addicted

The square root of absolutely nothing happens in each episode, but I’m still watching every week!

A lavish sci-fi series with characters so bad you find yourself rooting for the evil aliens plotting to conquer Earth, Apple TV’s Invasion is the latest show that outstays its welcome after some early success.The first series was held together by a group of child actors, the second was held together by stunning visuals, but the third season is held together by… nothing at all.

At best, Apple TV’s Invasion is a victim of its own success and has been drawn out for one or two seasons too long. With an undeserved 6.2/10 on IMDB, it’s absolutely not worth your time – but for me, it is too late.

The third season boasts the usual high production values you get from an Apple series, but the script is abysmal (featuring timeless quips like the age-old “In English, please?!”) as it follows the violent spikey black aliens who, out of nowhere, have re-launched their invasion on Earth.

I have recently found solace in a community on Reddit dedicated to trashing the programme. One person wrote: “Every single episode makes me wonder, ‘Did I fall asleep watching the last episode and miss something? Did I accidentally skip an episode?’”

I agree with them. But sifting through the exasperated posts, it seems we have more than our hatred in common. We all, like a dog with a bone, return each and every Friday for another hit of this endlessly disappointing series.

Another wrote: “The season is almost over and nothing has happened yet. We saw one clear alien with a wounded leg, who seemed to be about as aggressive as a stoned jellyfish, and three hunter killers in a hole in the ground.

“I think it’s safe to say that this isn’t a sci-fi as much as it is an unfunny sitcom with annoying characters who are always whining about the invisible aliens winning a war.” Very true.

I think the reason for our slot-machine addiction to Invasion is the promise of the first season. That was almost entirely down to the young acting prowess of Billy Barratt (Caspar Morrow), India Brown (Jamila Huston) and Paddy Holland (Monty Cuttermill). We see them overcome school bully and victim dynamics, traverse the English Channel and unlock communication with the terrifying morphing alien beasts.

The sparkly performances from all three casts a Goonies-like magic on the plot and has you gunning for the humans – unlike some of the other characters who make you wonder if it’s actually time for an alien takeover.

Huston’s performance is certainly an anchor in the third season, but she is outnumbered by griege special effects and gaping plotholes, while the loss of her schoolmates is palpable. I am convinced that some distant promise of a reunion of the young stars is what is keeping us locked in.

One Redditor wrote of Barratt’s unexplained absence in the third season: “My guess is they have left it open for him to come back. I hope he does. But, with the quality of the show in decline, the actor may decide he doesn’t want to, especially if he is getting other offers.

“With the poor quality of script writing and character development, I can’t imagine it’s a very rewarding acting experience for the cast.”

For now, we are left with an indistinguishably twisty plotline that follows some of the most annoying characters on screen, even though I will be tuning in for every single episode and beyond!

IT was perhaps the most famous poster in election history. “Labour Isn’t Working,” proclaimed its simple slogan above a photo of a long, snaking queue outside an unemployment office. 

The image helped Margaret Thatcher’s Tories to win a decisive victory in 1979. 

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That poster could be revived today as the beleaguered Labour Prime Minister, Sir Keir Starmer, seems to be trapped in a kind of doom loop created by his party’s epic mismanagement of the economy. 

Growth is anaemic, the tax burden colossal. Just like in the late 70s, Britain is gripped by rising debt, inflation and unemployment, as well as increasing militancy in the public sector workforce, where recent generous pay settlements have fuelled a mood of greedy irresponsibility. 

Only yesterday the distinguished business leader Lord Stuart Rose, the former head of Marks & Spencer, warned that Starmer and his bumbling Chancellor Rachel Reeves had dragged Britain “to the edge of crisis.” 

In a bleak analysis, Lord Rose argued that because “there is no growth in the economy,” neither wealth nor jobs are being created. 

The parallel with the 1970s is at its most stark in the hostility to hard work. Fifty years ago Britain became known as “the sick man of Europe” because of its addiction to strikes, with an astonishing 29million working days lost in 1979 alone. 

Modern Britain has yet to plumb those depths, though the pig-headed unions are trying to go in that direction, as shown by the current miserable strike on the London Underground, which has paralysed the capital this week. 

What makes this strike so ridiculous is that the Tube drivers are extremely well-paid, typically earning around £72,000-a-year, and enjoy excellent job security, pensions, hours and holidays. Yet they act like they are oppressed members of the proletariat. 

The same is true of the resident doctors who went on strike last month in support of an outrageous 35 per cent pay claim. 

These grotesque demands are part of a wider culture of self-serving entitlement that is destroying Britain’s work ethic, reducing productivity and weakening the dynamism of business. 

That destructive spirit can be seen in the recent surge of sick leave in the national workforce, a phenomenon caused not by harsher conditions but by more indulgent management, and the fashion for treating normal emotions as mental health problems. 

