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A 24-year-old Honduran man who was fleeing federal immigration agents in Virginia died on a highway after being struck by a vehicle.

The death of Josué Castro Rivera follows recent incidents in which three other immigrants in Chicago and California were killed during immigration enforcement operations under the Trump administration’s crackdown.

Castro Rivera was headed to a gardening job Thursday when his vehicle was pulled over by Immigration and Customs Enforcement officers, brother Henry Castro said.

Agents tried to detain Castro Rivera and the three other passengers, and he fled on foot, tried to cross Interstate 264 in Norfolk and was fatally struck, according to state and federal authorities.

Castro Rivera came to the United States four years ago and was working to send money to family in Honduras, according to his brother.

“He had a very good heart,” Castro said Sunday.

The Department of Homeland Security said Castro Rivera’s vehicle was stopped by ICE as part of a “targeted, intelligence-based” operation and passengers were detained for allegedly living in the country without legal permission.

DHS said in a statement that Castro Rivera “resisted heavily and fled” and died after a passing vehicle struck him. DHS officials did not respond Sunday to requests for further comment.

Virginia State Police said officers responded to a report of a vehicle-pedestrian crash around 11 a.m. Thursday on eastbound I-264 at the Military Highway interchange. Police said Castro Rivera was hit by a 2002 Ford pickup and was pronounced dead at the scene.

The crash remains under investigation.

Federal authorities and state police gave his first name as Jose, but family members said it was Josué. DHS and state police did not explain the discrepancy.

Castro called his brother’s death an injustice and said he is raising money to transport the body back to Honduras for the funeral.

“He didn’t deserve everything that happened to him,” Castro said.

DHS blamed Castro Rivera’s death on “a direct result of every politician, activist and reporter who continue to spread propaganda and misinformation about ICE’s mission and ways to avoid detention.”

Similar deaths amid immigration operations elsewhere have triggered protests, lawsuits and calls for investigation amid claims that the Trump administration’s initial accounts are misleading.

Last month in suburban Chicago, federal immigration agents fatally shot a Mexican man during a traffic stop. DHS initially said a federal officer was “seriously injured,” but police body camera video showed the federal officer walking around and describing his own injuries as “ nothing major.”

In July, a farmworker who fell from a greenhouse roof during a chaotic ICE raid at a California cannabis facility died of his injuries. And in August, a man ran away from federal agents onto a freeway in the same state and was fatally struck by a vehicle.

Tareen and Walling write for the Associated Press.

“Chainsaw Man — The Movie: Reze Arc,” the Japanese anime from Crunchyroll and Sony, claimed the top spot at the domestic box office this weekend, taking in an estimated $17.25 million, according to Comscore.

The R-rated movie, based on Tatsuki Fujimoto’s popular manga series, follows teen demon hunter Denji, who is betrayed by the yakuza and killed as he attempts to pay off the debts he inherited from his parents. His beloved chainsaw-powered dog Pochita makes a deal and sacrifices his life, fusing with Denji who is reborn with the ability to transform parts of his body into chainsaws.

“Chainsaw Man,” already a global hit, delivered a blow to Disney and 20th Century’s biopic “Springsteen: Deliver Me From Nowhere,” starring Jeremy Allen White, which came in a disappointing fourth place with an estimated $9.1 million.

Based on the 2023 Warren Zanes book of the same name, the film plumbs Springsteen’s life and career through the creative process, during the making of his 1982 acoustic album “Nebraska.”

The Times described the movie as a “thoughtful exploration of the creative process” that runs out of steam by the end, “meandering aimlessly into a depressive period of Springsteen’s, and it never quite regains its footing.”

In its second week out, the horror sequel “Black Phone 2” took the No. 2 slot, earning an estimated $13 million over the weekend, giving the Universal and Blumhouse movie a domestic total of $49.1 million.

Rounding out the third spot is Paramount’s romantic drama “Regretting You,” the latest film adaptation of novelist Colleen Hoover (“It Ends With Us”). Starring Allison Williams and Dave Franco, it opened to an estimated $12.5 million domestically.

Bryan Mbeumo’s match-winning goal in stoppage time elevated Manchester United to fourth on the Premier League ladder.

Manchester United’s improvement under coach Ruben Amorim continued as Matheus Cunha, Casemiro and two goals from Bryan Mbeumo secured a 4-2 victory over Brighton & Hove Albion on Saturday, their third successive Premier League win.

Looking to build on last weekend’s first victory at Liverpool since 2016, Cunha arrowed home a sublime 24th-minute strike into the bottom corner, the Brazilian’s first goal for United.

There was fortune about the second from Casemiro 10 minutes later, his shot taking a huge deflection before finding the net, but Mbeumo’s well-taken third just after the hour mark put the hosts in complete command.

Danny Welbeck’s sublime free kick against his former club pulled one back for Brighton, before Charalampos Kostoulas’s header in stoppage time ensured a nervy finish at Old Trafford.

With Brighton committing everyone forward in search of the equaliser, Mbeumo fired a fine strike into the roof of the net to lift United to fourth in the standings. Brighton stayed 12th.

“I enjoy it a lot here,” Mbeumo told Sky Sports. “It hasn’t been easy at the start. It’s a new environment, a new expectation, but I think with the link-up with the team, everything is going the right way.

“The work we put in, the togetherness we give on the pitch, is key. I like the challenges, I came here to a big club, and we want to fight for the best places.”

Brighton big test for United

The visitors provided a big test for an improving United, given that since the start of the 2021-22 season no team has won more league games against United than Brighton.

United’s victory against Liverpool last weekend was the first time Amorim had achieved back-to-back league wins since taking charge 11 months ago, but the manager insisted the revival would be undone if they slipped to another loss to Brighton.

Welbeck forced a fine save from United goalkeeper Senne Lammens early on as Brighton started brightly, but Cunha’s pinpoint finish settled home nerves. Since the start of last season, Cunha has scored more goals from outside the box than any other Premier League player in all competitions.

Casemiro’s deflected strike deservedly put a dominant United further ahead, with more chances coming and going to extend the hosts’ lead before the break.

Mbeumo followed up his goal at Liverpool with the third to put United into a seemingly unassailable position.

Proof that they are far from the finished article yet came, however, as mistakes crept in and Welbeck started the Brighton comeback.

United appeared on the ropes when Kostoulas pounced to narrow the deficit to 3-2, but Mbeumo’s 96th-minute strike secured the three points as the home side won three straight league victories for the first time since August 2024.

“We put ourselves in a really difficult position,” Welbeck said. “We have a great group. We got two goals and were close to maybe getting a third. It didn’t happen, but it is a good sign we showed character.”

CHICAGO — The detention by immigration authorities of a Chicago man whose 16-year-old daughter is undergoing treatment for advanced cancer is illegal, and he must be given a bond hearing by Oct. 31, a federal judge has ruled.

Attorneys for Ruben Torres Maldonado, 40, who was detained Oct. 18, have petitioned for his release as his deportation case goes through the system. While U.S. District Judge Jeremy Daniel said in an order Friday that Torres’ detention is illegal and violates his due process rights, he also said he could not order his immediate release.

“While sympathetic to the plight the petitioner’s daughter faces due to her health concerns, the court must act within the constraints of the relevant statutes, rules, and precedents,” the judge wrote Friday.

Torres’ attorney took the ruling as a win — for now.

“We’re pleased that the judge ruled in our favor in determining that ICE is illegally detaining Ruben. We will now turn the fight to immigration court so we can secure Ruben’s release on bond while he applies for permanent residence status,” his attorney, Kalman Resnick, said in a statement Friday night.

Torres, a painter and home renovator, was detained at a suburban Home Depot store. His daughter, Ofelia Torres, was diagnosed in December with a rare and aggressive form of soft-tissue cancer called metastatic alveolar rhabdomyosarcoma and has been undergoing chemotherapy and radiation treatment.

Torres entered the U.S. in 2003, according to his lawyers. He and his partner, Sandibell Hidalgo, also have a 4-year-old son. The children are both U.S. citizens, according to court records.

“My dad, like many other fathers, is a hardworking person who wakes up early in the morning and goes to work without complaining, thinking about his family,” Ofelia said in a video posted on a GoFundMe page set up for her family. “I find it so unfair that hardworking immigrant families are being targeted just because they were not born here.”

The Department of Homeland Security alleges that Torres has been living illegally in the U.S. for years and has a history of driving offenses, including speeding and driving without a valid license and insurance.

“This is nothing more than a desperate Hail Mary attempt to keep a criminal illegal alien in our country,” Assistant Homeland Security Secretary Tricia McLaughlin said in a statement. “The Trump administration is fighting for the rule of law and the American people.”

