CBS

“CBS Saturday Morning” co-hosts Michelle Miller and Dana Jacobson are among the nearly 100 news division employees cut as part of a massive round of layoffs at parent company Paramount.

The program is getting a new format that will align it closer to the weekday show “CBS Mornings,” according to people familiar with the plans who were not authorized to comment publicly. Brian Applegate, the executive producer of the Saturday program, is out as well.

CBS has also canceled “CBS Mornings Plus,” an extension of its morning program that ran in several markets including Los Angeles. “CBS Evening News Plus,” a streaming program anchored by John Dickerson is also being shuttered. Dickerson announced Monday he is leaving the network.

Several correspondents have already been laid off, including Debora Patta, who covered the Gaza war for the network; Janet Shamlian; and Nikki Battiste. A CBS News representative declined comment.

The cuts are part of parent company Paramount’s reduction of 1,000 employees across all of its divisions. New owners Skydance Media are looking to reduce cots by $2 billion across the company, with a second round of cuts expected later this year.

Miller was a prolific correspondent for CBS News in addition to her Saturday co-host duties, contributing pieces to “CBS Sunday Morning” and “48 Hours.” She also was a frequent fill-in for Gayle King on the weekday morning program.

Miller, 52, is a Los Angeles native and the daughter of Dr. Ross Miller, a trauma surgeon who served on the city council in Compton. She worked at the Los Angeles Times in the early 1990s.

Miller covered a wide range of stories at CBS News, and paid special attention to issues or racism and social injustice. She is married to Marc Morial, the former mayor of New Orleans who is currently head of the National Urban League.

Jacobson, 52 has been with CBS News since 2015. She previously spent a decade at ESPN, where she appeared on “First Take” and “SportsCenter.”

Miller and Jacobson have served as co-hosts of “CBS Saturday Morning” since 2018 when it was called “CBS This Morning Saturday.”

John Dickerson, co-anchor of “CBS Evening News,” said Monday he will exit the network at the end of the year.

Dickerson will be the first major talent departure since the arrival of Bari Weiss as editor-in-chief of CBS News last month.

The veteran political journalist who joined CBS News in 2009 gave no reason for leaving in an Instagram post announcing his decision.

“I am extremely grateful for all that CBS News gave me – the work, the audience’s attention and the honor of being a part of the network’s history – and I am grateful for my dear colleagues who’ve made me a better journalist and a better human being and I will miss you,” Dickerson wrote.

Dickerson became co-anchor of “CBS Evening News” in January alongside Maurice DuBois, succeeding Norah O’Donnell. The duo were part of a revamp of the program, which put an emphasis on more in-depth stories.

The format change failed to attract new viewers as it remains in third place behind “ABC World News Tonight with David Muir” and “NBC Nightly News with Tom Llamas.”

There had been talk of significant changes coming to the newscast before Weiss signed on for a senior role at the division.

Weiss has reportedly expressed interest in bringing Fox News anchor Bret Baier to CBS, but his current employer has him under contract through 2028. Baier anchors “Special Report,” a nightly newscast that like many Fox News programs is closely followed by President Trump.

Anderson Cooper, whose contract will soon be up at CNN, has also been mentioned internally as an evening news anchor candidate.

“CBS Evening News” co-anchors Maurice DuBois and John Dickerson.

(Gail Schulman/CBS News)

The changes to “CBS Evening News” were initiated by former “60 Minutes” executive producer Bill Owens, who was pushed out of the company amid the controversy over a 2024 interview with former vice president Kamala Harris.

Trump sued the network over the interview which he said was deceptively edited to help her presidential campaign. Although the case labeled as frivolous by 1st Amendment experts, Paramount settled the suit for $16 million to clear the regulatory path for its merger with Skydance Media.

A former writer for Time magazine, Dickerson came to CBS News as a contributor before taking on a variety of roles in the division. He was anchor of the Washington-based public affairs program “Face the Nation.” He moved to New York to join “CBS This Morning” after the network fired Charlie Rose over sexual harassment allegations in 2017.

Dickerson anchored a nightly prime time newscast on CBS News Streaming before being tapped for “CBS Evening News.” He could not be immediately reached for comment.

Paramount has acquired The Free Press, a four-year-old digital news platform, and will make its co-founder Bari Weiss editor-in-chief of CBS News, the company announced Monday.

The official announcement came after months of speculation on the deal and Weiss’ high profile role within the news division. Weiss, 41, will report to Paramount Chief Executive David Ellison, who personally courted the former New York Times journalist.

“We are thrilled to welcome Bari and The Free Press to Paramount and CBS News. Bari is a proven champion of independent, principled journalism, and I am confident her entrepreneurial drive and editorial vision will invigorate CBS News,” Ellison said in a statement. “This move is part of Paramount’s bigger vision to modernize content and the way it connects — directly and passionately — to audiences around the world.”

Paramount said Weiss will “shape editorial policies, champion core values across platforms and lead innovation in how the organization reports and delivers the news.”

The union of The Free Press and CBS News will be one of the most closely watched lab experiments in the modern media era. Weiss has no experience in television or running an editorial operation on the scale of CBS News, which has more than 1,000 employees.

Paramount is paying around $150 million in cash and stock for The Free Press, a feisty, upstart operation that generated attention through opinion pieces and podcasts with a strong point of view. Its favorite targets are the excesses of progressive left and purveyors of so-called “woke” policies.

CBS News is a traditional mass appeal network TV operation with a proud legacy of journalistic excellence and the home of popular franchises “60 Minutes” and “CBS Sunday Morning.” But the division has struggled to deal with the shifts in audience habits brought about by streaming video and social media.

Weiss is a provocateur who famously resigned from her high profile role in the opinion section of the New York Times in 2020, citing bullying by her colleagues and a hostile work environment as the reasons.

Weiss acknowledged the division’s legacy in a note sent to CBS News staffers after her appointment was announced.

“Growing up, CBS was a deep family tradition,” Weiss said. “Whenever i hear the tick, tick, tick or that trumpet fanfare, it sends me right back to our den in Pittsburgh. The opportunity to build on that legacy — and to renew it in an era that so desperately needs it — is an extraordinary privilege.”

Weiss also ascends at a time when Trump has threatened news operations with lawsuits and regulatory action, such as pulling station TV licenses over what he believes is unfair criticism of him and his administration. Paramount agreed to pay $16 million to settle a Trump lawsuit making the dubious claim that a “60 Minutes” interview with Kamala Harris was deceptively edited to aid her 2024 presidential election campaign against him.

CBS News has never had an executive with the title editor-in-chief before naming Weiss to the role. It still has a president — Tom Cibrowski — a former ABC News executive hired earlier this year who will remain in his role and continue to report to to Paramount TV Media President George Cheeks.

In her note, Weiss told her staffers her goal in the coming weeks is to learn “what’s working and what isn’t, and your thoughts on how we can make CBS News the most trusted news organization in America and the world. I’ll approach it the way any reporter would — with an open mind, a fresh notebook, and an urgent deadline.”

The Free Press, which has around 170,000 paid subscribers, will continue as its own independent brand, with its own podcasts and live events business.

CBS News will learn a lot about its future next week when Bari Weiss, founder of the upstart news site the Free Press, is expected to enter the hallowed halls where Walter Cronkite and Mike Wallace once roamed.

Weiss, 41, is joining CBS News in a new role of editor in chief, according to people familiar with the discussions who were not authorized to comment publicly. The appointment could be announced as soon as Monday.

David Ellison, 42, chairman and chief executive of CBS-owner Paramount, approached Weiss months ago, part of his campaign to shake things up. She will report to Ellison and work alongside CBS News President Tom Cibrowski, who joined the network in February.

Under the deal, Paramount has agreed to buy Weiss’ four-year-old digital media business, which offers newsletters, reported pieces, podcasts, and what it calls “sense-making columns,” for around $150 million in cash and stock. For months, her anticipated arrival at CBS News, an aging pillar of the press establishment, has been a hot topic in the news business.

The rapid rise of Weiss — a former newspaper opinion page staff editor — to a major role in shaping the coverage of a TV news organization with no previous experience in the medium is an extraordinary move that is likely to be highly scrutinized.

Will she remold the news division — which has been beset by management turnover and sustained pressure from President Trump — in her image? There will also be questions as to whether the founder of a relatively lean digital operation such as the Free Press will have a leadership role at a legacy TV news organization with more than 1,000 employees.

A shake-up is clearly on the agenda of new Paramount owner Skydance Media. When the company went through regulatory approval to complete its $8-billion merger, Federal Communications Chairman Brendan Carr said he welcomes Skydance’’s “commitment to make significant changes to the once storied CBS broadcast network.”

In order to clear a path for the deal, Paramount paid $16 million to settle Trump’s $20-billion lawsuit — deemed by legal experts to be spurious — over an interview he claimed was edited to help then-Vice President Kamala Harris, his opponent in the 2024 election. He has left the network alone ever since.

Skydance and the Free Press did not comment on the expected appointment of Weiss. When asked in August about her joining the network, Ellison — son of Oracle co-founder and Trump ally Larry Ellison — focused on how he wants the news division to speak to what he views as the 70% of Americans who consider themselves center left or center right politically.

In a crowded sea of political and cultural pundits, Weiss found her own lane as a gay Jewish woman who attacked what she called the excesses of the political left, often saying it was intolerant of opposing viewpoints. She called herself “a diversity hire” at the New York Times’ reliably liberal opinion section and gained a following through her appearances on HBO’s “Real Time With Bill Maher.”

When she quit the New York Times in 2020, she accused her former employer of failing to protect her from internal criticism by her colleagues. Her public resignation letter was shared on social media by Donald Trump Jr. and Sen. Ted Cruz (R-Texas), who used it to advance their case of institutional liberal bias in the media.

Described as a confident and skilled communicator, Weiss used her notoriety to attract investors for the Free Press, a digital media business offering newsletters, reported stories, opinion pieces and podcasts. Launched in 2021, it now ranks as the No. 1 best-selling politics platform on Substack.

The Free Press has made itself heard in the national conversation. A treatise on the left-wing leanings of NPR, written by a longtime editor at the radio service, generated massive attention and likely helped set the stage for eliminating federal funding to public media.

Last year, the Free Press also broke the story over the internal CBS News controversy surrounding “CBS Mornings” co-host Tony Dokoupil‘s aggressive questioning of author Ta-Nehisi Coates, who compared Israel’s treatment of Palestinians in the West Bank to the Jim Crow era of segregation in the U.S.

Dokoupil said Coates’ book on the Israeli-Palestinian conflict “would not be out of place in the backpack of an extremist.” After some staffers complained, Dokoupil was admonished by CBS News leadership on an editorial call that the Free Press posted online.

Weiss is extremely popular among corporate executives disdainful of high taxes and big government. Finance and private equity executives rave about Free Press missives against purportedly “woke” attitudes and DEI initiatives that they believe have made it more difficult to do business.

Weiss has become a celebrity as well, attending the wedding of Amazon founder Jeff Bezos and Lauren Sanchez in Italy. She was the star attraction at the annual gathering of media moguls in Sun Valley, Idaho.

Newsrooms are typically suspicious of outsiders and change has never come easy at CBS News, which has a culture steeped in its storied past.

“A place like CBS News is so rooted in its traditions and in what it believes in,” said Tom Bettag, a veteran network news producer who is a lecturer for the Philip Merrill College of Journalism at the University of Maryland. “It’s got its own theology and an outsider has to win the confidence of the people inside.”

Even like-minded conservative commentators such as Megyn Kelly suggested that Weiss might face challenges in navigating such an entrenched institution.

