metal

YUNGBLUD shared a sweet gesture toward late star Ozzy Osbourne during his MTV VMAs tribute performance.

The singer joined Steven Tyler and Joe Perry of Aerosmith and Nuno Bettencourt to commemorate the rocker’s career with a medley of his greatest hits following Ozzy’s passing in July.

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Fans noticed at the start of the performance that Yungblud showed the cameras his gold cross necklace and kissed it before heading onto the stage.

They then recognized the piece as the exact necklace that had been gifted to the young artist by Ozzy himself before his death.

Viewers pointed out the connection on social media.

“Dom playing crazy train with the necklace ozzy gave him still on,” one person wrote on X, while others shared they got emotional over the touching tribute.

During a red carpet interview with E! News before the show, Yungblud flashed the momentum and said Ozzy was “here with me” throughout the night.

A FOREVER BOND

Ozzy acted as a mentor to Yungblud in the final years of his life and presented the cross necklace to him at the heavy metal star’s final concert this past summer.

The Crazy Train singer also received a special message from his son, Jack Osbourne, and grandkids, in a touching video played before the performance.

Ozzy died on July 22 from “acute myocardial infarction” and “out of hospital cardiac arrest,” per the former TV star’s death certificate.

He was laid to rest next to the lake in his Buckinghamshire home days later, with his friends and family in attendance.

The Osbournes alum had been battling numerous health conditions in recent years, including Parkinson’s Disease.

His wife, Sharon Osbourne, stayed close by the Black Sabbath star’s side throughout his health struggles, and was in tears at his funeral service.

Also in attendance were his son, Jack, his daughters, Kelly and Aimee, and a number of celebrity pals, including Marilyn Manson, Elton John, and his Black Sabbath bandmates.

Yungblud was also there to say his final goodbyes to the Dreamer singer.

“I didn’t think you would leave so soon the last time we met you were so full of life and your laugh filled up the room,” Yungblud wrote in a touching Instagram post the day Ozzy died.

WILDEST MOMENTS IN VMAS HISTORY

Madonna’s Like a Virgin performance (1984): The controversial performance at the first-ever VMAs launched her into superstardom and established the awards show as a venue for bold pop culture moments.

Britney Spears, Madonna, and Christina Aguilera kiss (2003): During a medley that showcased Britney and Christina in wedding gowns, Madonna kissed them both. But it was Britney and Madge locking lips that was the kiss seen around the world. The moment was especially shocking when the camera cut to Britney’s then-boyfriend, Justin Timberlake, whose stunned reaction seemed disapproving.

Kanye West interrupts Taylor Swift (2009): After Taylor, 19, won the award for Best Female Video, Kanye, 32, rushed onto the stage and infamously declared that Beyoncé had the “best video of all time” for Single Ladies and deserved the award instead. This was the beginning of a decades-long feud between Kanye and Taylor, which continues to this day.

Lil Mama crashes the stage (2009): In the middle of Jay-Z and Alicia Keys’ performance of Empire State of Mind, Lip Gloss rapper Lil Mama inexplicably walked up, despite being held back by Beyonce. She posed alongside Jay-Z and Alicia as she invited herself into the performance. She posed on stage with them at the end, despite Lil Mama not being a part of the song or the performance.

Lady Gaga’s meat dress (2010): The pop star wore a dress, hat, and shoes made entirely out of raw flank steak. She later explained the outfit was a protest against the military’s “don’t ask, don’t tell” policy, stating it symbolized fighting for your rights or ending up “meat on your bones”.

Beyoncé’s pregnancy reveal (2011): At the end of her performance of Love on Top, Beyoncé unbuttoned her blazer and rubbed her belly, confirming her first pregnancy to the world. Her husband, Jay Z, watched from the crowd and celebrated with the audience.

Nicki Minaj vs. Miley Cyrus (2015): While accepting the award for Best Hip-Hop Video, Nicki called out Miley Cyrus, who was hosting that year, by asking, “Miley, what’s good?” Nicki later claimed she was genuinely upset with Miley due to comments she had recently made in an interview.

“But as it is written with legends, they seem to know the things that we don’t. I will never forget you – you will be in every single note I sing and with me every single time I walk on stage.”