At a hearing Thursday, which Ofelia attended in a wheelchair, the family’s attorneys told the judge that she was released from the hospital just a day before her father’s arrest so that she could see family and friends. But since his arrest, she had been unable to continue treatment “because of the stress and disruption,” they said.

Federal prosecutor Craig Oswald told the court that the government did not want to release Torres because he didn’t cooperate during his arrest,

Several elected officials held a news conference Wednesday to protest Torres’ arrest. The Chicago area has been at the center of a major immigration crackdown dubbed “Operation Midway Blitz,” which began in early September.

Oct. 24 (UPI) — A 41-year-old Guatemalan man was extradited to the United States on charges related to a December 2021 crash in Mexico that killed 55 and injured 105 people who were smuggled.

Daniel Zavala Ramos was arrested on Aug. 7 in Boqueron, Guatemala, according to the U.S. Department of Justice.

The crash took place on Dec. 9, when a tractor-trailer hit a pedestrian bridge, collided with a truck and overturned in the Mexican state of Chiapas, near the border with Guatemala. There were survivors.

On the third anniversary of the crash in 2024, Zavala Ramos and five others were charged with human smuggling. Among them, Jorge Agapito Ventura was arrested at his home in Cleveland, with one later in custody last May and three in September.

Zavala Ramos’ name in the indictment was blacked out.

If convicted, they face up to life in prison and a maximum $250,000 fine.

The case was certified as complex.

The six face charges of conspiracy to bring illegal aliens into the U.S, placing life in jeopardy, causing serious bodily harm and resulting in deaths.

“The Justice Department is holding accountable the individuals who we allege preyed on vulnerable migrants and are responsible for this heinous crime that resulted in the deaths of over 50 people and injured over 100 more,” Attorney General Merrick Garland said. “Human smugglers should heed these charges and arrests as a warning: you will be held accountable for your deadly crimes.”

Zavala Ramas surrendered to U.S. authorities on Tuesday and made his initial court appearance in Laredo, Texas, on Thursday.

From October 2021 to February 203, DOJ said they worked with others smugglers to transport people from Guatemala through Mexico into the United States.

“They allegedly recruited them, collected payment and arranged travel by foot, microbuses, cattle trucks and tractor-trailers,” DOJ said in a news release.

Unaccompanied children were smuggled, DOJ said.

Those being transported were given instructions on what to say if apprehended, authorities said.

Conducting the joint investigation were Immigration and Customs Enforcement with Homeland Security Investigations.

“This DOJ is investigating and prosecuting human smuggling more aggressively than ever before, and Joint Task Force Alpha is the tip of the spear,” Attorney General Pamela Bondi said in September. “We will not rest until those who profit from the suffering of vulnerable people — including many unaccompanied children — face severe, comprehensive justice.”

The investigation was part of Operation Take Back America, a nationwide initiative utilizing the full resources of the DOJ to prevent illegal immigration and eliminate cartels and transnational criminal organizations in an effort to “protect our communities from the perpetrators of violent crime,” DOJ said.

Shaquille O’Neal said he’s “ashamed” of the people involved in the gambling scandal that rocked the NBA on Thursday.

Charles Barkley called two of the individuals involved in the matter “stupid.”

Kenny Smith said the situation is “super unfortunate.”

One day after the “Inside the NBA” crew made its ESPN debut, the three analysts, as well as host Ernie Johnson, had a huge story to discuss that had little to do with the actual game of basketball.

On Thursday morning, federal prosecutors unsealed two indictments that outlined separate schemes to rig sports bets and poker games. More than 30 people were arrested, including former Clippers player and current Portland head coach Chauncey Billups, who was charged with participating in a conspiracy to fix high-stakes card games run by Mafia families.

Also arrested were Miami Heat guard Terry Rozier, who is accused of being part of a scheme to provide private insider NBA information to help others profit from online bets, and retired player Damon Jones, who has been charged with taking part in both schemes.

“All these guys knew what was at stake, and I’m just ashamed that they put themselves and put their family and put the NBA in this position,” O’Neal said during Thursday’s broadcast. “We all know the rules. We all know the letter of the law. And it’s just unfortunate — you know, innocent till proven guilty, but usually when the FBI has something, they have you.”

He added: “I know Chauncey. I know Damon very well, played with Damon. … I’m ashamed that those guys will put their families and their careers in jeopardy. There’s an old saying in the hood, all money ain’t good money. So if you’re making $9 million, like, how much more do you need? Especially if you know you get caught, you can do jail time, lose your career, put a bad image on yourself or your family or on the NBA.”

Smith pointed out that “gambling is an addiction which could make you make illogical decisions,” but Barkley interjected his opinion that addiction had nothing to do with the decision Jones and Rozier made to help others make fraudulent bets.

“This ain’t got nothing to do with addiction. These dudes are stupid,” Barkley said. “Why are they stupid? You under no circumstances can you fix basketball games. Under no circumstances. … Like, Rozier makes $26 million. Him betting, giving people information or taking himself out of games — how much is he going to benefit taking himself out the game to get unders?”

Barkley added: “You can’t fix ball games. Like I said, this is separate from Chauncey, but the notion that guys are making all this money and giving information — come on, man, stop that. That got nothing to do with addiction. That’s just total stupidity on these two dudes parts.”

Billups — a five-time All-Star who was the 2004 NBA Finals MVP as a member of the Detroit Pistons and is in his fifth season as Portland’s coach — and 10-year NBA veteran Rozier were placed on immediate leave, the league announced Thursday.

Billups’ attorney issued a statement Thursday night strongly denying the allegations against his client.

“Anyone who knows Chauncey Billups knows he is a man of integrity,” attorney Chris Heywood said. “Men of integrity do not cheat and defraud others.”

Jones played three seasons with LeBron James on the Cleveland Cavaliers from 2005 to 2008 and was an assistant coach during the Lakers star‘s second stint in Cleveland. In one of the indictments, prosecutors allege Jones was an unofficial coach with the Lakers from 2022 to 2023 when he used inside information for sports betting.

Los Angeles County prosecutors unsealed an indictment Friday against a former LAPD officer responsible for the 2015 on-duty shooting of an unarmed man in Venice.

The ex-cop, Clifford Proctor, pleaded not guilty to the charges during a brief hearing in a downtown courtroom.

Wearing an orange jumpsuit, Proctor, 60, leaned over several times to whisper to his attorney but otherwise said little during the hearing, a portion of which was held behind closed doors. He waived a reading of the indictment. He will remain in custody with no bail, and is expected to return to court for a hearing early next month.

Proctor’s lawyer, Anthony “Tony” Garcia, said he would reserve comment until he’d had a chance to review the case.

But he questioned the timing of the charges, which came more than a decade after the incident in question.

The L.A. County District Attorney’s office reviewed the case when it was fresh and “determined there was nothing to proceed,” Garcia said.

Proctor was arrested at Los Angeles International Airport last week when U.S. Customs and Border Protection agents noticed he had an active warrant. Proctor has been living abroad for several years, according to sources who were not authorized to speak publicly about the pending case.

Proctor resigned from the LAPD in 2017. While still with the department, he shot and killed Brendon Glenn, a 29-year-old homeless man, after a dispute outside of a Venice bar in 2015. Glenn and his dog had been kicked out of the Bank of Venice restaurant for causing a disturbance.

Proctor and Glenn got into an argument and the officer ordered Glenn to leave the area. Glenn responded by hurling several racial epithets at Proctor. Both men are Black, according to court records.

Glenn then got into an argument with a bouncer outside of a different bar, and Proctor and his partner moved to make an arrest. During the ensuing struggle, Proctor shot Glenn twice in the back. Proctor alleged Glenn reached for his partner’s gun, but footage from the scene appeared to contradict that claim.

Glenn’s hand was never seen “on or near any portion” of the holster, according to a report made by the city’s Police Commission in 2016, and Proctor’s partner never made “any statements or actions” suggesting Glenn was trying to take the gun.

Former LAPD Chief Charlie Beck called for Proctor to be charged with manslaughter in the wake of public outrage over the killing, but ex-Dist. Atty. Jackie Lacey declined to prosecute. After being elected on a police accountability platform in 2020, her successor, George Gascón hired a special prosecutor to reexamine charges against several L.A. County law enforcement officers in on-duty killings, including Glenn’s death.

Last year, sources told The Times that a warrant had been issued for Proctor’s arrest. Gascón and his chosen special prosecutor, Lawrence Middleton, repeatedly declined to comment on the case.

