life

Former England goalkeeper Paul Robinson, at Wembley for BBC Radio 5 Live, said: “This is the exact situation no England fan wants. We’ve talked about it for over a season with this World Cup coming up. What do England do without Harry Kane?

“This is what England and Thomas Tuchel do not want. He doesn’t have an answer to this question. Hence why we’re seeing this new formation again, with the interchange and false nine.

“We’ve spoken about Dominic Calvert-Lewin, Dominic Solanke, Ollie Watkins. Nobody stuck their arm up and said, ‘I’ll be his replacement’. that’s why we’re seeing this.”

Robinson added: “It was a very disappointing evening for Thomas Tuchel. The experiment that he tried in the first half with the front four clearly didn’t work.

“It didn’t take him long in the second half to change it. You do give England credit because when those changes were made there was a lot more cohesion.

“The one area that Thomas Tuchel has got a problem is if there is a problem with Harry Kane. If that happens, then England have a real problem after watching that.”

Tuchel answered the question about an over-reliance on Kane, saying: “Well, why would Argentina not rely on Lionel Messi, or Portugal not rely on Cristiano Ronaldo? This is totally normal. Key figures left camp for us and we saw that a bit.

“We lacked a punch in the last 20 metres in both matches. We encouraged the players. It was difficult for us.”

Kane’s potential absence is an immediate concern, leaving Tuchel short of viable alternatives when he needs them most, especially given these two toothless performances without him.

English strikers are suddenly a malaise.

Only 10 English strikers have appeared in the Premier League in the current campaign, with Chelsea’s 22-year-old Liam Delap the only one aged under 26.

Brighton’s Danny Welbeck, who turns 35 at the end of the month, might just have had a good international break by not being involved.

Welbeck and Calvert-Lewin are the only English strikers to have scored 10 or more Premier League goals this season – with 43 scored by English strikers.

It’s a far cry from the first season of the Premier League era in 1992-93, when 20 English strikers passed the 10-goal mark.

In recent years, however, what was already a steep decline has fallen off a cliff. Last season, only 67 goals were scored by English strikers, less than half the number in 2020-21.

Kane’s departure from Tottenham for Germany has played a part, of course, but he left for Bayern in 2023 and English strikers still scored 96 goals in 2023-24.

The cupboard is bare, underscoring just how indispensable Kane is.

This was a sobering night for England and Tuchel. This performance demonstrated that they simple cannot live without Harry Kane.

KYLIE Jenner knows how to drive her fans wild, and her latest bikini photos do not disappoint.

The beauty mogul, 28, sent her followers into meltdown when she shared a series of sexy beach snaps from her luxury holiday.

Taking to Instagram, Kylie shared a slew of snaps of herself enjoying a dip in the idyllic ocean, whilst on vacation.

The A-list star wore a black string triangle top bikini with matching thong bottoms.

Kylie was then seen pulling various poses in the clear water.

In one snap, the Kylie Cosmetics mogul had a big smile on her face, which matched the caption of her photos, as it read: “Having the time of my life.”

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Fans went wild for the pics, which saw Kylie’s curves spilling out of the tiny two piece.

“Absolutely stunning,” one wrote.

Another said: “Happy looks so good on you!”

A third fan swooned: “You are just too hot!!”

While Kylie’s sister Khloe Kardashian wrote: “Beyond jealous.”

The new photos come just a day after Kylie thrilled fans with more sexy beach snaps.

Yesterday, the star was seen again wearing a skimpy bikini as she frolicked on the idyllic shore.

In one snap, she was seen lying in the water as her skin glistened in the sun and in another she’s on bended knees, hair falling loose as she gazed up towards the sun.

Kylie is having the time of her life right now, and is also enjoying a romance with actor Timothee Chalamet, 30.

The Kardashians star recently stunned in a body-hugging sparkly red gown at the Oscars while supporting her nominee boyfriend.

Showing off her outfit on Instagram, Kylie hinted in the caption that her look channelled the sexy cartoon character, Jessica Rabbit.

Meanwhile, her partner Timothee was a top contender for Best Actor for his performance in sports drama Marty Supreme but lost to Sinners star Michael B. Jordan.

However, the Marty Supreme star was the butt of jokes having angered the arts world by stating nobody cared about ballet and opera.

And his comments came back to haunt him as Academy Awards host Conan O’Brien said: “Security is very tight tonight. There’s concerns about attacks from the ballet and opera communities.”

He waded in again later, saying to Timothée: “We’re vibing, right?”

He then told viewers: “He doesn’t think so.”

Alexandre Singh, who won Best Live Action Short Film for Two People Exchanging Saliva, also took a pop during his speech and said: “We believe art can change people’s souls.

“Maybe it takes ten years, but we can change society through art, through creativity, through theatre and ballet — and cinema.”

“Kim’s Convenience” may not win points for originality, but originality isn’t really the point of an immigrant family drama meant to be instantly, one might say universally, recognizable.

The play, which opened Tuesday at the Ahmanson Theatre, was a runaway hit at the 2011 Toronto Fringe Festival. That success led to a larger production at Toronto’s Soulpepper Theatre that brought more attention to the show, paving the way for runs off-Broadway, in London’s West End and Washington, D.C.

But the show’s familiarity has another source. “Kim’s Convenience,” which was turned into a sitcom for Canada’s CBC, found an international audience on Netflix.

The story is set in Toronto, and the Kim family (owners of the titular convenience store) is of Korean background. But immigrants from Ireland, Italy, Latin America, India and Eastern Europe and their more assimilated children won’t have any problems relating to the generational conflicts at the heart of this gentle comedy.

Author Ins Choi, who once played the role of the prodigal son, has matured into the part of Appa, the patriarch who left Korea with his wife, Umma (Esther Chung), to start a new life in Canada. He opened a 7-Eleven-style shop, which he once considered calling 7-12, and has been living above the store with his family in what has been an all-hands operation.

Appa made sacrifices to give his son and daughter a better life — and he’s more than happy to tick off a list of what everyone owes him. He’s a mostly benevolent tyrant, but his crotchety side can get ugly and he’s not always in control of his temper. His son Jung (Ryan Jinn) ran away at 16, absconding with money from the store safe, after one of Appa’s flare-ups sent him to the hospital.

Janet (Kelly Seo), Appa’s 30-year-old unmarried daughter, bears the brunt of being the adult child who remained at home. She still works at the store, though her true calling is photography. Her father considers this just a hobby, a weekend recreation that shouldn’t interfere with her taking over the store one day. But she has other ideas for her future.

Change is coming whether Appa likes it or not. A Walmart is heading to the area, and with this news comes an unexpected offer for the shop that would allow him to comfortably retire. But selling the store is tantamount to discarding his story.

Brandon McKnight, left, and Kelly Seo in “Kim’s Convenience.”

(Dahlia Katz)

He explains this to Janet, hoping that she’ll continue his legacy. But she’s put her life on hold for too long. Both her parents never let her forget that she still doesn’t have a husband. But how can she get married when her father subjects any man she dates to the third degree?

Alex (Brandon McKnight), the police officer who answers the 911 call Appa had Janet place to report a Japanese car parked illegally by the store (he still hasn’t forgiven Japan for its invasion of Korea), turns out to be a childhood friend of Jung’s — and someone Janet used to have a crush on. The sparks between them are obvious, and Appa, the soul of indiscretion, can’t help meddling in his overbearing way.

Choi isn’t averse to shtick, if the result is an explosion of audience laughter. One comic gimmick involves Appa’s superhuman grip that can subdue even the mightiest of men. A shoplifter (also played by McKnight, who portrays all the customers and passersby) learns the hard way that Appa is not to be underestimated.

Esther Chung, left, and Ins Choi in “Kim’s Convenience” at the Ahmanson.

(Dahlia Katz)

The scene involves an unsavory routine on how to recognize a shoplifter. Janet challenges Appa’s racist assumptions, but father knows best and no one can convince him otherwise. Janet can’t win with him, but don’t count Appa’s daughter out.

Or his son, for that matter. Jung, who had a stint in rehab, hasn’t had an easy path in life, but he’s stayed in touch with his mother and eventually he and his dad will have their dramatically inevitable reckoning. There’s something determinedly hopeful about “Kim’s Convenience,” which like the store it’s named after, wants its patrons to leave satisfied.

The cast members, under the direction of Weyni Mengesha, all deserve high customer ratings. Choi’s Appa is impossible to stay mad at even when he’s said or done something unforgivable. He doesn’t mean to offend, though other people’s feelings are a luxury he has never been able to afford.

Still, his paternal bluntness is not without its infuriating charm, as when he informs his headstrong daughter, “You have to understand, now is desperation time for you. Sudden death, overtime, penalty kick shoot out. Expiration date is over. Take over store is only choice you having.”

Esther Chung and Ryan Jinn in “Kim’s Convenience” at the Ahmanson.

(Dahlia Katz)

Seo’s Janet is as feisty as she is loyal, making it easy to root for her and her quickly budding romance with McKnight’s worthy Alex. Chung’s Umma doesn’t take up a lot of room in the play, but her maternal presence registers sharply nonetheless. Jinn endows Jung with hidden dimensions of pain and regret.

But the most vivid performance might in fact be the convenience store itself, brought to fluorescent, sanitized, colorful life by scenic designer Joanna Yu and lighting designer Wen-Ling Liao. Nicole Eun-Ju Bell’s video and projection designs subtly transpose the setting when, for instance, Umma meets up with her son at church. The production seems right at home at the Ahmanson, a function of both the broad sitcom-friendly style and the warm Korean American reception that was audible at Tuesday’s opening.

“Kim’s Convenience” has an eager-to-please TV sensibility that can seem formulaic at times. But representation, particularly these days, can be a radical act, and there’s something heartening at the sight of the Kim family enjoying their turn in the mainstream spotlight.

A single mum of three received a ‘life-changing’ gift on Rich House, Poor House on Channel 5

A single mum-of-three, drowning in debt, was moved to tears after a millionaire invested £100,000 in her budding restaurant venture and paid off her debt on Rich House, Poor House.

Valerie Mayer, from Portsmouth, who is juggling raising her three children and working as a full-time carer, appeared on the Channel 5 hit show on Sunday (March 29) night alongside mum Cleopatra.

