Longtime rivals Sylmar and San Fernando are set to meet on Saturday at the Coliseum in a tripleheader for high school football.
The junior varsity teams will play at 2:30 p.m., followed by a girls flag football game at 5 p.m. and the varsity 11-man game at 7:30 p.m. Tickets are $15 and available for purchase at each school this week, with $12 going back to the schools. Tickets also will be available at the Coliseum on Saturday.
San Fernando is an eight-time City Section champion with a rich history that includes its wishbone teams of the 1970s featuring the late Charles White, who won the Heisman Trophy at USC. Sylmar won City titles in 1992 and 1994 under coach Jeff Engilman.
“This is a once-in-a-lifetime opportunity for our student-athletes, families, alumni and the broader community to come together and celebrate the legacy and rivalry of two proud programs in a truly iconic venue,” Sylmar athletic director Wilquin Garcia said.
It will be a Valley Mission League game, with Sylmar 4-3 and 1-2 in league and San Fernando 5-2 and 2-1. In flag football, San Fernando is 7-6 and Sylmar is 4-5.
This is a daily look at the positive happenings in high school sports. To submit any news, please email [email protected].
Good morning, and welcome to L.A. on the Record — our City Hall newsletter. It’s Dakota Smith giving you the latest on city and county government during a short week.
When Los Angeles hosted the Olympics in 1984, the San Fernando Valley refused to take part.
Valley homeowners, fearing traffic and development, successfully blocked any Olympic competitions from taking place in the Sepulveda Basin. Environmentalists also objected to using the basin, a 2,000-acre flood plain that’s home to an array of birds.
Business owners, who had hoped for a surge from international visitors, lost out. Many tourists didn’t come across the hill, and some Valley locals stayed home to watch the Olympics on television, rather than shop, The Times reported in August 1984.
Now, the Olympics are coming to L.A. and the Valley, with BMX, skateboarding, 3×3 basketball and modern pentathlon planned for temporary venues at the Sepulveda Basin.
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L.A. City Council members and business leaders are planning for a flurry of activity, including Olympics watch parties, youth sports clinics and pin-trading parties where athletes and fans swap pins and other Olympics memorabilia.
They are also hoping that stores, restaurants and other businesses in the Valley can benefit from the Games.
“During ’84, I remember being this young girl in the Northeast San Fernando Valley and feeling completely disconnected [from the Olympics],” said Councilmember Monica Rodriguez at a Greater San Fernando Valley Chamber of Commerce event Thursday.
Rodriguez and four other council members who represent San Fernando Valley neighborhoods (Bob Blumenfield, John Lee, Nithya Raman and Adrin Nazarian) weighed in on Olympics planning and other city issues during the panel, hosted by journalist Alex Cohen. (Councilmember Imelda Padilla, who represents the central and eastern Valley, was absent.)
Rodriguez said her father worked at a Los Angeles Fire Department station near USC and the Olympic Village, and would come home with stories about the festivities.
Blumenfield, whose district includes Reseda, Woodland Hills and Tarzana, recalled sneaking into a men’s gymnastics final in 1984 by walking the wrong way through an exit door. (His seats were very good: actor John Travolta was a few rows in front of him, he told The Times.)
During the 2028 Games, Blumenfield is planning watch parties in his district, with locals and visitors enjoying the Games on a big screen. He hopes visitors will take the G Line to Olympic events at the basin, and stop at stores and restaurants along the way.
“We want the Olympics to be part of the whole city, including the West Valley,” Blumenfield said in an interview.
Resistance to the ’84 Olympics wasn’t isolated to the Valley: Many Angelenos feared traffic from swarms of visitors and the threat of terrorism following the murders of 11 members of the Israeli Olympic team by a Palestinian militant group at the 1972 Munich Summer Games.
Still, the pushback by Valley residents traced to another event: Mayor Tom Bradley‘s effort in 1978 to move the Hollywood Park racetrack from Inglewood to the Sepulveda Basin. Dozens of homeowners and business groups fought the proposal, and Bradley eventually dropped it.
The same opponents coalesced again when Bradley supported swimming, archery, rowing and biking events in the basin.
Renee Weitzer was president of the Encino Homeowners Assn. during planning for the ’84 Games and helped fight the Hollywood Park project. But she later broke with those opponents and backed Olympic venues in the Valley.
Peter Ueberroth, head of the committee that brought the Games to Los Angeles in 1984, also lived in Encino at the time and told Weitzer that the committee couldn’t afford a long fight over Valley venues.
Ueberroth said, “ ‘I don’t have time for this. I am pulling out of the Valley,’ ” Weitzer said in a recent interview.
Ueberroth also claimed that anti-Olympic Valley residents threw poisoned meat to his dogs at his home.
Today, Weitzer thinks the Valley lost a big opportunity to transform the Sepulveda Basin with swimming pools and other venues that the committee would have paid for.
“It would have been fabulous, and it would have served the Valley well,” she said.
Bob Ronka, then a city council member from the northeast San Fernando Valley, led the effort to put a charter amendment on the ballot in 1978 to ensure that taxpayers didn’t foot the bill for the Olympics.
In the end, the ’84 Games generated a profit of more than $250 million dollars.
“He thought it would be a financial disaster for Los Angeles,” said Rich Perelman, former vice president of press operations for the L.A. Olympic organizing committee that Ueberroth chaired.
“So we didn’t put anything [in the Valley]. Why row the boat uphill?” said Perelman, who today runs The Sports Examiner, an online news site dedicated to Olympic sports.
Nor did Bradley want a fight with Valley council members over Olympic venues, recalled Zev Yaroslavsky, who was a council member representing the Westside and part of Sherman Oaks at the time.
“The Valley was left out of any part of the Games,” said Yaroslavsky. “Most people would probably say it was a mistake.”
While the Valley didn’t host any events, Birmingham High School in Van Nuys got a new synthetic-surface running track so Olympic athletes could train. (The school is now called Birmingham Community Charter, and the neighborhood is referred to as Lake Balboa.)
Nailing down venues in the Valley isn’t the only pressure faced by LA28, the private committee paying for and overseeing the Games.
Like other parts of L.A., the Valley today is far more ethnically, racially and culturally diverse than in 1984. Rodriguez, whose district includes Mission Hills, Sylmar and Pacoima — neighborhoods with large Latino populations — has repeatedly questioned whether Latinos will be adequately represented.