Dist. Atty. Nathan Hochman, who fired Middleton shortly after taking office last year, has not given updates on the case. Hochman hired another special prosecutor, Michael Gennaco, to oversee Middleton’s pending cases.

Hochman’s appetite to prosecute Proctor is unclear. He was often critical of Gascón’s decision to employ a special prosecutor during the 2024 campaign cycle, and Hochman’s close ties to law enforcement have left some skeptical of his willingness to pursue difficult cases involving on-duty misconduct.

A NETFLIX star and British rapper has been charged with causing serious injury by dangerous driving after a fatal crash.

Justin Clarke-Samuel, who stars in Netflix series Supacell, allegedly failed to stop after hitting a 20-year-old man in Ilford, east London, on October 18.

The 41-year-old, who goes by the name Ghetts, appeared at Stratford Magistrates’ Court on Monday, the same day the man died in hospital.

The indictment could change from causing serious injury to causing death by dangerous driving at the next hearing.

The rapper, from Woodford Green, was remanded into custody and is due to appear at Barkingside Magistrates’ Court on Monday, October 27.

Police are appealing for witnesses to the crash to come forward.

The rapper has featured alongside Skepta, Stormzy and Ed Sheeran, racking up millions of hits on Spotify.

In 2024 he performed at Glastonbury. In 2008, Ghetts was nominated for a BET Award for Best International Act: UK along with Chipmunk, Giggs, and Skepta.

His music has since been played on national radio stations including BBC Radio 1, Kiss 100 and BBC Radio1Extra.

Clarke-Samuel has toured internationally with Top Bar star and fellow rapper Kano, and was a member of East London British grime group Nasty Crew.

More to follow… For the latest news on this story keep checking back at The Sun Online

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CAPE TOWN, South Africa — A Cuban man deported by the United States to the African nation of Eswatini is on a hunger strike at a maximum-security prison, having been held there for more than three months without charge or access to legal counsel under the Trump administration’s third-country program, his U.S.-based lawyer said Wednesday.

Roberto Mosquera del Peral was one of five men sent to the small kingdom in southern Africa in mid-July as part of the U.S. deportation program to Africa. It has been criticized by rights groups and lawyers, who say deportees are being denied due process and exposed to rights abuses.

Mosquera’s lawyer, Alma David, said in a statement sent to the Associated Press that he had been on a hunger strike for a week, and there were serious concerns over his health.

“My client is arbitrarily detained, and now his life is on the line,” David said. “I urge the Eswatini Correctional Services to provide Mr. Mosquera’s family and me with an immediate update on his condition and to ensure that he is receiving adequate medical attention. I demand that Mr. Mosquera be permitted to meet with his lawyer in Eswatini.”

The Eswatini government said Mosquera was “fasting and praying because he was missing his family” and described it as “religious practices” that it wouldn’t interfere with, a characterization disputed by David. She said in response: “It is not a religious practice. It’s an act of desperation and protest.”

Mosquera was among a group of five men from Cuba, Jamaica, Laos, Vietnam and Yemen deported to Eswatini, an absolute monarchy ruled by a king who is accused of clamping down on human rights. The Jamaican man was repatriated to his home country last month, but the others have been kept at the prison for more than three months, while an Eswatini-based lawyer has launched a case against the government demanding they be given access to legal counsel.

Civic groups in Eswatini have also taken authorities to court to challenge the legality of holding foreign nationals in prison without charge. Eswatini said that the men would be repatriated but could be held there for up to a year.

U.S. authorities say they want to deport Kilmar Abrego Garcia to Eswatini under the same program.

The men sent to Eswatini were criminals convicted of serious offenses, including murder and rape, and were in the U.S. illegally, the Department of Homeland Security said. It said that Mosquera had been convicted of murder and other charges and was a gang member.

The men’s lawyers said they had all completed their criminal sentences in the U.S. and are now being held illegally in Eswatini.

Homeland Security has cast the third-country deportation program as a means to remove “illegal aliens” from American soil as part of President Trump’s immigration crackdown, saying they have a choice to self-deport or be sent to a country like Eswatini.

The Trump administration has sent deportees to at least three other African nations — South Sudan, Rwanda and Ghana — since July under largely secretive agreements. It also has an agreement with Uganda, though no deportations there have been announced.

New York-based Human Rights Watch said that it has seen documents that show that the U.S. is paying African nations millions of dollars to accept deportees. It said that the U.S. agreed to pay Eswatini $5.1 million to take up to 160 deportees and Rwanda $7.5 million to take up to 250 deportees.

Another 10 deportees were sent to Eswatini this month and are believed to be held at the same Matsapha Correctional Complex prison outside the administrative capital, Mbabane. Lawyers said that those men are from Vietnam, Cambodia, the Philippines, Cuba, Chad, Ethiopia and Congo.

Lawyers say the four men who arrived in Eswatini on a deportation flight in July haven’t been allowed to meet with an Eswatini lawyer representing them, and phone calls to their U.S.-based attorneys are monitored by prison guards. They have expressed concern that they know little about the conditions in which their clients are being held.

“I demand that Mr. Mosquera be permitted to meet with his lawyer in Eswatini,” David said in her statement. “The fact that my client has been driven to such drastic action highlights that he and the other 13 men must be released from prison. The governments of the United States and Eswatini must take responsibility for the real human consequences of their deal.”

Imray writes for the Associated Press. Nokukhanya Musi contributed to this report from Manzini, Eswatini.

Shots were fired outside Serbia’s parliament in Belgrade, injuring a supporter of President Aleksandar Vucic, who called the incident as a “terrorist attack”. Police say the 70-year-old suspect acted alone after setting a tent ablaze near a pro-government encampment amid year-long anti-Vucic protests.

WASHINGTON — A man whose convictions for storming the U.S. Capitol were erased by President Trump’s mass pardons has been arrested on a charge that he threatened to kill House Minority Leader Hakeem Jeffries.

Christopher P. Moynihan is accused of sending a text message on Friday noting that Jeffries, a New York Democrat, would be making a speech in New York City this week.

“I cannot allow this terrorist to live,” Moynihan wrote, according to a report by a state police investigator. Moynihan also wrote that Jeffries “must be eliminated” and texted, “I will kill him for the future,” the police report says.

Moynihan, of Clinton, N.Y., is charged with a felony count of making a terroristic threat. It was unclear if he had an attorney representing him in the case, and efforts to contact him and his parents by email and phone were unsuccessful.

Moynihan, 34, was sentenced to 21 months in prison for joining a mob’s Jan. 6, 2021, attack on the Capitol. In January, he was among hundreds of convicted Capitol rioters who received a pardon from Trump on the Republican president’s first day back in the White House.

Jeffries thanked investigators “for their swift and decisive action to apprehend a dangerous individual who made a credible death threat against me with every intention to carry it out.”

“Unfortunately, our brave men and women in law enforcement are being forced to spend their time keeping our communities safe from these violent individuals who should never have been pardoned,” Jeffries said in a statement.

House Speaker Mike Johnson was asked about the case during a news conference on Tuesday and said he did not know any details of the threat against Jeffries.

“We denounce violence from anybody, anytime. Those people should be arrested and tried,” said Johnson, a Louisiana Republican.

The New York State Police said they were notified of the threat by an FBI task force on Saturday. Moynihan was arraigned on Sunday in a local court in New York’s Dutchess County. He is due back in the Town of Clinton Court on Thursday.

Dutchess County Dist. Atty. Anthony Parisi said his office is reviewing the case “for legal and factual sufficiency.”

“Threats made against elected officials and members of the public will not be tolerated,” Parisi said in a statement on Tuesday.

On Jan. 6, Moynihan breached police barricades before entering the Capitol through the Rotunda door. He entered the Senate chamber, rifled through a notebook on a senator’s desk and joined other rioters in shouting and chanting at the Senate dais, prosecutors said.

“Moynihan did not leave the Senate Chamber until he was forced out by police,” they wrote.

In 2022, U.S. District Judge Christopher Cooper convicted Moynihan of a felony for obstructing the Jan. 6 joint session of Congress for certifying Democrat Joe Biden’s victory over Trump in the 2020 presidential election. Moynihan also pleaded guilty to five other riot-related counts.

Kunzelman writes for the Associated Press. AP writer Stephen Groves contributed to this report.

Beyond the Cuban diaspora, the genre known as reparto is overwhelmingly unknown. But on the streets of Havana and Hialeah, Miami, reparto is inescapable, pulsing from balconies and portable speakers on the beach.