He also mentioned the necklace, calling it “the most precious thing I own,” and that he was “heartbroken” over losing the music legend.

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After living in her two-bedroom apartment in Los Feliz for more than a decade, Debra Weiss encountered a problem experienced by many renters in Los Angeles: She was evicted.

“I moved into the apartment in 2014, and four years later, my landlord sold it to a wealthy family who bought it at a loss,” said Weiss, 69, who works as a textile artist. “They knew they couldn’t evict us due to rent control.”

In this series, we spotlight L.A. rentals with style. From perfect gallery walls to temporary decor hacks, these renters get creative, even in small spaces. And Angelenos need the inspiration: Most are renters.

When the landlords put the three-unit complex on the market in 2022, however, they offered Weiss $50,000 to move out — far more than the amount required by law — to make the building easier for them to sell. She declined, concerned it would affect her Social Security benefits, as there is a limit to how much one can earn and still receive full benefits.

Then, last February, the three tenants received eviction notices under the Ellis Act, which allows landlords to evict renters from rent-controlled apartments if the building is being torn down or removed from the rental market. It’s currently for sale for $3.2 million.

As a senior, Weiss was entitled to a full year’s notice because she had lived in her unit for more than a year. Still, she knew she would eventually have to move out of the comfortable 1,200-square-foot duplex, for which she paid $2,670 a month in rent.

Artist Debra Weiss stands in her dining room where she often works as a fiber artist.

When she began looking for another apartment in the area, Weiss quickly learned that she could no longer afford to live in Los Feliz. “The apartments were so much more expensive than what I was used to paying, and they had no parking or a washer and dryer,” she said. (Weiss was paid $24,650 in relocation assistance, which was taxed, due to her age and the length of time she lived in her Los Feliz apartment.)

She also visited some small studios and considered purchasing a TIC, or Tenancy in Common, where buyers purchase a share in a corporation that owns a building. However, to secure a loan, she’d need someone to co-sign. “Even though they are cute, they are tiny and not necessarily in the best neighborhoods,” she said. Another option, a Craftsman apartment near USC, wasn’t in a good walking neighborhood, something that was important to Weiss. It was also dark and hundreds of dollars more a month than her previous apartment. “I’m almost 70 years old and I need light to work,” she added.

Handknitted sculptures, embroidered weavings and a tufted rug adorn the guest room.

When her son-in-law spotted a charming two-bedroom apartment near the Los Angeles County Museum of Art for $2,950 a month on Zillow, Weiss decided to check it out.

“My initial reaction was, ‘I want this,’ ” Weiss said of the fourplex.

The rental had high ceilings, oak floors, ample sunlight, an appealing fireplace, a garage and a washer and dryer. A newly redone modern kitchen felt out of character for the 1930s building, but that didn’t bother Weiss. “The kitchen is a blank canvas,” she said of the all-white cabinets and countertops. “The white background makes all of my stuff stand out,” including ceramics by Mt. Washington Pottery and Altadena artist Linda Hsiao.

Weiss knits a sweater for her granddaughter with yarn she purchased in Japan.

Concerned that the landlord wouldn’t want to rent to her because of her age, she was pleasantly surprised when she got the apartment. “The light is amazing,” Weiss said. “I was initially worried about some of the modern touches like the overhead lighting, but it floods the room with bright light that allows me to work at night.”

Nearly a year after moving in, Weiss has filled the apartment with her stitched collages, quilts and the artworks of others, many of which she described as “trades.” “I like color and pattern and objects,” she said as she pointed out some Japanese ceramics on her buffet and a dress that she crocheted with scraps of fabric, yarn and metal.

In the guest room, a wall hanging composed of three separate weavings in a gingham check pattern is embroidered with a series of characters she based on her 5-year-old granddaughter’s drawings. “It’s about people coming together in chaos and supporting each other,” Weiss said. “I like the pattern; it reminds me of eating together on picnic tables.”

“I like objects,” Weiss said of the many treasures and collections of things that are featured throughout her rental.

On the opposite wall of the guest room above her sewing machine, a series of metal sculptures she knitted with copper and silver hangs alongside cloth dolls and purses. In the corner, a cowl made of macrame, textiles and yarn adorns a mannequin. There’s also a colorful latch hook rug that she made with acrylic yarn that looks more like artwork than a functional accessory.

