harris interview

How Paramount’s $16-million Trump settlement came together

By early spring, Paramount Global was in crisis. President Trump wouldn’t budge from his demand for an eye-popping sum of money and an apology from the company to settle his lawsuit over a CBS News “60 Minutes” interview with Kamala Harris. Journalists at the storied broadcaster were in revolt against the parent company.

Meanwhile, Paramount’s board faced withering pressure, with a settlement widely seen as a prerequisite for getting government approval for the company’s $8-billion sale to David Ellison’s Skydance Media, or the deal would collapse.

Then a new emergency erupted.

On May 4, CBS aired a hard-hitting “60 Minutes” segment that took aim at Trump’s targeting of law firms. Correspondent Scott Pelley anchored the report, which relied heavily on an interview with a leading Trump irritant — former top Hillary Clinton advisor Marc Elias.

Trump was furious. He threatened Paramount with an additional lawsuit alleging defamation, according to people close to the situation who were not authorized to comment.

The behind-the-scenes drama eventually would culminate with Paramount agreeing to pay $16 million to end the president’s battle over edits to October’s Harris interview, which Trump alleged was manipulated to boost the then-vice president’s election chances. Trump’s suit had demanded $20 billion in damages.

The deal resulted from months of back-and-forth among a constellation of power players with competing interests: the president, mogul Shari Redstone, tech billionaire Larry Ellison and his son David, Hollywood super agent Ari Emanuel, CBS News’ ousted leader Wendy McMahon and Jeff Shell, a former NBCUniversal chief now with RedBird Capital Partners, which backs Ellison’s Skydance.

The settlement, which the president approved late Tuesday, included a commitment by Trump to drop his claims and not sue over the May “60 Minutes” broadcast, according to sources and a Paramount statement.

Paramount said it agreed to pay Trump’s legal fees. The remainder of the $16-million settlement will go toward his future presidential library.

But the beleaguered company behind “Mission: Impossible” and “Yellowstone” mustered victories, withstanding the Trump team’s earlier demand for a $100-million payout, the knowledgeable sources said.

The company also refused to apologize for CBS’ reporting or edits, a stance to protect its journalistic ethics and 1st Amendment rights.

“This settlement allows Paramount to focus on its prospective sale, and CBS can maintain its principles,” said C. Kerry Fields, a business law professor at the USC Marshall School. “But principle has its price, and there certainly was one set here.”

The eight-month skirmish with Trump shined a harsh light on Paramount’s vulnerabilities — and deep divisions within the company and its prospective new owners.

Paramount had a narrow window to reach a truce. The company wanted to finalize the settlement before Wednesday, when Paramount held its annual shareholder meeting and three new members joined the board.

“This [settlement] was all about survival — it was that dark,” Fields said. “Paramount has to execute the sale to Skydance in order to survive.”

At first, Paramount’s sale to the Ellison family seemed like a sure bet. Larry Ellison, co-founder of Oracle Corp., is close to Trump and is also a possible buyer for TikTok, another deal of interest to the president. The landmark Paramount-Skydance deal, struck a year ago, could reshape one of Hollywood’s original studios and the entertainment landscape.

Redstone and her family agreed to part with their entertainment holdings, National Amusements Inc., and controlling Paramount shares. The family’s shaky finances were a catalyst for the sale. Redstone has borrowed heavily to meet debt obligations, including a $186-million term loan from Larry Ellison last year. The family is waiting for the cash from the sale of Paramount and National Amusements to the Ellisons and RedBird, a private equity firm.

But an unexpected blunder altered the deal’s course.

Last fall, “60 Minutes” invited Trump and Harris to participate in preelection interviews. Trump agreed, then backed out. CBS News went forward with a Harris sit-down.

Former Vice President Kamala Harris talks to "60 Minutes" correspondent Bill Whitaker.

Former Vice President Kamala Harris talks to “60 Minutes” correspondent Bill Whitaker.

(CBS News)

Correspondent Bill Whitaker asked Harris about the Biden administration’s rocky relations with Israel’s prime minister. Producers used different portions of her answer on two programs: a convoluted response on CBS’ Sunday morning show “Face the Nation,” and a more succinct part on “60 Minutes.”

