Liam Payne’s sister Ruth has slammed people who are using her brother’s death for fameCredit: Roo0900/InstagramLiam died on October 16, 2024 after falling from his hotel balcony in ArgentinaCredit: PAHis girlfriend at the time of his death, Kate Cassidy, shared a video of their last dance on the anniversary of his deathCredit: Instagram
Taking a swipe about people “using his death for fame” in her moving tribute for Liam on the one year anniversary of his death, Ruth didn’t hold back.
“Everyone only seems interested in the public side of this.
“Some sadly seem more interested in the fame they can gain off this, but on the human side people need to remember when they speak, there is a son without his Dad, parents without their child and I am lost without my brother,” she said.
This comes after a video was shared of Liam lifting his girlfriend Kate Cassidy in a final dance before his tragic death.
On the one-year anniversary of Liam’s death in Argentina, Kate wrote: “This video was taken during the last hour and last day Liam and I shared in this lifetime.
“I am forever grateful for the beautiful moments we shared. I will miss you for the rest of my life Liam.”
Elsewhere in Ruth’s tribute for her late brother, she said: “1year, 12months, 52weeks, 365days… whichever way I say it, it still means the most heartbreaking truth that you’re not here any more.
“When you used to go away on tour, and l’d cry that you’d be gone for a while, I always knew you’d come back, but now I can’t get you home, I can’t meet up with you somewhere in the world, I can’t facetime or text to see how you’re doing, it’s an eternal homesick feeling because we can’t go back.”
She continued: “I underestimated grief, woah did I underestimate it.
“I am paralysed by it daily. I thought I had felt it before but I know the losses before you were just intense sadness, you are the loss of my life, the one person who l will miss at every single occasion in my life.
“I’d taken for granted that my little brother would be there through life, what a cruel lesson to learn in our 30s, that a sibling is not guaranteed to be a lifer, that I have to face this without you.”
Ruth went on: “Your death will never make sense, no matter how much I study it, whatever angle I look at it, it never makes sense. You shouldn’t have died.
“I have a reoccurring nightmare where I am in your hotel room just before it happened and you can’t hear me screaming for you, my brain is locked on your last minutes on this earth, the unaccounted minutes, the minutes I will never have the answers to, the minutes that changed everything.
“So much has happened in a year, so much to tell you, our kids have changed massively, you would continue to be in awe of your son!
“I’ve definitely got funnier (I know you’re thinking how is that possible right?!) – some of the jokes I make really make me smile because I know they would have earned me a ‘ruuu’ off you, l’ve visited some beautiful places but each place has confirmed, no matter the view, I will still feel your void from all corners of the earth.”
She later added: “I think of my grief as a clock, I explained to you years ago when I was nagging you to be better at answering your phone, that my head was like the ‘Weasley’s clock’ out of Harry Potter, where it would check everyone in our family in before I could switch off and with you travelling the world, it’d really need your confirmation of being safe and sound before I’d settle.
“Only now, there is a number missing off the clock, which means nothing in my days makes sense and it feels like noone is safe and sound.”
Liam’s sister Ruth shared an emotional and lengthy tribute on the anniversary of his deathCredit: Instagram/@roo0990Kate Cassidy has also been sharing multiple tributes about his passingCredit: Snapchat
Host Giovanna said: “I know that in the years to come you do find yourself in a place where you are completely comfortable with your body.”
Natalie, who has been promoting her new bookHappy Days, replied: “I am but I think it damaged me doing that.
“Well I still would look in the mirror and go ‘oh I could be this, could be that.’
“But I think that is just us today.
“I just think it’s what we’re seeing all the time as women and men, but as women, I think it’s a scary world when you think about what we look like all the time.”
The soap actress opened up about signing up to do the DVD at a vulnerable time – and said she regrets her decision.
She added: “I’d lost mum at 19 so all of that weight stuff was happening through all of that time.
“Silly decisions were being made, shouldn’t have done that, not the right guidance.
“It’s a silly thing to do but if someone says ‘here’s £100,000 you want to lose some weight?’ I was like ‘yeah, I’ll take that’.”
EastEnders’ Natalie Cassidy reveals she has finally ‘forgiven herself’ over horrific family loss
Natalie said losing weight for the DVD left her “worse off” with her body.
She explained: “It took a turn for the worse, I put loads of weight on very, very quickly afterwards, if not more.
“I think I just ate loads and then I started taking laxatives at some point.
“And you know I would never say I had an eating disorder, I’m very fortunate to say that, but you know I think if I had carried on with laxatives and this and that, who knows where I’d be.”
Natalie said that raising her daughters Eliza, 14, and Joanie, eight, helped her snap out the cycle.