In her bedroom, a coverlet that Weiss assembled from vintage quilts adorns the bed.

The long hallway ends at the laundry room and is lined with her colorful quilts, some of which are mounted on Homasote board, along with weavings and stitched works, which, like her cooking, are improvisational.

“I work without planning and respond to the materials and see what it becomes,” she said. “I start knitting and see where it goes. I get excited about the material, and then I go for it. “

The hallway in Weiss’s apartment is lined with her artworks.

Much of the wood furniture in her apartment was made by her father, who died 13 years ago.

“I’ve had this since my kids were little, and you can see all the markings,” she said of the hutch in the corner of her dining room. “My dad made it 40 years ago for the Van Nuys house I grew up in.”

It is here, at the dining room table that her father made, that she works, hosts workshops and teaches lessons in fiber art, collage and stitching. Later this year, she hopes to host a sale of her work at a holiday open house in her apartment.

Weiss is an expert in mixing texture, pattern and color in her Mid-Wilshire apartment.

The mixing of colorful Persian rugs, textiles, natural materials, chunky wood pieces and intricately knitted metal sculptures creates a warm balance throughout her apartment.

Bursting with color and pattern, the rooms offer a sense of calm that Weiss appreciates as a woman who raised three daughters alone and has had to pivot during major life changes. Over the years, she has run a clothing company, Rebe, which closed in 2019 due to economic uncertainty, declared bankruptcy and sold her Woodland Hills house. Most recently, she was forced to weather the eviction process.

“I’ve always been an entrepreneur,” said Weiss, who works six to eight hours a day at home and sells her artwork and sewing patterns on her Specks and Keepings website and at L.A. Homefarm in Glassell Park. “I’ll always figure out a way to make money by selling the things that I make.”

Even though the process of having to move was stressful, Weiss is happy with her new home and neighborhood. “I take the Metro bus everywhere and hardly ever drive,” she said. “I go to the Hollywood Farmer’s Market on Sundays. Kaiser is nearby and I can walk to LACMA. Everything worked out perfectly.”

Weiss pulls out a drawer of her flat files cabinet filled with her artwork.

The two towering sculptures comprising thousands of pounds of bronze and stainless steel took artist and filmmaker Sir Daniel Winn more than a year to complete.

They vanished in a weekend.

Police believe that on June 14 or 15 at least one thief made off with both “Icarus Within” and “Quantum Mechanics: Homme,” — sculptures valued at a combined $2.1 million — from a warehouse in Anaheim Hills. Other artwork and valuables inside the warehouse that would have been easier to move were untouched. Authorities have scant details about the heist.

“Unfortunately, we have little information but we are investigating,” Anaheim Police Sgt. Matt Sutter said.

The life-sized “Quantum Mechanics: Homme” artwork, composed of lucite, bronze and stainless steel, depicts a winged and horned man and was featured in the award-winning short film “Creation” in 2022. It’s valued at $1.8 million.

A second Winn piece, “Icarus Within,” based partially on the sculptor’s chaotic childhood escape from Vietnam, is a steel and bronze sculpture that also stands 8 feet tall, weighs a ton, and is valued at $350,000.

Both sculptures were being stored in a temporary facility and were last seen by warehouse workers in Anaheim Hills on Saturday, according to the Anaheim Police Department.

When the workers returned to the facility Monday, both pieces were missing, according to police.

Winn believes the pieces may have been stolen by an unscrupulous collector while an art recovery expert suspects the two sculptures will be destroyed for scrap metal.

“Typically these sculptures, when we do exhibitions, take about a dozen men and two forklifts to move it and a flatbed or a truck to carry it,” Winn said. “This is not an easy task.”

Winn told The Times that the last few days have been stressful and that his anxiety has been “through the roof.” Winn is considered a blue-chip artist, meaning his work is highly sought after and has a high monetary value.

The former UC Irvine medical student, who was once homeless after switching his major from medicine to art, said he blends fine art, quantum metaphysics and philosophy into his work.

The Vietnamese refugee owns the Winn Slavin Fine Art gallery on Rodeo Drive and was appointed earlier this month as Art Commissioner for John Wayne Airport.

The loss of his art has pushed Winn “to a dark place,” he said, though he’s found some catharsis in talking about the situation.

