‘Plainclothes’ review: A cop’s double life, conveyed in sensitive indie
p]:text-cms-story-body-color-text clearfix"> In 1997, the comedy “In & Out” did its shiny, star-studded best to mainstream the story of a closeted gay man in a…
‘Eleanor the Great’ review: A lie spirals in Johansson’s directorial debut
There’s precisely one surprising moment in Scarlett Johansson’s feature directorial debut “Eleanor the Great,” written by Tory Kamen. It’s the impetus for the entire drama…
One Battle After Another film review: This piece of cinematic dynamite will have you on the edge of your seat
ONE BATTLE AFTER ANOTHER(15) 162mins★★★★★WHAT time is it? It is a question Leonardo DiCaprio’s stressed-out fugitive Bob Ferguson is asked over and over again in…
‘House of Guinness’ review: Loose on historical facts, but good company
“House of Guinness,” as in the famous Dublin brewery, begins with the disclaimer “inspired by true facts,” which is another way of saying, “Don’t believe…
Read letters written by Diddy’s cellmates as they review class disgraced music mogul has been teaching in prison
DISGRACED rap mogul Sean “Diddy” Combs has received glowing handwritten testimonials from his fellow inmates.The letters paint him as a positive force inside Brooklyn’s Metropolitan…
Review: Air breezes into the Hollywood Bowl with chill, orchestral vibes in honor of ‘Moon Safari’
There’s a particular niche of sophisticated, loungy music that thrived from the late ’90s into the mid-2000s. It grew out of ELO’s regal rock and…
‘What We Can Know’ review: In Ian McEwan’s future, the past is elusive
Book Review What We Can KnowBy Ian McEwanKnopf: 320 pages, $30If you buy books linked on our site, The Times may earn a commission from…
‘Him’ review: Marlon Wayans plays a satanic GOAT quarterback
“Is football a game or a religion?” the sports broadcaster Howard Cosell once asked with exasperation. The horror film “Him,” a striking but vacuous gridiron…
Review: At the Forum, Nine Inch Nails conjure rage and dread. Be afraid, Americans
What a piquant moment for Nine Inch Nails to be back on the road playing their version of David Bowie’s “I’m Afraid of Americans.” At…
Chile’s Supreme Court revives mining project after 12 years of review
A protester demonstrates against the controversial Dominga megaproject for the extraction of iron and copper concentrate, outside the Ministry of the Environment, in Santiago, Chile,…
Kamala Harris book review: ‘107 Days’ delivers insight but not hope
Book Review 107 Days By Kamala HarrisSimon & Schuster: 320 pages, $30If you buy books linked on our site, The Times may earn a commission…
‘Steve’ review: Cillian Murphy as compassionate teacher of at-risk youth
Insolent schoolkids and educators with the stamina and sensitivity to reach them is a sentimental formula so familiar, it could stand a pantsing in the…
‘The Lost Bus’ review: 2018 Camp fire becomes McConaughey disaster movie
Disasters are real — also, these days, frighteningly common, be they epic confluences of nature and negligence or the murderous and preventable kind. And when…
‘Black Rabbit’ review: Dysfunctional brothers on the brink of disaster
Far be it from me to tell anyone how to direct their career, but can I just say how glad I am to learn that…
‘Eureka Day’ review: Vaccine debate erupts at woke school
“Eureka Day,” a comedy by Jonathan Spector that wades into the debate on vaccine mandates, has only become more explosively topical since its 2018 premiere…
Emmy Awards TV review: Nate Bargatze proves a sensible choice as host
There were two questions the 77th Emmy Awards, held Sunday night at the Peacock Theater in downtown Los Angeles, had to answer, other than who…
‘Am I Roxie’ review: Roxana Ortega in solo show at Geffen Playhouse
In “Am I Roxie?,” a world premiere one-woman-show at the Geffen Playhouse, Roxana Ortega, a working actress and alum of the Groundlings Theatre’s Sunday Company,…
‘Spinal Tap II: The End Continues’ review: Power cameos sap the satire
The cultural legacy of the 1984 rock-mock-doc “This Is Spinal Tap” is of sufficient amplitude that, to give the band’s guitarist Nigel Tufnel (Christopher Guest)…
Atlantis Paradise Island Bahamas review: ‘I stayed at the same resort as Prince William and Kate without a royal budget’
Our writer discovered that there’s plenty to do at this spectacular Bahamas resort, a destination that's been visited by celebrities and royalty alikeThis article contains…
‘The Cortège’ review: L.A.’s most exciting immersive show is a funeral
Tell someone about “The Cortège,” and it may inspire as much apprehension as it does curiosity. A theatrical procession running this month at the Los…