She said: “I think because you’re not the be all and end all. You have those kids and that’s it. You forget about yourself.
“All you worry about, all you focus on is if they’re well cared for, their dinner, what they’re eating, what they’re wearing, are they sleeping. that that was my focus and the idea of worrying about what I look like kind of fell to the wayside.”
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Natalie, who plays Sonya in Eastenders, shared how she was offered the DVD when ‘silly decisions were being made’Credit: BBC
DIET PILL RUMOURS
However, attention on her weight has not eased up over the years.
Just last year, Natalie, who has been with her BBC cameraman fiance Marc Humphrey since 2014, was forced to deny she used diet pills to lose weight.
Her fans were targeted by scams online and the actress took to her social media to clarify that she recently lost her weight by cutting out treats.
The actress previously told The Sun: “I cut out rubbish. I cut down on alcohol too, even though I love white wine.”
“Alcohol is full of hidden calories, which all add up when it comes to a person’s daily limit.”
Natalie explained: “I’ve never gone through any injectable route.
“I’ve not done Botox before or lip filler. I just haven’t. So to inject something, I’m just scared of it.”
Giovanna, 40 – mum to Buzz, 11, Buddy, nine, and Max, six – gave her own views on weight loss jabs and admitted that they have come up on her radar.
It’s a silly thing to do but if someone says ‘here’s £100,000 you want to lose some weight?’ I was like ‘yeah, I’ll take that’
Natalie Cassidy
The wife of McFly’s Tom Fletcher, explained: “Only because I’ve had people going and doing it in a way where it’s almost discussed in a way that they’re trying to encourage you to do it.
“I’m like, I don’t want to do that. No, I’m not interested.
“It feels so bizarre to go from ‘this is me’ to a ‘let’s change myself’, and for what?
“I don’t think anyone would like me more if I’m skinny.
“I don’t think anyone would love me more. I don’t think I’ll be happier.
“I think it would do the opposite.”
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Giovanna Fletcher opened up about her views on weight loss jabsCredit: PA
What are the side effects of weight loss jabs?
Like any medication, weight loss jabs can have side effects.
Common side effects of injections such as Ozempic include:
Nausea: This is the most commonly reported side effect, especially when first starting the medication. It often decreases over time as your body adjusts.
Vomiting: Can occur, often in conjunction with nausea.
Diarrhea: Some people experience gastrointestinal upset.
Constipation: Some individuals may also experience constipation.
Stomach pain or discomfort: Some people may experience abdominal pain or discomfort.
Reduced appetite: This is often a desired effect for people using Ozempic for weight loss.
Indigestion: Can cause a feeling of bloating or discomfort after eating.
Serious side effects can also include:
Pancreatitis: In rare cases, Ozempic may increase the risk of inflammation of the pancreas, known as pancreatitis, which can cause severe stomach pain, nausea, and vomiting.
Kidney problems: There have been reports of kidney issues, including kidney failure, though this is uncommon.
Thyroid tumors: There’s a potential increased risk of thyroid cancer, although this risk is based on animal studies. It is not confirmed in humans, but people with a history of thyroid cancer should avoid Ozempic.
Vision problems: Rapid changes in blood sugar levels may affect vision, and some people have reported blurry vision when taking Ozempic.
Hypoglycemia (low blood sugar): Especially if used with other medications like sulfonylureas or insulin.
Natalie Cassidy portrayed the role of Sonia Fowler in EastEnders across several stints since 1993, ending in April when the popular character departed Albert Square with her daughters
00:19, 07 Oct 2025Updated 00:25, 07 Oct 2025
Sonia Fowler, pictured right, had been a regular at the Queen Vic for years(Image: BBC/Jack Barnes/Kieron McCarron)
The actress, who played Sonia Fowler in the soap, told fans her consumer series What’s The Big Deal? is unlikely to be renewed after failing to impress on Channel 4. Her BBC podcast co-hosted with Gavin & Stacey’s Joanna Page has also come to an abrupt end.
Speaking in relation to the future of What’s The Big Deal?, Natalie, 42, said: “I don’t think it went down very well, if I’m honest. I don’t think it will come back. At the moment there is no talk of it. But I loved it and it was a great experience for me to do.”
The Channel 4 programme saw Natalie, a mother of two, test popular products to see if they lived up to the hype, in what was her first big job away from acting. On the podcast, called Off The Telly, Natalie discussed all things TV with Joanna, famed for playing Stacey in the popular sitcom.
But the new avenues have presented challenges for Natalie, who told fans a literary festival in Somerset the BBC had second thoughts about the podcast. She said: “We had a laugh doing it and it is a shame the pod ended. I don’t think it will be back.