“I’m worried they’re going to eat her alive, because CBS is among the worst when it comes to being insular,” Kelly said on her Sirius XM podcast last month. “Like you have to be raised by CBS to be respected by CBS people.”

A number of veterans inside CBS News who were not authorized to speak publicly said they have a wait-and-see attitude over the pending Weiss appointment, as they are uncertain on what her role will entail. They don’t believe Weiss will want to deal with day-to-day news coverage decisions such as how many correspondents and technical crews to send to cover a natural disaster.

David Ellison, Paramount Skydance chief executive officer

(Paramount/Skydance)

Having an opinion journalist in a leadership role may not sit well among a number of staffers. But with layoffs sweeping through the TV news business, an employee exodus predicted in some reports appears unlikely, according to one former CBS News executive.

One possible source of tension may be in international coverage, primarily the war in Gaza, which has been the subject of internal debate in many newsrooms.

Weiss, who once belonged to the Tree of Life Synagogue in Pittsburgh that was the site of a shooting massacre in 2018, is a staunch Israel supporter. She’s joining a company that, led by its new management, was the only studio to push back against a campaign gathering steam among Hollywood progressives to boycott Israeli film festivals and organizations.

But ideological newsroom flare-ups that spill into public view are rare. Managing a network TV news division largely consists of keeping an eye on costs, ratings and maintaining a pipeline of stories for dozens of hours of scheduled programming each week.

Despite its well-documented troubles, CBS still has two of the most successful news programs on television in “60 Minutes” and “CBS Sunday Morning.”

Even after the gauntlet “60 Minutes” went through earlier this year, viewers showed up when it returned for its 58th season Sunday with a season premiere that drew 10 million viewers, making it the most-watched non-sports show of the week, according to Nielsen data.

Bettag noted that even though former Paramount majority shareholder Shari Redstone was updated on “60 Minutes” stories amid the legal battle earlier this year, he believes the program retained its editorial rigor and independence.

“If anything, it stiffened spines,” Bettag said.

“CBS Sunday Morning” remains the most watched weekend morning program and increased its share of the TV audience last season, averaging close to 5 million viewers weekly.

While those two programs still attract large, loyal audiences, CBS News is faced with declining ratings and revenue, as viewers continue to move away from traditional TV to digital video offerings. CBS News has long operated a 24-hour streaming channel, but it doesn’t attract the same audience levels or ad rates as the network.

The CBS Broadcast Center in New York City on April 20, 2023.

(Ted Shaffrey / Associated Press)

CBS News also has to regain the trust of the audience that has listened to right-wing pundits pound away at the credibility of mainstream press.

It’s hardly a new development as conservative North Carolina Sen. Jesse Helms tried to lead a takeover CBS in the mid-1980s so he could “become Dan Rather’s boss.” But social media have amplified those bias allegations, driving MAGA-supporting viewers to Fox News and other conservative-leaning outlets.

Bettag believes CBS News has to do a better job of getting the public to understand the editorial process and how it strives for accuracy and fairness to counter the right-wing narrative of media bias.

“If Bari Weiss can come in and explain what they’re doing and why they’re doing it then I think she can be successful,” he said.

Veteran TV news executives warn that any overt attempt to woo disaffected conservatives risks alienating the millions of viewers who are still watching CBS News programs. CNN’s attempt to try to cater to right-leaning consumers — at the behest of parent company Warner Bros. Discovery — led to a decline in audience that has not bounced back.

One idea circulating at Paramount is having the Free Press remain as an independent entity within the company, providing contributors and commentators to its special coverage, the Sunday round table program “Face the Nation” and streaming channel.

While the Free Press has been embraced by conservatives, Weiss has been fluid in her political leanings, at least in the voting booth. Her recent votes for president were Mitt Romney in 2012, Hillary Clinton in 2016 and Joe Biden in 2020.

In a video posted last fall, Weiss said the Free Press staff was split three ways between Trump, Harris and undecided in their 2024 vote. She called it a reflection of the nation.

Weiss is pro abortion rights and favors pro-gun control and LGBTQ rights (Weiss is married to Nellie Bowles, a former New York Times journalist who also works at the Free Press).

She has said she was among the many who cried at their desks when Trump was first elected in 2016. But she told Fox News in early 2024 that her view of the president had moderated since, as she approved of his handling of Israel and the economy during his first term.

“I’m the first to admit that I was a sufferer of what conservatives at the time would have called TDS, Trump Derangement Syndrome,” Weiss said.

But the Free Press does not give Trump a free pass as other right-wing outlets have. One of the current lead stories on the site is a highly critical take on Defense Secretary Pete Hegseth’s speech on warrior ethos given to military leadership on Tuesday.

Staff writer Meg James contributed to this report.

President Trump has said many things about “Saturday Night Live” over the years. Few of them are favorable, highlighting his disdain for the late-night sketch comedy show, though his previous stints as host would suggest otherwise.

The president hosted the show in 2004 and in 2015, shortly after announcing his first run for president. The decision to have him host “SNL” in 2015 was controversial at the time, but NBC’s top brass defended the move, citing his front-runner status among Republicans and the high ratings it produced. “At the end of the day, he was on the show for 11 minutes and … it wasn’t like the Earth fell off its axis,” said then-NBC Entertainment Chairman Robert Greenblatt during the Television Critics Assn. press tour in 2016. He would later call Trump “toxic” and “demented.”

Trump, meanwhile, has repeatedly said he believes the show is unfunny, lacks talent and is “just a political ad for the Dems” nowadays. The sentiment echoes comments he’s made about late-night talk show hosts Stephen Colbert and Jimmy Kimmel and their respective shows, each known for skewering Trump. With Season 51 of “Saturday Night Live” set to begin Saturday, and recent settlements with media outlets and tech companies making headlines — YouTube settled a Trump lawsuit for nearly $25 million Monday over the suspension of his account — a renewed focus will be on the show and how it spoofs the president and his policies.

Colbert’s series was canceled by CBS in July and will conclude its 10-year run next year in May. While CBS cited financial reasons for its decision to end Colbert’s show, the host was a vocal critic of both Trump and CBS’ parent company, Paramount, which had recently settled a lawsuit with Trump just before the Federal Communications Commission approved its merger with Skydance Media (Colbert called the settlement “a big fat bribe”).

Kimmel was benched by ABC in September after the head of the FCC, a Trump appointee, threatened the network over the host’s comments about Charlie Kirk’s suspected killer. Kimmel has since returned to the air, and used his first episode back to defend free speech. Colbert and Kimmel also appeared as guests on each other’s shows Tuesday, expressing mutual support and cracking jokes at Trump’s expense. Trump has also called for NBC to ax its late-night hosts Seth Meyers and Jimmy Fallon, both of whom are “SNL” alums.

Now, “SNL” could be the next target of the administration’s scrutiny. Trump’s posts on social media have previously aired his disapproval for how the series mocks and satirizes him and his administration, and he has suggested investigating NBC as result.

“Nothing funny about tired Saturday Night Live on Fake News NBC!,” Trump tweeted in February 2019, during his first term in office. “Question is, how do the Networks get away with these total Republican hit jobs without retribution? Likewise for many other shows? Very unfair and should be looked into. This is the real Collusion!”

Donald Trump in 2015, the year NBC cut ties after he made comments about undocumented Mexican immigrants.

(Andrew H. Walker / Getty Images)

Over the years, Trump has had a contentious relationship with the network that once aired “The Apprentice,” the show that made him a reality TV star, and his Miss Universe pageant. In 2015, NBC cut ties with Trump over comments he made about undocumented Mexican immigrants.

“Saturday Night Live,” which celebrated its 50th anniversary earlier this year with multiple specials, has been churning out political parodies for decades, and its comedy has targeted leaders from all political backgrounds.

The first time Trump was portrayed on “SNL” was in 1988 by then-cast member Phil Hartman. Since then, a host of actors and cast members have cycled through with their Trump impressions, with one of the most memorable being Alec Baldwin, who took over from Darrell Hammond in 2016 ahead of the presidential election.

Trump disliked Baldwin’s portrayal, and wrote in 2018 that Baldwin’s “dying mediocre career was saved by his terrible impersonation.” Baldwin won an Emmy for supporting actor in 2017 for playing the president.

The “30 Rock” actor’s stint as Trump on “SNL” lasted through 2020, and he made appearances as Trump even when the show was filming remotely during the early stages of the COVID-19 pandemic. Some of his most memorable moments impersonating the president were in cold opens that mocked the debates between Trump and Hillary Clinton.

Alec Baldwin in 2017 as President-elect Donald J. Trump during a “Saturday Night Live” cold open sketch.

(Will Heath / NBC)

In March 2019, Trump wrote that “SNL” continues “knocking the same person (me), over & over, without so much of a mention of ‘the other side.’” The episode that aired the weekend he wrote that tweet was a rerun. “Like an advertisement without consequences,” he went on.

According to reports from the Daily Beast, Trump took a step beyond airing his grievances over Twitter that time. He reportedly asked advisors and lawyers in early 2019 about what the FCC, the court system, and even the Department of Justice could do to look into “SNL” and other late-night comedy figures who had mocked him. That inquiry did not amount to any actions, according to the outlet.

In 2022, Trump said the show’s ratings were “HUUUGE!” when he hosted, but that they’ve since tapered off. The most recent season of “SNL” was the most-watched in three years, with a season average of more than 8 million viewers.

He went on to write that creator and executive producer Lorne Michaels is “angry and exhausted, the show even more so. It was once good, never great, but now, like the Late Night Losers who have lost their audience but have no idea why, it is over for SNL — A great thing for America!”

Michaels, who rarely gives interviews, reflected on the cancellation of Colbert’s show and what it means for late-night television in an August conversation with Puck News. Michaels said he was “stunned” by CBS’ cancellation of “The Late Show,” but added, “I don’t think any of us are going to ever know” if the decision was political.

“Whatever crimes Trump is committing, he’s doing it in broad daylight,” Michaels went on to say. “There is absolutely nothing that the people who vote for him — or me — don’t know.” He also called Trump a “really powerful media figure” who “knows how to hold an audience.”

“His politics are obviously not my politics, but denouncing [him] doesn’t work,” he added.

While many cold opens and “Weekend Update” segments have been dedicated to skewering the president, often making him the butt of jokes, the cold open in the episode immediately following the 2024 election had a different approach. Trump’s opponent, then-Vice President Kamala Harris, had appeared on an episode just days before the election, but after Trump’s victory, the cast promised they had “been with [him] all along,” adding that they all voted for him and supported him.

“If you’re keeping some sort of list of your enemies, then we should not be on that list,” they said before debuting their new Trump impression, “Hot jacked Trump,” which featured impressionist James Austin Johnson in a muscle tee and a headband.

Johnson began portraying the president on the series in 2021, and Michaels said he will continue in the role for Season 51. His portrayal mirror’s Trump’s speech patterns and his tendency to veer into tangents about pop culture. Since Trump’s inauguration in January, the cold opens have zeroed in on Trump, focusing on his relationship with Elon Musk and his policies.

The “Weekend Update” segment, hosted by Colin Jost and Michael Che, tends to take sharper jabs the president’s policies and comments, as well as other administration officials.

In the Puck interview, Michaels implied the show wasn’t going to back down, and when he was asked whether political comedy will be tougher in the current climate, Michaels said no.

“I don’t think anybody knows what Michael Che’s politics are,” he said, “but they do think he’s funny.”

Brendan Carr, the chairman of the FCC who has been in the headlines for his role in Kimmel’s benching, wrote in 2020 that political satire is one of the “oldest and most important forms of free speech.”