Trump and his supporters zeroed in on the discrepancy. They accused CBS of doctoring the interview. CBS News denied the allegation, saying the edits were routine.

Days before the election, Trump sued in Amarillo, Texas, ensuring the case would be overseen by a Trump-appointed judge.

His lawsuit alleged the “60 Minutes” edits amounted to election interference — “malicious, deceptive, and substantial news distortion calculated to confuse, deceive, and mislead the public,” in the suit’s words.

US President Donald Trump in the Oval. Photographer: Jim Lo Scalzo/EPA/Bloomberg via Getty Images

President Donald Trump in the Oval Office.

(Bloomberg)

1st Amendment experts said the case had no merit; some figured it was a campaign stunt.

Days later, Shell, the RedBird executive who will become Paramount’s president should Skydance take over, held a conference call with top CBS executives. Shell suggested “60 Minutes” release the full Harris interview transcript in a bid for transparency, according to people familiar with the matter.

News executives refused, drawing a clear division between some high-level Paramount executives and Ellison’s team.

Those Paramount executives have bristled over Shell’s involvement, including a comment he reportedly made to McMahon late last year, stating the company eventually would have to settle. Skydance has said it has an agreement with Paramount that gives Ellison and Shell the ability to give input on key business issues — even before acquiring Paramount.

A spokesperson for Shell declined to comment.

The role of Shell, ousted from his previous role running NBCUniversal after acknowledging an inappropriate relationship with an underling, has been controversial. Representatives for the creators of “South Park” have accused him of overstepping his authority and meddling with a protracted negotiation over their overall deal and streaming rights to the long-running cartoon. A representative for Shell denied that accusation.

Trump had scored previous victories over media organizations. In December, the Walt Disney Co. agreed to pay him $16 million, including $1 million for his attorney fees, to end a dispute stemming from ABC anchor George Stephanopoulos’ inaccurate description of Trump’s liability in a civil court case. Press advocates howled.

Paramount held firm. But it failed to get Trump’s case dismissed or moved to a court in New York, where CBS and “60 Minutes” are based.

So the company was in a box. Its sale to Skydance requires the approval of the Federal Communications Commission to transfer CBS TV station licenses to the Ellisons, and that consent has been elusive.

In one of his first moves as FCC chairman, Trump appointee Brendan Carr launched an inquiry into whether CBS’ edits of the Harris interview rose to the level of news distortion — the crux of Trump’s lawsuit.

In February, Carr demanded CBS release a raw transcript of the Harris interview and the unedited footage. CBS complied; the material showed Harris had been accurately quoted.

The Texas judge ordered Paramount and Trump’s lawyers into mediation. Talks began April 30.

That weekend, “60 Minutes” ran its report on Trump and the law firms, riling Redstone and others. The Trump team and Paramount were already far apart, the sources said.

Soon, CBS News and Stations President Wendy McMahon was forced out. Knowledgeable sources attributed her departure to months of strife and persistent criticism from Redstone, who serves as Paramount’s chair. McMahon also made missteps, including overseeing an unsuccessful reboot of “CBS Evening News.”

Her exit followed that of Bill Owens, the longtime executive producer of “60 Minutes,” who fought efforts to settle.

The day McMahon was ousted, left-leaning U.S. Sens. Elizabeth Warren (D-Mass.), Bernie Sanders (I-Vt.) and Ron Wyden (D-Ore.) lobbed a salvo at Redstone. In a May 19 letter, they warned that Paramount board members risked possible bribery charges if they paid Trump to settle the lawsuit as a way to win FCC approval for the Skydance deal.

By early June, Redstone and the Ellison team were getting restless.

Emanuel, the agent, stepped in to help get the dealmaking back on track, people familiar with the matter said. Emanuel is Trump’s former talent agent and one of Ellison’s closest allies.

On June 7, Ellison met briefly with Trump at a UFC event in New Jersey. Emanuel is executive chairman of the WME Group and chief executive of UFC’s parent company, TKO.