“With the BBC sometimes, what happens is, through no fault of their own, they love exploring new stuff and they do chop and change. If something isn’t massively, massively popular, then they will just get rid and try new material. That is kind of what the BBC is for. The money is from you guys, so they do need to change things and make things new.”
The star was at the event to promote her new book Happy Days, which is about her life on and off screen. In it, she reflects on her long tenure at EastEnders, which began in 1993 when Natalie was just 10. As a child, she won the Best Dramatic Performance from a Young Actor or Actress gong at the British Soap Awards in 2004, and enjoyed 21 more years portraying Sonia.
The character had a problematic marriage with Martin, which ended in 2006 when Sonia began an affair with Naomi Julien. They reconciled and Sonia was devastated when he died in February this year.
SANTA YNEZ — Shaun Cassidy steers his Dodge Ram 250 into the parking lot of the Maverick Saloon and throws open the truck’s passenger door, refrigerated air whooshing out of the cab, where he sits behind the wheel wearing sunglasses, black jeans and a black T-shirt.
The onetime teen idol who topped Billboard’s Hot 100 in 1977 with his chirpy cover of the Crystals’ “Da Doo Ron Ron” — this was seven years after Cassidy’s mother, Shirley Jones, and his half brother, David Cassidy, hit No. 1 as the Partridge Family with “I Think I Love You” — has made a lunch reservation at a vineyard not far from where he lives in Santa Barbara County so the two of us can talk about his upcoming concert tour.
“But the place is as big as Knott’s Berry Farm, and I didn’t want to spend 20 minutes looking for you,” he says, with a laugh. “That’s why I thought better to pick you up here.”
The drive also allows Cassidy, 66, to show off a bit of the picturesque region he’s called home since 2011, when he moved from Hidden Hills with his wife, Tracey, and their four children. (He has three more children from two previous marriages.) “It’s not as remote as it was before the pandemic,” says Cassidy, who’s spent the last few decades working behind the scenes in television. Through the truck’s windows, a panini shop and a microblading clinic roll by. “COVID happened, and suddenly it became part of Los Angeles — a lot of new people,” he says.
“But I grew up in L.A. and New York” — Cassidy’s dad was the actor Jack Cassidy — “and I always envied people that came from somewhere else. My folks told us, ‘Don’t worry, we’re gonna buy a farm in Pennsylvania or move upstate,’ and it never happened.” Here in the Santa Ynez Valley, Cassidy adds, “I’ve managed to manifest the family life that my father always told me was important but somehow couldn’t find for himself.”
Now he’s leaving home for his most extensive run of shows in more than 40 years.
Cassidy’s tour, which kicks off Saturday at Nashville’s Grand Ole Opry and has dates scheduled through March, will revisit the lightweight pop pleasures of the musical career he maintained alongside his role as Joe Hardy on TV’s “The Hardy Boys Mysteries.” As the younger brother of an established heartthrob, Cassidy came in hot: His self-titled debut for Warner Bros. Records went platinum within months and spun off three Top 10 singles in “That’s Rock ’n’ Roll,” “Da Doo Ron Ron” and “Hey Deanie”; Cassidy was even nominated for best new artist at the Grammy Awards in 1978, where he turned up onstage in a white pantsuit at age 19 for a bum-waggling rendition of “That’s Rock ’n’ Roll.”
“This young man,” proclaimed the show’s host, John Denver, “is definitely going places.”
Shaun Cassidy at the 20th Grammy Awards in Los Angeles in 1978.
(UPI / Bettmann Archive / Getty Images)
Four more LPs came in quick succession, ending with the willfully eccentric “Wasp,” for which Cassidy recruited Todd Rundgren as his producer. Then, following a 1980 gig at Houston’s Astrodome, Cassidy abruptly quit music to focus on writing and acting, which he describes as his real passion.
“I didn’t love being famous,” he says, as we pull onto a dirt road approaching Vega Vineyard & Farm. “But I think I needed to be famous. I came from a family where everyone was well known, and I didn’t want to go through life being someone’s kid or someone’s brother. So I had to sort of step out into the spotlight and announce myself, and once that was done, I could figure out what I want to do.”
Why return to the stage now? For one thing, Cassidy says he’s singing better at the moment than he ever has — a claim supported by his old friend Bernie Taupin.
“Shaun’s voice has matured in the best way possible,” says the lyricist known for his half-century-long collaboration with Elton John. “But the other thing is that he’s a born raconteur.”
Indeed, Cassidy’s road show, which he’s been workshopping sporadically since 2019, is a songs-and-stories affair in which he looks back on an eventful life he has yet to recount in a book. “You have to be fearless and brutally honest when you write a memoir,” he says, pointing to Patti Smith’s “Just Kids” (2010) as one worth aspiring to. “David wrote a s— book, and my mother wrote a s— book, so I feel a bit of responsibility to represent my family accurately and honestly.”