“From Internet memes to late-night comedians, from cartoons to the plays and poems as old as organized government itself — Political Satire circumvents traditional gatekeepers & helps hold those in power accountable,” he continued. “Not surprising that it’s long been targeted for censorship.”

On Monday, YouTube became the latest media and tech company to settle one of President Trump’s lawsuits.

The Google-owned streamer agreed to pay $24.5 million to settle a lawsuit Trump filed after his account was banned following the Jan. 6, 2021, riots at the U.S. Capitol. That brings Trump’s haul from media and tech companies to more than $90 million in the last year.

Some of these suits deal with conflicts the president has experienced with news networks such as ABC and CBS. Others confront the fallout from the attack on the U.S. Capitol.

Some of the settlement money will pay for renovations to a presidential library Trump is building on 2.6 acres of waterfront property in Miami. Other funds will go to the nonprofit Trust for the National Mall, with the intention of building a Mar-a-Lago-style ballroom, which is expected to cost $200 million overall.

Here’s a rundown of the payouts:

YouTube: $24.5 million

After the Jan. 6 attack on the U.S. Capitol, YouTube suspended the president’s account on the platform because of Trump’s alleged role in the insurrection. At the time, the company had cited “concerns about the ongoing potential for violence” and violation of its “policies for inciting violence.”

Trump’s lawsuit, filed in 2021 at the U.S. District Court in Northern California, argued the account’s suspension was “censorship.” Before the case was settled, YouTube had already lifted its suspension on Trump in March 2023, in light of the then-upcoming presidential race.

In court documents filed Monday, Alphabet, the parent company of YouTube and Google, did not admit any wrongdoing in the matter. The company did not agree to make any policy or product changes in the deal.

Of the $24.5 million, $22 million is going to Trump, who will contribute the money to the Trust for the National Mall, which is “dedicated to restoring, preserving, and elevating the National Mall” as well as supporting the construction of the White House State Ballroom, according to the filing.

Alphabet will also have to pay an additional $2.5 million to other plaintiffs in the case, including the American Conservative Union and writer Naomi Wolf.

Social media platforms Facebook (now Meta) and Twitter (now X) had suspended Trump’s accounts over Jan. 6, 2021. At the time, Twitter put out a statement, saying that recent tweets from his “account and the context around them — specifically how they are being received and interpreted on and off Twitter” had to be suspended to avoid “the risk of further incitement of violence.”

Mark Zuckerberg of Meta also posted a statement on Facebook after banning Trump’s Meta accounts. He wrote, “We believe the risks of allowing the President to continue to use our service during this period are simply too great.”

In July of that year, Trump sued the companies for “censorship.”

By January 2023, Meta had reinstated Trump’s Facebook and Instagram accounts, as had X in 2022.

Shortly before Trump was going to take office for his second term, in January 2025, Meta decided to pay the incoming president $25 million to settle the lawsuit. Elon Musk, who had purchased Twitter and renamed it “X” in the interim, agreed to pay $10 million to settle its Trump case.

Paramount Global: $16 million

Paramount Global agreed to pay $16 million to resolve Trump’s legal salvo against “60 Minutes” over the editing of an interview with his 2024 opponent, then-Vice President Kamala Harris.

Trump claimed “60 Minutes” edited an interview with Harris to make her look better and bolster her chances in the election. CBS denied the claims, saying the edits were standard and the case was viewed as frivolous by 1st Amendment experts.

Trump wrote on Truth Social that CBS “did everything possible to illegally elect Kamala, including completely and corruptly changing major answers to Interview questions, but it just didn’t work for them.”

Last May, CBS offered $16 million to settle the civil suit filed in Texas. The lump sum included the president’s legal fees and an agreement that “60 Minutes” will release transcripts of interviews with future presidential candidates.

Less than a month after the settlement, the FCC approved Skydance Media’s acquisition of Paramount, which owns CBS.

Disney: $16 million

Earlier this year, ABC news anchor George Stephanopoulos appeared on the network’s “This Week” news program and asserted that Trump was found liable for raping writer E. Jean Carroll. In May 2023, a jury in New York declined to find Trump liable for rape, but did find him liable for sexual abuse of Carroll.

Trump responded to the on-air comments with a defamation lawsuit filed in federal court in Florida. The lawsuit was settled by ABC News, owned by Disney, last December. Disney agreed to pay $15 million toward Trump’s presidential library and $1 million of Trump’s legal fees.

The settlement also included an editor’s note, posted on the ABC News website, expressing regret for Stephanopoulos’ comments.

Times staff writer Stephen Battaglio contributed to this report.

Every episode of “South Park” opens with a disclaimer: “All characters and events in this show — even those based on real people — are entirely fictional. All celebrity voices are impersonated … poorly. The following program contains coarse language and due to its content it should not be viewed by anyone.”

While some of that language must be required by an exhausted legal team behind the scenes, the long-running satirical cartoon is known for pressing hot-button topics and rapidly churning out searing parodies. Season 27, which premiered in July, is no exception, focusing on President Trump, his associates, policies and other current events. Some members of Trump’s cabinet have been outspoken about their likeness appearing in “South Park,” but others have shrugged it off. Over the years, the animated series has depicted conservatives and liberals alike, leaving almost no public figure, politician or activist shielded from critique or crude depiction.

This season has had an unusual cadence of episodes, with the first two arriving on a weekly schedule, then biweekly before the arrival of Episode 5, which aired three weeks later on Wednesday. The delayed episode arrived after the shooting death of conservative activist Charlie Kirk, whose debate style was depicted in the Episode 2. However, “South Park” creators Matt Parker and Trey Stone told the Denver Post the delay was unrelated to recent events, like Jimmy Kimmel’s suspension, or the content: “No one pulled the episode, no one censored us, and you know we’d say so if true.” The pair had issued a statement on Sept. 17 saying the episode wasn’t finished in time. Future episodes will air every two weeks through Dec. 10.

Here is a guide to every parody and reference so far on this season of “South Park.”

This story will be updated with each new episode.

‘Sermon on the ‘Mount,’ Episode 1

Cartman in “Sermon on the ‘Mount.”

(Comedy Central)

Cutting funding to the Corp. for Public Broadcasting

Cartman is dismayed to find out National Public Radio has lost its federal funding after he tunes in to hear static — an NPR program is his “favorite show,” he says, where “all the liberals b— and whine about stuff.” He rants to his friends about how the government “can’t cancel a show” and wonders what might be next on the chopping block.

In July, the Senate voted to approve the Trump White House’s proposal to claw back roughly $1 billion in federal funding previously allocated for public broadcasting. NPR and PBS are still operating despite the funding cuts, but layoffs and reduced programming are expected.

Christianity in public schools

Head of South Park Elementary PC Principal, whose name was a play on the initialism for politically correct, announces to the school that his name now stands for “Power Christian Principal.” He holds an assembly where he says that “our Lord and savior Jesus Christ” is the only thing that can bring back some normalcy to these “corrupt times.” He proceeds to welcome Jesus to the assembly as a guest speaker. When the students go back home, their parents and the people of South Park are alarmed to hear about the emphasis on Christianity — and the presence of Jesus — in the town’s public school.

Trump has previously endorsed displaying the Ten Commandments in classrooms amid a push to incorporate more Christianity into public schools.

‘Woke is dead’

The phrase frequently used by Trump was inscribed on a T-shirt Cartman wears after he realizes the concept of “wokeness” is no longer prominent. “Everyone hates the Jews, everyone’s fine with using gay slurs,” he says, lamenting that he no longer feels purpose if there’s no wokeness to contest.

Karoline Leavitt

The White House press secretary is depicted corralling the president, sporting a large cross necklace, as she often does during press briefings. Leavitt tells Trump a lot of his supporters are starting to turn against him and begs him to talk to them, adding that they’re “really riled up.” Trump’s base has expressed frustration over the administration’s approach to sharing information about the Jeffery Epstein case after he promised more transparency about the convicted sex offender, who died by suicide in 2019, and the sex trafficking investigation involving the late financier.

President Trump

Trump appears this season with an image of his face over an animated body, frequently repeating the phrase “Relax, guy” and threatening lawsuits against anyone who’s in his way. He is shown berating a White House portrait painter for an unflattering depiction of him and there are references to the size of the president’s genitalia. He’s also depicted as being in an abusive relationship with Satan — in which Trump is the abuser. “South Park” has previously depicted Satan as being the victim in an abusive relationship with Saddam Hussein.

The Epstein list

Satan laments the speculation that Trump’s name is on the “Epstein list,” a purported list of his alleged clients. In reality, the Justice Department has said no such list exists, walking back comments Atty. Gen. Pam Bondi made in a Fox News interview earlier this year that the list was “sitting on my desk” in preparation for release. When the list is brought up in the series, fictional Trump says, “Are we still talking about that?,” mirroring comments he made in real life.

CBS’ ’60 Minutes’ and Paramount drama

The stopwatch featured in the introduction to “60 Minutes” is strapped to a bomb when it appears on “South Park.” The hosts of the show are visibly nervous and continue praising the president while covering his lawsuit against the town of South Park, adding that they don’t agree with Trump’s detractors.

The scene references the legal tussle between Trump and Paramount Global, the parent company of CBS, which airs “60 Minutes.” The president sued over edits to a “60 Minutes” interview with then-Vice President Kamala Harris, which led to Paramount agreeing to pay $16 million to settle the lawsuit in July; shortly after, the Federal Communications Commission, led by a Trump appointee, approved Paramount’s merger with Skydance.

Between the settlement and merger approval, CBS announced it is canceling “The Late Show With Stephen Colbert.” Colbert frequently skewers the president on his show, and Trump praised the cancellation. Paramount also recently bought the global streaming rights to “South Park” in a lucrative $1.5-billion deal for Parker and Stone.

During the episode’s fictitious “60 Minutes” segment over Trump’s lawsuit against the town, Jesus comes to visit the townspeople. Through whispers, he tells them, “I didn’t want to come back and be in the school, but I had to because it was part of a lawsuit and the agreement with Paramount.”

“The president’s suing you?” a protester asks.

Jesus, through clenched teeth, explains: “The guy can do what he wants now that someone backed down. … You guys saw what happened to CBS? Well, guess who owns CBS? Paramount! You really want to end up like Colbert? You guys gotta stop being stupid. … If someone has the power of the presidency and also has the power to sue and take bribes, then he can do anything to anyone.”

“All of you, shut the f— up or South Park is over!” Jesus says.

The people of South Park end up settling their lawsuit with the president for $3.5 million, saying it will be fine as long as they cut some funding for their schools, hospitals and roads. And as part of the settlement, they have to agree to “pro-Trump messaging.” Cut to a live-action deepfake video of Trump trekking through the desert in a show of loyalty to his supporters before he strips naked.

‘Got a Nut,’ Episode 2

Cartman becomes a podcaster in Episode 2.

(Comedy Central)

Note: This episode aired on Aug. 6, more than a month before political commentator Charlie Kirk, who is parodied throughout the episode, was shot and killed.

ICE recruitment and immigration raids

This episode is focused on the ongoing raids carried out across the country by Immigration and Customs Enforcement and Department of Homeland Security officials since earlier this year.

When South Park Elementary counselor Mr. Mackey is fired — the government is doing away with needless spending in schools, he’s told — he signs up for a job with ICE, enticed by a generous signing bonus and a higher salary. Mackey watches a promotional video, complete with animations of officers wearing gaiters and a theme song: “We don’t ask for experience, just show up / We don’t care if you’ve read a book or grown up / If you’re crazy or fat and lazy, we don’t care at all … If you need a job, it’s a job to have.”

