Jason

Starting Sunday, actor Jason Ritter will be back onscreen as attorney Julian Markston in Season 2 of the CBS legal drama “Matlock,” loosely inspired by the 1980s and ’90s Andy Griffith show of the same name. He still gets a thrill when he thinks about the cast he gets to work with, which includes Skye P. Marshall, Beau Bridges and Oscar winner Kathy Bates.

In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.

“You almost, but not quite ever, forget that you’re working with an absolute acting legend,” Ritter says. “Kathy is so sweet and so kind and such a team player and collaborator that it helps to sort of stop that voice in your head from going like ‘It’s Kathy Bates!’ every time it’s a scene with her.”

The 45-year-old L.A. native, part of an entertainment family that includes his late father, sitcom legend John Ritter, didn’t offer up many details about the new season but did say viewers can expect more on-the-edge-of-your-seat episodes. (If you need a refresher of last season, episodes of “Matlock” are available on Paramount+.)

“It has the same pace and fun mystery as the first season, but now my character’s secrets have been revealed,” says Ritter, who regularly posts about the show and his fellow actors on Instagram along with humorous bits.

At home with actor-wife Melanie Lynskey, whom he married in 2020, and their 6-year-old daughter, there aren’t any great mysteries that need to be solved, but there is work to do before bed.

“When midnight starts,” Ritter says, “we’re probably finishing up the jobs, as we call them — you know, the dishes and the chores and cleaning everything up, which is a lovely habit that I’ve gotten into from [my wife]. I always used to just wake up to the nightmare from the night before and I’ve learned to really appreciate waking up to a clean area.”

After lights out and some sleep, his ideal Sunday picks up hours later and is filled with plenty of coffee, some miniature golf or a nature walk and more.

This interview has been lightly edited for length and clarity.

7 a.m.: A different kind of call time
I will wake up usually at 7. If our daughter is going to school, then I have to wake up at 7 so I can start making her lunch and getting stuff ready. But if she’s having a bit of a sleep-in [on the weekend], then I still have to wake up at 7 to make sure everything times out. And then I’ll make her little lunch and her breakfast. While she’s eating breakfast, she usually gets to watch an episode of something. That’s my prime scrolling through social media time.

9:30 a.m.: Time for more coffee
We would all pile in the car, and our first stop would probably be a coffee stop. We are a big coffee family — not our daughter. We always make a pot of coffee in the morning. And even though we’ve had several cups already, we’ll stop at Go Get Em Tiger, one of our favorite coffee places in L.A. We’ve come to know a lot of the baristas there, so we get to chat about life and everything. And then we’ll be back on the road.

10 a.m.: Miniature golf or a ‘beauty’ walk
Our daughter and I will go to Castle Park, which is the miniature golf place in Sherman Oaks. My daughter and I have really bonded over miniature golf, and that’s sort of our little thing. Any miniature golf course has a real special place in my heart, but Castle Park is the place that I went to as a kid. The course is basically the same. It’s just so fun to watch [our daughter] get better and better at golf; even though, recently she’s become obsessed with par.

If mini golf didn’t take up so much time, my daughter and I like to go on these little beauty walks where she gets on her scooter and puts her helmet on. We just walk around the neighborhood, and she can’t pick any flowers. But we can pick up little flowers or leaves off the ground. So anything that she sees that’s beautiful, she picks up, and we make a little bouquet. And what’s so amazing about it for me is to see what she finds beautiful on those walks.

1 p.m.: A chopped salad and fries for lunch
There’s a place called Angelini Osteria that has a salad that I really enjoy. It’s called the Alimentari Chopped Salad. It’s got avocado and chicken and bacon and currants and almonds. It comes with two dressings, but I usually just do the sort of lemony kind of oily dressing. And it is just so delicious. I am the only meat eater in my family. At some point, maybe my conscience will get the better of me, and I’ll switch over to their diet. Angelini also has very good french fries. When we’re on the road and the lunch that I’ve packed hasn’t been enough for [my daughter], french fries is one of those safe things that if we’re in a bind, we can pick them up from almost anywhere.

2 p.m.: Time for the Museum of Jurassic Technology
Another favorite thing that I would do is go to the Museum of Jurassic Technology. I just love that place. It’s so fascinating. It’s one of those places that if someone’s coming in from out of town, I love showing them. I love taking them there without telling them anything about it and just watch them kind of explore. And it’s just such a mysterious, magical place.

5 p.m.: Fresh escape room fun
Then I would see if I could get a bunch of my friends together, and we would go do an escape room somewhere in town. It’s just one of my favorite things to do, and they’re all over the place in Los Angeles. I would go to maybe 60out or Maze Rooms or one that I had never heard of. There’s an app called Morty that helps find escape rooms and keep track of the ones you did if your memory is poor like mine. If I can’t convince my friends to do another one right after in the same location, then we would be done by 6. It would be time to go back home and make our daughter’s dinner and get her through the entire dinner-bath time-bedtime phase.

9 p.m.: Dinner and “The Bachelor” before bed
My favorite thing is when Melanie and I order in from a place called Bulan Thai Vegetarian Kitchen. It has these incredibly delicious hot wings. Our daughter will be asleep in the other room. And we get to eat some delicious Thai food and watch some silly show or some serious show.

If our daughter has gone to sleep around 8, this will usually be maybe 9, 9:30 depending on if I’ve fallen asleep in the bed next door. This is also why sometimes it gets so late and bleeds into the next day. Because by the time we get to have our alone fun, dinner and watching time, it’s 9:30, 10, and some of those “Bachelor” episodes are two hours long.

