appearance

Nadia Sawalha explains her swollen appearance as she details her painful health condition after a discussion with Dr Zoe which has left her face feeling ‘bruised’

Loose Women star Nadia Sawalha is suffering from a painful health condition as she opens up about her appearance and her experience chatting to Dr Zoe Williams.

During the show on Thursday, 30 October, Jane Moore asked Nadia the reason she had her glasses on and opted for a no-makeup look. Nadia joked that in the past, if she wore her glasses, then people would think she was hungover, before she explained that her face felt ‘bruised’ due to her stress levels.

She discussed how she thought it was an allergy at first before explaining: “It just feels a bit bruised, but lovely doctor Zoe came and saw me, I had my own session with her in my dressing room, and I said to her ‘honestly Zoe I think it’s stress’ and she agreed.”

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Nadia explained how Zoe suggested taking deep breaths and taking a bit of ‘time out’. Nadia went on to say that she hadn’t cried properly in about ‘two or three years’, saying: “I cry a little bit and then I stop. I honestly think it is that. When we get stressed, why do we think it doesn’t impact our body?” She went on to thank Zoe and said she was a ‘special woman’.

The Loose Women panellist also shared a video on her Instagram page where she revealed her sister couldn’t believe she was going on live TV ‘looking like that’. Nadia revealed her sister said she looked like she ‘had three bottles of sauvignon blanc’ and had ‘fallen asleep in a hedge’.

Fans rushed to send their well wishes as one person wrote: “Bless you Nadia I hope it clears up soon it looks uncomfortable”, while another added: “Ohhh Nadia I love how strong and humble you are. You’re beautiful inside out even with puffy eyes. Hope they get better”.

It follows after Nadia recently opened up on her 23-year marriage, revealing that it nearly ended over her husband’s intense jealousy. The 60-year-old married husband Mark Adderley in 2002 and has previously opened up about hurdles in their relationship.

Nadia spoke in the past about her husband achieving sobriety after struggling with alcohol for many years and being diagnosed with Bipolar II disorder and depression back in 2021. Now, the TV personality has revealed that after quitting alcohol, Mark began to suffer with jealousy.

Nadia told the ITV show: “My kids hate it what doesn’t kill us makes us stronger but I think that it probably has with Mark and I. I think about when things have been really tough in our marriage and we’ve thought, ‘God we’re not going to get through this’ but then we do.

“For him, it definitely would have been points through my menopause when I was a screaming banshee nutter. I was very difficult, I was awful.”

As for his behaviour that she struggled him, Nadia said: “He’s been brilliant with his sobriety and then after the sobriety, after he got sober, he cross-addicted a lot to jealousy and the jealousy was just awful. It was so bad.

“When we went to couples’ counselling, I said that unless you do some work on this, we’re not going to survive it. It’s something that’s made me love him even more that he’s done work on that.”

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Ben Stiller has made a lovely, dreamlike film about his parents, the comedian-actors Jerry Stiller and Anne Meara, which is also a film about himself, his sister, Amy Stiller, and his own fatherhood as reflected back by his children and his wife, the actor Christine Taylor. Premiering Friday on Apple TV, “Stiller & Meara: Nothing Is Lost” is a show business story, in large part, but will be emotionally familiar to anyone who has had the occasion to wonder about their parents’ lives, in their parents’ absence.

Though both had set out to be actors — “I carried Eleanora Duse’s life under one arm,” says Anne, “and ‘An Actor Prepares,’ Stanislavski, under the other” — Jerry had been thinking of getting into comedy when he met Anne. They married in 1954, but it wasn’t until 1963 that the conjoined career of Stiller and Maera took off, with an appearance on “The Ed Sullivan Show.” They might play the last two people on Earth meeting for the first time, or an Irish girl and a Jewish boy matched by computer dating. He was a fretful perfectionist who would endlessly rehearse; Anne was naturally funny; she flowed.

As documentary subjects go, the Stillers were not remarkably dysfunctional — no violence, no skeletons — past the not uncommon situation of parents whose work, or fixation on work, often took them away from their kids, physically or mentally, with the added fillip of that work having made them famous. (There are references to Anne’s drinking, which bothered Jerry, but this is not a hole the film runs down, and there’s nothing here to suggest it diminished her life or work.) As different people with different goals — “My mom wanted to be happy independent of performing,” says Ben, “and I think for my dad performing was so important to him it was part of his happiness” — there was tension, but they loved each other, and they loved their kids, and stayed married for 62 years, until Anne’s death in 2015.

Stiller frames the film with his and Amy’s return to the Upper West Side apartment where they were raised in order to clear it out to be sold, providing the opportunity to see what their parents had left behind. (Jerry died in 2020.) And it was a lot — nothing is lost if nothing is thrown away. There are love letters, diaries, scripts, manuscripts. (Anne: “I think Jerry has a need to keep his name going and for some reason he thinks that when we check out and pass over that the Smithsonian institute is going to want his memorabilia.”) Jerry had a habit, amounting to a compulsion, of documenting their life on film and tape; some of their conversations, and arguments, would turn into routines. (“Where does the act end and the marriage begin?” Anne wonders.) Raised voices in another room might be rehearsing or fighting. One routine consisted of escalating declarations of hate: “I hated you before I met you.” “I hated you before you were born.”

They quit playing nightclubs in 1970 (they drove her “meshuggah”), but remained in public view — in guest appearances, game shows and talk shows, where, unlike the highly managed appearances of today, they seemed ready to dish the dirt on themselves, providing Ben Stiller with material for this film. And they went to work as actors, each amassing a long list of screen and stage appearances. Jerry, of course, is now best known from “Seinfeld,” where he played George’s father, Frank Costanza, and “The King of Queens,” acting in nearly 200 episodes.

Much of it has to do with Ben and Amy as children of famous people, of family vacations that became working vacations, and growing up on display. In one clip from “The Mike Douglas Show,” the siblings perform “Chopsticks” as a screechy violin duet. Young Ben, already interested in film and asked by an interviewer if his parents will feature in his movies, says that they won’t: “I’ll be making adventure or a murder or something like that, but never a comedy. I don’t like comedy.”

We get glimpses of Stiller’s own prolific career — in comedy, mostly, as it turned out — as well as confessions of his own failings as a family man. (His children, Quin and Ella, get to have their good-humored but penetrating say, as does Taylor, from whom he separated in 2017, and with whom he reunited during the pandemic.) But there’s no evident resentment on the part of Ben and Amy, just curiosity and self-examination as adults whose own lives have taught them something about being adults, amid the knowledge that their parents had parents, too, and some of their imperfections became imperfections of their own.

Both Anne and Jerry had come from dark places. “Their lives were always reaching for the light,” says the playwright John Guare, whose black comedy “The House of Blue Leaves” Anne performed in off-Broadway. “Why don’t you become a stagehand?” Jerry’s father told him when Jerry first told him of his ambition. “Where do you get off trying to be Eddie Cantor?” Anne’s mother died by suicide. “Your father was kind of a saint, you know,” Christopher Walken tells Ben.

Stiller’s approach is musical; his assembly of clips and photos is musical — poetic, not prosaic. He ends his film with a conversation between Jerry and his aged father, Willie, cut to a montage of the family through time.

“Isn’t this better than anything, just being alive?” says Jerry. “When we go, we’ll go together, you and me”

Willie: “Yeah, OK, hold hands and everything else.”

“You’ll take me to shows again when we get up there?”

“Yeah, when I go I’ll take you any place. … What is this?”

“It’s a tape recorder. … Whatever you say is on that tape. They’ll hear you forever. You’ll never be lost.”