Mental-health crisis 

Yesterday a study by the Chartered Institute of Personnel and Development revealed that employees are now taking an average of nearly two weeks off sick every year. 

Only two years ago absenteeism stood at an average of 7.8 days a year. Now that figure has risen to 9.4 days a year, with the mental-health crisis the key driving force. 

All too predictably, the record of the public sector is much worse than the private sector. That is not because work on the state payroll is tougher. Just the opposite is true. 

The heavily unionised culture of public employment, with its emphasis on workplace rights and victimhood, promotes weak management and a lack of accountability. 

The rise in absenteeism is mirrored by the growth in welfare dependency where ever increasing numbers of people think that the state owes them a living. Social security is no longer just a temporary safety net but has become a comfortable lifestyle choice. 

There are now 6.5million adults of working age who are claiming out-of-work benefits, while some forms of incapacity payments have become a sort of subsidy for early retirement. 

As Lord Rose puts it, “We have arrived in a situation in Britain today where there is effectively no obligation to work, absolutely none.” 

In a recent newspaper interview, one claimant called Clare Russell gave an insight into the mentality of some of the worst freeloaders. 

Labour likes to boast that it is the party of ‘working people’. Now it should live up to that description. 

Ten years ago she gave up work at the age of 46 and since then has lived off the disability benefits she receives for a bad back, as well as a substantial rental income from some property, plus a carer’s allowance to look after her mother who lives 30 miles away. 

In her sickening interview, she said that she has “a lovely life, thanks to the great British taxpayer.” 

Just to heighten the outrage she added, “when I am at the gym, I watch young people scuttle past the window on the treadmill of work and I must admit to feeling smug.” 

The disappearance of the work ethic is neither morally defensible nor financially affordable. 

The disability benefits bill is expected to reach £100billion by 2030 while the overall cost of welfare is forecast to go up from £210billion a decade ago to £380billion by 2030. 

The welfare leviathan is tracking us ever deeper into debt and towards national bankruptcy. 

In the depths of its current political crisis, France — which has an even more lavish benefits system than Britain — shows what can happen when the cost of welfare spirals out of control. 

We were the nation of the industrial revolution. We must revive that kind of drive and determination. This should be an absolute priority for the new Labour cabinet. 

Reform of welfare and the workplace is not an option, it is a necessity. 

Labour likes to boast that it is the party of “working people”. Now it should live up to that description. 

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Gogglebox fan favourite Mary Killen has revealed that she’s become ‘addicted’ to vaping in her 60s, despite having never smoked a cigarette – as she reveals her plans to quit

Googlebox fan favourite Mary Killen has revealed she’s become addicted to vaping, despite never having smoked cigarettes.

The star rose to fame in 2015 on Channel 4’s Gogglebox as she and her husband Giles have the nation in hysterics every week as they sit down to watch the latest TV shows.

Despite knowing the ins and outs on their thoughts on the latest episode of Love Island, fans aren’t privvy to much of the Gogglebox stars’ personal life. However, Mary has now opened up about an addiction she just can’t shift – vaping.

Mary, who says she was never interested in cigarettes, revealed that she picked the habit up two years ago, when her friends son, James, 22, offered her a puff of his Juul. “I loved inhaling the odourless air and blowing it out again. It just looked so chic and felt cooling in the palm of the hand,” Mary wrote in her column for MailOnline.

James allowed Mary to keep the vape, and she later found herself buying replacement pods when it ran out. “I reasoned that it would be good if I were to appear to have at least one addiction.

“I would be ‘levelling myself down’, so to speak, in a way that could make me more socially acceptable in drinking circles,” she wrote.

However, her habit doesn’t come cheap, as she explained in her column that she “wastes about £14 a week on four Juul replacement pods.” She then questioned how to break the expensive habit, which she also admits self-pitying and argumentative when she runs out.

Mary admitted she’d “probably kill or be killed by my family members,” if she tried to go cold turkey – revealing that she was going to sign up to a course to help people quit vaping.

It’s not the only revelation Mary has made in her column. Recently, she told viewers about her controversial sleeping arrangements, telling fans she and Giles allowed the dogs on the bed.

Mary and Giles met when they were both 21 years old while Giles was studying at Wimbledon Art School and Mary was working as a model. The pair have been blissfully married for over 30 years, most of which time they have spent living at their cottage in Wiltshire.

The stars share two grownup children who prefer to stay out of the limelight. However, it was actually one of Giles’ daughters that were originally due to appear on the show with her dad before she backed out at the last minute.

After a lengthy phone call to producers, Giles managed to convince Mary to join the show – and the two have become fan favourites ever since their arrival.

Little more is known about Mary and Giles’ daughters however it has been revealed that they are both grown and no longer live at home with their parents.

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