And yes, I promise that somewhere in this day, I have showered. [Laughs] That is another very important element of our day. It’s the one that can go by the wayside. But we always try to check in with each other. Like, “Have you showered today? Have you showered? OK, you go and then I’ll go.”

By day, I immersed myself in the magic of Universal’s parks but by night, I braved the 10 haunted houses at the 34th annual HHN event now that spooky season is well and truly underway

Summer heat clung to the air but inside my hotel at Universal Orlando theme park, shivers were running down my spine. It was late August at the Sapphire Falls Resort, but the vibe was pure Gothic terror.

I was here to mark the opening of Halloween Horror Nights 2025, and though it was not yet autumn, the screams, monsters, and blood-soaked houses made it clear, spooky season had well and truly begun.

By day, I immersed myself in Universal’s parks: Epic Universe, Islands of Adventure, Universal Studios and even a lazy escape to Volcano Bay. But by night, I braved the 10 haunted houses at the 34th annual HHN event, including the blood-drenched Terrifier, the slasher playground of Jason Universe, and the theatrical nightmares of WWE’s Wyatt Sicks.

READ MORE: UK officially has one of the ‘world’s coolest neighbourhoods’ according to new rankingREAD MORE: ‘I perfected packing when I went to space – this is how I never forget anything’

The trip started at Epic Universe where stepping through its portals felt like stepping on to a movie set. The Dark Universe oozed Halloween energy – haunting villages, shadowy figures, and the looming presence of some of the world’s scariest characters.

Monsters Unchained: The Frankenstein Experiment saw me flung around on a robotic arm as I came face to face with Dracula, Frankenstein and the Mummy.

I was whipped into a frenzy on the Curse of the Werewolf roller coaster and watched in awe as The Burning Blade Tavern erupted into flames.

Then I travelled through a Metro- Floo corridor to Harry Potter’s Battle at the Ministry ride, chasing down Dolores Umbridge as she tries to escape her trial. Afterwards came the vibrant chaos of Super Nintendo World, alive with colour, sound, and nostalgia. I couldn’t stop smiling as I raced friends on Mario Kart and leaped over the broken rails of Donkey Kong’s Mine-Cart Madness.

How to Train Your Dragon – Isle of Berk was another highlight, with Viking ships bobbing in the fiery harbour and even a chance to meet Toothless.

Over at Islands of Adventure, I white-knuckled my way through the VelociCoaster and then soared on Hagrid’s Magical Creatures Motorbike Adventure, winding through the Forbidden Forest.

Riding the Hogwarts Express between parks gave me chills, especially stepping off at Diagon Alley in Universal Studios, where the cobblestones felt alive with magic.

Midway through the trip, I took a break from screams and thrills with a day at Volcano Bay. From a relaxing cabana, I enjoyed cocktails and a quiet escape between plunging down water slides and floating along the lazy river.

For a few hours, I wasn’t thinking about monsters or roller coasters, just the sun, the welcoming water and the looming Krakatau volcano in the distance.

And then came the night I’ll never forget – Halloween Horror Nights – 10 haunted houses, each more intense than the last and not for the faint-hearted (or under-13s).

Jason Universe merging all the Friday the 13th films was my favourite, despite being scared witless down a never-ending corridor of jump-scare hell (I said witless).

Terrifier was unforgettable in the worst (best) way as grotesque Art the Clown dismembered his victims before inviting guests to take the “dry path” or the “bloodbath” out.

It’s Universal’s first “unrated” house, with 35 bodies, six gallons of blood, and the foulest smells I’ve ever experienced – and I live on a farm.

I nearly lost the contents of my stomach in the bathroom scene where guts spilled from sinks and corpses floated in bathtubs, all while Art danced along to the menacing jingle of the Clown Cafe.

The WWE Wyatt Sicks house combined theatrical storytelling with scenes that left me clinging on to my squealing friends.

Galkn: Monsters of the North and Dolls: Let’s Play Dead were also disturbing in different ways, and the animatronics at Five Nights at Freddy’s, created by Jim Henson’s Creature Shop, are not to be missed.

But the horrors weren’t the only indulgence. The twisted show, Nightmare Fuel: Circus of Decay was a haunting spectacle filled with pyrotechnics, aerialists, and illusions.

The lagoon also burst into life with fountains, light projections and eerie music. And of course, HHN’s themed snacks also added a darkly delicious layer to the night.

I couldn’t resist grabbing myself a giant FNAF’s Mr Cupcake and sinking my teeth into his head.

Between houses, the scare zones bled into the boardwalk, where zombies and gargoyles lurked. By the time I stumbled back towards the hotel, I felt drained, shaking, and absolutely alive.

That’s the beauty of Universal if you go in October – by day, it’s soaring coasters, magical lands, and colourful adventures. By night, monsters and sweat-inducing nightmares.

Universal has always been a place of extremes, but this year, with Epic Universe opening its gates, and Halloween Horror Nights at its ultimate blood-soaked best, I felt like I experienced every side of the park’s soul.

And honestly? I’d do it all again in a heartbeat, though maybe next time I’ll keep a stronger stomach for Art the Clown.

Retired NBA player and former Harvard-Westlake star Jason Collins is undergoing treatment for a brain tumor, the NBA said Thursday in a statement released on behalf of Collins and his family.

“Jason and his family welcome your support and prayers and kindly ask for privacy as they dedicate their attention to Jason’s health and well-being,” the league said.