According to a source, Emanuel associate Dana White, the Trump-supporting UFC chief executive, helped facilitate the Ellison meeting with the president, which occurred steps away from the fighters’ octagon.

People close to Ellison and Emanuel declined to discuss Ellison’s interactions with the president. Representatives of Skydance, Redstone and Emanuel declined to comment for this story.

Finally, a breakthrough came when Trump offered support for Ellison and the Skydance deal, though he continued to blast Harris and CBS News.

“Ellison is great,” Trump said from the White House lawn on June 18. “He’ll do a great job with it.”

Meanwhile, the clock was ticking. Redstone and others wanted the board to handle the settlement before the shareholder meeting, when one director stepped down, and three new members joined the board.

Redstone recused herself from voting but made her wishes known.

The settlement was finally reached about 10 hours before the Paramount board switched.

One person close to the legal effort said the agreement “got over the finish line” due to a sweetener for Trump. His team anticipates that Paramount networks eventually will run millions of dollars worth of free commercials, or public service announcements, in support of Trump causes, including combating antisemitism and increasing border security.

Paramount denied this.

“Paramount’s settlement with President Trump does not include PSAs,” the company said in a statement. “Paramount has no knowledge of any promises or commitments made to President Trump other than those set forth in the settlement proposed by the mediator and accepted by the parties.”

Skydance declined to comment. Emanuel did not respond to messages.

The settlement does contain another provision championed by Trump.“60 Minutes” will release transcripts of interviews with eligible U.S. presidential candidates after those interviews air, “subject to redactions as required for legal or national security concerns,” Paramount said.

1st Amendment advocates were discouraged by the deal. So were Trump’s enemies, including the senators who had vowed to investigate the deal for bribery.

Paramount’s move to “settle a bogus lawsuit with President Trump over a 60 Minutes report he did not like is an extremely dangerous precedent,” Sanders, the U.S. senator, said in a statement. “Paramount’s decision will only embolden Trump to continue attacking, suing and intimidating the media.”

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Trump, ‘60 Minutes’ and corruption allegations put Paramount on edge with sale less certain

One fateful October decision to trim two convoluted sentences from a “60 Minutes” interview with then-Vice President Kamala Harris has snowballed into a full-blown corporate crisis for CBS’ parent company, Paramount Global, and its controlling shareholder, Shari Redstone.

President Trump’s $20-billion lawsuit — claiming “60 Minutes” producers deceptively manipulated the Harris interview to make her look smarter — has festered, clouding the future of Paramount and the company’s hoped-for $8-billion sale to David Ellison’s Skydance Media.

The dispute over the edits has sparked massive unrest within the company, prompted high-level departures and triggered a Federal Communications Commission examination of alleged news bias. The FCC’s review of the Skydance deal has become bogged down, according to people familiar with the matter who weren’t authorized to comment.

The agency, chaired by a Trump appointee, must approve the transfer of CBS television station licenses to the Ellison family for the deal to advance.

A lawsuit resolution, through court-ordered mediation, remains out of reach. And last week, three Democratic U.S. senators raised the stakes by suggesting, in a letter to Redstone, that a Trump settlement could be considered an illegal payoff.

Sens. Elizabeth Warren (D-Mass.), Bernie Sanders (I-Vt.) and Ron Wyden (D-Ore.) warned in their letter that any payment to Trump to gain favorable treatment by the FCC could violate federal anti-bribery laws. Paramount’s dealings with Trump “raises serious concerns of corruption and improper conduct,” the senators wrote.

“Under the federal bribery statute, it is illegal to corruptly give anything of value to public officials to influence an official act,” the senators said.

President Trump looks on during a signing ceremony in the Oval Office of the White House.

President Trump during a signing ceremony in the Oval Office of the White House.

(Drew Angerer / Getty Images)

Redstone is desperate for the Paramount-Skydance deal to go through.

Her family’s holding company is cratering under a mountain of debt. Paramount’s sale to the Ellison family would provide the clan $2.4 billion for their preferred shares — proceeds that would allow the Redstones to pay their nearly $600 million in debt — and remain billionaires.

Paramount, Skydance and a spokesperson for Redstone declined to comment.