We’re seated now at a picnic table in the shade, where a server has brought over several bottles from Cassidy’s line of wines — the line is called My First Crush, which is perfect — and a couple of Greek salads. “I don’t think there’s anything I’d be scared to write,” Cassidy says. “My bigger fear would be hurting people.”
Who have you used as a comparison point to explain your ’70s stardom to your youngest child? She has the poster on her wall: Harry Styles. And I didn’t say it to her; her mother did: “You know, your father was that guy.” My daughter’s like, “That old in guy there? Not possible.” But there was a chain you could tie me into. My record had been No. 1 a week or two before Elvis died, so when that happened, lots of reporters called me: “How do you feel about Elvis passing? How do you feel about walking in the King’s shoes?” I was like, “If he’s dead at 42, I don’t want to be in those shoes.”
Did you actually say that to a reporter? I was too polite. But there’s a lot of truth in it. Ricky Nelson had just been a guest on “The Hardy Boys,” and I remember thinking that I didn’t want to be guest starring on a TV show in 20 years. Look, my brother David didn’t handle fame well. I had a model for what not to do, and I had a model for what to do: my mother, who’s 91 and lives five minutes away and is as gracious and lovely and happy a human being as you’ll ever meet.
I like to say I’m in show business, but I’m not of it. I love the work and the creativity — I’m not a red carpet guy. She never was either. She was like, “They tell me where to go, I show up, I do it.” And people love her.
There’s a great photo of you in the L.A. Times in 1978 standing in your backyard next to a swimming pool. I got “The Hardy Boys” when I was 18 — still living at home with my mom in Beverly Hills. My parents are separated — my father died while I was shooting the pilot, which was pretty traumatic — and I’m like, I gotta get out of here. The family’s business manager calls a bank and says, “He’s top of show on a new series making $2,500 a week.” They got me a loan to buy a house without a down payment. So I went and bought a house on the weekend while my mother was out of town.
Was she pissed? No, she wasn’t. She was happy for me — sort of. Yeah, maybe. I don’t know.
You went through the whole emotional spectrum in that answer. It was weird. I only lived there for like a year because now I’m making a lot of money, so the business manager says, “You need to buy real estate and you need to spend more money,” which is dumb, as it turns out. Keep that little house you bought with your first check and put the rest of it in the stock market, and you won’t need to worry about anything forever.
So somebody finds me a place on Mulholland. Warren Beatty is over here, Brando and Nicholson are over here — Valley view, Beverly Hills view, on a promontory with a pool. This is the house in the picture. When I first go up to see it, there’s a recording truck in the driveway and all this recording equipment inside. Fleetwood Mac are there doing something. I’d met Lindsey Buckingham and Stevie Nicks.
Shirley Jones and Shaun Cassidy at the 73rd Tony Awards in New York in 2019.
(Bruce Glikas / WireImage)
What, as proud Warner Bros. recording artists? Just at parties in L.A. before they joined Fleetwood Mac. I was out all the time. My parents sent me to boarding school in Pennsylvania in ’73 — I ditched the entire time on a train into New York to go to CBGB’s and Max’s Kansas City. Danny Fields took me to CBGB’s to see the Ramones when he was managing them. And why did I know Danny Fields when I was 15? Because he was writing for 16 Magazine where [editor in chief] Gloria Stavers was putting pictures of me in there with no record deal: “It’s another Cassidy — isn’t he cute?”
Danny was interesting. He’d managed Iggy Pop, and I knew Iggy — Jim — from hanging out on Sunset because this was the time Jim was living in Hollywood kind of between jobs. Smart guy — big influence on me. Early on, I played Rodney Bingenheimer’s club. I’m there shirtless with a bow tie, screaming, looking kind of like Iggy at 14 or 15.
It’s wild that your most chaotic years happened before you were even 18. They cleaned me up. I was on “The Hardy Boys” playing a character who really couldn’t look like a punk. My earring had to go.
You ever feel hemmed in by the job? No, because I was playing a character, and my identity wasn’t tied to the success of the show. Miguel Ferrer was one of my closest friends, and his dad, Joe — José Ferrer, real actor’s actor — I remember he said to me, “So, my boy, you’re thinking of going into the business? Let me give you a piece of advice: I have known success and failure, and they are both impostors.” He took it from Rudyard Kipling, I think. But it stuck with me. Anything I did, even “Wasp” — I don’t view that remotely as a failure. I view it actually as a bold awakening.
One of the great pop-idol freak-outs, 1980’s “Wasp” found Cassidy alternately crooning, yowling and barking his way through new-wave-y covers of tunes by the likes of David Bowie, the Who and Talking Heads while backed by members of Rundgren’s group Utopia.