“These are my children,” he said of each of his individual works. “I have no physical, organic children. Every artwork I create is my child.”

The larger of two sculptures, “Homme,” was the seventh and only unsold work in Winn’s Quantum Mechanics series, which explores philosophical concepts, universal truths and tries to answer the enduring question: why are we here?

The smaller “Icarus Within” focused on Winn’s struggle around the age of 9 in emigrating to the United States in the final days of the Vietnam War. The sculpture was tied to Winn’s movie “Chrysalis,” based on his memoirs, that is supposed to premier this fall.

Winn said the level of sophistication in the theft led him to suspect he was targeted and that his pieces may be on the black market.

He turned over a list of individuals who have recently inquired about his sculptures to police, he said.

Sutter, the Anaheim Police sergeant, said this is the largest burglary he’s seen in his 25 years with the department.

“We’ve had our share of high-end homes that were burglarized, but this type of crime, involving forklifts, trucks, crews and the sheer size of the sculptures is something I can’t remember us having before,” Sutter said.

Sutter said investigators are asking businesses near the warehouse for any footage that could help them identify a suspect.

“I have no idea where these sculptures are,” Sutter said. “They could be in somebody’s house or in a shipping container somewhere. That’s what we’re trying to find out.”

Chris Marinello, founder of the dispute resolution and art recovery service named Art Recovery International, said the sculptures will likely be scrapped for their metals.

Marinello said scrap yards tear apart such works into thousands of small pieces to cloak the metal’s origin.

“Unfortunately, the criminals are not that bright and they don’t see artwork but, instead, a sculpture worth millions that is more valuable to them for the raw metals like steel and bronze,” Marinello said.

Marinello pointed to a two-ton Henry Moore bronze sculpture, known as the Reclining Figure, stolen from the artist’s foundation in Hertfordshire, England in 2005.

The piece was valued at 3 million pounds, but authorities believe it was scrapped for just 1,500 pounds.

“You can’t sell sculptures of this magnitude on the market,” Marinello said of the Winn’s stolen pieces.

Brian Montana, a former guitarist for the Bay Area death metal band Possessed, was killed in a shootout with police in South San Francisco.

The incident occurred April 28 after Montana, 60, confronted a neighbor about tree branches and leaves falling into his yard, according to a press release from the South San Francisco Police Department, first reported in the San Mateo Daily Journal.

“Officers began arriving on scene at 5:55 pm and immediately requested additional units because the suspect with the firearm was now actively shooting into an occupied residence,” the release stated. “The suspect then re-positioned himself into a driveway of that neighbouring residence and concealed his location behind parked vehicles while still armed.

“Over the next 25 minutes,” the release continued, “the suspect armed himself with three different types of firearms (handgun, shotgun, and rifle) and fired at officers from different locations within the driveway while seeking cover and concealment using both vehicles in the driveway and landscaping.”

Two officers on the scene returned fire and killed Montana. One resident in the home Montana shot at suffered a non-life-threatening injury in the shooting, and was taken to a local hospital for treatment. The officers were not injured.

San Mateo County Dist. Atty. Steve Wagstaffe told the Daily Journal that “On the shooter’s side, there was some alcohol involved. His death is a tragedy, but it’s fortunate that nobody else wasn’t hit or injured more seriously.”

Montana briefly played in the pioneering death metal band from 1983 to 1984. Possessed’s official Instagram posted a photo of Montana with a brief remembrance.

“I just feel like people should know that Brian Montana was a very nice guy. He was jovial and a gentleman,” the band wrote. “The Brian I know is from when we were still just kids back in the beginning of Possessed. He was nothing like what I’m seeing being written about him. … He was obviously going through some struggles and I think this is the time to be respectful towards the Montana family and friends as this is a tragic time for them. I’m sure there’s a lot more to this story, but that would be up to Brian‘s family to tell or not to tell. I know that I still feel this is a great loss and I’m deeply saddened.”

This isn’t the band’s first tragic brush with gun violence. Possessed’s vocalist, Jeff Becerra, was paralyzed from the chest down after being shot in an armed robbery in 1989. He has used a wheelchair ever since, but in 2021, he walked for the first time in decades with aid from robotic legs.