Born in Cuba’s working-class neighborhoods — known colloquially as repartos — this hyperkinetic fusion of reggaetón, timba and Afro-Cuban rhythms has become the island’s score. In the mid-2000s, artists like Chocolate MC and Elvis Manuel built the genre’s sound on distorted synth stabs, shouted call-and-response hooks, and the distinct Cuban clave beat that makes your body move before your brain can even catch up.

It’s also become a platform for youth navigating scarcity, surveillance and dreams of escaping poverty. The lyrics, characteristically and unapologetically obscene, reflect the realities of life in marginalized communities. But alongside its rhythmic bravado, reparto’s explicit language often veers into the dehumanizing and misogynistic.

The music centers on women, but more often than not, as objects: the perra to conquer, the diabla to tame, the culo to catalog in explicit detail. And it’s no surprise: The genre’s blunt portrayal of women mirrors the machismo deeply embedded in everyday Cuban life.

It’s a refrain you’re bound to hear in any and every nightclub: “¿Donde están las mujeres?” But the next time 10 reparteros link up for a track, they probably won’t call a woman. Within a genre that revolves so heavily around their bodies, women’s voices still remain rare.

So, ¿dónde están las mujeres? Or, where are the women making reparto?

“Chocolate is the king, but who is the queen?” says Seidy Carrera, known artistically as Seidy La Niña. “There’s a space that needs to be filled with women. There’s no f—ing women!”

At the onset of reparto, early reparteras like Melissa and Claudia slipped brief female cameos into club anthems. More than a decade later, due to Cuba’s only recent, and still extremely limited, internet access, these artists and their collaborations have a seemingly untraceable digital footprint. Still, most playlists orbit male voices, and collaborations rarely invite women to the booth: “When reparteros come together on a track, they never call a woman,” she says.

Carrera, 32, was born in the reparto El Cotorro and raised in Miami since she was 6. The self-proclaimed queen of reparto, the paradox defines her career: She fights for space in a scene whose appeal lies in her raw neighborhood realism, but detractors question her authenticity as a gringa, or as they would call her, yuma.

“I feel resistance every day, every single day,” she says. In response, she reclaims the discriminatory language used against her; onstage, she chants “más perra que bonita,” flipping the curse-word from insult to empowerment.

“It’s empowering to say, I’m more perra than pretty. To me, being a perra is being a woman who’s exclusive, who makes her own money. In my case, … nobody opened the door for me, nobody gave me a hand.”

For Havana-based singer-composer Melanie Santiler, 24, the double standard hits her before she can even sing her first note: “I feel that I have to do twice as well. I have to put in double the thought, double the effort, double the talent, always having something more to say,” she says.

“It’s exhausting. It’s exhausting being a woman, having to get up and tell yourself, damn, I have to look pretty and put together. I spent my whole life in school with an onion bun because I didn’t want to do my hair,” Santiler says and laughs, messy bun flopping around her face.

Reaching almost 5 million YouTube views on her 2025 viral collab, “Todo se Supera” with Velito el Bufón, she’s broken into the reparto space as one of the genre’s most distinctive voices. Beside this rise, she’s faced a newfound pressure to dress a way she normally wouldn’t, a beauty standard her masculine counterparts don’t face.

Aliaisys Alvarez Hernández — better known as Ozunaje — says she doesn’t face the same criticism in the urban Cuban music scene, likely due to her sexuality and more masculine appearance. “Reparto is a genre for men, that’s how I see it,” she says. “I dress like a man, I practically live my life like a man, so what I write resembles what men are already saying. That also gave me an impulse, where I feel like more feminine artists, they have to work harder.”

A former rhythmic gymnast from La Habana, Hernández, 23, stumbled into music when friends recorded her singing a demo of “Cosas del Amor” in her living room. Someone uploaded the video, it went viral, and suddenly, she had a career. Since that start, Hernández refuses to only be compared with other reparteras.

Her goal has always been to be measured against men, since “that’s who people actually listen to.” Dressing in traditionally masculine clothing, paired with a deep, raspy delivery, helps her lyrics resonate with locals without the extra hurdle of hyper-sexualized expectations.

Hernández’s androgynous wardrobe and open queerness bring another layer of potential discrimination, but despite the rampant homophobia persistent in present-day Cuba, she doesn’t feel much resistance. “The worst word they throw at me is tortillera, but it doesn’t affect me,” she says, adding, “People like my style, they like that I dress like a guy. Everybody tells me, you have tremendo flow, I love your aguaje, so I haven’t faced any bullying. Never.”

Misogynistic currents in reparto mirror those in early reggaetón, reflecting the average street machismo. The genre’s marginal roots complicate blanket condemnations, since the same raunchy lyrics often encode critiques of class exclusion. Still, reaching bigger stages will require editing the most gratuitous slurs, if only to broaden the music’s export potential. At least, Ozunaje thinks so.

“Reparto came from people who were poor, who had nothing, who were desperate to get out. Nobody imagined it would get this big. Now it’s reaching the whole world, so the vocabulary has to evolve,” she says.

Santiler echoes this critique. “It’s become really repetitive. I think right now, everyone is talking about the same thing. It’s been really easy. Facilista,” she says, using the Spanish term for taking the easy way out. Santiler loves reparto’s swing, but calls most of it objectifying, pointing to Bad Bunny’s “Andrea” and “Neverita,” along with C. Tangana’s “El Madrileño,” as proof that urban music can expand beyond bedroom conquests.

“The street already says these things, and reparto just writes it. It’s an image of what’s happening. But I grew up with other types of music and other types of references, so I’d like to expand beyond that, to make something fresh.”

Santiler adds that the basis of reparto, both in her gratitude and her criticism, comes from pride.

“I love Cuba, I love my country. The current generation of Cuba doesn’t reject their identity — they’re doing the opposite. They want to create a new culture, to create a new movement, and they want the world to know Cuba again,” she says.

Oct. 20 (UPI) — A Georgia man was arrested Monday inside a terminal at the Hartsfield-Jackson Atlanta International Airport after allegedly threatening on social media to “shoot it up.”

Atlanta Police arrested Billy Cagle, 49, at the airport and found an AR-15 assault rifle with 27 rounds of ammunition inside his pickup truck, which was parked at the airport, according to police chief Darin Schierbaum. Schierbaum said it was Cagle’s family who alerted officers that he had been making threats on social media and had a gun.

Cartersville Police Capt. Greg Sparacio told reporters the family alerted them Monday morning that the suspect was “en route to somewhere in the Atlanta area,” likely the airport, and he “had the intention to do harm to as many people as he could.”

The family provided information about the vehicle Cagle was traveling in, as well as a photo. Cagle was taken into custody after entering the airport terminal at 9:31 a.m. EDT. He did not have any weapons on him, but police found the rifle in his truck.

“I do believe he was likely to use that weapon inside the crowded terminal,” Schierbaum told reporters. “Because of the community — in this case, the family — as well as the joint collaboration of law enforcement, a tragedy was indeed averted.”

Cagle is facing multiple charges, including terroristic threats, criminal attempt to commit aggravated assault, possession of a firearm during the commission of a felony and possession of a firearm by a felon. He was convicted of possession of marijuana 20 years ago, according to the Georgia Department of Corrections.

Brad Ingelsby knew after the breakout success of HBO’s “Mare of Easttown” — a crime drama about a police detective (Kate Winslet) investigating the murder of a teenage girl in a fictional working-class town — he didn’t want his next series to be another whodunit.

“That’s Mare’s thing,” he says on a recent late afternoon. “So, you start to go, if you’re going to write another story in the crime genre, what would get the audience to keep clicking to the next episode? I just thought, ‘Well, maybe a collision course show, where [in] every episode, we get a little closer, a little closer, a little closer, until things collide.’ ”

In “Task,” which concluded Sunday on HBO, Mark Ruffalo stars as Tom Brandis, a priest-turned-FBI agent leading a task force investigating a series of robberies in Delaware County, Pa., an area commonly referred to as Delco that was also the setting for “Mare of Easttown.” (And with references to Wawa and Scrapple, along with visits to Rita’s Water Ice, it slips into its role of expanding the universe.) It leads Tom to Robbie Prendergast (Tom Pelphrey), a sanitation worker who robs drug houses at night to provide for his family. Both men are emotionally tortured by life events — Tom’s wife was murdered by their adopted son, who is incarcerated; Robbie’s brother was killed by a member of a motorcycle gang — that have set them each on different, but destructive paths.

In “Task,” Mark Ruffalo, left, Alison Oliver, Thuso Mbedu and Fabein Frankel portray law enforcement officers who are part of an FBI task force investigating a string of robberies.