A 46-year-old native of Northridge, Jason Collins and twin brother, Jarron, led Harvard-Westlake to state Division III titles in 1996 and 1997, with the former being named the state Division III player of the year both seasons. His 1,500 career rebounds stood as a CIF state record until 2010, when Hemet West Valley’s Joe Burton finished his career with 1,721 rebounds.

Collins made first-team All-Pac-10 during his senior year at Stanford. He was selected 18th overall in the 2001 draft by the Houston Rockets and traded on draft night to the New Jersey Nets.

Averaging 3.6 points and 3.7 rebounds during his 13-year NBA career, Collins also played for the Memphis Grizzlies, Minnesota Timberwolves, Atlanta Hawks, Boston Celtics and Washington Wizards.

He was unsigned in April 2013 when he came out as gay in an open letter published in Sports Illustrated.

Signed by the Brooklyn Nets several months later, Collins became the first active NBA player to have come out as gay when the Nets played the Lakers on Feb. 23, 2014. He retired at the end of that season and has continued working with the league as an NBA Cares ambassador.

Collins and longtime partner Brunson Green were married in May.

JON Richardson’s future on Waterloo Road has been confirmed after Jason Manford quit the show after just one series.

The comedy star announced he was joining the show after an April Fools prank claiming he was retiring from comedy to become a teacher.

2

2

He soon announced that was he was actually joining the cast of the school-set drama.

And now The Sun can exclusively reveal that he won’t be a one-series wonder like Jason who bowed out after his first year.

A source said: “There were worries by some that after Jason’s one series stint that Jon would follow suit but that’s not the case.

“He’ll be sticking around for the foreseeable and is really enjoying acting now.”

The star will play the school’s new media studies teacher, Darius Donovan. 

The BBC blurb teases: “With tons of charm, this new teacher knows how to put on a good show, and viewers can expect his arrival to stir things up at Waterloo Road.”

Last year Jon and ex-wife Lucy Beaumont announced their split.

Jon and Lucy tied the knot in 2015 after two years of dating.

The two share one daughter Elsie Louise, eight.

In April last year they announced that they had gone their separate ways.

A statement shared by PA news agency said: “After 9 years of marriage, we would like to announce that we have separated.

“We have jointly and amicably made the difficult decision to divorce and go our separate ways.

“As our only priority is managing this difficult transition for our daughter, we would ask that our privacy is respected at this sensitive time to protect her well-being.

“We will be making no further comment.”

Waterloo Road will return to BBC One and iPlayer on Tuesday September 23.

San Diego Padres pitcher Jason Adam is out for the season after he ruptured a quad tendon Monday when planting his left foot while trying to field a comebacker.

Now we know what can tilt a pennant race between two teams whose performance has been roughly even with a month to go before the playoffs.

An injury is never celebrated, but it can prompt a feeling of relief, which is probably the Dodgers’ unspoken reaction.

Adam, you see, is untouchable when pitching against the Dodgers. He has never given up a run to them in 15 appearances dating back to 2019.

A 6-foot-3, right-handed reliever with a funky, short-armed delivery, Adam hasn’t been scored on in six appearances against the Dodgers this season, five appearances last season — including three in the National League Division Series — two more in 2023 and two in 2019.

Dodgers hitters are seven for 51 (.137) with one double, two walks and 16 strikeouts in 15 1/3 innings against Adam, who usually pitches the seventh or eighth inning, although he does have 24 career saves.

Adam is tough for anyone to hit, despite being particularly dominant against Los Angeles. Acquired by the Padres from the Tampa Bay Rays at the 2024 trade deadline, he is 11-4 with a 1.37 earned-run average in 92 appearances since then.

Now, though, he is sidelined until 2026, and the Padres recognize that the loss is profound.

“When that happens, you focus on the big picture, his health, what it means to the team,” Padres outfielder Gavin Sheets told the San Diego Union-Tribune. “It definitely puts a dark cloud over the day for all of us.”

The Padres — like the Dodgers — have lost key players to injury. Shortstop Xander Bogaerts is on the injured list with a fracture in his left foot. All-Star right fielder Fernando Tatis Jr. pulled his right hamstring Sunday and did not play Monday.

General manager A.J. Preller fortified the roster at the trading deadline, and Adam told him after the injury Monday that he was grateful for the addition of dynamic reliever Mason Miller.

“I told A.J., I’m really glad he went out and got Mason,” Adam told reporters. “I’m excited to cheer those guys on.

“Knowing this group, the mental toughness they have, the skill, there is everything in this clubhouse to win the World Series. You want to be a part of that…. That’s the hardest part.”

The Dodgers figured they had tilted the bullpen balance in their direction when they signed Padres closer Tanner Scott to a four-year, $72-million free-agent contract during the offseason.

But Scott has been disappointing, posting a 4.44 ERA with eight blown saves for the Dodgers, including giving up a three-run home run Sunday.

Miller, meanwhile, has a 1.64 ERA in 11 appearances with the Padres. All he could think about Monday was his teammate Adam.

“Really heartbreaking…. obviously, it sucks losing him, not only for what he does on the mound but the type of person he is,” Miller said.

If you’re looking for a football team that almost certainly will be improved over last season, Bellflower High fits the profile.

The Buccaneers went 0-10. Amir Neal was a starter and never quit. His mom kept telling him, “It’s going to get better, it’s going to get better.”

And it has with the hiring of first-year coach Keith Miller, who has brought along his 14-year-old freshman son, Austin, who’s 6 feet 5.

“We’re going to compete for championships and scholarships,” Miller vowed at a media day on Saturday.

