late

Tell us about your favourite place for late summer sunshine in Europe – you could win a holiday voucher | Travel

In July and August, many parts of southern Europe and the Med are too hot and too crowded for comfort. But as summer turns to autumn it’s not just the temperature that drops – prices are lower too, and visitors get to experience a gentler, more relaxed side to places as the season starts to wind down. We’d love to hear about your favourite late-season sunshine escapes.

The best tip of the week, chosen by Tom Hall of Lonely Planet wins a £200 voucher to stay at a Coolstays property – the company has more than 3,000 worldwide. The best tips will appear in the Guardian Travel section and website.

Keep your tip to about 100 words

If you have a relevant photo, do send it in – but it’s your words we will be judging for the competition.

We’re sorry, but for legal reasons you must be a UK resident to enter this competition.

The competition closes on Monday 1 September at 10am BST

Have a look at our past winners and other tips

Read the terms and conditions here

Share your travel tip using the form below

Please share your story if you are 18 or over, anonymously if you wish. For more information please see our terms of service and privacy policy.

If you’re having trouble using the form click here. Read terms of service here and privacy policy here.

Source link

Struggling Angels can’t rally late and are swept by the Cubs

Nico Hoerner had an RBI double against former teammate Kyle Hendricks and the Chicago Cubs beat the Angels 4-3 Sunday to complete a three-game series sweep.

Hoerner and Matt Shaw each had two hits in backing right-hander Jameson Taillon (9-6), who allowed one run in five innings as the Cubs improved to 8-2 in winning their third straight series. Right-hander Daniel Palencia worked out of a ninth-inning jam for his 20th save.

Taylor Ward hit his 30th homer for the Angels, who fell to 2-7 since a three-game sweep of the Dodgers.

Hendricks (6-9) gave up four runs on five hits over 4⅓ innings with three walks and two strikeouts in his first start against his former club. He joined the Angels this season after 11 seasons with Chicago, where he played a key role in their 2016 World Series title.

Ward reached 30 homers for the first time in his career with a first-inning blast for a 1-0 lead.

Kyle Tucker had a game-tying RBI single in the third inning and Hoerner had his run-scoring double in the fourth. The Cubs chased Hendricks in the fifth when they got a sacrifice fly from Pete Crow-Armstrong and an RBI single from Carson Kelly for a 4-1 lead.

The Angels pulled within a run in the sixth on an RBI double by Ward and a run-scoring grounder by Luis Rengifo.

Key moment: After he walked the go-ahead run with one out in the ninth, Palencia struck out rookie Christian Moore on a full-count, 99.9-mph fastball, then ended it with a strikeout of Bryce Teodoso.

Key stat: Tucker went five for 12 with three home runs and seven RBIs in the series, after he was given a three-game rest against Milwaukee last week,

Up next: Angels RHP Jose Soriano (8-9, 4.00 ERA) will face Texas on Monday.

Source link

The Thursday Murder Club honours late Queen as Helen Mirren’s reprises iconic look

The Thursday Murder Club star Helen Mirren had a throwback moment in the Netflix film as it paid tribute to the late Queen Elizabeth II.

WARNING: This article contains spoilers from The Thursday Murder Club.

Helen Mirren experienced a nostalgic moment in The Thursday Murder Club as the Netflix film honoured the late Queen.

The legendary actress has graced screens in countless acclaimed productions throughout her career, including Prime Suspect, Hitchcock, The Madness of King George, Gosford Park and the Fast and Furious franchise.

However, it was her 2006 Academy Award-winning performance as the late Queen Elizabeth II that truly cemented her legacy, portraying the monarch who tragically died aged 96 in September 2022.

The film, penned by The Crown mastermind Peter Morgan, explores the Royal Family’s response following Princess Diana’s tragic death, as mounting public pressure from newly appointed Prime Minister Tony Blair (Michael Sheen) forces their hand.

It proved a delightful throwback when the 80-year-old star adopted a remarkably similar appearance in Netflix’s newest big-screen offering The Thursday Murder Club.

Queen Elizabeth II died on September 8, 2022.
Queen Elizabeth II died on September 8, 2022. (Image: GETTY)

As the investigative team begins examining a property developer’s murder, pensioner Elizabeth Best (portrayed by Helen Mirren) decides to go “undercover” at the local police station.

Emerging from her bedroom, Elizabeth sports a lengthy checked skirt, cardigan, headscarf, oversized spectacles and walking stick.

She informs her husband: “I’m going out for the day, if you need me, just call me”, whilst Stephen Best (Jonathan Pryce) assures her he’ll manage perfectly well.

Actress Helen Mirren starred as the late Queen in the iconic award-winning 2006 film The Queen.
Actress Helen Mirren starred as the late Queen in the iconic award-winning 2006 film The Queen. (Image: PATHE)

He then chuckles: “What on earth are you wearing? You look like the Queen.

“Do I?” Elizabeth questions, a smile playing on her lips.

Stephen, who is living with dementia, then comments: “That was a sad day. The funeral.”

The Thursday Murder Club helen mirren queen
The Thursday Murder Club paid tribute to the Queen as Helen Mirren dressed in a similar fashion.(Image: NETFLIX)

Elizabeth enquires: “Do you remember that?”, to which he responds: “Of course I do. September 19, 2022. We watched it on the telly. You were obsessed with the security arrangements.”

She chuckles and concurs when Elizabeth informs him she’s “got a plan”, leading him to gently caress her face and say: “Oh my darling Elizabeth, you’ve always got a plan.”

Pryce, who plays Stephen, also has a Royal link as he portrayed Prince Philip in the final two series of The Crown on Netflix.

The Thursday Murder Club will premiere on Thursday, August 28, on Netflix.

Source link

GB’s Finlay Pickering takes 200km taxi ride to accept late Vuelta a Espana call-up

British cyclist Finlay Pickering took a 200km taxi ride and arrived without his luggage following a flight delay to accept a late call-up for his first Vuelta a Espana.

The 22-year-old was called upon to replace injured Bahrain Victorious team-mate Damiano Caruso less than 24 hours before the start of Saturday’s opening stage.

Pickering, only able to take the call after being late to head out on a training ride, travelled in a taxi from Andorra to Toulouse before flying to Turin.

A delay meant he arrived at the race with only the contents of his hand luggage – although fortunately that included his shoes.

It was far from ideal preparation for the Yorkshireman’s first stage at a Grand Tour race, but he managed to finish stage one in 153rd place.

“It was actually really lucky. I had a problem with a pair of training wheels and they were in a bike shop so I was a bit late going out training,” Pickering explained.

“I was on the way to pick them up when I got a call from management saying: How quickly can I be in an airport?

“The first flight was delayed, so I didn’t get my suitcase. But at least I managed to pack two pairs of shoes [in my hand luggage] so I can start.

“I’ve got a set of boxers, a set of socks, and the team are really good at looking after me, so no stress.”

He added, speaking before starting the Vuelta: “I’m pretty ready. I’m a bike rider and this is a bike race, after all – even if it’s a pretty big one.”

Belgium’s Jasper Philipsen won the first red jersey of this year’s Vuelta a Espana after taking victory on the opening stage in a sprint finish.