While recusing herself from granular and final decision-making, Redstone has made it clear that she wants Paramount to settle with Trump, rather than wage an ongoing beef with the sitting president, according to people familiar with the matter but not authorized to discuss internal deliberations.

Figuring a way out of the dispute has divided the company, according to insiders.

For CBS News professionals, apologizing to Trump over routine edits of a lengthy interview is a red line. Tensions have spilled into public view.

Redstone has been cast as the villain. The Drudge Report, created by journalist Matt Drudge, who got his start at CBS in Los Angeles, last month published a photo of 71-year-old heiress, identifying her in all caps as “The woman who destroyed CBS News.”

Two top CBS News executives have resigned. Both refused to apologize to Trump as part of any settlement, the knowledgeable sources said.

Most CBS journalists and 1st Amendment experts see Trump’s lawsuit a shakedown, one seemingly designed to exploit Paramount’s vulnerability because it needs the government’s approval for the Skydance deal.

“Settling such a case for anything of substance would thus compromise 1st Amendment principles today and the broad notion of freedom of the press in the future,” prominent press freedom lawyer Floyd Abrams said.

Paramount has stressed that it sees the Trump lawsuit and the FCC review of the Skydance deal as separate. “We will abide by the legal process to defend our case,” a Paramount spokesperson said.

But “60 Minutes” correspondent Scott Pelley connected the two for viewers during an extraordinary April broadcast, in which he rebuked Paramount management on air at the end of the program. That, according to sources, angered some of Paramount’s leaders.

While “60 Minutes” has received additional corporate oversight, some insiders pointed to Pelley’s acknowledgment that “none of our stories have been blocked.”

All the high-level scrutiny has put Paramount and Redstone in a box, and the Skydance deal looks less certain than it did months ago.

“Who’s going to sign that settlement, knowing that you could be accused of paying a bribe?” asked one person close to Paramount.

Paramount Global’s path to peril began long before the infamous “60 Minutes” edits. The company was diminished by management turmoil and years of cost-cutting, which would eventually force Redstone to find a buyer for one of Hollywood’s most storied studios.

Should New York-based Paramount, which also owns Comedy Central, MTV, Nickelodeon and the famed Melrose Avenue movie studio, fail to complete its sale to Skydance by its October deadline, the deal could collapse.

Paramount then would owe $400 million to Skydance as a breakup fee, putting the company in further dire financial straits. Skydance and its investor RedBird Capital Partners have agreed, once they take over, to inject $1.5 billion into Paramount, helping it pay down some debt.

Redstone would also be on the hook to repay her financiers. Two years ago, a Chicago banker rescued the Redstone family investment firm, National Amusements Inc., with a $125-million equity investment.

The family’s finances were strained after Paramount cut its dividend to shareholders that spring during the Hollywood writers’ strike. The family’s dire financial situation was a leading impetus for Paramount’s sale.

If the deal fell through, Redstone would also have to repay a $186-million loan from tech mogul Larry Ellison. The billionaire Oracle co-founder and father of David Ellison extended the loan so National Amusements could make a looming debt payment.

National Amusements holds 77% of Paramount’s controlling shares, giving the Redstone family enormous sway over Paramount management.

Shari Redstone on Monday, July 10, 2023, in New York.

Paramount Chairwoman Shari Redstone in 2023 in New York.

(Evan Agostini / Invision / Associated Press)

Critics privately note Redstone’s role in setting up the company for the current drama. It took nearly a year for Redstone and Paramount’s special board committee to negotiate a deal with Skydance. The independent directors spent months searching for an alternate buyer, adding to the delays that now haunt both sides.

Had the parties reached agreement sooner, the companies could have asked the FCC for approval earlier last year during the less hostile Biden administration.

Instead, weeks were spent haggling over various demands, including having Skydance indemnify Redstone and her family against shareholder lawsuits. In the end, the Ellisons also agreed to help Redstone pay for her New York apartment and private jet after the deal closes, according to the knowledgeable people.

Paramount petitioned the FCC for review in September.