The talented home cook has always had dreams of launching a Zimbabwean restaurant in the UK, however with a weekly budget of just £53 her lifelong passion has been pushed to the side as she battles to make ends meet.

In a heartbreaking moment, she admitted that she has faced threats from debt collectors. She revealed: “My financial situation got so bad that I had bailiffs come in, and I just went into a state of panic. I was looking out of the windows to see if anyone was there. I got scared to leave the house.”

Seeing how the top 1% live, Valerie swapped homes for a week with tech startup millionaire, Steve Bolton, who lives in a plush £1m, six-bedroom property in Bournemouth.

The father of four left school at 16 with no qualifications but built a business from scratch, with his company now boasting a portfolio worth £750m.

Given his hectic life as an entrepreneur, he missed out on quality time with his children, so he decided to invite his eldest daughter, marketing guru, Ella, and his clothes shop owner son, Charlie, to join him on the show.

The family traded their home with two lounges, a dining room for eight, six bedrooms and five bathrooms, for a week-long stay in Val’s council house 60 miles along the coast.

While Steve and his two children had to manage on £51.93 for the week, Valerie and her mum experienced a glimpse of luxury living with a weekly budget of £2,000. Val and Cleopatra indulged in costly seafood, went on shopping trips for clothes, and even treated themselves to a day at the races.

However, Steve and his family found it difficult to adapt in their new environment and things took an emotional turn as Steve visibly moved after finding out about Valerie’s debt.

It was clear that Steve wanted to help Valerie get her life on track as he had a few surprises for her when they finally reunited after their swap.

The millionaire not only committed to investing £100,000 into her restaurant venture, but also cleared all her debts and transformed her garden.

Sitting opposite each other, Steve went on to say: “We’ve been talking a lot about how we might be able to help you guys because that’s obviously a big part of what we want to do and we’ve thought about three things that we can do to help you.”

He continued: “The first one is already done and it’ll be a surprise when you get home, the second one is about your debt situation, so we wanted to get you out of debt and then the third thing is we want to back your vision, your dream, your passion and your talent for business.

“Support you financially, support you with mentoring, support you with anything and everything you need up to a value of £100,000.”

Valerie broke down in tears as she struggled to get her words out: “Oh, wow. I don’t even know…How do you say thank you? Thank you. Wow, this is amazing.”

With tears streaming down her face she said: “I’m feeling really overwhelmed right now. Happy tears. This can change mine in my family’s life. I really wanted this so much and I’m so glad that my family’s also going to be involved in this because it’s going to change everything for the better.”

Rich House, Poor House airs Sunday night from 9pm on Channel 5

A YouTuber who moved from her home town in the USA to the UK has talked about her experiences of relocating across the pond, and how her new home treats its citizens

A woman who moved from the United States to the UK has talked about the main differences between her old life and her new life.

Mindy Hickson, who posts about her experiences on YouTube channel The Hickson Diaries, said there are seven ways in which living in the UK has provided what she describes as “the simple life”.

Mindy alluded to the fact that the way Americans have been told to live is not necessarily the only way to live. She said: “Growing up in the US we’re indoctrinated into believing that success looks like a specific set of things.”

Said things that could be suggestive of a cultural mistruth, Mindy said, included owning a massive house, two big SUVs, and a having a salary that keeps climbing

Mindy added: “We’re taught if you don’t have those things you’re failing….But honest when you step outside of the US bubble you do actually start to see exactly what they mean when Europeans say things like, ‘Americans are rich in things, but extremely poor in time’.”

Mindy noted that she feels like the UK offers a safety net for people who have suffered through struggles in their lives.

In the first of her seven comparisons, she said that in the USA, there’s “this low level background of anxiety that hums in your brain 24/7. It’s the fear that one bad day…it can take away everything that you’ve built”.

Whilst Mindy acknowledged the NHS isn’t perfect, she concluded: “Nobody here in the UK is losing their house because they got sick.”

Mindy then compared isolation in the USA to the UK’s community spirit, explaining the concept of spaces where Britons could exist without spending a lot of money. She said the UK has “places where you can just exist around other people without having to spend a lot of money, pay a cover charge or have an over abundance of stimulation”.

When it came to the workplace, Mindy said she felt that the UK doesn’t weaponise productivity in the same way, and that employers have greater respect for allowing people to rest after finishing work for the day. In contrast, she said that having a break in the USA is often seen as a “weakness”.

Mindy’s fourth piece of evidence that the “simple life” in the UK is better than that of the USA is due to dignity in ageing.

She pointed out that the UK tends to look after its retirees and pensioners better by giving them things such as free bus passes to help them get around major cities.

Fifth on her list was the food. Mindy touched on how food is much less processed in the UK. She also said there is a different mentality, that eating well doesn’t mean eating more, but meant eating high quality food instead.

Mindy additionally praised the UK as she feels Britons make more thoughtful purchasing choices.

She said this is because companies don’t deliver products every two hours, and that the UK system forces people to be “more intentional” about their choices. As a result, Mindy said she’s stopped buying things “just to fill a void”.

Mindy’s final and seventh statement she felt supported her claim that UK citizens have a better way of life came down to safety.

Whilst the UK is not bereft of crime, she talked about how she felt less anxious, that she didn’t have to check the exits as she walked into a building or venue, and that she felt less on edge.

Paul McCartney sauntered onto the stage of the Fonda Theatre, took in the 1,200 faces before him — “I can see the whites of your eyes,” he said — then offered up a brief history lesson about where we’d gathered Friday night.

The Fonda, he told us, opened 100 years ago; back then, he added, it was called the Music Box.

“Cool little place, innit?”

At 83, McCartney is well into his cool-little-place era.

Last year the rock legend played a string of concerts at New York’s tiny Bowery Ballroom while in town for “Saturday Night Live’s” 50th anniversary; a few months after that, he hit the Santa Barbara Bowl as a kind of warm-up for the latest leg of his Got Back world tour.

Paul McCartney and his band during sound check for Friday’s show.

(MJ Kim)

Friday’s underplay — the first of two instant sell-outs at the Fonda — came as McCartney is drumming up interest in a new studio album he’ll release in May. Outside the venue, a double-decker bus was parked with signage advertising the LP, which is called “The Boys of Dungeon Lane” after a road in his Liverpool hometown.

But that hardly seemed like the purpose of the show itself, which lasted about an hour and 40 minutes and didn’t even include a performance of the album’s lead single. The truth is that Sir Paul genuinely appears to get a kick out of these intimate gigs — out of standing right in front of a crowd and doing the magic trick that is a song like “Get Back” or “Jet” or “Got to Get You Into My Life.”

And why wouldn’t he?

If a Paul McCartney concert in an arena or a stadium is a finely honed spectacle of boomer nostalgia and industrial-strength charm, one of his shows in a club or a theater is a chance to play music, which after six and a half decades still clearly turns his wheels.

You wouldn’t say the shows remind McCartney that he’s a regular guy. (Those six and a half decades have made him anything but.) What they might do, though, is remind him why he became so widely adored — valuable self-knowledge for an artist whose great subject has always been the transformative power of love.

Here, as in Santa Barbara, he and his seven-piece band (which featured three horn players) did a pared-down version of the most recent Got Back set, opening with a killer one-two punch — “Help!” into “Coming Up” — that alone said plenty about McCartney’s range and endurance.

“Let Me Roll It” had a funky swagger, while “Getting Better” chugged with cheerful insistence; “I’ve Just Seen a Face” showed off the group’s crisp harmonies and “Lady Madonna” its tight rhythmic interplay. After “Let ’Em In,” McCartney asked his band member Brian Ray to show off the song’s all-important bass line: a single note plucked over and over and over again.

Friday’s show was the first of two at the Fonda.

(MJ Kim)

He did a few other comic bits, including a memory of Tony Bennett singing without a microphone as a way to demonstrate the excellent acoustics of a concert hall — the punch line was that he later saw Bennett do the same thing at the Beverly Hilton — and some gentle ribbing of the folks sitting up in the “posh seats” of the Fonda’s balcony. Among them, McCartney pointed out, was Morgan Neville, director of the recent “Man on the Run” documentary about McCartney’s life in the aftermath of the Beatles’ breakup.

He also noted that his wife, Nancy Shevell, was in the house and dedicated “My Valentine” to her; truth be told, that one was a bit dreary, as was “Now and Then,” the so-called last Beatles song released in 2023 using machine learning to complete a scratchy demo left behind by John Lennon.

“Thank you, John, for writing that lovely song,” McCartney said afterward, which made it a little harder not to like.

In any event, there were more classics to come, not least a buoyant “Ob-La-Di, Ob-La-Da” and a “Let It Be”/“Hey Jude” twofer that inspired such a lusty singalong that McCartney probably could’ve gotten away with lip-syncing if he’d wanted to.

But of course he didn’t want to — that was kind of the whole point.

Comedian Jason Manford, who will tonight present the BBC’s Big Night of Musicals is a father to six children from two marriages. While he prefers to keeps his family largely out of the spotlight, the funnyman has offered glimpses of his life behind the scenes

Jason Manford might be a household name for his comic prowess, but his personal life is far less well-known. The 41-year-old funnyman, actor and impressive vocalist has been captivating audiences since making his television debut back in 2007 with a minor role in the BBC Three comedy Ideal, and now he’s taking on hosting duties for the BBC Big Night of Musicals by the National Lottery.

He said ahead of the show tonight (28 March) that it was a “real honour” to head up the night of musical performances, but said in his view, “The real talent is in the orchestra and the performers on stage, and I just love being a part of it.” His illustrious career has certainly flourished over the years, with highlights including presenting the prestigious Royal Variety Performance twice and serving as a panellist on ITV’s Starstruck alongside fellow judges Adam Lambert, Beverley Knight and Shania Twain.

Beyond his professional achievements, what else is there to discover about the entertainer’s personal life? Here’s what we’ve uncovered.

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Jason’s first marriage

The funnyman tied the knot with his first spouse, Catherine, back in October 2007. The couple went on to have twin daughters in 2009, followed by a third daughter in 2010, and then a son in 2012. Their relationship encountered difficulties in 2010 when it emerged he had been messaging female admirers online. The 34-year-old subsequently chose to step down from his presenting duties on The One Show to prioritise his family commitments.