LA28’s “Los Angeles” portion of the closing ceremonies and handover event at the Paris Olympics included Billie Eilish, H.E.R., Red Hot Chili Peppers and Snoop Dogg, as well as appearances by Tom Cruise and Olympic athletes, sparking criticism on social media about the lack of Latino participants.
A coalition of Latino and Asian organizations also highlighted the dearth of diversity in a September 2024 letter to LA28 chair Casey Wasserman and Mayor Karen Bass.
At last week’s Ad Hoc Committee for the 2028 Olympics, Rodriguez asked LA28 leaders about the “glaring omission of the Latino community in the flag transfer ceremonies” during the 2024 Paris Games.
“I’ll be damned if that happens again with these Games, especially in light of what our community is going through,” Rodriguez said last week, referring to the recent federal immigration raids in L.A. that have overwhelmingly targeted Latinos.
State of play
— SETBACK FOR TRUMP: Mayor Karen Bass and other California political leaders cheered a federal judge’s decision Tuesday barring soldiers from aiding in immigration arrests and other civilian law enforcement in the state. The 9th Circuit or the Supreme Court could reverse the order.
— UP, UP, AND AWAY?: The price tag for the proposed Los Angeles Convention Center expansion keeps rising and is now an estimated $2.7 billion — an increase of $483 million from six months ago. The project would connect the two existing convention halls with a new building and add massive digital billboards, including some facing the freeways.
—BAD OWNER: City Atty. Hydee Feldstein Sotoannounced that the city is settling several lawsuits over alleged illegal short-term rentals and party houses in Hollywood. Among them is Franklin Apartments, a rent-stabilized building that turned 10 units into short-term rentals, and later, an underground hotel.
— MEET THE TRASHERS: Bass launched Shine LA to clean city streets in time for the 2028 Olympics. Meet the San Fernando Valley group whose members — mostly retirees in their 60s and 70s — are already volunteering their time.
— PADILLA TARGETED: A group of residents in City Councilmember Imelda Padilla‘s district on Tuesday filed a notice of their intention to seek her recall. The residents — some of whom have a connection to the Lake Balboa Neighborhood Council — didn’t respond to requests for comment. Padilla’s chief of staff, Ackley Padilla, told The Times that her office is “focused on the work at hand, improving the quality of life in our neighborhoods, keeping our youth, seniors and families safe.”
—GARCETTI REEMERGES: Former Mayor Eric Garcetti, in an email fundraising pitch for U.S. House of Representatives candidate Eileen Laubacher, who is trying to unseat Colorado’s Lauren Boebert, confirmed that he is now a Valley resident after returning from India, where he served as U.S. Ambassador. Garcetti, who spent some of his childhood in Encino, wrote that it’s “great to be home in our house in the San Fernando Valley (where my LA story began).”
Zine exits. Who didn’t see this coming?
Former City Councilmember Dennis Zine last week abruptly withdrew from consideration to serve on the commission tasked with changing L.A.’s charter.
Zine, a former LAPD sergeant who is now a reserve officer, served on a similar charter commission in the late 1990s. He is known as a bomb thrower who regularly skewers some city council members by referring to them as the “Crazy Train” in his CityWatch column.
Zine wrote in CityWatch that he met with two council members, including Ysabel Jurado, ahead of his nomination hearing and concluded that he could not work with a “hostile and anti-LAPD body of elected officials.”
In an interview, Zine said he has no ill will toward Jurado — who is among the council’s most progressive members — and plans to have lunch with her. Other council members relayed to him that the full council wouldn’t support his nomination, Zine said.
“I didn’t want to see a split vote on the council floor,” he said. “I didn’t want to see a dogfight.”
Zine, who represented the West Valley when he was a council member, said he is staunchly against some proposals pushed by advocates, including expanding the size of the City Council.
Blumenfield, who nominated Zine for the commission, mistakenly told him that the appointment didn’t need council approval, Zine said.
Blumenfield said he hadn’t anticipated the “difficult process” and said the former council member would have added “immense institutional memory and experience regarding how the city works.”
QUICK HITS
Where is Inside Safe? Inside Safe, Bass’ program to shelter homeless people, visited Skid Row this week, a Bass spokesperson said.
On the docket next week: The City Council is expected to consider a vote on the Convention Center expansion. On Sept. 10, the council’s Transportation Committee will hear an update on transit plans for the 2028 Olympics.
Stay in touch
That’s it for this week! Send your questions, comments and gossip to [email protected]. Did a friend forward you this email? Sign up here to get it in your inbox every Saturday morning.
Mercedes’ George Russell was fourth fastest, ahead of Verstappen’s Red Bull and the Ferrari of Lewis Hamilton, who was 0.848secs off the pace.
The seven-time champion had two spins during the day, both times without hitting anything.
The first was in the first session, when he spun entering Hugenholtz, the second when he ran a little wide out of the tricky right-hander at Turn Nine and put his rear wheel on to the grass.
Nevertheless, Hamilton ended the day 0.096secs and two places ahead of team-mate Charles Leclerc, an encouraging start to the final part of the season after a difficult end to the first for the Briton.
Hamilton said: “Not been the worst of days. We were making progress. We were quite far off in P1, a lot further than normal. We progressed but still quite a chunk off so we have some work to do overnight.
“Pace-wise we are where we are. I don’t know how we’re going to find 0.8secs but we will try our best.”
He said of his spins: “First one was just pushing too much. Also ride quality is not where we’d want it, so the car is quite unpredictable. The second one I touched the grass and had a snap.”
Leclerc described it as “a very, very, very, very difficult Friday, probably the worst of the season” and said they were losing “90% of the time” in two corners. He did not name them, but it was the tricky two right-handers of Turns Eight and Nine.
Leclerc said it would take a “miracle” to turn the situation around.
Red Bull’s Yuki Tsunoda was seventh and Alex Albon was another to crash in the second session in the Williams, going straight on at the first corner, Tarzan, and breaking his front wing against the barriers.
Verstappen himself had an off after the end of the first session, misjudging his braking into the Tarzan hairpin that starts the lap after doing a practice start.
Mercedes driver Kimi Antonelli crashed in the first session, running off track at Turn Nine and ended the second session 12th.
A court in Bolivia has transferred a high-profile opposition leader, Luis Fernando Camacho, to house arrest amid outcry over the length of his pretrial detention.
