living room

We whine and purr and howl, a collective release.

About 20 of us are huddled in a patch of shade, beneath a cluster of palm trees, in a sleepy Culver City garden. Paired up, we face our partners, cup our hands behind our ears and let out loud, primal noises. And we laugh.

We’re participating in a “tuning exercise” led by the performing arts group Cantilever Collective. It’s part of a movement workshop meant to facilitate connection between individuals and help regulate our central nervous systems so as to release stress and promote a sense of overall well-being.

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Where are we, exactly? At one of Los Angeles’ newest and most robust wellness hubs — held, perhaps counterintuitively, inside the Wende Museum of the Cold War. The Culver City museum, which opened its doors in 2017, debuted its Glorya Kaufman Community Center last weekend, a 7,500-square-foot space for cultural programming and wellness activities. The three-story, modernist concrete building, which sits across the sculpture garden from the museum’s exhibition hall, was made possible with funding from the late philanthropist Glorya Kaufman, who passed away in August. Her foundation provided the lead gift toward the $17-million new building and committed $6 million toward programming.

The new community center includes a 150-seat theater inside a refurbished, century-old A-frame structure, an old MGM prop house. It will host all the expected cultural programming such as screenings, live talks and dance performances, among other events. But it will also offer yoga classes, guided meditations, sound baths, dance and movement classe, and healing writing workshops for L.A. wildfire victims, as well as herb and incense-making workshops and matcha tea-making classes.

Most notably? All of these wellness activities are free to the public. The center will also offer about 100 hours of free therapy a year, with licensed psychologists, as well as life-coaching sessions.

The modernist concrete building evokes Cold War–era architecture.

The Wende is quickly becoming “the living room of Culver City,” as visitor Lisette Palley, 74, describes it. She attends meditations at the community center, which soft-launched in January, weekly. “This place, it has an ease about it, an openness, a generosity that you don’t find everywhere you go,” Palley says.

Increasingly, museums and art galleries have been adding wellness activities to event calendars. The Hammer Museum has long held weekly mindfulness meditations on its campus, the Huntington regularly holds forest bathing and tai chi workshops and the J. Paul Getty Museum’s education department offers a “Wellness Day for Educators” at the Getty Center that includes yoga, a sound bath and guided mindfulness — to name a few. But typically, such wellness events are the programming exception at museums, and often they’re in conversation with an exhibition on view. The Glorya Kaufman Community Center at the Wende will host wellness activities nearly every day of the week, with “Wellness Wednesdays” being especially robust.

“There’s an affordability crisis in this country right now, and the things we’re providing are human rights,” says Wende founder and executive director Justin Jampol. “This museum — art — has always been sustenance for your soul. Now it’s sustenance for your mind and body. We realize we can’t inspire people if they’re hungry or sick. We have to tend to the whole person.”

Earlier in the day, about 50 visitors enjoyed a mindfulness meditation in the A-frame theater led by Christiane Wolf, a former physician turned meditation teacher. Wolfe encouraged the crowd to “just be … lean on the strength of community.”

Light bites are served in the courtyard. Soon, the center will debut its new Konsum Cafe.

Afterward, guests mingled in the courtyard over borscht and Russian tea made from fermented fireweed, honey and pine bud, among other offerings. A soon-to-debut Konsum Cafe will serve freshly baked bread from Clark Street, specialty coffees and teas, and a rotating menu of homemade soups from regions around the world that relate to its exhibition programming (first up: borscht, Hungarian goulash and Vietnamese pho). All of the food and drink in the cafe will also be free.

“We’re hardwired to come together as communities, and if we’re sharing food, it’s very regulating for our nervous systems,” Wolf says. “It creates a sense of safety.”

Early on, there were some concerns that people would balk at a Cold War history museum entering the wellness space. But Jampol says it actually makes sense paired with the collection.

“This place, it’s become this subversive museum,” he says. “First, because of the collections — they’re so much about dissonant movements and revolutions — and because it documents and celebrates the human spirit. Even in the face of totalitarian authority and oppression and restrictions, the human spirit has a way of fighting back; the human spirit always finds a way.”

Considering the federal government’s slashing of funding for the arts and public health programs in U.S., the community center is even more relevant now, Jampol says.

