Welcome to Screen Gab, the newsletter for everyone in need of a European getaway on a budget.

If you’re not taking a big summer trip this year, or if you are and want something to make the stress of traveling feel relaxing by comparison, NBC’s new reality competition series might be up your alley. “Destination X” features a mix of known reality stars and civilians as they put their geography knowledge and deduction skills to the test in Europe for a chance at a cash prize. Executive producer Andy Cadman stopped by Guest Spot to discuss the latest entrant in the travel-competition genre.

Also in this week’s Screen Gab, TV critic Robert Lloyd unpacks the appeal of Netflix’s new series about a traumatized Edinburgh detective tasked with investigating cold cases, and film editor Josh Rothkopf explains why a quartet of travelogue comedy films featuring improv impresarios Steve Coogan and Rob Brydon as they road-trip across Europe makes for an enjoyable binge.

Plus, a service announcement: The Emmys season of The Envelope video podcast launched this week. The premiere episode features Cooper Koch and Nicholas Alexander Chavez, the stars of “Monsters: The Lyle and Erik Menendez Story,” as well as “Andor” actor Diego Luna. You can watch here or listen wherever you get your podcasts.

ICYMI

Must-read stories you might have missed

Elisabeth Moss as June in the series finale of “The Handmaid’s Tale.”

(Steve Wilkie / Disney)

‘The Handmaid’s Tale’ showrunners on the unattainable finale reunion: ‘It was heartbreaking’: Co-showrunners Eric Tuchman and Yahlin Chang spoke about the finale of Hulu’s dystopic drama and the show’s parallels to the real world.

‘The Last of Us’: Kaitlyn Dever breaks down explosive finale, teases ‘crazier’ Season 3: The actor pulls back the curtain on the Season 2 finale, teases Season 3 and reveals why the reaction to Joel’s death defied her expectations.

After one legendary moment, actor Rolf Saxon chose to accept another ‘Mission’: His role in the first ‘Mission: Impossible’ was small but memorable. Now Rolf Saxon has been called back into action for ‘The Final Reckoning’ and a more substantial part.

Elizabeth Banks and Jessica Biel on ‘The Better Sister’ finale and taking control: The co-stars and executive producers discuss making the Prime Video limited series and their decades of experience.

Turn on

Recommendations from the film and TV experts at The Times

Jamie Sives, left, and Matthew Goode in Netflix’s “Dept. Q”

(Justin Downing / Netflix)

“Dept. Q” (Netflix)

In this dark yet strangely warm series adapted by Scott Frank (“The Queen’s Gambit”) from a book series by Danish writer Jussi Adler-Olsen and transplanted from Copenhagen to Edinburgh, Matthew Goode plays Carl Morck, a moody police detective recovering from an incident, arguably his fault, that left him wounded, a partner partially paralyzed and a rookie dead. Talking his way back into service, he’s given a basement storage space for an office and a cold case involving a missing prosecutor (Chloe Pirrie), whose distressing circumstances we see without learning why. (It’s the mystery!) The primary pleasure of the series is in the team of fellow misfits who gather around Morck — a civilian expat (Alexej Manvelov) keeping mum on his experiences in the Syrian police; a chirpy cadet (Leah Byrne) back from a breakdown and tired of pushing pencils; and Morck’s recovering partner (Jamie Sives), joining from a hospital bed. It feels like the beginning of a beautiful second series. (With Shirley Henderson and Kelly Macdonald as a bonus for Scots watchers.) — Robert Lloyd

Steve Coogan, left, and Rob Brydon in “The Trip to Greece.”