Mackey is hired with alarming speed and proceeds to go on his first raid, targeting a “Dora the Explorer” live show, which has a not-so-intimidating audience of young children and abuelitas. After ICE agents hear from protesters that there are “many Latinos in heaven,” they make the pearly gates their next stop.

Kristi Noem

The Department of Homeland Security secretary leads ICE agents through a series of raids this episode, but she first appears in an orientation video. She tells the new recruits, “A few years ago, I had to put my puppy down by shooting it in the face because sometimes doing what’s important means doing what’s hard,” and she proceeds to going on a shooting spree targeting yelping puppies (including Krypto the Superdog) throughout the episode. In her 2024 book, Noem wrote about how she killed her 14-month-old dog for exhibiting aggressive behavior.

She’s also seen rounding up as many immigrants as possible in raids, shouting orders like, “If it’s brown, it goes down.”

And in a running gag, her face periodically melts off, requiring a glam squad equivalent to a pit crew, and at one point, it seems to take on a life of its own. Trump also says her face “freaks me out” during the episode.

Noem responded to the depiction on Glenn Beck’s podcast, calling it “lazy” to target her looks. “If they wanted to criticize my job, go ahead and do that, but clearly they can’t, they just pick something petty like that,” she said.

Right-wing debate podcasts

While conservative political commentator Charlie Kirk does not appear as a character in this episode, his style of debate content — and his name — are featured.

Loudmouthed Cartman is frustrated that so many others, namely his classmate Clyde Donovan, are profiting off of “his shtick” of arguing against liberal views.

Clyde has a debate podcast, inviting viewers to watch as he “totally destroys these woke liberal students.” He’s set up in a tent on a college campus where he waits as a line of students come to speak with him, and he challenges them to “prove me wrong.” Cartman eventually takes over, saying that he is the “master debater” and sporting a haircut similar to Kirk’s. He shuts down his opponents’ arguments with phrases like, “You just hate America and you love abortions.”

Clyde and Cartman’s content replicates Kirk’s well-known style. The founder of the conservative organization Turning Point USA frequently toured college campuses and hosted events just like the one depicted in the episode. The phrase “prove me wrong” was used frequently by Kirk to promote his events, inviting students to challenge his political and cultural views.

On Sept. 10, Kirk was shot and killed while hosting such an event at Utah Valley University, the first stop of his “American Comeback” tour. Weeks before he was killed, Kirk responded to the episode with a 30-minute YouTube video, finding it humorous.

“I think a lot of it was hilarious towards me,” he said. “Some of it was very funny and I don’t think we should have too thick of skin.”

He also touched on the reach of his organization and events, noting that his name is enshrined in “The Charlie Kirk Award for Young Masterdebaters” that Cartman and Clyde compete for in the episode. “So a campus thing I’ve been doing for 13 years to debate random college kids has now been so important that it gets prominent prime-time placement on Comedy Central?” he asked through laughs. “I think the whole thing is just awesome and hilarious.”

Mar-a-Lago

When Mr. Mackey is rewarded for good work as an ICE agent, he’s flown to Trump’s Mar-a-Lago estate, where he frequently stays and hosts events.

He’s greeted by giggling women who hand him a drink and put flower leis around his neck before the president meets him and gives him a brief tour of Mar-a-Lago. While there, Mackey accidentally walks in on two older men receiving massages from younger women, one of whom is a tearful Dora, detained in the raid that took place earlier in the episode. The scene is likely a reference to Epstein and accounts from survivors who say they were forced to give massages to him and his associates. Trump said this summer that Epstein “stole” young women who worked at the Mar-a-Lago spa, which caused them to have a falling-out.

JD Vance

The vice president is depicted as a version of Tattoo, the character from late-’70s drama “Fantasy Island,” and is animated similarly as Trump, except the photo used for his face is lifted directly from viral memes. He often does the president’s bidding, calling him “boss.” In turn, Trump frequently calls Vance “stupid.” Acknowledging the caricature, Vance wrote on X, “Well, I’ve finally made it.”

‘Sickofancy,’ Episode 3

Randy begins microdosing ketamine and Towelie goes to Washington, D.C., in this episode.

(Comedy Central)

Immigration raid at cannabis farm

Randy’s hemp farm business, Tegridy Farms, is the site of an immigration raid at the the beginning of this episode. While Randy is shooting a commercial, complete with calming guitar music and a trite script, ICE officers interrupt by detaining almost all the workers. “You sons of b—,” Randy screams after the vans as they drive away. “Those are my Mexicans!”

In July, chaotic raids targeting a cannabis company’s growing site and greenhouse in Santa Barbara and Ventura counties drew national attention after a man who was fleeing immigration officials died.

Microdosing ketamine

With his business in shambles, Randy rethinks his strategy with the help of an over-complimentary AI chatbot. Perhaps in a nod to Trump’s former ally and onetime “special government employee” Elon Musk, the billionaire businessman behind Tesla, SpaceX and X, Randy turns to ketamine. Randy insists a slew of “tech guys” are taking small doses of ketamine and the drug “gives their minds the edge to work with AI.” Ketamine “bolsters our focus and creativity,” he tells his partner Towelie. Under the influence of the drug, Randy transforms Tegridy Farms from a “quaint farm” into an “AI-powered marijuana platform for global solutions.”

Musk’s use of ketamine and other drugs has been previously reported, with the tech leader saying in a 2024 interview that ketamine has been prescribed to him and is “helpful for getting one out of a negative frame of mind.” He has denied abusing it. “If you use too much ketamine, you can’t really get work done. I have a lot of work, I’m typically putting in 16-hour days,” he said. “So I don’t really have a situation where I can be not mentally acute for an extended period of time.”

Musk supported Trump’s campaign and served as an advisor to the president, helming the Department of Government Efficiency earlier this year with the goal of slashing spending.

Mark Zuckerberg and Tim Cook

Meta and Apple chief executives Mark Zuckerberg and Tim Cook, who were both present at Trump’s inauguration and have maintained friendly relationships with him, are both portrayed in this episode as members of a long line outside of the Oval Office waiting to bestow a gift on the president.

“Mr. President, your ideas for the tech industry are so innovative,” Cook says to Trump. Cook gives the president a gift on behalf of Apple, which actually happened this summer. Zuckerberg is later seen giving the president a gift that appears to be a gold and bejeweled Meta virtual reality headset.

Luxury jet from Qatar

Qatar’s leader is also seen in line holding a model gold plane with a tag that says “Air Force One.” Like everyone else, the leader compliments the president and insists his genitalia is not small before giving him the gift. Trump and the Defense Department accepted a luxury Boeing 747 aircraft from Qatar for President Trump to use as Air Force One this summer, despite ongoing questions about the ethics and legality of taking the expensive gift from a foreign nation.

Washington, D.C.

When Towelie takes a trip to the capital in this episode, he sees armed troops guarding monuments like the Washington and Lincoln memorials and the Capitol surrounded by tanks and jets. In the episode, the Lincoln Memorial has been replaced by a statue of a stern-faced Trump with exposed genitalia.

In August, Trump called up National Guard troops to Washington, D.C., to assist federal law enforcement in his bid to “reestablish law and order” by targeting criminals — though crime has been down in the city — and the homeless. Although troops were not initially armed, Defense Secretary Pete Hegseth later ordered them to carry service-issued weapons.

Reclassifying marijuana

Randy sends Towelie to meet with Trump and give him a gift in hopes of persuading him to reclassify marijuana on the national level. (The gift is Towelie himself.) Randy, in the form of a hologram, tells Trump he thinks they can work out a mutually beneficial arrangement.

Trump said in an August press conference that his administration was considering reclassifying marijuana as a less dangerous drug, which would be a significant change in policy but would not make the drug legal across the country.

‘Wok is Dead,’ Episode 4

Butters buys a Labubu for his girlfriend.

(Comedy Central)

Tariffs and Labubus

The clerk at the City Pop-Up — rebranded from City Wok — the lone purveyor of Labubus in the area, says the popular dolls are hard to keep in stock, and they’re very expensive because of tariffs. The “mystery box” that Butters has to purchase for the chance of getting the exact Labubu his girlfriend wants sets him back $85, and later, the price shoots up to $120 to offset a rise in tariffs. (The real-life dolls often fetch much more than that on resale sites, especially if they are rare.) When Butters balks at the price, the store owner explains that the cost of tariffs is passed onto the customer.

Fox News

This episode shows a clip from a Fox News segment where an anchor is overly complimentary of the president. The anchor says the president will take questions from a “diverse crowd of reporters” after returning to the U.S. from a historic tariff summit, only to reveal all of the reporters are from Fox.

The Fox News reporters also fixate on President Trump’s relationship with his wife, Melania, and his increasingly frequent appearances with Satan. There’s a heavy use of wordplay that suggests the anchors could be asking about the affair between the president and Satan or about whether Trump is actually the devil himself.

Kid Rock

Fox News reporters check in with Trump ally Kid Rock after breaking the news that — buckle up — Trump has impregnated Satan. A sobbing Kid Rock tells the reporters, “I’m just so happy.” The musician is a friend and ardent supporter of Trump, having performed at his inaugural rally in January and spoken many times publicly about his support of the president.

‘Conflict of Interest,’ Episode 5

South Park Season 27, Episode 5 “Conflict of Interest”

(Comedy Central)

Israel and Gaza

Kyle becomes irate when his classmates place bets on a popular market prediction app that his mother would “strike Gaza and destroy a Palestinian hospital.”

This episode marks the first time this season that the show has touched on the current conflict in Gaza, and it referenced real-life Israeli strikes on hospitals in the area.

Donald Trump Jr.

Trump’s eldest son appears in this episode as someone with many roles — he’s a strategic advisor for predictive markets, he answers the phone for the Commodity Futures Trading Commission and also acts as a special advisor to Israel. Although he wears all those hats, the series doesn’t portray him as particularly bright — he has a complete conversation over the phone with himself.

He’s also animated to look as if he’s had extensive plastic surgery and he speaks with a strained voice, as if he can’t move his face.

Trump Jr. holds several key roles in his family’s business and his father’s political sphere in real life, and he serves as an advisor to both Polymart and Kalshi, two prediction market apps that are named and spoofed in this episode.

Trump’s stance on abortion

Less keen on the baby he’s expecting with Satan, Trump looks for different ways to harm the pregnancy in hopes of terminating it. He asks Satan if he wants to smoke and hang out in a hot tub, holds up a wire hanger, tries to get him to trip down the stairs or fall under a pile of cat feces, and even makes Satan a soup full of emergency contraceptive pills.

In reality, Trump has repeatedly shifted his messaging on abortion but has most recently said he believes specific abortion policies and access should be decided not by federal law but by individual states.

Brendan Carr

The chairman of the Federal Communications Commission comes into the fold this episode when Kyle goes through several hoops to try to file a complaint over the bet involving his mom, which he finds offensive. The FCC is “dealing with all the offensive stuff now,” Kyle is told.

Carr says he needs to speak with the president after learning about the offensive content, but he ends up falling victim to all of Trump’s antics in his attempt to terminate Satan’s pregnancy, which send him to the hospital. The doctors say they’re “afraid he may lose his freedom of speech.”

Vance later threatens Carr, who keeps interfering with Trump’s attempts to end Satan’s pregnancy (Vance doesn’t want anything to mess with his proximity to the presidency). “We can do this the easy way, or we can do this the hard way,” Vance says to Carr.

Those words match the phrase Carr said in real life a week before this episode aired in reference to his call on ABC to act on comments late-night host Jimmy Kimmel made about Kirk’s suspected killer and his death. Carr has remained in the headlines since then as backlash grew against the FCC’s role in Kimmel’s suspension.