Miller was an assistant at Bellflower when his brother, Jason, was head coach. His daughter plays flag football at Bellflower, so the Millers figure to be influential in the sports programs.

Having Austin around should help. He’s a receiver who’s still growing. New quarterback Elacion Saxton will try to use Miller’s size and athleticism for big plays.

Austin was asked if during a car ride his father treats him differently depending on his performance.

“There’s no difference whether there’s a good game or bad game,” he said. “My dad still loves me.”

After a follow-up question, Austin finally admitted a good game gets him a stop at Chipotle.

Let’s see how many stops he gets this season.

A slow-paced, fact-based period drama of war and love in precolonial Hawai’i, “Chief of War,” premiering Friday on Apple TV+, presents co-creator and star Jason Momoa as the late-18th century warrior Ka’iana in a story set at the intersection of the island kingdoms and the arrival of European colonists. It’s clearly a passion project, and like many passion projects, it can go overboard at times, grow overstuffed, not to say oversolemn — though solemnity, to be sure, is appropriate to the history. But the passion shows through, and the stuff is interesting — nothing you see everyday, for sure.

Hawaii, of course, was a cultural touchstone, an obsession among continental Americans, long before it became the 50th state. Ukuleles. Steel guitars. Elvis Presley in “Blue Hawaii” and “Paradise, Hawaiian Style,” not to mention “Aloha from Hawaii via Satellite.” The Brady Bunch traveled there, and so did Dennis the Menace in a comic book I once owned. “Magnum P.I.,” “Hawaii Five-0,” “The White Lotus,” Season 1. Hawaiian Punch (created 1934), which mixed orange, pineapple, passion fruit, guava and papaya flavors, and is still available at a store near you in at least 14 flavors. Tiki bars. Suburban luaus. Walt Disney’s Enchanted Tiki Room, where the birds sing words and the flowers croon, presented by Dole. It goes on and on.

Momoa, who was born in Honolulu, raised in Iowa and returned to the islands for college, slipped into show business by way of “Baywatch Hawaii,” followed by the Oahu-set hotel drama “North Shore.” He played an alien in four seasons of “Stargate Atlantis,” Conan the Barbarian, Aquaman, of course, and twice hosted “Saturday Night Live.” (And recently Ozzy Osbourne’s swan song concert “Back to the Beginning.”) It’s not surprising that he’d want to stretch a little, to step away from genre projects, and represent the roots of his people in a respectful manner. One would call “Chief of War” well-researched, even if one was not at all aware of how much research was done. The ordinary viewer may need to take notes to keep things straight; titles notwithstanding, I wasn’t always certain what island we were on, especially since characters might be living on or aligned with another, and because within an island, various “districts” might be at war, intramurally, as it were. (I did take notes, and I’m still a little confused as to exactly what some of them were after.)

A comparison to “Shogun” is as good as inevitable, given the subtitled dialogue — most of the series is performed in Hawaiian — the encounters with outsiders, the ambitious monarchs and the warring factions. In the latter respects, the series also resembles “Game of Thrones,” where Momoa spent two seasons as chieftain Khal Drogo. And its opening might make you think of “The Lord of the Rings,” as a woman’s voice sets the story (a prophesied king will unite the endless, ending “a cycle of endless war”), introducing the island kingdoms of Kaua’i, Hawai’i, Maui and O’ahu, “separated by cunning chiefs and powerful gods.”

We’re introduced to Ka’iana, a Maui war chief who has left that island, and more to the point, deserted its army, to live a peaceful life on Kaua’i with his two brothers Nahi’ (Siua Ikale’o) and Namake (Te Kohe Tuhaka) and significant others Kupuohi (Te Ao o Hinepehinga) and Heke (Mainei Kinimaka). On the whole, given what follows, one would call this the superior lifestyle, and I would have been happy just to spend a little time in this world, with its plant-based architecture and fashions and cheeky local children getting into Ka’iana’s stuff. But like a retired gunslinger in a western movie, circumstances will not let him rest. (He will, in fact, sling a gun before the season is out.)

Kaina Makua and Luciane Buchanan also stars in “Chief of War.”

(Nicola Dove/Apple TV+)

“A war chief who runs from war — you are a chief of contradictions,” says Kaʻahumanu (Luciane Buchanan), a young Maui woman Ka’iana meets in a cave while he’s on the run, where she’s lying low from her councilor father (Moses Goods), who means to ship her to Hawai’i to marry her to Kamehameha (Kaina Makua), in charge of the “god of war,” a sort of military good-luck charm whose possession will be a major issue, though Kamehameha’s own inclinations bend toward peace. But with crazy villains like King Kahekili (Temuera Morrison) and Keoua (Cliff Curtis), not to mention some rogue white sailors with their own dreams of conquest, that may have to wait.

A contemporary account describes the real-life Ka’iana as “near 6 feet 5 inches in stature, and the muscular form of his limbs was of a Herculean appearance,” which is basically typecasting for Momoa. In many ways “Chief of War” is another superhero role for him, if a more emotionally busy one. He’s the best fighter by miles, can catch a spear in his head, ride a shark (a drugged shark, but still) and whip out a laser stare calculated to make his enemies quake. But he also must grapple with family business, love stuff and getting people to listen to his better ideas.

