Gillespie

Out on the moody, flame-licked front patio of Mojave Gold in Yucca Valley, Ryan and Alexis Gutierrez took in their first goth show in their new neighborhood.

The couple had just moved to the high desert from the Inland Empire, and given the considerable face tattoo count between them, they’d been looking for some witchy fellow travelers.

After watching the electro project Tantra Punk’s set — a singer marauding across the stage, fogged over with blood-colored lights — the couple passed by a merch booth hawking fresh herbs planted in tiny metal pots. The two were pleasantly surprised they’d found their people here.

“I didn’t even know there was a scene for this out here,” Alexis said. “I literally just passed this place and thought it looked hip. We used to drive to San Diego for something like this.”

“It’s kind of slower out here in the desert, but there’s things like this that make it fun,” Ryan said, “Being in the alternative scene, having shows like this is really important to us.”

The six-week-old Mojave Gold is the most promising new entry in a desert music scene that, lately, has seen its share of high-stakes ownership drama at venues like Pappy & Harriet’s and the Alibi. Mojave Gold’s owners are betting on a more permanent, independent-minded scene for local acts and edgier nightlife in its wake.

“A part of why we moved here 10 years ago was that there are so many amazing musicians, and a lot more people live here now,” said the venue’s co-owner Cooper Gillespie. “I’m like, ‘Yes, bring on all the amazing music venues and new places for the music community to be.’”

The bar inside the nightclub is decorated in gold colors at Mojave Gold, a brand new music venue near Joshua Tree that’s counting on a continued interest in year-round nightlife in the fast-gentrifying area.

(Gina Ferazzi / Los Angeles Times)

While Joshua Tree is famous for its rough-and-tumble (if sometimes set decorated) roadhouse aesthetic, Mojave Gold looks more like it zigged left up the 111 from Palm Springs. A black and gilt disco vibe permeates the 500-capacity space, from the undulating wood ceiling made from salvaged Hollywood Bowl seats to velveteen booths and a winking poster advertising Quaaludes.

“There’s a purposeful make-out corner,” said Mojave Gold’s interior designer Brookelyn Fox, wryly arching her eyebrows toward the rear of the venue.

Mojave Gold’s attached restaurant is worth a visit in its own right (a cactus and citrus ceviche, charred cauliflower steak and a chocolate mole custard looked especially eye-catching). But in a small town with an outsize presence on the region’s music scene, it could help turn the area into a year-round tour stop in its own right and become a new festival-season mainstay.

“If you’ve got all these bands playing Coachella every year, well, only one of them is going to be able to play Saturday night at Pappy’s,” said Dale Fox, who manages the venue’s financing. “Now, there’s another place.”

Landers residents Gillespie and her Mojave Gold co-founder Greg Gordon are both former Pappy’s employees, working under longtime owners Robyn Celia and Linda Krantz. They suspected there was room for more live music than that beloved and hotly contested venue could handle year-round. They had their eyes on the former AWE Bar space since it closed after a brief run in 2023, with ambitions to rebuild it into a locals-first venue.

Patrons gather in the outdoor patio adjacent to the nightclub at Mojave Gold.

(Gina Ferazzi / Los Angeles Times)

“The space and the time we’ve had is so much more than we could have done in L.A.” Gillespie said. “Everything takes a lot of time and money in the city, and out here, I feel like there’s a lot more space in all aspects of your life to create. We’ll have national acts, but also bring up our local talent and give them opportunities to have a place to call their own.”

They got lucky when Liz Garo, the talent buyer for the late, lamented Alibi in Palm Springs, was unexpectedly free and looking for a new project in the area after decades booking the Echo, Regent and other venues in Los Angeles. The shows so far have spanned the modern desert’s full range of scenes — country dance nights, the scuzzy punk of Throw Rag, cabaret drag acts and gothic folk from Blood Nebraska.