Benjamin Netanyahu

Frustrated by the bet about her and the ongoing conflict in Gaza, Kyle’s mom storms into the office of the Israeli prime minister. “Just who do you think you are, killing thousands and flattening neighborhoods, then wrapping yourself in Judaism like it’s some shield from criticism?” she says. “You’re making life for Jews miserable and life for American Jews impossible.” She continues to berate him and a group of officials while the credits roll. Netanyahu does not say anything in response.

Jimmy Kimmel’s show is gone. So is Stephen Colbert’s. And if President Trump has his way, Seth Meyers and Jimmy Fallon will be next.

In the MAGA establishment’s ongoing censorship campaign against Trump’s critics, “Jimmy Kimmel Live!” became its latest victim when ABC announced Wednesday that it was pulling the show “indefinitely.” The network’s abrupt announcement followed an outcry from Trump’s supporters that the show’s host — a longtime critic of the president — had inaccurately described the political motivations of Tyler Robinson, the suspect in last week’s killing of right-wing activist Charlie Kirk.

The network’s announcement came hours after Brendan Carr, the Trump-nominated chairman of the Federal Communications Commission, targeted Kimmel on a right-wing podcast and suggested the FCC could take action against ABC because of remarks made by the host. He said Kimmel’s remarks were part of a “concerted effort to lie to the American people,” and that the FCC was “going to have remedies that we can look at.”

“Frankly, when you see stuff like this — I mean, we can do this the easy way or the hard way,” he told the podcast’s host, Benny Johnson. “These companies can find ways to change conduct and take action, frankly, on Kimmel, or there’s going to be additional work for the FCC ahead.”

The alleged “lies” cited by Kimmel in his Monday night monologue? That MAGA was trying to paint Robinson as “anything other than one of them.”

“We hit some new lows over the weekend with the MAGA gang desperately trying to characterize this kid who murdered Charlie Kirk as anything other than one of them and doing everything they can to score political points from it,” Kimmel said. “In between the finger-pointing, there was, uh, grieving on Friday — the White House flew the flags at half-staff, which got some criticism, but on a human level, you can see how hard the president is taking this.”

Kimmel then cut to a clip showing Trump taking questions from reporters, and when the president was asked how he was holding up, he said, “I think very good, and by the way, right there where you see all the trucks, they just started construction of the new ballroom for the White House.” Trump went on to discuss the plans for the ballroom and said the results will “be a beauty.”

It wasn’t Kimmel’s best work, but it certainly wasn’t a bombshell, either. Yet in today’s environment, it was enough to spook ABC into pulling a late-night franchise that’s endured for decades.

The FCC unsurprisingly did not apply the same standards to an outburst Monday by Greg Gutfeld, Fox News’ conservative answer to network television’s thinning herd of late-night hosts. Gutfeld cursed on air, demeaned the loss of life from another assassination earlier this year and cited information that was incorrect to back his tirade.

On Fox’s show “The Five,” Gutfeld asserted that political violence in the U.S. was only going one way — from left to right — during a conversation with co-host Jessica Tarlov. When she pushed back on his argument by bringing up the June assassination of the Democratic speaker of the Minnesota House of Representatives, Melissa Hortman, and her husband, Mark, Gutfeld exploded.

“What is interesting here is, why is only this happening on the left and not the right?” he asked. “That’s all we need to know.”

“You wanna talk about Melissa Hortman?” he shouted at her. “Did you know her name before it happened? None of us did. None of us were spending every single day talking about Mrs. Hortman — I never heard of her until after she died.”

“So, it doesn’t matter?” Tarlov asked.

“Don’t play that bulls— with me!” Gutfeld shouted. “You know what I’m talking … What I’m saying is there was no demonization, amplification about that woman before she died. It was a specific crime against her by somebody who knew her.”

No evidence has been publicly presented that the alleged killer of the Hortmans, Vance Boelter, knew the couple. According to the U.S. Department of Justice, Boelter “had a list of possible targets,” and investigators have suggested that the suspect’s right-wing political views played a role in the attacks.

Carr’s assail of Kimmel is the latest attack against the media by Trump and his administration. Trump sued ABC last year in a case that the network paid $15 million to settle. On Monday, the president filed a $15-billion defamation lawsuit against the New York Times and four of its reporters.

In July, CBS also canceled storied network franchise “The Late Show With Stephen Colbert,” claiming that the cancellation was a financial decision, but the timing also suggests it was done to placate Trump while Paramount was awaiting the FCC’s approval of a major merger between CBS’ owner Paramount and Skydance Media. A few weeks after CBS agreed to pay $16 million to settle Trump’s lawsuit against CBS News’ “60 Minutes,” the merger was approved.

Ratings for late-night television have been slipping over the last decade due to a number of factors, including the decline of linear TV as a whole and changing viewing habits with the advent of streaming and online engagement. In the 1990s, for example, Johnny Carson’s final episode in 1992 drew 50 million viewers. Letterman averaged around 7.8 million viewers in the same year. In the second quarter of 2025, “The Late Show With Stephen Colbert” topped the 11:35 p.m. hour with an average of 2.417 million viewers. “Jimmy Kimmel Live!” came in second with an average of 1.772 million viewers. NBC’s “The Tonight Show Starring Jimmy Fallon” finished third with an average of 1.188 million viewers.

On Wednesday, Trump posted a celebratory comment about Kimmel’s show being pulled: “Great News for America: The ratings challenged Jimmy Kimmel Show is CANCELLED. Congratulations to ABC for finally having the courage to do what had to be done,” Trump wrote. “Kimmel has ZERO talent, and worse ratings than even Colbert, if that’s possible. That leaves Jimmy and Seth, two total losers, on Fake News NBC. Their ratings are also horrible. Do it NBC!!! President DJT”

But the true loser here isn’t Trump’s critics or his enemy, the left. It’s freedom of speech.

Paramount has named Kenneth R. Weinstein, former head of a conservative-leaning Washington think tank, to be ombudsman for CBS News, fulfilling a condition of winning the Trump administration’s approval for an $8-billion merger.

The company announced Monday “that complaints from consumers, employees and others” about CBS News stories will go to Weinstein, who will help determine if remedial action is necessary.

Weinstein, who served as president and chief executive of the Hudson Institute, will report to Jeff Shell, who is president of Paramount under new owner and CEO David Ellison.

Weinstein will address complaints about news coverage in consultation with Shell, CBS President and CEO George Cheeks and CBS News Executive Editor Tom Cibrowski.

Paramount buyer Skydance Media agreed to appoint an ombudsman in order to get regulatory clearance for its acquisition of the media company, which closed in August.

The Federal Communications Commission said Skydance agreed to commit to “viewpoint diversity, nondiscrimination and enhanced localism” in its news coverage when the agency announced its approval of the deal.

“Americans no longer trust the legacy national news media to report fully, accurately, and fairly. It is time for a change,” FCC Chairman Brendan Carr said in a statement at the time of the approval. “That is why I welcome Skydance’s commitment to make significant changes at the once storied CBS broadcast network.”

Under Skydance’s ownership, CBS News has already shown a willingness to respond to Trump White House beefs with its coverage. On Friday the division announced a new policy for its Washington public affairs program “Face the Nation,” which will no longer edit taped interviews.

The policy shift came after U.S. Department of Homeland Security Secretary Kristi Noem complained that her Aug. 31 “Face the Nation” interview, which was trimmed for time, deleted harsh allegations against Kilmar Abrego Garcia, the Maryland man wrongly deported to his native El Salvador. He was returned to the U.S., where he faces deportation efforts.

In addition to his work at the Hudson Institute, where he still holds a chair, Weinstein served on multiple advisory boards including the United States Agency for Global Media when it was known as the Broadcasting Board of Governors. The agency, currently headed on an interim basis by Kari Lake, oversees the funding for government-run media outlets such as Voice of America.

Weinstein also holds a doctorate in government from Harvard University and has taught political theory at Georgetown University and Claremont McKenna College.

“I’ve known [Weinstein] for many years and have respect for his integrity, sound judgment and thoughtful approach to complex issues,” Shell said in a statement. “Ken brings not only a wealth of experience in media and beyond but also a calm measured perspective that makes him exceptionally well-suited to serve as our Ombudsman.”

CBS News’ “Face the Nation” will no longer edit taped interviews after U.S. Department of Homeland Security Secretary Kristi Noem complained about how her remarks were cut in her last appearance on the Washington-based program.

The news division said Friday that the Sunday show moderated by Margaret Brennan will only present interviews live or “live to tape” in which no edits are made. Exceptions will be made when classified national security information is inadvertently stated or language is used that violates Federal Communications Commission broadcast standards.

“In response to audience feedback over the past week, we have implemented a new policy for greater transparency in our interviews,” a CBS News representative said in a statement. “This extra measure means the television audience will see the full, unedited interview on CBS and we will continue our practice of posting full transcripts and the unedited video online.”

The representative declined to comment on the reason for the policy beyond the statement.

But the timing makes it clear that CBS News is reacting to Noem’s complaints following her Sunday appearance in which she discussed the case of Kilmar Abrego Garcia, the Maryland man wrongly deported to his native El Salvador. He was returned to the U.S., where he faces deportation efforts.

Noem wrote on X that “CBS shamefully edited the interview to whitewash the truth about this MS-13 gang member and the threat he poses to American public safety.”

The comments cut from the “Face the Nation” appearance were potentially defamatory. Noem said that Abrego Garcia was a member of MS-13 and that he solicited nude photos from minors.

“Even his fellow human traffickers told him to knock it off, he was so sick in what he was doing and how he was treating small children,” Noem said in the unedited version of the interview she posted on X.

The government has accused Abrego Garcia of being a member of MS-13, which he has denied. A court has described the evidence of his connection as “insufficient.”

“Face the Nation,” which has been on the air since 1954, became the focal point in a legal battle between CBS News and President Trump last year. Trump sued CBS News for $20 billion, claiming the program deceptively edited a “60 Minutes” interview with his 2024 opponent, then-Vice President Kamala Harris.

“Face the Nation” ran a clip from the interview that differed from what appeared in the “60 Minutes” broadcast, which led Trump to claim that it was changed to aid Harris and damage his election chances.

Editing interviews for clarity and time restrictions of a broadcast is a common practice in TV news. While 1st Amendment experts said CBS News had done nothing wrong, parent company Paramount settled the case for $16 million to help clear the regulatory hurdles for its merger with Skydance Media. The merger was completed Aug. 7.

The policy change regarding live interviews will likely be seen as another capitulation to Trump administration, who has shown a willingness to use legal measures to punish or attempt to silence his critics in the media. It will also pose a challenge to “Face the Nation” producers who already operate in an environment where real-time fact checking can’t always keep up with the misinformation presented by guests on the program.

CBS News is expecting additional changes as Skydance is in serious talks to acquire the Free Press, the right-leaning web-based media company founded by former New York Times opinion writer Bari Weiss.

The deal is said to be nearing completion, according to people familiar with the discussions, and would include a prominent role for Weiss at CBS News, even though she has no experience in running a TV news organization.

Veteran producer Kim Harvey has been tapped to take over the “CBS Evening News,” which has lost viewers since a recent revamp.

The network announced Thursday that Harvey will replace Guy Campanile, a “60 Minutes” producer who joined the program last year.

Campanile, who was brought on by former “60 Minutes” executive producer Bill Owens when he oversaw recent changes at the newscast, will return to the newsmagazine.

“CBS Evening News” has been struggling to retain viewers since it replaced Norah O’Donnell, who held the anchor chair for five years.