On Wednesday, a court ruled that Camacho, the right-wing governor of the eastern department of Santa Cruz, could be returned to his home and released from preventative detention on bail, provided he submits to house arrest.
He is expected to travel on Friday back to Santa Cruz, home to Bolivia’s most populous city, also called Santa Cruz.
“The judicial authority has ordered the end of preventive detention against Governor Luis Fernando Camacho and has replaced it with precautionary measures, including house arrest,” his lawyer, Martin Camacho, confirmed on Wednesday.
The lawyer said Governor Camacho would be able to resume his political duties under the work-release terms of his bail.
A political shift in Bolivia
Camacho has been held in pretrial detention since December 2022, when he was arrested amid weeks of deadly protests led by right-wing forces frustrated with the left-wing political leadership in La Paz.
Normally, pretrial detention in Bolivia should not last longer than six months. Last week, the Supreme Court of Justice called for a review of Camacho’s incarceration, and on Tuesday, a judge considering one of the two cases against him approved his release.
After Wednesday’s hearing, a second judge echoed the first’s decision to place Camacho under house arrest instead.
“This is the first step towards freedom,” Camacho said after Tuesday’s decision. “The elected representatives of justice today begin to restore the rule of law.”
Camacho’s release comes as the political sphere in Bolivia braces for a dramatic shift. The left-wing Movement for Socialism (MAS) party has led the country for much of the last 20 years.
But in the August 17 general election, all the left-wing presidential candidates were knocked out of contention.
Two right-wing politicians have instead progressed to the run-off race: centrist Senator Rodrigo Paz and former President Jorge “Tuto” Quiroga, who has promised more radical change.
Camacho, meanwhile, has gained fame as a leader in Bolivia’s far-right Christian coalition, Creemos, which translates to “We Believe”. The Argentinian newspaper La Nacion even nicknamed him the “Bolivian Bolsonaro”, a reference to Jair Bolsonaro, a former Brazilian president currently on trial for allegedly conspiring to overturn an election.
For his part, Camacho has been held in La Paz’s Chonchocoro prison while facing “terrorism”-related charges.
Wednesday’s release to house arrest does not mean those charges have gone away.
A protester holds a sign that reads in Spanish, ’30 years in prison for the coup plotters,’ to protest Luis Fernando Camacho’s hearing on August 26 [Juan Karita/AP Photo]
The case against Camacho
Camacho still faces legal jeopardy, including the two high-profile cases that landed him behind bars.
The first concerns his actions during the 2019 political crisis that saw then-President Evo Morales flee the country.
Morales is considered to be the first president of Indigenous heritage in Bolivia’s modern history, but he had controversially sought a fourth term as president in the 2018 general election.
In the months afterwards, Camacho emerged as a prominent opposition figure, calling Morales’s victory a “fraud”.
He and other conservative leaders pressured the then-president to resign, in a campaign Morales compared to a “coup”.
Upon Morales’s departure from the country, Camacho delivered a symbolic resignation letter to the presidential palace, carrying a Bible in hand. For his role in the political crisis, Camacho faces charges of sedition and “terrorism”.
The second major case against Camacho concerns his actions during the 2022 unrest in Santa Cruz. He has been charged with criminal association and illegal use of public property.
By 2022, Morales’s former finance minister, Luis Arce, had been elected president of Bolivia, continuing the streak of MAS-led governments in La Paz.
Santa Cruz, considered Bolivia’s most prosperous economic hub and the largest by land area, had expected to see gains in the upcoming census, which would potentially translate into greater representation in the country’s legislature.
But because of disruptions from the COVID-19 pandemic, the Arce government announced the census would be delayed.
Anger over the decision spilled into Santa Cruz’s streets. The Pro Santa Cruz Civic Committee, a powerful right-wing group that Camacho had once led, carried out a strike that stretched on for nearly 36 days.
Protesters blocked roads, set fires and clashed with law enforcement. Dozens of cases of human rights abuses were reported to the government ombudsman, including sexual assault and murder. Prosecutors have accused Camacho of complicity in the turmoil.
A woman walks past police guarding the Court of Justice as former Santa Cruz Governor Luis Fernando Camacho attends his trial for alleged sedition and terrorism on August 25 [Juan Karita/AP Photo]
Split opinions over Camacho’s release
But the Supreme Court of Justice has called for a review of the cases concerning Camacho and other prominent opposition leaders, including former President Jeanine Anez and Marco Antonio Pumari.
As Quiroga campaigns for the presidency ahead of the October 17 run-off, he has championed efforts to release the imprisoned opposition figures.
On his Facebook page on Tuesday, Quiroga celebrated the news of Camacho’s impending release.
“Justice cannot be an instrument of revenge. It must be the pillar of a free and democratic Bolivia,” Quiroga wrote.
“I salute the release of Luis Fernando Camacho and Marco Pumari, so they can pursue their defence in freedom. Let’s move forward, and remember that when there’s justice, there’s hope for all.”
Supporters in Santa Cruz also gathered in the street to celebrate Camacho’s anticipated return.
But outside the court in La Paz, some protesters called for his continued incarceration. They blamed Camacho for stirring the unrest that caused at least 37 people to be killed in the 2019 political crisis.
“Without justice,” they chanted, “there is no democracy.”
As with all of Los Angeles, one word or phrase can’t characterize the San Fernando Valley, or its 1.8 million residents. When it comes to dining within its 250-plus-square miles, the golden rule germane throughout Southern California very much applies here: Look past the visual ubiquity of strip malls and chock-o-block businesses to find the beauty — the cultural specificity — just inside the sun-bleached storefronts.
I remember my first meal in the Valley. It was at Brent’s Deli in Northridge in 1997. I was visiting Los Angeles, and as we settled into one of the booths spaced in neat rows the friend who lived in the area talked about the 1994 earthquake, how it felt to her like yesterday and already the distant past. I think she took me to Brent’s because I was a vegetarian at the time.
The menu had many meatless, filling choices: cinnamon-laced noodle kugel, latkes I layered with sour cream and apple sauce, kasha varnishkes with lots of caramelized onions but with no brown gravy for me, since it contained roast beef drippings.