Speaking at the time, he stated: “I have decided after careful consideration to stand back from The One Show to concentrate on my family.” The marriage ultimately ended in 2013. During a frank conversation with the Mirror in 2021, Jason acknowledged he hadn’t devoted sufficient “care and time” to his first marriage.

He reflected: “My first marriage really disintegrated on my theory of, ‘I don’t want my children to have the childhood I had’. So I was out working all the time, and I didn’t put the care and time into that relationship that it deserved and needed. “It’s only now I’m starting to realise, ‘Oh, I’m not giving the children the childhood I had’, which is good in one thing but bad in another. Because I got to spend so much time, and we had laughs with my parents.”

Jason’s second marriage

Jason wed his second wife, Lucy Dyke, in December 2017. The pair exchanged vows in an intimate Manchester ceremony surrounded by loved ones, before celebrating at a local curry house. Lucy, like Jason, works in television as a producer, with an impressive portfolio including Black Mirror, The Split, Ripper Street and numerous other productions. Jason has frequently championed his wife’s professional accomplishments, even encouraging his followers to tune into BBC’s Better, a drama she produced.

Sharing promotional images of the crime series on Instagram, he enthusiastically wrote: “My wife made this excellent show! It’s an absolute smasher and will fill the hole that Happy Valley has left. “BETTER! Starts tonight 9 pm, BBC1. Crime thriller with a twist!”

While largely keeping their domestic life private, he revealed in 2021 that he’d tested Lucy’s tolerance while cultivating sideburns for his theatrical role in Chitty Chitty Bang Bang. Speaking on the Manatomy podcast with Danny Wallace and Phil Hilton, he recalled: “When I was Caractacus Potts in Chitty [Chitty Bang Bang] I grew big sideburns and I got them right down to here, right down to below the lip sort of thing and my wife hated them, like genuinely hated them.

“I guess a lot of fellas do this, once you are married and they can’t leave you for trivial reasons, like having mutton chops. You can do what you like, but if you have dated someone once and they have got mutton chops, you don’t have to have a second date, but once you have got kids, that’s a really trivial reason to go through the process of divorce.

“So I think we as men do things that sort of annoy our wives, but it’s sort of like us testing the boundaries. I knew she hated it, but I still grew them and I was in that show for 18 months.”

Jason’s children

The funnyman is dad to six youngsters in total – four from his initial marriage and two from his current one. Jason shields his offspring from public attention and seldom posts pictures of his clan online.

That said, he does occasionally offer glimpses into family moments on social media. In July 2022 the beaming father shared an uncommon snapshot of his lad observing him perform live.

He wrote beneath the touching Instagram image: “My little boy watching me on stage today at @festunderthestars,” adding a broken heart emoji. During Father’s Day 2020, Jason uploaded an unusual picture showing him embracing all six of his children.

He appeared delighted as the youngsters gathered round for a cuddle while Jason positioned himself before a table displaying a PlayStation Four game and Celebrations chocolates. Within the caption, Jason informed followers: “A lovely Father’s Day. Recording radio show first thing, had pancakes and Nutella!

“Lots of cards and cuddles. Last of Us 2 on PS4 (and a promise of a day off chores this week to actually play it!). A visit to our new house/building site which is finally back up and running and ended the day with a lovely 5k walk which left everybody knackered. Early nights all round. Hope you all had a lovely day, and for those that had a tough one for various reasons, tomorrow is just a Monday and that’ll be easier.”

Big Night of Musicals airs this evening (March 28) from 7:45 pm on BBC One.

Do you have a story to share? Email me at emma.mackenzie@reachplc.com. Follow Mirror Celebs on Snapchat , Instagram , Twitter , Facebook , YouTube and Threads

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Tony Maudsley is best known for his role as George Shuttleworth on Coronation Street and away from the soap he lives a far less dramatic life

Tony Maudsley is a beloved figure on Coronation Street – but what do we know about his life off the set?

Tony joined the ITV soap in 2020, portraying George Shuttleworth, the son of the late funeral director Archie (Roy Hudd). Since then, he’s won over viewers and has been involved in numerous major plotlines.

Particularly now, as George is inching closer to uncovering the truth about wicked Theo Silverton (James Cartwright), who has been tormenting Todd Grimshaw (Gareth Pierce) for several months, reports the Daily Star.

Off-screen, actor Tony leads a far less dramatic life. Here, we delve into the accomplished star’s personal world.

Tony’s Hollywood Stardom

In addition to Corrie, Tony has featured in Queer As Folk, Emmerdale and also starred in the popular ITV sitcom Benidorm, playing hairdresser Kenneth Du Beke from 2011 to 2018.

Moreover, Tony made an appearance in the Harry Potter series in Harry Potter and the Order of the Phoenix, portraying Hagrid’s half-brother, Gawp.

Reflecting on his time in Harry Potter, Tony remarked: “It was one of the hardest jobs I’ve ever done. I was weighed down with these huge monster feet that were so heavy, that I could never get into the canteen and back in time.”

Tony also shared screen space with Johnny Depp in the film Sleepy Hollow – but had an awkward encounter with the Hollywood icon. He revealed to Soap Inside magazine: “Very early on in my career, I worked with Johnny Depp on the film Sleepy Hollow.

“At the time, I’d stopped smoking for three years – but Johnny invited me for a roll-up round the back of the set, and I couldn’t say no! So, there I was trying to look cool with Johnny, while choking on a cigarette. It’s been a pretty lovely career.”

Tony’s private family life

Tony regularly keeps his devoted following of 77,000 Instagram fans informed about his daily activities. Earlier this year, he offered supporters an uncommon glimpse into his personal world when he posted multiple pictures of his beloved dog following a grooming session.

He wrote alongside the post: “Took Bosie to a new groomers today in Worsley Village and they did a great job! They even cleaned his teeth (well the few he’s got left!)”

And in March, Tony honoured his seldom-seen mother after sharing a photograph of them together for Mother’s Day. In the image, Tony appeared delighted standing next to his mum. He wrote with the post: “Happy Mother’s Day from me and mine.”

Tony’s grief following tragic loss

In January 2024, Tony expressed his devastation after his friend Michael McGarrigle – who collaborated with Tony on ITV’s Benidorm – had died.

Tony initially requested assistance from his followers to locate costume supervisor Michael who had disappeared, but days afterwards he confirmed the tragic news that Michael had passed away.

Posting a photo with Michael, Tony shared a heartfelt tribute to his mate: “Thank you so much to everyone for all your efforts in reposting our appeal to find Michael yesterday. I’m so sad to say that we found out late last night that we’ve lost our beautiful friend.

“Our whole Benidorm family is devastated and we’ll miss him hugely. RIP Michael.”

In addition to Benidorm, Michael served as the costume supervisor on programmes such as Prisoners Wives Maternal, The Larkins, DCI Banks, Whitechapel, Mrs Biggs, Annika and The Fear. He was also the co-owner of a musical theatre and cabaret bar in Brighton, Bar Broadway.

Coronation Street airs Monday to Friday at 8:30pm on ITV1 and ITVX

There’s a lot of chatter around reality TV right now and the hazards of leaning into mess for the sake of potential viewership. Before Utah-based reality star and social media influencer Taylor Frankie Paul was making national headlines over domestic violence allegations brought against her by former boyfriend Dakota Mortensen — putting “The Bachelorette” and “The Secret Lives of Mormon Wives” series under interrogation — The Times was working on a group of stories that captured the longevity and cultural impact of the unscripted format.

News and culture critic Lorraine Ali took a look at the reality TV-to-politics pipleline. Writer Pamela Chelin spoke with “Survivor” host Jeff Probst and others to discuss why CBS’ competition show continues to endure after more than 25 years. And I wrote an oral history on the first episode of “The Real Housewives of Orange County,” which premiered 20 years ago and, in that time, expanded and morphed into a franchise, spreading to 12 other U.S. locales, including the upcoming series set in Rhode Island.

Speaking of reality TV — Valerie Cherish and “The Comeback” have returned for another round of the showbiz satire. The HBO comedy, which blends scripted comedy with a mockumentary format, originally premiered a year before the “Real Housewives of Orange County” and lampooned the effects of the early-2000s reality TV boom. It followed Valerie (Lisa Kudrow), a former sitcom star from the ’90s, as she attempts to revive her career by starring in a new sitcom while allowing a reality TV crew to document her journey. When the short-lived series was revived in 2014, it poked fun at the rise of prestige TV and the evolution of celebrity culture in the social media era. Now, its third and final season finds our favorite leading lady navigating Hollywood’s AI revolution. Michael Patrick King, who developed the series with Kudrow, stopped by Guest Spot to discuss the show’s latest timely exploration.

Also in this week’s Screen Gab, we take a breather from current programming and dust off two bygone titles. One is an animated sitcom that revolves around a mild-mannered therapist and his sessions with a notable clientele of real-life comedians playing exaggerated versions of themselves; the other is a mid-aughts thriller (of the Lifetime TV variety) that follows a heroic doctor who moonlights as a dangerous predator — its Letterboxd rating spread is something to behold. And it’ll make you wonder what Valerie Cherish might have brought to camp like that.

Let it all be incentive to spend some extra time on the couch this weekend — it’ll cut down on trips to the gas pump! Until next week.

— Yvonne Villarreal

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Recommendations from the film and TV experts at The Times

Dr. Katz, played by creator Jonathan Katz, invites his ex-wife, Roz, played by actor/author Carrie Fisher, to indulge in a dysfunctional family Thanksgiving on “Dr. Katz, Professional Therapist.”