Circumstances will lead Ka’iana into the ocean and onto a British sailing ship, where he will travel to Alaska and the Spanish East Indies, learn all about guns, which he regards as a potentially useful invention, and to speak English — John Young (Benjamin Hoetjes) a marooned sailor taken into the community, is teaching it back on Hawai’i, and soon many characters are speaking English, even when it doesn’t make any practical sense. And in a story in which “pale-skin” colonists meet and exploit Indigenous populations, white racism necessarily gets a licking — “They do not see you as people,” says Tony (James Udom), a Black man who befriends Ka’iana on his accidental voyage — including an actual licking.

Injecting a strain of anticipatory feminism, Momoa and his collaborator Thomas Paʻa Sibbett have taken care not only to incorporate women into their testosterone-heavy world (including Sisa Grey as a street-smart Hawai’ian expat), but to give them interesting things to do — Kupuohi “was once a chiefess of war,” Heke wants Nahi’ to teach her how to fight — and wise things to say, e.g., “Men train their whole lives to be warriors but they fear being wrong more than they fear death.” (So true.) There are gay characters, too, presented without comment.

The actors are appealing when they’re meant to be, and very much unappealing when they’re meant to be, but they’re all excellent (including the nonprofessional Makua). The pacing can be pokey — elegiac if you prefer — between the big action scenes, which can be disturbingly violent. (It can also be very violent when someone’s just trying to make a point.) Filmed across Hawaii and New Zealand and thoughtfully designed, it’s always a pleasure to look at, notwithstanding some dodgy CGI in the volcano scene. (Yes, there’s a volcano.) There is one red-hued orgy scene (denoting villainy) too many — which is to say, there’s one. The score, by Hans Zimmer and James Everingham, is Hollywood-obvious, and the series as a whole is not immune to corniness — but that is sometimes just another word for love.

Current majority shareholders Bond Group, led by businessman Whittingham, purchased Morecambe in May 2018. By September 2022, Whittingham had put the club up for sale.

The club has since been relegated twice, and no takeover has been completed in that time.

Whittingham has been a director at 25 companies during his career, according to Companies House. Of those 25 companies, 18 have been either dissolved, voluntarily dissolved, put into administration, put into liquidation, or put into receiver action (the precursor stage to liquidation).

Two of Whittingham’s companies had been dissolved by compulsory strike-off prior to his takeover of Morecambe – but he still passed the EFL’s owners’ and directors’ test.

At 21 of the companies, Whittingham was joint director with business partner Colin Goldring – a legal worker turned entrepreneur – including at Morecambe until Goldring’s resignation in August 2022.

Whittingham and Goldring were disqualified as company directors for 12 months following a court hearing in 2022.

Goldring has also been barred by the Solicitors Regulation Authority from working for any law firm without clearance.

The pair also ran Worcester Warriors rugby club, which went into liquidation in 2022.

July 9 (UPI) — Jason Moran, an acclaimed pianist, composer, educator, bandleader and recording artist, said he has left his position as jazz artistic director at the John F. Kennedy Center for the Performing Arts in Washington, D.C.

The center, which receives federal funds, has undergone dramatic changes since Donald Trump became president again and he installed himself as chairman. He ousted arts center President Deborah Rutter and Board Chairman David Rubenstein, and replaced board members appointed by former President Biden.

A number of artists have been replaced or have voluntarily quit, including Lin-Manuel Miranda, who canceled a run of his Broadway hit, Hamilton, next year.

The Kennedy Center declined to comment to NPR.

Moran, who accepted the position in 2011, one year after his predecessor, Billy Taylor, died, didn’t mention any disagreements with Trump or others in a post on Tuesday on Instagram.

Moran, 50, described “14 years of inviting thousands of artists to share their work with audiences.” And he was grateful “to an incredible staff that ushered artists from the negotiation to the after party.”

In his role, he developed programming and curated artists for one of the largest jazz programs in the United States.

He hosted performances and education programs that included the National Endowment for the Arts’ “NEA Jazz Masters Tribute Concert” and Betty Carter’s Jazz Ahead, a residency for emerging artists of which Moran is an alum.

Moran, who scored the films Selma and 13th, tours the world as a performer. In 2010, he was awarded the MacArthur Fellowship.

“Thank you to the composers, comedians, choreographers, performance artists, skateboarders, filmmakers, authors, illustrators, dancers, photographers, sculptors, scientists, crews and on and on,” he wrote. “These young ones are beautifying the stage. And with that, I bowed on Juneteenth.”

Moran, who was born in Houston, began studying the piano at age 6, according to information posted on the Kennedy Center website. He attended Houston’s High School for the Performing and Visual Arts and then Manhattan School of Music in New York City.

At the college, he attended a class by saxophonist Sonny Rollins.

“My first day on the job at The Kennedy Center was when Sonny Rollins was receiving his Kennedy Center Honor,” Moran wrote,

The center, which includes a 2,465-seat Concert Hall, the 2,347-seat Opera House, the 1,161-seat Eisenhower Theater and the 320-seat Family Theater, made its public debut on Sept. 8, 1971.

Trump attended the opening night of Les Miserables on June 11.

During his first term, Trump didn’t attend a performance there, including the Kennedy Center Honors ceremony after several performers honored at the annual gala spoke out against him.

Jason Segel and Kayla Radomski are taking their love to a new level: engagement.

“Shrinking” star Segel, 45, popped the question to girlfriend and “So You Think You Can Dance” alumna Radomski, 34, she revealed on Wednesday on Instagram. Radomski shared a carousel of photos from the outdoor proposal, including photos of the actor kneeling as he asks for her hand in marriage.

“FOREVER YES,” Radomski said in her caption, adding emojis of a ring and a heart.