My second meal in the Valley was nearly 20 years and about three lifetimes later, in the middle of my run as Eater’s national critic before I moved to L.A. in 2018. The meal, at Kobee Factory in Van Nuys, also carries a memory of cinnamon, one of the sweet spices infused in the broth in which rice-stuffed lamb intestines are served.
I was far from my vegetarian days, and the delicate, boudin blanc-like qualities of the innards complemented whirls of hummus, crackling fried kibbeh and a grilled, soft-crisp variation of kibbeh favored in Syria, where owner Waha Ghreir grew up.
Dishes at Kobee Factory in Van Nuys.
(Ricardo DeAratanha / Los Angeles Times)
Both of these culinary tentpoles show up in our guide.
So does plenty of sushi, certainly along the “Sushi Row” stretch of Ventura Boulevard in Studio City but also far beyond. Stephanie Breijo has an essay in the package on Tetsuya Nakao, the silver-coiffed 62-year-old Asanebo sushi chef who has brought a new angle of fame to the restaurant with viral social media videos. Breijo observes Nakao filming on a recent Sunday: “He dusts so much edible gold over the top it looks like the [crispy-rice] ‘pizza’ passed through the glitter aisle at a craft store, a dish truly made for the eye of the algorithm.”
Thai restaurants have been shaping the Valley’s culinary landscape since the 1980s. We name four of our very favorites, including Anajak Thai, the meteor that has my vote for the Valley’s absolute best restaurant.
Breijo has another story tracing Anajak’s recent two-month closure for a summer renovation. The space will have an additional dining room, an open kitchen with new equipment (including a refurbished wok station long manned by chef-owner Justin Pichetrungsi’s father Ricky) and art made by Justin’s grandfather. It reopens this weekend; report coming soon.
Sketches of dishes, and some that came to fruition, at Anajak Thai
(Stephanie Breijo and Mariah Tauger / Los Angeles Times)
The vintage by-the-glass list at Augustine Wine Bar.
(Mariah Tauger / Los Angeles Times)
One final bonus: Vanessa Anderson (a.k.a. the Grocery Goblin) reports on Iranian spices, and other treasures of the cuisine, sold at Q Market & Produce in Lake Balboa.
And did I mention, during a heat wave, the cooling cherry soup that begins a Hungarian meal in Encino?
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Mark the dates
The Times’ Food Bowl Night Market, this year presented by Square, is taking place Oct. 10 and 11 at City Market Social House downtown. Among the participating restaurants announced so far are Holbox, Baroo, the Brothers Sushi, Oy Bar,Heritage Barbecue, Crudo e Nudo, Hummingbird Ceviche House, Rossoblu, Perilla LA, Evil Cooks and Holy Basil. VIP tickets that allow early entry always go fast. Check lafoodbowl.com for tickets and info.
Daniel Miller writes an obituary for Dan Tana, the founder of eponymous entertainment industry hangout Dan Tana’s in West Hollywood. He died on Aug. 17 at 90.
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Los Angeles has many valleys, but only one is the Valley. You know it as soon as you crest over the 101, 405, 170 or 5 freeways, its bordering hills verdant or golden depending on the time of year. Pull off almost any exit and you’ll immediately be greeted by shopping centers, strip malls, mom-and-pop markets and fine-dining dens serving up some of the city’s most ambitious and heartfelt meals.
Bounded by mountains on all sides, the San Fernando Valley spans 260 square miles and is home to nearly half of L.A.’s population, around 1.8 million people. Across its expanse, it assumes many identities.
Our favorite places to eat and drink in the 818. From high-end sushi to burger shacks, tiki bars, dives and more.
Long before its peaks and basins were crisscrossed with highways and miles-long boulevards, the Tongva people lived along the water-rich and wooded areas of the Valley for more than 7,000 years. In the late 18th century, Spanish settlers by way of Mexico traversed over the Santa Monica Mountains into what is now known as Encino.
More than a century ago, the citrus orchards began to give way as Warner Bros., Walt Disney and Universal studios built out their filming lots. A tinge of Tinseltown and tourism followed, while room to grow brought a midcentury housing boom to the region. Themed restaurants and tiki haunts popped up to keep diners entertained. Now, it’s difficult to find a Valley establishment that hasn’t made a TV or film appearance.
As Valley dwellers began settling in — immigrants, suburban families, celebrities — its food scene flourished in step.
On Ventura Boulevard in Sherman Oaks, you’ll find Casa Vega, its dim interior practically untouched since Rafael “Ray” Vega first founded it in 1956. The son of Tijuana-born immigrants who ran popular Cafe Caliente on Olvera Street beginning in the 1930s, Vega introduced many Valley diners — including a flock of silver screen regulars — to Mexican-American staples such as fajitas and enchiladas.
Farther south in Studio City, take your pick from a parade of Japanese restaurants along Sushi Row. The stretch of Ventura Boulevard became a hub for high-end Japanese cuisine after pioneering chef Kazunori Nozawa opened his Edo-style sushi restaurant Nozawa in 1987. Though that location has since closed, Nozawa has spawned a global restaurant empire with his KazuNori, Nozawa Bar and Sugarfish chains.
Pull off the main drag and you’ll find hidden gem burger shacks, taquerias, hot dog joints, kebab shops and neighborhood delis. Meanwhile, Valley residents are spearheading new concepts.
“We’re born and bred Valley kids, so we had to do it in the Valley,” said Marissa Shammas on opening Yala Coffee, a Middle Eastern-inspired cafe, with her husband Zain Shammas in Studio City. “[People] commonly think [the Valley] is where things go to die — and we think that that’s where things go to be more.”
There’s more to discover than ever when it comes to dining in the 818 (or 747). Eight Times food writers spent months exploring the Valley in search of the best for this guide, reconnecting with old favorites and finding new surprises.
For me, it was also an exercise in nostalgia. Old shortcuts returned like muscle memory as I reacquainted myself with the Woodland Hills blocks where I navigated young adulthood. In North Hollywood, my home for several years into my early 30s, former standbys suddenly returned to the forefront of my mind: The tiki bar across the street from my old apartment, a hole-in-the-wall Puerto Rican restaurant where salsa music draws you in, a vibrant Jamaican bistro that now sits in Sherman Oaks. I found myself wishing I could linger in the Valley longer.