And we see young Ben, filming a camera that’s filming him, as his father steps in behind him.

NORFOLK, Va. — New York Atty. Gen. Letitia James is set to make her first court appearance in a mortgage fraud case on Friday, the third adversary of President Trump to face a judge on federal charges in recent weeks.

James was indicted earlier this month on charges of bank fraud and making false statements to a financial institution in connection with a 2020 home purchase in Norfolk, Va. The charges came shortly after the official who had been overseeing the investigation was pushed out by the Trump administration and the Republican president publicly called on the Justice Department to take action against James and other political foes.

James, a Democrat who has sued Trump and his administration dozens of times, has denied wrongdoing and decried the indictment as “nothing more than a continuation of the president’s desperate weaponization of our justice system.”

The indictment stems from James’ purchase of a modest house in Norfolk, where she has family. During the sale, she signed a standard document called a “second home rider” in which she agreed to keep the property primarily for her “personal use and enjoyment for at least one year,” unless the lender agreed otherwise.

Rather than using the home as a second residence, the indictment alleges, James rented it out to a family of three. According to the indictment, the misrepresentation allowed James to obtain favorable loan terms not available for investment properties.

James drew Trump’s ire when she won a staggering judgment against the president and his companies in a lawsuit alleging he defrauded banks by overstating the value of his real estate holdings on financial statements. An appeals court overturned the fine, which had ballooned to more than $500 million with interest, but upheld a lower court’s finding that Trump had committed fraud.

James’ indictment followed the resignation of Erik Siebert as U.S. attorney for the Eastern District of Virginia after he resisted Trump administration pressure to bring charges. Siebert was replaced with Lindsey Halligan, a White House aide and former Trump lawyer who had never previously served as a federal prosecutor and presented James’ case to the grand jury herself.

On Thursday, lawyers for James asked for an order prohibiting prosecutors from disclosing to the news media information about the investigation, or materials from the case, outside of court.

The motion followed the revelation from earlier this week that Halligan contacted via an encrypted text messaging platform a reporter from Lawfare, a media organization that covers legal and national security issues, to discuss the James prosecution and complain about coverage of it. The reporter published the exchange that she and Halligan had.

“The exchange was a stunning disclosure of internal government information,” lawyers for James wrote.

They added: “It has been reported that Ms. Halligan has no prosecutorial experience whatsoever. But all federal prosecutors are required to know and follow the rules governing their conduct from their first day on the job, and so any lack of experience cannot excuse their violation.”

The motion also asks that the government be required to preserve all communications with representatives of the media as well as to prevent the deletion of any records or communications related to the investigation and the prosecution of the case.

Separately on Thursday, defense lawyers said they intended to challenge Halligan’s appointment, a step also taken this week by attorneys for former FBI Director James Comey in a different case filed by Halligan. Comey has been charged with lying to Congress in a criminal case filed days after Trump appeared to urge his attorney general to prosecute him, and he has pleaded not guilty.

A third Trump adversary, former national security adviser John Bolton, pleaded not guilty last week to charges against him of emailing classified information to family members and keeping top secret documents at his Maryland home.

The Justice Department has also been investigating mortgage fraud allegations against Democratic Sen. Adam Schiff of California, whom Trump has called to be prosecuted over allegations related to a property in Maryland. In a separate mortgage investigation, authorities have been probing allegations against Federal Reserve Board member Lisa Cook, who is challenging a Trump administration effort to remove her from her job. Schiff and Cook have denied wrongdoing.

Finely and Richer write for the Associated Press. Richer reported from Washington. Associated Press reporter Eric Tucker in Washington contributed to this report.

POP star Sabrina Carpenter is a white for sore eyes in a revealing outfit.

The Espresso singer, 26, was seen leaving TV show Saturday Night Live’s after-party in New York.

She had appeared in a sketch as a young boy interviewing “President Donald Trump” for a podcast.

Sabrina also addressed the controversy over the cover for her latest album Man’s Best Friend, which showed her on all fours being grabbed by the hair.

She said the pic was cropped and joked that the original showed SNL’s Bowen Yang ­lifting her up by the hair after she had been pushed over by actor Martin Short.

Fans have rushed to her defence and accused SNL of “trying to sabotage” her following a tech issue during one of her skits.

NONSENSE

Sabrina Carpenter fans accuse SNL of ‘trying to sabotage’ star after tech issue

manchild

Sabrina Carpenter jokes she’s ‘had to train men’ – as she strips off for shoot

The singer returned to the late-night live sketch comedy show to host and perform on Saturday night but her mic briefly went off mid-skit.

This meant viewers were unable to decipher what the Espresso singer was saying.

She continued to say her lines with the other SNL stars before the mic was switched back on after a few songs.

However, her loyal fans were left unhappy and flocked to social media to share their frustration.

One person wrote: “Brief mic problem. Can’t recall ever seeing that before.”

Another fan of the Grammy award-winner fumed: “Who cut off Sabrina’s mic in the middle of the skit? They tryna sabotage my girl.”

ATLANTA — The head of a nonpartisan agency tasked with finding a prosecutor to take over the Georgia election interference case against President Trump and others is asking for more time after a judge set a two-week deadline for that appointment to be made.

Fulton County Superior Court Judge Scott McAfee, who’s overseeing the case, wrote in an order Friday that if the Prosecuting Attorneys’ Council doesn’t appoint a new prosecutor or request a “particularized extension” within 14 days, he would dismiss it. The fate of the case has been in limbo since Fulton County District Atty. Fani Willis was disqualified from continuing the prosecution over an “appearance of impropriety” caused by a romantic relationship she had with the lead prosecutor.

Pete Skandalakis, executive director of the Prosecuting Attorneys’ Council, said in a court filing Monday that his office has yet to receive the physical case file and does not expect to receive it for about four weeks. He asked McAfee to reconsider his order or to give him at least 90 days after he receives the case file to appoint a new prosecutor.

Without the case file, Skandalakis wrote that he “cannot intelligently answer questions of anyone requested to take the appointment or to do his own due diligence in finding a prosecutor who is not encumbered by a significant appearance of impropriety.”

He noted the case is one of 21 waiting to have a prosecutor assigned by his office. So far in 2025, he wrote, 448 criminal matters have been referred to his office because of a conflict of interest or a recusal by the relevant elected prosecutor.

“Each case requires individual review and assignment due to the unique nature of conflicts and the facts and circumstances of the particular case,” he wrote. Because of the complexity of the election case and the extensive resources required to handle it, “it will require time” to find someone to take it on, the filing says.

Even if a new prosecutor is named, it is unlikely that any prosecution against Trump could move forward while he is the sitting president. But there are 14 other people still facing charges in the case, including former White House chief of staff Mark Meadows and former New York mayor and Trump attorney Rudy Giuliani.

If a new prosecutor is named, that person could continue on the track that Willis had charted, decide to pursue only some charges or dismiss the case altogether.

Willis announced the indictment against Trump and 18 others in August 2023. She used the state’s anti-racketeering law to allege a wide-ranging conspiracy to try to illegally overturn Trump’s narrow loss to Democrat Joe Biden in the 2020 presidential election in Georgia.

Defense attorneys sought Willis’ removal after the revelation in January 2024 that she had engaged in a romantic relationship with Nathan Wade, the special prosecutor she had hired to lead the case. The defense attorneys said the relationship created a conflict of interest, alleging that Willis personally profited from the case when Wade used his earnings to pay for vacations the pair took.