“It was a part of some music scenes where you didn’t even know who’s playing, but you went to the Echo because you knew all your friends were going to be there,” Gillespie said. “That’s what we want this place to be.”

Mojave Gold arrives as a new crop of nightlife spots have opened to serve both desert lifers and newcomers to the small towns near Joshua Tree National Park. The Red Dog Saloon, Más o Menos and the ad hoc gay bar Tiny Pony Tavern have found their footing for more ambitious desert nightlife. There’s still room for more, Gordon said.

“The big surprise for me when we opened, is that there was not one moment where I felt a sense of competition,” Gordon added. “None of the other restaurants or venues had this kind of cutthroat mentality. There’s no zero-sum thinking. I think we’re still so young out here that … everybody adds something to the market.”

Patrons dance to music from local artists on Desert Gothic night at Mojave Gold.

(Gina Ferazzi / Los Angeles Times)

But passions about development run deep out here, especially after the pandemic-fueled boom in property flipping. The sad fate of the now-shuttered Alibi, the brutal court skirmish over Pappy’s and the gleaming nearby Acrisure Arena (which just landed the kickoff date and sole SoCal stop of Paul McCartney’s tour) prove that moneyed interests still have their eye on the area’s land and cultural scene.

For now though, the string of little desert towns are happy the Airbnb flippers have taken a beating and longer-term visions for local culture are taking root. “Shout-out to the city government in Yucca,” Gordon said, saluting. “They’re constantly thinking of ways to beautify the area and respect Old Town and encourage curated growth.”

Patrons dance to Tantra Punk on Desert Gothic night at Mojave Gold.

(Gina Ferazzi / Los Angeles Times)

The Mojave Gold team hopes that this sometimes-shaky boomlet of independent music in the desert can foster a scene like Silver Lake’s in the early 2000s — big enough to be nationally influential, but neighborhood-y enough to roll in twice a week and see where the evening takes you. Even if it’s straight to hell on goth night.

“A big part of those scenes were free or very inexpensive nights when you even if you didn’t have a lot of money, you could go out and have a great time,” Gillespie said. “I hope that the focus here is on fostering the local creative community and not just profiting.”

Mike Gillespie had a premonition about Ben Orloff.

The USC and UC Irvine coaching legend guided Orloff for two years as an Anteater, watching Orloff become the baseball program’s all-time hits leader with his peak bat-to-ball abilities. But it wasn’t Orloff’s eye-popping swing or swift speed on the basepaths that captivated Gillespie the most. It was the future he imagined for his star infielder, the then-Big West Conference player of the year.

“I don’t know how else to say it: His instincts, his clue, his feel for the game, his baseball IQ, is like nothing else,” Gillespie said as Orloff’s collegiate career wrapped up in 2009. “He should be a major league manager. He might be wasted as a major league manager, because they can do so little, in terms of all these little things.”

The American Baseball Coaches Assn. Hall of Famer, who died in 2020, continued: “He probably should be a college coach, a college head coach.”

It’s mid-May and Orloff sits in the office Gillespie once occupied. Orloff is bald with a bright smile. He’s just 38, and yet this is his 12th season on the UC Irvine coaching staff — and his seventh as the Anteaters’ head coach.

Orloff settles down at a table, crosses his legs and is ready to reminisce, talk shop — and praise the mish-mosh ballclub that’s set the Big West aflame for the second consecutive season in which it won its second regular-season conference championship under the coach.

“Not many people get their first job ever in college with no coaching experience [and become a] paid assistant coach at a place like UC Irvine,” Orloff said. “I’m aware that I was given opportunities that a lot of guys work a long time to get. I’m trying not to ruin it.”

UC Irvine baseball coach Ben Orloff walks on the field during a game against USC on Feb. 18.

(Matt Brown / UC Irvine Athletics)

Gillespie eventually gave Orloff the call back in 2013. The former All-American, who had been playing in the minors since 2009, was hitting just below .300 and had a .379 on-base percentage with double-A Corpus Christi when he decided it was time to return to UC Irvine.