A portrait of the late Glorya Kaufman by artist Boris Vansier hangs inside the center.

“The things that get cut first are the things people need most: self-care, eating right, having opportunities for art and culture, going to the theater — those are stress relievers,” he says. “So the idea is to try and address that here in our own small way.”

Kaufman, who died at 95, was a transformative dance world philanthropist in L.A. She established the USC Glorya Kaufman School of Dance, as well as the Glorya Kaufman Presents Dance at the Music Center. At the Wende, she did more than just fund the new center — it was her idea in the first place. She regularly attended music programs and dance events at the Wende, starting not long after its opening. Back then, museum staffers would move chairs and art around to make space for public events. One day in 2019, Kaufman told Jampol, “This is ridiculous. You can’t have heads poking around a statue; this is super weird,” he recalls. They began hatching plans to create a new space for events.

Kaufman and Jampol felt the COVID pandemic only heightened the need for health and wellness programming. The new building broke ground in 2022, designed by AUX Architecture (which designed the Glorya Kaufman Performing Arts Center at Vista Del Mar Child and Family Services). Other lead donors include the Ahmanson Foundation, the Ralph M. Parsons Foundation and the Rose Hills Foundation. Culver City donated the plot of land. Wellness activities debuted in the nearby sculpture garden even as construction was underway.

Visitors weren’t deterred by the construction cacophony. Event attendance has more than doubled since last year, Jampol says: about 15,000 program attendees in 2024 compared with about 32,000 so far in 2025.

The theater, with its restored slow-growth Douglas fir, is the crown jewel of the new building. It has a retractable seating system so it can morph into a space with room for a dance floor or sound baths. Practitioners can select the type of event they’ll be leading on a digital keypad and the room will automatically reconfigure itself. Hit “screening” and the lights dim in the audience and a screen drops down, for example. Select “dance hall” and disco lights swirl around the room.

A concrete fountain in the sculpture garden.

On a recent Wellness Wednesday, free snacks included borscht and bread.

Guests mingle in the Wende’s sculpture garden, a space for community connection.

The Wende’s wellness vision also includes a 4,000-square-foot Zen-inspired mediation garden, created by designer Michael Boyd, a scholar of postwar gardens and Midcentury Modern architecture. It features a decomposed granite ground surface studded with river stones and succulents, and is filled with the sounds of crickets and a rushing stream, digitally piped in. The museum is also turning about 200 feet of a median strip along Culver Boulevard into an “herb and incense garden” that will serve the cafe and upcoming incense-making workshops.

Much of the programming will be internally curated and the museum will pay its practitioners (those events will still be free to the public). Other programming will be “community curated.” Meaning, the Wende will make its center available, for free, to any wellness practitioner in L.A. who wants to hold an event there. The only caveat? Their event must be free to the public.

Kaufman may not be able to attend any of these events, but her presence is deeply felt. A portrait of the late philanthropist, by Russian-born, Swiss artist Boris Vansier, hangs by the entrance to the theater.

Participants enjoy a movement workshop with Cantilever Collective at the new Glorya Kaufman Community Center.

Surveying the new building, as Wellness Wednesday attendees stream in and out of it, Jampol appears certain of the museum’s mission and role in the city.

“It’s about these moments of joy and happiness and togetherness amidst awfulness,” he says. “Having these kinds of oases in our lives is so important. There’s a certain tranquility in being in beautiful spaces and being present and being in community with one another. In a way, that is the ultimate purpose of museums.”

The dining room ceiling, adorned with an unexpected burst of orange floral wallpaper, breathes new life into the 100-year-old house. Similarly, the living room’s coral, pink and green wallpaper, the den’s bold blue and yellow stripes, and the red pattern-filled speakeasy lounge are delightful surprises that keep you guessing what’s next.

Standing beneath a glittering tiered chandelier in her pink “cloffice,” designer Dani Dazey shares the essence of her colorful style: “From the wallpaper to the artwork, my home is a reflection of me right now,” she explains. “It’s a personal and hip twist on traditional design.”

Rather than embrace rustic farmhouse style or minimalist Midcentury Modern design as is often the case in Los Angeles, Dazey has taken the Highland Park home she shares with husband Phillip Butler and given it an over-the-top maximalist spin.