“All I wanted to do was work with Todd,” says Cassidy, who’d been unhappy making “Room Service” in 1979 “because there was so much pressure from the record company to dive into disco, which I was never a fan of and which felt completely inauthentic for me.” By that time, Rundgren had produced hip records for the New York Dolls and the Patti Smith Group in addition to scoring hits of his own like “I Saw the Light” and “Hello It’s Me.” “He said to me, ‘You’re an actor — let’s do some acting.’ So we created some characters and experimented with different things.”
The album bombed. “My audience wasn’t ready for it, and there was no new audience showing up on FM radio that was gonna embrace me,” says Cassidy. “I think eight people bought it.”
Having been told by a Warner Bros. executive that he should go away — “And he was 100% right” — Cassidy “stayed home for the ’80s,” he says. “My big spending spree would be Friday night. I’d take my rock-star money to Crown Books and bring home $250 worth of books in my Porsche.”
In 1993, he let his brother lure him into co-starring in the musical “Blood Brothers” on Broadway.
“I turned him down three times,” says Cassidy, as we open a second bottle of wine. “I already had a deal at Universal as a writer with an office and an assistant, and I’d sold a couple movies for television. I was on my way, and David’s pitching me: ‘No, no, no — we can be the kings of Broadway!’” He takes a sip. “As it turned out, it was great — really emotionally satisfying. And the show was a big hit.” (David died from liver failure in 2017.)
Yet “Blood Brothers” was enough limelight for Shaun, who quickly turned back to TV. “American Gothic,” the first show he created, premiered in 1995 — an achievement that, he says, “meant a lot more than having ‘Da Doo Ron Ron’ as a No. 1 record.” Since then he’s been an executive producer on “Cover Me,” “Cold Case,” “The Agency” and “New Amsterdam,” among other series.
“He reinvented a whole new Shaun Cassidy career,” says Steve Lukather, the Toto guitarist who’s been friends with Cassidy since he appeared in an episode of “The Hardy Boys.” Cassidy’s wife, who’s also worked in TV, didn’t even know he’d been a musician when they met on one of his shows.
“I said, ‘Where you from?’ and Tracey said, ‘Miami,’” the singer recalls. “I said, ‘Oh, I played Miami.’ She goes, ‘What position?’ ”
Still, Lukather reckons that more recently his pal “started missing being onstage a little bit. He knows where it’s at.” Cassidy, who plans to play bass in the show, called Lukather not long ago for some guidance on the instrument. “I told him to play simple — don’t overthink it. It’s not like he’s going out and doing the Mahavishnu set.”
It’s half past 3, and Cassidy has a virtual pitch meeting for a new show at 4 p.m. But first he has to pick up his youngest daughter from school, so we hop back in his truck and head there from the vineyard.
On the ride he says he’s been working on a couple of new songs — the first of his own that he’s recorded since the handful he placed on his albums back in the day alongside stuff by pros like Eric Carmen, Brian Wilson and Carole Bayer Sager. One of them sounds like it could’ve been cut by Mel Tormé, he says. “The other one, it’s very anthemic — I don’t know, maybe like the Killers.”
“It’s been fun to see him to go the piano instead of the computer as an outlet for his passion for storytelling,” Tracey tells me later, though of course Cassidy knows that fans will show up to his gigs wanting to hear the classics.
Who did you long to be at the height of your teen idolhood? First concert I saw was the Rolling Stones at the Forum in 1972, with Stevie Wonder opening. I took pictures and put those pictures on my wall. Mick and Keith in ’72 — that was a show. I saw David Bowie on “Diamond Dogs” in ’74. And I saw Iggy a lot. Somewhere in between those three is where I wanted to be. Obviously, I was safer than that.
What do you see when you watch the kid singing “That’s Rock ’n’ Roll” at the Grammys? He’s confident, but he’s not cocky. I remember afterwards Lou Rawls said to me, “Son, never turn your back on the audience.” I said, “They seemed to like it when I shook my ass.”
You lost best new artist that night. So did Foreigner. Lou Gramm somewhere is still upset.
I wondered if you remembered who else was in the category. Debby, of course.
Debby Boone, who won — another nepo baby. Hey, if your dad owns a hardware store and you take over the hardware store, I have no issue with that at all. I don’t know who else. Andy Gibb?
Stephen Bishop and Andy Gibb. I knew Andy a little bit.
Kind of a similar deal to you, right? Younger brother of a pop sensation. He had a different challenge, though. This is me being shrink, but I don’t think that anybody got to really know who he was, because Barry [Gibb] was so strong. And I don’t think Andy had a problem with that. I’m sure growing up, he was like, “I want to be a Bee Gee too,” and Barry said, “OK, here’s how we do that.”