Here are our favorites, spanning Filipino-Mexican fusion in a Northridge car wash-turned-restaurant, a DMV-adjacent street-stand for lamb barbacoa in Arleta and a fast-growing mini chain of Sephardic pastries. It’s time to dig into the Valley. — Danielle Dorsey
Long before the sun goes down, this downtown San Fernando wine bar-coffee shop — where the community is so tight-knit it’s hard to tell who’s an employee — is already putting on a show. Catch Bodevi Wine & Espresso Bar on one of its vinyl nights to find a DJ table with a rainbow-colored disco ball, where ’80s records blast from a speaker and customers dance in the middle of the room. Earlier in the day, however, you wouldn’t expect such a joyous transformation — laptops are usually out at tables and bar seating, next to cold brews, matcha lattes and maybe an avocado toast or burrata pistachio sandwich.
One of the best parts of Bodevi is the space itself, decorated with colorful wall decor, leather chairs and houseplants. Owned by husband-and-wife duo Joeleen and Miguel Medina, who also own Truman House Tavern next door, Bodevi has a boho-chic aesthetic that matches both its daytime coffee shop crowd and its eccentric evenings, when customers often drift to the back room for board games, beer and wine in hand.
Whether you go for a DJ set or a journaling session (check Instagram for upcoming events), accompany your evening with charcuterie. Bodevi offers two options: one charcuterie board and a smaller personal plate. It also has $18 wine flights — for the most variety, opt for the Studio 54, which comes with a light South African Champagne, a Portuguese white, a bright rosé and a 2021 Pinot Noir.
Hi, and welcome to another edition of Dodgers Dugout. My name is Houston Mitchell. Doesn’t it feel like Chris Taylor and Austin Barnes were released last season? No, that was this season.
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Ask Jaime Jarrín
We received many questions for Jaime Jarrín, who was kind enough to take time out of his day to answer some of those questions. Deputy sports editor Ed Guzman conducted the interview by phone. Because Jarrín was the longtime Spanish-language broadcaster for the Dodgers, it seemed appropriate for a couple of the questions and answers to be in Spanish. In the case of multiple people asking the same questions, the person who asked the question first gets credit for the question. Questions without a name were asked by Guzman.
From Virgilio Del Rio: How did you prepare to become a sports broadcaster?
Jarrín: Well, before becoming a sports broadcaster, I was a newsman. I used to write news, I edited news, that was my experience. Sportscasting, I learned that when I came to this country. But back home, for four years, I was a newsman writing news, editorials and things like that.
(Follow-up question from Guzman): Once you were a broadcaster here in the States, did you ever want to broadcast games in English or were you always just focused on doing it in Spanish?
Jarrín: I always wanted to do it only in Spanish. I never really wanted to go into English-language because I thought that it was my duty to do this in Spanish. So I’m very proud to have done it all in Spanish.
From Jerry Smith of Los Angeles: You called the “Thrilla in Manila” between Muhammad Ali and Joe Frazier. What was that like?
Jarrín: It is my greatest experience doing sports because the atmosphere in Manila was unbelievable. I was there for I think it was two days before the fight and it was like a carnival there. Muhammad Ali was walking the streets around the arena, you know, promoting the fight and signing many things. And he was a great, great promoter. So it was unbelievable. And the day of the fight, it was so hot, so rainy, and the fight was held at 10 o’clock in the morning (to accommodate the international viewing audience). It was really a great, great experience.
From Alex Andrade of Paramount: How difficult or easy is it to switch from calling boxing versus calling a baseball game?
Jarrín: Well, it’s totally different. In boxing, I was the blow-by-blow announcer. So I didn’t have time to do commentary. Besides, I had a commentator with me, Mr. Cuco Conde, who was a very famous boxing promoter in Cuba.
So in my case, I just narrate the fight. In boxing, you have to follow the action through the blows that are thrown by the fighters. In baseball, you have time to describe what’s going on, you have time for anecdotes, important dates and things like that.
From Mark Layne: Do you have a favorite story about Vin Scully?
Jarrín: I was very fortunate. It was a privilege to spend so much time with him because on the road we were always together, having lunch together, then dinner at the ballpark. Same thing here in Los Angeles. We always had dinner together before the games. And to see how nice he was with everybody; he never refused to shake hands with anybody; he never refused to take a picture with anybody. He was very, very special. As a baseball announcer, as a sports announcer, he was the best of the best of all time. But as a human being, he was exceptionally beautiful.
Something very special I have to mention is the fact that when my wife passed away six years ago, he was the first one to call me and he talked to me for about 20 minutes. It was the most beautiful call I ever received.
The way that he talked about my wife, about our friendship, the way that he handled the language, his intonation, his delivery on the phone. It was really, really something very, very unique that I will never, never forget. Very touching.
Very touching.
From Paul Aist of Ventura: In your opinion, did Tommy Lasorda shorten Fernando Valenzuela’s career by overusing him?
Jarrín: In a way, probably, but it was because Fernando wanted to stay in the games. He used to tell me, “Jaime, when I start something, I like to finish that. And when I start a game, I want to finish that.” So I’m sure that Lasorda wanted to take him out earlier in many games, but he insisted on staying on.
The Baseball Hall of Fame induction ceremony is later this month for the newest class. What do you remember about your induction into the Hall of Fame in 1998?
Jarrín: I remember very well the phone call that I received from the head of the Hall of Fame in Cooperstown. Around 8 o’clock in the morning, I got a telephone call. They told me, ‘Please, Jaime, be around a telephone because probably you are going to be inducted into the Hall of Fame.’ And the telephone rang at around 9:30 in the morning. And it was the head of Cooperstown. And he said, ‘Jaime, it’s my pleasure to let you know that you have been selected to be inducted into the Hall of Fame this year along with Don Sutton and Larry Doby.’ You can imagine how excited I was.
My wife, Blanca, was standing there next to me near the phone. And she saw my face, my reaction, and she started crying. And that was really something very, very special, something that is in my heart for the rest of my life. It was very emotional. It was very, very incredible.
And then the ceremony in Cooperstown is something very unique, very special. I would say that before the ceremony, they put you with all the Hall of Famers in a room. And there were about, I would say, 25, 28-30 Hall of Famers. And to be there among them, it was, to me, like being in heaven. I couldn’t believe that I would be there next to Henry Aaron, next to Willie Mays and Sandy Koufax and Tom Seaver and all those Hall of Famers. It was something special, and that changed my life. Because before that, I was one of the many, many announcers doing baseball. But after the Hall of Fame, owners of the different ballclubs, GMs and people like that, they would look for me to take a picture, to shake my hand, to introduce themselves. So really, it was a turning point. Fantastic.