Radomski, whose credits also include “Once Upon a Time…in Hollywood” and TV series “Chasing 8s” and “Winning Time: The Rise of the Lakers Dynasty,” and Segel were first spotted together in October 2023 during a date night at Universal Studios’ Halloween Horror Nights.

The duo made their romance red-carpet official at the 2024 Golden Globe Awards, when Segel was nominated for his work in Apple TV+’s “Shrinking.” The pair continued hitting the red carpet later that year as part of the awards circuit, which included the 75th Primetime Emmy Awards and high-profile parties. Months before their engagement, “How I Met Your Mother” star Segel and Radomski appeared again at the 2025 Golden Globe Awards.

“Nothing makes me happier than to stand by your side and see your light shine so bright!!!” Radomski said of Segel in an Instagram post shared in October amid the Season 2 premiere of “Shrinking. “Not only are you so talented but your kindness and the way you make everyone around you feel seen and loved is unmatched.”

Segel’s marriage to Radomski, who has also shared the stage with Taylor Swift as a backup dancer, will be his first. He previously had relationships with his “Freaks and Geeks” co-star Linda Cardellini and “Dying for Sex” star Michelle Williams.

There was plenty of love going around in Radomski’s Instagram comments section, where fellow entertainers and dancers including Broadway star Jordan Fisher, “Dancing With the Stars” pro Valentin Chmerkovskiy , and fellow “SYTYCD” alums Melanie Moore and Lex Ishimoto congratulated the couple on their engagement.

Sir David Jason appeared at the British Soap Awards tonight where he presented the Best British Soap award this evening to EastEnders, which won big on the night

Sir David Jason had fans all saying the same thing – as he appeared at the British Soap Awards tonight. The legendary actor was on hand to present the Best British Soap award this evening.

The soap awards actually took place on Saturday but they were broadcasted on ITV this evening – and after a delay due to a technical error, the awards got underway. David handed over the Best Soap award to EastEnders, who were the big winners tonight.

As David arrived on stage to present the award, the soap stars were seen in awe – and it was clear viewers felt the same.

One fan wrote: “The legendary Sir David Jason walking out to screams of excitement and admiration was incredible, the atmosphere was truly electric. Couldn’t have wished for a better person to announce the winner,” whilst a second added: “Great to see Sir David Jason on the #BritishSoapAwards tonight. What an absolute legend!!”

“Huge congratulations to EastEnders and how well does Sir David Jason look !! What a legend #britishsoapawards,” a third said, with a fourth adding: “I teared up seeing David Jason.” A fifth wrote: “N’awww a standing ovation for Sir David Jason.”

David previously opened up about how he had to part ways with his helicopter with “extreme reluctance” as he struggled with his physical health. He said: “You need your hips, legs and knees to be in pretty tip-top condition for helicopter flying.

“Also your arms and shoulders. It’s rather like playing a drum kit in that regard, although the consequences of getting out of time during the second verse are quite a bit graver.”

He added: “I realised I was getting increasingly uncomfortable up there in the air. Having to push the physical part of the task was taking some of the joy out of it. Clearly it was time to step away while I was still capable of stepping.”

David also explained how that was such a big part of his life – and it had been his “most satisfying accomplishment”.

“Flying that helicopter was a big part of my life. It was a lot of fun, obviously, but also just the most satisfying accomplishment. Some people have the piano, and some people have oil painting. I had the helicopter and it’s over now, but I’ll always be proud that I can call myself a qualified helicopter pilot,” he explained of his love of flying a helicopter.

Back in 2023, David also opened up about his health as he admitted his concerns over his memory and his physical health.

“My memory isn’t what it used to be … Most of us reach this point when things aren’t quite as bright as they used to be,” he said as he discussed his hip replacement and his general health, “Mind you, I don’t wear a hearing aid, I don’t wear glasses, and I’ve only had to replace one bit of my body, so I’m not doing too bad.”

Like this story? For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok, Snapchat, Instagram, Twitter, Facebook, YouTube and Threads.

RYAN Thomas has revealed the emotional reason for returning to Coronation Street – nine years after quitting his role as Jason Grimshaw.

The star, 40, played builder Jason in the ITV soap from 2000 until leaving in 2016.

4

4

4

Earlier this year, The Sun revealed Ryan would be making a comeback to the cobbles after almost a decade away.

He has now opened up about the emotional reason behind his return.

Speaking to Metro, Ryan said: “It was a mix of nostalgia and gratitude for what the show has done for me.

“When they told me Eileen was leaving, it felt right to be a part of that storyline for her and revisit where it all started.”

Elsewhere, the star admitted how he “couldn’t sleep the night before” – despite his long tenure on the soap.

Ryan shared: “Even though I’d been there half my life, I felt like the new kid at school.

“It took me half a day to get rid of the nerves. It was a bit of a shock to the system at first.

“I even went on YouTube to rewatch old scenes and got nervous.

“But it became the norm again very quickly. Everything about the script made it easy for me.”

A source previously told us: “It was a no brainer for Ryan to return when he was asked – it’s all for Sue.

“She’s like a second mum to him and he was willing to do anything to make her send off as special as she deserves it to be.

“He’s not acted for a while so it’s a bit daunting but he played Jason for so long that he’s looking forward to going back to the cobbles.”

Since leaving Coronation Street in 2016, Ryan later quit acting after saying he “lost the bug for it”.

At the time, he revealed on Mancs on the Mic: “It’s hard for me. I started off acting, I started off in that game and I really lost the bug for it.

Corrie cash crisis: shock exits for 2025

ITV bosses are locked in a battle to save the cash-strapped soap.