(BBC / Revolution Films)

“The Trip: The Complete Series” (Criterion Collection, starting June 1)

Intensely bingeable (the movies actually got their start as four six-episode BBC runs), “The Trip” makes beautiful sense as an afternoon of viewing, maybe one accompanied by different cuisines as you go. The central premise: Actor-comedians Steve Coogan and Rob Brydon, playing barely altered versions of themselves, take to the road for epic conversations behind the wheel and at dinners, where the contours of their hyper-competitive friendship take shape, as does a parade of celebrity impressions. Director Michael Winterbottom steers the duo toward a deeper appreciation of life viewed through the rearview mirror, though honestly, you’re there for the vicious backbiting. For anyone wanting to dip in selectively: 2010’s “The Trip” features the guys’ classic dueling Michael Caines; 2014’s “The Trip to Italy” takes on “The Godfather”; 2017’s “The Trip to Spain” unleashes a killer, preening Mick Jagger; and 2020’s “The Trip to Greece” goes for Dustin Hoffman. — Joshua Rothkopf

Guest spot

A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching

“Destination X” contestants Rick Szabo, left, Allyson “Ally” Bross and Rachel Rosette during a challenge from the show.

(Helmut Wachter / NBC)

Imagine the pressure of trying to figure out where you are in the world while a man known for carrying a bat studded with barbed wire watches on. NBC’s new reality competition show, “Destination X,” follows 12 players who are whisked around Europe in a blacked-out bus — no windows or GPS to guide them — and tasked with trying to decipher their mystery locations through clues and challenges for a chance to win a cash prize. There’s plenty of alliances and rivalries that get formed along the way. The show is hosted by actor Jeffrey Dean Morgan, known for his chilling turn as charismatic villain Negan in “The Walking Dead.” New episodes air every Tuesday on NBC, and can be streamed the next day on Peacock. Executive producer Andy Cadman stopped by Guest Spot via email to discuss the show’s mix of known reality TV personalities and civilians and more. — Yvonne Villarreal

“Destination X” is adapted from a Belgian format. How true to the original version is it? How much needed to be changed to suit American audiences?

The DNA of the original Belgian format is still present: the idea of being lost and trying to work out where you are. To this we added elements of strategy, giving the players more opportunities to mislead one another, forcing them to make difficult decisions, keep secrets, form alliances and ultimately allowing the players to decide who was at risk of elimination in each episode. Pitting the players more directly against one another transformed the show from a game about geography into a strategic, social competition, more accessible to an American audience and ultimately a more dramatic and exciting reality competition show.

The first season of the U.S. version of “Traitors” featured a mix of reality TV personalities and civilians, but quickly pivoted to an all–celebrity lineup. “Destination X” features a mix of reality personalities and civilians. Is the hope to keep that kind of combo? And is that kind of blend becoming more important in today’s reality competition landscape?

I believe that there’s a real benefit in the mix between civilians and established reality personalities. With “Destination X,” we wanted to do a couple of things. Firstly, discover and get to know some amazing new reality personalities that we’ll see on our screens for years to come. We have some brilliant characters in this season that are new, unique and surprising. Secondly, we wanted to see how some of the established reality faces might react to this incredible adventure. It was an opportunity to see some familiar faces taken out of their comfort zones and challenged in totally new ways. I think that this combination is a very valuable tool — it gives viewers the chance to meet some new favourites, while still giving them the comfort of some old friends dropping in.

What’s the game or competition series that hooked your interest in the format as a viewer and led to you pursuing a career in it?

I grew up on the original “Big Brother” and then made that show for many years here in the U.K. It was such a groundbreaking show and has survived the test of time like nothing else. Many of the production techniques that we still use today came from “Big Brother.” The lure of the genre for me lies in the way that people react to difficult situations. The entertainment can often be in the competition, but for me the greatest interest lies in the social politics, relationships people make, what people will do when faced with a dilemma and how far people will go to win. We used all of these levers in “Destination X” to create the most dramatic and engaging show possible.

What have you watched recently that you’re recommending to everyone you know?

“Slow Horses” [AppleTV+], [a] British spy thriller; “The Glass Dome” [Netflix], [a] Scandi noir, and if you like tricky puzzles and social strategy, the U.K. version of “Genius Game” is worth a look.

What’s your go-to comfort watch, the film or TV show you return to again and again?

I genuinely don’t have one; I find comfort in new seasons of my favourites though. I’m very excited for the next [season of] “Stranger Things” [Netflix]!