(Comedy Central)

“Dr. Katz, Professional Therapist” (YouTube)

Once in a while the algorithms that rule our lives do us an actual favor, and so it was that YouTube alerted me that the entirety of this great turn-of-the-century cartoon lives there, hosted unofficially on a variety of channels. (Just type in the title.) Created by star Jonathan Katz with Tom Snyder, the inventor of an animation workaround called Squigglevision — in which vibrating outlines give a crude effect of action — and co-produced by Loren Bouchard, who would go on to co-create “Bob’s Burgers,” this six-season, semi-improvised, Peabody Award-winning Comedy Central series is founded on the notion that a comedian’s patter can resemble the neurotic unloading one might encounter in a psychotherapist’s office. And so onto Katz’s couch comes a parade of future comedy elder statespersons, naively but recognizably rendered, including Ray Romano, Lisa Kudrow, Dave Chappelle, Garry Shandling, Marc Maron, Catherine O’Hara, Margaret Cho, Wanda Sykes, Patton Oswalt, Sandra Bernhard, Paul F. Tompkins, David Cross, Jim Gaffigan, Steven Wright and Conan O’Brien. Rodney Dangerfield, already an elder comedy statesperson, has some things to say about his wife. Framing the therapy sessions are the domestic misadventures of Katz and his adult child son, Ben (H. Jon Benjamin, the Mel Blanc of adult animation, if Mel Blanc only used his own voice). Can’t-be-bothered secretary Laura (Laura Silverman, recently seen as Jane the documentarian on the new season of “The Comeback”), fills out the regular cast. — Robert Lloyd

“Stalked by My Doctor” (Tubi)

Last weekend, the Museum of Home Video hosted an interactive game at Vidiots where the sold-out crowd watched the first five minutes of 10 films and then voted on which flick to finish. “Stalked by My Doctor” won in a landslide. This 2015 Lifetime TV movie is one of the most bizarrely watchable trash films of the 21st century. Eric Roberts stars as Dr. Beck, a lovelorn, egotistical California cardiologist who is convinced he’s a catch. This graying bachelor falls for his patient, a high schooler named Sophie (Brianna Joy Chomer) and, when rejected, threatens to clobber her disabled boyfriend (Carson Boatman) with the guy’s own crutch. Filmmaker Doug Campbell makes B-pictures like a plastic surgeon does liposuction: He hacks off all the fat. Subtle? Absolutely not. Yet, there’s not a single dull scene and the characters make smarter moves than you’d expect. By the end, I was hooting and clapping, and giddy to hear that this top-notch schlock launched a five-film franchise. Some night soon, you can bet I’ll put on “Stalked by My Doctor: Patient’s Revenge.” — Amy Nicholson

Guest spot

A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching

Lisa Kudrow as Valerie Cherish in “The Comeback.”

(Erin Simkin / HBO)

Could ChatGPT deliver a script worthy of Valerie Cherish’s talents? More than 11 years after it was last revived, “The Comeback” returned this month with a third season that explores the fear of technology replacing artists, and the ethical compromises that arise, through its sharp and uncomfortable comedic touch. Valerie is offered the lead in a new sitcom, “How’s That?,” on a faltering streaming service called the New Net. But there’s a catch. It’s the first-ever TV series to be written by AI — a fact that network brass wants to keep secret to avoid industry backlash. Valerie is initially resistant to the idea, but a humiliating experience on an indie shoot has her reconsidering. Is she about to be part of the new future of TV? A new episode of “The Comeback” drops Sunday on HBO and HBO Max. Over email, King shared his worries over how AI may transform the entertainment business and the series he’d pick to join the comeback circuit. — Y.V.

This season has Valerie Cherish starring in the first sitcom written by artificial intelligence. The series has always hilariously explored industry shifts. What concerns or curiosities do you have regarding AI, and did those evolve as you worked on the season?

Concerns — yes, many. They range from young writers with nowhere to learn their craft to no writers, young or seasoned, anywhere but the Coffee Bean & Tea Leaf. And yes I’m curious — white-knuckle curious — to see how the threat of AI (Season 3) will change how we make TV compared to how way the threat of reality TV (Season 1) and the threat of prestige cable and streaming (Season 2) did. Spoiler alert …television and TV writers are still here. When is this being published?

Without spoiling anything, there’s a scene in this week’s second episode where Valerie takes a meeting with some Hollywood folks — and it’s an odd experience. Do those meetings feel any more confusing or bizarre to you, in terms of how network brass thinks about the landscape, than they did a decade or two ago?

That billion-participant Zoom scene in the episode is very reflective of the “pitch process” today — in fact more than reflective — it’s a documentary … minus the occasional “pop-up pet.” What’s missing from this current Zoom pitch process is the in-person connection, which also accounts, I think, for why you no longer hear the phrase: “I sold it in the room.” No room, more people — less sales?

What does your writing process with Lisa Kudrow look like? Place me in those weeks of writing the first episode of this season.

The first and every episode has the same process. We talk, we laugh, we eat, we improv, we take turns writing it down — you know, things human writers do.

In addition to this third go with “The Comeback,” you worked on multiple seasons of “… And Just Like That.” What have you found interesting about the process of revisiting characters at a different stage in your life? Has one felt easier to navigate than the other in the current entertainment landscape?

I’m fascinated by a character’s personal evolution — how they can grow over the years. Who they were, who they might be now, what they’ve let go of — how they’ve changed. I’m also fascinated by how some fans of these characters don’t want them to change. In the current TV landscape — the fans are very vocal.

What have you watched recently that you are recommending to everyone you know?

“The Pitt” [HBO Max]. In addition to the good characters, it’s the thrill of being introduced to new actors.

As a viewer, which show — excluding those in your catalog — do you think would be worthwhile to revisit in 2026?

“Freaks and Geeks” [Prime Video, Paramount+]. One season only. Sometimes … a special show that was canceled — deserves a comeback.

ICYMI

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“I want to lick your stink … I want to taste your foulness … I want to shower in your rot … I want to feast in your fetid funk.”

Have more romantic sweet nothings ever graced the screen? Scripted by Grace Glowicki and Ben Petrie (partners in life and in filmmaking), these words of seduction are music to the ears of a lonely Gravedigger (Glowicki), who has been formulating a perfume to cover up her corpse-like stench. What she discovers is that the right one will love her exactly the way she smells, learning that she’s not so pheromonally challenged after all.

Glowicki’s sophomore feature “Dead Lover,” sometimes presented in “Stink-O-Vision,” is one of those entirely singular freakouts that we can thank Telefilm Canada for subsidizing (see also: the Cronenberg family oeuvre, Matt Johnson’s current “Nirvanna the Band the Show the Movie” and many more).

She co-writes, directs and stars in this highly stylized, wonderfully DIY handmade project, beautifully designed with gruesomely gothic sets by production designer Becca Morrin and art director Ashley Devereux. The blend of intentional artifice paired with deep emotion calls to mind other Canadian auteurs like Guy Maddin and Matthew Rankin (“The Twentieth Century”), but Glowicki’s film also exists within another lineage: the feminist Frankenstein film.

The film opens with a quote from Mary Shelley: “There is something at work in my soul which I do not understand.” Her 1818 novel “Frankenstein: or, the Modern Prometheus” has always been a feminist text (despite Guillermo del Toro’s more bro-ey adaptation), grappling with the terrifying power of creating life — and how close that is to death. Feminist filmmakers have drawn out these inherent themes from the book, the most recent and loudest example being Maggie Gyllenhaal’s “The Bride!” But “Dead Lover” hews closer to Laura Moss’ modern medical take, “birth/rebirth,” and even more closely to Zelda Williams’ cute, poppy “Lisa Frankenstein,” in which a young seamstress stitches up a reanimated boyfriend.

Our Gravedigger speaks to us, and to the moon, about her heart’s desire in charming cockney rhyming slang. Her hopes are rather simple and conventional: one true lifelong love and a family. After much rejection, she finally finds her Lover (Petrie) in the cemetery, saving him from a ferocious beast while he mourns his late opera-singer sister (Leah Doz). After the pair consummate their fragrant lust, the Gravedigger is ready to settle down right away.

In order to make her dreams come true, Lover travels to Europe for fertility treatments, where he drowns on a ship, the only thing left of him a finger, delivered to her by fishermen. Our enterprising Gravedigger, a true woman of science, engineers a lizard elixir and regenerates the finger into a long tentacle that eventually demands a body. What better choice than his own sister? But when her wild new Creature (Doz) comes to life, all hell breaks loose, summoning the sister’s jealous, grief-stricken Widower (Lowen Morrow) into an unfortunate love triangle (or square?).

Glowicki is a terrific filmmaker, marshaling her tiny troupe to execute this unique project. Petrie, Doz and Morrow play multiple roles, including a gossipy Greek chorus and the band of merry fisherman (truly an astonishing array of Canadian accent work on display). Her commitment to her singular vision never wavers, but as an actor, Glowicki is truly astonishing. Caked in Halloween makeup and lit with an array of colored gels, Glowicki summons something primal, pure and deeply moving about the lengths one will go to for love, a screech from the depths of her gut.

With a dream-pop soundtrack by U.S. Girls that would be at home in an episode of “Twin Peaks,” “Dead Lover,” in all its stinky, sexy, queer and grotesque glory, is one of the grossest and loveliest films about love I’ve ever seen. This one’s for the horny, hopeless goth inside all of us.

Lauren Betts arrived at UCLA unsure she could continue playing college basketball.

After a turbulent freshman season at Stanford almost took her out of the game entirely, she joined rising stars Gabriela Jaquez and Kiki Rice in Westwood.

Betts blossomed in three seasons as a Bruin, but none of her games were as special as the final one she played at Pauley Pavilion. During a second-round NCAA tournament win over Oklahoma State on Monday that at times was closer than many expected, Betts dropped a career-high 35 points and nine rebounds to lead UCLA to the Sweet 16.

“This community, the minute that I transferred over here, has just welcomed me with open arms,” Betts said. “The fans have just been so supportive of me through my entire journey, through my mental challenges, through just basketball, everything. I feel like I’ve grown so much, and they have really taken care of me here.

“It’s not even about basketball to me at this point. Like the people, like Coach Cori [Close] said, that we’ve been able to affect and just the difference that we’ve made, I think has been huge. And so for me, like, just to see all the people waving at us at the end of the game was really special.”

Betts wrote about her journey to joy on March 9 in The Players Tribune, the second time she has spoken or written in detail about her battle with depression and thoughts of taking her own life. She has become well known for not being afraid to be honest about her mental health challenges and being an advocate for those in need of support. It has endeared her to the UCLA community that’s embraced her, along with her teammates.

She wrote that her transparency about suicidal thoughts and an ensuing hospital stay midway through her sophomore season, first with her UCLA teammates, felt like a release from all the anxiety and self doubt that hounded her as she tried to live up to expectations at Stanford and UCLA.

