on: “It’s been a journey that we’ll never forget and we hope that the music stays with you long after we’re gone. 

“With all our love Vinny, Steve, Mark and Jay.”

Fans rushed to the comments to react to the heartbeaking news.

One person wrote: “Nah why you gotta ruin my week like this.”

“Please don’t,” pleaded another.

“Thank you for being there for so many of us through your songs,” added a third.

A fourth said: “Through every heartbreak and healing, your songs stayed. I’ll always love you—honestly, completely, endlessly.”

While a fifth penned: “NOOOO PLEASEEE i’ve never been to your concert wdym i’ll never have the chance to see you guys live.”

And fellow Irish musicians Jedward added: “You can never fully say goodbye to Kodaline so we’ll see ya in the year 2030 something.

“Cause your to iconic not to come back and slay once again.”

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TAYLOR SWIFT has admitted she no longer believed in ­marriage and had given up on love after splitting from long-term boyfriend Joe Alwyn.

The superstar has used her new album The Life Of A Showgirl — out today — to document going from depression to being wooed back to life by her fiancé, Travis Kelce.

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Though in a move that is sure to get the world talking, Taylor savages a ­mystery person, believed to be singer Charli XCX, for mocking her.

Taylor and Travis started dating in the summer of 2023 before he popped the question in August this year.

On lead single The Fate Of Ophelia, Taylor sings: “And if you’d never called for me. I might have drowned in the melancholy.

Rediscovered love of life

“I swore my loyalty to me, myself and I, right before you lit my sky up.”

She adds: “You dug me out of my grave and saved my heart from the fate of Ophelia.

“And if you’d not come for me, I might have lingered in purgatory.

“No longer drowning and deceived, all because you came for me.”

The song is based on Shakespeare’s character Ophelia in Hamlet.

After being toyed with by rich and powerful men, Ophelia goes insane and kills herself by drowning.

The track acts as a bridge between the doom of Taylor’s 11th album The Tortured Poets Department and her new, rediscovered love of life, all thanks to her Kansas City Chiefs man.

On Eldest Daughter, Taylor pines for true love, admitting she feels played and betrayed by men her whole life.

She says: “I’ve been dying just from trying to seem cool. But I’m not a bad bitch.

“The last time I laughed this hard was on the trampoline in somebody’s backyard. I must have been eight or nine.

“The night I fell off and broke my arm. Pretty soon I learned cautious discretion. When your first crush crushes something kind. When I said I don’t believe in marriage, that was a lie.”

Vowing she still secretly pines for true love despite being hardened to disappointment, Taylor sings: “And I’m never gonna let you down. I’m never gonna leave you out. So many traitors. Smooth operators.

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“But I’m never gonna break that vow. I’m never gonna leave you now.”

Despite only being out today, thanks to pre-orders The Life Of A Showgirl is already the fastest selling album of the year.

Written during Taylor’s record-breaking Eras Tour last summer, the record peels back what life was like for the star away from the stage.

On song Elizabeth Taylor, she sings about dating Travis: “Sometimes it doesn’t feel so glamorous to be me.

“All the right guys promised they’d stay, under bright lights they withered away. But you bloom. Tell me for real. Do you think it’s forever?”

Despite the glitz and glamour, Taylor says she had “everything and nothing all at once” — pining for true love over material goods.

She sings: “Hey, what could you possibly get for the girl who has everything and nothing all at once?

“Babe, I would trade the Cartier for someone to trust.”

On Opalite, Taylor sings about “dancing through the lightning strikes”, a reference to her splitting with British actor Joe just weeks before embarking on the biggest tour of her career.

Storytelling best

Continuing with the theme of yearning for the simple things in life, Taylor uses Wi$h Li$t to double down on wanting love over material goods.

She pines: “I made wishes on all of the stars. Please, God bring me a best friend who I think is hot, I thought I had it right once, twice but I did not.”

She adds: “I just want you. Have a ­couple kids.”

For the title track, Taylor reverts to her storytelling best alongside fellow superstar Sabrina Carpenter.

The Life Of A Showgirl tells the brutal reality of life on the road chasing fame and fortune.