Orloff said he always knew he was going to be a college coach. Whether it was after playing Major League Baseball for 15 years or directly after earning his bachelor’s degree, it was a goal he strived to achieve. But there was only one way he would “quit,” as he put it, and hang up his cleats for a new career: coaching at his alma mater for Gillespie.

Hired in 2013, the then-assistant was fully aware that he knew nothing about the ins and outs of coaching. Sure, he could practice the fundamentals — the basics of fielding and throwing strikes that Orloff still preaches — but much of the job was foreign. All he wanted to do, Orloff said, was to live up to his coach’s expectations.

“I was just extremely motivated to not let coach Gillespie down,” Orloff said. “Now being in this seat, to hire a guy for professional baseball that’s never coached at any level before, you don’t do that.”

He had to learn to recruit — he nabbed outfielder Jacob McCombs (.363 batting average/.448 on-base percentage/.627 slugging percentage) out of the transfer portal from San Diego State, signed junior college infielder Colin Yeaman (hitting .352 with 13 home runs) from College of the Canyons, and has developed Southern California talent such as sophomore starting pitcher Trevor Hansen (8-2 with a 3.14 earned-run average) from Royal High. Orloff said he is willing to sign any player from any level, knowing UC Irvine’s reach is different from blue blood programs, such as UCLA or Vanderbilt.

UC Irvine baseball coach Ben Orloff greets outfielder Jacob McCombs during a game.

(Robert Huskey / UC Irvine Athletics)

Orloff remarked that most articles written about the program highlight him. But he is also first to praise his coaching staff, such as pitching coach Daniel Bibona in his 13th year with the Anteaters or hitting coach J.T. Bloodworth, who helped the Anteaters notch their fourth-best batting average in program history a year ago.

“We played together for three years,” he said of Bibona. “Coach Gillespie hired him directly at a pro ball to be the pitching coach. … He does a really good job with these guys.”

“I think we broke every school offensive record last year,” Orloff remarked about Bloodworth’s impact. “This year, the numbers are like the same with a completely brand new group.”

Orloff and his staff brought in 20 new players before the season, restocking a roster that produced a 45-14 record and an NCAA regional appearance in 2024. And the Anteaters haven’t missed a beat. Irvine is ranked 20th in the nation, according to D1Baseball, and is pegged as the top West Coast program in the country — above UCLA — by the National College Baseball Writers Assn., with a No. 11 ranking.

“Winning matters to these guys,” Orloff said of his 39-13 squad. “I think our team has placed what’s best for the team above what’s best for them and I think that’s uncommon, probably in 2025, and so I think it’s why we’ve won.”

Heading into the inaugural Big West Conference tournament, Orloff said UC Irvine can compete with any team in the nation. He points to early-season battles against Nebraska, New Mexico and Vanderbilt — coming up just short of a three-game sweep at the MLB Desert Invitational in February.

When it comes to showing resolve against opponents, Orloff embraces football coach Bill Belichick’s inverse theory of winning — often credited to businessman Charlie Munger’s inversion technique. As Orloff puts it, the technique focuses on how “before you can win, you can’t do the things that make you lose.”

UC Irvine baseball coach Ben Orloff speaks to his players before a game against San Diego on April 1.

(Matt Brown / UC Irvine Athletics)

“You can look and just see how competitive they’ve been and how complete they’ve been,” said UCLA baseball coach John Savage, a disciple of coach Gillespie as a USC assistant and former Irvine head coach from 2002 to 2004.

“He’s clearly, I think, the best up-and-coming young coach in America. I truly believe that.”

With Irvine on the hunt for its first trip to Omaha since 2014 — and Orloff leading the way — the Anteaters might have the right recipe brewing at Cicerone Field.

Gillespie, long before Orloff took the reins, certainly thought so.

“I’m not kidding, he’s a better coach than I am,” Gillespie said in 2009.