(Peter Kramer / HBO)

“ ‘Mare’ was about the moms — the damage that all the guys have caused and the women are kind of having to pick up the pieces of that,” Ingelsby says. “This [show] is all about the fathers and being left behind, seeing the damage they’ve done to their kids, how they’re going to fix that in their lives — or not be able to fix it. The guys who are actually doing the damage without knowing.”

Ingelsby says his uncle, who was an Augustinian priest, helped inspire the throughline of the series.

“I’ve always been very intrigued by his idea of faith in God over the years, and how it’s changed over time, and what he believed once and what he believes now,” he says. “I was intrigued by the idea of a guy who, everything he held as truth, all the pillars of his life, have come crumbling down. And Robbie has a much different faith. And it’s through the gauntlet of the story, how their lives intersect, that they both get to navigate their own journeys of faith.”

Over dinner at a West Hollywood hotel, The Times sat down with Ingelsby, Ruffalo and Pelphrey to discuss their faith journeys, economic inequality, fatherhood — and Wawa, too. Here are edited excerpts from the conversation, which contains spoilers about the finale.

After the success of “Mare of Easttown,” creator Brad Ingelsby wanted his follow-up, “Task,” to feel connected, but not repetitive: “ ‘Mare’ was about the moms,” he says. “This [show] is all about the fathers and being left behind, seeing the damage they’ve done to their kids, how they’re going to fix that in their lives — or not be able to fix it.”

(Bexx Francois/For The Times)

The themes of the show involve forgiveness and faith. Every person has experienced something in life that has tested those ideas. How has your own relationship to faith and forgiveness evolved as you’ve lived more life or taken on roles that ask you to live different experiences?

Pelphrey: My faith, to me, is when I got sober. God willing, Oct. 1, which is three days from now, it’ll be 12 years. That’s truly by the grace of God — you hear that phrase, but I genuinely, I mean that. That’s how I’ve experienced faith, through my sobriety. I was raised Catholic, but the experience I had at 31 was like in a different dimension to what I thought of religion or ideas. It’s one thing to have an idea, it’s another thing to have your heart opened. It’s definitely an important part of my life. And I think Brad did such a beautiful job conveying that. My grandma used to have one of these things when I was a kid — not a real gem, but like a glass cut thing so if you put it in the window, the sun shines through a million different ways, and the color goes everywhere. I feel like you [Brad] did that with some themes in the show where you’re like, “Let me just hold it up, and we’ll just look at it a few different ways.”

Ruffalo: My journey with faith is probably very similar to Tom’s. When you get a job or something, it can take you on a journey that you’re ripe to take. It touches your life at a very moment where you need it. I’d say, after my brother died, the whole notion of faith just went out the window for me. But oddly enough, I have a lot of addiction, alcoholism in my family. I say, either you are one or you love one. When you love somebody who’s struggling with that, it takes a lot of faith to let them go and to trust it will be OK. My friend says to me, “They got a God and you ain’t it.”

My faith has been renewed, actually, through Tom [the character] — he is an alcoholic. It’s touched my life in so many ways, even with my brother, that it’s like where I lost my faith and where I gained my faith again has been through this journey with alcoholism and drug addiction. And I waver. You look at the world and you’re like, “Where is God in this? Please show yourself. ” But the thing about faith is it requires you to believe without any evidence of its existence. I’d rather believe in that than nothing. Although, I fought him [Brad] all the time. I was like, “He’s [Tom] not really praying here. He’s trying to pray. He’s going through the actions of praying, but he can’t quite get to the opening sentence, which is “ … God …” He does pray, eventually, but it’s a journey.

There’s the powerful moment in that car when Tom and Robbie finally meet in Episode 5. Robbie says, “I don’t think I’ve ever experienced God in my life.” This is a man that hasn’t felt hope, and he has this glimmer of it with this goal of escaping to Canada. Tom, how was it getting into the mindset of this guy just trying to get out of this life?

Pelphrey: It’s heartbreaking. We’re articulating an American dream that far too many people don’t get to experience, and maybe are starting to lose the hope of ever experiencing it. That’s a very real thing — unfortunately, way too real and increasingly way too common. It was just constantly reminding myself: What does this character want? And at the end of the day, regardless of how extreme some of the things Robbie’s doing, he just wants a decent life for his kids. And the fact that he’s having a hard time getting it is heartbreaking.

That scene and in the car, the first time I read it, I was like, “Oh, he’s [Brad] got some balls.” You have so much s— boiling over — the plot lines, the violence, the stakes are through the roof for everyone now in the show, and we are going to sit in a car for half an episode? And two dudes are gonna talk?

In Episode 5, Robbie Prendergast (Tom Pelphrey), left, and Tom Brandis (Mark Ruffalo) finally meet.

(HBO)

Ruffalo: There’s no chase! And when they finally face each other, they’re not even [actually] facing each other! They’re both pushed to the edge and you don’t know where it could go. Tom certainly doesn’t know where it will go. Tom’s kind of at that point, like, “F— it. Go ahead.” We talked about it a lot, I was like, “I think Tom should die.”

[They break into laughter]

Ingelsby: Every single day he was pitching it.

Ruffalo: I was pitching Tom should have a heart attack at the end and he literally sees God and he says to God, “I’m ready.” He finally finds his faith. It’s finally paid off and he says [gasping], “I’m … reaaady.”

Ingelsby: Enough people die here. But that particular episode has always been very special to me. That’s when the show is operating at the peak of its powers. It just felt like, how do we subvert the expectations of the audience and do that in a way that still feels true to who these characters are? I remember talking to you [Tom] about this. You were like, “As soon as I know Cliff’s done, I’m on a one-way street. I have a plan.” But with you [Mark], once they get out of the car and you feel like you’re going to die, you’re like, “I want to call my family.” That’s when you get activated in a way. You’ve been going through the motions in life, but that’s when it gets very real.

Ruffalo: It’s like being reborn. It opens his heart. He sees how life can be taken away.

We’re in a political and cultural moment where the mood of the country is simmering — there’s anger and rage on all sides, and a lot of it stems from class and systemic issues that are in place that put people in certain positions. There’s that layer, but there’s also the grief element both these men are facing.

Ingelsby: With Robbie in particular, I was interested in a guy that felt really stuck. What I liked about Robbie was, if he didn’t take action, what would happen to Robbie? He’d be a trash man in too deep his whole life. Who cares about Robbie and his family? Nobody. He was left behind. In early versions of the script, I very explicitly said, “He wants his bite of the apple.” There are lots of people like that now. I loved writing Robbie because it felt like he was raging against being left behind and and I felt, in many cases, in the script, why wouldn’t you do something? Whether you agree with the actions or not —

Pelphrey: He had his f— life stolen from him. What he’s going after is a very specific thing. He’s not lashing out blindly against anybody to get any money at any cost. He’s like: “I’m gonna take it from these mother f—, who are bad dudes.” Even within that, he has principles. No one’s gonna die — obviously, the rules all go out the window Episode 2, but we’re not going to take the drugs, we’re not going to sell the drug. We’re going to destroy the drugs. We’re going to take the cash. Even within his brand of lashing out, he actually has a set of principles that he’s operating by.

Mark Ruffalo, left, and Tom Pelphrey star as two troubled men on a collision course in “Task.” Ruffalo portrays an FBI agent recovering from a family tragedy, while Pelphrey plays a garbage collector and criminal involved in a series of robberies. (Bexx Francois/For The Times)

Mark and Tom, as sons and fathers, how did you think about the father-child relationships of these two men and the collateral damage of their choices?

Ruffalo: It’s so hard to be a father, especially now because this generation is like, “We’re not going to do it the way our parents, our fathers did. We see that there’s another way to do it. We’re actually talking about it.” At the same time, we don’t exactly know what it is that we should do differently, plus we have the responsibility of, financially, keeping it together. It’s obviously hard to be a mom too. These guys are doing the best they can.

Pelphrey: Becoming a dad two and a half years ago now, it’s just the most f— awesome, wild, intense, crazy s— I’ve ever experienced in my life. It’s like getting struck by lightning. I’m so in love and I feel so vulnerable and I feel so happy — it’s all the feelings. Then suddenly, when you’re thinking about how you feel, you go, “How do I balance this? How do I protect her, but make sure that she’s brave and experiencing things? And you quickly realize there is so much to this that I will have no power over and the realization of that, in the deepest sense — and I’ve already had moments of that and we’re just getting started here. You imagine what it’s like, when you don’t have kids, but you have no f— clue. One of the things I could say without blinking, ever, is, “I totally understand why he’s doing what he’s doing.”

Was there a version where Robbie lived?

