“The Pitt” may not be set in Los Angeles, but its cast and creatives are proud that it’s filmed there.

HBO Max’s hour-by-hour look at an emergency room shift in a Pittsburgh hospital took home the Emmy Award for best drama series on Sunday, and its cast and creatives dedicated their recognition to healthcare workers. Once they got backstage, they advocated for something else: increasing production in Los Angeles.

Speaking to press after the series’ big win, creator R. Scott Gemmill and star and executive producer Noah Wyle said they believe filming locally is important for the entertainment industry in Los Angeles as production rates have declined over the past several years because of a confluence of issues, including the pandemic, the dual writers’ and actors’ strikes in 2023 and more attractive tax incentives in other states and countries.

Both “The Pitt” and “The Studio,” which won the top prize in the comedy category, are shot in L.A., but the latter is actually set in the city, centering on a fictional Hollywood studio and satirizing the entertainment industry.

Gemmill, who was also a producer on “ER,” said he feels pride in knowing “The Pitt” serves as an example of a series that was successfully filmed in L.A. “When we get casting, I think they get like 3,000 submissions for each role,” he said. “That’s how hungry the people are that work in Los Angeles, so just the fact that we can do our small part is really important, but I hope other producers take note.”

Wyle, who won two Emmy awards, one as an executive producer on the series and one for lead actor in a drama, echoed Gemmill’s comments and said he attended the ceremony in July where Gov. Gavin Newsom signed California’s film tax credit boost into law. It will increase the cap on California’s film and TV tax credit program to $750 million, up from $330 million. Wyle said he gave a speech at the event, sharing his experience filming locally.

“I talked about our special effects coordinator on our show, whose name is Rob Nary, whose father was a special effects coordinator, whose grandfather was a special effects coordinator,” Wyle said. “I said it to highlight the fact that there’s generational talent in this city that’s worked in this industry for over 100 years. When you shoot a show here, you get the benefit of three generations of talent. You get a Rob Nary. You can put up a soundstage in another state, but they don’t come with Rob Narys.”

While production in L.A. overall is still on the decline according to the nonprofit organization FilmLA, which tracks production in the Greater Los Angeles region, television is serving as a bright spot. From April through June, TV production saw an increase of 17% compared with the same time period last year, with 2,224 on-location shoot days. That’s the highest total since early 2024, though it is still 32.6% lower than the five-year quarterly average, FilmLA said in a report published this summer.

Overall, on-location shoot days from April to June decreased 6.2% compared with the same time period last year.

Paul Audley, FilmLA’s president, responded to the Emmy wins for shows that shoot in town, saying in a statement to The Times that the organization “thanks them for choosing to film locally, and for helping to make Los Angeles the entertainment capital of the world.”

“These productions not only highlight the overwhelming talent that this region is known for, but productions like these employ hundreds of film industry workers and contribute to a strong and thriving economy,” Audley said. “Filming locally supports our communities, small businesses, and workers across every corner of the film industry.”