Kim Harvey is the new executive producer of “CBS Evening News.”

(CBS News)

CBS News added John Dickerson and Maurice DuBois as co-anchors and put an emphasis on longer stories closer to the style of “60 Minutes.” But the program has failed to gain any traction against ABC’s “World News Tonight With David Muir” and NBC’s “Nightly News With Tom Llamas.”

Harvey’s appointment is likely a precursor to larger changes at the program, including a possible return to a single anchor and a more traditional approach to the newscast. She was a trusted lieutenant of O’Donnell during her run.

Harvey has been with “CBS Evening News” since 2017, eventually rising to senior broadcast producer. She is thoroughly familiar with the operation that has gone through three anchor changes since she arrived.

“Kim brings a sharp news sense and terrific track record of producing from across the broadcast and cable networks,” CBS News President Tom Cibrowski said in a statement. “She is a well-respected newsroom leader and her relationships with our on-air talent, producers and reporters run deep.”

Harvey’s career includes stints at the three major cable news networks. She started her career as a video journalist at CNN.

She spent several years at Fox News, where she produced “The O’Reilly Factor,” which was the network’s top prime time program before host Bill O’Reilly was ousted over sexual harassment allegations.

At MSNBC, Harvey was part of the team that launched “The Rachel Maddow Show” and “All In with Chris Hayes.”

The future of CBS News has been a subject of much speculation since the network’s parent company Paramount Global was taken over by Skydance Media.

Before the merger closed, Paramount Global agreed to pay $16 million to settle President Trump’s legal salvo against “60 Minutes” over the editing of an interview with his 2024 opponent, then-Vice President Kamala Harris. The lawsuit, considered frivolous by 1st Amendment experts, damaged the morale of the news division and likely led to the ouster of Owens in April.

The new owners have also promised the Federal Communications Commission that it will hire an ombudsman who will report to Paramount’s new president, Jeff Shell.

Tech scion David Ellison and his leadership team at Paramount sent a message to Hollywood: A new era is underway.

Nearly a week after taking the keys to the battered media company, Ellison and his top executives met with reporters at the Paramount Pictures lot Wednesday to show that they mean business.

Ellison and his team will be based in Hollywood — not New York — and they plan to view the entertainment industry through a California lens by making big investments, leaning into technology and building on popular franchises, including “Top Gun,” “Star Trek” and “Yellowstone.”

Last week, Ellison’s Skydance Media and its backer RedBird Capital Partners closed their $8-billion takeover of the firm that includes CBS, Comedy Central, MTV Networks, Showtime and the Melrose Avenue movie studio.

“One of our biggest priorities is actually restoring Paramount as the No. 1 destination for the most talented artists and filmmakers in the world,” Ellison said. “Very simply, great filmmakers make great movies.”

Such a Paramount comeback would be long overdue.

The film studio has suffered from decades of under-investment, and was often bypassed by many of Hollywood’s biggest filmmakers. The studio plans to release eight films next year, but that’s too small an output to sustain a theatrical film business, Paramount executives said.

The plan is to nearly double the number of feature films to 15 and, and eventually, 20 movies a year.

Ellison, the 42-year-old chairman and chief executive, was eager to bury his days of being a political target, following the lengthy regulatory review of the deal and President Trump’s lawsuit against CBS for its edits of a “60 Minutes” interview with Kamala Harris last fall. Paramount settled the lawsuit last month, agreeing to pay $16 million.

Days later, CBS notified Stephen Colbert that it was ending his late-night talk show in May — prompting howls among some fans and raising speculation the show was sacrificed to appease Trump. CBS has said the decision was “purely” based on economics; the show has been losing money.

Programming will be created with broad audiences in mind, Ellison and his lieutenants said. Ellison said his goal is to move the company away from political divisions in an effort to reach a wider audience.

“One of the things I think is important is I don’t want to politicize this company,” Ellison said. “We’re an entertainment company first, and I genuinely believe if you’re breathing, you’re our audience. We want to be in the business of speaking to everybody.”

For Ellison, movies have been a lifelong interest. He recounted his days growing up when he, his mother and sister would go to the cinema or pick from their extensive home library of video cassette tapes.

He intends to “significantly scale” the amount of content the studio produces and has entrusted his longtime deputy Dana Goldberg and Josh Greenstein, a former Sony executive, as co-chairs of Paramount Pictures. The studio plans to concentrate on key intellectual property such as “Star Trek,” “World War Z” and “Transformers,” with Goldberg saying that “Star Trek” is a priority across the company.

Paramount executives are also interested in filmmaker-driven original films. Late last week, Paramount said it landed an original project called “High Side,” helmed by “A Complete Unknown” director James Mangold, which reunites him with actor Timothée Chalamet.

In addition, Paramount Pictures plans to greenlight family films, with classic movies like “The Goonies,” “Gremlins” and “Night at the Museum” as touchstones, Goldberg said. There’s also interest in R-rated comedies, horror and stories that appeal to Middle America.

Paramount has no plans to crank out low-cost films for its Paramount+ streaming platform, said Cindy Holland, the new head of streaming for Paramount.

“The movies that we make will be made for theatrical,” Ellison said, adding that there is cultural significance to making films for the big screen.

Ellison also praised actor Tom Cruise, whom he met when he founded his Skydance Media company in 2010. Skydance co-produced “Top Gun: Maverick” and recent “Mission: Impossible” installments. Goldberg recounted how she and Greenstein called Cruise after Paramount unveiled its new leadership structure.

“It was to thank him for, frankly, the huge piece he’s been in Paramount’s history, Paramount’s present and how important he is for Paramount’s future,” Goldberg said. “‘Top Gun 3’ is a massive priority for us.”

The new corporate ownership structure gives the family of Larry Ellison (David’s billionaire father) and RedBird the ability to build the company for the future, rather than manage for quarter-by-quarter earnings.

The Ellison family now owns 50% of the company, and RedBird holds 20% — a dominant position. Regular shareholders have 30% of the stock in the new company. Shares soared more than 36% on Wednesday to $15.

The event included Ellison’s co-investor, RedBird founder Gerry Cardinale, who stressed his confidence in Paramount’s prospects.

Cardinale noted that he dispatched two of his top executives to join the company — Andy Gordon, a former Goldman Sachs banker is now Paramount’s chief operating officer and chief strategy officer, and Jeff Shell, the former NBCUniversal executive who’s now Paramount‘s president — to signify the importance of rebuilding.

“I’m betting my firm and my career on this deal,” Cardinale said.

On Wednesday, longtime Paramount shareholder Mario Gabelli sued Redstone and Paramount, alleging the deal structure disadvantaged shareholders other than Redstone, who received a premium for her stock.

As part of the deal, the Redstone family was paid $2.4 billion for their National Amusements Inc. firm, which held the controlling shares. After their considerable debts are paid, the family should come away with $1.75 billion. Paramount’s B-class shareholders received $15 a share.

Skydance and RedBird have promised investors that it will find $2 billion in cost savings, which means further belt-tightening and layoffs. Shell said he didn’t want Paramount to become a company that had perpetual layoffs, saying the plan was to have one restructuring and “then be done with it.”

The executives also showed no interest in cleaving off the cable channels, unlike Comcast or Warner Bros. Discovery, which are preparing for spinoffs. Shell said the diminished status of the channels gives the company opportunities to rebuild those brands.

In their first week, Ellison and RedBird have made big bets. On Monday, the company said it would spend $7.7 billion over seven years to lock up U.S. streaming and television rights to UFC mixed-martial arts fights for the Paramount+ streaming service and CBS.

In addition, Paramount in July agreed to pay $1.25 billion over five years to the creators of Comedy Central’s “South Park.” A separate deal with Trey Parker and Matt Stone allows the cartoon to run exclusively on Paramount+.

When asked what Paramount assets were underappreciated, Ellison talked about the broad reach of CBS, which just ended the regular television season in first place in prime-time among broadcast networks for the 17th consecutive year. He also mentioned CBS’ relationship with the NFL, Masters golf tournament and NCAA March Madness.

Gordon added, “I actually think every asset is underappreciated here.”

David Ellison finally clinched his prize Thursday, completing Skydance Media’s $8-billion takeover of the historic Paramount.

But the tech scion immediately faced questions about President Trump’s boast that he expects $20 million in free advertising and programming as part of a settlement to end Trump’s lawsuit over CBS “60 Minutes” edits. The settlement cleared the way for Skydance’s takeover of the company that, in addition to CBS, includes MTV, Comedy Central and the storied Paramount Pictures.

Last month, Paramount paid $16 million to settle the lawsuit, which 1st Amendment experts said had no merit. Three weeks later, Ellison’s acquisition of Paramount was approved by federal regulators.

If Skydance participated in such a deal to give free public service announcements to Trump to settle his “60 Minutes” lawsuit, viewers are going to have to watch CBS to find out.

The first question Ellison, the newly minted chairman and chief executive of Paramount, fielded from reporters during a news briefing Thursday was about the purported PSAs. Ellison would not directly answer it.

“We are not going to politicize anything today,” Ellison said at the event held at Paramount headquarters in Times Square in New York.

Paramount Global handled the settlement and Skydance was not involved “in any way,” Ellison said. But Trump — who has a friendly relationship with Ellison’s father, Larry — has proclaimed numerous times that he’s been promised $20 million in free air time for public service announcements that promote causes favored by the White House. Trump’s former agent Ari Emanuel also helped Ellison make its case to the president to allow the deal to go forward.

Ellison and the other top executives stated their support for the news division at the news conference. Ellison said CBS News and “60 Minutes” were among the first stops on his tour of the company’s offices after the deal was closed.

As for the news ombudsman that Skydance agreed to as part of the terms to get approval, Paramount’s new president, Jeff Shell, said the position should not be viewed as a censor.

“The ombudsman is meant to be a transparency vehicle, not an oversight vehicle,” Shell said. “We do believe in transparency.”

Asked how Skydance will handle the ongoing attacks on mainstream media that continue to come from the White House, Ellison said the company will stand its ground.

“We’re obviously going to be fierce defenders of our talent,” Ellison said. “We always have been.”

Before the news conference, Ellison put out a mission statement for the merged company, promising to combine the company’s storied movie and TV properties with technological prowess. Paramount is also the home of several iconic but aging cable brand names, including MTV, Nickelodeon and Comedy Central.

“Moving forward, we will work with conviction and optimism to transform Paramount into a tech-forward company that blends the creative heart of Hollywood with the innovative spirit of Silicon Valley,” Ellison wrote.

The immediate challenge facing Skydance will be building the scale of Paramount+, which, despite a decent number of popular shows, has lagged in the streaming competition led by Netflix and Amazon Prime.

Ellison promised the direct-to-consumer offering can be “a leading global streaming service.”

The mogul is taking over the most-watched television network in CBS, but like the rest of the legacy media industry, it’s fighting the migration of viewers to streaming.

Ellison’s note made a point of praising “60 Minutes,” saying it has “a long tradition of impactful reporting led by seasoned journalists committed to accuracy, integrity, and public trust” and expressed thanks to the news division for continuing to toil through the controversy.

“We take immense pride in CBS News’ legacy of impactful journalism and look forward to continuing to foster a newsroom culture where journalists are empowered, trusted, and equipped to do their best work,” Ellison wrote.

The new company is now called Paramount, a Skydance Corp, with its stock trades under the PSKY ticker. Shares were trading down about 3%, to $11.25, in midday trading.

According to Ellison and his private equity Paramount investors, RedBird Capital Partners, the company will soon be positioned to reach new heights.