Ingelsby: No, I felt like structurally what needed to happen was Tom had to witness Robbie’s kindness, then his sacrifice. It felt very necessary to be like, “Oh, wait. Robbie — he went up to the woods…” Because he’s always like, “What’s the plan?” Tom realizes, “Oh, I know what the plan was. He went there to die.” Part of Tom’s journey to getting rid of the anger and to believing in something at the end, was to have witnessed the goodness in Robbie. He [Robbie] also gets in so deep eventually, he has pushed himself into such a corner and there’s no good way out of this. What’s an audience gonna think if he gets out of this unscathed? Even if he were to survive, he’s gonna be in jail for the rest of his life. The idea of sacrifice would speak to Tom as a character and get him to his ultimate decision to give the boy [Sam] up, but also forgive his own son and, quite literally, get the house ready for him.

Mark, how did you feel about the statement that Tom winds up giving at the hearing in the finale?

Ruffalo: He had to sit down and write that. I don’t think he really knew what he was going to be writing. He’s taking stock of his life and his son’s life and the story of the life. It’s connecting him to the whole story. It’s not just the loss of my wife, but also we raised that boy. We made this life together and, even in the hard part of it all, that’s where we learned what love is. Then when he gets in there, he doesn’t even know that he’s gonna say it. He doesn’t know he’s going to confront him with it and say [to his son], “Look at me.” But the whole journey, leads us there.

There’s something, too, about his composure in that moment.

Ingelsby: That’s the genius of Mark. That was the first or second take, what we used.

How many versions of it did you write? Was there an overly emotional or dramatic version?

Ingelsby: There was a longer version. But I think what was important about it was — and Mark does such a beautiful job — was that he had to be honest about how hard it was. I was always worried it would be a bit maudlin, if he just went in and said straight away, “I love you.” It was almost like he had to be really honest with everybody, like, “Hey, this was f— horrible.” And the shame of changing your name —

Ruffalo: Yes. To be that honest and to say that I pretended like I wasn’t his father. It’s so shameful. It’s so honest.

Ingelsby: I think because he’s so honest, it makes the forgiveness even more impactful. When he says, “I forgive you,” you believe because he’s earned the trust in the speech by admitting the things that were so shameful .

Ruffalo: It doesn’t just go one way — forgiveness. There’s a lot of shame on it on the other side, that’s where the anger comes from. There’s always this question: What could I have done? The backstory was I left, knowing that he was in an episode, but I had to go. I left her with him, thinking it would blow over. And it didn’t. He has to also be honest about his part in it. What dad says, “That’s not my kid. You’re in retreat already.”

Ingelsby: That’s what we want the ending to be. It’s not that everything’s going to be easy. I think the same for Mare — it wasn’t like Mare’s life was so great at the end of the show. There was a lot of going on.

Ruffalo: She’s going to an AA meeting. Tom and Mare can meet at an AA meeting.

Tom Pelphrey as Robbie Prendergrast, a garbage collector trying to avenge his brother’s death by hitting trap houses belonging to a local gang before getting caught in a deadly standoff. (HBO)

Mark Ruffalo, Silvia Dionicio and Phoebe Fox in “Task.” Ruffalo plays a priest-turned-FBI agent who hasn’t confronted his feelings about the murder of his wife at the hands of their adopted son. (HBO)

To that point, was there thought about whether to incorporate “Mare” characters in this show, if they’re in the same universe?

Ingelsby: It’s funny you say that. [In] one of the early scripts, we had a scene where Emily (Silvia Dionicio), at the end of the show, went to a concert with her boyfriend, Leo, the guy that’s a magician. And Mare’s daughter, Siobhan (Angourie Rice), was playing. And there was another connective piece I’m missing. I think Leo’s brother was in the band. And they had a moment together, because I felt like Emily and Siobhan were very, very similar. That they had the weight of the world on their shoulders in some way, Emily especially —

Ruffalo: They’re well suited for each other. They could just sink to the bottom of the lake together.

He’s got a crossover season mapped out for you.

Pelphrey: If we hold hands, we can sink faster.

Ingelsby: But we did have something connecting them. But I’m glad HBO read it and were like, “Is it a bit much?” It felt like maybe we were reaching to do something that the story didn’t require. And when we took it out, I felt like this story exists on its own, and we didn’t need that. If we had threaded it through the story in a more interesting way, maybe it would have worked, but it would have felt really tacked on and kind of just fan service for the sake of fan service, which I didn’t want.

Can we talk about the Phillies cup? It’s seems like such an obscure detail, but that cup triggered me. I know it well. A father trying to hide his vice.

Ingelsby: That’s another detail of my own life that I can repurpose, steal. That’s my dad. He drinks out of that. He watches every Phillies game. There’s 162 games. And if he can’t watch, he’s listening to it in a radio in the car. I feel like we always talk about in the specific, is the universal. And Mark did the swirly thing.

Ruffalo: That’s what made me want to do the show. That he was drinking out of that. And then he swirled his hand. I said, “This guy is writing character like nobody is doing that I’ve seen in television.” I only read the first episode and I was like, “I want to go. I trust this journey with him.” And it was from that nuance thing. I know that guy. He’s a priest who swirls his vodka and tonic with his finger. In a Phillies cup. And he thinks he’s pulling it over. That’s my family. It’s so honest.

The accent was such a feature of “Mare of Easttown.” I imagine that had its own expectations or pressure for this show.

Ingelsby: “Mare” was more a community — very, very specific community. I felt like, in that show, we had to go all in and Kate did. A lot of Mark’s character was driven by my uncle, who has no accent at all. Because he went to the seminary, then he went to Merrimack College, he was a teacher — he bounced around. And even me, there’s a couple words I’ll say that you can’t pick up a heavy accent. There’s a couple words, where maybe you could pick it up.

Ruffalo: We tried. I tried it. I kept kicking it out, it just didn’t feel right. He does hit some of those words. He does say wooder — cheery wooder ice. We kept some of it in, but we didn’t go as hard at it because he goes another way. I feel like he might have ended up in South America at some point. I was thinking he traveled the world.

Did you pay many visits to Wawa? I remember Kate telling me about her Wawa experiences.

Pelphrey: I grew up going to Wawa. I was Wawa all the time because I was living out in the suburbs.

Ingelsby: I think Kate ate hoagies or something.

Pelphrey: They make a good sandwich.

Ruffalo: Oh, bro. I started with a fat suit and then I had to take it off. I just kept getting fatter. My wife saw me and she’s like [to the kids], “huh, your father’s eating his way through Philly.” But, man, I’d be like, “How about a sandwich for the scene?” [Mimics scarfing down a sandwich.] Like a troll.

Ingelsby: He is an amazing sandwich eater. We were talking about it.

Pelphrey: We were.

Ruffalo: Oh, I knew I was going to be eating a sandwich that day [in a scene], so I starved myself so I could just plow that thing.

Are you interested in a Season 2, Brad?

Ruffalo: No one wants a Season 2. [the trio laughs] No, I’m kidding. That would be amazing.

Ingelsby: It would be amazing. If people respond and we get a chance to do it.

Could we get that “Task”-”Mare” crossover?

Ingelsby: A lot could happen.

Ruffalo: Some “Mare” people could show up. There could be a love affair.

Arsenal overcame a fierce test at struggling Fulham to squeeze a 1-0 win that maintained their lead at the top of the Premier League, which had been threatened earlier in the day by Manchester City.

Leandro Trossard’s 58th-minute tap-in turned a game that had seen Fulham, now on a three-match losing streak, dominate the first half at Craven Cottage on Saturday.

Manchester City had climbed to the top of the table with a 2-0 win at home to Everton, prior to the Gunners’ late kickoff in the London derby in the west of the capital.

The result moves Arsenal three points clear at the top, although defending champions Liverpool can cut that to just a point if they beat Manchester United at Anfield on Sunday.

Fulham, who had lost at Aston Villa and Bournemouth, prior to the international break, enjoyed the better of the early chances with Raul Jimenez and Harry Wilson both dragging efforts that should have heavily tested the keeper.

Arsenal, in contrast, enjoyed some nice spells in possession, but failed to test their former keeper Bernd Leno, in Fulham’s goal, in the opening 30 minutes.

Instead, it was the openings Fulham continued to find that nearly upset the odds when Tom Cairney found room from a corner and rifled a drive back across the face, but there were too many bodies in the way, allowing Arsenal to block the goal-bound effort.

The first moment of note came for record-signing Victor Gyokeres, who had endured a painfully slow start due to a lack of service. The Swedish striker found space in the box, but at a tight angle and his low drive was comfortably parried clear.

The best moment was the final kick off the half when Declan Rice struck a trademark drive from range, but the curl from his instep took the ball just wide of the post with Leno cemented to the spot.