Source link

Pete Crow-Armstrong’s late home run lifts Cubs over Angels

Pete Crow-Armstrong hit a tie-breaking homer in the ninth inning and Kyle Tucker went deep for the first time in more than a month as the Chicago Cubs beat the Angels 3-2 on Friday night to open a nine-game trip.

Crow-Armstrong connected for a solo shot off Kenley Jansen (5-4) with one out, his 28th home run this season and first in his last 25 games.

Tucker also ended a 25-game drought with a solo drive off Tyler Anderson in the first — his first longball since July 19.

Yoán Moncada homered twice for the Angels, including a tying shot in the seventh. It was his first multihomer game with the Angels (61-67).

Javier Assad allowed one run in six innings for the Cubs (74-55) after being recalled from triple-A Iowa before the game. He took a no-hitter into the fifth before Moncada homered.

Brad Keller (4-1) pitched a perfect eighth and Daniel Palencia struck out two in a 1-2-3 ninth for his 19th save.

Anderson permitted two runs and three hits in five innings with five strikeouts and two walks. He’s gone 21 straight starts without a win.

Key moment: Crow-Armstrong was 0 for 3 with two strikeouts when he stepped to the plate in the ninth, but he got a 92 mph cutter over the heart of the plate from Jansen and sent it 396 feet into the right-field stands.

Key stat: Tucker’s 25-game home-run drought was his longest since his rookie season in 2018.

Up next: Angels RHP Victor Mederos (0-1, 5.54 ERA) faces Cubs RHP Cade Horton (7-4, 3.08) on Saturday in a matchup of rookie starters.

Source link

Alyssa Thompson scores late to lift Angel City over Orlando

Alyssa Thompson scored in the 86th minute and Angel City snapped an eight-game winless streak with a 1-0 victory over the Orlando Pride on Thursday night at BMO Stadium.

Angel City (5-7-5) had not won a match since May 9. Thompson’s goal was her sixth of the season, second most on the team.

It was Alex Straus’ first win as Angel City coach and the franchise’s first win against the Pride since 2023.

“It felt really good. I feel like I haven’t had a goal in a while,” Thompson said. “So being able to get those goals that I’ve been working on, and just the positions that I’ve been in, in training. It was really nice.”

Orlando (8-5-4) is winless in its last five matches. The Pride were without top scorer Barbra Banda, who injured her hip in the team’s scoreless draw with the Kansas City Current last week. Banda has eight goals this season.

Orlando announced earlier Thursday that they had signed Lizbeth Ovalle from Mexico’s Tigres UANL for a record transfer fee. Ovalle, known as Jacquie, is set to play in the Liga MX Femenil All-Star game this weekend before joining the Pride.

Angel City welcomed back defender Ali Riley, who was available on the bench for the match. Riley was placed on the season-ending injury list midway through the 2024 season because of a chronic leg injury that threatened her career.

Source link

‘Netflix show’s twisted ending left me in mourning after I watched it 20 years too late’

Social News reporter Jess Flaherty recently started watching a smash hit crime show which first aired in the mid 00s but the huge twist at the end of one episode was tough viewing

Bangkok, Thailand - April 25, 2022 : iPhone 13 showing its screen with Netflix application.
The hit crime series is available to stream on Netflix (stock image)(Image: Wachiwit via Getty Images)

Recently, I’ve started binge-watching the original series of Dexter, and the ending of one particular episode has left me in a state of grief. Okay, maybe I’m being a bit dramatic, but it did shatter me. Any Dexter fans likely knows what I’m referring to, but if you’re yet to watch the show and want to avoid any spoilers, look away now.

Consider yourself warned. Obviously, I’m referring to the shocking twist in the season four finale episode, The Getaway. Dexter, which originally aired from 2006 to 2013, chronicles the life of Dexter Morgan, a serial killer with a moral compass, who works as a blood spatter analyst for the Miami Metro Police Department by day, maintaining his “normal” persona while satisfying his urge to kill by night.

Dexter, played by Michael C Hall, is led to believe he’s a sociopath and a “monster” by his adoptive father, police officer Harry Morgan, who discovered him as a three-year-old child, sitting in a pool of his mother’s blood after she was brutally murdered in front of him.

Harry notices Dexter’s violent tendencies and emotional detachment and, instead of seeking professional psychological help for his clearly traumatised son, he teaches him “the code”.

Dexter harbours a desire to kill, but only those who fit Harry’s code – they must be murderers themselves. Over the years, he carries out ritualistic killings of numerous violent criminals who seem to have slipped through the justice system’s net.

As the series unfolds, Dexter’s actions continue to catch up with him – to devastating effect. In some cases, he even sabotages evidence to let culprits slip through the law’s grasp, just so he can savour the thrill of killing them himself.

This is most evident in season four, where we’re introduced to Arthur ‘the Trinity Killer’ Mitchell, portrayed by the brilliantly terrifying John Lithgow. His performance was so compelling that he bagged a Golden Globe award for his role as the chilling serial killer.

Julie Benz and Michael C. Hall (Photo by E. Charbonneau/WireImage for Showtime Networks)
Julie Benz and Michael C. Hall played couple Rita Bennet and Dexter Morgan on Dexter(Image: E. Charbonneau/WireImage for Showtime Networks via Getty Images)

Now, given the show has been around for years, some spoilers are inevitable – I’m bracing myself for the much-maligned ending, and I already knew that the main antagonist in the first season was Dexter’s long-lost brother.

But what season four had in store for viewers took me completely by surprise.

By this stage in the series, Dexter is married to Rita – brought to life with a delightful blend of sweetness and charm by the talented Julie Benz.

Initially, Dexter was attracted to Rita to help maintain his façade of being a “nice, normal guy”, but as the story progresses, it becomes clear he genuinely cares for her. I adored Rita and hoped her influence on Dexter would have a positive effect on him.

However, Dexter’s fixation with the Trinity Killer led to her downfall.

After a tense game of cat-and-mouse, during which Dexter adopts a false identity to get close to Arthur Mitchell and his family, things begin to fall apart.

Mitchell soon realises Dexter isn’t who he claims to be and tracks him down. The Trinity Killer visits him at the police station, where he casually peruses photos of his own violent crime scenes without a care in the world.

Dexter sends Rita and their son away on a belated honeymoon to ensure she’s safe from the sadistic killer.

After some serious tension, Dexter seemingly prevails – he traps Arthur Mitchell on his trusty table and kills him, tossing his hacked up body parts into the ocean.

We’ve seen this scene before – Dexter is nothing if not consistent when it comes to how he completes his crimes.

When he returns home, he discovers a voicemail message from Rita saying she forgot her passport so had to return home to get it.

He calls her, but her phone rings in their house. Dexter walks into the bathroom and there, in a harrowing full circle moment, is his son sitting in a pool of his mother’s blood.

Rita is laying dead in the bathtub, the water crimson – one of the Trinity Killer’s trademarks.

I was hysterical.

The show did an excellent job of convincing us Dexter had won and got the better of the Trinity Killer.

As the show is years old, I have nobody to talk to about this gut punch of a twist so I scoured social media and saw it’s still a widely discussed episode to this day.

I know it’s not an episode I’ll ever forget, no matter what direction the show – and its subsequent spin-offs – takes from here.

Source link

Lionel Messi scores as Inter Miami wins late against LA Galaxy | Football News

The Argentinian superstar returns from injury to score a goal and add an assist as Inter downs Galaxy at Chase Stadium.