“I want people to know that I’m doing better,” Betts wrote. “But I also want to be very realistic. My mental health isn’t perfect. It’s an ongoing project.”

UCLA center Lauren Betts, left, and teammate Charlisse Leger-Walker laugh together on the bench during Monday’s NCAA tournament game against Oklahoma State.

(Ronaldo Bolanos/Los Angeles Times)

Her teammates are in awe of her efforts to be the best person she can on and off the floor.

“She makes everyone better not just because of the basketball player she is, but the leader she is,” said Gianna Kneepkens, a graduate student who transferred from Utah to UCLA. “She challenges us, she pushes us, she just wants what’s best for the team. When people are getting tripled, she’s not worried about, ‘Oh, like, can I get the points?’ She’s seeing who is open so that we can score. So I just have had such a great time playing with Lauren and she’s one of the biggest reasons I came here.”

During the Oklahoma State win, UCLA led from wire to wire. But the Cowgirls outscored the Bruins in the second half and the Bruins’ shooting fizzled out during a tense third quarter. Betts, however, didn’t falter.

Her 35 points came in just 34 minutes. She was 15 of 19 from the field and nearly reached a double-double with nine rebounds.

Betts had long established herself as one of the best players in the country, but she doesn’t lead the nation in scoring, in part, because UCLA is a balanced team with many scoring options. Her performance against Oklahoma State was a reminder that she is still the Bruins’ most formidable player and remains the heart of the program’s push to win a national championship.

“That [scoring is] always in her bag,” Jaquez said. “Maybe some nights she passes more, but that’s just what makes her so special. She’s going to win 99% of her matchups.”

UCLA’s offense runs through its star center even with some of the best shooters in the country. Their starting lineup spaces the floor, with former Washington State leading scorer Charlisse Leger-Walker as a fifth option.

“She puts a lot of pressure on herself a lot of the time and always blames herself when she shouldn’t be and no one else is thinking that way,” Leger-Walker said of Betts. “And I think over this past year, she’s really been working on trying to not do that so she can be the best she can for this team. We obviously need her to be confident, just being able to trust herself, because that is what is going to make our team so much better.”

UCLA center Lauren Betts shoots the ball during the Bruins’ NCAA tournament win over Oklahoma State at Pauley Pavilion on Monday.

(Ronaldo Bolanos/Los Angeles Times)

There are games that often belong to someone else. Jaquez has turned in big games this season and Rice was the Big Ten tournament most outstanding player. The Bruins have featured six different leading scorers across all games this season.

But it still always comes back to Betts, who has been UCLA’s top scorer a team high 14 times.

“Lauren is one of those players that is always so dominant,” Leger-Walker said after the win over Oklahoma State. “I didn’t even know until she came out that she had 30-something [points.] I was like, ‘Yeah, what the heck?’ That’s just her, you know, she’s a bucket. And she’s gonna always be dominant in that fashion and she is just such an impact player for this team.”

Betts’ 27 minutes, 17.1 points and 8.7 rebounds per game are slightly down from last season. Her 3.2 assists per game are slightly up. Her role, like many other UCLA players, has evolved to fit the star-studded lineup.

In the same way Leger-Walker went from a three-point sniper to a point guard or Rice went from a distributor to a shooter and Jaquez from a hoop driver to a three-level scorer, Betts transformed from a post-up only scorer to the conductor of the Bruins’ office in the middle of the floor.

“She anchors us on both ends, down in the paint, especially defensively,” Rice said. “Her ability to switch out on guards and play on the perimeter and help us out is really, really big. And obviously offensively, she’s such a big offensive player.”

If the Bruins do win a national title, it’ll be on the back of their star. Sure, UCLA is a team full of them, but Betts is still, as Jaquez describes her, “that girl.”

For one last run, Betts can be that for a community and team where she’s found not just acceptance, but true celebration.

“I think she’s found a really deep purpose,” Close said. “And when you can use your pain for great purpose and other centeredness to have an incredible legacy in the lives of others, that’s an incredible gift. But it’s a gift that she’s worked really, really hard for.”

Winning tip: puffin-watching in the Inner Hebrides, Scotland

Last April, I based myself in Oban and took my teenagers puffin-watching at Lunga, off Mull, in the Treshnish Isles, with an organised tour (Staffa Tours) by ferry and foot. It was a real delight. The guides were brilliant and helpful, especially with my mobility issues, and we were surprised and amazed at how tame and friendly the puffins were – allowing us to get great views of their faces from as near as 5ft or so. Next spring, we are going again as this is the best time to see them arriving in their thousands.
April

Stunning architecture in the heart of Surrey

Grade I-listed Claremont Landscape Garden near Esher is great to visit in spring. But time your trip there right and you can also visit a National Trust gem just half a mile away: the Homewood, architect Patrick Gwynne’s 1930s modernist villa and accompanying woodland garden (for pre-booked guided tours only on specific Fridays and Saturdays, April-October). The house itself is stunning, with light pouring through the sitting room’s floor to ceiling windows, but on a sunny spring day the garden, complete with rhododendron tunnel, bamboo thicket, water gardens and stepping stones, proves a tranquil spot in which to linger and view the Le Corbusier-inspired abode.
David M

Sheffield’s Tudor turret

One of our favourite days out as a family in spring is to explore the beautiful Sheffield Manor Lodge. There is a wealth of history to explore in the Turret – my young daughter loves telling everyone who’ll listen that Mary, Queen of Scots was detained here. There are also children’s trails, outdoor games and craft sessions – we’ve made stained glass kites, learned about a frog’s life cycle, had Easter egg hunts and completed outdoor yoga trails. On a warm spring afternoon, it is a stunning place – with a lavender maze, apothecary gardens, wildflower meadows and the amazing rhubarb shed cafe.
Susan

Artistic treasure hunt on the North York Moors

This magical mystery tour combines fresh air, beautiful, wild landscapes and art. The project is called Hanging Stones by Andy Goldsworthy, and it’s set in Rosedale. Several buildings that were in varying states of disrepair have been rebuilt as artworks and are connected by a six-mile walk encompassing Northdale, near Rosedale Abbey. You have to book a slot to find out where the key is, which you will pick up, together with a map, to get started. It’s the treasure hunt style that will get even the youngest in the group excited about the walk, allowing the adults to do something they wouldn’t otherwise dream of doing with children: admiring art and going for a decent walk. The cost is £10 per adult, while students and under-18s go free.
Annelore

Dazzling azaleas in Gloucestershire

I always take my family to Westonbirt Arboretum near Tetbury in spring to celebrate the beautiful spectacle of nature exploding into a kaleidoscope of colour and life. The Arboretum is a breathtaking place, especially under a sunny sky. The well-marked paths mean you can easily wander through its 245 hectares (600 acres) and enjoy the fresh air filled with the delicate scent of blooming cherry blossoms. With more than 15,000 specimens and 2,500 species of trees and shrubs from across the globe, it serves as a stunningly beautiful living gallery. In spring, the arboretum dazzles with azaleas and rhododendrons bursting into brilliant shades of white, red and pink. My teenagers especially enjoy exploring the treetop walkway and quiet woodland trails – and a treat of tea and cake at the well-positioned cafe at the end of it all.
Nicoletta

Wild garlic and lily ponds in Pembrokeshire

For a springtime lift, head to Bosherston Lakes set in three limestone valleys with spectacular displays of lilies. Start in ancient woodlands, where there’s a shimmering, scented carpet of white wild garlic. It feels like a fairytale. Emerge at the serene lily ponds, where you might spot an otter or a heron, then follow the path to Broad Haven South. The moment you hit the dunes and see the beach open up is one of the finest coastal views in the UK. Finish with tea and cake at the nearby Stackpole Walled Gardens; it’s run by Mencap, so your pit stop supports a fantastic cause while you soak up the Pembrokeshire sunshine.
Lucy Coast

Kites fluttering in the Chiltern skies

My favourite UK spring activity is flying kites with my family in the Dunstable Downs. The open hills and steady breeze make it the perfect spot to let our kites dance in the sky. There’s something really joyful about watching the colours flutter along with other kite-flyers. After some fun, we spread out a picnic blanket and enjoy homemade treats while soaking up the sunshine and taking in the beautiful views. It’s such a simple but special way to spend a bright spring day together outdoors.
Victoria

A memorable walk in the Cotswolds

The circular walk from Bourton-on-the Water to the Upper and Lower Slaughters provides a buffet of springtime goodness, from trees in blossom and daffodils to wildflowers and nesting swans. Oh, and don’t worry, the Slaughters aren’t as morbid as they sound. They take their name from the Old English word slohtre, meaning “muddy place”, suggesting suitable footwear is needed. While Bourton-on-the-Water remains a tourist hotspot – the perfect example of an idyllic Cotswolds village – the walk towards the Slaughters via the Windrush Way and the Gloucestershire Way makes for a calming amble soundtracked by rivers and birdsong.
Maxine Harris

Luscious blooms and afternoon tea in Devon

Each spring, my family makes a pilgrimage to Killerton gardens in south Devon to see the glory of magnolia blossom on the south-facing slopes of Dolbury Hill, known locally as the Clump. The luscious blooms of pinks and ivory are the main attraction. It’s wonderful to see the children enjoy the release of running on the first-cut lawn and to watch their grandparents taking in the sight of the sea of daffodils. After a wet winter of grey skies, it’s also wonderful to have tea outside the house, basking in the sunshine.
Simonetta Taylor

A Northumberland beach stroll

Can anything beat standing on a beach getting a lungful of fresh sea air? I don’t care if I’m still having to wrap up in layers with a woolly hat, being on a beach feels like the start of summer. Beadnell beach in Northumberland is a great place for a leisurely wander, with cracking views and lots of dog-friendly places to refuel in the village. The breakfasts at the Courtyard Cafe have fuelled many a walk along the beach.
Hannah S

Lindsey Vonn is less than two months removed from a skiing accident at the Milan-Cortina Olympics that almost resulted in the amputation of her left leg.

She has stopped taking painkillers but is still exhausted.

She is back home in Park City, Utah, but spends nearly all of her time in rehab.

She is 41 and has won four overall World Cup championships, with 84 World Cup wins and three Olympic medals, including gold in the downhill at the 2010 Vancouver Games.