Bukayo Saka nearly opened up Fulham immediately at the start of the second period as he shimmied in from the right and stabbed the ball towards goal. Sander Berge stuck out a leg at the ball and nearly deflected it into his own net, but for a Fulham bundle on the line swinging the danger away.

It wasn’t long until the breakthrough came, though, as Gabriel rose highest to flick Saka’s corner to the back post where Trossard turned in with his thigh.

Saka nearly doubled the lead moments later with a low drive, which Leno did well to turn wide, while the England man also had a penalty awarded and overturned after VAR asked Anthony Taylor to review his decision after substitute Kevin clearly played the ball first.

Despite the respite, Fulham were not able to muster the challenge in the second half that they had in the first period.

Another week at the top for @Arsenal 👏 pic.twitter.com/tg5Up9dCgE

— Premier League (@premierleague) October 18, 2025

Man City eye return to the top of the Premier League

Manchester City’s Erling Haaland kept up his torrid scoring pace with two goals in five second-half minutes early on Saturday, which lifted City provisionally top of the table with victory over Everton.

Pep Guardiola’s men moved to 16 points after eight games, dropping Arsenal and Liverpool to second and third, respectively. Everton dropped to 10th on 11 points.

The 25-year-old Haaland – who scored in an 11th consecutive game for club and country for a season total of 23 goals – broke the deadlock in the 58th minute when he leapt to head home Nico O’Reilly’s cross from the left.

The Norwegian doubled City’s lead five minutes later when he latched onto Savinho’s cross and struck a blistering left-foot shot from the middle of the box that was slightly deflected by Everton’s James Tarkowski past goalkeeper Jordan Pickford.

Haaland was hungry to complete a hat-trick, with three brilliant chances in the dying minutes, with Pickford racing out to save two of them with his legs. Haaland took the ball around Pickford on the third, but his looping shot from an impossibly tight angle dropped wide of the net.

Haaland shook his head in frustration, while the crowd chanted “Haaland! Haaland!” for his efforts.

City’s Phil Foden hailed Haaland for breaking the deadlock, calling the moment “very important”.

“We know he’s got that quality to time his runs to perfection and be in the right position. If they mark him out of the game, he is still capable of scoring, and we know he only needs one chance to score.

“He remained very patient; there wasn’t a lot of space for him today. And as you can see, he is always there for us at the right times; that is the sign of a world-class striker.”

There was no emotional homecoming for Everton winger Jack Grealish, who was ineligible to face his parent club. A TV camera showed Grealish at the game, but the absence of the league’s joint assist leader was a gaping hole for David Moyes’s team.

City, who thoroughly dominated in the second half, had 19 shots to Everton’s five, and seven on target to the visitors’ one.

Everton squandered a handful of chances. Early in the game, Iliman Ndiaye raced down the right side before sending a cross to Beto, who slid to just get his foot on the ball but poked it wide.

City keeper Gianluigi Donnarumma tipped a long shot from Ndiaye over the bar later in the first half.

Thrill-seeker Orson Bourne visited a theme park in Italy, but later outlined several complaints and branded it the ‘worst’ he’d visited – but people don’t agree with his assessment

A thrill-seeker has expressed his frustration by admitting he “felt so disappointed” after visiting one of the most popular theme parks in Europe. Orson Bourne travelled to Italy and headed to Gardaland – a park in Verona owned by Merlin Entertainments, which also operates Alton Towers, Legoland and dozens of other resorts and attractions.

The resort boasts numerous rides and ‘lands’ dedicated to a variety of well-known franchises, including Jumanji, Peppa Pig and Peter Pan – but Orson was clearly unimpressed as he revealed in a review shared to TikTok. “Gardaland takes the biscuit, it’s the worst theme park I’ve ever been to,” he said in a video.

Orson he had to “penetrate a wall of Italian policing” prior to entry, such is the high level of security enforced by Gardaland’s owners.

He continued to complain, claiming that ropes had “cut off” half of the park on his arrival owing to their later opening times.

Orson’s first port of call was the Jumanji ride, however, he was clearly less than impressed. “All it was was screens, pitch-black corridors and emergency exit signs,” he said.

Next was the rollercoaster, Sharman, which again didn’t live up to it’s billing, according to Orson. “I spent 20 minutes queuing up, but found it actually opens at 12 – not 11, or at 10 when the park actually opened.”

Orson moved on to the newly remodelled Dragon Empire only to discover the China-themed area was also closed until 12pm.

Like its UK cousin, Alton Towers, meanwhile, Gardaland is also home to an Oblivion ride, which sees guests plummet vertically through a black hole underground. “Only a 40-minute queue to get into the queue – where you have to then queue for another 80 minutes,” Orson alleged, pointing that the park’s app only stated a 60-minute waiting time.

He added that whilst it is longer than the Oblivion back home, the Italian ride “lacked any forces”.

Orson gave another coaster – Blue Tornado – “a miss” due to its 120-minute waiting time, before slating the park’s policy on drinks – alleging staff prevented him from refilling his bottle with water. “Coffee machines at other kiosks we broken so I gave up and bought a Coke instead,” he added.

Hoping to cool off on a water ride, Orson was again put off by a “two-hour queue” on the Fuga da Atlantide log flume, before his second attempt to ride Sharman proved futile as the ride broke down an hour after he joined the queue.

Orson continued, moving on to the ‘wing coaster’, Raptor. “I waited 20 minutes in the single-rider line and it’s advertised at 80 [minutes],” he said. “It’s only one train though. It’s diabolical… one train for your main coaster.”

He closed: “I hate to be a grouch, but I think I’m going to leave. The park’s getting busier and it’s open until nine and I’m just not having fun, so what’s the point?”

Orson couldn’t resist riding steel rollercoaster, Mammut on his way out though – something that left him pleasantly surprised. “Credit where it’s due,” he praised. “A fantastic family coaster, though not so fantastic with the operations – I was told ‘no single riders’, but luckily I was able to squeeze on.”

He summed the day up in a caption: “Never has a park been so disappointing. Jumanji was so high on my bucket list for dark rides but the ride just wasn’t in a good state, it felt old and uncared for, 0 immersion and broke done frequently. As did most of the park, Its a shame as the park has the infrastructure to be an amazing place. I struggle to find a positive.”

Writing in response, however, others detailed their positive Gardaland experiences. “Love Gardaland, I live close by and go there each summer with the ticket from 6pm,” one person said. “Last time I did 11 rides (Shaman twice, Raptor, Oblivion, Jungle Rapids, Prezzemolo Magic House). I think parks in US are better, but for Italy it’s fine.”

Another praised: “You were just unlucky to go on a crowded day. I’ve always gone in October during the week and the longest I’ve waited for any attraction has been ten minutes. I love Gardaland, but you have to go when you know that children are at school and many are working.”

And a third TikTok user added: “I went to Gardaland multiple times. You went on a busy day without express so that explains the queues. In my later visits the operation were awesome and they were running all trains and everything was good. Raptor is pretty forceful in my opinion.”

One individual who agreed with Orson, hit out: “Happens when there is no alternative. There are only 2-3 big theme parks in the whole country with actual coasters, all of them are always so busy at the point that it isn’t possible to have fun.”

A Gardaland spokesperson said: “We truly value all feedback from our guests, as it helps us improve and offer the best possible experience at Gardaland Resort. We appreciate that this visitor’s experience did not meet his expectations, and we’re always committed to learning from such feedback to continue enhancing our guests’ enjoyment. Every season, we welcome millions of visitors who share very positive experiences, and we always strive to ensure that each guest leaves with great memories.

“Gardaland Resort welcomes around 3 million visitors every year and, in over 50 years of operation, has hosted more than 100 million people from all over the world. Our daily commitment is to offer memorable experiences to families and visitors of all ages, thanks to the quality of our attractions, food and beverage offerings, and the many dedicated services available.

“We understand that the guest’s visit took place during Gardaland Oktoberfest, one of our most popular seasonal events which – together with Gardaland Magic Halloween (currently underway) and Gardaland Magic Winter – has been attracting thousands of visitors for over 20 years, consistently receiving extremely positive feedback. As is the case in all major theme parks, waiting times can vary depending on attendance levels and attraction opening hours. An unfortunate single occurrence does not represent the experience that thousands of families enjoy at Gardaland every day, and we would be delighted to welcome this guest back to rediscover the magic of the Park.

“Confident that we will continue to offer magical and memorable experiences for all our guests, we remain available should the visitor wish to provide us with further details, so that we may look into this further.”

ACTOR Kevin Spacey sexually assaulted a man despite being told, “No, this is not right”, court documents allege.