David Cassidy, left, with Shaun Cassidy, circa 1975.
(Michael Ochs Archives / Getty Images)
What was your relationship like with David in terms of the advice you took or rejected? David never gave me advice. I think it was very difficult for him because he was at a career low point. I would ask him, “What do you think of this?” and I could tell he was conflicted about it. It wasn’t that he didn’t want me to have success. But he was in a place where it was hard for him to enjoy my success, I think. And I knew that, so I didn’t talk to him about it.
What’d you think when he posed nude on the cover of Rolling Stone? I thought it was dumb. That was his “Wasp” moment — I thought, You’re putting a bullet in something here, whether you know it or not. Now, I’m not so sure. It’s a cool picture. All I know is he complained a lot in the press. He had a chip on his shoulder because he wasn’t Eric Clapton or Jimi Hendrix or somebody that he revered. It’s like, “OK, play as well as Hendrix and maybe you’ll be Hendrix. But you’re a really charming guy on a big hit television show, and 8 billion people are in love with you. Tell me why this is a bad deal.”
Why did you understand that and he didn’t? Because I’m Shirley’s son and he’s not. And I got to watch him — I saw how you can handle it differently.
You never burned to be taken seriously? I took myself seriously. I’m very secure, and that’s rare in show business. I never needed the love of the audience to feel like I was whole.
You got that love elsewhere, and David didn’t. He would say that.
Was he not right? Maybe. I mean, to my mother I could do no wrong — to the point that she had no credibility. But if you’re going to err on one side, that’s a better side than, “Where are my parents?” Both of his parents were actors — they were gone a lot. Then his father left his mother to marry a movie star and have me. David would have every reason in the world to hate me as a little boy, but he didn’t.
My brother was a really sweet — I’m gonna get choked up talking about him — he was a really sweet soul who got hurt and couldn’t overcome that. I’m not a psychiatrist, but I spent a lot of time with him. Again, “Blood Brothers” was great because it was an equalizer. I wasn’t the flavor of the moment, and neither was he. That’s one of the things I miss most about him — that he was the only person in the world I could talk to about our experience.
Robert F. Kennedy Jr., the nation’s health secretary and a longtime vaccine skeptic, struck a defiant tone Thursday as he faced bipartisan criticism over changes he has made to reorganize federal health agencies and vaccine policies, telling senators that he is determined to “eliminate politics from science.”
In the testy appearance before the Senate Finance Committee, Kennedy repeatedly defended his record in heated exchanges with senators from both parties and questioned data that show the effectiveness of vaccines. In turn, senators accused him of taking actions that contradict his promise seven months earlier that he would do “nothing that makes it difficult or discourages people from taking vaccines.”
“Secretary Kennedy, in your confirmation hearing you promised to uphold the highest standard for vaccines. Since then, I’ve grown deeply concerned,” Sen. John Barrasso of Wyoming, a top-ranking Senate Republican and a physician, said during the hearing.
Kennedy forcefully denied that he has limited access to vaccines and defended his record in restoring trust in federal healthcare agencies under the umbrella of the U.S. Department of Health and Human Services.
“They deserve the truth and that’s what we’re going to give them for the first time in the history of the agency,” Kennedy told senators.
From the outset, it was expected that Democrats would slam Kennedy’s record. Some of them called on him to resign and accused him of politicizing federal health policy decisions. But three other Republicans, including Sen. Bill Cassidy of Louisiana, who was key in advancing Kennedy’s nomination, joined Democrats in criticizing Kennedy’s actions, mostly pertaining to vaccine policy changes.
Thursday’s session marked a peak of bipartisan frustration over a string of controversial decisions by Kennedy that have thrown his department into disarray. Kennedy dismissed an entire advisory panel responsible for vaccine recommendations and replaced its members with known vaccine skeptics. He withdrew $500 million in funding earmarked for developing vaccines against respiratory viruses. And, just last week, he ousted the newly appointed director of the Centers for Disease Control and Prevention following disagreements over vaccine policy.
In an op-ed published in the Wall Street Journal on Thursday, Susan Monarez, the former CDC director, wrote that she was forced out after she declined to recommend people “who have publicly expressed antivaccine rhetoric” to an influential vaccine advisory panel.
At the hearing, Kennedy said Monarez was lying. Instead, he said he fired her because he asked her if she was trustworthy, and she told him, “no.”
He added that he fired all the members of the vaccine panel because it was “plagued with persistent conflicts of interest.”
“We depoliticized it and put great scientists on it from a very diverse group, very, very pro-vaccine,” he claimed.