How much do you watch this year’s team?
Well, I follow every single game on TV. When I go to the ballpark, I go to the field, I go to the clubhouse, I say hello to the ballplayers. Then I go to the press box because I like to see the writers because they were so nice with me, English or Spanish. They wrote beautiful things about me, about my career. I like to see the employees at the press box. Then I stay for three, four or five innings and come home. So it’s perfect. The perfect combination. But I follow the team through TV when I am not at the ballpark, yes.
¿Qué opina usted sobre el pitcheo del equipo de esta temporada?
El pitcheo deja mucho que desear debido a las lesiones. Los Dodgers durante el invierno fueron en busca de verdaderos ases del montículo y lograron contratar a varios de ellos. Pero dos de ellos han estado lesionados todo el tiempo y eso ha desbalanceado completamente el desempeño del equipo de lanzadores.
Debido a las lesiones, también hemos tenido prácticamente cada juego en que los abridores únicamente lanzan tres o cuatro innings, máximo. Y eso ha minado mucho la fortaleza del bullpen. Y el bullpen se ha visto dismal en verdad, en lo que a potencia se debe debido al uso cotidiano prácticamente de todos los días.
Espero que en este descanso los Dodgers logren consolidar el excelente elenco de lanzadores que necesitan para poder llegar y ganar la Serie Mundial.
Hemos escuchado el cuadrangular de Kirk Gibson en la Serie Mundial en la transmisión de Vin Scully, y también en el relato de Jack Buck. Pero uno no puede encontrar el relato de ese jonrón de usted o de René Cárdenas. ¿Por qué no hay modo de escuchar ese relato?
La simple respuesta: porque en aquel entonces, lamentablemente, la estación de radio y los mismos Dodgers no se preocuparon en guardar las transmisiones. No tenemos ninguna, ninguna grabación de ninguno de los juegos de los Dodgers hasta hace pocos años. Es un misterio, en verdad. KWKW y KTNQ, las dos emisoras que estuvieron con los Dodgers en esos años, no se preocuparon en mantener grabaciones de eso. Y por eso es que no existe absolutamente nada en lo que respecta a nuestras transmisiones. Es una lástima, en verdad, pero es la realidad.
From Bruce Campbell of Los Angeles: Your wife, Blanca, died in 2019. What would you want people to know about her?
Well, you know, it was such a heavy blow to myself and my family, my two sons, Jorge and Mauricio. What can I tell you? She was such a beautiful person. She was so supportive of me. All the accolades that I have gained is thanks to her because she was behind me all the time. She never complained about my being absent because I used to travel with the Dodgers and sometimes, road trips took 16 days, 19 days. And she was so generous with people and everything.
The Jaime and Blanca Jarrin Foundation has expressed a desire to uplift underserved students by awarding scholarships to those pursuing careers specifically in law and journalism. Why those two areas?
Jaime: Jorge can answer that because he is on top of everything. He can express very well the goals of the foundation. I was very pleased when Jorge and Mauricio, along with my three grandsons, joined forces to create a foundation in order to preserve the image and the name of my wife, Blanca, who was a very generous person. So I was delighted when they told me about the project. And now, I just try to help my family as much as possible. Jorge and the rest of the family work very hard in trying to create the funds that we need for the scholarships.
Jorge Jarrín, Jaime’s son, who sat in on the interview: That’s easy, actually. You know, when we started this foundation in honor of my mom, in the back of my mind, I also knew the importance, as my father was nearing the twilight of his career, looking for a way to maintain and uphold the legacy that he has created as an immigrant coming to this country. You know, he knows the trepidation and the fear that comes naturally to an immigrant coming to a nation where he doesn’t necessarily really speak the language, doesn’t really know a lot of people, is looking to establish roots so that he can, in turn, he or she, in turn, can bring their family so that they can create a better life. So, that’s that legacy.
And when my mom passed away, I thought, this is the way to do that. Speaking selfishly for a moment, this is a way to accomplish two things. To honor the memory of my mom who created such an environment for us growing up that we never felt neglected. We never felt that we missed out on anything because my father was gone all the time. And there was no guilt. There was nothing negative along that line.
And so, knowing that my father, at this point, had been speaking to Latino homes for 60-plus years, I know how people react when they see my father for the first time, when they talk to him, when they have a chance to meet him in person. Because he represents, for many, their childhood growing up, their relationships with their parents, their grandparents, aunts and uncles. He gave them that commonality of which they can talk about together.
So, knowing that impact that he has on people, we thought it’s one thing to give scholarships. But for a lot of Latinos, to get a scholarship from Jaime Jarrin is even more special. We call them the Jarrín Scholars.
And the reason we did journalism, to get back to your original question, journalism and law, two reasons: The journalism honoring the career that my father chose to create, the path that he took. And the law, because we have been fortunate in addition to the Los Angeles Dodgers to have a long and steady career as a spokesperson for Los Defensores. Los Defensores is an organization, it is a cooperative legal marketing firm that represents a network of Spanish-speaking attorneys who are there to help people, Latinos, who don’t know the language well, who are intimidated, who may be undocumented.
But there are certain rights that they’re entitled to under the law, under the Constitution. And we try to empower Latinos to speak up for themselves, to not be afraid, to not be intimidated. So my father has had a 40-year career of being the voice of Los Defensores, too. So it only made sense that because of our association with Los Defensores that we also single out law because overall, we’re seeking to help those who are eventually going to be making decisions that affect us as a community and as a society. We want to empower them, we want to help them to be the best that they can be. Unfortunately, you look at for example the state of California, 49% of which are Latinos, and yet less than 3% Latinos pass the bar examination to become attorneys.
Less than 6% of the attorneys in the United States are Latinos. Yet it doesn’t reflect the numbers of our community in terms of its makeup of demographics, so there’s something not right here. And we’re trying to get those in a four-year college the help that they need, not only financially but because I’ve had students say to me: you saw me, you recognized me, and you’re willing to invest in my future. Because that’s what it is, it’s an investment and it’s a validation that we see them, we recognize them, we want to support them. That’s it in a nutshell.