McAfee rebuked Willis, saying in an order in March 2024 that her actions showed a “tremendous lapse in judgment.” But he said he did not find a conflict of interest that would disqualify Willis. He ultimately ruled that Willis could remain on the case if Wade resigned, which the special prosecutor did hours later.

Defense attorneys appealed that ruling, and the Georgia Court of Appeals removed Willis from the case in December, citing an “appearance of impropriety.” The high court last month declined to hear Willis’ appeal, putting the case in the lap of the Prosecuting Attorneys’ Council.

Brumback writes for the Associated Press.

The problem with betting on a sure thing over and over is that eventually your luck will probably run out.

“Saturday Night Live” has bet multiple times on Bad Bunny, an incredibly charismatic performer who was all over the show’s 50th anniversary specials earlier this year and who was an excellent host and musical guest in late 2023.

For the “SNL” 51st season premiere, Bad Bunny’s streak as a perfect go-to personality for the show has ended with an episode that was bafflingly weak, with dated sketches and writing that didn’t cater to the host’s strength as the show’s done in the past. Even appearances from Jon Hamm, “One Battle After Another” actor Benicio del Toro and Huntr/x, the trio of singers from the wildly popular “KPop Demon Hunters,” barely moved the needle on an episode that couldn’t find its footing until “Weekend Update” and then quickly lost momentum again afterward.

The musician is coming off a lengthy residency of concerts in Puerto Rico and was just announced as the 2026 Super Bowl halftime performer. Hosting the premiere should have been a victory lap with a summer’s worth of strong sketches to kick off the season. But it comes at a time of major cast and writer turnover, which couldn’t have helped. Last time he hosted, Bad Bunny was served well by sketches that either let him play himself, or let him speak throughout in Spanish (“The Age of Discovery” being a perfect example).

This time, he had to portray in English an obsessed “Kpop Demon Hunters” fan who happens to be an adult, a contestant on “Jeopardy” who simply can’t form answers into questions, a man who wants to donate sperm to strangers in a restaurant, and a member of a group of Spaniards in 900 A.D., including del Toro, trying to form the rules of their language (but discussed in English, for some reason).

The host fared a little better in two late sketches, one about an amorous principal (Ashley Padilla) disciplining a student (Marcello Hernández), and an homage to “El Chavo del Ocho” that wasn’t very funny, but was at least a pretty accurate recreation of the Mexican sitcom.

We’ve seen Bad Bunny soar on “SNL” when the material is built around his charm and abilities. This time, the writers shoehorned him into multiple sloppy sketches (“Jeopardy,” in particular, felt half-baked) that could have been written for any guest host. He deserved better.

Musical guest Doja Cat performed “AAHH MEN!” and “Gorgeous.” She didn’t appear in any sketches.

In the season’s first cold open, “SNL” relied again on the premise of a sketch getting going — in this case Defense Secretary Pete Hegseth (Colin Jost) berating U.S. military generals — and then being interrupted by a President Trump (James Austin Johnson) monologue. Given all the new cast members, Jost was a surprise to carry the first part, in which he complained as Hegseth, “our military is gay as Hell!” Hegseth said the military must be a place where there are “no fug-ups, no fatties, no facial hair, no body hair. Just hot shredded hairless men who are definitely not gay!” When Trump appeared, he said, “‘SNL’ 51 — off to a rough start. Seventeen new cast members and they got the ‘Update’ guy doing the cold open.” His meta commentary included references to the controversial Riyadh Comedy Festival (Jost claimed he wasn’t invited), and a bad joke about Saudi Arabia that drew groans: “We like the Saudis because they like to saw-deez journalists in half.” Mikey Day appeared briefly as FCC Commissioner Brendan Carr and before Trump concluded, he made the “SNL” crew, whom he claimed as Trump voters, promise to “keep an eye on Marcello for me.”

In his monologue, Bad Bunny said the reason he wasn’t serving as musical guest like the last time he hosted was that he needed to rest. He showed footage from one of his concerts, including a shot of Hamm dancing along. Hamm was shown in the audience wearing the same tropical outfit. As for the Super Bowl controversy, the host deftly addressed it by showing a spliced together Fox News clip with hosts saying, “Bad Bunny is my favorite musician and he should be the next president.” Then, in Spanish, he thanked Latino fans in particular who’ve supported him and said that no one can erase their contributions to the United States. “If you didn’t understand what I said, you have four months to learn,” he concluded.

Best sketch of the night: ChatGPTío might take unexpected pictures of you

ChatGPT might be too nice and sycophantic; what if it were more like a Latino uncle who’s honest to a fault with you? In this mock commercial for OpenAI hosted by Chloe Fineman, Hernández and Bad Bunny play AI characters within ChatGPT who give loud advice and sometimes call in the middle of the night to ask about Smash Mouth. How do you make vegan banana bread? “You don’t!” Was Jesus really God? “Yes.” It doesn’t quite work as a concept if you think too much about it, but Hernández makes a meal yet again out of playing a Latino elder with strong opinions.

Also good: Huntr/x keep it ‘Golden’ for a superfan

While it wasn’t the best showcase for Bad Bunny, who struggled with line deliveries, this sketch about a “Kpop Demon Hunters” fan had a surprise appearance by the singers from the animated movie’s soundtrack, who performed part of their hit “Golden” and had some strangely funny dialogue, such as the reveals that one of the brunch companions is on the Epstein list (for flying JetBlue through his island) and another was the writer of the Sydney Sweeney American Eagle Jeans commercial. It also featured Bowen Yang as “Demon Hunters” villain Jinu singing “Soda Pop,” another fun surprise.

‘Weekend Update’ winner: Expect someone to make They K. Rowling shirts after this

New cast member Kam Patterson made his debut in a segment begging “SNL” to let him use the N-word (“I’m a stand-up comedian from Florida, saying that word is what I do!”). But it was Yang in prosthetics as Dobby the House Elf from “Harry Potter” who won the night despite a hilarious wardrobe malfunction — his rag outfit kept coming off at the shoulder. Dobby begins by defending J.K. Rowling’s views on transgender people, but ends up questioning the author’s views and freeing himself in the process with his possession of a They K. Rowling T-shirt. It’s a good thing Yang didn’t leave “SNL” as was rumored because this episode badly needed him.

A pretty UK seaside town may look like a picturesque holiday spot – but it has a dark history. Now locals are remembering those who were brutally killed in the 17th century with a new plaque

While it may be a picturesque seaside spot, this pretty town has quite a dark history behind it.

Weymouth is a seaside town located in Dorset, southern England and it’s know for it’s sandy beach, decorated with colourful beach huts and backed by Georgian houses. But what we see Weymouth as today was the total opposite to the dark chapter in history in the 17th century filled with brutal killings and bloody streets.

Two hundred and forty years ago, in September 1785, 12 local men were hanged, drawn and quartered in the town for their involvement in the Monmouth Rebellion.

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The brutal sentence was delivered by Judge Jeffreys at the Antelope Hotel in Dorchester during the infamous ‘Bloody Assizes’. This new plaque brings the total number of installations on the trail to 19.

Nowadays, Greenhill gardens is an award-winning gardens in Weymouth, with a tennis court, putting, bowling, live music events and two cafes. It has become a picturesque haven, beloved by locals and visitors for its vibrant floral displays and sweeping sea views, and the contrast between its serene present and brutal past adds a poignant depth to the town’s historical narrative.

Now locals from the We Are Weymouth group have unveiled a powerful new addition to the town’s heritage trail: a commemorative plaque on the Promenade at Greenhill, marking one of the darkest chapters in Weymouth’s history.

Graham Perry, chair of We Are Weymouth, said: “It is ironic that the first historical mention of Greenhill, one of the most beautiful spots in Weymouth, is in relation to this horrific event.