Lionel Messi returned from injury as a reserve and scored in the 84th minute to lead Inter Miami to a 3-1 victory over the defending Major League Soccer (MLS) Cup champions, Los Angeles Galaxy.

The iconic 38-year-old Argentinian striker was back on the field on Saturday for Miami after suffering what Inter coach Javier Mascherano had called a “minor muscle injury” – an apparent hamstring strain – in Inter’s Leagues Cup victory over Mexican side Necaxa on August 2.

“It had been something very small,” Mascherano said of his injury after the match. “The three training sessions we had were good. The important thing is that the match ended. As the minutes went by, I saw him better. We have to see how he feels tomorrow.”

Eight-time Ballon d’Or winner Messi, who missed a Leagues Cup win over Pumas UNAM and last weekend’s MLS loss at Orlando City, was on the bench as a reserve before entering in the second half, replacing Telasco Segovia.

“We had planned the match to give minutes to Leo [Messi]. The idea was to give him 45 minutes so that he can find sensations,” Mascherano said. “I didn’t see him after the game. Tomorrow, we’ll see what feelings he had.

“He’s an extraordinary player. I saw that he was clearly not 100 percent comfortable, but as the minutes went by, he was loosening up more and more. We will have to see how he ended with the fatigue.”

Jordi Alba scored for Miami in the 43rd minute, but Joseph Paintsil equalised for the Galaxy in the 59th minute.

Lionel Messi in action.
Messi takes a shot and scores his team’s second goal against LA Galaxy at Chase Stadium [Chandan Khanna/AFP]

Messi dominates late

Messi’s brilliant goal six minutes from full-time – a thunderous left foot strike fired from the edge of the penalty area that caromed off the bottom corner of the net – restored the lead for Miami.

He then put the victory beyond doubt with a sensational 89th-minute assist to teammate Luis Suarez, who put the home side ahead 3-1.

Messi, the reigning MLS Most Valuable Player, has 19 goals and 10 assists in 19 MLS appearances for Miami this season.

He also has the Herons into the quarterfinals of the Leagues Cup, which they won in 2023, just after Messi’s arrival. Miami will play the Tigres in a Cup quarterfinal on Wednesday.

“He wants to play every single game,” Mascherano said. “You have to understand why Leo is Leo. He always wants to be on the pitch. He’s happy there. Sometimes, we try to explain him that we have to go slowly, but when he feels good, he knows himself like no one. In the end, we tried to give him some minutes today to start having good feelings for Wednesday.”

Inter Miami rank fourth in the MLS Eastern Conference, six points behind MLS leaders Philadelphia, but with three matches in hand.

Luis Suarez and Lionel Messi react.
Messi, left, celebrates with teammate Luis Suarez after Inter Miami went ahead 3-1 in the 89th minute [Chandan Khanna/AFP]

Source link

Liverpool avoid late Bournemouth scare to win Premier League opener | Football News

Bournemouth fight back from two down but Liverpool secure late win on emotional Anfield night.

Liverpool talisman Mo Salah and fellow forward Federico Chiesa struck late goals as the Premier League champions began the defence of their title by beating Bournemouth 4-2 in a thriller on the opening night of the season at Anfield.

On a bittersweet Friday evening charged with emotion after the July death of Liverpool forward Diogo Jota, newcomer Hugo Ekitike bagged a goal on his league debut to put the hosts ahead after 37 minutes, and Cody Gakpo doubled the lead in the 49th.

But Antoine Semenyo, who was the target of racist abuse in the first half that led to a pause in the game, pulled one back for the visitors in the 64th minute and completed a double 12 minutes later to rock Liverpool and shock the home fans.

However, substitute Chiesa sent the Liverpool faithful away happy with an 88th-minute strike after goalkeeper Djordje Petrovic swatted away a ball into the box by Salah, who scored himself deep into added time to wrap up the three points.

Salah chased the ball past the defence before cutting inside and firing into the bottom corner with a goal that put the Egypt international joint-fourth with Andy Cole on the all-time Premier League scorers’ list with 187.

An emotional Salah pointed to the heavens and flapped two hands to mimic Jota’s shark goal celebration.

He headed for The Kop stand after the final whistle and wiped away tears while applauding the fans who were singing Jota’s song to the tune of Bad Moon Rising.

Liverpool's Cody Gakpo scores their second goal against Bournemouth
Liverpool’s Cody Gakpo scores their second goal [Peter Powell/Reuters]

The night started with an emotional minute’s silence for Jota and his brother Andre Silva, who died in a car crash. Fans fought back tears as they sang You’ll Never Walk Alone.

Ekitike, who has joined from Eintracht Frankfurt, was the most impressive of manager Arne Slot’s close-season signings in a spending spree topping 300 million pounds ($406.53m).

“Obviously, I think it was a good performance, I could do better,” said Ekitike, who held up two fingers in one hand, and made a zero with the other after his goal, a tribute to Liverpool’s Jota, who wore number 20.

“But the most important thing was winning, the mentality we showed. Obviously, we wanted to win tonight for the people who came and for Diogo,” added the 23-year-old forward.

The game was halted for several minutes after Bournemouth’s Ghana international Semenyo reported the racist abuse.

“It’s totally unacceptable,” Bournemouth captain Adam Smith said. “Kind of in shock to be honest that it happened. In this day and age, it shouldn’t be happening.

“I don’t know how Ant’s played on to be honest and come up with those goals … Something has to be done. We’ll support him in there and hopefully, he’ll be OK.”

Source link

Denis Bouanga’s late goal helps LAFC salvage draw with Fire

Denis Bouanga scored on a penalty kick in the 81st minute to rally LAFC to a 2-2 draw with the Chicago Fire at SeatGeek Stadium on Saturday night.

Bouanga notched his 14th goal of the season for LAFC (10-6-7) after subbing in for Mathieu Choinière in the 61st minute. The PK was awarded after Son Heung-min — in his debut with the club — was fouled by defender Carlos Terán.

Chicago (10-9-6) grabbed a 1-0 lead in the 11th minute on Terán’s first goal this season. Philip Zinckernagel collected an assist on the score. Terán has one goal in five straight seasons.

LAFC pulled even in the 19th minute on a goal by defender Ryan Hollingshead — his second. Nineteen-year-old midfielder David Martínez picked up his first assist this season after notching two in 17 appearances last year.

The Fire took a 2-1 lead in the 70th minute on a goal by Jonathan Bamba — his fourth in his first season in the league. Zinckernagel snagged another assist — his 13th — and Brian Gutiérrez earned his second.

It was the first of three straight home matches in Bridgeview for the Fire whose home these days is Soldier Field. Chicago is 102-55-72 in regular-season play at SeatGeek.

Chris Brady saved four shots for Chicago.

Hugo Lloris totaled one save for LAFC.

Chicago began the day in possession of the final playoff spot in the Eastern Conference as it tries to make the postseason for the first time since 2017.

LAFC entered the day sixth in the Western Conference, but the club has at least two matches in hand on all five teams above it.

Source link

Alanna Kennedy scores late in Angel City’s draw with San Diego

Alanna Kennedy scored a late equalizer and Angel City tied the San Diego Wave 1-1 on Saturday night in their Southern California rivalry.