In questioning, however, members of his own party questioned his support for vaccines. At one point, Cassidy, a physician, read an email from a physician friend who said patients 65 and older need a prescription to get a COVID-19 shot.
“I would say effectively we are denying people vaccines,” Cassidy said.
“You’re wrong,” Kennedy responded.
In that same exchange, Cassidy asked Kennedy if he believed President Trump deserved a Nobel Prize for his administration’s work on Operation Warp Speed, the initiative that sped the development of the COVID-19 vaccine and treatments.
“Absolutely,” Kennedy said.
Cassidy said he was surprised at his answer because he believes Kennedy is trying to restrict access to the COVID-19 vaccine. He also expressed dismay at Kennedy’s decision to cancel $500 million in contracts to develop vaccines using mRNA technology, which Cassidy said was key to the operation.
Kennedy’s position on vaccines have reverberated beyond Capitol Hill.
Ahead of the hearing, more than 1,000 employees at the health agency and national health organizations called on Kennedy to resign. Seemingly in support of Kennedy’s direction, Florida announced plans to become the first state to end all vaccines mandated, including for schoolchildren. And three Democratic-led states — California, Washington and Oregon — have created an alliance to counter turmoil within the federal public health agency.
The states said the focus of their health alliance will be on ensuring the public has access to credible information about the safety and efficacy of vaccines.
Almost as if in a parallel universe, Kennedy told senators on Thursday that his goal was to achieve the same thing, after facing hours of criticism on his vaccine policies.
“I am not going to sign on to something if I can’t make it with scientific certainty,” he said. “It doesn’t mean I am antivax, it just means I am pro-science.”
This is the story of two Republican doctor-senators named Bill.
One of them, as majority leader from 2003 to 2007, helped a self-described “compassionate conservative” Republican president pass a Medicare prescription drug plan and the President’s Emergency Plan for AIDS Relief (PEPFAR), “the largest commitment by any nation to address a single disease in history.”
The other, as a member of the Senate Finance Committee, voted to send Robert F. Kennedy Jr.’s nomination as secretary of Health and Human Services to the Senate floor. It was a 14-13 vote, so his was a crucial “aye” that allowed a conspiracy theorist, disinformation spreader and anti-vaxxer to become the top public health official in America. He already has defunded world-changing mRNA vaccine research, imposed major restrictions on access to COVID vaccines amid a surging variant of the virus and triggered a crisis at the Centers for Disease Control and Prevention.
“The firewall between science and ideology is completely broken down,” Dr. Demetre Daskalakis, former director of the CDC’s National Center for Immunization and Respiratory Diseases, said Sunday on ABC’s “This Week.” He was part of the shocking CDC leadership exodus last week after the Trump administration forced out CDC Director Susan Monarez.
The trajectory from heart and lung transplant surgeon Bill Frist of Tennessee to gastroenterologist Bill Cassidy of Louisiana is emblematic of the dark Republican Party journey on science and health — from the Bush family to the Trump family, from American greatness to self-defeating denialism on everything from vaccines to cancer research.
There are four doctors in the Senate: Cassidy, orthopedic surgeon John Barrasso of Wyoming, obstetrician-gynecologist Roger Marshall of Kansas and ophthalmologist Rand Paul of Kentucky. All are Republicans and all voted in February to confirm Kennedy.
Eleven of the 17 medical doctors in the House are Republicans, and all of them voted for the nearly $1 trillion in Medicaid cuts in the vast tax-and-spending law that Trump signed on July 4. So did the four dentists in the House, all of them Republicans. The American Dental Assn. endorsed three of them. The fourth is Arizona’s Paul Gosar, a top competitor with Kennedy in the medical disinformation space whose siblings have made ads urging voters to reject him.
Frist was the only doctor in the Senate when he served. After leaving the Senate in early 2007, he joined the Bipartisan Policy Center, where he is a senior fellow and co-chair of its Health Project. He has been on the board of directors of the Nature Conservancy since 2015, and was elected to a three-year term as global board chair in 2022.
Frist has sharply criticized the Medicaid cuts passed into law this year, saying they threaten rural hospitals and public health. Last spring, accepting a 2025 Earth Award from Time Magazine, he said climate health is crucial to human health, and he urged a personal approach to raise American awareness. He often describes his environmental and health missions as inseparable. “Planetary health is human health. Let’s lead with science, unity, and urgency,” he posted on X on Earth Day.
Good luck with that, at least in the short term. The same new law that cuts Medicaid also cuts funds for renewable energy projects and incentives, with conservationists predicting more pollution, fewer jobs and higher energy costs as a result. Only three Republican senators bucked the party tide on that bill, and Paul was the only doctor among them. His breaking point was a provision raising the U.S. debt limit to $5 trillion — not Medicaid or clean energy cuts affecting health.