—Thank you to Jaime Jarrín for taking time from their day to answer reader questions. The Jaime and Blanca Jarrín Foundation are having “Wine Night at the Ravine,” at the centerfield plaza in Dodger Stadium on Aug. 19. For more information and tickets, click here.
Next time
We’ll talk about Mookie Betts and the Dodgers continuing to scuffle (if they still are). Betts was benched Saturday to get a mental reset, then was moved to the leadoff spot Sunday, with Shohei Ohtani moving to the two spot. It has been a tough stretch. They score six runs, the opponent scores seven. But if they hold the opponent to two runs, the Dodgers score just once. When they hit well they don’t pitch, when they pitch well they don’t hit. And they don’t field well most of the time. Freddie Freeman was hit on the wrist by a pitch Sunday and had to leave the game. X-rays were negative, according to the Dodgers, but a wrist injury isn’t good for hitters.
Luckily for them, the Giants are playing worse, and the Padres are playing just OK.
Have a comment or something you’d like to see in a future Dodgers newsletter? Email me at [email protected], and follow me on Twitter at @latimeshouston. To get this newsletter in your inbox, click here.
Nine months after his death, Fernando Valenzuela stands immortalized in a new mural on the loge‑level wall at Dodger Stadium — a vibrant fusion of art and legacy unveiled Saturday.
Painted by Mexican American artist Robert Vargas, the mural shows Valenzuela tipping his cap to the sky in a Dodgers Mexican‑heritage jersey — featuring a green sleeve, red sleeve, white center — alongside two striking images of Valenzuela in his pitching stance. Vargas said the mural is meant to symbolize unity within the Latino community.
“I felt it very important to show that the Latino community has a place within these walls and has had a place within these walls,” Vargas said.
He wanted to reflect Valenzuela’s spirit that still lives in the hearts of many fans and feature the man behind the player.
For 34.
Prior to tonight’s game, the Dodgers unveiled a mural dedicated to Fernando Valenzuela in the Left Field Loge Terrace. His family and former teammates also joined the unveiling. pic.twitter.com/Kn4W1yze9L
“What he did in the community, is what resonates so much more for me than just the player — but the man, the person that he was,” Vargas said.
Valenzuela played for the Dodgers from 1980 to 1990. He grew up in Etchohuaquila, a small town in Mexico, and took Major League Baseball by storm in 1981, earning rookie of the year and Cy Young honors. Latino fans who previously felt little connection to the Dodgers were thrilled to see one of their own winning, sparking Fernandomania. Valenzuela wore No. 34 and it remains a popular jersey worn by fans at Dodger Stadium.
Claudio Campo choked up as he gazed at the tribute. Traveling from Phoenix with his son to celebrate the boy’s 11th birthday, Campo shared memories of a player whose greatness felt deeply personal. Valenzuela’s nickname, “El Toro,” are inked on Campo’s left arm.
“He was a staple for the people that didn’t have anything and then where he came from showed that anything is possible if you go ahead and revive what you are,” Claudio said.
Fans holding Valenzuela bobbleheads given away by the Dodgers took their pictures in front of the new mural Saturday night.
Longtime fan Dulce Gonzalez held back emotion as she showed off her shirt with the name “Valenzuela” written across it, describing the reason she started watching baseball.
“He was the first Latino player I could truly connect with and be proud of,” she said.
For Gonzalez, Valenzuela’s story resonated because he came from the same roots, offering representation she had longed for.
“We are a melting pot of races here, people love baseball from all races, but because I am Latina, I feel a little bit more connected,” she said.
Her son, Nicolas, dressed in a red and green Dodgers Mexican-heritage jersey, said Valenzuela helped heal some wounds after Mexican American families were displaced from their homes in Chavez Ravine shortly before Dodger Stadium was built on the same land.
“He really opened the city up to the Dodgers after a long difficult entry and he really represented triumph over adversity,” Nicolas said.
Ed Intagliata leaned his body against the cash register as he greeted customers with a heartfelt goodbye hug. After nearly 78 years of business, his beloved music shop is closing in light of his retirement.
All that remains of Cassell’s Music are empty shelves, scattered boxes and unsold instruments — a quiet ending for what was once a lively hub for music lovers and aspiring musicians.
Eric Knight, 29, reminisced about his childhood years spent inside Cassell’s.
“My dad came in, he bought me a bass and a little amp to go with it and set me up with some lessons back here,” Knight said. “As I got older, I started making some friends that played music and we all got together, drove down here and spent about two hours in that back room, three or four teenagers piled into that tiny room. If we ever did that in Guitar Center, we would be kicked out. But Ed would pop his head in, listen and get back to work. He made everyone feel welcomed and invited.”
Cassell’s in San Fernando has been a beloved fixture within its community for decades, with customers noting owner Ed Intagliata’s welcoming presence.
(Carlin Stiehl / Los Angeles Times)
Intagliata, now 71, became the shop’s owner after he graduated from Cal State Fullerton with a degree in music. At the time, Intagliata worked in the complaint department at Sears.
“The success of the store was on my shoulders as a 24-year-old kid,” Intagliata said. “I made some mistakes, but I grew from it. My father taught me some very savvy business advice, which I’ve governed the store by for 48 years and it’s been a good run. We’ve weathered all the recessions and things like that.”
His father, an aerospace engineer at the time, bought the store from its founder, Albert Cassell, in 1978 after seeing an ad for it in the Los Angeles Times. His father, Intagliata said, employed his siblings to fund their college education.
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“My brother Robert was a marketing major at Cal State Northridge. He started implementing a lot of ideas he was learning in his marketing class,” Intagliata said. “And one of the things we did was we donated a guitar and some lessons as a giveaway to somebody at Dodger Stadium at every last Dodgers home game.”
His brother John repaired band instruments for about 12 years, Intagliata said. His next brother, Paul, taught trumpet lessons to a student who eventually went on tour with Green Day. Intagliata said his sister, the baby of the family, obtained an engineering degree from Cal State Northridge and taught piano at Cassell’s for about eight years.
“A lot of students still remember her,” he said. “They come in and ask, ‘What’s your sister doing? I took piano lessons from her 30 years ago.’ ”
“I didn’t realize how deep the impact and influence the store had on people’s lives around here, getting them started on music,” Intagliata said. “Just how it’s kind of a nice place to hang out and be creative with.”