Just as the Wave looked to be securing a first home win over Angel City since 2022, Sveindís Jane Jónsdóttir sent in a cross and Kennedy scored on a header to make it 1-1 in the second minute of stoppage time. The goal was Kennedy’s first for Angel City.

San Diego opened the scoring in the 85th minute, when Makenzy Robbe curled in a shot across the goal from the right side of the box. It was Robbe’s first goal of the season, but her 10th career goal for the Wave.

In the first half, after being struck in the head by the ball, Angel City defender Sarah Gorden left the game with a concussion.

The fourth-place Wave (7-4-4) are undefeated in their last four matches, although the last three have been ties.

Angel City (4-7-4) remains 11th in the standings and is winless in its last seven games. The team is winless since coach Alex Straus came aboard in June.

Source link

England vs India: Zak Crawley falls late with hosts chasing 374 to win fifth Test and series

Zak Crawley was dismissed from the penultimate ball of day three after England had started to make steady progress in pursuit of an imposing 374 to win the fifth Test against India at The Oval.

The opener was bowled by Mohammed Siraj for 14 as the hosts reached 50-1 at the close, needing a further 324 runs to win, with Ben Duckett unbeaten on 34 to conclude another gripping day.

Despite Crawley’s departure, England will be boosted by the much-improved batting conditions after they spent most of the day in the field as India racked up 396 under brighter skies.

The pitch flattened and offered far less seam movement, with Yashasvi Jaiswal’s sublime 118 the highlight for the tourists.

There was also a surprising maiden Test fifty for Akash Deep, who added 107 for the third wicket with Jaiswal as England started poorly, unable to take the wicket of the nightwatchman until the final 10 minutes before lunch.

Deep was put down on 21, one of six dropped catches in the innings for England as their makeshift bowling line-up – without the injured Chris Woakes – toiled admirably but were again let down in the field.

Gus Atkinson pinned captain Shubman Gill lbw for 12 with the first ball after lunch as England improved, but Ravindra Jadeja continued his fine form with 53 and Washington Sundar, with India nine down, blitzed four sixes in a 39-ball fifty to give India the upper hand.

Josh Tongue claimed the final three wickets, having also dismissed Jaiswal earlier, to finish with 5-125 for his wholehearted efforts.

It feels fitting that England chased 371 to beat India in the opening match at Headingley to ignite a fiery series, though there is rain forecast for Sunday which could impact their aim of comfortably completing the highest Test chase at The Oval, which is currently England’s 263-9 against Australia in 1902.

Source link

Super League: Leigh 20-16 Warrington Wolves – Leopards stage late fightback

Responding to a limp defeat at lowly Castleford Tigers last time out, Warrington showed aggression and energy from the get-go, pinning their hosts deep inside their own territory for much of the opening quarter.

Yet despite their dominant play, steadfast Leigh defence limited them to just two points – Sneyd chipping over a penalty for Joe Ofahengaue’s high tackle on Sam Powell, who had been held up on the line moments earlier.

And having barely set an attacking boot in Wire territory, Leigh were soon level through O’Brien’s penalty for late contact by Wire debutant Ryan Matterson.

Yet order was restored in the 32nd minute when Josh Thewlis, inside his own half on the right wing, cut back into the centre with a breathless run, slaloming through challenges before sending Dufty in under the posts.

If there was hope for a below-par Leigh, and concern for Wire, it was that just one score separated the sides going into the second half.

Sneyd slotted a second penalty before George Williams’ superb kick down the left wing bounced kindly for Jake Thewlis to collect and cross for his eighth Super League try of the season.

Leading 14-2 with 15 minutes left, Dufty had a second score – and a potential decider – overturned by the video referee following a Lachlan Fitzgibbon obstruction.

And two minutes later, and having barely troubled the Warrington line, Leigh were back in it when Hanley stretched out to touch down O’Brien’s deflected grubber kick.

O’Brien’s conversion brought the Leopards back within six points, but Sneyd’s dead-eye penalty from long distance again took the visitors two scores clear.

But once again after a Warrington score was ruled out after a video review – this time from Toby King – Hanley powered through for a second try and O’Brien’s conversion cut the gap to 16-14.

Wire were suddenly hanging on and buckled moments later as Trout capped his 100th Super League appearance with the winning score from close range.

Source link

Axing of The Late Show reveals how monopolisation has gutted US media | Donald Trump

CBS’ recent cancellation of the popular The Late Show with Stephen Colbert is yet another case of heavy‑handed political and corporate meddling in the role of media in the US. It occurred just three days after the comedian and talk show host criticised CBS’s parent company Paramount for settling a multimillion‑dollar lawsuit with Trump, with Colbert calling that settlement “a bribe”.

In its announcement, CBS stated it will end The Late Show after May 2026 due to a declining audience, marking the end of a 33‑year run for the live‑audience series.

But, lower Nielsen ratings or not, the timing of Paramount’s move to cancel one of its signature series may itself prove that the decision was about more than profit. It cannot be ignored that within a few days of both moves, the Federal Communications Commission (FCC) finally approved the Skydance‑Paramount merger after months of stalling, an $8bn deal that will add to the mountain of monopolistic moves in US media.

“This is pure cowardice,” David Letterman, The Late Show’s previous host from 1993 to 2015, said of Paramount’s recent decisions to cancel the show and settle the Trump lawsuit.

The US news media’s never‑ending coverage of everything Trump over the past decade and the constant back‑and‑forth over his politics, policies and practices have played a significant role in its decline. As the US lurches ever closer towards autocracy, the Fourth Estate has increasingly taken on the role of stenographer, with its normalisation of lies, gossip, craven policies and corruption as “disinformation” and “misinformation”.

But the age of Trump is just the tip of the iceberg. The combination of constant realignment to ingratiate media corporations with the political class, along with their monopolisation of media in the US over the past 45 years, has simply devastated the field. This retrenchment has severely skewed news coverage and destroyed the idea of a free press.

The landscape of US media began evolving with the gradual deregulation of both media ownership and the scope of editorial freedom in the 1980s. After 40 years of what was once the Fairness Doctrine in US media law (requiring multimedia broadcasters to air opposing views on topics of national importance, not just one perspective), the FCC voted to abolish the requirement in 1987. This came after Congress had failed to override President Ronald Reagan’s veto of their attempt to codify the doctrine in a bill. Attempts to re‑establish the Fairness Doctrine have failed over the years, including the Restore the Fairness Doctrine Act that the now Director of National Intelligence Tulsi Gabbard sponsored in 2019. That bill never made it to the House floor for a vote.

In a truly bipartisan effort during the 1990s, many of the remaining regulations that protected US media from monopolisation and the influence of billionaires and mega‑corporations were dismantled. The lobbyist‑influenced Telecommunications Act of 1996 made its way through Congress with overwhelming support, with only 16 “No” votes out of 430 in the House of Representatives, and five voting “No” out of 96 in the Senate.

The deregulations, intended to foster more competition between media corporations and their multimedia platforms, actually did the opposite by extending media monopolisation. Between 1983 and 2015, the number of corporations that collectively owned 90 percent of the entire US media market fell from “more than 50 to just six companies”, including books, newspapers, magazines, mobile and cable television, internet and music, films and professional athletic teams. In the years since, between Viacom’s ownership of CBS and Paramount and Amazon’s huge foray into streaming services and multimedia productions, five megacorporations now control 90 percent of all US media.