Cassidy, of course, voted for it. And when Monarez found herself in Kennedy’s crosshairs over vaccines, Cassidy privately intervened for her, which backfired. Now, having failed to spare America this nightmare when he could have, the senator is threatening “oversight” by the health committee he chairs and trying to get a Sept. 18 meeting of unqualified Kennedy-appointed vaccine “advisors” postponed.
This is thin gruel, especially from a doctor once committed to public health and science writ large. Cassidy co-founded a clinic that gave free dental and medical care to the working uninsured, his website says, and created a public-private partnership that vaccinated 36,000 children for hepatitis at no cost to their families. During the Biden presidency, he voted for bipartisan gun safety and infrastructure bills and the bipartisan CHIPS and Science Act to bolster the U.S. semiconductor industry. He was also one of five Republicans voting for a small-business COVID relief bill.
Even more notably, in the Senate impeachment trial after the Jan. 6, 2021, Capitol riot, Cassidy voted to convict Trump of “incitement of insurrection.” “Our Constitution and our country is more important than any one person. I voted to convict President Trump because he is guilty,” he said then. The Louisiana Republican Party censured him the same day.
Now running for his third term, Cassidy is already facing primary challengers who don’t have that baggage. They include state Treasurer John Fleming, a former congressman who worked for Trump in the White House, and public service commissioner Eric Skrmetta, who chaired all three of Trump’s presidential campaigns in Louisiana.
Fleming has said Cassidy’s vote to convict Trump failed the people of Louisiana. And that’s the problem with today’s Republican Party. The truth is that since that brave vote, Cassidy has failed all Americans. He has also assured that his legacy will be the wreckage of our once world-class public health and medical research programs.
On the other side, there is the 314 Action group that is recruiting and funding Democratic doctors and other Democratic scientists to run for office. It’s an openly partisan operation, right up to a snarky-ish all-caps X post about its $1-million commitment to California’s fight to neutralize the five new House seats Texas is trying to add. What else can you do when the other major party, even its medical professionals, is leading, aiding and abetting in the GOP war on science?
“If @SenBillCassidy had a spine, a known anti-vax conspiracy theorist wouldn’t be destroying our public health,” the group posted last Wednesday on X. “He had an opportunity to thwart the confirmation of RFK Jr.,” 314 Action president and founder Shaughnessy Naughton told me in a recent interview. “Instead he chose to go down a different path and go against what his life experience and professional training told him was a dangerous nominee to lead our health services. And he did it anyway. … That is shameful.”
In February, before Kennedy was confirmed, the conservative New York Times columnist Bret Stephens rated him “worst nominee in U.S. Cabinet history.” And then Stephens suggested the person he preferred for the job: Bill Frist.
Jill Lawrence is an opinion writer and author of “The Art of the Political Deal: How Congress Beat the Odds and Broke Through Gridlock.” @jilldlawrence.bsky.social
Seven months on from that tragic day, Kate has discovered a previous social media tribute to the singer, has been shared 4,444 times.
It is very similar to the 4:44 figure adopted by Liam and Kate as their ‘angel number’ prior to his sudden death.
Drawing attention to her shares and their likeness to the angel number on Instagram, Kate, 26, said: “Hi Liam.”
In numerology, 444 is a sign that the ‘angels are with you’ and are ‘there to guide you step by step’.
The way the figures are formed means they represent stability and a reassurance that you are not alone.
Following his death, Kate added ‘444’ to her emotional tribute to her ‘angel’ boyfriend and shared a snap of a note where Liam had written the numbers.
It showed the former One Direction band-member’s fascination with ‘angel numbers’ and ‘manifesting’.
Kate revealed that she and Payne had been ‘manifesting their lives together’ – which was heavily associated with the number 444.
Liam Payne revealed guilt over spending money on himself and determination to help family with debts as late star’s staggering fortune revealed
Numerology expert Sunny Dawn Johnston told Glamour: ‘When you see these numbers, know deep within that the angels are speaking to you, guiding and supporting you.
‘It’s a blessing to be in such direct communication with the divine.’
Only a few days ago, heartbroken Kate shared a snap a sweet unseen snap of the singer taken before his sad death.
Although you couldn’t see their faces, Liam’s distinctive eagle tattoo could be seen on his hand.
Liam Payne’s sad death
On October 16, 2024, Liam Payne sadly died, leaving family, friends and fans devastated.
Here we take you through the biggest stories to unfold since his tragic passing:
The grieving girlfriend often posts sweet pictures of her beloved Liam, as she tries to come to terms with his death.
Speaking to ITV‘s Lorraine, she said: “I’m going through this healing journey, sometimes it’s hard for me to get out of bed in the morning and something I don’t want to do.”