(Carlin Stiehl / Los Angeles Times)
Mornings come in early for Intagliata, much to his dismay. He commutes regularly from his home in Santa Clarita to his shop, nestled in San Fernando on Maclay Avenue in front of a Fosters Freeze, Valley relic. Originally from Connecticut, Intagliata’s family moved to California in 1960, setting root in Palos Verdes — where his mother still lives today.
“I hated the peacocks,” he said. “They’re a mess.”
Originally located in the San Fernando Mall, Cassell’s has been around since 1948. The shop sold teenage rock star Ritchie Valens his first guitar, a sleek Gibson ES-225 electric, in 1958.
People from around the world visited Cassell’s after it was featured in “Wayne’s World,” which starred famous actors such as Mike Myers and Dana Carvey.
(Carlin Stiehl/Los Angeles Times)
Intagliata’s father put down a down payment and purchased the store’s orignal name for about $5,000 in 1978. Ed Intagliata paid about $173,000 in a span of five years, he said. And six years after purchasing it, he moved Cassell’s to its current location on Memorial Day 1984. The location used to be an electronics store that sold CB radios and TV antennas, Intagliata said.
“I remember in the early to mid-80s, before they moved out to Maclay, they were in the heart of San Fernando Mall and I was in elementary, buying cassettes,” said Rago Mier, 52-year-old San Fernando resident. “It’s just heartbreaking for me that this store is no longer going to be here. I’m gonna miss it.”
Intagliata said Cassell’s used to be a record store at one point. He kept one of the original plastic sleeves with the shop’s logo.
At one point, Cassell’s sold records, with one that is still kept at the store pictured here.
(Carlin Stiehl/Los Angeles Times)
“It was one of those things where you can come in, put on your headphones and listen to the latest thing,” he said. “We would put these sleeves on all the LPs.”
Intagliata personalized almost every corner of his store: buying luau decor from Party City to feature his assortment of ukuleles, frames of signed celebrity headshots and a prized possession: the white 1964 Fender Stratocaster electric guitar featured in the 1992 film “Wayne’s World.”
In the movie, Wayne’s character played by actor Mike Meyers makes repeated visits to the shop just to gaze at the fender guitar. Posters of the song “No Stairway to Heaven,” are scattered all around the shop. Intagliata said he had no idea how big the movie would be.
“They had a location scout come in one day and he was just asking, ‘Hey, we are looking for a music store to film a movie of a “Saturday Night Live” sketch,’ and I didn’t see him for many months,” Intagliata said. “He came back in again and said they liked my store, and apparently went to like seven or eight states looking for a music store that would fit what they were looking for.”
On display at Cassell’s Music is a “Wayne’s World” guitar signed by Mike Myers and Dana Carvey, after a scene from the movie was filmed at the store.
(Carlin Stiehl / Los Angeles Times)
Intagliata said “Wayne’s World” put Cassell’s on the map after film crews decided to keep the store’s name in the movie. Visitors from all over the world came to see the guitar on display, one New Zealand fan even asking him for the case dimension to make a replica at home, Intagliata said.
“People come here and feel like the actors can come out any minute,” he said. “It gives them a real sense of excitement.”
The guitar will be featured in a shrine alongside the car used in “Wayne’s World” at a father-and-son museum in Canada, Intagliata said.
“I’m just finding out that I didn’t realize how deep the impact and influence the store had on people’s lives around here, getting them started on music,” he said. “Just how it’s kind of a nice place to hang out and be creative with.”
Intagliata recently revived an old T-shirt design from 1978 he found in his father’s closet. The shirts sold like hotcakes the same day the shipment was delivered. All Intagliata has from those days, besides a few shirts and the memories, is the first guitar he ever sold: an auditorium guitar, hung up in a corner of his store.
“I think I’m going to keep it,” he said as he stared at it. “They want me to sell it, but I’m going to keep it.”
Intagliata’s plan is to visit Italy next year. He has been eyeing the Amalfi Coast after he saw a picture of the Ravello Music Festival stage.
“Isn’t that something?” he said, admiring his computer screen. “I sing in a classical choir up in Santa Clarita. This is my genre, not rock ‘n’ roll. It’s this.”
Intagliata toyed with the idea of retirement a few years prior. After successfully selling his store via an online listing, Intagliata went on Facebook to make the announcement.
“I want to be able to travel while I still have relatively good health because I’m getting up there in age. I know I don’t look it,” Intagliata said, jokingly.
Cassell’s Music will be open until July 21. My Valley Pass, an online visitor’s guide to the San Fernando Valley, will be screening “Wayne’s World” at Cassell’s on July 10 starting at 5:30 p.m. Tickets are $35 per person and can be purchased online.
Intagliata took over the store’s ownership from his father after graduating college, and looking back on his 48-year tenure, he says, “It’s been a good run.”
SAN DIEGO — Fernando Tatis Jr. hit a two-run 430-foot walk-off homer to centerfield to give the San Diego Padres a comeback 6-4 victory over the Angels on Tuesday night.
Tatis dropped the bat emphatically and watched the ball fly after he connected on a cutter against Angels closer Kenley Jansen (0-2), who took the loss.
Padres reliever Jason Adam (4-0) earned the win with a scoreless ninth.
Matthew Lugo hit a pinch-hit two-run homer in the seventh to give the Angels a 4-2 lead. Lugo’s homer followed an RBI double in the seventh by Jo Adell, igniting a three-run rally after the Angels had two outs and no baserunners.
Angels starter José Soriano gave up two unearned runs and four hits in seven innings.
Padres starter Dylan Cease pitched 6 2/3 innings, giving up two runs and five hits while striking out 10.
The Padres ended their two-game losing streak and finally beat the Angels, who had won their last four games over San Diego dating back to last season.
Key moment
With the score tied 4-4 in the ninth, Elias Díaz earned a full count walk to lead off the inning against Jansen. Tatis followed with his walk-off homer.
Key stat
Padres hot-hitting Jackson Merrill came into the game with six straight multihit games and hits in 14 of his last 15 games. Merrill was 0 for 4 Tuesday, including two deep flyouts to the wall. Tatis has hit safely in 23 of his last 26 games.
Up next
The Angels’ Randy Vásquez (2-3, 3.76 ERA) starts Wednesday night in the finale of the three-game series. Kyle Hendricks (1-4, 5.30) will be on the mound for the Padres.