The Australian media mogul Rupert Murdoch became a key figure in the monopolisation of US media in all its forms, buying stakes in the New York Post and founding the tabloid paper Star. In 1985, the FCC approved the deal that allowed Murdoch to buy 20th Century Fox and acquire Fox broadcast stations. This occurred after Murdoch had become a naturalised US citizen, as federal regulations at that time limited foreign ownership of and investment in broadcasting. Eleven years later, and just months after the Telecommunications Act of 1996’s passage, Murdoch and media executive Roger Ailes founded Fox News under the ironically deceptive slogan “Fair and Balanced”. With the Fairness Doctrine gone and the need to provide balanced media coverage removed, Fox News’ decidedly biased far‑right slant was deliberate, built solely for profit. “People don’t want to be informed, they want to feel informed,” the late Ailes apparently said more than once in justifying Fox News’ approach to news coverage.

In recent years, with billionaires buying major news outlets like The Washington Post, The Los Angeles Times, and The Wall Street Journal and dictating editorial decisions, Americans have long lost trust in the Fourth Estate. Monopolisation and the business pressures that have come with it have led to “fewer journalists, thinner reporting, and increasingly desperate advertising content” over the past three decades. Combined with the rise of social media over television and internet media sites as the number one way Americans get their news (54 percent vs 50 percent and 48 percent, respectively), this trend is telling. There are no signs that monopolisation and biased, fact‑reduced and fact‑free media coverage will stop any time soon.

Murdoch’s approach of using deregulation to build a monopoly and usher in the age of fact‑free journalism helped set off this buying frenzy, with profit prioritised over fairness every step of the way. By the end of the 1980s, the reign of conservative and far‑right radio talk shows had begun, with the late Rush Limbaugh leading the pack with his nationally syndicated The Rush Limbaugh Show. His constant barrage of racism, sexism, queerphobia and other hyper‑masculine talking points became an echo chamber for about 15 million listeners for the next 30 years.

Although centre‑left radio programming like Air America made minor inroads in the 2000s, progressive ventures have often fizzled out. They have frequently lacked sufficient financial support and political protection in an increasingly monopolised and ideologically skewed media world. At the height of MSNBC’s “Lean Forward” days, when critics saw its merely centrist political news coverage between 2010 and 2016 as “liberal”, its executives denied MSNBC was the leftist equivalent of Fox News. Phil Griffin, who ran MSNBC from 2008 through early 2021, once said, “No. We don’t put out talking points all day” like Fox News. “Corporations are … like sharks. They just move toward the money. That’s all they do,” one former executive for the news organisation said. In 2016, eugenicist tech billionaire Peter Thiel essentially destroyed the progressive tabloid Gawker. Furious that Gawker had outed him as queer in 2007, Thiel helped the late wrestler Hulk Hogan win a $140m lawsuit against Gawker for its publication of his sex tape.

It is often said that good journalism reflects the happenings of the world like a mirror, without bias and with every effort to expose the truth behind news events. If this is truly the definition of what makes good journalism, then US journalism has been staring into a mirror with a multitude of fractures for decades. In 2025, it is not just that many Americans do not believe in the media they consume or only believe the news when it fits their personal narrative. Many in the US know that the nation’s media regularly peddles lies, half‑truths and gossip in a never‑ending search for easy profit, all while dumbing down their consumers.

Reporting on the spread of autocratic rule, calling out complicity in genocide, or interrogating the ethics of billionaires and mega‑corporations in a monopolised media world? Any efforts towards fairness and truth can easily cost anyone in the media their job, or worse, even someone as influential as Stephen Colbert.

The views expressed in this article are the author’s own and do not necessarily reflect Al Jazeera’s editorial stance.

Source link

Keshia Knight Pulliam honors late Malcolm-Jamal Warner

Keshia Knight Pulliam, who shared the screen with Malcolm-Jamal Warner on “The Cosby Show,” highlighted the Emmy-nominated actor’s musical talents as she broke her silence on his death.

Pulliam on Sunday shared an Instagram video of Warner playing the bass at Atlanta’s City Winery. She shared the video of Warner, best known for his portrayal of clean-cut Theodore Huxtable, a week after he drowned while swimming in the Caribbean off Costa Rica. He was 54.

“A week ago I lost my big brother but I gained an angel,” Pulliam captioned her video. She played Rudy Huxtable, the youngest of the TV family’s children.

“I love you… I miss you,” she added, before referencing the other Huxtable children. “We got our girls.”

“House of Payne” star Pulliam, 46, is the latest “Cosby Show” star to mourn Warner. As news of the actor-musician’s death spread last week, co-stars including Bill Cosby, Geoffrey Owens and Raven-Symoné paid tribute. Cosby told CBS News last week he and co-star Phylicia Rashad were “embracing each other over the phone” when they learned of Warner’s death.

“He was never afraid to go to his room and study. He knew his lines and that he was quite comfortable even with the growing pains of a being a teenager,” Cosby said of Warner.

Owens, who appeared as Warner’s on-screen brother-in-law, Elvin Tibideaux, said in a statement shared with Deadline that his co-star’s death had left him speechless. “Malcolm was a lovely man; a sweet and sensitive soul. I respected him for many reasons, including the fact that he genuinely loved the act of creation,” he said.

Warner, also a TV director and a Grammy-winning musician, was on vacation with his family at the time of his death. He was swimming when a current pulled him deeper into the ocean.

The Red Cross in Costa Rica confirmed to The Times last week that its first responders also tended to another man in the same drowning incident that claimed Warner’s life. The patient, whose identity was not disclosed, survived. First responders found Warner without vital signs, and he was taken to the morgue.

As news of his death spread last week, his Hollywood peers, including Morris Chestnut, Tracee Ellis Ross, Viola Davis and Niecy Nash also paid tribute on social media. Beyoncé honored the actor, briefly updating her website to include a tribute to the TV star.

Pulliam also thanked fans on Sunday for their support as she mourned. “Thank you for every text, call and all the love that you have sent my way,” she said in an Instagram story. “I’ve just needed a moment.”

City Winery in Atlanta, the venue from Pulliam’s video, will host an event in Warner’s honor on Wednesday. “This tribute is our communal offering to say: Thank you. For the way he gave, for the work he created, for the bridges he built between TV, poetry, music, and love,” says the event website. According to the site, all profits will go to Warner’s family. He is survived by his wife and daughter.



Source link

Australia 26-29 British and Irish Lions: Hugo Keenan’s late try clinches series win

The Wallabies had been pilloried all week. Humiliated, almost. The reaction to their loss to the Lions in Brisbane was unsparing and questioning of not just their mettle but the veritable future of the game in Australia.

We thought there would be a reaction but nobody could have foreseen this absolute thunderclap. At the MCG they knocked the Lions for six early on. That first half was mesmeric; six tries, the impetus swinging this way and that, the Wallabies buoyant and then bruised, the Lions beleaguered and then battling hard to get back into it. It was magnificent.

It all started with a Lynagh penalty that put Australia ahead early on. Only mere minutes had gone when it was obvious that these Wallabies were a different beast to the timid animals we saw in Brisbane.