The star is being sued at the High Court by the man known only as LNP, who says he suffered pain, anxiety and distress.

Elizabeth-Anne Gumbel, for LNP, says in papers filed at the court that the alleged assaults happened on about 12 occasions from 2000 to 2005.

She says: “Mr Spacey would place his own hand on the claimant’s leg without consent.

“The claimant would attempt to remove the hand and say, ‘No, this is not right’.”

She called it a “breach of trust and exploitation by a powerful man in a position of responsibility on a much younger man”.

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Ms Gumbel said that LNP had suffered “pain and suffering at the time of the abuse itself, which was exacerbated by feelings of embarrassment, shame, dirtiness and confusion”.

He also suffered “anxiety and distress and mild post-traumatic symptoms from the abuse”.

She said: “The assaults were committed in circumstances of breach of trust and exploitation by a powerful man in a position of responsibility on a much younger man.

“The claimant seeks to claim aggravated damages.”

Oscar-winner Spacey, 66, has previously denied allegations of inappropriate behaviour and wrongdoing.

He has yet to file a defence to the claim.

Available for over a year

It’s a bit of a mad one with Wayne this episode that includes Liverpool v Man Utd chat, his birthday weekend, opinions on England and Marcus Rashford, and meet-ups with 50 Cent and Ed Sheeran.

Wayne takes us inside his 40th birthday bash, but who did he dress up as? Which songs did he belt out on karaoke? And who ended up with a nasty injury?

Musician and Liverpool fan Jamie Webster joins Wayne, Kelly and Kae to discuss why their rivalry with Manchester United is the biggest in English football. But who is this match more important for: Arne Slot or Ruben Amorim?

Jamie’s appearance on the show leads to a number of musical revelations from Wayne: how did he end up on stage with 50 Cent? And Why did Coleen have to step in when he tried to change an Ed Sheeran song?

Wayne gives his thoughts on England’s World Cup qualification and explains why he’s pleased the players are less certain of their places under Thomas Tuchel. He also has strong words for Marcus Rashford’s recent comments about the “inconsistent environment” at Old Trafford not helping his form.

Meanwhile, we discover what led Wayne and Jermain Defoe to watch his entire wedding DVD together while they were away at the 2010 World Cup and what was Wayne gutted to find out on the last day at Glastonbury?

You can watch The Wayne Rooney Show on BBC Sport YouTube, iPlayer, as well as listen on BBC Sounds.

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For those who know of the spectacle that is Juan Gabriel there is no explanation necessary, for those who don’t, no explanation will suffice.

A new Netflix docuseries attempts to capture the magic of the frequently bedazzled genre- and gender-defying showmanship of “El Divo de Juárez,” who died at 66 of natural causes in 2016, while also investigating the internality of the man behind Gabriel — Alberto Aguilera Valadez.

Juan Gabriel was known for his epic stage performances, where he was often accompanied by an orchestra, dancers and dozens of mariachis dressed in tight jackets and sombreros, while belting out such hits as “Hasta Que Te Conocí,” “El Noa Noa” and “Amor Eterno.”

His colorful outfits and flamboyant dance moves drew speculation about his sexuality, but he famously preferred to remain coy on the issue and to this day remains a queer icon throughout the Latin American world.

“Juan Gabriel: I Must, I Can, I Will,” which premieres Oct. 30, utilizes a goldmine of hundreds of thousands of personal and never-before-seen voice recordings, photos and videos of one of Mexico’s most revered singer-songwriters, giving audiences a holistic look at the pain, joy, contradictions, artistry and genius that informed Gabriel’s worldview and perception of himself.

The project is director María José Cuevas’ second production with the streaming giant — her 2023 documentary feature “The Lady of Silence: The Mataviejitas Murders” recounted the story of famous Mexican serial killer Juana Barraza, who was sentenced to 759 years in prison for killing 16 elderly women and the suspected killing of dozens more.

Cuevas’ implementation of the juxtaposed duality of Juan Gabriel and Alberto Aguilera Valadez was inspired by his insistence that the two entities were distinct yet symbiotic, as was shown in a 2014 filmed self-interview the singer conducted.

“In order to understand the greatness of Juan Gabriel, I had to know Alberto. He always played with that duality,” she said. “From a very young age he would say in interviews that he invented Juan Gabriel to shield Alberto, he invented an idol in order to protect his private identity.”

In an interview with The Times, Cuevas spoke about her personal connection to the famed singer, the overwhelming archives she had access to and the ways in which Juan Gabriel united and continues to unite people to this day.

This interview was translated and edited for length.

What was your relationship to Juan Gabriel before taking on the task of directing this documentary?

I remember clearly turning on the TV [when I was young] and seeing video clips of Juan Gabriel with his red sweater and white jeans. I later had the opportunity to go to his first performance at the Palacios de Bellas Artes in 1990 with my parents. One is accustomed to going to Bellas Artes for opera, ballet, classical music and the concert began with that formal tone, but there reached a moment where audience members couldn’t keep up the facade of elegance and everyone let their hair down.

For me that moment was incredibly revelatory, I finally noticed that he was a whirlwind in every sense of the word. I didn’t realize at the time that I was present at a such an important cultural milestone. When I watched it in retrospect, from all the camera angles we were privy to for this documentary, I got goosebumps and I wish I could go back to being 18 years old and experience it with the intensity that I have for his music now.

I think that Juan Gabriel always transports us to something personal, but also to something collective. In Mexico, Juan Gabriel’s death was a very collective experience. You would go out into the street and you would hear his music in cars, the corner store, coming out of neighbors’ houses.

How did you gain access to the vast collection of archived materials that are present in the documentary?

That’s really the treasure of the project. Juan Gabriel’s story has already been told, but what makes this project unique is that it’s a story told by [the recordings and photos] he left behind. One of the first things he did after reaching success wasn’t just to buy his mom a house, but also to buy himself a Super 8 camera. From then on he picked up the habit of recording his everyday activities as Alberto Aguilera and later on he always had a camera following around as Juan Gabriel.

From our first meetings with Netflix, I figured we should ask Gabriel’s family if they had anything to share with us. I thought maybe it would be a photo album that was laying around, maybe a box of memorabilia or a few cassettes. So it was to our great surprises when they sent us over a photo of a warehouse with shelves full of every different kind of film. It was crazy. And that’s when I remembered that Juan Gabriel’s close friend and actor Isela Vega was helping him catalog all of his videography.

I never imagined that within those videos that we’d find the public persona of Juan Gabriel and the private persona of Alberto Aguilera. Another elucidating moment was that Juan Gabriel reached a moment where he became conscious of the level of his celebrity and that it wasn’t a coincidence that he recorded most of his life. And there reached a moment where I realized he saved all these recordings so that one day people could revisit all his saved materials and they could reconstruct his personal story through what he left behind.

There’s a moment in the documentary where we’re at one of his concerts and there are men of all orientations in the crowd that are asking JuanGa to marry them. That seemed particularly powerful to me because in that moment the veil of machismo seemed to fall.

Yeah, I think an important part of making this portrait of Juan Gabriel was understanding the context of Mexico in the ‘80s. It was very conservative, very machista and then all of a sudden this guy drops in with all this talent and charisma and he says, “Here I come, get out of the way because I’m gonna conquer everyone.” And that wasn’t so simple at that time. He showed his greatness at any and every stage he was put on. He was able to win over people in every social class in a very elitist Mexico. He won over everyone from the most macho man to women.

Even greater than the achievement that was his performance at Bellas Artes were his performances in palenques when he was young. Palenques being these circular stages where you can’t hide because you’re standing right in the middle of everything. And he would take the stage late at night when everyone was already drunk and they were audiences that were, in general, very machista.

Suddenly a very young Juan Gabriel would appear to perform rancheras. I always say he was a provocateur, but also a seducer because of his ability to win over a crowd. There were audiences that would yell derogatory things at him and that’s when he’d really play with the audience.

It feels almost impossible not to be moved by the music as you watch your documentary.

He’s really magnificent. I remember throughout the whole process of making the doc and I was watching the intimate home videos of Alberto Aguilera and it really reminded me that Juan Gabriel was a human like everyone else [not just this grand entertainer]. I’d put any concert of his and I was bowing at the altar of a star. It’s amazing what a powerful character he was up on that stage.

And how have you seen JuanGa’s legacy represent something very specific in the U.S.?

For Latinos in the U.S. he’s such an important figure because his work pulls people back to their roots. One of his greatest accomplishments as a performer was when he filled the Rose Bowl in 1993. In that moment he showed his influence and strength within the Latino world. He’s absolutely one of the key figures in Latin music.