Yet, Vonn would not definitively say that her competitive skiing career is over, during a recent interview with Vanity Fair’s Elise Taylor.

“I don’t like to close the door on anything, because you just never know what’s going to happen,” said Vonn, who appears on the magazine’s cover in a long, black dress with a split that shows her left leg — bandages and all.

“I have no idea what my life will be like in two years or three years or four years. I could have two kids by then. I could have no kids and want to race again. I could live in Europe. I could be doing anything.”

She added: “It’s hard to tell with this injury. It’s so [messed] up.”

Vonn, who returned to racing in late 2024 after nearly six years away from the sport, had two victories and three other podium finishes in her five World Cup races during the most recent season. In December, Vonn announced she would be competing in her “5th and final Olympics!”

“I wanted to win the Olympics, and I wanted to win the downhill title, and I was on track to do both of those things,” Vonn told Vanity Fair.

On Jan. 30, Vonn suffered a complete rupture of the anterior cruciate ligament in her left knee, with meniscus and bone damage, when she crashed during a downhill race in Crans-Montana, Switzerland.

She decided to compete at the Olympics anyway and had a couple of successful training runs leading up to the Feb. 8 downhill competition.

“I was in the exact mental state that I wanted to be in,” Vonn said. “I was ready to go.”

Unfortunately, her race didn’t last long. Vonn lost control on the first jump, spun sideways in the air, slammed to the ground and needed to be airlifted from the course. Vonn and other skiing experts have said that the ruptured ACL likely had nothing to do with her crash at the Olympics.

Vonn suffered a complex tibia fracture and other major damage. It contributed to a condition called compartment syndrome, which involves excessive pressure building up inside a muscle and possibly can lead to permanent injury or amputation.

Five surgeries later, Vonn is on the road to recovery. She has posted several photos and videos on Instagram as she amps up her fitness routine again. In a March 15 post on X, Vonn wrote that she’s not ready to discuss her skiing future.

“My focus has been on recovering from my injury and getting back to normal life,” she wrote, adding, “I’ll let you know when I decide.”

Vonn did tell Vanity Fair that she’s not crazy about the idea of the catastrophe at the Winter Games being the public’s last impression of her as a skier.

“I don’t want people to hang on this crash and be remembered for that. What I did before the Olympics has never been done before. I was number one in the standings. No one remembers that I was winning.”

GO to Dungeon Lane today and it’s strange to think it occupies a special place in Paul McCartney’s heart.

Yet it will go down in pop history alongside other street names associated with him, joining Penny Lane and Abbey Road.

Situated in the Speke neighbourhood of Liverpool, the L24 postal district, a faded road sign sets the tone for its desolate air.

It is bordered on one side by a solar farm business and, on the other, by a fenced-off area of scrubland which separates it from the city’s John Lennon Airport.

Before you get very far, a bright yellow “emergency access gate” bars further exploration.

But, as a child, Dungeon Lane was McCartney’s gateway to a stunning rural idyll where he could escape the hustle and bustle of urban life.

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In the Fifties, the lane took him past a daffodil farm to the Oglet Shore on the widest stretch of the River Mersey.

I wonder if young Paul, a keen birdwatcher, ventured into this wilderness clutching his trusty The Observer’s Book Of Birds.

There, he may have spotted any number of waders — curlew, snipe, dunlin, black-tailed godwits.

What we do know is that his lifelong love of our feathered friends began in those days.

This helps explain the compositions dotted through his career such as Blackbird with The Beatles, Single Pigeon with Wings, Two Magpies with The Fireman and solo efforts Jenny Wren and Long Tailed Winter Bird.

To McCartney, his early rambles into the countryside represent humbler, simpler times before The Fab Four exploded on to the scene, before his storied life in the dazzling glare of publicity.

Sir Paul, 83, has called his 19th solo album The Boys Of Dungeon Lane . . . which is, as he suggests, a trip down memory lane.

He got the title from the lyrics of its first single, Days We Left Behind, released yesterday, a nostalgia-filled acceptance that he has a far longer past than future.

Intimate, beautifully sung with Macca playing acoustic guitar, bass, piano and harmonium himself (how does he do that!?), it is the first taste of a project that has been five years in the making.

“This is very much a memory song for me,” he says. “I was thinking about just that . . . the days I left behind.

“And I do often wonder if I’m just writing about the past — but then I think, how can you write about anything else?”

For McCartney, the song conjures up “a lot of memories of Liverpool. It involves a bit in the middle about John [Lennon] and Forthlin Road which is the street I used to live in. Dungeon Lane is near there.”

Paul was born on June 18, 1942, to his midwife mother Mary and salesman father Jim, and they moved with younger brother Mike to 20, Forthlin Road, Allerton, in the mid-Fifties from Speke, where they had lived since 1947.

We also know that Paul first bumped into John on July 6, 1957, at roughly 4pm, at a garden fete behind St Peter’s Church, Woolton.

In Days We Left Behind, he sings of the bond he formed with the lanky lad 20 months older than him: “We met at Forthlin Road/And wrote a secret code/To never be spoken.”

Continuing his reflection on the song, he says: “I used to live in a place called Speke which is quite working class.

“We didn’t have much at all but it didn’t matter because all the people were great and you didn’t notice you didn’t have much.”

As already mentioned, birdwatching was a hobby, one that required little cash and gave him a lot of pleasure “in the nearby woods and fields”.

A recent entry in Macca’s Spotify playlists, under the banner Sticking Out Of My Back Pocket, came accompanied by these musings . . .

“My mum had the midwife’s house on the edge of Liverpool, where we lived,” he says.

“It was where Liverpool just stopped and became deep countryside, so that was when I had the opportunity to do quite a bit of birdwatching.”

He particularly cherishes the moment he saw a “skylark rising into the sky, singing its sweet song”.

That unforgettable sight has found its way into Days We Left Behind, with its lines, “In the skies the skylarks rise/Above the sounds of war/Since that day I knew they’d stay/With me for evermore.”

All these decades later, he reflects: “And now because I live part-time on a farm [in Sussex], I’m able to see a lot of birds and I don’t need The Observer’s Book Of Birds quite so much as I did back then.”

McCartney’s new album promises to be one of the most personal, most autobiographical song cycles he’s ever recorded, while also finding room for up-to-date love songs dedicated to third wife Nancy.

Yesterday’s announcement states that it finds him in a “candid, vulnerable and deeply reflective mood, writing with rare openness about his childhood in post-war Liverpool, the resilience of his parents, and early adventures shared with George Harrison and John Lennon”.

I’m guessing here but songs yet to be heard, Momma Gets By and Salesman Saint, appear to be affectionate remembrances of mum Mary, who died when Paul was just 14, and dad Jim.

This is not the first time Macca has delved into his early years for songwriting inspiration.

I talked to him about the playful On My Way To Work, which appeared on his 2013 album, New.

He called it a “collection of memories all morphed together”, providing a fascinating glimpse into his life before Beatlemania.

“It’s about me going to my first job, before The Beatles took off, which was working on a lorry for a delivery company called Speedy Prompt Deliveries — SPD.”

McCartney described going to work on the council-run green and cream buses which led to him looking at risqué magazines like Parade.

“I’d go on the bus at some unearthly hour of the morning,” he said. “I might buy a magazine and look at the nudies. I was too young to be interested in the news!”

He remembered how hard-up kids like him ripped the fronts off cigarette packets and traded duplicates with their mates, instead of collecting “football cards or, like in America, baseball cards”.

“It was like, ‘I’ll swap you two Craven A for a Woodbine’. Then there were the posh brands because this bus route went from the centre of Liverpool to the outskirts.

“Posh people would be smoking Passing Clouds or Sobranies and packets of those were very prized.”

Another song, Queenie Eye, referenced a childhood street game from “1940s Britain”.

“It’s what we used to get up to before video games and that whole home entertainment thing,” he said.

“Someone would be elected to be ‘the one’ or the ‘queenie eye’. We’d all stand behind that person and he would throw a ball over his head and one of us would catch it and hide.

“Then we would all chant, ‘Queenie eye, queenie eye, who’s got the ball? I haven’t got it. It isn’t in my pocket!’ It was simple entertainment for simple minds but great fun.”

Now it is time to return to the 2020s and the creation of The Boys Of Dungeon Lane, the follow-up to his captivating lockdown album, McCartney III.

This time, we’re told we can expect “Wings-style rock, Beatles- style harmonies and McCartney-style grooves”.

The process began around five years ago when Macca met American live-wire producer Andrew Watt, known for his work with Ozzy Osbourne, Lady Gaga, Post Malone and The Beatles’ greatest Sixties chart rivals, the Rolling Stones.

Watt, I gather, “pulled a guitar” on his latest rock icon, who instantly happened upon a chord he didn’t recognise.

As the story goes, the ever- experimental McCartney changed one note, then another, until he had a three-chord sequence.

That led to his new record’s opening track, As You Lie There, which in turn set the ball rolling for the other 13 songs.

It’s remarkable that, as with McCartney III, he is credited with playing all the instruments himself across the whole thing.

It brings to mind how at ease this enduring music obsessive seemed as he suggested specific drum beats and fills to Ringo Starr in The Beatles’ Get Back documentary.

With Macca still touring and playing momentous shows like his 2022 Glastonbury epic, Days We Left Behind has been honed over half a decade when time permitted.

During that period, he even managed to introduce the Stones to producer Watt, who helmed their 2023 comeback album, Hackney Diamonds.

When McCartney was in Los Angeles working with Watt, he was brought in to play bass on Mick Jagger and Co’s punk blast, Bite My Head Off.

Upon its release, I spoke to Keith Richards who was made up over their special guest.

“Yeah, Macca just strolled in with his bass,” the guitar legend drawled. “I think the song reminded him of those times [in the Sixties]. Beatlemania was equally as bizarre as Stones mania.”

There’s a moment towards the end of Bite My Head Off where you can hear someone saying, “Come on Paul, play something”.

“That might have been me,” smiled Richards.

But this is all about Britain’s greatest living songwriter, Paul McCartney, and his new album The Boys Of Dungeon Lane.

Time is precious but when it comes to music and life, he’s still facing forward at 83 — even if he’s remembering a youth long ago when “in the skies, the skylarks rise”.