Valetini and Skelton set the tone, carrying hard and hitting like demons. The physicality and intent was fantastic. Lynagh made it 6-0 as the Lions shipped penalties amid the onslaught. There was aggravation out there. Some badness. The Wallabies had found themselves.

So did the Lions, briefly. Sheehan dived over to make it 6-5 but what happened next was extraordinary. Valetini in the vanguard, the Wallabies blasted downfield, won a succession of penalties which they kicked to touch.

They turned the screw and eventually it worked, Slipper barging over for a score that was rapturously greeted by the massive MCG ground wearing gold.

What was worse for the Lions, Freeman was yellow-carded for trying to kill Wallaby ball in the build-up. What was worse again, Australia reacted to his yellow card like men possessed.

The Lions conceded penalty number seven after 27 minutes. Their living nightmare, Valetini, was everywhere, like there were two or three of him out there. How glad the Lions would have been to see him fail to come out for the second half.

With the Lions retreating and on the ropes, Gordon screamed into space at the side of a ruck and scored.

Lynagh’s conversion made it 18-5. A sensation. And it only got more sensational. From the restart, the Wallabies went again. Max Jorgensen ate up space down the right, then Joseph Suaalii motored past Bundee Aki to put the Wallabies into dream territory.

Suaalii found Wright and away the full-back went to the posts; 23-5. Gobsmacking.

Source link

World Athletics Championships: GB relay team receive gold medals 28 years late

Englishmen Black, Richardson and Hylton plus Welsh duo Thomas and Baulch were belatedly presented with their gold medals at Saturday’s Diamond League meeting at a sold-out London Stadium.

“It’s been hanging over us for a very, very long time. I mean, 28 years is a long time so yesterday really completed it. It was great,” added Black.

“In some ways, it was more special because we were there with our families and our kids, who obviously weren’t born back then.

“I think Jamie had a baby then but we were able to share it with our families and you don’t get to do that, do you?

“Also, more importantly, we shared it with 60,000 British fans in there and a lot of them supported us back in the day.

“I think pulling that together, it was actually a surprisingly emotional moment and we loved it. It was really special.”

Cherry Alexander, UK Athletics’ strategic lead for major events, said: “We’re proud to be able to give these athletes their moment in front of a home crowd.

“It’s a chance to recognise not just their talent, but the values they stood for. This medal means even more because of how long they’ve waited for it.”

Source link

Trump celebrates Colbert’s ‘Late Show’ cancellation: ‘Kimmel is next’

President Trump is celebrating the cancellation of Stephen Colbert’s “The Late Show” on CBS — and calling for even more late-night hosts to be axed.

“I absolutely love that Colbert got fired. His talent was even less than his ratings,” Trump wrote Friday morning on Truth Social. “I hear Jimmy Kimmel is next. Has even less talent than Colbert!”

He added that Greg Gutfeld, who has a late-night show and co-hosts “The Five” on Fox News, “is better than all of them combined, including the Moron on NBC who ruined the once great Tonight Show,” referring to Jimmy Fallon.

Although “Late Night” is the top-rated late-night broadcast show, “Gutfeld!” draws a bigger audience.

Colbert, 61, has hosted the show for a decade and shared the news of its cancellation Thursday night, noting that he was made aware of the decision only the night before. “The Late Show” will end in May.

“It’s not just the end of our show, but it’s the end of ‘The Late Show’ on CBS,” Colbert said. “I’m not being replaced. This is all just going away.”

CBS said the decision was “purely financial.” The cancellation comes after Colbert criticized the network’s parent company, Paramount Global, for settling a lawsuit filed by Trump last year over the editing of a “60 Minutes” interview with Kamala Harris. Colbert called the $16-million settlement a “big fat bribe” Monday night, noting that Paramount is awaiting federal approval for its $8-billion merger with Skydance Media.

Both branches of the Writers Guild called on New York Atty. Gen. Letitia James to investigate Paramount.

“Cancelations are part of the business, but a corporation terminating a show in bad faith due to explicit or implicit political pressure is dangerous and unacceptable in a democratic society,” read a statement released Friday by the union.

Fellow late-night hosts have since criticized the show’s cancellation.

“Love you Stephen. F— you and all your Sheldons CBS,” Kimmel wrote in an Instagram story, referencing the network hits “The Big Bang Theory” and “Young Sheldon.”

“I’m just as shocked as everyone. Stephen is one of the sharpest, funniest hosts to ever do it. I really thought I’d ride this out with him for years to come,” Jimmy Fallon posted in an Instagram story. “I’m sad that my family and friends will need a new show to watch every night at 11:30. But honestly, he’s really been a gentleman and a true friend over the years — going back to The Colbert Report, and I’m sure whatever he does next will be just as brilliant.”

Sen. Elizabeth Warren (D-Mass.), who called for an investigation into the Paramount settlement this month, suggested that the move was politically motivated.

“CBS canceled Colbert’s show just THREE DAYS after Colbert called out CBS parent company Paramount for its $16M settlement with Trump — a deal that looks like bribery,” she wrote Thursday night on X. “America deserves to know if his show was canceled for political reasons.”

“If Paramount and CBS ended the Late Show for political reasons, the public deserves to know. And deserves better,” said Sen. Adam Schiff (D-Calif.), who was a guest on the show Thursday night.

Trump had called for Colbert’s termination in September.

“I briefly watched an interview of Stephen Colbert on highly government subsidized PBS, and found it fascinating for only one reason — Why would they be wasting time and the public’s money on this complete and total loser?” he wrote on Truth Social. “He is not funny, which he gets paid far too much to be, he is not wise, he is VERY BORING, and his show is dying from a complete lack of viewers.

“CBS should terminate his contract and pick almost anyone, right off the street, who would do better, and for FAR LESS MONEY,” he continued. “Or I could recommend someone, much more talented, and smarter, who would do it for FREE! The good news for Stephen is that the two DOPES on NBC & ABC are not much better than him!”

In a Variety interview published Wednesday, Kimmel shared his concerns about the Trump administration targeting him and his competitors.

“Well, you’d have to be naive not to worry a little bit. But that can’t change what you’re doing,” the ABC late-night host told the outlet. “And maybe it is naive, but I have the hope that if and when the day comes that he does start coming after comedians, that even my colleagues on the right will support my right to say what I like. Now, I could be kidding myself, and hopefully we’ll never find out. But if we do, I would hope that the outrage is significant.”

Source link

Stephen Colbert’s ‘Late Show’ is canceled. He won’t go quietly

We seem to be in an era of endings. The end of ethical norms, of the rule of law, of science, of democracy, of Marc Maron’s “WTF” podcast, possibly the world and the just-announced end of “The Late Show With Stephen Colbert,” when the host’s contract runs out in 10 months — which may presage the end of late-night television, at least on CBS, which says it has no plans to replace him or keep the show.

“This is all just going away,” Colbert said in a statement taped Thursday.

Coincidentally, or not, Paramount Global, which owns CBS, is seeking regulatory approval from the Trump administration to sell itself to the Hollywood studio Skydance Media. (I’d never heard of it either.) An official statement, claiming that the “Late Show” cancellation represents “a purely financial decision against a challenging backdrop in late night … not related in any way to the show’s performance, content or other matters happening at Paramount” (italics mine) is — however true it might be — just the sort of thing to make one say, “Pull the other one.”