“The installation of this plaque helps us to remember the many layers of Weymouth’s history – both the celebrated and the sombre – and ensures they are not forgotten.”

The heritage trail, which celebrates the unification of Weymouth and Melcombe Regis in 1571 under Queen Elizabeth I, takes visitors on a journey through the town’s rich past. Highlights include the arrival of the Black Death, Weymouth’s rise as a Georgian resort, and its strategic role in the D-Day invasion.

Later this year, two additional plaques will be installed along Preston Beach, sharing stories from Lodmoor, a saltmarsh reserve with diverse wildlife, including waders, ducks, terns, and winter birds, and a reedbed with Bitterns and Bearded Tits.

Once complete, the trail will form a continuous historical journey from the Roman temple at Bowleaze to the iconic Nothe Fort, offering a superb and immersive experience for residents and visitors alike.

These initiatives reflect We Are Weymouth’s ongoing commitment to placemaking, community engagement, and celebrating the town’s unique heritage.

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Bad Bunny will headline the halftime show at next year’s Super Bowl LX, organizers announced Sunday.

This will be the Puerto Rican musician’s second time at the Super Bowl following his appearance with Shakira and Jennifer Lopez during halftime of 2020’s game.

“What I’m feeling goes beyond myself. It’s for those who came before me and ran countless yards so I could come in and score a touchdown,” Bad Bunny — whose real name is Benito Antonio Martínez Ocasio — said in a statement, noting that “this is for my people, my culture and our history.

“Ve y dile a tu abuela, que seremos el halftime show del Super Bowl,” he added in Spanish, which translates to a request to tell your grandma that he’s playing the Super Bowl.

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Roc Nation, the sprawling entertainment company founded by Jay-Z, will again produce the event. The company partnered with the NFL in 2019 to consult on live music events and social justice initiatives, including producing and selecting performers for the Super Bowl halftime show.

“What Benito has done and continues to do for Puerto Rico is truly inspiring,” Jay-Z said in the statement. “We are honored to have him on the world’s biggest stage.”

While the big game is an anticipated event for football fans, the halftime spectacle is just as much of an eagerly awaited cultural affair, drawing considerable speculation annually about which star will take what’s widely regarded as music’s biggest stage.

Names that made the rounds this year included Adele and Taylor Swift, with the latter hitting overdrive earlier this month when NFL Commissioner Roger Goodell made an appearance on “Today” and said, “We would always love to have Taylor play. She is a special, special talent, and obviously she would be welcome at any time.” When asked if talks were in the works with the singer, who is engaged to Kansas City Chiefs star Travis Kelce, Goodell tried to sidestep the question before responding, “It’s a maybe.”

Bad Bunny’s headlining gig — announced during halftime of Sunday’s Packers-Cowboys match-up at AT&T Stadium in Arlington, Tex. — follows Kendrick Lamar’s performance at this past February’s Super Bowl LIX. Ratings for the Compton-born MC’s halftime show, in which he famously dissed the Canadian rapper Drake and launched a TikTok craze over his flared Celine jeans and “Not Like Us” shuffle, were the highest of all time, according to Nielsen, which said the telecast drew more than 127.7 million viewers. It also earned him an Emmy for music direction, an award he shared with co-music director Tony Russell.

Super Bowl LX will take place Feb. 8 at Levi’s Stadium in Santa Clara, Calif., and will air on NBC.

Dave Roberts often refers to his bullpen hierarchy as something of a “trust tree,” with branches of relievers he can trust in leverage spots.

Right now, however, it’s been more like a shriveled-up houseplant. Barren, depleted and long-shunned from the sun.

On the season, the Dodgers’ 4.33 bullpen ERA ranks 21st in the majors. Since the start of September, that number has climbed to a stunning 5.69 mark. Closer Tanner Scott has converted less than one-third of his save opportunities, his ERA rising to 4.91 after his latest meltdown on Tuesday. Top right-hander Blake Treinen had been the losing pitcher in each of the Dodgers’ five defeats before that, sending his ERA to a career-worst 5.55.

Plenty of others have been responsible for the Dodgers’ late-game incompetence. Kirby Yates has flopped as a veteran offseason signing. Michael Kopech has struggled through injuries and a lack of reliable command. Rookies like Jack Dreyer, Edgardo Henriquez and the since-demoted Ben Casparius have regressed after promising flashes earlier this summer. And the lone reinforcement the front office acquired at what now feels like a regrettably quiet trade deadline, Brock Stewart, is uncertain to return from a bothersome shoulder problem.

It leaves the Dodgers with only one full-time relief arm sporting an ERA under 3.00 this season — Alex Vesia, who has a 2.62 mark in 66 appearances.

It has turned the final days of the regular season into an all-out manhunt for even the slightest of trustworthy playoff options.

“What does that mean?” manager Dave Roberts said, when asked what qualifies as “trust” right now. “It means guys that are gonna take the mound with conviction. That are gonna be on the attack. That are gonna throw strikes, quality strikes, and compete. And be willing to live with whatever result.”

On Wednesday, that’s the backdrop against which Roki Sasaki rejoined the Dodgers’ active roster — the raw and developing 23-year-old rookie pitcher, coming off a five-month absence because of a shoulder injury, returning in hopes of supplying Roberts’ crippling trust tree with an unexpected limb.

Sasaki’s return was not supposed to be this important. Up until a couple weeks ago, his disappointing debut season seemed likely to end with a stint in the minors.

Yet over the last 15 days, circumstances have changed. Sasaki rediscovered 100-mph life on his fastball. He excelled in two relief appearances with triple-A Oklahoma City. And suddenly, he seemed like a potentially better alternative to the slumping names that have repeatedly failed on the Dodgers’ big-league roster.

Thus, the Japanese phenom is back again, activated from the IL before Wednesday’s game as Yates, who has a 5.23 ERA this year and was slipping out of the Dodgers’ postseason plans, was placed on the IL with a hamstring strain.

“I just think [he needs to focus on] giving everything he has for an inning or two at a time, and let the performance play out,” Roberts said of Sasaki. “Just go after guys, and be on the attack.”

Sasaki’s revival began earlier this month, when he went to Arizona after four poor starts in a minor-league rehab assignment to work with the organization’s pitching development coaches.

At that point, Sasaki had lost his tantalizing velocity, hardly even threatening 100 mph since his adrenaline-fueled debut in Tokyo back in March. His command was just as shaky, averaging more than 5 ½ walks per nine innings in his first season stateside. Even his pitch mix required an examination, after his predominantly fastball/splitter arsenal was hammered in both the majors (where he had a 4.72 ERA in eight starts to begin the season) and the minors (where he had a 7.07 ERA in his first four rehab starts) by hitters who could too easily differentiate his stuff.

“Me, him and his translators went in the lab and sat down and watched video for a few hours, and just talked,” said Rob Hill, the Dodgers’ director of pitching who worked with Sasaki at the club’s Arizona facility. “It wasn’t as much solving this like, master plan or whatever. It was moreso helping him actualize the things that he was seeing.”

In Hill’s view, Sasaki’s mechanics had suffered from a shoulder injury that, even before this year, had plagued him since his final season in Japan.

While the two watched film, Hill said they found discrepancies between things Sasaki “still almost thought he was doing” in his delivery, but weren’t translating in how he actually threw the ball.

“I think a lot of it just came from his body changing, the way he was throwing due to throwing hurt for probably a couple years,” Hill said. “He knew what he wanted to do, but he couldn’t quite tap into the way to do it.”