Taylor sings: “The more you play the more that you pay. You’re softer than a kitten so. You don’t know the life of a showgirl, babe

She continues: “I’m married to the hustle. And now I know the life of a showgirl, babe. And I’ll never know another. Pain hidden by the lipstick and lace.”

As a final nod to her record-breaking 24 months, the song —  and album —  fades out with live audio thanking fans as she takes her final bow on her Eras Tour.

CHARLI XCX

‘It’s sweet all the time you’ve spent on me‘

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THE most brutal track on the album is called Actually Romantic.

It appears to be a full take-down of Brit singer Charli XCX, who is friends with Taylor’s love rat ex Matty Healy.

Charli’s husband George Daniel is part of Matty’s band The 1975.

Taylor sings: “I heard you call me ‘Boring Barbie’ when the coke’s got you brave.

“High-fived my ex and then you said you’re glad he ghosted me.

“Wrote me a song saying it makes you sick to see my face. Some ­people might be offended. But it’s actually sweet, all the time you’ve spent on me.”

Charli has long been accused of glamorising drug use – even ­releasing a vinyl of her latest record Brat filled with white powder. Rather than being a flash-in-the-pan spat, the duo have a long ­history.

Charli supported Taylor on her 2018 Reputation Stadium Tour. But the Brit hated the experience.

She told Pitchfork mag in 2019: “I’m really grateful that Taylor asked me on that tour. But, as an artist, it kind of felt like I was getting up on stage and waving to five-year-olds.”

From then on things seemed to sour further – and Charli’s Brat album track Sympathy Is A Knife is believed to be about Taylor.

Charli sings: “This one girl taps my insecurities. Don’t know if it’s real or if I’m spiraling. Cause I couldn’t even be her if I tried.

“I’m opposite, I’m on the other side. I feel all these ­feelings I can’t control.”

SCOTT BORCHETTA

‘They don’t make loyalty like they used to’

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DESPITE plenty of floor fillers, Taylor’s new album is not all sweetness and light. As well as having a dig at Charli XCX, on Father Figure Taylor appears to round on Scott Borchetta.

He is the CEO of her first label Big Machine Records, who sold the rights to her first six albums in 2019.

The track features lines of George Michael’s 1987 single of the same name, as she seemingly talks about how Borchetta, right, boasted about being able to make her a star before stabbing her in the back.

“I’ll be your father figure, I drink that brown liquor. I can make a deal with the devil because my d’s bigger. This love is pure profit, just step into my office.”

She later adds: “They don’t make loyalty like they used to.”

Her reference to brown liquor is thought to be a nod to how Borchetta celebrated selling her masters to Scooter Braun over a glass of whisky.

In an open letter to fans about the sale, Taylor wrote: “These are two very rich, very powerful men.

“Then they’re standing in a wood-panel bar doing a tacky photoshoot, raising a glass of scotch to themselves.

“Because they pulled one over on me and got this done so sneakily that I didn’t even see it coming.”

Earlier this year, Taylor finally bought back her masters.

Hinting at her victory, she ends the track singing: “We drank that brown liquor. You made a deal with this devil. Turns out my d’s bigger. You want a fight, you found it.”

BIZARRE VERDICT

★★★★☆

THE Tortured Poets Department – for me the best Taylor album until now – was always going to be a hard act to follow.

But a drastic change of direction here has served the star well.

Lyrically, she continues at her best – with enough metaphors and coded literary references to keep fans speculating for ages.

Pop records are the hardest to perfect when it comes to both lyrics and melodies, but with producers Max Martin and Shellback by her side, Taylor has once again made magic.

With The Life Of A Showgirl, she proves yet again she’s the best in the business. Are there a couple of skips? Yes. But there’s also some of her best ever work.

Lead single The Fate Of Ophelia is an earworm of a track that’s perfect for both radio and dancefloors. It’s also possibly the most infectious Taylor lead single of all time.

Elizabeth Taylor, Ophalite and Cancelled! are also standouts.

Taylor’s reign atop the music industry is far from over.

I KNEW The Life Of A Showgirl was going to be a massive album.

But Taylor Swift has exceeded all expectations by scoring the fastest-selling album of the year — before it’s even been released.

