hulking

Hulking Anthony Joshua shows off shadow boxing in training as Eddie Hearn reveals new date for Jake Paul fight

ANTHONY JOSHUA looks ready to fight right now as he showed off his shadow boxing and hulking physique.

The two-time heavyweight world champion has been out since September 2024 when he was knocked out by Daniel Dubois.

Anthony Joshua shadow boxing.

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Anthony Joshua showed off his shadow boxing and hulking physiqueCredit: RING MAGAZINE ON X
Anthony Joshua shadow boxing.

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AJ is training for his return fightCredit: RING MAGAZINE ON X

But he posted a video online – showing off his incredible shape – shadow boxing outside.

Elbow surgery in May also kept Joshua sidelined – meanwhile shock talks to face YouTuber-turned-boxer Jake Paul progressed behind the scenes.

Paul has since announced a November 14 exhibition bout against WBA lightweight champion Gervonta Davis – who is FIVE STONE lighter.

AJ’s promoter Eddie Hearn is still in talks with Paul’s promotional partner Nakisa Bidarian over a fight in 2026.

He told iFL TV: “They want to move forward with the Joshua fight around March 2026.

“But I said to him, ‘If you get chinned by Gervonta Davis, I can’t possibly make the fight with AJ.’

“Gervonta’s a 135lber. Obviously, they don’t think that’s going to happen but I don’t know too much about it.

“It’s an exhibition with bigger gloves? I don’t know. But they definitely want to go from Gervonta Davis to AJ.

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“The issue is, I don’t think we can wait till November to see how he gets on against Gevonta Davis.

“AJ is back in training with the view to fight in early 2026 so it’s very likely we’ll do our own thing. But we’ll see. We’re still talking.

Dillon Danis calls out Jake Paul after slamming ‘joke’ Gervonta Davis fight and says rival is ‘stealing people’s money’

“We do realise it’s a massive event. If he was to go in there and bash up Gervonta Davis, it wouldn’t be nothing much to boast about.

“It’s a cruiserweight vs a lightweight but at least he’s in there with a pound-for-pound fighter.”

Joshua, 35, is now set to return in January or February in a warm-up bout before turning his attention again to Tyson Fury, 37.

Fury retired in January following two defeats to Oleksandr Usyk, 38, last year but has teased a comeback in 2026.

Paul, 28, meanwhile made a heavyweight fight in November when Mike Tyson controversially made a comeback aged 58.

And over 100 MILLION watched Tyson lose his first professional fight in 20 years over eight shorter rounds of two minutes.

Paul then followed it up by beating ex-middleweight world champ Julio Cesar Chavez Jr, 39, in June to earn himself a No14 WBA cruiserweight ranking.

But his next fight against Davis is not set to count towards his official record with the exhibition unable to be professionally sanctioned.

Paul fights in the 14st 4lb cruiserweight limit of 200lb while Davis is a champ in the 9st 9lb lightweight division of 135lb.

Jake Paul boxing Julio Cesar Chavez Jr.

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Jake Paul is still in talks to fight Anthony Joshua in 2026Credit: Reuters
Gervonta Davis celebrating a boxing victory.

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Gervonta Davis is due to fight Jake Paul on November 14Credit: Getty Images – Getty

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‘I Don’t Understand You’ review: Adoption hopefuls stumble into violence

There’s a wonderfully simple emotional appeal embedded in the opening of “I Don’t Understand You,” a comedy from co-writer-directors Brian Crano and David Joseph Craig. Well-meaning, well-off gay couple Dom and Cole (Nick Kroll and Andrew Rannells, respectively) are eager to adopt a baby. In watching them record an appeal video — selling themselves as fit parents to an unknown mother — you want the best for them. It’s a heartrending, nervous-laughter scene: Are they sincere without being desperate? Charming yet not edgy? In between the stops and restarts, they both wittily let off steam about the absurdity of the process.

How hard does it have to be for willing adults in a loving relationship to start a family? That’s where “I Don’t Understand You” devotes its more darkly humorous energies when it sends Dom and Cole to sunny, pastoral Italy for an anniversary trip, dropping them into a series of lethally unfortunate situations that probably only Patricia Highsmith would consider a proper vacation.

Soon after landing in Rome, they’re buoyed by news that a receptive pregnant mother named Candace (Amanda Seyfried via video chat) is touched by their story, their vibe being everything she wants for her baby. It’s a cautious optimism, though, competing with the anxiety Dom and Cole generally feel as gay men on the alert for everyday microaggressions, also as tourists who don’t know the language and urbanites not exactly comfortable navigating another country’s backwaters at night.

That last concern is what kicks off their nightmare, when the couple’s rental car gets stuck on a private road that leads to a remote farmhouse where they have a reservation for an anniversary dinner. A mild panic bubbles up. The gruff, irritable and armed local who shows up only fuels their notion that death is surely around the corner. And it is, just not the way they or we may have imagined when they eventually reach the rustic home of retired restaurateur Francesca (a nonna-authentic Eleonora Romandini) and find a voluble soul who can’t wait to serve her only guests a celebratory candlelit meal.

Subtitles helpfully let us know what the skittish, suspicious Dom and Cole never quite understand about their friendly host. When Francesca’s hulking, inquisitive son Massimo (Morgan Spector) appears, suggestively brandishing a knife, a blunt fiasco of an evening suddenly tips over into a bloody farce of fear-driven misjudgment. Despite the game commitment of everyone on-screen (starting with Kroll and Rannells’ believable portrayal of loving, vulnerable gay marrieds), “I Don’t Understand You” is only sporadically funny.

The writer-directors are themselves a real-life couple who adopted a child, so ostensibly we’re getting an exaggeratedly autobiographical peek into what self-preservation on the cusp of dadhood looks like at its off-the-charts hairiest. And it’s encouraging that the filmmakers opted to turn their experience and its attendant emotions into a silly horror comedy instead of one more earnest social-issue drama. (Amanda Knox is a listed co-producer too, and when the Italian arm of justice gets involved, you’ll understand why.)

Just as its opening triggers hope for its wannabe family men, you want “I Don’t Understand You” to really nail its downward spiral, and yet it’s something of a misfire, albeit a likable one. The tone swerve into body-count humor and the nuts and bolts of violence eventually prove too much for Crano and Craig to effectively mold into a comedy of perception and privilege.

‘I Don’t Understand You’

In Italian and English, with subtitles

Rated: R, for bloody violence and language

Running time: 1 hour, 36 minutes

Playing: In limited release

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