This means that a number of stars have either been axed from or have abandoned the long-running serial drama.

Colson Smith – Craig Tinker

The character of Craig Tinker has been axed by bosses after 14 years. After he was told of the news in Autumn 2024, Colson Smith confirmed that would be written out of the show with scenes to air later this year. Craig’s on-screen mum, Beth Tinker, also left the show in the summer when actress Lisa George was written out from the role.

Sue Cleaver – Eileen Grimshaw

After 25 years playing Eileen Grimshaw, former I’m A Celebrity campmate Sue Cleaver will quit the show. The Sun on Sunday reported in January that she’s already begun to film her exit scenes. However the character will not be killed off in case Sue opts to make a return in the future.

Luca Toolan – Mason Radcliffe

Bosses decided to axe the teenage character after just 16 months after he first joined the show. Recent scenes saw Mason stabbed by his criminal brothers after his pal Dylan brought a knife in an attempt to defend him.

Sue Devaney – Debbie Webster

In November 2024, we revealed that Debbie Webster is set to be killed off after 40 years on the cobbles. The character will die as part of a heartbreaking long-running dementia storyline.

Charlotte Jordan – Daisy Midgeley

The actress became the fifth star to leave Coronation Street in just one month. We revealed that she will bow out of the ITV soap later this year after four years on-screen. Charlotte told sources that she’s hungry to see what other opportunities await.

Shelley King – Yasmeen Metcalfe

The actress has played Yasmeen Metcalfe on the cobbles for the past 11 years and we revealed in January that she finished filming her final scenes. This follows the departure of her on-screen partner Stu Carpenter.

“I feel the reason for losing the bug is rejection and going to auditions and not getting them.”

Ryan has had success on reality TV – winning Celebrity Big Brother in 2018 and Dancing on Ice in 2024.

More recently, he and younger brother Adam Thomas have hosted the game show 99 to Beat.

Coronation Street airs on ITV1 and ITVX.

4

Coronation Street’s Ryan Thomas has teased that his character Jason Grimshaw may look and seem a little different to how he was on the ITV soap prior to his 2016 exit

Jason Grimshaw is heading back to Coronation Street very soon, but actor Ryan Thomas has hinted he might seem a little different to how fans remember him.

Not only will he look a little different with it being clear he’s transformed his life, after starting afresh in Thailand, but Ryan teased his soap alter ego will be much more mature, “in a different phase of his life”. But fear not, as we will still see plenty of the old Jason we know and love.

Not only that, but actor Ryan has teased there could be a shocking romance in store for the character during his time on the cobbles. While he heads back to the show for his mother Eileen Grimshaw, ahead of her departure from the ITV soap, he wastes no time in getting familiar with a mystery lady.

Ryan has teased he’s causing trouble from the moment he arrives, and that there’s steamy scenes ahead – while he didn’t specify whether it was a known character or a guest role. He teased: “Jason is still that happy-go-lucky, lovable guy. He makes it up as he goes along, has a loving heart, and is all about family.

READ MORE: Ryan Thomas shares emotional reason he agreed to Coronation Street return after nine years

“And he certainly hasn’t changed when it comes to women, straight away he is taking someone back home with him and getting himself into hot water with his brother!” We will see a different side to the character though, as he bursts back onto screens nine years after his exit.

Jason headed off into the sunset back in 2016 after a troubling time and the loss of his father, who was framed for the murder of Callum Logan. Since then he’s grown up a lot, with Ryan hinting at the changes to the character.

He teased: “He’s embraced the Thai way of life. I really wanted to come back in the builder’s outfit, but it made sense that he’s in a different phase of his life now. He is all linen trousers and bracelets and beads. It gives you a feel of this older Jason whose life is now away from the cobbles.”

But changes or not, Weatherfield is still his home and during a tough time for Jason it’s still his mother Eileen he needs for support. Ryan said: “He’s struggling for money, his girlfriend left him, and he needs his mum. He says he’s come back for Eileen, but he really needs a cuddle and his safety net.”

Ryan agreed to return to the show after nearly 10 years away for one key reason. Eileen actress Sue Cleaver begged her onscreen son and close friend to come back for her final storyline and he agreed.

Explaining the decision he revealed: “It was a mix of nostalgia and gratitude for what the show has done for me.

“When they told me Eileen was leaving, it felt right to be a part of that storyline for her and revisit where it all started.”

He added: “I have no regrets. It’s been the perfect storyline and a real memory I can cherish. It felt like the old days, we’ve all been in the canteen, having lunch together and I had real fun.”

Coronation Street airs Mondays, Wednesdays and Fridays at 8pm on ITV1 and ITV X. * Follow Mirror Celebs and TV on TikTok, Snapchat , Instagram , Twitter , Facebook , YouTube and Threads.

On the most basic level, “Stick” is about a prematurely washed-up golfer who takes a teen prodigy under his wing and on the road. Off they go in an RV to hit some big amateur tournaments, accompanied by the kid’s mother and the old pro’s irascible buddy. The kid gets to fall in love with a free-spirited lass. Adventures are had. Lessons are learned.

But very little about golf takes place on a basic level (except maybe in “Caddyshack”). The sport is rife with metaphors. Lay up or go for broke? (see also, “Tin Cup.”) Keep your cool under pressure or lose it in the sand trap? So it makes sense that “Stick,” premiering June 4 on Apple TV+, uses the game of golf to take a swing at the game of life.