Dani Dazey and her husband Phillip Butler stand in the living room of their home, which connects to the adjacent dining room and alcove. Dazey designed the colorful furnishings, wallpaper, textiles and many of the artworks. “I am very pro printed furniture,” she said. “I’m a very big fan of matching my colors and having a tight color palette.”

Their home is proof, as Dazey outlines in her new book, “The Maximalist: Colorful Interiors for Bold Living,” out May 20, that our homes should make us happy by reflecting who we are. In Dazey’s case, that translates to bold color, lush textures and retro vibes.

“Throughout my career, my core message has been to empower people to be who they are and not be afraid to embrace the things they love,” said Dazey, 34.

From the outside, the couple’s home exudes a subtle charm. However, stepping through the front door unveils a captivating burst of vibrant color and Dazey’s signature flower prints, all surprisingly harmonious.

“I worked as an apparel graphic designer and I applied all that to interior design,” she said. “I know how to put all these things together and make them look nice.”

Dazey designed the kitchen to look like an old Italian villa.

“Curtains help the rooms not feel too cluttered and crazy,” said Dazey. “I can make everything very cohesive. The fifth wall — the ceiling — it makes a big difference.”

The “fifth walls,” as Dazey calls the ceilings, are painted bright orange, red and turquoise blue. Floors are lined with vibrant green checkerboard patterns and wall-to-wall carpet. Likewise, the lawn in the back is decked out in checkerboard artificial turf. The speakeasy lounge, accessible through a hidden door sliding bookcase, is a ‘70s-inspired sanctuary with a modular sofa, curtains and wallpaper in the same floral pattern. Underneath the living room ceiling, Dazey has created a plant-filled ledge that cascades over the dining room, adding a touch of nature to the vibrant spaces.

Dazey outfitted the chairs, modular sofa from Joybird, wallpaper and curtains in the same ‘70s-inspired pattern.

Everyone — including the couple’s two dogs, Franklin and Yuki, who luxuriate on a pink velvet daybed in the sun — is happy here.

“Living in a maximalist space brings me joy,” said Butler, who handles operations for Dazey’s interior design business and their Airbnb and Peerspace rentals. “Even just looking at the ceiling makes me happy.”

Like the Madonna Inn, where the couple recently hosted their wedding, their home is “fun and quirky and anything but traditional,” Dazey said. “As a creative person, you get burned out by doing the same thing over and over again.”

The couple discovered the 2,300-square-foot, two-story home on a 3-acre lot two years ago. Dazey said there wasn’t a lot of interest in the house, as it featured an unusual floor plan with a separate apartment on the first floor with its own entrance. “The house blew us away,” she said, “but the strange floor plan confused us.”

The house they purchased for $1.75 million was “turnkey,” and Dazey had fun adding skylights to the beamed ceilings in the living room and redoing the kitchen to feel like an old Italian villa. The couple worked quickly over six months so that Dazey could share her projects on social media. “Much of our work comes from social media so having a project to share was helpful. That’s a big part of our job — creating these spaces.”

Dazey transformed the gravel driveway into an outdoor living space with turf, a cowboy pool and chaise lounges.

Her efforts paid off. The entrepreneurial couple now rents their home, along with a pink California bungalow and a bungalow in Palm Springs, for celebrity photo shoots and music videos. (Janelle Monáe, Camille Cabello and James Marsden have all been featured in their rental homes.)

It’s a unique side hustle, and the couple’s success is impressive. “They are such fun, wacky rentals,” Dazey said. “Between our Palm Springs Airbnb and L.A. photo shoots, we made $30,000 last month — our biggest month ever.”

Added Butler: “People tell us their kids love our houses.”

The home’s unconventional layout allows the couple to reside in the adaptable space downstairs while renting out the top floor for photo shoots. Following the recent fires in Los Angeles, they were able to provide housing for families in need on a monthly basis. “It’s been rewarding to be able to help in this way,” Dazey shared.

Dazey brightened the home’s first floor suite, which felt like a basement, with colorful textiles, wallpaper, stripes and FLOR tiles.

Dazey grew up in Lake Arrowhead in the San Bernardino Mountains. Her parents were creative, encouraging Dazey and her sister to be “colorful and engage in art and pursue” their passion. Not surprisingly, the family had a raspberry-colored kitchen. “My mom just painted the cabinets in her condo bright yellow,” Dazey said. “It’s wacky. I appreciate it.”