By that time, political environment was caustic for mainstream media companies. Conservatives were upset over ABC News’ handling of the Sept. 10 debate between Trump and Harris after ABC anchors fact-checked Trump in real time, including pushing back on his false claim that Haitian immigrants in Ohio were eating pets.

Trump reportedly backed out of a “60 Minutes” appearance — long a traditional stop for presidential candidates — because CBS intended to fact-check his remarks. Conservatives viewed such formats as a double standard and as an example of how news bias has seeped into major networks’ coverage of Republicans.

“This was an issue we were already sensitive to and focused on,” said Daniel Suhr, president of the conservative Center for American Rights legal group, which filed an FCC complaint against Walt Disney Co.’s ABC after the debate.

At CBS, another firestorm had engulfed the newsroom.

Redstone, who had previously urged news executives to bring more balance to CBS’ coverage, was livid after managers scolded “CBS Mornings” co-host Tony Dokoupil for his sharp questioning of author Ta-Nehisi Coates about Israel during an interview segment. Coates’ book, “The Message,” compared Israel’s treatment of Palestinians to the Jim Crow South in the U.S.

Redstone, who is Jewish and has focused her philanthropy on battling antisemitism in the wake of Hamas’ Oct. 7, 2023, attack on Israel, publicly rebuked CBS News managers for their treatment of Dokoupil.

The controversial exchange in the Harris “60 Minutes” interview also happened to concern Israel.

“60 Minutes” correspondent Bill Whitaker suggested to Harris that Israeli Prime Minister Benjamin Netanyahu, was not listening to the Biden administration.

Harris gave a long-winded three-sentence response.

CBS broadcast the convoluted first sentence on its Sunday public affairs show, “Face the Nation,” on Oct. 6. The following night — the anniversary of the Hamas attacks — “60 Minutes” aired only her most forceful and succinct third sentence: “We are not going to stop pursuing what is necessary for the United States to be clear about where we stand on the need for this war to end.”

Conservatives zeroed in.

“CBS created this mess for itself. … The conservative ecosystem was outraged when they saw the two different clips because it vindicated everything,” Suhr said. “Folks had always believed the media was selectively manipulating interviews like that.”

Journalists routinely cut extraneous words to provide clear and compact soundbites for audiences. CBS released a statement saying that it had not doctored the interview. Rather, news producers said they trimmed Harris’ response to cover more ground during the broadcast.

Internally, CBS debated whether to release the full transcript to quell the furor — but it stopped short at first. Some people close to the company have been particularly critical of CBS for not immediately releasing the unedited video.

Trump sued in late October for $10 billion. After he returned to the White House, he doubled his demand to $20 billion.

One of Trump-appointed FCC Chairman Brendan Carr’s first moves was to revive a separate news distortion complaint against “60 Minutes,” which Suhr had filed shortly after the broadcast. The matter had been dismissed by the previous Biden-appointed chair.

CBS and the FCC released the Harris footage in February.

By that time, the controversy had consumed the company.

Last month, Bill Owens, the executive producer of “60 Minutes” stepped down, citing a loss of editorial independence.

“60 Minutes” continued with Trump-critical stories — to the chagrin of people who want the Skydance deal to close.

Less than two weeks after CBS Chief Executive George Cheeks pledged support for his team, Wendy McMahon, the head of CBS News, was forced to go.

“It’s become clear that the company and I do not agree on the path forward,” McMahon told her staff in a note last week.

Insiders note other McMahon decisions, including the introduction of a new “CBS Evening News” format, which has led to plummeting ratings, as factors in her fall. McMahon could not be reached for comment.

Redstone and others hope the mediation with Trump’s attorneys will produce a truce.

But several questions remain: What will it take for Paramount to appease the president? And could the company’s leaders be prosecuted if they pay the president a multimillion-dollar settlement?

In “normal times,” officials might be alarmed by a president’s demand for a big check, said Michael C. Dorf, a Cornell Law School professor.

“These are not normal times, however, so the president will likely be able to get away with soliciting a bribe from Paramount, just as he is getting away with extortion of law firms and universities,” Dorf said.

Staff writer Stephen Battaglio contributed to this report.

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