When you think of your earliest memory of reality television, what comes to mind? Is it “The Real World,” “Survivor” or “The Bachelor”? Perhaps it’s other fare like “Project Runway” or one of the “Real Housewives” franchises.

Growing up in the ‘90s and early aughts, my first exposure to reality programming was MTV’s slate of shows like “Real World” and “Road Rules” — thanks to being the youngest of four siblings, I was exposed to shows that were, in hindsight, too risque for me at too young an age. But they left an indelible mark. I saw Irene McGee of “Real World: Seattle” get slapped by her roommate Stephen Williams, a moment that at the time sent shock waves. Genesis Moss, of the Boston cast, was one of my earliest exposures to a gay person on TV. And Melissa Howard of the New Orleans season showed me how you can be 5-foot-2 and unapologetically feisty — as someone with a similar build and demeanor, I took that to heart.

Over the years, I’ve sometimes dismissed reality TV because it felt a little too personal or a little too competitive. I often wonder about the psychological effect on participants as their lives are laid bare for all to see. However, I can’t deny their appeal and why fans have continued to gravitate toward these shows season after season. They make for excellent watercooler talk; in recent weeks, my co-workers and I have spoken endlessly about “The Bachelorette” and Taylor Frankie Paul, and who did or didn’t stay married from Season 10 of “Love Is Blind.”

Few of us knew in the early days what effect reality television would have on the culture or how it would create a new type of star. Reality TV personalities have become influencers, pop culture icons and even political figures. One is the president.

And many shows have not only endured, they’ve spawned universes, international adaptations and spinoffs. Bravo, a TV channel that used to focus on the performing arts, is now an unscripted powerhouse that even has its own convention, BravoCon, where its various universes come together in service of fans.

What does that say about us as viewers? There’s always been a fascination with peering into the lives of others, seeing how they react to everyday problems under the glare of a camera. Perhaps it is a way to deflect from the reality of our own lives, which under the guise of normalcy is straining with the weight of political upheaval and economic turmoil, not to mention personal strife. Seeing someone else onscreen deal with their reality is sometimes the best escape.

So like it or not, reality television is here to stay.

Jeff Webb, known as the “founder of modern cheerleading” for his role in turning the activity into a competitive sport, died Thursday following “a tragic accident,” a family spokesperson said Tuesday. He was 76.

A former yell leader for the University of Oklahoma cheerleading squad, Webb went on to form several organizations — including Varsity Spirit, the Universal Cheerleaders Assn. and the International Cheer Union — that helped him reshape what was once largely a sideline activity into an International Olympic Committee-recognized sport that features elements of gymnastics, stunts and dance.

Cheer Daily reports that an email sent by Varsity Spirit president Bill Seely to the company’s community said that Webb fell while playing pickleball earlier this month and suffered a severe head injury.

Webb was buried in a private ceremony for family on Sunday. A larger celebration of life will be held at a later date.

“Our father was, at his core, a man of inexhaustible energy, and he poured that energy into everything he did, from revolutionizing cheerleading to his never-ending — and constantly growing — list of activities,” Webb’s children said in a statement.

An avid outdoorsman, Webb managed a farm and hunting lodge and enjoyed offshore fishing and boating. He was also a pilot, author, publisher and guitar player.

“He brought that same spirit of dedication and encouragement to being a father and grandfather,” his children added. “To most people he is a legendary entrepreneur — to us, he was our soccer coach and on-demand comedian, our mentor and father-daughter dance partner, our solace and our source of strength.

“He taught us by example that a life well lived contains balance, that seriousness and silliness are not in fact opposites, that focus and discipline do not and should not preclude care and kindness.”

Through his organizations, Webb established hundreds of cheerleading competitions — including national championships that have been broadcast on ESPN for decades — and training camps. He was a pioneer in the manufacturing and marketing of cheerleading apparel and equipment and also played a role in establishing safety guidelines for the sport.

“The founder of modern cheerleading, [Webb] spent his life building the sport he loved and advocating for young people everywhere,” the International Cheer Union wrote on Facebook. “Our thoughts are with his family, friends and the entire global cheer community.

Varsity Spirit wrote on Instagram: “Join us in honoring the life and legacy of Jeff Webb, founder of Varsity Spirit and modern cheerleading. His impact has built a community that will continue to inspire generations to come.”

The Varsity Spirit post included a tribute video that featured an audio clip of Webb discussing the instant he realized just how much of an impact his efforts had on the sport.

“I was at UCA High School Nationals, and I looked out there — everybody had a smile on their face,” Webb said. “People think this is a little corny, but I had this almost epiphany experience. And it was just this emotion that came over me. It was, how lucky am I? How fortunate have I been to be able to have this idea and to build on it and have fabulous people kind of hook their star to my vision and for us together to build this great thing?”

Webb is survived by his wife, Gina, and his children, Jeffery and Caroline, and two grandchildren.

Wales had endured more than half a century in the international wilderness, absent from major tournaments since the 1958 World Cup.

There followed decades of false dawns and agonising stumbles at final hurdles, until a golden generation of players emerged to inspire a new hope.

Bale, Aaron Ramsey and the rest had been around a while by the time the Euro 2016 campaign came around and, as those stellar talents approached their peak, they were ready to take Wales to new heights.

“There was definitely optimism, a quiet belief I would say,” says Hal Robson-Kanu, the former Wales forward who started up front against Bosnia.

“We’d begun to get results which typically you wouldn’t expect Wales to get at that level. We knew we could do something special.”

Having won three and drawn two of their first five qualifiers, Wales truly started to believe this could be their time when they beat Belgium – then ranked second in the world – in Cardiff.

Coleman’s side then missed the opportunity to seal qualification when they were held to a goalless draw by Israel but knew a point in Bosnia or at home to minnows Andorra would get them over the line.

And so to that night in Zenica, a hard, industrial city in the heart of Bosnia, soaked by driving rain.

Even with the security of the Andorra game to come, Wales could not hide their dejection after second-half goals from Milan Djuric and Vedad Ibisevic gave Bosnia a 2-0 win.

“It was the first game in that campaign we’d lost, so that feeling was just hurting us,” Coleman tells BBC Sport Wales.

“We were playing Andorra at home in our final game, we needed a point, and I remember thinking about our history, how we always fall at the last hurdle and I was thinking, ‘Come on, really?’ I fancied us to do something against Andorra, but you never know, do you?

“Then I was coming off the pitch. Our fans are to the left. I remember thinking, ‘They’re a bit joyful. We’ve just lost 2-0. Why are you doing this?’

“Then I saw Mark Evans (the Football Association of Wales’ head of international affairs), who had a look on his face. He said Israel won. And I swear he waited three or four seconds and then he said: ‘Cyprus two.’ He paused again and said: ‘Israel one, Cyprus two’.

“He said we’d qualified and then I just remember turning around and all the players were waiting for me because I think they knew before I did, and I just couldn’t contain myself. I just ran to anybody.”

OLIVIA Attwood revealed she’s “moving on with my life” and reading texts about a man cheating after her split from husband Bradley Dack.

The Sun exclusively revealed that footballer Bradley, 32, is back with his ex-girlfriend Emily Rose Moloney after a “breach of trust” on his part damaged his marriage to Olivia.

Meanwhile Olivia, 34, has also moved on with her close friend and radio co-host Pete Wicks, who she was pictured kissing in a Soho bar on Friday night.

Today, amid the love life drama, Olivia took a moment from filming her new documentary to share a picture from inside a surgery theatre.

She then posted a selfie to Instagram and wrote: “And reading ‘hey girly’ texts on my break, gals come to the front today please and then I’m moving on with my life ty x.”

According to Urban Dictionary, a “hey girly” text is a “text you receive or send about a man cheating”.

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Earlier today, Bradley’s carefree girlfriend Emily said she was having “the best week of her life” following the surprise reunion.

She took to TikTok to share her excitement for the Hannah Montana 20th Anniversary Special, which is set to air on Disney+ this Friday.

In the video, Emily is seen driving along in her car with a cap and jumper on as she blasts songs from the iconic Disney show.

She sings along to the music as she writes over it: “Happy Hannah Montana Day to all those that celebrate.”

Emily captioned it: “What a good day to be alive, Hannah is back.”

One of her followers commented: “Good things coming,” as she responded: “Aren’t they just.”

Another said: “Having the best day,” and Emily replied: “The best week of my life.”

Olivia’s pals are far less enthusiastic.

An insider said: “After everything Bradley has done, Olivia’s friends can’t believe he is back with his ex all while he’s begging Olivia to take him back.

“Olivia was trying to protect Brad so never wanted to share what actually happened that caused their split.

“So here it is — Olivia was told he had cheated on her, so went through his phone and saw evidence that confirmed it.

“Olivia ended it because crucially that wasn’t the first time she had doubted his fidelity.

“She was trying to respect their 10-year relationship by staying quiet but her friends are bemused as to how Bradley is the one who caused all this, and Liv was still trying to protect him.”

Bradley first dated his new girlfriend Emily way back in 2017, but dumped her to win back Olivia following her stint on Love Island.

But pals say Emily remained the “other woman” in Brad and Olivia’s marriage.

However, Emily is not the woman Olivia was told Brad had cheated on her with.

While Brad might have been at fault for the relationship’s demise, he appears unhappy with Olivia’s actions since.

Shortly after the photos of her kiss with Pete were made public, Bradley unfollowed her on Instagram.

He’s since gone one step further and deleted the most recent picture dump he had with her from his profile.

His page is now largely pictures and videos of him on the football pitch, although he still has his ex on his feed further down.

Pals said over the weekend that Olivia and Pete’s friendship has “blossomed into an unexpected romance”.

A friend confirmed: “They have been spending a lot of time together and an unexpected romance has blossomed from friendship.”

The two are said to have begun their fling at the Brit Awards on February 28.

Olivia and Bradley dated on and off for years and began before she appeared on Love Island in 2017.

They eventually rekindled their romance before getting engaged while on a romantic holiday in Dubai in 2019.

Olivia and Brad finally tied the knot in a lavish ceremony at the Bulgari Hotel in Knightsbridge in June 2023, after it got pushed back due to Covid.

Following their split in January, the ITV star moved out of the marital home and into her own apartment in London.