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Music insiders tell me she has so many pre-orders for physical copies of her 12th album, which will finally come out tomorrow, that it is a dead cert for No1 next Friday.

And along with pre-save data from streaming services Spotify and Apple Music, it will instantly surpass Sam Fender’s record of the biggest single-week sales in 2025, which he set with 107,000 copies for February’s People Watching.

An industry source told me: “The reception from fans has been very impressive because the pre-orders for this album have been absolutely massive. She hasn’t even released a song from the album yet so it’s remarkable.

“No one can compete with her in terms of sales.”

Spotify has said The Life Of A Showgirl is the most pre-saved album in the streaming service’s history, with more than 5.5million saving it to instantly appear on their accounts tomorrow morning.

Meanwhile, Apple Music has said it is her most pre-added album ever, and she is the most “favourited” artist on the service.

In 2022, Taylor shifted 204,500 UK copies of her album Midnights in its first week.

But last year, she blew those sales out of the water when The Tortured Poets Department achieved 270,000 chart units in its first week.

That made it the biggest seven days of sales for an album in the UK for seven years, since her pal Ed Sheeran sold an eye-watering 670,000 copies of Divide in 2017.

There are other records she is breaking, too.

She has become the first solo female artist in American history to have certified album sales in the US of more than 100million, as determined by the Recording Industry Association of America.

Their figures also show her album 1989 is now her biggest-selling album, as it has gone 14-times platinum.

I don’t envy the other artists who have albums out tomorrow. I doubt they’ll get a look in.

Hailey marks another rear

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HAILEY BIEBER put on a flirty display in this yellow negligee – as she missed her wedding anniversary for Paris Fashion Week.

The model posted a string of snaps on Instagram, alongside the caption “bisou”, which means “kiss” in French.

While her husband Justin remained at home in the US, she stayed in Paris on Tuesday, six years since their South Carolina wedding.

The event on in 2019 was attended by friends and family, but they had secretly tied the knot , on September 13 2018.

Perhaps they had already celebrated this year, or maybe the pics were his anniversary gift.

Zara’s stripped off for the main pose

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ZARA LARSSON is on track to score her fourth Top 20 album tomorrow with the release of brilliant new record Midnight Sun.

But the Swedish singer has also been hard at work on clothing and lifestyle brand Main Rose, which she unveiled with this revealing snap of her in a long-sleeved pink leotard.

The Swedish singer, who started the project a year ago, wrote on Instagram: “Building Main Rose is genuinely a lust for me to creatively expand myself.

“To elevate one’s first layer, literally and figuratively, feels like a fun and natural first chapter for me to explore. Afterall, my dream outfit is really just a pair of panties.”

Amal’s looking lawsome

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AMAL CLOONEY stole her husband George’s thunder at his latest movie premiere.

She looked sensational in this designer minidress at the New York launch of comedy drama Jay Kelly.

It remains to be seen whether their twins Alexander and Ella will follow his career path, become a human rights lawyer like Amal, or do something else.

Asked if they had inherited the acting bug, he told E! News: “I don’t know, it’s so hard to tell at eight.

“They’re very funny kids, and they love to get up and sing. But you know, I hope they do exactly what they want to do in life, and that’s all you can hope for.”

On whether they know he’s a big star, George added: “They have some idea. My kid came up to me the other day and said, ‘Papa what’s “famous?” Somebody in my class said you’re famous’. I said, ‘Tell that kid I’m very famous’.”

“They saw Fantastic Mr. Fox. I won’t let them see Batman & Robin, I want them to have respect for me.”

The Becks Factor reaches £73m

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GOLDENBALLS has done it again – enjoying another year of record-breaking profits.

David Beckham’s company racked up revenue of £73.4million, as he goes from “face to founder” with more behind-the-scenes deals than ever.

The latest figures for DRJB Holdings, the umbrella company for his business ventures, show consolidated profits up 24 per cent to £35.1million.

A source said: “David is still an incredibly sought-after face for campaigns, but he has matured into an incredibly impressive and canny businessman, too.

“He really enjoys the boardroom machinations and while he looks as incredible as ever, probably won’t want to be on billboards in his pants for ever.

“Six years after setting up his own brand management operation, he is more hands-on than ever. Right now he’s at a really exciting next stage of evolution, and loves getting involved with new projects.”