“Other matters” would seem to refer to the merger and to Paramount’s recent payment of $16 million to settle a frivolous Trump lawsuit over the perfectly routine editing of a “60 Minutes” Kamala Harris interview that was somehow supposed to give Harris an unfair advantage in the 2024 election and to have caused her opponent “mental anguish” — a payment Colbert characterized in a monologue just a few days ago as a “big fat bribe”: “As someone who has always been a proud employee of this network, I am offended. And I don’t know if anything will ever repair my trust in this company. But just taking a stab at it, I’d say $16 million would help.”

Though he responded to his studio audience’s supportive boos saying, “Yeah, I share your feelings,” he was only kind to the network: “I do want to say that the folks at CBS have been great partners,” Colbert said. “I’m so grateful to the Tiffany network for giving me this chair and this beautiful theater to call home.”

But there have been plenty of surrogates to draw connections, provide context and bite harder, especially in light of the departure of “60 Minutes” executive producer Bill Owens and CBS News President Wendy McMahon. “Love you Stephen,” ABC host Jimmy Kimmel, posted on Instagram, “adding “F— you CBS and all your Sheldons.” (In January, ABC also settled a Trump suit for $16 million, over George Stephanopoulos erroneously saying that Trump had been found civilly liable of “rape.”)

Of the remaining late-night hosts, we may say that each is special in their own way. Colbert, 61, who has been at “The Late Show” for 10 years, is the most mature, professorial and philosophical — gentle, a gentleman, and at times a mock-gentleman, addressing his audience as “My fellow Americans,” or echoing Walter Winchell, “Mr. and Mrs. America and All the Ships at Sea,” or as “Ladies and Gentlemen.” He slaps himself in the face twice before every show to “be in the moment … [to] only do this for the next hour.” Though he may still kick up his heels during a monologue, as an interviewer he is composed and thoughtful and curious — and funny, to be sure — to the degree each conversation demands. A committed (liberal) Catholic, he co-narrated the English-language audiobook of Pope Francis’ “Life: My Story Through History,” with Franciscan Father John Quigley, at the same time, he’s a first-generation Dungeons & Dragons devotee, a lifelong reader of science fiction and a man of whom director Peter Jackson said, “I have never met a bigger Tolkien geek in my life.” (Jackson cast him as “Laketown spy” in “The Hobbit: The Desolation of Smaug.”) He’s a person who will quote Gandalf in a conversation on grief and loss with Anderson Cooper, or, on “The Friendship Onion” podcast with Dominic Monaghan and Billy Boyd, a.k.a. Merry and Pippin, declare that after reading “The Lord of the Rings” after college, “I realized that Aragorn is the Apollonian model of manhood … The Hobbits are us. And we should love life as much as they do.”

And he knows a thing or two about Ronnie James Dio. And grew up on Mad magazine, where young minds were taught to recognize the deceptions and hypocrisies of politics, business and media.

Comedy Central’s “The Colbert Report,” which he hosted from 2005 through 2014, had a huge cultural effect beyond the reach of any late-night host now, Colbert included. Because it ran on basic cable and not network television, and because Colbert hid within the character of a pompous conservative pundit, the show could take wild swings; to the extent it looked respectable, it was only a matter of irony. Colbert and Jon Stewart, on whose “The Daily Show,” where Colbert had earlier worked, staged a “Rally to Restore Sanity and/or Fear” on the National Mall in Washington, which drew a crowd of more than 200,000; he ran for president twice and created a PAC, Americans for a Better Tomorrow, Tomorrow, “100 percent legal and at least 10 percent ethical.”

During its run, he (or his writers) gave the world “truthiness,” named 2006’s Word of the Year by Merriam-Webster, which defined it as “a truthful or seemingly truthful quality that is claimed for something not because of supporting facts or evidence but because of a feeling that it is true or a desire for it to be true.” Colbert was twice named one of Time’s 100 Most Influential People. Ben & Jerry’s created an ice cream flavor, Stephen Colbert’s AmeriCone Dream, in his honor, and NASA dubbed a piece of exercise equipment for use on the International Space Station the “Combined Operational Load-Bearing External Resistance Treadmill,” or COLBERT.

Testifying in character in 2010, before a House Judiciary subcommittee on legal status for immigrant farmworkers, he said, as if looking into 2025, “This is America,” he said, “I don’t want my tomato picked by a Mexican. I want it picked by an American, then sliced by a Guatemalan and served by a Venezuelan in a spa where a Chilean gives me a Brazilian … My great grandfather did not travel over 4,000 miles of the Atlantic Ocean to see the country overrun by immigrants. He did it because he killed a man back in Ireland. That’s the rumor, I don’t know if that’s true. I’d like to have that stricken from the record.”

The signature segment of “The Late Show” is the “Colbert Questionert” in which the host poses 15 questions “ergonomically designed to penetrate straight to the soul of one of my guests and reveal their true being to the world.” (It’s “a scientifically verified survey; I’ve asked several scientists and they assured me — yeah, it’s a survey.”) Designed to create comic and/or sincere responses, they range from “What’s the best sandwich?” (Will Ferrell: “Salami and grapefruit on rye, with a light sheen of mayonnaise.”) to “Apples or oranges?” (Colbert considers apples the correct answer, because you can put peanut butter on them.) to “The rest of your life in five words.” (Tom Hanks: “A magnificent cavalcade of color.”) Cate Blanchett took it lying on Colbert’s desk, as if in therapy. “What do you think happens when we die?” he asked. “You turn into a soup,” she replied. “A human soup.”

But it’s Colbert’s extended interviews and discussions, from “The Late Show” and elsewhere, posted online, that dig the deepest and reveal the most about him in the bargain: a much circulated conversation with Nick Cave from last year; a long talk with Anderson Cooper, after the death of his mother, both about grief and gratitude; an episode of “The Spiritual Life With Fr. James Martin, S.J.,” from a couple of weeks ago. (Colbert describes himself as “publicly Catholic,” not “a public Catholic.”) Such discussions perhaps point the way to a post-”Late Show” practice for Colbert, much as it became one for David Letterman, who passed the seat on to him. (He’s only the second host since the show’s premiere in 1993.)

As to the field he’ll be leaving next May, who can say? Taylor Tomlinson‘s “After Midnight” game show, which followed “The Late Show,” expired this week. Kimmel and Seth Meyers, who go as hard against Trump as does Colbert, and the milder Jimmy Fallon, seem for the moment safely fixed at their desks. Though new platforms and viewing habits have changed the way, and how much, it’s consumed, late-night television by its temporal nature remains a special province, out at the edge of things, where edgy things may be said and tried. (Don’t expect Colbert to go quietly into that goodnight.) Yet even as the No. 1 show in late night, “The Late Show” reportedly loses money. There’s something to that “financial decision,” I’m sure; it’s the “purely” that smells. We’ll see.

“I absolutely love that Colbert got fired,” Trump posted on his vanity social media site, going on to say that he “hears” that “Jimmy Kimmel is next. Has even less talent than Colbert.” Trump and Colbert could not be farther apart as humans. The president sells fear; he uses it as a club. But the TV host is sanguine.

“You can’t laugh and be afraid at the same time,” Colbert is fond of saying, sometimes adding, “and the Devil cannot stand mockery.”

Source link

The death of the late night US chat show?