What followed was a series of mechanical tweaks that got Sasaki’s fastball back around 100 and his trademark splitter to more closely mirror his four-seamer when it left his hand. Sasaki also added a cutter-like slider, giving him another weapon with which to confuse hitters and induce more soft contact.

When the right-hander returned to the minors, he struck out eight batters over a solid 4 ⅔-inning, three-run start on Sept. 9. He then impressed with two scoreless appearances in relief last week, after club executives asked Sasaki to experiment in the bullpen.

Now, he is rejoining the Dodgers for the final five games of the season. The team is hopeful that his small sample size of recent success has made him a legitimate postseason relief option.

“I guess it’s fair to say I’m just going to throw him in on the deep end,” Roberts said of how he will use Sasaki going forward, noting there aren’t many “low-leverage” opportunities in an end-of-season division race.

“If we’re expecting him to potentially pitch for us in the postseason, they’re all leverage innings. So I don’t think we’re going to run from putting him in any spot.”

Odds are that Sasaki won’t be a cure-all for the Dodgers’ late-game woes. A pitcher of such little experience and developmental uncertainties is anything but a lock to post zeroes in the playoffs.

Still, the team will take whatever bullpen help it can get. Already, Clayton Kershaw has made himself available for relief appearances and could pitch in late-inning leverage spots in October. Emmet Sheehan also will join the bullpen mix come the playoffs, likely as a multi-inning option to piggyback with starters.

In the meantime, the club is searching for even a couple more reliable arms — just one or two branches on the bullpen’s hierarchy tree for Roberts to trust.

It wasn’t supposed to be this way. The Dodgers’ sudden need for someone like Sasaki is a reflection of the roster’s underlying flaws. But he will try taking on a potentially critical role in a rookie season that once seemed lost.

“He’s been in the ‘pen for the triple-A team, and he’s been really good,” Roberts said. “So I’m looking forward to seeing it with our club.”

STRICTLY star Anita Rani looks all loved up with her new boyfriend as the pair step out in public at a Burberry London Fashion Week show.

The British radio and television presenter – who starred on the iconic BBC dancing competition in 2015 – split from her husband Bhupi Rehal in 2023 after 14 years of marriage.

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Earlier this month, The Sun exclusively reported how the broadcaster had fallen in love with Alex Lavery.

Countryfile anchor Anita, 47, has now been seen with her new man as the pair attended a London Fashion Week show.

The couple looked smitten as they held hands and wandered through the streets of the capital city.

Anita wore a copper-coloured jumpsuit, which appeared to be loosely fitted and boasted of a plunging neckline.

She completed the look with a classic Burberry trench, some green pointed boots that had a stiletto heel, and a tan-coloured shoulder bag.

Anita wore her brunette bob in a sleek style which was straight and glossy.

Meanwhile, her hunky man could be seen in a pair of dark grey jeans, with a black top, a grey jacket and a pair of brown boots.

The smitten pair walked hand in hand as they smiled at one another, with them even bursting out in laughter in one snap.

Earlier this month, the couple were spotted running errands at homeware store B&Q.

As the pair were papped at the start of September, Alex was seen with a tote bag slung over his shoulder and carrying some soil.

At the time, Anita walked closely alongside her man as they made their way to his car.

The pair were also all smiles in a selfie posted from the Green Man festival in August, with Anita and Alex seen posing with her pals.

Anita, who tagged Alex’s work account and also follows his personal page on Instagram, is clearly embracing her next life chapter.

Her man is in charge of an immersive sonic experience company called Frqncy Ldn.

The company “explores the effects of sound and mind on the body.”

He recently focused on the gong instrument, composing and writing the score for the instrument on new release, The White Edition.

Anita proved the supportive partner as she wrote underneath: “It’s a stunner.”

Meanwhile, Alex’s brand has also performed sound meditations as part of Glastonbury Festival’s wellness programme.

Previously, Anita and Alex were seen watching Lankum and Mogwai at South Facing Festival in Crystal Palace park.

At the time, a source told The Sun: “Anita and this bloke were clearly very close and more than just friends – she was wrapped around him in the VIP area then they walked off into the crowd together looking really happy.”

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Coronation Street star Richard Winsor will bow out of the ITV soap next week after months of playing the villain in a ‘twisted’ storyline involving Todd and Theo

Coronation Street star Richard Winsor will bow out of the ITV soap next week. The actor, 43, has been playing Noah Hedley on the long-running serial for the fast few months, and is at the centre of a controversial storyline.

When Theo Silverton (James Cartwright) made his debut on the programme, he was introduced as a married man who had two kids with wife Danielle (Natalie Anderson) before it was revealed that he had been put through conversion therapy earlier in life. After his wife left him once his affair with Todd Grimshaw (Gareth Pierce) was exposed, she struck up a relationship with homophobic church clerk Noah, and he has been on a campaign of hate ever since.

The church clerk has also ruffled feathers by interrupting Danielle and Theo’s family liaison meetings and trying to replace him as the dad in their life, whilst running series of so-called conversion sessions at the local community centre. But now, his tenure on the cobbles is all about to come to an end in what is being teased as an ‘explosive’ set of scenes.

READ MORE: Coronation Street’s Todd Grimshaw left on verge of tears after vicious attackREAD MORE: Coronation Street’s Betsy Swain ‘in danger’ as she realises mum is ‘back from the dead’

An insider told The Sun : “Richard’s done a great job as Noah. He was brought in as a guest star for a specific storyline and he’s knocked it out of the park playing such a twisted villain.

“But the character will leave next week and it’s set to be explosive and spark fireworks on the cobbles!” The whole drama with Noah has also had a massive effect on Todd, as Theo has turned nasty towards him amid it all.

Viewers have seen Todd become a victim of control as he was forbidden from seeing former boyfriend Billy Mayhew (Daniel Brocklebank), and in disturbing scenes that aired last month, Theo grabbed hold of him and forced him to eat a kebab.

Spoilers have already revealed that next week, as Theo is quizzed about his violent temper, Theo assures them a moment with son Miles was an accident. But it’s Theo’s partner Todd who’s left lashing out when Noah makes derogatory remarks under his breath.

Todd ends up being escorted out by security, but will this impact Theo’s case? Later on Noah tracks the couple down and makes homophobic jibes at them – but he’s furious when Theo refuses to rise to it.

When Danielle soon arrives with some shock news about Noah, what has happened and how will Theo react? The next day, Todd is left baffled by Theo’s reaction to the news about Noah when all he ever did was make Theo’s life a misery.

Prior to landing the role of Noah, actor Richard was best known for starring as Cal Knight in Casualty, but he was killed off in shock scenes after three years on the programme in 2017.

He also had a part in Hollyoaks for a period of time, but, outside of television, he is known for his theatre work. A trained dancer as well, he has starred in productions of Edward Scissorhands, Swan Lake, and Saturday Night Fever.

Coronation Street runs Mondays, Wednesdays and Fridays at 8pm on ITV1. Episodes can also be downloaded on ITVX.

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ERIC Dane did not appear at the Emmy Awards despite a scheduled appearance.

The Grey’s Anatomy alum, 52, had been previously announced as a presenter for the swanky TV ceremony on Sunday, September 14.

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Eric did not provide an explanation for his sudden absence.

The awards ceremony was expected to be Eric’s first major event since he opened up about his health battle in June during an appearance on Good Morning America.

Eric first announced his battle with amyotrophic lateral sclerosis, otherwise known as ALS, in April in an interview with People.

“I have been diagnosed with ALS,” the TV star shared. “I am grateful to have my loving family by my side as we navigate this next chapter.”