Ellison’s play for the studio began nearly two years ago during Hollywood’s summer of labor unrest, when then-controlling shareholder Shari Redstone’s family enterprise, National Amusements, found itself in a cash crunch after Paramount halted its dividend to its investors.

In December 2023, Redstone turned to Paramount’s board to approve the Skydance transaction. That triggered another fraught process as board members agonized over the structure of a deal that would reward rank-and-file shareholders — not just the Redstones.

The deal was finally signed July 7, 2024. As part of the Skydance buyout, the Redstones’ National Amusements Inc. was paid $2.4 billion. After the firm’s considerable debts are paid, the family should come away with about $1.75 billion.

Paramount shareholders will receive $4.5 billion. Skydance and RedBird Capital Partners also agreed to inject $1.5 billion into Paramount’s balance sheet to help pay down debt.

“Our investment in Paramount and long-term partnership with the Ellison family reflects our deep conviction in the value of world-class intellectual property and the potential to unlock substantial growth,” RedBird founder Gerry Cardinale said in a statement.

In her first interview since losing the election to President Trump and leaving office, former Vice President Kamala Harris told Stephen Colbert on “The Late Show” that her decision not to run for California governor was more “basic” than saving herself for a “different office” — which is to say, another run for president in 2028.

After years of being a “devout public servant,” Harris said in the interview, set to air Thursday night, she just doesn’t want to be “in the system” right now.

“Recently I made the decision that I just — for now — I don’t want to go back in the system,” she said. “I think it’s broken.”

She said that was not to take away from the important work being done every day by “so many good people who are public servants,” such as teachers, firefighters, police officers and scientists.

“It’s not about them,” she said. “But you know, I believe, and I always believed, that as fragile as our democracy is, our systems would be strong enough to defend our most fundamental principles. And I think right now that they’re not as strong as they need to be.”

She said she instead wants to travel the country and talk to Americans in a setting that isn’t “transactional, where I’m asking for their vote.”

Colbert said to hear Harris — whom he called “very qualified for the presidency” — say that the American system is broken was “harrowing.”

“Well, but it’s also evident, isn’t it?” Harris replied, to applause from the studio audience.

The interview came on the heels of Harris’ announcements this week that she is not running for California governor and is releasing a memoir about her short, whirlwind presidential campaign following President Biden’s decision to drop from the race, and it was a big get for Colbert in what appears to be his final chapter on late-night TV.

CBS, blaming financial concerns across late night, announced July 17 that the 2025-2026 season of “The Late Show” would be its last.

The announcement followed Colbert sharply criticizing Paramount Global’s $16-million settlement with Trump over a CBS News “60 Minutes” interview with Harris during the presidential campaign, which Trump accused the venerable news show of manipulating to make her look better.

Paramount Global was at the time seeking a major merger with Skydance Media and needed the Trump administration’s approval, which it ultimately got. Just days before the announcement that his show would be ending, Colbert described the “60 Minutes” settlement as a bribe to get the merger deal done.

All that caused many observers and allies of Colbert to speculate that the cancellation of the show was political in nature. The Writers Guild of America, for example, said the company appeared to be “sacrificing free speech to curry favor with the Trump Administration.”

Trump said it was “not true” that he was “solely responsible for the firing of Stephen Colbert,” and that the “reason he was fired was a pure lack of TALENT” and that Colbert’s show was losing Paramount millions of dollars a year.

“And it was only going to get WORSE!” Trump wrote on his Truth Social platform.

Paramount has said the decision was “not related in any way to the show’s performance, content or other matters happening at Paramount,” though some polling has suggested many Americans don’t believe the company.

It’s unclear whether Harris considered any of that in granting Colbert her first interview since leaving office. However, it would almost certainly not have been her only reason.

Colbert is liberal and seen as a friendly interviewer by Democrats.

During Thursday’s interview, the late-night host heaped praise on Harris. After saying it was “harrowing” to hear she feels the system is broken, he asked whether she was giving up fighting.

Harris said she was not.

“I am always going to be part of the fight,” Harris said. “That is not going to change.”

After finally getting approval from the Federal Communications Commission, Skydance Media is just weeks away from completing its $8-billion merger with Paramount Global, leading to sweeping changes for some of the most iconic media brands.

CBS, MTV Networks and Paramount Pictures are all bracing for upheaval when Larry Ellison and his son, David, take the keys from Paramount Global controlling shareholder Shari Redstone. The long-running ownership saga has played out while the rules of the media industry have been upended by streaming and, more recently, a White House unafraid to use its muscle to silence critics.

Skydance and its backer, RedBird Capital Partners, have promised investors that it will find $2 billion in cost savings, which means further belt-tightening and layoffs.

“This will be the most dramatic change to the organization since its inception,” said one longtime CBS insider who was not authorized to comment publicly.

Here is what Wall Street and the media industry will be watching for once the deal closes on Aug. 7:

Will Skydance spend enough to supercharge streaming?

Last year, Paramount+ added 10 million new subscribers to reach 77.5 million. Its subscriber count is now 79 million, thanks also to NFL programming, CBS shows such as “NCIS” and original hits including “1923,” “Landman,” “Lioness” and “Tulsa King.” Paramount has projected full-year U.S. profitability for Paramount+ this year, making it one of the fastest subscription services to get there.

But its relatively scant resources and thinner slate has made it difficult to truly compete with Netflix and the other biggest players. One potential solution: partnering with a rival streamer to increase its reach.

“Questions around the long-term scalability of Parmamount+ continue to loom large,” analyst firm MoffettNathanson noted in a report Friday. “Will the new management team pursue external partnerships as a viable path forward?”

Ellison and his team have suggested that they will bring a tech-focused sensibility to Paramount. Technological prowess would help Paramount+ improve its user interface and recommendation process, which insiders acknowledge is currently underwhelming. As expected, the architect of Paramount+ original series strategy, Paramount Global co-CEO Chris McCarthy, will leave when the deal closes.

Can traditional TV be saved?

Analysts also want to see Skydance will increase investment in film and TV franchises to revive assets that have been constrained by Paramount’s debt.

While Skydance will get a robust library of films and TV shows, it will also be faced with the slow-melting iceberg that is broadcast and cable TV, which continues to lose viewers. Streaming has surpassed broadcast and cable as the leading source of video consumption just as Skydance takes over CBS and Paramount Global’s array of channels that include MTV, BET and Comedy Central.

Doug Creutz, an analyst for TD Cowen, believes the merged company should consider spinning off traditional TV businesses, similar to what Warner Bros. Discovery and Comcast are doing with their cable channels. Whether that will happen remains to be seen.

“There is a clear opportunity to improve Paramount’s growth profile by letting those assets go,” Creutz wrote Friday. “On the other hand, we suspect the Ellisons did not purchase Paramount in order to break it up for parts.”

A test of Skydance’s commitment to broadcast may come if the FCC relaxes TV station ownership rules, which would likely lead to consolidation.

“60 Minutes” correspondent Lesley Stahl with Georgia Republican Rep. Marjorie Taylor Greene.

(CBS Photo Archive / CBS via Getty Images)

How will ’60 Minutes’ reset?

CBS News’ “60 Minutes” received a vote of confidence with the naming of Tanya Simon, a respected veteran insider to take over as executive producer. She was the choice of the program’s strong-willed correspondents.

Simon’s appointment is expected to provide stability following the departure of longtime showrunner Bill Owens, who was forced out amid the push for a $16-million settlement over President Trump’s lawsuit claiming the program deceptively edited an interview with former Vice President Kamala Harris to make her look better to voters.

“60 Minutes” remained tough in its White House coverage as negotiations went on. The question is whether that approach will continue with new owners. Larry Ellison has a friendly relationship with the president, and the new owners agreed to appoint an ombudsman to oversee news coverage.

Getting it right matters from a business perspective too, as “60 Minutes” remains the most profitable program on CBS.

With Simon in place, new management is expected to address other areas of the news division that can use improvement. The network’s revamp of the “CBS Evening News” has been a disappointment in the ratings and will likely see some changes.

In the longer term, there has been chatter that Skydance may set its sights on acquiring CNN from Warner Bros. Discovery and combining it with the broadcast news operation, an idea that has been considered numerous times over the last few decades.

“South Park” characters Eric Cartman, left, Stan Marsh, Kyle Broflovski.

(Comedy Central)

Will creative freedom be tested?

CBS canceled “The Late Show With Stephen Colbert,” upsetting his fans, progressive Democratic legislators and other late-night hosts who make their living lampooning President Trump.

The network said it was strictly a business decision, as the younger viewers who made late-night TV monstrously lucrative for decades are no longer showing up. The timing of the move made the company look as if it were capitulating to Trump, who long had the host on his enemies list.

But Colbert will remain on the air through May. The show has already been sold to advertisers for next season. The host has remained unrelenting in his mockery of Trump.

The season premiere of “South Park” only upped the ante. The animated series made references to the “60 Minutes” deal, showed Trump in bed with the devil and aired its own version of a Trump-mandated PSA, showing a naked president with talking genitalia.

There is no question both shows will test the patience of the new owners.

Pulling Colbert off or censoring the “South Park” creators, who just received a $1.5-billion deal to continue their show and move its library to Paramount+, would lead to a far greater backlash than what has been seen so far. Any attempt to curtail their voices will send a negative message to creative types who consider working with the company’s movie and TV operations going forward.

Tom Cruise in “Mission: Impossible: Dead Reckoning Part One” from Paramount Pictures and Skydance.

(Paramount Pictures and Skydance)

Can the movie business be revived?

Over the last few years, Paramount Pictures — home of franchises such as “Transformers” and “Mission: Impossible” — has ranked either fifth or fourth at the domestic box office. So far this year, the lone major movie studio still located in Hollywood proper has accounted for about 7% of ticket sales in the U.S. and Canada, according to box office website the Numbers.

Since the pandemic, the company has enjoyed a number of major hits, including “Top Gun: Maverick” and “Sonic the Hedgehog 3.” It has also had some solid singles and doubles, including “Bob Marley: One Love.” But overall, the more-than-century-old studio has struggled from underinvestment in its intellectual property and movie brands.

The latest “Mission: Impossible” starring Tom Cruise — the eighth and purportedly last in the series — grossed $589 million globally but cost $300 million to $400 million to make, not including marketing costs. Paramount’s latest effort, an animated “Smurfs” reboot, sputtered at the box office. Next up: a reboot of “The Naked Gun.”

The unit’s leader, Brian Robbins (also head of Nickelodeon at Paramount Global), is expected to leave the studio, though he has not officially announced his plans. David Ellison is a movie fan and is expected to take a particular interest in the operation, with plans to put Skydance’s chief creative officer, Dana Goldberg, in charge of film at Paramount. Skydance has worked with Paramount on movies before, producing “Maverick” and the “Missions: Impossible” films

HOUSTON, TEXAS – JANUARY 11: Denico Autry #96 of the Houston Texans sacks Justin Herbert #10 of the Los Angeles Chargers during the second half of the AFC Wild Card Playoff game at NRG Stadium on January 11, 2025 in Houston, Texas. (Photo by Brandon Sloter/Getty Images)

(Brandon Sloter / Getty Images)

Will the NFL take its ball elsewhere?

A transfer of ownership means the NFL can reopen its long-term deal with CBS, which has a Sunday package of games, the AFC Championship Game and two Super Bowls. The NFL is the lifeblood of broadcast television, providing a vast majority of the year’s most-watched programs.

Without the NFL, CBS would face tremendous challenges in getting fees from pay TV operators who carry its stations. Revenue from affiliates who pay the network for its programming would also dramatically decline.