Steven McIntosh

Entertainment reporter

Getty Images Stephen Colbert presenting The Late Show on Thursday 17 July 17, wearing a blue tie and smiling at the cameraGetty Images

Stephen Colbert announced The Late Show would leave screens in May 2026

Stephen Colbert took viewers by surprise this week when he announced The Late Show would be heading for the big TV schedule in the sky.

The long-running series, which he has hosted since 2015, will leave screens next May. And not because Colbert is being replaced by a new presenter – the show is ending altogether.

Given the way the broadcasting winds are blowing, this cancellation is unlikely to be the last. Viewers will now be wondering whether Seth Meyers or one of the Jimmys – Fallon and Kimmel – might soon follow.

TV critic Emma Bullimore notes the late-night chat show format has historically thrived in the US in a way that other countries, including the UK, have always “admired but struggled to emulate”.

“Late night shows are a staple of American TV in the same way British television would look odd without soaps or afternoon quizzes,” she says. “This cancellation certainly comes as a surprise, both in the decision itself and the way it has been delivered.”

Some viewers were similarly taken aback. “I’m not big into late night TV anymore,” wrote one, “but this feels weird. The Late Show is an institution.” Another described the news as “really, really bad, not just for the state of late TV but also in a general sense for the state of media”.

But the traditional chat show format, which was created decades ago, finds itself facing several issues in the current television landscape.

Getty Images The Late Show with Stephen Colbert and guest Sabrina Carpenter during Thursday's December 12, 2024 show. Getty Images

Sabrina Carpenter is among Colbert’s recent guests, but there are far more publicity platforms now available to celebrities

For one thing, the kind of content they produce is arguably no longer compatible with audience appetite.

“These types of programmes are generally not a genre people will stream or watch via catch-up,” says Frances Taylor, TV Previews Editor at Radio Times. “They’re nightly and they’re topical and are therefore pretty much out of date just 24 hours later.

“It’s tricky for them to have life outside of that nightly broadcast, whereas dramas, documentaries and sitcoms don’t suffer from that problem.”

Added to which, it can be increasingly difficult for bookers to get good guests, and not just because they have four shows a week to fill.

Chat shows used to be one of the first places for publicists to offer their stars, but the huge number of competitors that have sprung up over the last 15 years has changed that.

Appearing on popular social media or YouTube formats such as Chicken Shop Date or Snack Wars arguably now hold more appeal, both for the celebrity, who can goof around and not reveal as much of much of themselves, and for their PR teams, who feel safer if they can keep their talent away from potentially more difficult questions.

Getty Images Amelia Dimoldenberg attends the 96th Annual Academy Awards on March 10, 2024 in Hollywood, CaliforniaGetty Images

Chicken Shop Date host Amelia Dimoldenberg has been enlisted to host Oscars coverage for the last two years

That’s not to say viral moments can’t come from traditional TV. Chat shows have done their best to adapt to the times over the last decade.

Segments such as James Corden’s Carpool Karaoke and Fallon’s Wheel of Musical Impressions reflected a new blueprint, where features were invented with online appeal front of mind.

And it worked, too. Audiences love clips based on “bits” rather than chat. Graham Norton’s best performing YouTube clip, with more than 100m views, is the time Will Smith broke away from the sofa for an all-star musical performance.

Colbert has 10m YouTube subscribers – a healthy number for sure, but a weaker figure than Kimmel’s 20m and Fallon’s 32m.

It’s worth noting that, even before the invention of streaming, the world of US chat shows was always a competitive, dog-eat-dog world.

But the big TV advertising bucks that kept so many of them afloat have vanished, having gone down with the terrestrial TV ship.

Graham Norton presenting The Graham Norton Show in September 2024, sitting with his legs crossed wearing a blue suit

Graham Norton is one of the few chat show hosts to have successfully replicated the format outside the US

Fundamentally, the format’s raison d’être is now under question. Taylor notes that, by the time chat shows are broadcast, “most people will already be across all of the major stories from the day”.

“Not only that, but their social feeds will be full of social creators feeding that appetite for topical, satirical content, be it with impressions of the US President or having an irreverent take on Elon Musk’s latest venture.”

She references John Mulaney’s recent attempt to bring a live chat show to Netflix, with mixed results.

Its future now looks uncertain, and Mulaney recently said he and the team were “figuring out” what their next move would be, stopping short of committing to a second season.

“That doesn’t exactly sound as though it was a runaway success,” Taylor says.

Political pressure?

EPA US President Donald Trump at the White House, pictured wearing a gold tie in the oval office, Washington, USA - 16 Jul 2025EPA

Colbert has been one of President Trump’s most vocal critics, regularly using his chat show to throw punches

Colbert told viewers The Late Show’s cancellation was ultimately a financial decision – which is certainly a credible explanation.

Television is expensive to make, with huge teams of producers, directors, camera operators and other technical staff, not to mention the large fee for the presenter.

And while YouTubers can now offer an increasingly professional operation themselves, they can do so at a fraction of the cost.

But the cancellation still puzzled some. The Late Show was one of CBS’s top shows, attracting an average audience of 2.57m viewers in 2024.

Its ratings actually improved under Colbert, particularly after it began skewering the Trump administration – the host is one of the president’s most vocal critics.

As a result, some have questioned whether the show’s cancellation has anything to do with political pressure.

Its closure comes after CBS parent company Paramount settled with US President Donald Trump over the editing of a 60 Minutes interview with Kamala Harris.

President Trump said the way his presidential rival’s answer to a question about Israel was presented on two different platforms made her look more favourable to viewers.

CBS noted at the time its settlement did not include a statement of apology or regret. Business commentators said the deal was made partly so as to not affect Paramount’s planned merger with Skydance Media, which Trump had the power to halt.

Speaking after the The Late Show’s cancellation was announced, Democratic Senator Adam Schiff said: “If Paramount and CBS ended the Late Show for political reasons, the public deserves to know. And deserves better.”

The sentiment was echoed by Democratic Senator Elizabeth Warren, who noted the show’s cancellation came three days after Colbert’s criticism of the Paramount settlement.

There is no evidence that this was a factor – but it highlights the political climate in which this decision has been made.

In their statement announcing the end of The Late Show, CBS said it was a “purely financial decision” and “not related in any way to the show’s performance, content or other matters happening at Paramount”.

Getty Images Ariana Grande during an interview with host Jimmy Fallon on Thursday, November 14, 2024Getty Images

The Late Show’s closure could see others follow suit or move online (Jimmy Fallon and Ariana Grande pictured)

It’s not clear what will be next for Colbert himself. He may be snapped up by a streamer, or try to move his current show online.

Piers Morgan’s Uncensored provides a potential model – a programme which started on television and still looks like a TV show, but later moved, successfully, to YouTube.

The Late Show brand is “strong, storied and irreplaceable, and no host is funnier and more thoughtful – soulful – than Stephen Colbert”, said John Avlon, a media executive and former Democratic congressional nominee.

“That’s why he is loved by a loyal audience and they will follow him to whatever he does next.”

Other TV chat show hosts have found new formats in order to stay relevant. Colbert’s predecessor David Letterman was able to still attract A-list guests when he moved to Netflix in 2018 for a new series, My Next Guest Needs No Introduction.

If all else fails, there’s one other option available to Colbert. He is currently one of the only existing celebrities without his own podcast.

Source link