After studying fashion design, she made a name for herself in Los Angeles as a fashion designer for Dazey LA and, most recently, as an interior designer. She started her clothing line with $4,000. Over eight years it took off on social media and she eventually sold to stores including Anthropologie. “There were a few years where it nearly grossed a million dollars in revenue,” she said. “It helped me purchase the Palm Springs house.” Still, she is best known for her collaboration with drag performer and singer Trixie Mattel on the design of the Trixie Motel in Palm Springs.“Trixie’s aesthetic is similar to mine,” Dazey said with a laugh. “We both love bright colors and florals and retro design.”

Dazey prefers to work on the pink velvet daybed that fits the alcove off of the living room like a glove.

The collaboration opened doors for Dazey, including an opportunity to design her first collection of home textiles and wallcoverings for Spoonflower and a furniture line for Joybird, which are featured in her home. It also attracted clients who appreciate her fun-loving aesthetic. She has since worked for Andy Hurley of Fall Out Boy and TikTok star Dylan Mulvaney. “I’ve been lucky to work for cool, interesting people,” Dazey said. “I think that people with a quirky sense of style and taste are interesting and dynamic.”

Despite her colorful interiors, Dazey knows what it’s like to struggle in a sterile work environment. “I used to work as an apparel graphic designer in a corporate office and didn’t feel inspired as a creative person,” she said. “When I went out on my own, I worked in coffee shops and I loved it.”

Today, she works out of a wall-to-wall pink velvet alcove covered in floral pink wallpaper and dog hair.

Dazey, pictured with Butler and their dogs Franklin and Yuki, believes in designing spaces that make people happy.

“I’ve designed some office spaces since then and try to make offices feel like a living room,” she said. “It can affect you creatively and inhibit your productivity. Now that I work from home, I love it.”

When asked what it’s like living with a maximalist, Butler said he trusts his wife’s instincts. “She went running with color when we got our first place together in Beachwood Canyon. It took a little arm twisting, but it all made sense when I saw it all come together. I learned to trust her process. There hasn’t been a single project where it hasn’t worked for me.”

Dazey, having shifted her focus from fashion design to creating happy interiors, sees the two processes as deeply transformative. “In my creative journey, whether it’s fashion or interiors, I’ve discovered the power of self-expression. It’s about defining who you are and sharing that with the world. The right outfit can change your entire day, just as the act of decorating your home can significantly impact your comfort, productivity and happiness. I love relaying that message — self-expression is more meaningful than aesthetics.”

“The Maximalist” features 16 of Dazey’s design projects, including several that have never been seen before, such as a colorful mansion in Alabama.

The Dazey Dream House tips & tricks

(Excerpted from “The Maximalist: Colorful Interiors for Bold Living,” Abrams).

The old one-two punch

When mixing prints, I always like to think of a primary and secondary print. The primary is the main character print, which is more complex and illustrative. The secondary is the companion print — something less bold and usually a different scale.

Get some plants already!

A houseplant adds color and makes a space feel more homey without making any drastic changes to any of the walls. Plants breathe literal life into a space and help it feel complete. If your rooms don’t have any greenery in them, get yourself to your local plant shop — stat!

Make your home a gallery

This house is bursting with my personal design — and it feels so good. People are often hesitant to display their own artwork, but I say use the walls of your home to broadcast your creativity.

Stripes cut sweetness

I designed some almost-old-fashioned floral wallpapers for this house, but they’re often purposefully paired with a stripe. A strong, graphic pattern, like a stripe or a check, has the power to temper the sweetness of a floral-y-print.

Double the fun

Half walls abound in this home because I wanted to max out my opportunities for pattern and color play. Adding a half wall to a room in your home is a great way to start experimenting with design on a more complex level.

Appreciate the bedroom set

Matching bedroom sets have a very 1980s reputation (and not in a good way!), but if the furniture is cool, a coordinate set can be a smart strategy to help a maximalist bedroom feel more uniform.

Reconsider wall-to-wall

I am predicting a carpet comeback. People love rugs, so why not consider a completely carpeted room? Everything in design circles back around, and I think wall-to-wall is due to be done in a new way.