Eric shares two children, Billie Beatrice, 15, and Georgia Geraldine, 13, with his wife, Rebecca Gayheart.

‘IT’S SOBERING’

He has since been more vocal about how the disease has significantly impacted him mentally and physically.

During a sit-down with Diane Sawyer on GMA, Eric revealed his left arm is the only one functioning, as his right had “completely stopped working.”

“I feel like maybe a couple more months and I won’t have my left hand either. It’s sobering,” the Euphoria star said at the time.

Eric explained that he first noticed something wasn’t right after experiencing “weakness” and “fatigue” in his right hand.

Although he at first brushed it off, chalking the symptoms up to “texting too much,” it soon worsened leading him to see numerous specialists.

After nine months, Eric received the heartbreaking diagnosis that he had the incurable disease.

“I will never forget those three letters,” the Borderline star said.

“It’s on me the second I wake up. It’s not a dream.”

Eric then admitted that he feared the moment he loses cognitive function in the rest of his body.

“I’m worried about my legs,” he revealed.

The Last Ship star experienced a terrifying incident a couple of months earlier when he needed to be rescued by his daughter after suddenly losing the ability to swim during a boat trip.

“When I jumped into the ocean that day and realized I couldn’t generate enough power to get myself to the boat. I thought, oh god. I’m not safe to be in the water,” Eric, who was a competitive swimmer and athlete in high school, said.

“She dragged me back to the boat. I was breaking down in tears. I made sure she got back in the water and continued snorkeling with the guide. But I was heartbroken.”

Despite the long road Eric has ahead of him, he’s determined to battle the disease head-on.

“I just don’t feel like in my heart this is the end of me. I’m fighting as much as I can,” the Countdown star declared.

ALS, additionally referred to as Lou Gehrig’s disease, is a common degenerative neurological disorder that affects nerve cells in the brain and spinal cord.

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San Diego Padres pitcher Jason Adam is out for the season after he ruptured a quad tendon Monday when planting his left foot while trying to field a comebacker.

Now we know what can tilt a pennant race between two teams whose performance has been roughly even with a month to go before the playoffs.

An injury is never celebrated, but it can prompt a feeling of relief, which is probably the Dodgers’ unspoken reaction.

Adam, you see, is untouchable when pitching against the Dodgers. He has never given up a run to them in 15 appearances dating back to 2019.

A 6-foot-3, right-handed reliever with a funky, short-armed delivery, Adam hasn’t been scored on in six appearances against the Dodgers this season, five appearances last season — including three in the National League Division Series — two more in 2023 and two in 2019.

Dodgers hitters are seven for 51 (.137) with one double, two walks and 16 strikeouts in 15 1/3 innings against Adam, who usually pitches the seventh or eighth inning, although he does have 24 career saves.

Adam is tough for anyone to hit, despite being particularly dominant against Los Angeles. Acquired by the Padres from the Tampa Bay Rays at the 2024 trade deadline, he is 11-4 with a 1.37 earned-run average in 92 appearances since then.

Now, though, he is sidelined until 2026, and the Padres recognize that the loss is profound.

“When that happens, you focus on the big picture, his health, what it means to the team,” Padres outfielder Gavin Sheets told the San Diego Union-Tribune. “It definitely puts a dark cloud over the day for all of us.”

The Padres — like the Dodgers — have lost key players to injury. Shortstop Xander Bogaerts is on the injured list with a fracture in his left foot. All-Star right fielder Fernando Tatis Jr. pulled his right hamstring Sunday and did not play Monday.

General manager A.J. Preller fortified the roster at the trading deadline, and Adam told him after the injury Monday that he was grateful for the addition of dynamic reliever Mason Miller.

“I told A.J., I’m really glad he went out and got Mason,” Adam told reporters. “I’m excited to cheer those guys on.

“Knowing this group, the mental toughness they have, the skill, there is everything in this clubhouse to win the World Series. You want to be a part of that…. That’s the hardest part.”

The Dodgers figured they had tilted the bullpen balance in their direction when they signed Padres closer Tanner Scott to a four-year, $72-million free-agent contract during the offseason.

But Scott has been disappointing, posting a 4.44 ERA with eight blown saves for the Dodgers, including giving up a three-run home run Sunday.

Miller, meanwhile, has a 1.64 ERA in 11 appearances with the Padres. All he could think about Monday was his teammate Adam.

“Really heartbreaking…. obviously, it sucks losing him, not only for what he does on the mound but the type of person he is,” Miller said.

Add one more to the number of kids that will have Enrique Iglesias as a personal hero. The singer and his wife, Anna Kournikova, are expecting their fourth child.

They are already parents of 7-year-old twins Lucy and Nicholas and 5-year-old Mary. Iglesias and Kournikova are “overjoyed,” according to Hola! Kournikova is halfway through the pregnancy.

Iglesias, 50, returned to Spain in July to perform at the Granca Live Fest — it was his first show in his native country in six years. He has planned appearances in Mexico, India and Abu Dhabi. In 2024, the pop singer released “FINAL (Vol. 2),” the last installment of his serialized studio album farewell.

While promoting his tour in 2021, Enrique Iglesias and Ricky Martin Live in Concert with special guest Sebastián Yatra on Instagram, the singer said his “FINAL” series “might be” his last album.

“I’m in that moment in my life, that chapter in my life, where I think it’s the right time to put it out and I’ve been thinking about this since 2015,” Iglesias said.

Kournikova, 44, retired from tennis in 2003 because of injuries. In 2011, during the 12th season of NBC’s reality weight-loss competition “The Biggest Loser,” she replaced Jillian Michaels as the trainer for that one season.

The “Hero” singer and the former professional tennis player have been together since 2001. They live a private life in Miami — raising their family away from the spotlight, according to People. The two “love being parents” and spend their time “raising their children,” a source familiar with the couple told People in February.

Sharing the spotlight with Robert Rinder, Liz Hurley stars in The Inheritance as The Deceased – an eccentric winemaker. But she admits she isn’t the biggest fan of alcohol.

Liz Hurley recently opened up about her relationship with alcohol – and it may be the secret to her ageless appearance.

Her admirers may be surprised but Liz Hurley is a Traitors superfan. So, when the chance came to star alongside Robert Rinder in C4’s The Inheritance, she didn’t hesitate.

In the new reality game show, Liz plays The Deceased, a glamorous winemaker with a lavish estate. Barrister and broadcaster Robert portrays The Executor in the show and ensures the stipulations of The Deceased’s will are followed to the letter.

“I really enjoyed The Traitors and loved the idea of being part of a show in which audiences were really invested,” Liz says, “I thought Robert Rinder and I would be a good combination.”

Though she wouldn’t mind following in the footsteps of celebrity vintners like Kylie Minogue and Brad Pitt, Liz has her own spin in mind.

“I can certainly see the glamour of having your own wine, and Brad Pitt’s rosé is actually delicious,” she says. “But I drink alcohol so rarely that I’d be more interested in trying to create an exceptionally fabulous alcohol-free wine.”

READ MORE: Mattress that helps with back pain is now £248 cheaper and comes with free bedding

At 60, Liz is still gleefully playful about her roles – even if that includes lying in a coffin. “I quite enjoyed it, it was very restful,” she quips. What really stole her heart, though, was the shoot’s picturesque setting.

“Shooting at an exquisite country estate was a real treat,” she says. “The air was so fresh it felt like we were at a health retreat. It can be easier shooting on a sound stage, but I prefer real locations as it really helps with getting into character.”

Liz shines on screen but she admits she’s never been tempted to join a reality show as herself. “I have been invited on a few really good ones, but I prefer scripted work,” she says. “I don’t much like being myself on camera; it feels like I’m invading my own privacy!”