Although the NFL is known for taking a pound of flesh at every opportunity, NFL Commissioner Roger Goodell has signaled he will give careful consideration before making any changes.

“We’ve had a long relationship with CBS for decades and we also have a relationship outside of that with Skydance,” Goodell told CNBC earlier this month. “We have a two-year period to make that decision. I don’t see that happening, but we have the option and it’s something we’re going to look at.”

The NFL could wait until 2029 when it has the option to open up the contract with all of its media partners. The new media deal for the NBA — $76 billion over 11 years — has the NFL believing its pact is underpriced.

Times staff writer Meg James contributed to this report.

While “60 Minutes” will soon have a new owner, the CBS newsmagazine’s next executive producer is coming from inside the family.

Tanya Simon, a 25-year veteran of the program, will take on the role vacated by Bill Owens in April. She has served as interim executive producer since his departure.

She is the daughter of the late Bob Simon, one of the best known correspondents during the program’s 57 year history.

Changes at the top of “60 Minutes” have been rare. Simon will be only the fourth executive producer in the program’s history and the first woman.

Simon’s appointment will be a relief to the program’s staff, where morale has been rocked by parent company Paramount Global’s battle with President Trump. The correspondents of the program signed a letter to company co-chairman George Cheeks urging him to give Simon the job.

Simon will have the backing of her colleagues who are thankful they won’t be dealing with an outsider who might not value the program’s editorial rigor and independence. But she will be faced with the challenge of navigating the operation after one of the most difficult periods in its history.

Paramount Global agreed to pay $16 million to settle Trump’s lawsuit against “60 Minutes” over the editing of an interview with his 2024 opponent, then-Vice President Kamala Harris. Trump claimed the interviews was deceptively edited to aid Harris in the election.

The case was labeled as frivolous by 1st Amendment experts and the settlement widely seen as a capitulation to Trump in order to clear a path for Paramount’s $8-billion merger with David Ellison’s Skydance Media.

While “60 Minutes” did not issue an apology or acknowledge any wrongdoing, the program is likely to face intense scrutiny going forward. Critics will be looking for signs of the program pulling its punches in reporting on Trump. In order to clear the Paramount Global deal with the FCC, Skydance has agreed to name a news division ombudsman that will report to the company’s president for at least the next two years.

“Tanya Simon understands what makes ’60 Minutes’ tick,” CBS News President Tom Cibrowski said in. a statement “She is an innovative leader, an exceptional producer, and someone who knows how to inspire people,” “

Simon got her start at CBS News in 1996 as a researcher for its other newsmagazine “48 Hours.” She joined “60 Minutes” in 2000, working with correspondent Ed Bradley on a variety of reports including the 9/11 terrorist attacks on the World Trade Center. She went on to produce for nearly all of the program’s correspondents including her father.

Her work has earned virtually every major broadcast honor, including multiple Emmy Awards, the Peabody and the DuPont-Columbia Award.

David Ellison’s Skydance Media pledged to abandon all diversity, equity and inclusion programs at Paramount Global in an attempt to win government approval for its $8-billion merger.

Paramount already had scaled back diversity programs earlier this year. In a Tuesday letter to Federal Communications Commission Chair Brendan Carr, Skydance said it would go further to cancel diversity efforts.

“Paramount no longer will maintain an Office of Global Inclusion and will not have any teams or individual roles focused on DEI,” Stephanie Kyoko McKinnon, Skydance general counsel, wrote in the three-page letter to Carr. The appointee of President Trump, in one of his first moves as chair, dismantled the agency’s diversity programs and called on companies to do the same.

Kyoko McKinnon said Paramount will remove “references to DEI in its public messaging, including on its websites and social media,” along with culling DEI language in “internal messaging and training materials.”

Last week, Ellison met with Carr to press his case that Skydance and its backer RedBird Capital Partners would be strong stewards of Paramount, which includes CBS, Comedy Central, MTV, BET and the Melrose Avenue movie studio, Paramount Pictures. Skydance needs Carr’s approval for the merger and the transfer of the CBS television station licenses to the Ellison family.

Skydance separately tackled persistent complaints by conservatives about alleged news bias at “60 Minutes” and other programs.

Ellison’s firm pledged to “promote transparency and increased accountability” at CBS News. The company said it would install an ombudsman, reporting to the president of Paramount, “to receive and evaluate any complaints of bias or other concerns involving CBS” for at least two years.

Trump’s ire over edits of a “60 Minutes” Kamala Harris interview last fall nearly derailed Skydance’s takeover of Paramount. Carr opened an inquiry into alleged news distortion after Trump sued CBS in federal court in Texas.

Earlier this month, Paramount reached a $16-million settlement with Trump to resolve the dispute that caused deep divisions within Paramount and prompted high-level CBS departures. Trump boasted Tuesday on Truth Social that he anticipates receiving an additional $20 million worth of advertising and PSA time from the new owners.

During his July 15 meeting with Carr, Ellison underscored “Skydance’s commitment to unbiased journalism and its embrace of diverse viewpoints, principles that will ensure CBS’s editorial decision-making reflects the varied ideological perspectives of American viewers,” according to an FCC filing.

Skydance’s Kyoko McKinnon added: “We further reaffirm that, after consummation of the proposed transaction, New Paramount’s new management will ensure that the company’s array of news and entertainment programming embodies a diversity of viewpoints across the political and ideological spectrum, consistent with the varying perspectives of the viewing audience.”

Ellison recently met with prominent journalist Bari Weiss, reportedly to discuss Skydance acquiring her center-right online publication, the Free Press, as an alternative to traditional news sites. She started the outlet, which is often critical of DEI, after quitting her job as a New York Times opinion writer, citing intolerance of her and her more conservative viewpoints.

Also last week, late-night host Stephen Colbert learned his CBS talk show would be canceled in May. CBS has said Colbert’s cancellation, which will take place in May, was “strictly financial” and not related to the merger approval. Still, conservatives and liberals have widely questioned whether Colbert’s frequent criticisms of Trump played into the decision.

Skydance has said it didn’t have a role in the Colbert decision.

Skydance isn’t the only company under pressure to ditch diversity programs to win FCC approval for a deal.

Two months ago, telecommunications giant Verizon pledged to drop diversity efforts to gain Carr’s blessing for the company’s $20-billion takeover of Frontier Communications.

Carr separately launched probes into Walt Disney Co. and Comcast Corp.’s workplace diversity efforts.

After George Floyd’s 2020 murder in Minneapolis, Paramount and other Hollywood companies vowed to hire more people of color. Such moves were cheered by many, including those cognizant of Hollywood’s troubled history with diversity.

Paramount encouraged executives to make diverse hires and promotions, and progress toward the corporate goals was one of many factors considered when calculating bonuses. That program was dismantled last year.

For years, CBS struggled to shake its prime-time sitcom formula to build shows around white men, a la “King of Queens,” “Everybody Loves Raymond” and “Two and a Half Men.”

The network broke the pattern in 2018 with “The Neighborhood,” starring Cedric the Entertainer, and procedural drama “FBI,” starring Zeeko Zaki.

CBS also championed mentorship programs for writers and directors to build a more diverse pipeline of creators. That initiative dated to 2004.

FCC Chairman Brendan Carr has made a priority of abolishing DEI programs.

(Bloomberg via Getty Images)

Skydance promised not to set numerical goals related to race, ethnicity or gender of job applicants.

“The company is committed to ensuring that its storytelling reflects the many audiences and communities it serves in a manner that complies with non-discrimination requirements and other applicable laws,” Kyoko McKinnon wrote.

“I am very encouraged by today’s announcements,” said Daniel Suhr, president of the conservative Center for American Rights, which filed an FCC complaint about “60 Minutes” and suggested a CBS News ombudsman. “These are important steps towards better broadcasting that serves all consumers.”

Bad Bunny is booked and busy. (Now try saying that twice.)

On Tuesday night, the Grammy-winning Puerto Rican singer will make two back-to-back appearances on late-night television shows: “The Late Show With Stephen Colbert” on CBS and “Late Night With Seth Meyers” on NBC.

The 31-year-old artist is in the midst of his historic No Me Quiero Ir De Aquí residency at the Coliseo de Puerto Rico in San Juan. The 30-night concert series is expected to generate $200 million to the local economy, according to the island’s promotional agency, Discover Puerto Rico.

Bad Bunny, who moonlights as an actor, is also promoting the long-awaited “Happy Gilmore 2,” a sequel to the 1996 Adam Sandler comedy, which will premiere July 25 on Netflix. He will play a golf caddy to Happy Gilmore (played by Sandler), an aggro-ex-hockey player turned golf phenom. Both Sandler and Bad Bunny are expected to appear on “Late Night With Seth Meyers.”

It’s an unusual move by the two competing networks to book the same guest on a single night, but as evening newscasts clash with fast-paced content on social media sites like YouTube or TikTok, perhaps the rules can be relaxed for a superstar.

Camaraderie across the TV aisle has grown in recent days, with multiple late-night hosts decrying the cancellation of Colbert’s program for what CBS has cited as financial reasons. News of this cancellation came days after Colbert criticized CBS’ parent company, Paramount, over the $16-million settlement of President Trump’s lawsuit stemming from a “60 Minutes” interview with Kamala Harris.

“And now for the next 10 months, the gloves are off,” said Colbert on Sunday night. His decade-long show will end May 2026.

Earlier this year, Bad Bunny co-hosted “The Tonight Show Starring Jimmy Fallon” to promote his hit album, “Debí Tirar Más Fotos,” which remains on the Billboard 200 chart since its January debut. During the program, the two disguised themselves while busking in a New York Subway station, first performing a cover of the Backstreet Boys’ “I Want It That Way,” then Bad Bunny’s single “Nuevayol.”

For those wondering how Bad Bunny will pull off this New York showdown, fear not: “Late Night With Seth Meyers” films its Tuesday program on Monday.

Bad Bunny will first appear as a guest on “The Late Show With Stephen Colbert” on CBS at 8:35 p.m. PST, followed by “Late Night With Seth Meyers” on NBC at 12:35 a.m. ET/PT.

Television executive James Stark Bennett II, known for developing talk show “Live with Regis and Kathie Lee,” has died at 78.

Bennett, who went by Jamie, died July 6 after a fight with cancer, according to his family.

He spent more than a decade at CBS, where he was an executive at television and radio stations in San Francisco and Chicago before coming to Los Angeles, where he served as vice president and general manager at KCBS-TV.

Bennett then moved over to the Walt Disney Co., where he served as senior vice president of Buena Vista Television Productions. In that role, he developed such shows as “Live with Regis and Kathie Lee,” “Siskel & Ebert” and the game show “Win, Lose or Draw.”

He later became president and chief executive at ACI, a Los Angeles-based TV and film distributor. When ACI was bought by Britain-based Pearson Television in 1995, Bennett and his family moved to London, where he ran the company’s worldwide production.

He eventually moved back to L.A., where he got involved in volunteer work and expanded his career beyond the entertainment industry by becoming chief operating officer at the Southern California Institute of Architecture. There, he was instrumental in helping the school establish its permanent base in L.A.’s Arts District, his family said. He also served on the board of the Ojai Music Festival, later becoming its president and CEO for five years until 2020.

Bennett was born in New York City on June 1, 1947. He later graduated from UC Berkeley, where he chaired a student-run summer program in Washington, D.C., and started his media career as the program director for the university’s radio station. After getting his MBA from Harvard Business School, he moved back to New York to take a job at CBS, which launched his media career.

He and his wife, Carolyn, eventually purchased an 11-acre farm in Ojai, which became their permanent residence. Bennett is survived by his wife, Carolyn, their three children and other family members.