Valerie Perrine, the Las Vegas showgirl turned Oscar-nominated actor best known for playing Lenny Bruce’s wayward wife Honey Harlow in “Lenny” and Lex Luthor’s secretary Eve Teschmacher in the 1978 and 1980 “Superman” films, died Monday morning. She was 82.

Perrine’s death was confirmed by Stacey Souther, her close friend and the director of the 2019 documentary “Valerie,” which followed the star’s debilitating battle with Parkinson’s disease.

“It is with deep sadness that I share the heartbreaking news that Valerie has passed away,” Souther announced on social media. “She faced Parkinson’s disease with incredible courage and compassion, never once complaining. She was a true inspiration who lived life to the fullest — and what a magnificent life it was. The world feels less beautiful without her in it.

“I love you, Valerie. I’ll see you on the other side.”

Souther also shared a GoFundMe link and a note that Perrine’s final wish was to be laid to rest at the Hollywood Hills Forest Lawn Cemetery. “After more than 15 years of fighting Parkinson’s, her finances are exhausted.”

Perrine was born Sept. 3, 1943, in Galveston, Texas, to parents Renee and Kenneth, a dancer and a U.S. Army lieutenant colonel. A military brat growing up, Perrine moved frequently and spent time in Japan, Paris and Scottsdale, Ariz.

She attended the University of Arizona, but her academic aspirations were short-lived. She skipped town, trading her textbooks for a feather headdress and G-string in Las Vegas. Soon she was a lead dancer in the star-spangled Lido de Paris show at the Stardust Hotel. She told the New York Times in 1974 that she spent some of her $800 weekly paycheck on experimenting with drugs: acid, mescaline, peyote, cocaine — you name it, she tried it.

Eight years after her foray into Vegas showbiz, her movie career kicked off unexpectedly during a visit to Hollywood. An agent at a friend’s dinner party took a liking to her, she told the Los Angeles Times in 2013. He asked if she had any publicity photos. The only one she had was in her topless Lido costume.

The sexy picture made its way to the desk of Monique James, the head of new talent at Universal. “She called me in and asked if I had ever acted before and I said ‘no,’” Perrine said. “She arranged a screen test.”

Paul Monash, the producer of “Slaughterhouse-Five,” which was based on Kurt Vonnegut’s acclaimed novel about World War II and time travel, directed the screen test. “They told me to wear a bikini because they wanted to see what my body looked like. I didn’t have a bikini. I wore my G-string and that was it.”

“I had been working in Vegas all the time and had been on the beach in St. Tropez, so being [naked] didn’t mean anything to me,” she told The Times. “It was my attitude that sparked his interest and the way I read the line, ‘Oh, you’re a moon child.’ He hired me.”

Dustin Hoffman as Lenny Bruce, left, and Valerie Perrine as Honey Harlow in a scene from the 1974 movie, “Lenny.”

(United Archives via Getty Images)

Soon after, she portrayed the love interest of NASCAR driver Junior Johnson opposite Jeff Bridges in the 1973 sports drama “The Last American Hero.” Perrine and Bridges dated briefly while working on the film. The same year she became the first woman to bare her breasts on television in the PBS telefilm “Steambath.”

Bridges described Perrine in the 2019 documentary “Valerie” as having a “real sense of fun and play.”

“She was excited about life and excited where she was and it’s a contagious feeling,” he said. “Growing up in a military family and traveling all over the world made her a really interesting person and as an actress, she had the ability to bring all of that into her performances.”

In 1974, she tapped into her showgirl background to portray the drug-addled stripper Honey Harlow opposite Dustin Hoffman as Lenny Bruce in the biopic “Lenny.” Her performance garnered rave reviews. She nabbed the lead actress award at the Cannes Film Festival, BAFTA named her most promising newcomer and she was nominated for an Oscar.

Perrine was perhaps best known for her portrayal of Eve Teschmacher, Lex Luthor’s secretary and love interest in the 1978 “Superman” starring Christopher Reeve, Gene Hackman and Marlon Brando. She played the role again in 1980’s “Superman II.”

She also starred in the 1980 disco flick “Can’t Stop the Music” alongside the Village People and Caitlyn Jenner. The movie flopped and Perrine was so mortified by the film’s poor reception that she moved to Europe. She didn’t officially retire from acting until around 2010, and by 2015 she had gone public with her Parkinson’s disease diagnosis.

The 2019 documentary short “Valerie,” directed by Souther, dropped the veil on Perrine’s battle with the illness, with her loss of bodily autonomy captured in the film. She said “the shakes” caused her to struggle and the level of care she required made her feel like a baby.

Still intact, though, were her sharp wit and self-deprecating sense of humor. In the film a doctor explains that there are times when physicians aren’t able to pin down a diagnosis or there are multiple diagnoses.

“The doctors don’t know what’s going on with me,” Perrine says. “They can’t figure it out.”

“What do you think it is?” the doctor asks Perrine.

“Karma,” she quips.

DESPITE winning dream roles, Anya Taylor-Joy admits her real wish is to retreat from Hollywood and live on a farm.

The 29-year-old is one of the world’s best-known actresses but has spent years feeling nervous on the red carpet, struggled to watch her award-winning performances and now wants calm.

She voices love interest Princess Peach in the new Super Mario Galaxy movie, which is released on April 1.

But Anya described her ideal life as “on a farm”.

She said: “I want goats, chickens, ducks, horses — all of it. I want to work, come into the city when I want to, then disappear and ride all day.”

The film is the follow-up to 2023’s The Super Mario Bros. Movie, which grossed more than £1billion worldwide.

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Princess Peach is the main female character and head of state of the Mushroom Kingdom.

Anya said: “I was so touched by how strong she is and how cool. The fact that’s going to be a role model kids can have nowadays is unbelievable. I left feeling very inspired by her.”

Anya knows all too well that life can be difficult as a child.

She was born in Florida, then lived in Argentina for five years where she rode horses in the idyllic countryside.

Her African-Spanish mum, a psychologist, and Scottish-Argentine dad, who raced powerboats, then moved the family to London when she was six — and things became dramatically different.

Anya was bullied, “locked in lockers, barred from classrooms, not invited to things” and did not speak English.

Watching films helped her navigate through the traumas.

She told the Happy Sad Confused podcast: “I’ve never been good at being cool, this is why I didn’t get along well with people in school.

“If I like something, I love it and it just pours out of me.

“But if I was sad, like if my hamster died, my parents could put me in front of a movie and I would feel better at the end of it.

“I could get lost in something like that.”

It was her love of movies that eventually helped her learn English.

She says: “I learned English when I was eight. I stuck it out for two years in London, refusing to speak English because I wanted to go home. Then eventually I was like, ‘I have no friends, this is going to be a needed skill’.”

Anya told her parents she was going to be an actress.

But first, after being “picked up” outside Harrods, she became a model at 16.

She was recruited by Sarah Doukas, boss of Storm model agency, who had discovered Kate Moss.

But at first Anya thought she was a stalker.

She said: “It was absurd. A black car comes up, starts chasing me. I pick up my dog, start running and a head comes out of the window and they say, ‘If you stop, you won’t regret it,’ and I stop.

“It was the head of a modelling agency. I don’t encourage other people to do this.

“I had no idea what I was doing, but luckily it worked out and my parents came with me the next day to the modelling agency.”

Her parents always supported her. Anya said: “They’d had six kids, so were like, ‘Oh, just do whatever you’re going to do’.

“I’m so grateful for the approach my parents have had because I did some pretty ballsy things in my teenage years and luckily they paid off, but they were always supportive.”

She did many auditions before getting her breakthrough role at 19 in film The Witch.

Anya said: “I thought that audition went so badly. I truly thought I had messed that up massively because I had a huge panic attack before I went into it, and luckily that really worked for the scene.”

It was then that Anya found where she truly belonged.

She said: “Going into work every single day felt like such a joy.

“I could breathe because I’d found a place where I was doing something I loved, with people who didn’t think I was a psychopath. And I could have fun with it. I loved every second of making that movie.”

She found it “mind blowing” that The Witch was a hit and forced herself to watch the performance.

Anya said: “It’s like getting hit by a bus. I personally don’t agree with not watching your films, it’s not all about you. It’s a whole bunch of other people who have done a lot of work and different departments that you have to go and support, because they deserve it and you love them. So I have to watch it.

“But the first time, I always feel I’ve let people down and I’m always like, ‘Oh, I messed it up’.

“Then I process it and the second time I watch it, it’s slightly more palatable and I’m able to lose myself a bit more.

“By the third time I’m just like, ‘OK, whatever’. You just have to get over yourself and applaud the people you care about that worked with you.”

Anya became a household name in 2020 after starring in Netflix series The Queen’s Gambit, which led to a Golden Globe for Best Actress.

She went on to roles in horror film Last Night In Soho, black comedy The Menu and the apocalyptic film Furiosa: A Mad Max Saga. Anya said she works “very hard, very gratefully hard” because she feels lucky to do a job she feels passionate about.

But it is not always easy. Despite her modelling background, Anya struggles with the limelight.

She said: “When I first started doing red carpets, I couldn’t handle the notion of being pretty.

“I was like, ‘I don’t do that’. I am a scummy, mud-caked ferret and striving for anything different felt disingenuous and scary.”

She has even been known to dress up “like an East Berlin spy” at times so nobody recognises her.

Now she is trying to make time for some balance in her life.

She said: “I’ve been living on film sets for five years and, occasionally, I think it would be nice to find out what Anya would do with three months if she wasn’t playing another person.

“So I’m trying to be more careful with my time there.

“You spend 18 hours a day thinking, behaving and breathing as another human being. That doesn’t leave a lot of time to figure out what it is that you like.”

And the person she wants to spend it with is her husband, US musician Malcolm McRae, who she married in 2021.

The couple split their time between homes in the Hollywood Hills and London.

She said: “I’ve finally found someone who will happily sit in silence with me, reading. We’re basically 80 years old and seven at the same time, and it works really well.

“When you are together, you are really valuing the time you have. Everyday, mundane activities are so full of joy.

“I love going to the petrol station with him and filling up the car and going to get breakfast.”

But right now, her focus is all on Princess Peach.

Anya told US Today: “She wants to find out where she comes from and is on a quest for adventure and prioritising herself a little bit more.”

Princess Peach sounds very much like the actress playing her.