Talk of inheritance sparks a softer note. Liz treasures porcelain coffee cups passed down from her great aunt. “I think of her with every espresso,” she says.

Material possessions don’t matter much, though. “I’m not desperate to inherit anything,” she says. “I want everyone I love to check out empty, having spent every penny on enjoying themselves.”

Produced by Studio Lambert, the powerhouse behind BBC’s The Traitors, the show takes 13 strangers, locks them inside a grand stately home, and pits them against each other in challenges to prove themselves worthy of inheriting part of The Deceased’s fortune – and it’s no easy feat.

Contestants must show cunning, teamwork and nerve, all while enduring surreal challenges that embody Liz’s camp and larger-than-life alter ego.

“They’re very right for this lady and her estate,” she says, “As the show goes on, she comes up with some interesting things.” The absurdity is clear from the very first episode.

Tasked with creating The Deceased’s trademark rose, players must gather white wine from the bottom of a lake and pick out the perfect red wine from a string of barrels. “That’s absurd, isn’t it?” Liz says, “Everyone has to put on their diving suits. I wouldn’t want to do that!”

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The Angels reinstated reliever Robert Stephenson from the 60-day injured list on Friday.

Stephenson, 32, had been on the IL since May 31 because of right biceps inflammation. He has pitched one scoreless inning over two appearances with the Angels this season.

Stephenson agreed to a $33-million, three-year contract in January 2024. He missed all of last year after having Tommy John surgery.

Right-hander Chase Silseth was optioned to triple-A Salt Lake before the opener of a weekend series against the Chicago Cubs.

For President Trump, it’s all about appearances.

He’s busy with so many makeovers: The Versailles-ification of the Oval Office, which seems to sprout more gold leaf and ornamentation every time Trump assembles the media there. The paving of the Rose Garden, now Mar-a-Lago Patio North, crowded with white tables and yellow umbrellas just as at his Florida retreat. The estimated billion-dollar conversion of a Qatari luxury jet built for a king, more in keeping with Trump’s tastes than the “less impressive” Air Force One. Even a new golf cart, the six-figure armored Golf Force One. And, assuming Trump gets his way, as he mostly does, he’ll break ground soon on a $200-million, 90,000-square-foot ballroom, a veritable Hall of Mirrors nearly doubling the footprint of the White House.

The president has $257 million from ever-compliant Republicans in Congress to transform the nearby Kennedy Center into the “Trump/Kennedy Center,” as Trump immodestly suggested on Tuesday. (Meanwhile, the purported populist president has canceled grants to local arts groups across America and seeks to eliminate the National Endowment for the Arts, which underwrites cultural events in every state.) Even the medallions for the annual Kennedy Center Honors winners are getting a makeover — from Tiffany & Co., natch. Trump, having made himself the Kennedy Center chair after a first term in which he skipped the honors shows by popular demand, was there on Wednesday to announce the 2025 honorees.

Let’s pause here to consider just how Fox News and MAGA World would react if the president overseeing all this extravagance were named Biden, Obama or Clinton.

These preoccupations of the reality-show president are a metaphor for something much bigger, however — Trump’s virtually unchecked makeover of the entire U.S. government as well as its major institutions of education, culture, law and more, all in service of the appearance of gilded grandeur and raw power: His.

Consider recent events. After federal data showed worrying job losses in recent months — not a good look for the self-styled economic wizard — Trump fired the wonky bureaucrat who runs the Bureau of Labor Statistics in favor of a MAGA flunky disdained by economists of all stripes for his bias and ignorance. Only the best.

Cultural gems — eight Smithsonian Institution museums — are in for a Trumpian overhaul. “White House to Vet Smithsonian Museums to Fit Trump’s Historical Vision” was the Wall Street Journal headline this week. So Trump, the historical visionary who once seemed to think abolitionist Frederick Douglass was still alive and whose Homeland Security Department this week seemingly promoted a neo-Nazi book on its social media account, will curate American life and history for posterity. What could go wrong?

Though Vladimir Putin refuses to compromise or cease firing on Ukraine, making a mockery of Trump’s talk of brokering peace on Day 1, Trump plans to reward the war-crime-ing global pariah on Friday with the ultimate recognition: a summit on American soil. After all, a summit gets so much more media attention than a mere private phone call. So what if nothing comes of it, as with Trump’s first-term “summitry” with Putin, Xi Jinping and Kim Jong Un. It’s the televised power struts that count.

Want to look tough on crime? Trump the performance artist has militarized the nation’s capital just as he did Los Angeles, declaring a crime emergency in a city where crime is at a 30-year low. (As with the jobs numbers, the White House disputed the crime data.) The president called up 800 National Guard troops and myriad federal agents to patrol Washington, a power he declined to use for three long hours on Jan. 6, 2021, when the city actually did face rioting. Trump is so into scene-setting that he’d rather put FBI agents on the D.C. streets than leave them to their behind-the-scenes work on counterintelligence and anti-terrorism.

I don’t feel safer.

This isn’t just an anti-crime show for Trump, however. He says it’s also about beautification. “I’m going to make our Capital safer and more beautiful than it ever was before,” he posted on social media. This from the president who was untroubled by his supporters defiling and defecating in the Capitol on Jan. 6. As a longtime resident, I don’t recognize the dystopian city he describes; as a citizen, I’m offended.

And of course Trump’s power play is also about fundraising. What isn’t about money for him? In an email solicitation on Tuesday, he boasted to would-be donors that he’d “LIBERATED” the capital from “Crime, Savagery, Filth, and Scum.” You know what’s really scummy? Constant money-grubbing.

Washington and Los Angeles likely are just dry runs for Trump’s future shows of force. He’s repeatedly threatened similar crackdowns in other Democratic-run cities. And on Tuesday, the Washington Post broke the news of a Pentagon plan for a “Domestic Civil Disturbance Quick Reaction Force” with 600 National Guard troops on permanent standby to deploy at Trump’s command. All of this is of dubious legality, but when has that stopped him?

Whether the subject is crime, tariffs, immigration, whatever, Trump just declares an emergency to supposedly justify his aggrandizement of power. Never mind that each emergency reflects a problem that’s long-standing and not a crisis. Absent these declarations, Trump would have to govern with Congress and pass legislation to try to actually solve problems, as the framers intended. That means time, tedium, policy details and compromise — hardly the stuff of a camera-ready wannabe action hero/strongman.

Say Trump’s orchestrated gerrymandering in Texas and other red states doesn’t work in the 2026 midterm elections and Democrats take control of the House. It’s not hard to imagine him declaring an emergency and sending in the military to seize voting machines. Trump was restrained from issuing just such an order after the 2020 election.

Yes, he’s a busy man. But you know what Trump hasn’t done? Release the Epstein files. Wouldn’t be good for appearances.

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Travis Kelce is done fighting for his right to party.

Or at least the 35-year-old Kansas City Chiefs tight end is ready to start toning down his party-hearty image — which is kind of big news for a dude who is known for his wild, celebratory, off-key renditions of the Beastie Boys classic “(You Gotta) Fight for Your Right (to Party!)” and is often seen out enjoying life with superstar girlfriend Taylor Swift.

Kelce made the revelation during a lengthy interview with GQ that was published Tuesday morning.

“I’m starting to phase out of wanting to be known as the party guy,” the three-time Super Bowl champion and 10-time Pro Bowl selection said.

“When you see me hanging out at the US Open with Taylor, it may look like the two of us are partying. But I’m just enjoying the fun of being at this really cool event that I always wanted to go to with the person that I love.”