This is partly thanks to successful deals with Boss menswear, and a license agreement with Safilo eyewear.

David also branched out into the wellness industry for the first time, with his IM8 supplements.

Other strategic partnerships include deals with speaker makers Bowers & Wilkins, Stella Artois beer and tech firm Shark Ninja.

Meanwhile, the former England captain’s profile has never been higher internationally following his four-part documentary from 2023.

News of his latest commercial success comes ahead of wife Victoria’s own Netflix docu-series, which comes out next week.

I can’t wait to see plenty more Becks on my box.

Stel-Hel Fashion week secret

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STELLA McCARTNEY went to extreme lengths to keep Helen Mirren’s role at Paris Fashion Week show a secret.

The designer secretly enlisted the actress to open her show with a recital of The Beatles classic Come Together.

Helen was driven around the block to give the illusion she had simply arrived to watch the event.

A source said: “It was a full-on military operation. No one knew Helen was taking part.”

Robbie reveals ‘I have Tourette’s’

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ROBBIE WILLIAMS says he has Tourette’s syndrome, but claims his tics are “intrusive” and not verbal.

The neurological condition causes sudden, repetitive and involuntary sounds or movements.

But Robbie, who was previously diagnosed with ADHD, suggested his is different.

He told the I’m ADHD! No You’re Not podcast: “I’ve just realised I have Tourette’s, but they don’t come out. They are intrusive thoughts. I was just walking down the road the other day, and I realised these intrusive thoughts are inside Tourette’s. It just doesn’t come out.

“Not only that, you would think that a stadium full of people professing their love to you would work as (a distraction), but whatever it is, inside me cannot hear it. I cannot take it in.”

Robbie also said he recently took a test to see if he is autistic.

He added: “It turns out I’m not, but I’ve got autistic traits. And it’s around social stuff, it’s about interaction.”

Dua’s in Bruise control

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DUA LIPA has had a lucky escape after accidentally injuring her shoulder while on tour in America.

The New Rules singer was spotted with a deep bruise, leading fans to fear she could have seriously hurt herself.

But I’m told while the mark does look bad, Dua hasn’t been hugely harmed.

More importantly, while she is due to undergo physio to make sure of a full recovery, it also means her US tour can carry on without a hitch.

A source said: “The injury happened while Dua was enjoying some down time from her show.

“It’s been painful but after being checked over by a radiologist, she’s been given the all clear.

“The tour will still be going ahead as planned. It’s just one of those things.”

While it’s no secret Dua loves a holiday and has previously joked about her life being one big vacation, she is also one of the hardest working women in music.

I just hope she is looking after herself too.

It’s a Slim volume

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FATBOY SLIM is releasing his first book, with the brilliant title It Ain’t Over . . .  ’Til the Fatboy Sings.

It documents his 40 years in showbiz through photos, flyers and stories and is out on October 16.

But fans can also see him at the Theatre Royal in Brighton on October 14 for a Q&A about it.

The DJ, whose real name is Norman Cook, said: “This year I’ll have been in showbiz for 40 years, and to celebrate that we thought we’d create a big book full of stuff which I’ve kept over the years. I’m really excited to appear in one of my favourite venues for something a little different this time.

“It’ll be nice to get up close and personal with the audience in a beautiful setting and to share some of my stories.”

ROBBIE Williams has revealed his life-changing health battle for the first time, admitting ‘you’re always looking for the cure.’ 

The music star said he’s been secretly living with Tourette’s syndrome. 

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Robbie, 51, has claimed that his Tourette’s are ‘intrusive’ while speaking on a podcast about it for the first time. 

The music legend starred on the first episode of the new season of Paul Whitehouse and Dr Mine Conkbayir’s podcast I’m ADHD! No You’re Not. 

He said: “I’ve just realised that I have Tourettes, but they don’t come out. 

“They are intrusive thoughts that happen, I was just walking down the road the other day, and I realised that these intrusive thoughts are inside Tourettes. It just doesn’t come out.

“Not only that, you would think that a stadium full of people professing their love to you would work as (a distraction), but whatever it is inside me cannot hear it. I cannot take it in.”