The wash-up, Pryce Cahill (played by Owen Wilson), seeks redemption. Years back, he flipped out on the course, and his life has been in free fall since — he and his wife (Judy Greer) are getting a divorce, and their home is being sold. But then he meets the 17-year-old prodigy, Santi (newcomer Peter Dager), who he sees as the key to a second chance. Santi, meanwhile, knows he’s good; when he pummels a ball, it sounds like a sonic boom. But his first coach was his hard-ass, now-vanished dad, and Santi now has trouble taking golf seriously or respecting his elders.

These human elements intrigued series creator Jason Keller far more than anything that might happen on the links. “I love golf, but I’m not good at it,” he said. “I am routinely frustrated by it.”

Owen Wilson, left, Judy Greer and Peter Dager in a scene from “Stick.”

(Apple)

Frustration, of course, is a universal quality. So is disappointment. These are the elements that pushed Keller, who wrote the screenplay for the 2019 movie “Ford v Ferrari,” to create “Stick.”

“Long before the story was set on a golf course, I was really interested in exploring a character who had not lived up to expectations,” he said. “I was interested in characters that had great promise but ultimately didn’t achieve that promise. What happens to somebody afterward? How do they react to that? Do they let themselves be defined by not achieving that level, or do they try to reconcile that? Does it motivate them to excel in other areas of their life?”

Wilson, who also readily admits his golf game isn’t the strongest — “My dad and my brothers played, but I was always intimidated by it” — sees another key parallel to life: As much as you seek perfection, you can never achieve it.

“There’s a little bit of a chess thing with golf, in that you can never really master it,” he said. “That can feel like life too. People talk about Tiger Woods winning the Masters by like 12 strokes and deciding his swing isn’t quite right. Pryce talks about how the game takes and takes and takes. I think people feel that way about life as well.”

Mariana Treviño, the Mexican actor who plays Santi’s mom, Elena, agrees that “Stick” is about dealing with hardships. “Elena is in a moment in her life where she had a big disappointment,” she said. “Her family broke down. Sometimes in life when something very strong happens to you, you just kind of shut out from the world. You think that you’re going to protect that wound by just not moving too much from a place, or not directly confronting something that is painful.”

“Long before the story was set on a golf course, I was really interested in exploring a character who had not lived up to expectations,” said “Stick” creator Jason Keller.

(Matt Seidel / For The Times)

If this all sounds a tad serious, “Stick” really isn’t. As with most anything starring Wilson, whose Texas/California cool works just fine in the series’ Indiana setting (Keller hails from Indianapolis), “Stick” feels easy and breezy even when it gets into heavy-ish themes. The tone suggests a riff on “Ted Lasso” but with golf instead of soccer.

Wilson and Marc Maron, who plays Pryce’s grumpy, long-suffering best bud (who is dealing with grief of his own), keep up the steady banter of two guys who know each other’s foibles and try to resist the urge to poke them. Zero, Santi’s new friend and life guru played by Lilli Kay, is a self-described “genderqueer, anticapitalist, postcolonial feminist,” and the series manages to have fun with her without making fun of her.

Elena, meanwhile, is mildly suspicious of the whole endeavor, but she finds the aging white golfers amusing. She also likes the cash Pryce has thrown her way for the privilege of coaching her son.

Put them all together in an RV, and on a series of golf courses, and you’ve got the makings of a modern family comedy. Except most of the “family” aren’t related.

“They’re a sort of a found family, and they are all very different personalities,” Keller said. “But ultimately they are what each other needed, and none of them knew it. I think that’s the beauty and the fun and the heart of the show. We’re watching a group of people that don’t fit together at first, and then they realize they needed each other. I hope that warmth and the feel-good element of that is felt by audiences.”

“They’re a sort of a found family, and they are all very different personalities,” said Jason Keller about the characters. “But ultimately they are what each other needed, and none of them knew it.” Lilli Kay, left, Mariana Treviño, Judy Greer and Marc Maron in “Stick.”

(Apple)

But that sense of major disappointment, and the question of how to turn the page, still lingers over the story. Keller is intimately acquainted with that kind of challenge.

He was 25, newly arrived in Hollywood, when doctors discovered a benign brain tumor. It was successfully removed, but the subsequent nerve damage meant Keller had to retrain his brain to let him walk again. Now 56, he says he “didn’t realize what a gift that hard experience was. I became very grateful for being physically healthy.”

Keller used that sink-or-swim experience to write his “Stick” characters. “Everybody has a point in their life that just brought them to their knees,” he said. “It could be a divorce or the death of a loved one. We all face these personal tragedies or challenges. What do you do with them after you go through ’em and survive ’em? That’s the real question.”

Even Santi, the youngest character in “Stick,” has been burned by life. “He’s scared, and he has every reason to be,” Dager said. “His father left him.” And he responded by building a hard shell and walking with a swagger.

Dager embraced the whole package. “I fell in love with his past but also his soul and the way he protects himself with the humor he uses as a defense mechanism,” Dager said. “And then once we get to know him and he starts to fall in love and he starts to trust people, you really see the kid. You see who he actually wants to be.”

And if you do happen to be a golfer, if you know a birdie from an eagle, an iron from a wood, “Stick” doesn’t skimp on the sports stuff. It might even inspire you to go out to the garage and excavate that moldering set of clubs. Or not.

“The golfers I’ve shown it to have connected to it and appreciated it at the level of the sport,” Keller said. “And the others who have seen it who are not golfers seem to be responding to it at a purely emotional character level. I think they’re connecting to it. We’ll see if we got it right. I hope we did.”