Taylor Swift and Travis Kelce attend the men’s singles final match at the 2024 US Open last September.

(Sarah Stier / Getty Images)

He added: “I’ve become way more strategic in understanding what I am portraying to people.”

Following the Chiefs’ loss to the Philadelphia Eagles at Super Bowl LIX in February, Kelce didn’t immediately commit to returning for his 13th NFL season and the final year of his contract with the Chiefs. He acknowledged to GQ that he has been thinking about his life after the NFL, although he didn’t offer any details on what that might look like.

Kelce already has a high profile off the field, thanks in large part to his relationship with Swift but also from his appearances in countless TV commercials and on his successful “New Heights” podcast, which he co-hosts with older brother Jason. Incidentally, that podcast is sure to hit, uh, new heights in its number of listeners this week when Swift makes her first appearance on the show.

Part of Kelce’s new outlook on his image seems to have been influenced by Swift and the way she interacts with her immense fan base.

“People gravitate towards how she performs and how she makes it feel like the entire stadium is in a little room with her,” Kelce said. “She is so good at mesmerizing everybody and making everybody feel like it’s an intimate situation. I think that alone — there is so much calm and coolness. She’s beautiful. She’s up there making everyone feel at ease.

“Whenever I get in front of a crowd, I feel like I’ve got to be like, Woooo! Like, excited, bringing the energy. Then I saw that coolness and that calmness and that relatability that she is so good at presenting. I really grabbed that. Like, Man, I can use that side of entertainment as well. It’s not just always being the guy that brings the energy and creates these exciting moments.”

Kelce added that he and Swift share similar outlooks when it comes to their respective legacies.

“Nowadays I just want to be respected and loved by the people that I’m surrounded by in my work,” he said. “I want to leave it better than where it was when I started. And I see her having those same values.”

Celebrity SAS fans have been left reeling over one ‘celebrity’ as they claim the choice to have a convicted drug smuggler as a contestant on the show is ‘disgusting’

As the new series of Celebrity SAS returned to our screens again on 3 August, fans have been left reeling over one ‘celebrity’ as they claim the choice to have Michaella McCollum as a contestant on the show is ‘disgusting’.

Michaella first made headlines as one half of the so-called Peru Two after she and Melissa Reid were arrested at Jorge Chavez International Airport in Lima, Peru, on 6 August 2013.

Their luggage contained £1.5m worth of cocaine, and Michaella spent three years behind bars in one of South America’s toughest prisons before being granted early release.

Now 32, she is stepping back into the spotlight in the new series of Celebrity SAS: Who Dares Wins, alongside the likes of Rebecca Loos and Conor Benn, however, fans are not pleased. It comes after Sir Michael Palin says he is preparing for the end of his life in sad update.

READ MORE: Katie Price worries fans with appearance in family photo after explaining weight loss READ MORE: Taylor Swift sparks engagement rumours as fans spot Travis Kelce’s lock screen

Last week, Michaella appeared on ITV’s This Morning and was met with criticism. Fans of the show took to X, formerly known as Twitter, to share their thoughts on the celebrity lineup. One person wrote: “The bookers for @thismorning #thismorning and #CelebritySAS should hang their heads in shame for booking a drugs mule. How on earth does that give them celebrity status!! And what message does it send to young people? Shocking.”

Another person penned: “Hey, @Channel4, how come this criminal is being allowed to profit from her drugs mule crime on the ‘celebrity’ edition of SAS Who Dares Wins?” While a third added: “#thismorning I don’t consider a convicted drug smuggler to be a celebrity, which is a fair enough reason for Michaella McCollum not to be a contestant on #CelebritySAS”.

Another unhappy fan wrote: “I’ve never missed a series, but I’m sitting this one out. Having a convicted drug smuggler classed as a celebrity is disgusting and sends the wrong message to young kids, plus it’s insulting to the others taking part.”

Ahead of appearing on the show, Michaella opened up on how she has changed and grown as a person. She said that signing up for the show was able to help her take back control of her life.

She told the Mirror: “I feel like in my younger days, I made lots of mistakes, so then I was really cautious of doing things, because I didn’t want to mess up again. I didn’t want to mess up, I didn’t want to make any more mistakes.

“But we can’t live life like that, because we’re always going to make mistakes, we’re always going to make bad choices, obviously not as bad a choice as I made previously, but it’s okay to make a mistake.

“I had got to the point where I was just refusing to do a lot of things because I was scared. What if I mess it up? What if I take this job and it doesn’t work out? What if I move to this place and it doesn’t work out? I was just a little bit afraid of making those decisions. I felt stuck. So I guess that was the main thing for me, to try and learn to overcome that.

“I was at the point in my life where I was just stuck in my comfort zone, and I thought this is a good way to break those barriers and do the things that scare me, and maybe that will help me in the future with decisions and just different things in life.”

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Midsomer Murders fans were left distracted as they noticed a familiar face from the Inspector Morse series

Midsomer Murders viewers found themselves thoroughly distracted on Tuesday evening after Kevin Whately popped up in a repeat episode of the ITV series.

The star, renowned for portraying Lewis in both Inspector Morse and the ITV spin-off Lewis, stepped into the shoes of murder suspect Jeremy in the John Barnaby drama.

Within moments of the episode beginning, fans flocked to Twitter to express their excitement over the Inspector Morse crossover.

@NickStevenson63 wrote: “So… when worlds collide; Inspector Lewis in Midsomer Murders. It was bound to happen sooner or later given the number of strange and bizarre deaths in this otherwise quiet corner of Oxfordshire.”

@Suzy_H14 begged: “They can’t kill #Lewis #MidsomerMurders,” reports the Express.

@ghostheart__ observed: “Lots of Morse/Lewis links in this episode of #MidsomerMurders – firstly Kevin Whately who was obviously Lewis in Morse/Lewis, Jane Bertish who was in Morse episode The Wolvercote Tongue and Alexander Hanson who was in Lewis episode Generation of Vipers.”

@dennison_shelly continued: “Fabulous collection of musical theatre actors in tonight’s #MidsomerMurders and the universe-bending inclusion of Lewis aka Kevin Whately. Excellent fun.

“Lewis better not get killed off in tonight’s #MidsomerMurders that’d just be too weird,” @neiltheshaker posted.

@samjcstuff revealed: “My brain is not computing Lewis appearing in #midsomermurders.”

Kevin portrayed Robert “Robbie” Lewis in Inspector Morse from 1987 to 2000, and in Lewis from 2006 to 2015.

In a 2023 interview, Midsomer Murders’ lead actors Neil Dudgeon and Fiona Dolman graced the This Morning sofa to discuss the show’s milestone 50th episode.

The on-screen couple shared a light-hearted conversation with hosts Alison Hammond and Craig Doyle about the enduring appeal of the series.

“So what’s the secret to your on-screen success?” Alison inquired, prompting Neil to quip: “Sexual chemistry.”

He elaborated: “I think we’ve just got on very well right from the start, didn’t we?”.

“We did,” Fiona concurred. “Neil was already cast, so I had an audition, and I had to go in and read with him.

“And yeah, I think we clicked right from the beginning.”

Reflecting on their long-running partnership, Fiona added: “We’ve done it for 12 years now which means all that kind of fear that you have as an actor when you join something and you have to pretend you have an intimate relationship with someone that you’ve never met, that’s all just gone now, hasn’t it?”.

“It is great, I always said we should have had Fiona in the show anyway,” Neil, who plays John Barnaby, interjected.

Fans can catch up with Midsomer Murders on the ITV Hub.